Podcasts about Love Supreme

En la sección semanal de Discos Desiertos, con la locutora, productora y actriz Geraldine Hill, conocemos las canciones favoritas y los tesoros sonoros ocultos del baterista y percusionista Konstan Pradas.  Suenan Tego Calderón (Chango Blanco), Caitro Soto (Toro Mata), Negor Aquilino (Que Se Va El Vapor), Anga Díaz (A Love Supreme) y Orquesta Popular De La Madalena (Rumba Del Mercadillo).          También hablamos de Cuti Vericad (Vivir La Vida Sin Amor), Begut (Prefiero), Metecandriu (Soñar Bien, Starman), Santoral (Loco Medieval), Jake La Botz (Hobo On A Passenger Train) y Telephunken (Taxi FEAT Rachel Nobbs).    

500-ojoje „Kito laiko“ laidoje – rubrika „Kai klasika įkvėpė popmuzikos dainius“, o joje Johano Pachelbelio Kanonas D-dur, virtęs tikra popmuzikos kliše. O taip pat, 60 metų legendinei Johno Coltrane'o dvasinio džiazo siuitai „A Love Supreme“, išleistai 1965-aisiais. Kodėl iki šių dienų tai laikoma vienu svarbiausių muzikos albumų istorijoje?Ved. Domantas Razauskas

After Ashley Kahn had published his book on the Miles Davis album Kind of Blue he turned his attention to the timeless John Coltrane record A Love Supreme. Not only is this still a highly regarded jazz performance, A Love Supreme is now the title of the biggest open air jazz festival in the UK.

Support the show

After losing 4 games in a row, and just 4 wins in 22, is Paul Warne's time at Derby starting to wear thin? Can he turn this around? Plus insight into Sunderland (H) from A Love Supreme. Featuring Jake Barker, Callum Boocock and Vik Singh.--Donate to "RamsTalk Runs 3824km" for Derby Food 4 Thought Alliance: https://justgiving.com/campaign/ramstalkrunsfordf4ta--If you did enjoy the episode, please consider liking and subscribing, or rating us on Spotify and Apple Pods. It really helps us out. Up the Rams!--Get up to 35% off Derby County current and retro shirts with Fanatics (Kitbag) using our custom link: https://kitbag.evyy.net/RamsTalk--Find Our Other Content Here:Website: https://linktr.ee/ramstalkpodSpotify/Apple Pods: https://podfollow.com/ramstalkpodTwitter: https://twitter.com/RamsTalkPodTikTok: https://www.tiktok.com/@ramstalkpodYouTube: https://www.youtube.com/@ramstalkpod--Business Inquiries:RamsTalkPodcast@Gmail.com--Tags: #DCFC #DerbyCounty #EFLChampionship #EFL #PaulWarne #Watford--Team/Crew:Jake Barker - Director/Producer/HostJamie Page - Assistant Host/CreativeCallum Boocock - Guest Host/CreativeAdam Titley - Guest Host/Producer/CreativeJacob Hackett - Guest Host/CreativeVik Singh Dosanjh - Guest Hosted on Acast. See acast.com/privacy for more information.

Jesus saves because God's steadfast love endures forever​ God's steadfast love is different (Psalm 136:1-3)​ God's steadfast love is active (Psalm 136:4-22)​ God's steadfast love is forever (Psalm 136:23-26)​

In this episode, I completed one of my bucket list. I interviewed a producer from a cult classic album. Ladies and gentlemen RoBlvd was the main producer for underground Cali classic rap groupU-N-I. Their debut album a A Love Supreme is considered a West Coast underground classic. We discussed how he met YO and Thurzday as well as production styles and contrast between East and West Coast. We also get into a conversation of production and where he's been since. Great producer talk and great motivational conversation. Enjoy.

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In James Baldwin's Sonny's Blues (Oxford University Press, 2024), Tom Jenks follows a scene-by-scene, sometimes line-by-line, discussion of the pattern by which Baldwin indelibly writes "Sonny's Blues" into the consciousness of readers. It provides ongoing observations of the aesthetics underlying the particulars of the story, with references to Edward P. Jones (whose magnificent story "All Aunt Hagar's Children" bears a knowing relationship to "Sonny's Blues,") to Charlie Parker's music, and to Billie Holiday's "Am I Blue?" and John Coltrane's "A Love Supreme" as part of the musical progression Baldwin creates, and with attention to Baldwin's oratorical gifts and the biblical references in the story, to its time structure, characterizations, dramatic action, and, most of all, its totality of effect. Drawing on Baldwin's book-length essay The Fire Next Time, which Baldwin published a six years after the publication of the short story, Tom Jenks offers insight on some of the sources in Baldwin's life for "Sonny's Blues" and on the logic and passion by which life may be meaningfully transformed into art. Tom Jenks is the cofounder and editor of Narrative magazine. Check out his magazine online here. He is a former editor of Esquire, Gentlemen's Quarterly, The Paris Review, and a senior editor at Scribners, where he edited Hemingway's The Garden of Eden. With Raymond Carver, he edited American Short Story Masterpieces. His writing has appeared in Harper's, Ploughshares, Vanity Fair, Esquire, The American Scholar, Five Points, the Los Angeles Times, and elsewhere. He has given classes at the Iowa Writers' Workshop, the Creative Writing Programs at University of California, and Washington University in St. Louis. Jessie Cohen holds a Ph.D. in History from Columbia University, and is an editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Carlos Santana's career arc has been a journey. From blowing minds at the far edges of psychedelia at Woodstock to incendiary jazz experimentalism with the likes of John McLaughlin and Alice Coltrane to later becoming a chart-topping star with some of the biggest collaborators in pop and rock, his guitar playing has covered a lot of ground.On this episode of 100 Guitarists, we're covering everything about Santana's playing we can fit in one neat package: How did Santana's sound evolve? Has any other rock star mentioned John Coltrane's A Love Supreme on morning network television? Was Supernatural his ultimate gift to the world?In our new current listening segment, we're talking about a Bruce Hornsby live record and a recent release from guitarist Stash Wyslouch.Hear Paul Reed Smith's best Santana story here: https://prsguitars.com/blog/post/paul_reed_smith_tells_the_carlos_santana_storyFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Keyboard player and composer Ben Nobuto and double bass player Lucy Shaw take us from clocks and clouds into space as they join Anna Phoebe and Jeffrey Boakye, before landing on a John Coltrane classic.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Prisencolinensinainciusol by Adriano Celentano Clocks and Clouds by György Ligeti Also Sprach Zarathustra by Richard Strauss Acknowledgement from A Love Supreme by John Coltrane You Got the Love by Candi Staton Other music in this episode:Animal Magic theme, or Las Vegas, by Group Forty Orchestra, written by Laurie Johnson Hallelujah Sim by Ben Nobuto Always Look on the Bright Side of Life by Eric Idle Lontano by György Ligeti Your Love by Frankie Knuckles You Got the Love by Candi Staton - DJ Eren's mix Young Hearts Run Free by Candi Staton You've Got the Love by Florence & The Machine

Con Carlos López I “A Love Supreme” nació como la expresión individual de un titán musical que quiso dar al mundo un mensaje de luz inspirado en su propia relación con Dios, una humilde ofrenda sonora como muestra de agradecimiento a un ser supremo. La versión de estudio, grabada el día 9 de diciembre de 1964 y publicada en 1965 continúa generando admiración y adeptos. Estamos ante una obra de referencia no sólo en el mundo del jazz, sino que músicos y oyentes de otros estilos la proclaman como una de sus mayores influencias.

"REHEARSALS FOR RETIREMENT" WRITTEN AND PERFORMED BY PHIL OCHS-"IF i CAN DREAM" WRITTEN BY EARL BROWN AND RECORDED BY ELVIS PRESLEY IN HONOR OF ROBERT F. KENNEDY JR."THE DAY THE WORLD ENDED" DIRECTED BY ROBERT CORMAN AND NARRATED BY CHET HUNTLEY“There's something about the guy that I love…” This is what Rich remembered that I had said about DJT. I didn't remember saying it, but I think I can relate to the veracity of his accusation. It's the re-incarnation of the Trickster that I recognize from myth - the nihilist Puck, whose talent to amuse - to entertain us as he foments chaos - is something that, I, (as someone who spent half his life trying to understand the nature of charisma) - can appreciate. Rich, as life-long activist, sees it differently: this, he feels, might be, perhaps, the last election he'll see in his lifetime, and the end of every ideal he fought for in his youth. But, he's a scrappy, latter day Dead End Kid, who ain't ready to lie down in darkness. Dig our back and forth debate.-BILL MESNIKLet's get ready to rumble. In the blue corner, a childless, blackish Vice President from Oakland, CA who was inspired by John Coltrane's "A Love Supreme" in her youth and presented with 107 days and a cat sandwich with which to salvage democracy. A piece of cake kids.In the Orange corner, a man  with the graceless moves of  Jerry Lewis on acid on and who has never met a "fuck you" he didn't like.A piece of  drek.Let the games begin.The ball is in your court America.I know you'll do the right  thing because it's about feeding your family, right?Wrong. It never was and once again we are forced to never forget.As Robert Duvall  recited in "Apocalypse Now", "I love the smell of Napalm in the morning".We do, don't we?Looking at my reflection in the mirror of social change I get it. Policy was replaced  by the red carpet pedigree of celebrity and the racist  molester won  every single demographic he insulted with vitality of  an an elderly pro wrestling heel.Orange is now truly the new black and blue.Good luck and Good night.-With gratitude to Norman Mailer, Barbara Dane, Dave Van Ronk, Tuli Kupferberg, Ed Sanders, Muhammad Ali, Joan Baez, Phil Ochs, Hunter S. Thompson, Medgar Evers,  Frannie Lou Hamer and  Ruby Bridges, the first black child to Integrate an All-White Elementary School in the South, on November 14, 1960, at the age of six.RICH BUCKLAND

We finish up our series "Faith, Hope, and Love" with a final sermon on love, "Love Supreme," from 1 Corinthians 13.

The pod returns during the international break to discuss the pros and cons of the rumored week off for the Argyle players, potential goalkeeper injuries, and a tough upcoming run of games (spoiler: it's rather tough!). Mark is joined by Ben from A Love Supreme to preview Saturday's clash with the Black Cats, and Chris wraps things up with a bumper quiz in part 3. Hosted on Acast. See acast.com/privacy for more information.

Get in touch to let me know what you think!Saxophonist Bjorn Arko is extraordinary and - after hearing him play with legendary drummer Billy Cobham at Love Supreme in July - I tracked him down and asked for an interview. The latest episode of Harmonious World is the result.Thanks to Bjorn, you can hear a couple of his most recent tracks alongside our conversation and he tells me there's a new album in the pipeline.Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showThanks for listening to Harmonious World. You can support the show by becoming a subscriber.Please rate and review wherever you find your podcasts - it really helps.Read my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

P&C review Country Ride Pale Ale from RAR, then invite special guest Longinus to the show to discuss "celebration of life playlists." Longinus' playlist includes ... * A Love Supreme by John Coltrane * Sometime Ago/La Feista by Chick Corea * All Blues by Miles Davis * Song of Loving Kindness by Gary Bartz * Boogie Nights by Heatwave * September by Earth, Wind, and Fire * Brick House by the Commodores * Staying Alive by the Beegees * Red Barchetta by RUSH * Closer to the Heart by the TREES * Wait until Tomorrow by Jimi Hendrix * Magis Bus by the Who * Goodtimes by Led Zeppelin * Blue Sky by the Allman Brothers * Waiting in the Van by Bob Marley * Sugar Mountain by Neil Young * Judy Blue Eyes by CSN * Bad Moon Rising by Credence * Ventura Highway by America * Dixie Chicken by Little Feat * That isn't funny anymore by the Smiths * Heard Through the Wall by Del Amitri * After the Rain by Cockburn * Block Cow by Steely Dan * Weary Kind by Ryan Bingham Crowhill organized his playlist by phases of his life. Youth - Spanish Flea by Herb Alpert – first trumpet solo Young adult / high school / swim team – Theme: arrogance, trumpet, going my own way. Anything by Maynard Ferguson College – Theme: Agony / struggle. Jethro Tull (maybe Mother Goose of Up to Me), Keith Green (Make My Life a Prayer to You), John Michael Talbott (He is Risen) Marriage and kids – Theme: joyful responsibility. “Front porch looking in” and “God is great, beer is good, and people are crazy.” – Theme: fun and silliness. “The Fox” by Nickel Creek Middle age – Maybe Calliandra Shade by Ian Anderson to signify watching the world go by – Dust in the Wind by Kansas to signify my lack of understanding of what the hell is going on – Grow Old with Me by Sunny Sweeney to signify my lifetime connection to my wife – Beautiful by Gordon Lightfoot Pigweed's soundtrack includes ... * McCartney & Wings - Band on the Run * BTO - Aint Seen Nothin Yet * George Thorogood - Move it on Over * Queen News of the World - not we will rock you * Elton John - Your Song High School * Rod Stewart - Maggie May * Eric Clapton - Slow Hand * Randy Newman * Tom Waits * Elvis Costello - Allison PUNK PHASE - not at the celebration. * Maybe one Clash Tune. * Bruce Springsteen * Who OUT OF HIGH SCHOOL * Lloyd Cole * Smiths * Prefab Sprout * Iggy Pop - The Passenger * Lou Reed - Who Loves the Sun MEXICO * Jose Alfredo Jimenez * Mariachi - Guadalajara Got a Pick Up Truck * 90s-Early2000s radio Country Music * Kenny Chesney - I go back * Toby Keith - Beer for my Horses OUTLAW COUNTRY * Hayes Carl * Ryan Bingham * Steve Earl * Robert Earle Keen * Morgan Wallen * Johnny Cash - When The Man Comes to Town

Nick and Simon present one of their jazz book reviews.Kind of Blue : Miles Davis and the making  of a masterpiece. Ashley Kahn Granta 2001 is an in-depth look at the legendary album its creation and its legacy.  Ashley Kahn has written much about jazz and his books on A Love Supreme and Impulse Records : the house that Trane built [ Simon got that title slightly wrong in the podcast] in December 1999 Kahn got to hear the master tapes of the sessions including the false starts etc and the 50th anniversary release contains those so you can hear them too. the Cd release also included a DVD including a documentaryMiles Davis-Kind of Blue-Celebrating a masterpieceThe Legacy edition is on Apple Music and other streaming platforms.Simon has written a blog post on the book and 2 other related books on the podcast website. The book is available in Print and E-Book format but not as an audio book. This is our website This is our InstagramThis is our Facebook group

In this message, Pastor Ricky teaches from Mark 12:28-34. In this passage, Jesus says the most important commandment is to love God with all your heart, with all your soul, with all your mind, and with all your strength. And the second is to love your neighbor as yourself. Together we learned what it looks like to love God wholeheartedly, love others genuinely, and follow Jesus completely.

Soul from Jimetta Rose & The Voices Of Creation, Allysha Joy & Ganavya. Part 1 of a mix inspired by Robert's DJ set at the Love Supreme festival recently. Hip Hop from Little Simz, Kendrick Lamar blended with MF DOOM, Samrai blended with Giggs. Broken Beat from Bruk Rogers and Nutmeg. A deep edit of Cleo Sol by Lazeness. Dancefloor Boogie from Comb Edits and Oro's track “Stop The War”. Snips & Eduardo Brecho up the tempo on their cover of Fela Kuti. Plus plenty more music treats.

On July 17, 1967, the world lost legendary jazz saxophonist John Coltrane passed away at the age of 40 due to liver cancer. Known for his profound impact on jazz, Coltrane's work transcended musical boundaries, blending bebop, hard bop, and modal jazz into a unique and transformative sound. His album “A Love Supreme,” released in 1965, stands out as one of his most significant and influential compositions, encapsulating his spiritual journey and showcasing his mastery of the tenor saxophone. Coltrane's innovative approach, marked by complex improvisations and a relentless pursuit of spiritual and musical enlightenment, continues to inspire musicians around the globe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Welcome to a very special episode of Harmonious World, with snippets recorded live at Love Supreme 2024.Alongside random musings from around the site, you'll hear a conversation with British comedian Marcus Brigstocke, who is - he admits - a bit of an obsessive when it comes to jazz. He shares some interesting thoughts about the parallels between comedy and jazz.I hope you enjoy listening to this brief introduction to Love Supreme - the largest green field jazz festival in the UK.Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the Show.Thanks for listening to Harmonious World. You can support the show by becoming a subscriber.Please rate and review wherever you find your podcasts - it really helps.Read my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Still making our way around Kyushu, it's an emotional return for us both as the project comes full circle. Thanks as ever to Brian of Grooves Ahead for his assistance with sound.

On this week's episode of Teen Girl Talk, we're watching two beautiful men fall in love.  That's right, we're covering Red, White and Royal Blue.  Also on this episode Suesie calls out Jim for creating a hostile work environment.  Frank gives props to the directors of political thrillers.  Intro and outro is Rebel Girl by Bikini Kill.  We want to thank our sponsor for this week's episode Crocs. Check out the new Brooklyn style sandal here: https://www.crocs.com/c/crocs-collections/brooklyn-collectionYou can get 20% off with your next purchase at Crocs.com, just use the code FLOWERS20 at checkout.Please rate, review and subscribe to the show on iTunesE-mail: realteengirltalk@gmail.com

durée : 00:59:20 - Dal Sasso Big Band - par : Alex Dutilh - Dal Sasso a encore frappé ! Fort de ses relectures King Size de classiques de John Coltrane, « A Love Supreme » et « Africa/Brass », Christophe Dal Sasso s'attaque aux « Three Quartets » de Chick Corea. Parution chez Jazz & People.

In his recent book,Thriving on a Riff, Presbyterian minister and jazz pianist Bill Carter introduces us to the spiritual worlds opened up by jazz music. From King David to Dave Brubeck, from the Psalms of Israel to John Coltrane's A Love Supreme, musicians help us glimpse the experience of music as communion with the Divine. Weaving together stories from the history of American music with his personal experiences as a working musician, Carter invites us to meet a God who not only embraces syncopation but blesses the swing. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mid-twentieth century was not only a time when some of the greatest jazz music was created. It was also a period when many African American musicians converted to Islam. By the 1940s, there was a variety of different versions of the faith from which to choose in America. The Ahmadiyya movement had arrived in the United States around 1920; the Nation of Islam had emerged out of Moorish Science a decade later; and by the 1940s different currents of Sunni Islam had been introduced to port cities like Philadelphia, New York, and Boston. By the 1950s and 60s, those ports became gateways to a wider world—to the Middle East and Africa—as African American Muslims set out on musical, religious, and political pilgrimages among their coreligionists overseas. In this episode, we'll be following those journeys by the likes of Art Blakey, Ahmed Abdul-Malik, and Yusuf Lateef, as well as Malcolm X and the great John Coltrane.  Nile Green talks to Richard Brent Turner, author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism (New York University Press, 2021).   Album Links: Ahmed Abdul-Malik, East Meets West https://www.youtube.com/watch?v=VmMR8J7yUEI Yusuf Lateef, Eastern Sounds https://www.youtube.com/watch?v=YMTHsK3MlzA John Coltrane, ‘Naima' https://www.youtube.com/watch?v=bPAC6zt_1ZM John Coltrane, A Love Supreme https://www.youtube.com/watch?v=ll3CMgiUPuU

John Coltrane – “God breathes through us so completely, so gently we hardly feel it, yet, it is our everything.” / spirituality starts as a vague intuition there's more / Coltrane's symbolism of Divine love in all 12 keys / the greatest secret of the sacred text -  there is a person behind everything and He can be connected to through love / Vishnu as the soul of the universe / the universe manifests as a tree grows from a seed / Brahma meditates and discovers God spread throughout his own body and senses / Little Prahlad drops the universal manual in our laps! SB 7.9.32-38

John Coltrane – “God breathes through us so completely, so gently we hardly feel it, yet, it is our everything.” / spirituality starts as a vague intuition there's more / Coltrane's symbolism of Divine love in all 12 keys / the greatest secret of the sacred text -  there is a person behind everything and He can be connected to through love / Vishnu as the soul of the universe / the universe manifests as a tree grows from a seed / Brahma meditates and discovers God spread throughout his own body and senses / Little Prahlad drops the universal manual in our laps! SB 7.9.32-38

Steph Curry experiences it when he's “in the zone” and hitting 35-foot three-pointers with ease. John Coltrane experienced it when he was recording his saxaphone performance on A Love Supreme. Psychologists have come to call this experience “the flow state.” But how might the flow state be related to what a monk experiences when he is deep in contemplative prayer or what a revival preacher feels in a tent meeting? In this series, we'll explore the science of the flow state through the groundbreaking work of Mihaly Csikszentmihalyi in his 'Flow: The Psychology of Optimal Experience' and offer theological reflections on possible points of intersection with historic Christian spirituality.   ——————  Become a patron on Patreon and get bonus Q&A Episodes, resources, opportunities for live discussions on Zoom, and access to our community Discord server: www.patreon.com/deeptalkstheologypodcast

Student journalists discuss covering campus protests. Also, Vitalant asks for blood donations for new mothers. Finally, an educational jazz series at The Sofia. Student Journalists Covering Campus Protests Student journalists with the CalMatters College Journalism Network Fellowship have been covering campus protests at their universities. Joining Insight is Atmika Iyer, a UCSB student-journalist, Christina Chkarboul, a student-journalist with the USC Daily Trojan, and Christopher Buchanan, a student-journalist at UCLA. Blood Donations for New Mothers Every year, about 219,000 units of blood and platelets are needed to help patients experiencing women's health issues - including about 1 of every 83 births. The nonprofit Vitalant is highlighting that need. Communications Manager Victoria Wolfe and West Division Vice President Mitzy Edgecomb discuss the callout to blood donors, and the opportunity to meet maternal blood needs. Sofia Educational Jazz Series A new performance series at The Sofia is educating and connecting audience members with the various genres and characteristics of jazz. The series started in April, with plans to do 12 jazz shows per year. Saxophonist Jacam Manricks, who is performing in and curating the series, provides a taste of the different forms of jazz, as well as upcoming series performances of Miles Davis' “Kind of Blue” on May 10, and John Coltrane's “A Love Supreme” on June 13.

Though he's known for his fiery, raging performances with groups like Sons of Kemet, The Comet Is Coming, and Shabaka and The Ancestors, Shabaka Hutchings eases into a contemplative zone with his debut solo album, Perceive Its Beauty, Acknowledge Its Grace.  Released on Impulse! Records and recorded at the legendary Van Gelder Studio in New Jersey—where John Coltrane cut A Love Supreme and many other jazz classics were committed to tape—the album finds Hutchings setting down his sax in favor of a variety of flutes and pondering questions about what it means to be, what it means to do, and how one gives themselves over to energizing forces. Joined by guests including Saul Williams, Euclid, Esperanza Spalding, Floating Points, Laraaji, poet Anum Iyapo, Carlos Nino, and fellow flute devotee André 3000, Hutchings drifts into a gentle, new age-inspired zone, blending spiritual jazz expression with ambient sensibilities.  “What does it mean to have music of spiritual substance?“What does it mean to be spiritual? What is spirit?” This week on Transmissions, Shabaka Hutchings joins us to discuss that force, his shift toward the flute, the influence of Outkast, and connecting with his father on a creative level.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Shabaka Hutchings. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Steph Curry experiences it when he's “in the zone” and hitting 35-foot three pointers with ease. John Coltrane experienced it when he was recording his saxaphone performance on A Love Supreme. Psychologists have come to call this experience “the flow state.” But how might the flow state be related to  what a monk experiences when he is deep in contemplative prayer or what a revival preacher feels in a tent meeting? In this series, we'll explore the science of the flow state through the groundbreaking work of Mihaly Csikszentmihalyi's in his 'Flow: The Psychology of Optimal Experience' and offer theological reflections on possible points of intersection with historic Christian spirituality.   ——————  Become a patron on Patreon and get bonus Q&A Episodes, resources, opportunities for live discussions on Zoom, and access to our community Discord server: www.patreon.com/deeptalkstheologypodcast

Our esteemed guest is Burn The Topiary a Ontario, California Beatmaker/Producer. A veritable maestro in the art of rhythm, unveils the layers of personal expression and authenticity that have shaped his musical identity. Together, we reminisce about the therapeutic power of beats, the nostalgic '90s era that ignited our passion, and how the tapestry of our lives—complete with family influences and a colorful musical past—interweave to create the unique soundscapes that define us. Through engaging discussion, we affirm music as a sanctuary for self-discovery, a space where conformity holds no sway and individuality reigns supreme.The narrative sways to the pulse of adaptability in the music world, touching on the renaissance that the COVID-19 lockdowns spurred within us. The conversation shifts like a melody, from the tactile strings of traditional instruments to the synthesized heartbeat of hip-hop and electronic beats, chronicling the birthing of four distinct albums in rapid succession. Tales of personal growth during the pandemic underscore the essence of maintaining a rhythm of creation amidst life's cacophony. We share the wisdom found in the Love Supreme collective's companionship and the boundless opportunities the global beat scene offers, highlighting the transformative power of crafting music on mobile devices and the excitement of upcoming events and album releases.Concluding our melodic conversation, our guest and I reflect on the importance of nurturing curiosity and embracing continuous learning in the craft of beat making. We highlight the joy of connecting with like-minded souls who inspire us to push the boundaries of our creativity. We nod toward the anticipated A Love Supreme California compilation album, a beacon of new talent ready to resonate through the airwaves. This episode is a tribute to the creative spirit that propels us forward, a call to fellow Beatmakers and music lovers alike to celebrate the soundtracks of our lives. Join us, and let the beats guide your journey to the core of your artistic essence.Intro Music: "Common - The Light (Jewel Flip)" from Jewel Flips Vol.3 by Brown Jewel (Listen Here)Featured Music: From Burn The Topiary's Bandcamp DiscographyConnect on Social Media: @BurnthetopiaryWebsite: Burnthetopiary.Bandcamp.com Follow A Love Supreme California on Instagram and YoutubeSupport Burn The Topiary's Album "Common Ground" Fundraising Efforts for which directly supports Shelters supporting battered women and children HereListen to Episode 098 - A Love Supreme CA (Special Edition) HereSupport the showEdited, Mixed and Mastered by GldnmndPodcast Website Link: The Rec Show PodcastNEW!!! TheRecShowPodcast Music Playlist Available Here

Jazz bassist Mark Egan (Pat Metheny Group, Gil Evans Orchestra, Elements) introduces Al to John Coltrane's 1965 classic A Love Supreme. Mark talks about how he first got acquainted with the album and why it's a significant album for him personally. He discusses playing with devotional musician Krishna Das and how that connects with his affinity for A Love Supreme. Mark also talks about his experience of playing on Arcadia's So Red the Rose, as well as the process of writing and recording his new album Cross Currents.Keep up with Mark's music releases and tours at markegan.com...…Or check out Mark's music on Bandcamp: https://markegan.bandcamp.com/.Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/1:35 Mark joins the show2:02 Mark talks about the music he listened to in his teen years5:31 Mark discusses the period where he first immersed himself in jazz7:25 Mark explains how A Love Supreme changed his life11:14 Mark highlights some unique aspects of the album17:47 Mark explains how A Love Supreme influenced his musical development24:01 Mark recommends Miles Davis' Kind of Blue as a prerequisite to listening to A Love Supreme27:06 Mark explains why he revisits jazz records over and over30:55 How does Mark hear A Love Supreme when he listens to ti now?33:14 Mark talks about the process of writing songs for Cross Currents with Shawn Pelton and Shane Theriot40:51 Once the songs were written, Cross Currents came together quickly43:29 Cross Currents also benefits from multiple listens45:51 Mark talks about working on Arcadia's So Red the Rose58:04 Mark talks about his work with Krishna Das, and how it connects with A Love Supreme1:05:17 An eclectic Boston radio station laid the foundation for Mark's love of A Love SupremeOutro music is from “Cross Currents” by Mark Egan.Support the show

Once a symbol of imperial terror, the cross has become the eternal symbol of divine love. When we look upon the cross today, we don't see an instrument of torture and death; we see the supreme demonstration of God's love. We see the lengths to which God will go to save the world.

This week, Vinyl Me, Please announced an exclusive super deluxe version of John Coltrane's masterpiece, A Love Supreme. Featuring 8 discs of alternate and live takes, housed in a custom box with a lot of extra ephemera and photos, our version is the ultimate item for Coltrane heads and a must have for jazz fiends.  To explain everything that's in the reissue, and how it came to be, our host goes through the project from head to toe.  Have a question you'd like us to answer? Call the Lost Sounds Radio hotline at 424-3ASKVMP (‪(424) 327-5867‬).  Executive produced and edited by Cydney Berlinger  Executive produced and hosted by Andrew Winistorfer Our theme song is "Lo and Beholden" by Jade Vases from the album The Very Best of Jade Vases.  

VMP recently released the first release in a new series called Sonidos Encontrados, and a mega deluxe version of John Coltrane's A Love Supreme. Because our Discord community had so many questions about the releases--and the prints and posters being released alongside these albums--we opened up "Office Hours" and took their questions. This is everything you need to know about the new series, and the extraordinary lengths VMP went to on their edition of A Love Supreme.  Have a question you'd like us to answer? Call the Lost Sounds Radio hotline at 424-3ASKVMP (‪(424) 327-5867‬).  Hosted by Paul Bass Executive produced and edited by Cydney Berlinger  Executive produced by Andrew Winistorfer Our theme song is "Lo and Beholden" by Jade Vases from the album The Very Best of Jade Vases.  

Chicago. Designer. Artist. And. Jazz fan. Norman Teague, joins us to touch on craft, music, Mies van der Rohr, bringing one's cousins along. Come along us as we dance through a racialized modern, Martian Puryear, craft and art, and the affect of music. All while we investigate “A LOVE SUPREME” at the Elmhurst Art Museum. Image... Install at Elmhurst Art Museum   Elmhurst Art Museum https://elmhurstartmuseum.org/ Norman Teague https://www.normanteaguedesignstudios.com/ John Coltrane https://en.wikipedia.org/wiki/John_Coltrane Rose Camara https://www.rosecamara.com/ Chipstone Foundation https://www.chipstone.org/ Terra Foundation https://www.terraamericanart.org/ Art Design Chicago https://artdesignchicago.org/ Martian Puryear https://matthewmarks.com/artists/martin-puryear Mies van der Rohe https://www.moma.org/artists/7166      

You can find me and the show on social media by searching the handle @DrWilmerLeon on X (Twitter), Instagram, and YouTube. Our Facebook page is www.facebook.com/Drwilmerleonctd All our episodes can be found at CTDpodcast.com.   TRANSCRIPT: Dr Wilmer Leon (00:13): Welcome to the Connecting the Dots podcast with Dr. Wilmer Leon. I am Wilmer Leon. Here's the point. We have a tendency to view current events as though they occur in a vacuum, failing to understand the broader historical context in which most events take place. During each episode of this podcast, my guests and I will have probing, provocative, and in-depth discussions that connect the dots between the current events and the broader historic context in which they occur. This will enable you to better understand and analyze the events that impact the global village in which we live. On today's episode, we explore the presidential candidacy of Dr. Cornell West. If you go to Cornell West 2020 four.com, it opens with this brother, Cornell West is a living embodiment of the power of an independent mind forever reminding us that greatness is born of the courage to stand apart and speak one's truth. (01:13) To help me connect these dots, let's turn to my guest. He needs no introduction, but I'll say he is the Dietrich Bonhoeffer professor of philosophy and Christian practice at Union Theological Seminary. He's the former university professor at Harvard University and Professor Emeritus at Princeton University. He graduated magna cum laude from Harvard in three years and obtained his master's and PhD in philosophy at Princeton. He's the first black person to receive a PhD In more detail, let me say, he's written 20 books, edited 13 and has written numerous forwards as we'll talk about in. He's one a sacramental zone and affectionately known to many as Brother West, Dr. Cornell West. Welcome, and let's connect some dots. Dr Cornel West (01:59): I'm with you though, man. We putting smiles on our precious mama's faces. I know mom was there right there in the living room and in the kitchen when you got home and your precious mother had passed. But just think how blessed we are. I think it's very providential as well as significant that we could start this year together. Dr Wilmer Leon (02:20): In fact, I'm glad you mentioned our parents because what would your folks be thinking of their son in these efforts today? Dr Cornel West (02:30): Well, it's hard to say Mom and dad were unpredictable in terms of their judgment and highly predictable in terms of their deep, deep love though, brother, so that they would be loving me to death as they always did up until their death and they loved me now after death on their life. But I think it's hard to say they were such independent thinkers, you know what I mean? Dr Wilmer Leon (02:53): I do. I do know. Lemme put you another way then. What are the two or three most salient points or lessons that you carry forward that your parents instilled in you? Dr Cornel West (03:09): Oh, one is that you want to be in the world but not of it. So that you always recognize as standards bigger than you. You will always fall short of those standards, but never forget what they are. And those standards are always hope. And the greatest of them is love, love of God, love of neighbor, love of especially the least of these love, especially of poor and working people love especially of those friends from on called The Wretched Up the Earth. That's what I learned. West Household, you can see it, my brother Cliff, my sister, Cynthia and Cheryl, and you certainly can see it, Shiloh Baptist Church right on Ninth Avenue at Old Park Brother with Reverend Willie P. Cook and others. So those were the crucial things, not just the values in the abstract sense, but the virtues in the lived concrete sense of ways of being in the world, modes of existing, trying to be forces for good in the language of the great John Coltrane. (04:05) You see his various incarnation in terms of his faces on the albums here in the backdrop of my room. I think my dear wife Vanta for that and buying me this gift. It's a beautiful gift, but I think for them, the question becomes, are you being true to that calling? Are you being true to that vocation? Are you being true to that? Which tries to lure out of you the best who you are given the crack vessel that you are? And I take those insights and those lessons very, very seriously though, brother. So I wake up every morning, I say, Hey, crack vessel, that I am center, that I've always been. I'm going to be a force for good. I'm going to tell some truth. I'm going to bear some witness. I'm going to seek justice and I'm going to do it no matter what costs, no matter what burden, no matter what responsibility it entails, because that's what I'm here to do. And I'm going to do it with fun. Joy. I just finished the biography, brotherly Stone. Thank you. Wow. Letting me be myself. And he talks about Cynthia Robinson, you know, from Sacramento. Yes, beloved sister Anita Robinson. We went to high school together. He talked about Cynthia Robinson when he moved to Sacramento for a while, Sacramento inspirational choir. He had played Shiloh sometimes with Clarence Adams, Bobby Adams, and Brother Clarence. Dr Wilmer Leon (05:33): I didn't know that. Dr Cornel West (05:34): Oh yeah, yeah. I used to see Sylvester on the organ right there. Shiloh man. Dr Wilmer Leon (05:40): I did not. He's Dr Cornel West (05:41): From Vallejo. Dr Wilmer Leon (05:42): Yeah, I know he's from Vallejo, but I didn't know that he had spent time in Sacramento. Dr Cornel West (05:47): Oh Lord. Yes. Dr Wilmer Leon (05:48): It says on your site, even as a young child, you exhibited the remarkable qualities that would define your life's journey and path to the presidency. In the third grade, you fearlessly stood up to your teacher challenging her ideas and defining the conventional norms of your time. And that stands out to me because during the medal ceremony of the Olympics in 1968, Mexico City, as you recall, John Carlos and Tommy Smith raised their black glove fists during the playing of the national anthem. And on October 17th, the day after that, I went to school, raised my fist during the morning pledge of the allegiance, and I got kicked out of school. And I read that on your site and thought about the parallels of our lives. And here we sit today still challenging the dominant narrative and the ideas and defying the conventional norms of our time. And I think is a very good summary of your candidacy. Dr Cornel West (06:59): That's beautiful. But I think that's also an example though, brother, of how your precious mother and my precious mother and precious fathers as well tried to support into us examples of integrity, honesty, and decency. And when you have a flag that's waving, that's not signifying what it ought in terms of it's talking about liberty and justice for all, but you got lynching going on and you've got degradation, discrimination, segregation going on is just decent to have integrity, to have honesty is to call it into question. And when you do that, you're going to be in the world or not of it because you're going to be going against the grain. You're going to be going against what is popular in the name of what ought to have a certain kind of moral substance and spiritual content to it. And here that was how many years ago now? Man, that was 1968 is, Dr Wilmer Leon (08:01): Oh, that was Dr Cornel West (08:02): 50, 52 years. Yeah, that's 56 years. You see, I refuse to salute the flag. My great uncle had been lynched in Texas and they wrapped the flag around his body. So that's what I associated as a young brother. Now that to me, I don't put other people down for salute the flag because some people see that flag and they think of their husband or their uncle or their wife who was killed in the war and they loved, they got right to support their loved ones, and they were fighting for that flag. But that's what goes in their mind. But my mind is the flag wrapped around the body s sw in the southern breeze, that strange fruit that Billie Holiday sing about. So everybody has their right to respond. Same was true with Brother Colin. When Colin saw that flag, he thought all of these young black brothers and sisters being killed, the police, yeah, he gets down. We can understand that somebody else see the flag and they think of their uncle, a great uncle in Hiroshima who's fighting against Japanese fascism. Sure. Everybody's got their lens through which they view the world. We have to be open to that. But most importantly, we got to be true to ourselves. Dr Wilmer Leon (09:15): In talking about your candidacy, you announced your candidacy in the People's Party switched to the Green Party, and now you're running as what you call a truly, truly a people's campaign that is a movement rooted in truth, justice, and love. Why the changes? And where are we with your candidacy today? Dr Cornel West (09:39): Yes, back in June, June 5th, it was the People's party that came forward. It met with myself and Brother Chris Hedges, my dear brother, I have great respect for, great love for. And they were kind enough to make the invitation. When I accepted the invitation, I realized very quickly that there were going to be some very deep challenges. There's going to be some very deep problems there. Chris Hedges and Jill Stein and Jammu Barack and others asked me to meet with the Green Party people and to see whether there's a possibility. We met, we made the shift to the Green Party. We worked very closely for a good while, and I realized that the Green Party had so many different requirements in terms of internal debates with presidential candidates going to different states and state conventions and so forth. And I wanted to go directly to the people because I've been going directly to the folk. (10:33) And I realized that even though the Green Party had 17 states in regard to ballot access, that I could actually get 15 or 16 states rather quickly. And that's precisely what we're doing now. We already got Alaska, we're moving on to Utah by eyes of March 15th. We should have, we hope a good 15 states or so. I would've caught up with the Green Party. But I have a freedom to really not just be myself more fully, but also to go directly to the people rather than spending so much time on inter-party activities that the Green Party requires. And so a lot of people say, well, you got false starts. I say, no, no, I'm a jazz man. That's first take. That's the first take. Dr Wilmer Leon (11:23): Folks can go to your website, Cornell West 2020 four.com, click on the platform tab and they can see a list of general areas such as economic justice, worker justice, environmental justice, and a number of others. And then below each of those, there are the bullet points that articulate your positions on those issues. And I'd like to get to this point, this particular point, because I think it allows us to speak to a number of things that are impacting not only this country but the world, and that is the United States supporting funding and arming genocide in Gaza. How does an American administration, the Biden administration with the backing of Congress, and particularly the Congressional Blackhawk Caucus, which is supposed to be the conscious of the Congress, how can they back this play? Dr Cornel West (12:27): Yeah, that's a wonderful question though, brother. I think we have to first begin by situating my campaign as a moment in a movement that's rooted in a great tradition of Martin Luther King, Jr. Fannie Lou Haman, rabbi Heschel and Dorothy Day. And what they were about was first there's a moral starting point. You see that a precious Palestinian baby has exactly the same value as your baby and my baby, an Israeli baby, a Haitian baby, an Egyptian baby, a Guatemalan baby, but there's been almost 9,000 babies killed a 50 some days. We can see just the level of baity there. Now, every life, no matter what color agenda for me, has the same value. There's no doubt about that. But you start with on a moral premise, then you got to move to your social analysis. How could it be that the United States, the American Empire, enables not just this genocidal assault that's been going on, but how has it enabled the apartheid regime for so long of Israel vis-a-vis those occupied territories with precious Palestinians have been subjugated and degraded. (13:47) How has it facilitated ethnic cleansing where you're seeing now almost 2 million fellow Palestinians who are pushed out of their land? Well, the same thing happened in 1948 with 750,000 Palestinians. They called Arabs at the time were pushed out. So you start on a moral note, and I begin on a spiritual note, just as a Christian, you know what I mean, that there's certain principles that I'm not going to give up. And there's oppressed peoples no matter where they are, no matter, it can be in cashmere, they can be in Chad, they can be in the south side of Chicago. They could be white brothers and sisters in Kentucky. They could be Latinos in South la. Their lives have exactly the same value as the lives of the rich and wealthy and famous. And when you proceed in that way, you have a set of lens that you're looking at the world that's very different from any of the parties because you see both parties, Republicans and Democratic parties have been so tied to Israel in a critical, Israel's been proceeding with impunity for decades, not just since October 7th for decades. (14:57) They've been able to do and say anything they want. They've been able to get billions and billions of dollars from taxpayers' money to the United States with no accountability whatsoever. And when people try to impose some accountability, be it United Nations or be it progressive Jews, or be it Palestinians or Arabs or other people around the world, Israel acts as if they can still do what they want to do with no answerability and no responsibility. They just proceed and do what they want to do. You say, well, wait a minute. And we've reached the point now where, oh, my brother, you got the invoking of Amalek, the first Samuel 15, and the third verse, what does that say in the Old Testament for Christians and Hebrew scripture from Jewish brothers and sisters, he would to kill every man, every woman, every child, every ox, every sheep. Well, that's genocidal intent. (15:52) And then you got genocidal execution when you got over 22,000. And that's just a modest count because you got so many in the rubble that are not counted, and the 9,000 children is just off the chart. I mean, it's just unimaginable that that could happen to so many precious children. You say, no, what is going on? Well, then you come back to United States and you say, wait a minute. Now we've got a politics where the lobby that is primarily responsible for the money that goes from the US government to Israel is one of the most powerful lobbies, not just in America, but in the history of the country, in the history of the country that owing to the high civic participation rate of Jewish Americans. And we talk about Jewish Americans, you're never talking about a monolith or a homogeneous group. You're talking about a variety of different kinds of Jews because we've seen the Jewish young people and Jewish progressives are as critical of Israel as I am, Dr Wilmer Leon (16:57): Jewish voices for peace, Dr Cornel West (16:59): That Jewish voices for peace. If not now, you've got a whole host of them that have been quite courageous in that regard. So it's not a matter and must never be a matter of anti-Jewish hatred, anti-Jewish sentiment. It's hating occupation, domination, subjugation. In this case, it's Israeli subjugation, Israeli domination, Israeli occupation. Now, the sad thing is, Dr Wilmer Leon (17:27): But wait a minute. It's also understanding the difference between Zionism and Judaism. And as much as the dominant narrative wants to try to equate those two, they are not the same. One is a religious practice, and the other for the most part is a political ideology. Dr Cornel West (17:51): That's exactly right. I mean, what makes it difficult really is that you see Jewish brothers and sisters have been terrorized and traumatized and hated over 2,500 years with different attacks, assaults, pogroms, culminating in the show and the Holocaust with the gangster Hitler and the gangster Nazis and so forth. And they jump out of the burning buildings of Europe and they're looking for a place to go. Zionism is a 19th century movement of nationalism that's looking for a home for Jews, a nation state for Jews, and they land on somebody else's land. It's like the pilgrims landing in the new world and saying, there's no people here. Yes, there are. Now of course, in America, what did they say? There's no human beings. There's just buffaloes and Indians. Hey, wait a minute, Indians are as human as you Europeans, we Africans, anybody else? Well, that's part of the deep white supremacy and racism that's happening. (18:58) What else was happening with Zionism? But they told a lie and they said, we got land with no people. That's not true. You got 750, got almost 1000080% of the population don't act like they don't exist. Oh, in your mind, they might be non-entities, but in God's eyes, in our eyes, they're human just like you and just like me. And so you end up with this ideology that responds to this indescribably vicious treatment of Jews for 2,500 years in the middle of Europe. So-called civilized Europe. Now, of course, Belgium already killed 7,000 Africans in Bellevue, Congo in the Dr Wilmer Leon (19:39): Congo, right? Dr Cornel West (19:40): Not too many Europeans said a mumbling word. Turkey had already killed Armenians with genocidal attacks. Europeans didn't say a mumbling word. Italy had already invaded Ethiopia. Europe didn't say a mumbling word. So you can already see the hypocrisy there. But what makes it difficult in the United States is that our Jewish brothers and sisters who are thoroughgoing Zionists, they use the fact that Jews have been hated for so long as a fundamental foundation of what they do and that they think allows them to rationalize, hating Palestinians, terrorizing Palestinians, traumatizing Palestinians. I'm against traumatizing, hating, terrorizing anybody, anybody. If black folk were terrorizing white folk, I'm going to defend white folk. If Palestinians are terrorizing Jews, I'm going to defend Jews. If Jews are terrorizing Palestinians, I'm going to defend Palestinians. That's morality and spirituality. Now, we live in a moment Dr Wilmer Leon (20:54): And consistency Dr Cornel West (20:55): And a certain kind of moral consistency that you try to hold on now. And I know, man, we live in a moment of such overwhelming baity man, organized greed, institutionalized hatred, routinized, indifference toward the suffering of others, especially the weak. So it's just a matter of the strong just thinking and the rich thinking. They can act and do anything. They like to crush the weak. And what happens now in the Middle East, especially in this situation with Gaza, is that you have Nathan, Yahoo, and others who are using the most reactionary tradition in the history of Zionism, which comes out of Jabotinsky that says that there will be Jewish security only when there's either Jewish domination of Palestinians or Jewish annihilation of Palestinians. That's in the writings of Jabotinsky. Netanyahu's father was an assistant to Jabotinsky that is a deeply, deeply right wing of not outright fascist version of Zionism. Now, there's liberal versions of Zionism that's very different, but even those liberal versions still want to argue that Palestinians would never have equality in their state have equal status in their state. And so we have to be able to put that in historical context. We have the right kind of morality and spirituality for people to understand why people like myself will never ever, ever be silent when it comes to Israeli genocidal attacks on Palestinians when it comes to Israeli ethnic cleansing of Palestinians. And when it comes to Israeli apartheid regime, that's why South Africa's taking him to the international court. Dr Wilmer Leon (22:45): How does a president Cornell West intervene, interject and change the trajectory of this ongoing genocide? Dr Cornel West (22:57): It means that the policy is qualitatively different than you get into Biden. It's clear that Biden has no concern for the most part with Palestinian suffering. No, Dr Wilmer Leon (23:07): He has said numerous times that he is a Zionist. Dr Cornel West (23:10): He's a Zionist. He doesn't talk about the numbers, he doesn't talk about the suffering. He doesn't talk about the unbelievable pain of Palestinians, not just now, but during the 40 some years he's been in office. You see? So from the very beginning, he makes it very, very clear that these Palestinian brothers and sisters don't count for me. Their lives don't really matter. Now, of course, we got memories of white supremacists in the United States. These black people don't count. These indigenous peoples don't count. They're just farter for our projects. We step on them like cockroaches. We crush them like they're creatures below. And you say, now, oh no, that's not my tradition. So as presidents especially shoot under a West administration, shoot, I'd be calling for the end of occupation, the end of the siege, a cease fire to sit down and come up with a way in which Jews and Palestinians can live together under conditions of equality, with equality under the law and equality in terms of assets to resources. So it's a qualitatively different way of looking at the world and proceeding in that part of the world. Dr Wilmer Leon (24:32): What about the most recent action of circumventing Congress and sending more arms, weaponry, and military resources to the genocide? What about how does a President Cornell West cut off the spigot of the funding? Dr Cornel West (24:55): Oh one, it is not just for me, just a matter of withdrawing aid and cutting off the spigot, but it's a matter of trying to get the leadership, Israeli leadership, Palestinian leadership, to sit down and come up with ways in which they can create a society in which they live together. And whatever financial support I provide is a financial support that would sustain that kind of egalitarian arrangement. There would not be a penny from a West administration for any apartheid regime, for any ethnic cleansing, and certainly not for any genocidal attack and assault on Palestinians or anybody else. Dr Wilmer Leon (25:40): So how do you negotiate with a Netanyahu who you just so accurately stated, his father was an advisor to Jinky who has compromised his own principles to go further, right, to formulate his government. And so with the Troches and all of those other genocidal maniacs, Dr Cornel West (26:11): That's right. Dr Wilmer Leon (26:13): How can you negotiate with someone who is sworn to the annihilation of an entire group of human beings? Dr Cornel West (26:24): Well, one, in any diplomatic process, you end up sitting down with people you disagree with. But you're absolutely right. It would not so much be a negotiation with the Nathan Yahu. It would be a teasing out of Israeli leadership that was open to egalitarian arrangement with Palestinians and teasing out the Palestinian leadership that's open to an egalitarian arrangement among Jews. So you really talking about trying to lure and to appeal to voices and figures and movements. The combatants for veterans, for example, that has Palestinians and Israelis working together, the Baim de meanies who are part of the Martin Luther King Jr tradition of struggling together Palestinians and Jews together, and even try to tease out some of the best of their labor movements, the trade union movements, Palestinian trade union movement, Israeli trade union movements where you do have some, not enough, but you got some overlap of people recognizing that Jews and Israelis can work together for something bigger than them. So you're right, it's not so much a matter of just negotiation, but it's a matter of withdrawal of funds. It's a matter of a certain kind of rejection. We've got to have some wholesale rejection of fascists. And that's true, not just as it relates to Israel and Nathan Yahoo, but that would be true for fascism in all of its various forms. It could be in Iran, it could be in Chad, it could be in Haiti, it could be anywhere. Fascism raises its ugly face. Dr Wilmer Leon (28:20): Moving this out to a slightly broader context, you have the United States through the US UN ambassador, Linda Thomas Greenfield vetoing the calls for a peace agreement in Gaza. Then you have the Ansara LA or the Houthis reaching a peace agreement or working, coming very, very close to a peace agreement with the Saudis and the United States intervening and saying, we will not accept that. We will not accept a peace agreement that we're going to label the Houthis as a terrorist organization, therefore Saudis will not be able to engage with the Houthis without incurring sanctions. Then you've got the conflict between Venezuela and Guyana, and they agree, I think in St. Croix, they come to an agreement and say, we're going to work on this peaceably. And then the United States gets Britain to send a warship off the coast of God. Point being, these are three within the last 10 days. These are three examples of entities in conflict agreeing to work for peace in the United States, injecting militarism into the negotiation. How does a President Cornell West put a stop to that? Dr Cornel West (29:53): One is my brother. We need exactly what you just did, which means you have to respect the people enough to tell them the truth. So a president also has to play a role of a teacher. See the large numbers of our fellow citizens, they don't really know the truth about the Middle East. They don't really know about the truth of Latin America. They don't really know about the truth of the ways in which the American Empire has been reshaping the whole world in its interest in image, both in Latin America for so long, when Latin America was viewed as a kind of a playground for America and all the various cos and Democratic elections overthrown by Dr Wilmer Leon (30:30): Chile, Argentina, Dr Cornel West (30:32): Chile, Argentina, Dominican Republic, Panama, Grenada. We can go on and on and on. When you look at how the US government has overthrown democratically elected governments when it was not in the interest of the corporate elite to accept those democratic elected democratic elections. But you have to just tell people the truth. But that in and of itself was a major move. That's a major move to tell people the truth. And then beyond that, to intervene and to act and you say, oh, now as president, based on the legacy of Martin King and Fannie Lou Hamer and others, and looking at the world through the lens of the least of these poor and working people, I'm going to be putting forward policies that strike you as so outside of the realm that you are used to because these two parties, Democrats and Republicans have been tied to big militarism abroad. Military adventurism abroad have been tied to overthrowing. Democratic regimes abroad have been tied to 57 cents for every dollar going to them. And oftentimes they get more than they request. But then there's austerity when it comes to education, when it comes to housing, when it comes to jobs with a living wage, when it comes to the healthcare and so forth. That's a very different way of looking at the world. I mean, the very idea of there being a US president who would be an anti-imperialist, and you see, I am a gut bucket. (32:19) And what I mean by that is that I want nations to be nations among nations. We do not need empires that try to get other nations to defer to their imperial dominance, to their imperial domination. The United States has 800 military units around the world over special operations in a hundred countries. China and Russia have hardly 35 or 40 combined. Why do we need 800 military units around the world? Why do we need a ship in every shore? Well, we got corporate interests, you got us geopolitical interests, and you've got elites in Washington who want to do what dominate the world. And that's precisely the thing that needs to be called into question. We can be a decent nation among nations. We can be a dignified nation among nations. We do not need to be an empire. Why? Because like the Roman Empire, like the British Empire, it's not only that they all dissolve, but they all have an arrogance and a hubris. (33:31) And his brother, Martin Luther King used to say, I can hear the God of the universe saying, I'll break your power if you keep crushing these poor people and acting as if you're doing in the name of liberty and equality, and you're really doing it in the name of your own greed, your own wealth and your own power. That's a great tradition, and we need to keep that tradition alive any way we can. I'm just trying to do it because the movement spills over into electoral politics. I'm going to be doing it till the day I die, and I've been doing it prior to being a candidate. Dr Wilmer Leon (34:06): So as you look at the development of the bricks, the new international economic organization that's Brazil, Russia, India, China, South Africa, and then I think they've just admitted about another seven countries into the bricks as both President Xi in China as well as President Putin of Russia, have been talking about moving from the unipolar or the unilateral where the United States is in control of everything to a multilateral dynamic. How does a president Cornell West deal with the development of the bricks? Dr Cornel West (34:45): Well, one, you see, I look at the multilateralism through the same lens. I look at the unilateralism, us unilateralism on the one hand and the multi-country multilateralism because you see the multilateralism is still a combination of elite. And many of the countries that you talked about have high levels of repression and domination in their countries. I look at the world through the lens of the poor and the working classes in their respective countries, and I want United States to be in solidarity with the poor and working classes in India, for example, I'm not impressed by Modi. I know Modi is a Trump-like figure. I know Modi is not concerned about the poor. He's not concerned about the dollars, he's not concerned about the working class in India. So even when he, at those bricks meetings, I know he's not speaking on behalf of the masses of Indians. (35:48) He's speaking on behalf of that very ugly Hindu nationalist movement that he's a part. And so even when I look at the bricks, I know that that is a sign that US empire and US power is waning, but it's not as if simply because they're outside of the United States, that they're not subject to the same criticism, the same standards as the United States itself is. They have their own elites. They have their own policies that do not speak to satisfying the needs of their own poor and their own working class or their own women, or those who are outside of the dominant religion. Look at the Muslims in India. I'm concerned about them. No Modi's a Hindu nationalist, very narrow one at that because there's many Hindus who oppose him as well. And the same would be true in the other countries as well, even South Africa, as you know, I have tremendous respect for the legacy of a Nelson Mandela or sister. (36:57) I had a chance to meet both of them when I was in South Africa. But the South African government today, it doesn't speak to the needs of poor and working class South Africans. I'll say that the brother Cyril, I have great respect for Brother Cyril, and I'm so glad he's taking Israel to the court, the International Court of Justice, no doubt about that. And I believe all the nations need to be called into question if they commit war crimes, Hamas itself commits war crimes. But those war crimes are not crimes of genocide. There are war crimes. They're wrong, they're unjust, but there's not an attempt to act as if they're trying to wipe out a people war crimes, crimes against humanity and crimes of genocide. Three different levels. And it's very important to always distinguish them so that when we talk about bricks, I still don't want us to in any way assume that just because you get an Indian face or a Brazilian face or an African face, that somehow they are concerned about the poor and working classes in their own respective nations. Most of them are not. Most of them are part of their own bourgeoisie. They're part of their own professional classes that look down and do not put the needs of poor and working people at the center of their government. And Nelson Mandela, for example, in some ways turning over in his grave, when you look at the situation of poor people in Soweto and what he was trying to do when he emerged out of that jail cell, Dr Wilmer Leon (38:36): Is there an attack on independent thought and a growing sense of anti-intellectualism in the United States? That we look at the rise of the attacks on social media sites. We look at the attacks on independent journalists, the recent resignation of former Harvard President, Claudine Gay, Harvard's first African-American president and a female, and particularly looking at the manner in which she was done away with accusing her of plagiarism. So not only removing her from her position as president, but doing it in a manner of attacking her very character as a scholar, which seems like they almost want to see to it that she never gets another job. And I in her life, is there an attack on intellectualism and you truly as an intellectual, speak to that, please? Dr Cornel West (39:38): Yeah. Well, one is that United States has always been a deeply anti-intellectual country. The business of America is business. America's always been highly suspicious of those voices. That's why they put a bounty on the head of Ida B. Wells. They put a bounty on the head of Frederick Douglass. That's why they murdered Martin Luther King and Malcolm. That's why they kept Paul Robeson under house arrest at 46 45 Walnut Street in Philadelphia. Why they put Du Bois under House of West A 31 grace place in Brooklyn. It's why Eugene Debbs had to run for president from the sale he ran on the Socialist Park. All he was doing was just giving speeches critical of the war. So America has always had a deep anti-intellectual impulse. It is certainly at work today and certainly is manifest today. And you're right. I'm glad you mentioned Sister Gay because I think it's a very sad situation. It shows what happens when you get a little small group of highly wealthy figures, billionaire figures in this case, primarily Jewish figures, who feel as if they can shape and reshape an institution by either withholding their monies or bringing power and pressure to bear to try to eliminate. Dear Sister Gay, they had these major buses with her picture on it right in front of Harvard Yard, national Disgrace. (41:09) They're organized in front of her house, and she got what she calls racial animus and these threats that she received. It's a very ugly and a vicious thing. But you know, there's an irony there, which is that, as you know, just a few years ago, I was actually pushed out of Harvard. Dr Wilmer Leon (41:30): That's why I'm asking you this Dr Cornel West (41:31): Question. pro-Palestinian stances. I was a faculty advisor to the Palestinian student Group, and they made it very clear that they were not going to have tenured faculties who had strong pro-Palestinian sensibilities, strong pro-Palestinian convictions. Now, at that time, sister Gay was head of the faculty. She was dean of the faculty, which is third in charge after the provost Larry be Kyle, Alan Garber, Claudine gay. And at that time, it was hard for her to come forward and support of me. No, and I didn't want to put her in a position. I know she was new. I know that she's betw and between, but the irony is that her silence at that time about those forces now comes back, or those same forces come back at her. Dr Wilmer Leon (42:34): And what's that adage? When they came for the Jews, I didn't say anything because I wasn't a Jew. When they came for the Christians, I didn't say anything because I wasn't a Christian, blah, blah, blah. By the time they got to me, wasn't nobody left to defend. Dr Cornel West (42:47): Nobody left. Now see, many of us still supported her because it's a matter of principle. It's a deep, deep racism belief because what is happening right now, as you know, when you look at Ackerman, you look at Bloom, you look at Summers, the folk who are very much behind these things, what they're saying is, is that all of the black folk at Harvard, for the most part, do not belong because they didn't get there based on merit and excellence. They got there because of diversity, equity, and inclusion. And we're calling all of that into question. You just read the recent piece by Brett Stevens, the New York Times. He's the same brother who says, anybody who calls it genocide must be antisemitic. And yet the next moment Nathan Yahu can call Hamas attack on precious Israelis genocidal. But that's not anti Palestinian. Oh, no, no. See, the double standards, the hypocrisy is so overwhelming that it's hard to even sit still. (43:47) And so now we are in a situation where it's not just the Harvards and University of Pennsylvanias and others, but you've got now these groups that say, we will dictate who your president is. We will dictate what the criteria is of who gangs, assets, and professorships. We will even dictate some of the content of your curriculum because we got all this money. We got our names on the buildings, we will withhold it. Now, it's not exclusively Jewish, but it is disproportionately Jewish because it has to do with the issue of antisemitism. And you and I, we fight antisemitism. We're not going to allow Jewish brothers and sisters to get degraded and demeaned, but we are not going to allow Palestinians to get degraded and demeaned, let alone black folk get degraded and demeaned. And it's very interesting. You see, when they come for us, you don't get a whole lot of defense and concern about free expression cancellation. The same groups that were against cancellation now, not just canceling a president, but forcing a president out. Dr Wilmer Leon (44:57): Where's the Congressional Black Caucus in defending her? Dr Cornel West (44:59): Oh, congressional Black Caucus is about as weak as pre-seed Kool-Aid. They ain't going to do nothing. So much of they money comes out of the big lobby, APEC and so forth. But also we could say naacp Sharpton n Urban League, so much of their money comes out of Jewish elites so that they got a noose around their neck. They can't say anything. They're not free. They're not free. Can you imagine John Coltrane showing up at the club and they got this scarf around his neck where he can't blow what he wants to blow. And they say, we want you to sound like you're playing Mozart. He said, yeah, I can play Mozart, but I feel like playing Love Supreme. I got to be free. We don't have enough free black folk. They locked in. They accommodated. They well adjusted the injustice Dr Wilmer Leon (46:02): On the domestic front as we move towards the 2024 election, and we see that Biden's numbers have, he's hustling backwards. He's around somewhere between 37 and 40% and on the wane, but one of the things that they're going to tout is omics. And what doesn't seem to get articulated in this discussion about omics is the financialized side of the economy is doing great. If you have a 401k, you are as happy as a clam. If you are invested in stock market, you are invested. You are just ecstatic at how well your portfolio has grown. But homelessness is up in America. Oh, yeah. Homelessness has reached a level in this country. The likes we have not seen in years. Dr Cornel West (46:58): That's right. Dr Wilmer Leon (46:58): So how, two things, one, how do the Democrats square that circle of omics doing so well, but I'll just say poverty as a overall blanket term is on the rise in America when in fact, the Democrats canceled the extra monies that were going into the Wix programs and the other child poverty programs during the Covid era, which I think came out of the Trump administration. And then what does a president Cornell West do? Dr Cornel West (47:32): Yes, again, you see, following the legacy of Brother Martin King, I'm an abolitionist when it comes to poverty. I want to abolish poverty. We could abolish poverty nearly overnight if we had a disinvestment from significant sums in the military and reinvestment in jobs with a living wage, basic income support, housing, and free healthcare for all. We could do that. We have spent $5.6 trillion for wars in 20 years. We could abolish poverty with a small percentage of that. Dr Wilmer Leon (48:17): And wait a minute, Dr Cornel West (48:18): And wait a minute. Dr Wilmer Leon (48:18): Wait a minute. Wars that we have started. Yes, we started a conflict in Afghanistan. Dr Cornel West (48:25): That's Dr Wilmer Leon (48:26): True. We started the Ukraine, Russian conflict. Dr Cornel West (48:29): Iraq, yes. Dr Wilmer Leon (48:30): We started, we went in and bombed Iraq. Dr Cornel West (48:33): That's right. Dr Wilmer Leon (48:34): We went in and assassinated Kaddafi. Dr Cornel West (48:37): That's Dr Wilmer Leon (48:37): True. And Kaddafi warned Barack Obama, don't mess with them. Folks in the West, you have no idea who you're dealing with, do not mess with them. And the United States, and we are right now trying our damnedest to start a fight with China. With Dr Cornel West (48:54): China, Dr Wilmer Leon (48:55): So the Lockheed Martins of the world and the Raytheons of the world. That's Dr Cornel West (48:58): Right. Dr Wilmer Leon (49:01): We are, it's a money laundering scheme. We're taking our hard earned tax dollars, starting fights around the world. And then Lockheed Martin comes in saying, oh, I got the solution. Let's sell 'em some more F 30 fives and let's sell 'em some more tomahawk cruise missiles at a million dollars a copy. Dr Cornel West (49:20): That's right. Dr Wilmer Leon (49:22): I interrupted you, sir. Dr Cornel West (49:23): No, but you are absolutely right. And you think about this though. You got 62% of our fellow citizens are living paycheck to paycheck. 50% of our fellow citizens have 2.6% of the wealth. 1% has 40% of the wealth, and of course, three individuals in the country have wealth equivalent to 50% of Americans. That's 160 million. 160 million has wealth equivalent to three individuals. Now, all the omics in the world, the world does not address that kind of grotesque wealth inequality. This is the kind of thing brother Bernie Sanders was rightly talking about. Now, Bernie hasn't been as strong as he ought on the Middle East, hasn't been as strong as ought on a number of different issues. But when it comes to Wall Street greed, when it comes to grotesque wealth inequality, he still hits the nail on the head. And if we're serious, I was just with my dear brother, pastor Q and others down at Skid Row here in la, because you got almost 40,000 precious brothers and sisters in Los Angeles had their own skid row, their own city, 40% of 'em black, 90% of the town is black. Dr Wilmer Leon (50:39): Sounds like Oakland to me. Dr Cornel West (50:41): Well, yeah, Oakland and I Dr Wilmer Leon (50:44): Sounds like Sacramento to me, Dr Cornel West (50:45): Sister. Sound like s though I live in Harlem, sound like Dr Wilmer Leon (50:50): Over there near Cal Expo in Sacramento, along the American River where all those encampments are. Dr Cornel West (50:56): That's exactly right. I mean, it is a crime and a shame that the richest nation in the history of the world and the history of the species still has that kind of poverty. And of course, it goes even beyond that because you've got fossil fuel companies with their greed leading toward ecological catastrophe and the calling and the question, the very possibility of life on the planet if we don't come to terms with the shift from fossil fuel to renewable and regenerative forms of energy. So that, I mean, part of this is the philosophical question, which is to say, how is it that we, human beings are just so downright wretched, what we used to talk about in Shiloh, the hounds of hell, greed, hatred, envy, resentment, fear all used and manipulate it to crush each other. That's so much the history of who we are as a species, but we're also wonderful. We have the capacity to be better, to think, to feel, to love, to organize, to be in solidarity, but those who are suffering to have empathy and compassion and those two sides, the wretchedness and the wonderfulness, Dr Wilmer Leon (52:16): The yin and the yang, Dr Cornel West (52:17): The yin and the yang, the ugliness and the beauty of a smile, a grin, the beauty of a friendship and a love, the beauty of a mama and a daddy. The beauty of people marching, fighting for something bigger than them. The beauty of being in solidarity with Palestinians and Gaza right now, given the indescribable realities that they have to deal with. But same is true with solidarity, with our brothers and sisters in Sudan, with brothers and sisters in India, brothers Jews in Russia, whoever it is who's catching hell, we ought to be open to our solidarity. Why? Because that fights against the greed and the hatred and the fear and the wretchedness manifest in who we are as a species. Dr Wilmer Leon (53:08): As I was trying to figure out how to close this conversation. Well, you know what, before I get to that, let me ask you this. As you are now not only talking to America, but talking to the world, what are the three salient very important things that you want, those that are listening to this podcast, watching this podcast, other than you being brilliant and being from Sacramento and Southland Park Drive like me, what is it that you want the audience to really understand about Dr. Cornell West? Dr Cornel West (53:51): I want them to understand that I come from a great people of black people who after being terrorized, traumatized, and hated for 400 years, have continually dished out love warriors, freedom fighters, joy shares, and wounded healers. And I'm just a small little wave in that grand ocean. And what sits at the center of that great tradition of black folk just like this, John Coltrane I got it could have been, could be Aretha, could be Luther Vandross, could be a whole host of others, could be a Phil Randolph early by Russian. Rusty is courage to think critically and quest for truth, the courage to act compassionately and in pursuing justice. And then also the courage to love and laugh. To laugh at yourself, to know that you a cracked vessel, to know that you try again, fell again and fell better. That nobody's a messiah, nobody's a savior. We're here to make the world just a little better than we found it. As Reverend Cook used to tell us, if the kingdom of God is within us, then everywhere we go, we ought to leave a little heaven behind. Dr Wilmer Leon (55:09): Amen, my brother. Amen. Let me, so I was trying to figure out how to end this conversation, and it dawned on me as I was going from idea to idea. I said, I've got a piece. This is from a book, knowledge, power, and Black Politics by Dr. Mack h Jones, who I think, Dr Cornel West (55:38): Oh, he's a giant. He's a giant, Dr Wilmer Leon (55:40): And I went to this. It's a collection of essays that he's written over the years and chapter 17, Cornell West, the insurgent black intellectual race matters. A critical comment, and this is part of what Mack writes. Cornell West has established himself as one of the leading political thinkers of our time, and it is fitting and appropriate that we pause and reflect on his ideas. When we engage in such an exchange of ideas, we continue a long enduring tradition within the black community that goes to the beginning of our sojourn on these shores in spite of what our detractors want to say. Principled dialogue and debate have always been a part of black cultural life in the United States, and it is alive and well even as we speak. I've been familiar with West Scholarship for quite some time. I've read and studied most of his published works and found them for the most part to be challenging, insightful, and often provocative. (56:53) I've used some of his essays in my classes with good results. They address issues and problems essential to our survival and evolution as a people, and he makes us think more deeply about them. Professor West is a decided asset to us as a people and to the human family in general. And so to that, I ask the audience, or I want to leave the audience with this, I'm not going to be presumptuous enough to try to tell people how they should vote or who they should vote for. I merely ask them to consider this. Do you want a former President Trump, a man who Senator Lindsey Graham called a race baiting, xenophobic bigot, and a jackass? Now, that's not me. That's Lindsey Graham. Or do you want a President Biden, who is in a state of cognitive decline, started a war in Ukraine, trying to start a war with China, is a self-proclaimed Zionist who is backing funding and supporting genocide? Or do you want to consider a man who the brilliant Dr. Mack h Jones says makes us think more deeply about these issues? He is a decided asset to us as a people and to the human family in general. My brother, Dr. Cornell West with that, what you got, man, wow. Dr Cornel West (58:33): You moved me very deeply though. Mac Jones was one of the great giants that he invited me to come to Prairie Review, and he was teaching there, and he and I talked together, wrestled together. I learned so much from him. I really just sat at his feet. He was just so, so kind. Adolf Reed worked with him as well, with Mack Jones there at Atlanta University, but for you to read his words at the beginning of 2024, you don't know what that means to me though, man, because I had such deep love and respect for Mack Jones, and he has such a, it is like Brother Ron at Howard Walters, and he has, he's the Dr Wilmer Leon (59:17): Reason I have a PhD in political science is because of him. Dr Cornel West (59:20): Is that right? Dr Wilmer Leon (59:21): Yeah. I studied under him. I went to Howard and studied on him in Howard. Dr Cornel West (59:24): Oh, yeah, yeah. Oh my God. Because both of those brothers, they were at the peak of academic achievement, but they had such a deep love for the people, the love for black people, a love for oppressed people, a love for people catching hell everywhere in the world, and to see that in the flesh in him meant so much to me, and for you to read those words just fires me up, brother. It fortifies me. I think I'm going run on and see what the end going be. Dr Wilmer Leon (59:59): Well, Dr. Cornell West 2024 candidate for President of the United States, I want to thank you for joining me today. I want to thank you for connecting the dots Dr Cornel West (01:00:11): As a young brother for me. This is 35 years ago, and I'm talking about Mac Jones. You see, it just meant the world to me, and I'd seen it before in other examples, but to be able to see it. Thank you, my brother. Love you. Respect your man, Dr Wilmer Leon (01:00:24): Man, and you know I love you folks. Thank you so much for listening to the Connecting the Dots podcast with me, Dr. Wi Leon, and stay tuned for new episodes every week. Also, please follow and subscribe. Leave a review. Please share the show. Follow us on social media. You can find all the links below because remember that this is where the analysis of politics, culture, and history converge in the show description. Talk without analysis is just chatter, and we don't chatter on connecting the dots. See you again next time. Until then, I'm Dr. Wilmer Leon. Have a good one. Peace and blessings. I'm out

An introduction to Cornel West, focusing on his early essay “Philosophy and the Afro-American Experience.”

Episode 34: Leo Darkwa OhemengLeo Darkwa Ohemeng, (also known as Dr. Leo Soul) is a British born piano player, originally from Ghana. He started playing the piano at 15 and has been performing since 2019. Currently playing for Tee Peters And The Working Class Band and many more artists around London. He has recently played with the artists 'Ouraa' and 'Tee Peters' on BBC Radio 1, 'Solaris' on BBC Introducing and performed at many festivals such as The Great Escape, Love Supreme, The Secret Garden Party and The Royal Albert Hall exhibition festival.Leo is also a freelance sports massage therapist, under the name Recoverate Therapy.#hygystpod #LeoSoulHave You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest, and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.

Aaron Paul, Jobi McAnuff and Lyle Taylor look at a busy week of managerial departures in the Championship, with Tony Mowbray and Michael Duff leaving Sunderland and Swansea respectively. They assess where things have gone wrong and what comes next for both clubs.In the week of his wedding, we hear from the Crewe boss Lee Bell on marriage and his side's fine first half of the season.And Lyle tells us about his move to Wycombe Wanderers after a difficult final year at Nottingham Forest, followed by a spell as a free agent.TIME CODES 03:11 Swansea sack Michael Duff 10:22 Tony Mowbray leaves Sunderland (featuring an interview with A Love Supreme fanzine editor Paul Dobson) 21:35 Lee Bell and Crewe Alexandra 30:29 Lyle Taylor on getting back into football

A new report out today from the CQC - the Care Quality Commission - says that almost two thirds of maternity units provide dangerously substandard care that puts women and babies at risk. It has rated 65% of maternity services in England as either "inadequate" or "requires improvement", an increase from 54% last year. And yesterday saw the first debate in Parliament about birth trauma and the injuries suffered by some women in labour. The Conservative MP Theo Clarke has campaigned for better support for mothers following her own traumatic experience after giving birth to her daughter in August 2022. She gave her powerful testimony to Parliament in an effort to get birth trauma added to the women's health strategy and improve perinatal care for women. First we hear from Chief Executive of the CQC, Ian Trenholm, and then consultant obstetrician Dr Daghni Rajasingham. After Ruhama Wolle took on the bridesmaid mantle three times in the space of 18 months, she decided to never say yes to the role, ever again. She penned an open letter resigning from all future bridesmaid requests, addressed to all her family and friends in Glamour Magazine US, where she works as Special Projects Editor. She joins Anita Rani to talk about why she's opted out of the type of friendship being a bridesmaid requires. A prize-winning poet and currently Associate Professor of Creative Writing at Arizona State University, Safiya Sinclair, has now written a stunning memoir, How to Say Babylon. It looks at her childhood and teenage years growing up in an ultra-strict Rastifari family in Jamaica, and how literature and poetry changed the trajectory of her life. The soul/jazz singer Mica Millar has amassed almost five million streams on Spotify, and her debut album has been championed by the likes of Trevor Nelson and Jamie Cullum. This summer she's had sold out shows, festival appearances at Love Supreme and the Cheltenham Jazz Festival, plus opening slots for Gregory Porter and Lionel Ritchie. Mica is to perform at the Union Chapel as part of London Jazz Festival's opening weekend in November. She discusses recording her new album, Heaven Knows, during lockdown, while recovering from an accident. Presenter: Anita Rani Producer: Kirsty Starkey