Podcasts about jockey full

12月老友主播： 徐元（《锵稿》主编，“国产片十年”等2期嘉宾） 本期片目： 《五月十二月》 《奈德》 《旺卡》（院线） 《海王2》（院线） 《小鸡快跑2：鸡块新时代》 《断网假期》 《音乐大师》 （以上所有电影均涉及剧透） 本期节目时长：1:15:07 一、颁奖季影片：本月2部 1、《五月十二月》 北美分级：R级； 片尾是否有彩蛋：无； 是否有删减：香港院线版删减约21秒激情戏（根据爱发电听友@多点咖啡，多点运动 投稿实测）； 院线外发行情况：1080P奈飞流媒（无官方中字）； 英文原名为：May December 2、《奈德》 北美分级：PG-13； 片尾是否有彩蛋：原型人物片段随片尾字幕同步呈现； 院线外发行情况：1080P奈飞流媒（有官方中字）； 英文原名为：Nyad 二、院线电影：本月2部 1、《旺卡》 内地上映日期：12月8日（上映中）； 北美分级：PG级； 内地是否有删减：无； 片尾是否有彩蛋：有，彩蛋随长字幕滚动呈现，字幕结束无另外彩蛋； 内地是否有2D版：本片为2D电影； 内地是否有IMAX版：有； IMAX版是否有特殊画幅：无； 内地是否有杜比版：有； 内地是否有国配版：有，由中影股份译制； 英文原名为：Wonka 2、《海王2：失落的王国》 内地上映日期：12月20日（上映中）； 北美分级：PG-13级； 内地是否有删减：无； 片尾是否有彩蛋：有，位于大字幕结束，全部字幕结束无另外彩蛋； 内地是否有2D版：有，本片3D版为后期转制3D； 内地是否有IMAX版：有（2D/3D均有）； IMAX版是否有特殊画幅：有，一代激光IMAX全片画幅为1.78:1，其它IMAX版为1.9:1； 内地是否有杜比版：有（2D/3D均有）； 内地是否有国配版：有，由长影译制； 英文原名为：Aquaman and the Lost Kingdom 三、院线之外：本月3部 1、《小鸡快跑2：鸡块新时代》 北美分级：PG级； 片尾是否有彩蛋：无； 院线外发行情况：1080P奈飞流媒（有官方中字）； 英文原名为：Chicken Run: Dawn of the Nugget 2、《断网假期》 北美分级：R级； 片尾是否有彩蛋：无； 院线外发行情况：1080P-HDR奈飞流媒（有官方中字）； 英文原名为：Leave the World Behind 3、《音乐大师》 北美分级：R级； 片尾是否有彩蛋：原型人物画面随片尾字幕同步呈现； 院线外发行情况：1080P奈飞流媒（有官方中字）； 原名为：Maestro 其它片目： 《幽情密使》（1971） 《小鸡快跑1》（2000） 《查理和巧克力工厂》（2005） 《极速风流》（2013） 《帕丁顿熊》（2014-2017） 《消失的爱人》（2014） 《徒手攀岩》（2018） 《海王1》（2018） 《倒数时刻》（2021） 《十三条命》（2022） 《奥本海默》（2023） 《星愿》（2023） 开场曲：(Hugh Grant & Timothée Chalamet)； 结束曲：(Tom Waits)； 封面设计：画电影（可关注B站“画电影”频道）； 音频后期协助：出雲。

A scoped aircheck (most of the music's been removed) of WAIT-FM ("The Voice of the TW Festival"), as broadcast on Saturday, Oct. 1, 2022. Hosted on Acast. See acast.com/privacy for more information.

Rain Dogs is the first Tom Waits album Nathan listened to, and he has been a fan ever since. In this episode we review the album Rain Dogs by Tom Waits.Jockey Full of BlenderBlenderstyle Hosts: Casey, Matt, NathanFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netListen to Tom Waits - Rain Dogs:YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_l5zHigBBViF3LKifInUGgafuerBhJ0BaYSpotify: https://open.spotify.com/album/5bbb7E51zaDCuD85uLyFkKApple Music: https://music.apple.com/us/album/rain-dogs/1440657420Keywords: Tom Waits, Rain Dogs, Clap Hands, Cemetery Polka, Tom Waits Reaction, Jockey Full of Bourbon, Hang Down Your Head, Kathleen Brennan, 9th & Hennepin, Downtown Train#tomwaits #raindogs #albumreview #claphands #tomwaitsreaction #jockeyfullofbourbon

En este episodio queremos hablaros de esos momentos cinematográficos que no serían tan increíbles sino fuera por la canción que los acompaña. Hacemos un top cada uno de los que consideramos nuestras mejores momentos musicales en el cine. Y no, no hablamos de musicales con su escenografía y actores cantando y bailando sino de escenas sencillas de cualquier tipo de película que son únicas gracias a una canción o música particular. Aquí os dejamos los enlaces de Youtube de las escenas de cada top :) TOP ANA: Menciones especiales: * Torrente 1 de Santiago Segura, Apatrullando la ciudad de El Fary * Bajo el peso de la ley de Jim Jarmusch, Jockey Full of Bourbon de Tom Waits * Kill Bill 2 de Tarantino, Malagueña Salerosa de Quingon Top Ana 5º Stoker de Park Chank-Wook 4º American Horror Story: Asylum, The Name Games de Jessica Lange 3º Ventajas de ser un marginado de Stephen Chbosky, Heroes de David Bowie 2º Antes del atardecer de Richard Linklater, Just in time de Nina Simone 1º El Gran Lebowski de Joel y Ethan Coen, Hotel California de Gypsy Kings TOP ÁNGEL Menciones especiales: * El señor de los anillos: El retorno del rey de Peter Jackson, The Battle of the Pelennor Fields de Howard Shore * Haz lo que debas de Spike Lee, Fight the power de Public Enemy Top Ángel 5º Titane de Julia Ducournau, Doing it to death de The Kills (La película todavía no se estrenó en España) 4º El club de la lucha de David Fincher, Where is my mind? de The Pixies 3º Hannibal (Serie TV) (T3), Love Crime from the Wrath of the Lamb de Brian Reitzell y Siouxsie Sioux 2º Farinelli de Gérard Corbiau, Lascia ch'io pianga de Haëndel 1º Game of Thrones (Serie TV) (T6) The Winds of Winter "Light of the Seven" de Ramin Djwadi Este programa no comercial, sin publicidad y cuenta con músicas y efectos de sonido con licencia Playtime - Margareta Hit me like a wave - Xack Rayos y Retruécanos es un podcast de cine y series en El que Ana Lage y Ángel Rey comentan sus impresiones películas, series y noticias del audiovisual. Puedes contactar con nosotros en la cuenta oficial del podcast en Twitter, @Rayospodcast

Tom Waits “Beautiful Maladies” The Island Years : "Underground" "16 Shells from a Thirty-Ought Six" "Singapore” "Clap Hands" "Jockey Full of Bourbon" "Downtown Train" "Time" "Hang On St. Christopher" "Straight to the Top" "Temptation" "Innocent When You Dream (78)" "Way Down in the Hole "Cold, Cold Ground" "Good Old World (Waltz)" "I Don't Wanna Grow Up" "The Black Rider" Escuchar audio

New music from Dirty Projectors, LAU, Matt Elliott, and Nick Lowe, plus a new compilation of early Moondog street music and a tribute to songwriter John Prine and producer Hal Willner.   Tom Waits, "Jockey Full of Bourbon", Rain Dogs 1985 Shane MacGowan, "Leaving of Liverpool", Son of Rogues Gallery: Pirate Ballads, Sea Songs & Chanteys Anti/Epitaph 2013 Nick Lowe "Lay It On Me Baby", Lay It On Me - Single 2020 Ennio Morricone "Duck, You Sucker", Duck, You Sucker (Original Motion Picture Soundtrack) United Artists Records 1972 Bruno Nicolai "Tempo Sospeso", Tempo Sospeso Cinedelic Italy 2017 John Zorn "The Sicilian Clan", The Big Gundown 1984 LAU, "Far from Portland", Lau Unplugged, Reveal Records 2020 Roger Eno & Brian Eno, "Spring Frost", Mixing Colors 2020 John Prine, "Far From Me", Souvenirs 1972 Townes Van Zandt, "Don't Take It Too Bad", Townes Van Zandt 1970 Matt Elliott, "Farewell To All We Know", Farewell to all we Know 2019 Ry Cooder, "Paris, Texas", Paris, Texas 1985 Bill Callahan, "Released", Shepherd in a Sheepskin Vest 2019 PJ Harvey with Thom Yorke, "This Mess We're In", Stories from the City, Stories from the Sea 2000 Dirty Projectors, "Isolation", Isolation 2020 Moondog, "Bird's Lament", Sax Pax for a Sax, 1997 Moondog, "Why Spend the Dark Night With You", On the Streets of New York, 2020  

Tom Waits er en af de få nulevende musikere, hvis musikalske udtryk udgør en genre i sig selv. Det trækker på alskens americana, folk, blues og jazz til show tunes og torch songs, som han frejdigt blander med polkaer, rumbaer, tangoer og mariachis tilsat et skvæt tysk kabaretmusik, lidt vaudeville og lydene fra et omrejsende tivoli. Resultatet er en original syntese, som mange har efterlignet, men som kun Waits selv virkelig mestrer.‘Rockhistoriers' værter har lyttet til Waits siden de sene 1970'ere, hvor han arbejdede i en noir-inspireret loungejazzstil, som lå milevidt fra hvad der ellers rørte sig i tiden. De oplevede derfor også effekten af hans skarpe venstresving i 1983, hvor han – inspireret af blandt andre Captain Beefheart og vagabondkomponisten Harry Partsch – med albummet ‘Swordfishtrombones' skabte et for rockmusikken helt nyt udtryk, hvis brug af bizarre instrumenter og alskens slagtøj samt hele dens benhårde primitive klang stod i skarp kontrast til samtidens hang til synthesizers, sequencers, trommemaskiner og digital perfektion.    Selvom Waits ikke turnerer meget, er han en fantastisk scenepersonlighed, når han endelig træder op, hvad programværterne kan skrive under på, idet de begge har oplevet ham i alt tre gange – i København i 1985, i Berlin i 1999 og i Prag i 2008. Derudover har han haft en markant sidekarriere som skuespiller, og så giver han verdens vildeste interviews.Ol’ 55 (Closing Time, 1973)Diamonds on My Windshield (The Heart of Saturday Night, 1974) Tom Traubert’s Blues(Small Change, 1976)Muriel (Foreign Affairs, 1977)Romeo Is Bleeding (Blue Valentine, 1978)Jersey Girl (Heartattack and Vine,1980)Tom Waits & Crystal Gayle: Picking Up After You (One from the Heart, 1982)16 Shells from an 30.6 (1983) (Swordfishtrombones, 1983)Frank’s Wild Years (1983)(Swordfishtrombones, 1983)Jockey Full of Bourbon (Rain Dogs, 1985)Downtown Train (Rain Dogs, 1985)Way Down in the Hole (Frank’s Wild Years, 1987)Going Out West (Bone Machine, 1992)The Black Rider (The Black Rider, 1993)What’s He Building? (Mule Variations, 1999)Alice (Alice, 2002)Metropolitan Glide (Real Gone, 2004)Last Leaf (Bad as Me, 2011)

Alex Imas is an assistant professor of economics in the Social & Decision Sciences department at Carnegie Mellon’s Dietrich College. His research dovetails perfectly into the department’s cross-disciplinary approach by blending behavioral and experimental economics, particularly how social concerns and emotions influence decision making and preferences. His most current research examines the effectiveness of prosocial incentive schemes and how subtle changes in social norms can have large effects on behavior. However, our conversation started with Alex discussing his findings with Sally Sadoff, from the University of California in San Diego, and Anya Samek from USC, on the effectiveness of loss contracts. Loss or clawback contracts are similar to incentives but instead of getting paid at the end of the work – contingent of successful achievement, the clawback or loss contract gives you money up front and you are forced to give it back what you don’t achieve the appropriate levels of performance. Many people would say they’d prefer a regular bonus structure – to get paid upon successful completion of their work – but Alex, Sally and Anya’s work found something different. The loss contract proved to be a commitment device – it helped reduce shirking – and improved performance overall. Even people with a higher sense of loss aversion tended to benefit most from loss contracts. There are even some people who ended up preferring loss contracts.  In our grooving session, Kurt and Tim discuss their real-world experiences with clawbacks: do they work and in what circumstances are they most successful? With that, please sit back and enjoy our conversation with Alex Imas. Links Alex Imas (CMU): https://www.cmu.edu/dietrich/sds/people/faculty/alex-imas.html Alex Imas (Personal): http://www.aleximas.com Carnegie Mellon University: https://www.cmu.edu/ CMU Social and Decision Sciences Department: https://www.cmu.edu/dietrich/ "Do People Anticipate Loss Aversion?" (with S. Sadoff and A. Samek). Management Science, 2016. “Enhancing the Efficacy of Teacher Incentives through Loss Aversion: A field experiment.” https://rady.ucsd.edu/docs/faculty/Fryer_et_al_Teacher_Incentives_NBER_WP18237_2012.pdf By Roland G. Fryer, Jr., Steven D. Levitt, John List, Sally Sadoff Index funds: https://www.investopedia.com/terms/i/indexfund.asp Jack Bogle index funds: https://www.fool.com/investing/2019/01/17/jack-bogle-on-index-funds-vanguard-and-investing-a.aspx  “Myopic Loss Aversion and the Equity Premium Puzzle,” Thaler & Benartzi. https://www.nber.org/papers/w4369 Abby Sussman: https://www.chicagobooth.edu/faculty/directory/s/abigail-sussman Paul Smeets: https://facilities.research.northwestern.edu/directory/paul-jozef-matheus-smeets Ashley Wilhans: https://www.hbs.edu/faculty/Pages/profile.aspx?facId=943704 Please Kill Me, Legs McNeil & Gillian McCain. https://www.goodreads.com/book/show/14595.Please_Kill_Me Festivus: https://en.wikipedia.org/wiki/Festivus Artists Bob Dylan: https://en.wikipedia.org/wiki/Bob_Dylan Phoebe Bridgers: https://www.youtube.com/watch?v=psZuC10Oa4E Bright Eyes: https://www.youtube.com/watch?v=zwFS69nA-1w Boy Genius: https://www.youtube.com/watch?v=OS48Lp34Zic Conor Oberst: https://www.youtube.com/watch?v=8FnmP_1vABE Mitzki: https://www.youtube.com/watch?v=qooWnw5rEcI Soccer Mommy: https://www.youtube.com/watch?v=Ouem6cFXJvA Run the Jewels: https://www.youtube.com/watch?v=AfuCLp8VEng Cardi B: https://www.youtube.com/watch?v=zUOh09GoQgk Tom Waits, “Jockey Full of Bourbon,” https://www.youtube.com/watch?v=IgMP9O-cIV8

More music chat (which is the goal, after all) with Kent, Vanessa, Martin & Sam, as Waits releases some of the tension established in the previous track with this weird breathy hymn to the end of life. With discussion of other weird vocal styles, a comparison between bleakness vs acceptance in death, plus an exciting bonus track featuring the resonant space inside Sam’s mouth, Song by Song continues it’s journey through Bone Machine. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Dirt in the Ground, Bone Machine, Tom Waits (1992) Satisfied Mind, For Pete's Sake, Pete Drake & His Talking Steel Guitar (1965/2005) Jockey Full of Bourbon, Rain Dogs, Tom Waits [feat. the inside of Sam's mouth] (1985/2019) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Back for a second week, Matthew Crosby joins Martin and Sam to take a look at Jim Jarmusch's 1989 multiple-narrative movie Mystery Train. While we're all full of love and excitement for the quirks and details of the film, there's some debate as to the strength of some of the acting performances, the narrative coherence, as well as whether it's Elvis or Carl Perkins. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Jockey Full of Bourbon, Rain Dogs, Tom Waits (1985) Tango Til They're Sore, Rain Dogs, Tom Waits (1985) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Sam and Martin welcome friend of the show Matthew Crosby to dig into one of Waits's most sizeable film roles, the 1986 Jim Jarmusch classic Down By Law. Immediately proving their analytic credentials by remembering at least two of the main characters' names, Matthew, Sam and Martin discuss the acting strengths (and weaknesses…?) of the three protagonists, the improvisational elements in the scripting, as well as Jarmusch's ability and willingness to film actors listening. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Jockey Full of Bourbon, Rain Dogs, Tom Waits (1985) Tango Til They're Sore, Rain Dogs, Tom Waits (1985) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Back in the studio, Sam and Martin regroup briefly for a discussion of some of the features in this fourth track from Rain Dogs. More magpie work from Waits, cherry-picking children’s rhymes and pirate songs, as well as the unique guitar stylings of Marc Ribot in both collaboration and his solo work. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Jockey Full of Bourbon, Rain Dogs, Tom Waits (1985) Fat Man Blues, Silent Movies/Live Version, Marc Ribot (2010) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Diretor de Estratégia e Organização do Banco do Brasil fala sobre as mudanças que estão acontecendo na economia e no mercado de trabalho Esta edição abre uma série de entrevistas aqui no Trip FM que vai ser focada no universo corporativo e financeiro. É nítido que o mundo passa hoje por uma das maiores transformações da sua história recente e as mudanças estão acontecendo por todos os lados e a uma velocidade alucinante. Isso, somado à uma importante crise financeira, gera obviamente um sentimento de insegurança relacionado, principalmente, aos aspectos profissionais e financeiros da vida das pessoas. Por isso mesmo a gente decidiu trazer aqui pro Trip FM algumas pessoas que se destacam nessas áreas - figuras que estão à frente de grandes, sólidas e respeitáveis empresas brasileiras – pra refletir sobre este momento da nossa história. Na edição de hoje a gente recebe o Diretor de Estratégia e Organização do Banco do Brasil, Carlos Alberto Araújo Netto. Funcionário de carreira do Banco, onde ingressou em 1986, Carlos fez bacharelado e mestrado em História, pós graduação em Marketing, mestrado em Ciência da Informação e doutorado em Psicologia Organizacional. No Banco do Brasil, Carlos passou por diversos cargos, entre eles Gerente Executivo da Diretoria de Marketing e Comunicação e Diretor de Gestão de Pessoas. ESCUTE A ENTREVISTA COMPLETA NO PLAY ABAIXO: [AUDIO=https://p.audio.uol.com.br/trip/2017/8/netto_pod.mp3; IMAGE=https://revistatrip.uol.com.br/upload/2017/08/59a0a38db7d81/1512x541x960x540x253x0/netto.jpg] SET LISTJorge Ben —  Por Causa de Você, MeninaRodiguez —  Inner City BluesTom Waits —  Jockey Full of BourbonBelchior —  Sujeito de Sorte Ouça todas as músicas que rolaram no Trip FM em 2017

Vocalist/guitarist Mark Conti and bassist Christian Ferri — both members of the Asheville Waits Band (a Tom Waits cover band) — perform “Singapore” from the album Rain Dogs in front of the Iron sculpture.   This video was originally recorded on a very windy day in early January, 2012.     DOWNLOAD THE SONG!

In this month's episode, John and friends examine Tom Waits' 1985 release, Rain Dogs. Featuring pieces performed by Ryan Good, Greg Allen, Joe Janes, Don Hall, Mike O'Connel, Jen Ellison, Bilal Dardai, Cara Francis, Ian Belknap, Steve Walker, Daniel Kerr-Hobert, and of course, John "Jughead" Pierson himself. RAIN DOGS - TOM WAITS 1. Singapore - Ryan Good 2. Clap Hands - Greg Allen 3. Cemetery Polka (Nobody) 4. Jockey Full of Bourbon - Joe Janes 5. Tango Till They're Sore - Don Hall 6. Big Black Mariah - John Jughead Pierson 7. Diamonds & Gold - Mike O'Connel 8. Hand Down Your Head (Nobody) 9. Time - Jen Ellison 10. Rain Dogs - Bilal Dardai 11. Midtown (Nobody) 12. 9th & Hennepin - Cara Francis 13. Gun Street Girl - Ian Belknap 14. Union Square (Nobody) 15. Blind Love - Steve Walker 16. Walking Spanish - Matt Dwyer 17. Downtown Train (Nobody) 18. Bride of Rain Dog (Nobody) 19. Anywhere I Lay My Head - Daniel Kerr-Hobert The original intention of Jughead's Basement was not to conduct interviews of band members, but only to spotlight some of my favorite writers writing about some of my favorite records. But that quickly veered towards having a few interviews since I enjoy having conversations about music and creativity. I now like the balance of both interviews and writers. I had scheduled Tom Wait's Rain Dogs before seeking interviews became a facet. Instead I gathered together the best of my favorite writers, and they shared their stories and thoughts on one of the best singer/songwriters of the last few decades: Tom Waits. I did try to get an interview with him, but with no success. Really it was a pipe dream, a quixotic challenge I gave myself. I do plan on continuing my effort to get an interview with him, which I would instantly sprinkle on top of this podcast. But until then this single podcast represents the purity of my original idea. http://www.johnjugheadpierson.com/ http://www.tuesdaynighthoot.com/

It's time for a brand spankin' new podcast! I had a special guest this week, Chris Hume, director of Red State Road Trip and Red State Road Trip 2. Check them out at redstateroadtrip.com or shootandrun.net. Chris also directed a mini-documentary about the Geological Museum (Shameful self-promotion: I am in it ripping our failed football team and sharing my thoughts on the UW president's benefits.) This week's show featured music from Treepeople, Sonic Youth, The Dead Weather, Superchunk, Tom Waits, The Love Me Nots, Super Furry Animals, The Brian Jonestown Massacre and Modest Mouse, and the Angry Malcontent ranted about our space program, and our lack of motivation ("Where's my goddamn hover car?!"). Blue Collar Joe debated Aurora Firestone on health care and got owned by Aurora and the Angry Malcontent. I shared my thoughts on Urbandictionary.com, and, for the first time, we had an unrelated, two-way tie for d-bag of the week! (Note: I referred to Robert Webb as Richard Webb a couple of times. Oops.)Track Listing:"Everything'll Be Alright," Superdrag "Sunday," Sonic Youth "Break My Heart," The Love Me Nots "We've Got to Get Out," Maritime "Running With the Wasters," The Takeover UK "Tidal Wave," The Apples In Stereo "The Ride, Pt. 2," Calexico "Caucasian Blues," Jarvis Cocker "Anenome," The Brian Jonestown Massacre "Only Shallow," My Bloody Valentine "So Far from Your Weapon," The Dead Weather "Jockey Full of Bourbon," Tom Waits "Dramamine," Modest Mouse "Show Your Hand," Super Furry Animals "Car," Built To Spill "Teller," Throwing Muses "In Like Flynn," Girls Against Boys "Nub," The Jesus Lizard "Seven," Sunny Day Real Estate "Grace Cathedral Park," Red House Painters "Slack Motherf*cker," Superchunk "Losing Skin," Seaweed "Andy Warhol," Treepeople "Getting' High for Jesus," Holly Golightly & The Brokeoffs