Podcasts about Love Supreme

500-ojoje „Kito laiko“ laidoje – rubrika „Kai klasika įkvėpė popmuzikos dainius“, o joje Johano Pachelbelio Kanonas D-dur, virtęs tikra popmuzikos kliše. O taip pat, 60 metų legendinei Johno Coltrane'o dvasinio džiazo siuitai „A Love Supreme“, išleistai 1965-aisiais. Kodėl iki šių dienų tai laikoma vienu svarbiausių muzikos albumų istorijoje?Ved. Domantas Razauskas

After Ashley Kahn had published his book on the Miles Davis album Kind of Blue he turned his attention to the timeless John Coltrane record A Love Supreme. Not only is this still a highly regarded jazz performance, A Love Supreme is now the title of the biggest open air jazz festival in the UK.

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After losing 4 games in a row, and just 4 wins in 22, is Paul Warne's time at Derby starting to wear thin? Can he turn this around? Plus insight into Sunderland (H) from A Love Supreme. Featuring Jake Barker, Callum Boocock and Vik Singh.--Donate to "RamsTalk Runs 3824km" for Derby Food 4 Thought Alliance: https://justgiving.com/campaign/ramstalkrunsfordf4ta--If you did enjoy the episode, please consider liking and subscribing, or rating us on Spotify and Apple Pods. It really helps us out. Up the Rams!--Get up to 35% off Derby County current and retro shirts with Fanatics (Kitbag) using our custom link: https://kitbag.evyy.net/RamsTalk--Find Our Other Content Here:Website: https://linktr.ee/ramstalkpodSpotify/Apple Pods: https://podfollow.com/ramstalkpodTwitter: https://twitter.com/RamsTalkPodTikTok: https://www.tiktok.com/@ramstalkpodYouTube: https://www.youtube.com/@ramstalkpod--Business Inquiries:RamsTalkPodcast@Gmail.com--Tags: #DCFC #DerbyCounty #EFLChampionship #EFL #PaulWarne #Watford--Team/Crew:Jake Barker - Director/Producer/HostJamie Page - Assistant Host/CreativeCallum Boocock - Guest Host/CreativeAdam Titley - Guest Host/Producer/CreativeJacob Hackett - Guest Host/CreativeVik Singh Dosanjh - Guest Hosted on Acast. See acast.com/privacy for more information.

Jesus saves because God's steadfast love endures forever​ God's steadfast love is different (Psalm 136:1-3)​ God's steadfast love is active (Psalm 136:4-22)​ God's steadfast love is forever (Psalm 136:23-26)​

In this episode, I completed one of my bucket list. I interviewed a producer from a cult classic album. Ladies and gentlemen RoBlvd was the main producer for underground Cali classic rap groupU-N-I. Their debut album a A Love Supreme is considered a West Coast underground classic. We discussed how he met YO and Thurzday as well as production styles and contrast between East and West Coast. We also get into a conversation of production and where he's been since. Great producer talk and great motivational conversation. Enjoy.

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network.

Carlos Santana's career arc has been a journey. From blowing minds at the far edges of psychedelia at Woodstock to incendiary jazz experimentalism with the likes of John McLaughlin and Alice Coltrane to later becoming a chart-topping star with some of the biggest collaborators in pop and rock, his guitar playing has covered a lot of ground.On this episode of 100 Guitarists, we're covering everything about Santana's playing we can fit in one neat package: How did Santana's sound evolve? Has any other rock star mentioned John Coltrane's A Love Supreme on morning network television? Was Supernatural his ultimate gift to the world?In our new current listening segment, we're talking about a Bruce Hornsby live record and a recent release from guitarist Stash Wyslouch.Hear Paul Reed Smith's best Santana story here: https://prsguitars.com/blog/post/paul_reed_smith_tells_the_carlos_santana_storyFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Keyboard player and composer Ben Nobuto and double bass player Lucy Shaw take us from clocks and clouds into space as they join Anna Phoebe and Jeffrey Boakye, before landing on a John Coltrane classic.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Prisencolinensinainciusol by Adriano Celentano Clocks and Clouds by György Ligeti Also Sprach Zarathustra by Richard Strauss Acknowledgement from A Love Supreme by John Coltrane You Got the Love by Candi Staton Other music in this episode:Animal Magic theme, or Las Vegas, by Group Forty Orchestra, written by Laurie Johnson Hallelujah Sim by Ben Nobuto Always Look on the Bright Side of Life by Eric Idle Lontano by György Ligeti Your Love by Frankie Knuckles You Got the Love by Candi Staton - DJ Eren's mix Young Hearts Run Free by Candi Staton You've Got the Love by Florence & The Machine

Con Carlos López I “A Love Supreme” nació como la expresión individual de un titán musical que quiso dar al mundo un mensaje de luz inspirado en su propia relación con Dios, una humilde ofrenda sonora como muestra de agradecimiento a un ser supremo. La versión de estudio, grabada el día 9 de diciembre de 1964 y publicada en 1965 continúa generando admiración y adeptos. Estamos ante una obra de referencia no sólo en el mundo del jazz, sino que músicos y oyentes de otros estilos la proclaman como una de sus mayores influencias.

Con Carlos López I “A Love Supreme” nació como la expresión individual de un titán musical que quiso dar al mundo un mensaje de luz inspirado en su propia relación con Dios, una humilde ofrenda sonora como muestra de agradecimiento a un ser supremo. La versión de estudio, grabada el día 9 de diciembre de 1964 y publicada en 1965 continúa generando admiración y adeptos. Estamos ante una obra de referencia no sólo en el mundo del jazz, sino que músicos y oyentes de otros estilos la proclaman como una de sus mayores influencias.

"REHEARSALS FOR RETIREMENT" WRITTEN AND PERFORMED BY PHIL OCHS-"IF i CAN DREAM" WRITTEN BY EARL BROWN AND RECORDED BY ELVIS PRESLEY IN HONOR OF ROBERT F. KENNEDY JR."THE DAY THE WORLD ENDED" DIRECTED BY ROBERT CORMAN AND NARRATED BY CHET HUNTLEY“There's something about the guy that I love…” This is what Rich remembered that I had said about DJT. I didn't remember saying it, but I think I can relate to the veracity of his accusation. It's the re-incarnation of the Trickster that I recognize from myth - the nihilist Puck, whose talent to amuse - to entertain us as he foments chaos - is something that, I, (as someone who spent half his life trying to understand the nature of charisma) - can appreciate. Rich, as life-long activist, sees it differently: this, he feels, might be, perhaps, the last election he'll see in his lifetime, and the end of every ideal he fought for in his youth. But, he's a scrappy, latter day Dead End Kid, who ain't ready to lie down in darkness. Dig our back and forth debate.-BILL MESNIKLet's get ready to rumble. In the blue corner, a childless, blackish Vice President from Oakland, CA who was inspired by John Coltrane's "A Love Supreme" in her youth and presented with 107 days and a cat sandwich with which to salvage democracy. A piece of cake kids.In the Orange corner, a man  with the graceless moves of  Jerry Lewis on acid on and who has never met a "fuck you" he didn't like.A piece of  drek.Let the games begin.The ball is in your court America.I know you'll do the right  thing because it's about feeding your family, right?Wrong. It never was and once again we are forced to never forget.As Robert Duvall  recited in "Apocalypse Now", "I love the smell of Napalm in the morning".We do, don't we?Looking at my reflection in the mirror of social change I get it. Policy was replaced  by the red carpet pedigree of celebrity and the racist  molester won  every single demographic he insulted with vitality of  an an elderly pro wrestling heel.Orange is now truly the new black and blue.Good luck and Good night.-With gratitude to Norman Mailer, Barbara Dane, Dave Van Ronk, Tuli Kupferberg, Ed Sanders, Muhammad Ali, Joan Baez, Phil Ochs, Hunter S. Thompson, Medgar Evers,  Frannie Lou Hamer and  Ruby Bridges, the first black child to Integrate an All-White Elementary School in the South, on November 14, 1960, at the age of six.RICH BUCKLAND

We finish up our series "Faith, Hope, and Love" with a final sermon on love, "Love Supreme," from 1 Corinthians 13.

The pod returns during the international break to discuss the pros and cons of the rumored week off for the Argyle players, potential goalkeeper injuries, and a tough upcoming run of games (spoiler: it's rather tough!). Mark is joined by Ben from A Love Supreme to preview Saturday's clash with the Black Cats, and Chris wraps things up with a bumper quiz in part 3. Hosted on Acast. See acast.com/privacy for more information.

Get in touch to let me know what you think!Saxophonist Bjorn Arko is extraordinary and - after hearing him play with legendary drummer Billy Cobham at Love Supreme in July - I tracked him down and asked for an interview. The latest episode of Harmonious World is the result.Thanks to Bjorn, you can hear a couple of his most recent tracks alongside our conversation and he tells me there's a new album in the pipeline.Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showThanks for listening to Harmonious World. You can support the show by becoming a subscriber.Please rate and review wherever you find your podcasts - it really helps.Read my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

P&C review Country Ride Pale Ale from RAR, then invite special guest Longinus to the show to discuss "celebration of life playlists." Longinus' playlist includes ... * A Love Supreme by John Coltrane * Sometime Ago/La Feista by Chick Corea * All Blues by Miles Davis * Song of Loving Kindness by Gary Bartz * Boogie Nights by Heatwave * September by Earth, Wind, and Fire * Brick House by the Commodores * Staying Alive by the Beegees * Red Barchetta by RUSH * Closer to the Heart by the TREES * Wait until Tomorrow by Jimi Hendrix * Magis Bus by the Who * Goodtimes by Led Zeppelin * Blue Sky by the Allman Brothers * Waiting in the Van by Bob Marley * Sugar Mountain by Neil Young * Judy Blue Eyes by CSN * Bad Moon Rising by Credence * Ventura Highway by America * Dixie Chicken by Little Feat * That isn't funny anymore by the Smiths * Heard Through the Wall by Del Amitri * After the Rain by Cockburn * Block Cow by Steely Dan * Weary Kind by Ryan Bingham Crowhill organized his playlist by phases of his life. Youth - Spanish Flea by Herb Alpert – first trumpet solo Young adult / high school / swim team – Theme: arrogance, trumpet, going my own way. Anything by Maynard Ferguson College – Theme: Agony / struggle. Jethro Tull (maybe Mother Goose of Up to Me), Keith Green (Make My Life a Prayer to You), John Michael Talbott (He is Risen) Marriage and kids – Theme: joyful responsibility. “Front porch looking in” and “God is great, beer is good, and people are crazy.” – Theme: fun and silliness. “The Fox” by Nickel Creek Middle age – Maybe Calliandra Shade by Ian Anderson to signify watching the world go by – Dust in the Wind by Kansas to signify my lack of understanding of what the hell is going on – Grow Old with Me by Sunny Sweeney to signify my lifetime connection to my wife – Beautiful by Gordon Lightfoot Pigweed's soundtrack includes ... * McCartney & Wings - Band on the Run * BTO - Aint Seen Nothin Yet * George Thorogood - Move it on Over * Queen News of the World - not we will rock you * Elton John - Your Song High School * Rod Stewart - Maggie May * Eric Clapton - Slow Hand * Randy Newman * Tom Waits * Elvis Costello - Allison PUNK PHASE - not at the celebration. * Maybe one Clash Tune. * Bruce Springsteen * Who OUT OF HIGH SCHOOL * Lloyd Cole * Smiths * Prefab Sprout * Iggy Pop - The Passenger * Lou Reed - Who Loves the Sun MEXICO * Jose Alfredo Jimenez * Mariachi - Guadalajara Got a Pick Up Truck * 90s-Early2000s radio Country Music * Kenny Chesney - I go back * Toby Keith - Beer for my Horses OUTLAW COUNTRY * Hayes Carl * Ryan Bingham * Steve Earl * Robert Earle Keen * Morgan Wallen * Johnny Cash - When The Man Comes to Town

Nick and Simon present one of their jazz book reviews.Kind of Blue : Miles Davis and the making  of a masterpiece. Ashley Kahn Granta 2001 is an in-depth look at the legendary album its creation and its legacy.  Ashley Kahn has written much about jazz and his books on A Love Supreme and Impulse Records : the house that Trane built [ Simon got that title slightly wrong in the podcast] in December 1999 Kahn got to hear the master tapes of the sessions including the false starts etc and the 50th anniversary release contains those so you can hear them too. the Cd release also included a DVD including a documentaryMiles Davis-Kind of Blue-Celebrating a masterpieceThe Legacy edition is on Apple Music and other streaming platforms.Simon has written a blog post on the book and 2 other related books on the podcast website. The book is available in Print and E-Book format but not as an audio book. This is our website This is our InstagramThis is our Facebook group

In this message, Pastor Ricky teaches from Mark 12:28-34. In this passage, Jesus says the most important commandment is to love God with all your heart, with all your soul, with all your mind, and with all your strength. And the second is to love your neighbor as yourself. Together we learned what it looks like to love God wholeheartedly, love others genuinely, and follow Jesus completely.

Soul from Jimetta Rose & The Voices Of Creation, Allysha Joy & Ganavya. Part 1 of a mix inspired by Robert's DJ set at the Love Supreme festival recently. Hip Hop from Little Simz, Kendrick Lamar blended with MF DOOM, Samrai blended with Giggs. Broken Beat from Bruk Rogers and Nutmeg. A deep edit of Cleo Sol by Lazeness. Dancefloor Boogie from Comb Edits and Oro's track “Stop The War”. Snips & Eduardo Brecho up the tempo on their cover of Fela Kuti. Plus plenty more music treats.

On July 17, 1967, the world lost legendary jazz saxophonist John Coltrane passed away at the age of 40 due to liver cancer. Known for his profound impact on jazz, Coltrane's work transcended musical boundaries, blending bebop, hard bop, and modal jazz into a unique and transformative sound. His album “A Love Supreme,” released in 1965, stands out as one of his most significant and influential compositions, encapsulating his spiritual journey and showcasing his mastery of the tenor saxophone. Coltrane's innovative approach, marked by complex improvisations and a relentless pursuit of spiritual and musical enlightenment, continues to inspire musicians around the globe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Welcome to a very special episode of Harmonious World, with snippets recorded live at Love Supreme 2024.Alongside random musings from around the site, you'll hear a conversation with British comedian Marcus Brigstocke, who is - he admits - a bit of an obsessive when it comes to jazz. He shares some interesting thoughts about the parallels between comedy and jazz.I hope you enjoy listening to this brief introduction to Love Supreme - the largest green field jazz festival in the UK.Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the Show.Thanks for listening to Harmonious World. You can support the show by becoming a subscriber.Please rate and review wherever you find your podcasts - it really helps.Read my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Still making our way around Kyushu, it's an emotional return for us both as the project comes full circle. Thanks as ever to Brian of Grooves Ahead for his assistance with sound.

On this week's episode of Teen Girl Talk, we're watching two beautiful men fall in love.  That's right, we're covering Red, White and Royal Blue.  Also on this episode Suesie calls out Jim for creating a hostile work environment.  Frank gives props to the directors of political thrillers.  Intro and outro is Rebel Girl by Bikini Kill.  We want to thank our sponsor for this week's episode Crocs. Check out the new Brooklyn style sandal here: https://www.crocs.com/c/crocs-collections/brooklyn-collectionYou can get 20% off with your next purchase at Crocs.com, just use the code FLOWERS20 at checkout.Please rate, review and subscribe to the show on iTunesE-mail: realteengirltalk@gmail.com

durée : 00:59:20 - Dal Sasso Big Band - par : Alex Dutilh - Dal Sasso a encore frappé ! Fort de ses relectures King Size de classiques de John Coltrane, « A Love Supreme » et « Africa/Brass », Christophe Dal Sasso s'attaque aux « Three Quartets » de Chick Corea. Parution chez Jazz & People.

durée : 00:59:20 - Dal Sasso Big Band - par : Alex Dutilh - Dal Sasso a encore frappé ! Fort de ses relectures King Size de classiques de John Coltrane, « A Love Supreme » et « Africa/Brass », Christophe Dal Sasso s'attaque aux « Three Quartets » de Chick Corea. Parution chez Jazz & People.

In his recent book,Thriving on a Riff, Presbyterian minister and jazz pianist Bill Carter introduces us to the spiritual worlds opened up by jazz music. From King David to Dave Brubeck, from the Psalms of Israel to John Coltrane's A Love Supreme, musicians help us glimpse the experience of music as communion with the Divine. Weaving together stories from the history of American music with his personal experiences as a working musician, Carter invites us to meet a God who not only embraces syncopation but blesses the swing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mid-twentieth century was not only a time when some of the greatest jazz music was created. It was also a period when many African American musicians converted to Islam. By the 1940s, there was a variety of different versions of the faith from which to choose in America. The Ahmadiyya movement had arrived in the United States around 1920; the Nation of Islam had emerged out of Moorish Science a decade later; and by the 1940s different currents of Sunni Islam had been introduced to port cities like Philadelphia, New York, and Boston. By the 1950s and 60s, those ports became gateways to a wider world—to the Middle East and Africa—as African American Muslims set out on musical, religious, and political pilgrimages among their coreligionists overseas. In this episode, we'll be following those journeys by the likes of Art Blakey, Ahmed Abdul-Malik, and Yusuf Lateef, as well as Malcolm X and the great John Coltrane.  Nile Green talks to Richard Brent Turner, author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism (New York University Press, 2021).   Album Links: Ahmed Abdul-Malik, East Meets West https://www.youtube.com/watch?v=VmMR8J7yUEI Yusuf Lateef, Eastern Sounds https://www.youtube.com/watch?v=YMTHsK3MlzA John Coltrane, ‘Naima' https://www.youtube.com/watch?v=bPAC6zt_1ZM John Coltrane, A Love Supreme https://www.youtube.com/watch?v=ll3CMgiUPuU

John Coltrane – “God breathes through us so completely, so gently we hardly feel it, yet, it is our everything.” / spirituality starts as a vague intuition there's more / Coltrane's symbolism of Divine love in all 12 keys / the greatest secret of the sacred text -  there is a person behind everything and He can be connected to through love / Vishnu as the soul of the universe / the universe manifests as a tree grows from a seed / Brahma meditates and discovers God spread throughout his own body and senses / Little Prahlad drops the universal manual in our laps! SB 7.9.32-38

John Coltrane – “God breathes through us so completely, so gently we hardly feel it, yet, it is our everything.” / spirituality starts as a vague intuition there's more / Coltrane's symbolism of Divine love in all 12 keys / the greatest secret of the sacred text -  there is a person behind everything and He can be connected to through love / Vishnu as the soul of the universe / the universe manifests as a tree grows from a seed / Brahma meditates and discovers God spread throughout his own body and senses / Little Prahlad drops the universal manual in our laps! SB 7.9.32-38

Steph Curry experiences it when he's “in the zone” and hitting 35-foot three-pointers with ease. John Coltrane experienced it when he was recording his saxaphone performance on A Love Supreme. Psychologists have come to call this experience “the flow state.” But how might the flow state be related to what a monk experiences when he is deep in contemplative prayer or what a revival preacher feels in a tent meeting? In this series, we'll explore the science of the flow state through the groundbreaking work of Mihaly Csikszentmihalyi in his 'Flow: The Psychology of Optimal Experience' and offer theological reflections on possible points of intersection with historic Christian spirituality.   ——————  Become a patron on Patreon and get bonus Q&A Episodes, resources, opportunities for live discussions on Zoom, and access to our community Discord server: www.patreon.com/deeptalkstheologypodcast

Student journalists discuss covering campus protests. Also, Vitalant asks for blood donations for new mothers. Finally, an educational jazz series at The Sofia. Student Journalists Covering Campus Protests Student journalists with the CalMatters College Journalism Network Fellowship have been covering campus protests at their universities. Joining Insight is Atmika Iyer, a UCSB student-journalist, Christina Chkarboul, a student-journalist with the USC Daily Trojan, and Christopher Buchanan, a student-journalist at UCLA. Blood Donations for New Mothers Every year, about 219,000 units of blood and platelets are needed to help patients experiencing women's health issues - including about 1 of every 83 births. The nonprofit Vitalant is highlighting that need. Communications Manager Victoria Wolfe and West Division Vice President Mitzy Edgecomb discuss the callout to blood donors, and the opportunity to meet maternal blood needs. Sofia Educational Jazz Series A new performance series at The Sofia is educating and connecting audience members with the various genres and characteristics of jazz. The series started in April, with plans to do 12 jazz shows per year. Saxophonist Jacam Manricks, who is performing in and curating the series, provides a taste of the different forms of jazz, as well as upcoming series performances of Miles Davis' “Kind of Blue” on May 10, and John Coltrane's “A Love Supreme” on June 13.

Though he's known for his fiery, raging performances with groups like Sons of Kemet, The Comet Is Coming, and Shabaka and The Ancestors, Shabaka Hutchings eases into a contemplative zone with his debut solo album, Perceive Its Beauty, Acknowledge Its Grace.  Released on Impulse! Records and recorded at the legendary Van Gelder Studio in New Jersey—where John Coltrane cut A Love Supreme and many other jazz classics were committed to tape—the album finds Hutchings setting down his sax in favor of a variety of flutes and pondering questions about what it means to be, what it means to do, and how one gives themselves over to energizing forces. Joined by guests including Saul Williams, Euclid, Esperanza Spalding, Floating Points, Laraaji, poet Anum Iyapo, Carlos Nino, and fellow flute devotee André 3000, Hutchings drifts into a gentle, new age-inspired zone, blending spiritual jazz expression with ambient sensibilities.  “What does it mean to have music of spiritual substance?“What does it mean to be spiritual? What is spirit?” This week on Transmissions, Shabaka Hutchings joins us to discuss that force, his shift toward the flute, the influence of Outkast, and connecting with his father on a creative level.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Shabaka Hutchings. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Steph Curry experiences it when he's “in the zone” and hitting 35-foot three pointers with ease. John Coltrane experienced it when he was recording his saxaphone performance on A Love Supreme. Psychologists have come to call this experience “the flow state.” But how might the flow state be related to  what a monk experiences when he is deep in contemplative prayer or what a revival preacher feels in a tent meeting? In this series, we'll explore the science of the flow state through the groundbreaking work of Mihaly Csikszentmihalyi's in his 'Flow: The Psychology of Optimal Experience' and offer theological reflections on possible points of intersection with historic Christian spirituality.   ——————  Become a patron on Patreon and get bonus Q&A Episodes, resources, opportunities for live discussions on Zoom, and access to our community Discord server: www.patreon.com/deeptalkstheologypodcast

Our esteemed guest is Burn The Topiary a Ontario, California Beatmaker/Producer. A veritable maestro in the art of rhythm, unveils the layers of personal expression and authenticity that have shaped his musical identity. Together, we reminisce about the therapeutic power of beats, the nostalgic '90s era that ignited our passion, and how the tapestry of our lives—complete with family influences and a colorful musical past—interweave to create the unique soundscapes that define us. Through engaging discussion, we affirm music as a sanctuary for self-discovery, a space where conformity holds no sway and individuality reigns supreme.The narrative sways to the pulse of adaptability in the music world, touching on the renaissance that the COVID-19 lockdowns spurred within us. The conversation shifts like a melody, from the tactile strings of traditional instruments to the synthesized heartbeat of hip-hop and electronic beats, chronicling the birthing of four distinct albums in rapid succession. Tales of personal growth during the pandemic underscore the essence of maintaining a rhythm of creation amidst life's cacophony. We share the wisdom found in the Love Supreme collective's companionship and the boundless opportunities the global beat scene offers, highlighting the transformative power of crafting music on mobile devices and the excitement of upcoming events and album releases.Concluding our melodic conversation, our guest and I reflect on the importance of nurturing curiosity and embracing continuous learning in the craft of beat making. We highlight the joy of connecting with like-minded souls who inspire us to push the boundaries of our creativity. We nod toward the anticipated A Love Supreme California compilation album, a beacon of new talent ready to resonate through the airwaves. This episode is a tribute to the creative spirit that propels us forward, a call to fellow Beatmakers and music lovers alike to celebrate the soundtracks of our lives. Join us, and let the beats guide your journey to the core of your artistic essence.Intro Music: "Common - The Light (Jewel Flip)" from Jewel Flips Vol.3 by Brown Jewel (Listen Here)Featured Music: From Burn The Topiary's Bandcamp DiscographyConnect on Social Media: @BurnthetopiaryWebsite: Burnthetopiary.Bandcamp.com Follow A Love Supreme California on Instagram and YoutubeSupport Burn The Topiary's Album "Common Ground" Fundraising Efforts for which directly supports Shelters supporting battered women and children HereListen to Episode 098 - A Love Supreme CA (Special Edition) HereSupport the showEdited, Mixed and Mastered by GldnmndPodcast Website Link: The Rec Show PodcastNEW!!! TheRecShowPodcast Music Playlist Available Here

Jazz bassist Mark Egan (Pat Metheny Group, Gil Evans Orchestra, Elements) introduces Al to John Coltrane's 1965 classic A Love Supreme. Mark talks about how he first got acquainted with the album and why it's a significant album for him personally. He discusses playing with devotional musician Krishna Das and how that connects with his affinity for A Love Supreme. Mark also talks about his experience of playing on Arcadia's So Red the Rose, as well as the process of writing and recording his new album Cross Currents.Keep up with Mark's music releases and tours at markegan.com...…Or check out Mark's music on Bandcamp: https://markegan.bandcamp.com/.Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/1:35 Mark joins the show2:02 Mark talks about the music he listened to in his teen years5:31 Mark discusses the period where he first immersed himself in jazz7:25 Mark explains how A Love Supreme changed his life11:14 Mark highlights some unique aspects of the album17:47 Mark explains how A Love Supreme influenced his musical development24:01 Mark recommends Miles Davis' Kind of Blue as a prerequisite to listening to A Love Supreme27:06 Mark explains why he revisits jazz records over and over30:55 How does Mark hear A Love Supreme when he listens to ti now?33:14 Mark talks about the process of writing songs for Cross Currents with Shawn Pelton and Shane Theriot40:51 Once the songs were written, Cross Currents came together quickly43:29 Cross Currents also benefits from multiple listens45:51 Mark talks about working on Arcadia's So Red the Rose58:04 Mark talks about his work with Krishna Das, and how it connects with A Love Supreme1:05:17 An eclectic Boston radio station laid the foundation for Mark's love of A Love SupremeOutro music is from “Cross Currents” by Mark Egan.Support the show

Once a symbol of imperial terror, the cross has become the eternal symbol of divine love. When we look upon the cross today, we don't see an instrument of torture and death; we see the supreme demonstration of God's love. We see the lengths to which God will go to save the world.

This week, Vinyl Me, Please announced an exclusive super deluxe version of John Coltrane's masterpiece, A Love Supreme. Featuring 8 discs of alternate and live takes, housed in a custom box with a lot of extra ephemera and photos, our version is the ultimate item for Coltrane heads and a must have for jazz fiends.  To explain everything that's in the reissue, and how it came to be, our host goes through the project from head to toe.  Have a question you'd like us to answer? Call the Lost Sounds Radio hotline at 424-3ASKVMP (‪(424) 327-5867‬).  Executive produced and edited by Cydney Berlinger  Executive produced and hosted by Andrew Winistorfer Our theme song is "Lo and Beholden" by Jade Vases from the album The Very Best of Jade Vases.  

VMP recently released the first release in a new series called Sonidos Encontrados, and a mega deluxe version of John Coltrane's A Love Supreme. Because our Discord community had so many questions about the releases--and the prints and posters being released alongside these albums--we opened up "Office Hours" and took their questions. This is everything you need to know about the new series, and the extraordinary lengths VMP went to on their edition of A Love Supreme.  Have a question you'd like us to answer? Call the Lost Sounds Radio hotline at 424-3ASKVMP (‪(424) 327-5867‬).  Hosted by Paul Bass Executive produced and edited by Cydney Berlinger  Executive produced by Andrew Winistorfer Our theme song is "Lo and Beholden" by Jade Vases from the album The Very Best of Jade Vases.  

Chicago. Designer. Artist. And. Jazz fan. Norman Teague, joins us to touch on craft, music, Mies van der Rohr, bringing one's cousins along. Come along us as we dance through a racialized modern, Martian Puryear, craft and art, and the affect of music. All while we investigate “A LOVE SUPREME” at the Elmhurst Art Museum. Image... Install at Elmhurst Art Museum   Elmhurst Art Museum https://elmhurstartmuseum.org/ Norman Teague https://www.normanteaguedesignstudios.com/ John Coltrane https://en.wikipedia.org/wiki/John_Coltrane Rose Camara https://www.rosecamara.com/ Chipstone Foundation https://www.chipstone.org/ Terra Foundation https://www.terraamericanart.org/ Art Design Chicago https://artdesignchicago.org/ Martian Puryear https://matthewmarks.com/artists/martin-puryear Mies van der Rohe https://www.moma.org/artists/7166      

An introduction to Cornel West, focusing on his early essay “Philosophy and the Afro-American Experience.”

Episode 34: Leo Darkwa OhemengLeo Darkwa Ohemeng, (also known as Dr. Leo Soul) is a British born piano player, originally from Ghana. He started playing the piano at 15 and has been performing since 2019. Currently playing for Tee Peters And The Working Class Band and many more artists around London. He has recently played with the artists 'Ouraa' and 'Tee Peters' on BBC Radio 1, 'Solaris' on BBC Introducing and performed at many festivals such as The Great Escape, Love Supreme, The Secret Garden Party and The Royal Albert Hall exhibition festival.Leo is also a freelance sports massage therapist, under the name Recoverate Therapy.#hygystpod #LeoSoulHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

Aaron Paul, Jobi McAnuff and Lyle Taylor look at a busy week of managerial departures in the Championship, with Tony Mowbray and Michael Duff leaving Sunderland and Swansea respectively. They assess where things have gone wrong and what comes next for both clubs.In the week of his wedding, we hear from the Crewe boss Lee Bell on marriage and his side's fine first half of the season.And Lyle tells us about his move to Wycombe Wanderers after a difficult final year at Nottingham Forest, followed by a spell as a free agent.TIME CODES 03:11 Swansea sack Michael Duff 10:22 Tony Mowbray leaves Sunderland (featuring an interview with A Love Supreme fanzine editor Paul Dobson) 21:35 Lee Bell and Crewe Alexandra 30:29 Lyle Taylor on getting back into football