Podcasts about Bone Machine

We got songs of all sorts tonight and non-songs for most sorts too. Take your pick! LISTEN AGAIN – you can stream on demand @ fbi.radio or podcast here. Abigail Snail – Good Grief [Romac Puncture Repairs] Abigail Snail – Attach Bayonets [Romac Puncture Repairs] You can get an idea of the experimental roots background of London guitarist Stef Ketteringham, usually known as Stef Kett, from his 10-year-old Guitar Arrangements (2016) and its sequel More Guitar Arrangements from the following year – a loose, free jazz approach to bluesy guitar, the outer limits of American Primitive. It’s not that far from there to punk rock, but nor is it far from the swamp. Garage rock is more the touchstone with Abigail Snail though, when Kett, on vox, guitar & bass, teams up with the incredibly versatile drummer Will Glaser, who’s played with the likes of Sly & the Family Drone, Yazz Ahmad, Ruth Goller and many other luminaries of the London jazz scene, and released an incredible solo album last year. The music’s a kind of hysterical, broken-down form of garage rock, dragged into swampy blues-jazz with the addition of James Allsopp on tenor sax & bass clarinet, a fixture of London’s jazz & experimental scenes for the last 2 decades. The album bio describes them as “London spray band Abigail Snail”, and the raucous-yet-vulnerable music here could well suit this new genre (as you know, we at Utility Fog love ridiculous new genres). Anyway, stick this on your boombox and scare pedestrians as you cycle to work next week. Jungstötter – Overturn [Unguarded/Bandcamp] Fabian Altstötter founded his solo project Jungstötter some years after his postpunk band Sizarr went on hiatus. Solo, his music draws from the dramatic experimental songwriting of Scott Walker & David Sylvian – on 2023’s One Star, his rich vocals were offset by industrial rumblings and shifting electronics, muddled in pitch-shifted shadows of themselves, mashed beats interrupting the flow, horn and string arrangements that grow raucous. New album Sustained is now announced, and single “Overturn” is very pared down – just that voice, some percussion, sparse electric piano, field recordings of children’s voices and occasional single note hits from horns. Oh, and the scrabbling guitar at the end, all suggesting something creepy around the corner. No doubt this will be an excellent album. Massive Attack x Tom Waits – Boots on the Ground [PIAS Records/Bandcamp] The most unexpected release of the century? Given that Tom Waits‘ last solo album Bad As Me came out in 2011, we could have been forgiven for expecting that was the end, but Massive Attack (who have stuck to random singles with feature artists for the last decade) convinced him to create this anti-war anthem, clattering percussion straight out of Tom’s Bone Machine, piano straight out of many of 3D’s productions, and Tom’s barked vocals which could refer to ICE or US troops in Venezuela, Iran, or heck, Vietnam. It’s proper chilling stuff. Loraine James – Flatline ft. Miho Hatori [Hyperdub/Bandcamp] From her soon-forthcoming album Detached From The Rest OF You, Loraine James here works with Miho Hatori of Cibo Matto on absolute thriller of a song, the beats a Loraine glitch-bass special and Hatori’s vocals spoken and sung but always cut-up. This is her “pop” album lol… Well, it’s full of great singers and James herself sings on more than a few tracks, but it’s still super experimental. Naavikaran & Simo Soo – For You Page (FYP) [Naavikaran Bandcamp] On her new EP MYSTIQ DISCOTHEQ, Naarm-based rapper Naavikaran puts a South Asian spin on her EDM-influenced rap & pop, enlisting Simo Soo to help bring out the deconstructed club vibes. Across the EP, Naavikaran raps and sings in Tamil, Marathi, Hindi and English, covering life as a disabled, LGBTQI+ refugee. Impressive and entertaining. deafkids – REFLEXO [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. james K – Doom Bikini (Hesaitix Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Hesaitix is the alias of James Whipple, better known as M.E.S.H, pioneer of “deconstructed club”. Here, though, he’s taking james K’s “Doom Bikini” and adding accelerated breakbeats in a lightweight jungle style. Very nice. Zoë Mc Pherson – Bang Bang (Nziria remix) [SFX/Bandcamp] Zoë Mc Pherson – Ambient Snake (Yushh remix) [SFX/Bandcamp] One of the leading lights of deconstructed club music (as we probably don’t call it anymore), Zoë Mc Pherson, releases the remix collection from last year’s Upside Down album, via their own SFX label. A great collection of various sorts of experimental bass music, including here some frenetic jungle/breakcore from Italian DJ & producer Nziria, and some ambient technoid lushness from Bristol’s Yushh, who will be playing here soon – at the Sydney Opera House, no less – for DUNJ’s Vivid Live event, also featuring Carrier and our own gi and Autogenesis. ARTISOMA – Boraq [YUKU/Bandcamp] Ravensburg, Germany-based producer Sarah Rendle ARTISOMA, debuting on YUKU with the Mobilya EP, exploring various configurations of UK bass and percussive techno. Quality production, as expected from anything on YUKU. OD Bongo – crystallinoron [Carton Records/Bandcamp] It’s almost inevitable that whatever is next released by French label Carton Records will be unlike whatever you’ve previously heard. Amédée de Murcia (aka Somaticae) on synths and Édouard Ribouillault aka C_C on drum machines, samplers & fx make up OD Bongo, whose second album Bongoville is technically co-released by Carton, zamzamrec, Prix Libre Record and basalte (whoever they are). This multiplicity of co-presentations is quite common in France it seems. Whoever you’re encountering it via, you’re in for a treat: hardware samplers, synths & drum machines produce a psychedelic cacophany of dance music styles, drawing in trap, juke and gqom with their bass-heavy techno – and a dub sensibility is ever-present. That’s got to hit the spot if you’re a Utility Fog listener! Haydn Douet Lukies – Amolador [Colectivo Casa Amarela/Bandcamp] Colectivo Casa Amarela are one of those Portuguese labels that you know will come through with the goods, even if you’re not sure what those goods will be. In the case of Old Dark Champagne, percussionist Haydn Douet Lukies uses his environment as his instruments – in this case the watery soundscape of Cacilhas, an industrial area in the estuary of Tagus River (Lisbon is built around that estuary), along with rusting chains, architectural surfaces and so on. But from these ingredients he makes music whose rhythms and sounds are linked to the beats of jungle, UK drill, industrial dub and other bass musics, as well as Arabic percussion and the Lisbon-centred, Afro-diasporic sounds of batida. It’s only an EP, and leaves us wanting more. Tristan Arp – Forking Paths [Kapsela/Bandcamp] Objekt‘s label Kapsela continues to be essential, now releasing an EP, Re-Weave, from the brilliant percussive techno sound-artist Tristan Arp. Case in point, tonight’s track “Forking Paths” starts with blissful synth arpeggios, but a minute and a bit in, rolling snares and a light but prominent “tok” on the 2nd & 4th beats drop in, switching into a syncopated bassline, and these various parts undulate and shuffle through the course of the track. The title is a reference to Borges’ classic story “The Garden of Forking Paths”, but also to the EP’s dedication to weaving mycelial networks and labyrinths. Beautiful. Yunzero – Cool Skunk [Yunzero Bandcamp] Naarm’s Jim Sellars makes some of the most weirdly crunchy, alternate-reality sample-based music of the last decade or so, under the name Yunzero. As the quote says on this new 2-tracker, “there’s something off”. If you wanted a summary of Utility Fog’s favourite kinds of music, “there’s something off” is a pretty good one, and it’s not a bad description of the jittery, rhythmic pieces on show here. Hora Lunga – Hearing through the Wall ft. Junge Eko [Hora Lunga Bandcamp] One album I loved from last year came from Argentinian cellist Violeta García working with the Swiss composer/producer Hora Lunga. The two musicians melded sound-art and noise with acoustic gestures, post-club sub-bass and glitched ambiences. Now Hora Lunga presents his New Age Music Vol. 2-3, which couches new agey soundscapes in post-modern irony (check the CD-R edition, which comes enclosed in repurposed pop album packaging). Deliberately awkward edits cultivate a sense of unease, only emphasised with guest vocals from the likes of Junge Eko aka Catia Lanfranchi, whispering over stop-start breaks. García appears with a vocal performance that pairs with industrial beats reminiscent of Atari Teenage Riot; meanwhile there’s angelic voice and distortion on “Doom Metal”, which is actually more like shoegaze, while Sam Portugal brings something more like black metal vocals to the dubbed-out “When I”. The double-album lurches from one genre to the next, never alighting on “new age” as such, but embodying the new, the post-, at all times. Joseph Branciforte & Jozef Dumoulin – ⊐ [greyfade/Bandcamp] With his greyfade label, NY composer, sound-artist & designer Joseph Branciforte presents music at the crossroads of contemporary classical, contemporary jazz and experimental electronic, especially where they meet in minimalism. This has led to some remarkable ideas, like the Folio edition of an acoustic reconstruction of Taylor Deupree‘s ambient-glitch classic Stil. Glitch, though, is a hallmark of the label, especially with Branciforte’s own works like the label’s debut release LP1 and its follow-up, which paired Branciforte with brilliant jazz singer Theo Bleckmann, with Branciforte on electronics and Fender Rhodes. That instrument brings us to this new collaboration, with Belgian Rhodes player Jozef Dumoulin. Both artists play their own Fender Rhodes, re-sampling and processing in realtime, and the music is (re)constructed from small fragments – but don’t think this is austere studio deconstruction; Joseph & Jozef are seasoned improvisers, and their intuitive connection is found throughout. In addition, a lot of the “editing” was done live in Branciforte’s realtime editing software. The album is released in a special deluxe edition with the whole 70 minute work on one CD, and an additional 4 CDs which contain the tracks spread out across them, to be re-sequenced or even layered if the listener wishes. Jonas Cambien – Tre – RADIO EDIT [Sonic Transmissions Records/Bandcamp] Rhythmic sounds here which hint at glitch-edits but are purely prepared piano, from Oslo-based Belgian pianist Jonas Cambien, whose Man Eating Tree is released by Norwegian label Sonic Transmissions Records. The release consists of four pieces, I believe part improvised and part composed, of rhythmic movement and minimalist gestures on prepared & unprepared piano and electric organ. Lovely stuff. Microfiche – Number 7 [Earshift Music/Bandcamp] One of Eora/Sydney’s best jazz bands, Microfiche, have their third album With Time coming out on June 12th. The album marks 10 years together as a band, and bids farewell to pianist/keyboardist Novak Manojlovic – replaced live now by the brilliant guitarist Hilary Geddes, although Novak still plays on the album, along with clarinettist/violist Phillippa Murphy-Haste, bassist Max Alduca, trumpeter Nick Calligeros, saxophonist Sam Gill (recently awarded the 2025 Freedman Jazz Fellowship) and drummer Holly Conner (who you’ve heard filling in on this show on a number of occasions). All of them are interested in music across genre, all are composers and improvisers and producers one way or other. The first single from the album is composed by Novak, and it’s a beautifully restrained piece with subtle details, clusters of virtuosity inside small musical gestures. The whole album’s special, stay tuned for more! Mariam Wallentin & Vestnorsk Jazzensemble – Basel [Hubro] Here’s a new single from an album that’s coming… sometime… from the great Norwegian label Hubro. Mariam Wallentin is one of the most extraordinary singers of our age – known for her postrock/pop/experimental duo Wildbirds & Peacedrums with her husband, drummer Andreas Werliin, and for her immense, emotive vocals with Fire! Orchestra, the Nordic free jazz big band centred around the Swedish trio Fire! formed by Werliin along with bassist Johan Berthlin and saxophonist Mats Gustafsson. Wallentin also has a solo project as Mariam The Believer which is perhaps more pop but still involves many experimental/jazz musicians. Here she is working with the Vestnorsk Jazzensemble, a jazz ensemble based in Bergen in the west of Norway, who commissioned a collaboration with Wallentin which reworks material from Mariam The Believer and even going back to Wildbirds & Peacedrums. However, “Basel” is a new song, a slow jazz groove with a pensive melody. Can’t wait to hear the rest. Claire Dickson – Waterfeel [New Amsterdam Records/Bandcamp] New York’s New Amsterdam Records are notionally a classical label, who tend to put out contemporary classical-adjacent pop, indie and experimental music as much as full-blown orchestral/ensemble work such as Sarah Kirkland Snider‘s compositions. On her second NewAm album Balance, Berlin-based Claire Dickson writes beautiful, laid-back songs around patient synth & piano patterns, fluttering strings, twinkling harp… Even when Lesley Mok‘s drums and Zoh Amba‘s sax are in the picture, it’s the slow-paced ostinati that call the shots. Dreamy & lovely stuff. Freda D’Souza – unravel (when ya comin back?) [Freda D’Souza Bandcamp] Speaking of low-key… Freda D’Souza is a London-based singer/songwriter/multi-instrumentalist who you may have heard me bugging you about before – or not, because she is the exact opposite of prolific. Her Windowledge EP from 2023 is small but perfectly formed and “The Love Song of J Alfreda D’Souza” speaks to me both on the pun level and also just as a wondrous song & performance. Anyway, how lucky are we then that she’s just pushed out a tiny single, with the lovely “lullabye” as the lead but backed up with a blissful Björk cover! The glitched, twinkling electronics of Vespertine (still my favourite Björk era) are replaced by layers of her voice and strings. Then again, if you like doom & post-metal, Freda’s band Wēven have just released their Wychelm EP, which is highly worth your time too. Listen again — ~214MB

Revisamos esa obra maestra publicada en 1992: el álbum Bone Machine del gran Tom Waits. Se trata de uno de esos discos para degustar con lentitud y atención. Ricardo Portman nos cuenta su historia. Escucharemos Earth Died Screaming, Dirt in the Ground, Such a Scream, All Stripped Down, Who Are You, The Ocean Doesn't Want Me, Jesus Gonna Be Here, A Little Rain, In the Colosseum, Goin' Out West, Murder in the Red Barn, Black Wings, Whistle Down the Wind, I Don't Wanna Grow Up, Let Me Get Up on It y That Feel. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú) Onda Wantuki (Madrid) semanal

Sorti en 1988, "Surfer Rosa" est le premier véritable album du groupe de Boston mené par Black Francis. Un disque brut, rugueux, qui va ériger les Pixies en figure majeure du rock alternatif. Derrière ce son abrasif : l'ingénieur Steve Albini, alors encore peu connu, futur collaborateur de Nirvana et PJ Harvey. Dès l'ouverture avec "Bone Machine", le ton est donné. La déflagration "Something Against You", chaotique et anti-radio, incarne parfaitement cette esthétique corrosive. Plus culte encore, "Where Is My Mind?", largement popularisé par le film "Fight Club". Le disque regorge de morceaux singuliers comme Cactus, que David Bowie reprendra plus tard, ou Vamos, aux paroles en espagnol, reflet du passage de Black Francis à Porto Rico. Souvent cité parmi les plus grands albums rock de tous les temps, "Surfer Rosa" sonne déjà comme les années 90 avant l'heure. Une œuvre imprévisible et essentielle, portée presque intégralement par Black Francis, à l'exception de "Gigantic", chanté paHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Scot and Jeff discuss the second part of Tom Waits' career (1983-2011) with Damon Linker.Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Damon Linker. Damon is a senior lecturer in political science at the University of Pennsylvania, and publishes a Substack newsletter titled “Notes from the Middleground.” Follow him at @DamonLinker on Twitter.Damon's Music Pick: Tom WaitsWe sail tonight for Singapore and we're all as mad as hatters here. Yes, Political Beats finishes its two-part celebration of the career of Tom Waits, rejoined by doughty boatswain Damon Linker as we pilot our way to unknown musical seas. Tom Waits had a fine career up through the year 1982, when he finished work on the soundtrack for Francis Ford Coppola's One from the Heart. But we're talking about the man primarily because of what happened afterwards, when he became more than just a down-and-out jazz pianist with the voice of a Babadook. Waits met script supervisor Kathleen Brennan on the set of the film and fell in love, marrying a year later. (They remain married to this day.) Proving herself the anti-Yoko Ono, Brennan then alchemically helped to raise Waits's music to an entirely new level of excitement and experimentation. His lyrics ideas become weirder, and more vivid. His ballads become infinitely more heartfelt (most of them are secretly addressed to Brennan). And his arrangements become a world of their own: Tom Waits begins, in 1983, to create glorious junk sculptures out of sound, using uncharacteristic (often minimalistic) instrumentation to create music that nobody has heard before.Through such landmarks of the 1980s and 1990s as Swordfishtrombones, Rain Dogs, Bone Machine, and The Mule Variations, Tom Waits transcended his balladeering origin -- without ever leaving it entirely behind -- and created a body of work famous for its eccentric, compelling, and deeply influential series. Once you get past the fact that he has a voice like the sawblades of a lumber mill, entire worlds will open up to you. Click play and clap hands! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the September 8 edition of the Music History Today podcast, Michael kisses Lisa Marie, Chuck Berry duck walks, & Tom Waits drops Bone Machine. Plus, it's Alecia Beth Moore's birthday. You can call her Pink.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Rockshow Episode 214 Tom WaitsTom Waits is a highly influential American musician, songwriter, composer, and actor, known for his distinctive voice, eclectic musical style, and deeply evocative storytelling. Here's a broad overview of his life and work:Early Life•Born: December 7, 1949, in Pomona, California.•Full Name: Thomas Alan Waits.•He grew up in a middle-class family and developed an early interest in music, especially jazz and blues.Musical Style and Career•Debut Album: Closing Time (1973) – This album featured a more conventional folk-rock and jazz style, and included the song “Ol' '55,” later covered by the Eagles. •Over time, Waits moved away from traditional song structures and embraced a more experimental and theatrical sound, especially from the 1980s onward.Key Albums•The Heart of Saturday Night (1974) •Small Change (1976) – Showcased a darker, more poetic style.•Swordfishtrombones (1983) – Marked a radical departure with a rawer, more avant-garde sound.•Rain Dogs (1985) – Considered one of his masterpieces, blending rock, jazz, blues, and European folk.•Bone Machine (1992) – Won the Grammy for Best Alternative Music Album.•Mule Variations (1999) – Won another Grammy and reaffirmed his status as a unique voice in music.Signature Style•Voice: Gravelly, growling baritone that's instantly recognizable.•Lyrics: Often focus on fringe characters, surreal urban landscapes, and bittersweet stories of love, loss, and redemption.•Instrumentation: Known for using unusual instruments and found objects, and blending genres like blues, jazz, vaudeville, and experimental rock.Acting and Other Work•Waits has acted in a number of films, often playing eccentric or downbeat characters. Notable appearances include•Down by Law (1986)•Bram Stoker's Dracula (1992)•Coffee and Cigarettes (2003)•Seven Psychopaths (2012)Personal Life•Married to Kathleen Brennan, who has been a major influence on his artistic direction since the 1980s. She co-writes and co-produces much of his later work.•Known for his privacy and mystique; rarely gives interviews and shuns celebrity culture.Legacy•Tom Waits is revered as a songwriter's songwriter, influencing artists across genres including Bob Dylan, Bruce Springsteen, Nick Cave, and Norah Jones.•He has been inducted into the Rock and Roll Hall of Fame (2011).•His work is celebrated for its originality, depth, and defiance of mainstream trends.http://www.tomwaits.com/https://www.imdb.com/name/nm0001823/?ref_=ext_shr_lnkhttps://www.instagram.com/tomwaits?igsh=YjhwbzMwM3hsOTY2https://www.facebook.com/share/v/16NusZWi9y/?mibextid=wwXIfrhttps://x.com/tomwaitshttps://youtube.com/@tomwaits?si=HsrmeeDQFchgiYKU#TomWaits #WaitsWednesday#TomWaitsFans #TomWaitsMusic#TomWaitsForever #TomWaitsLyrics#TomWaitsVibes #RainDogs #CultMusic#Swordfishtrombones #VinylVibes#HeartattackAndVine #ClassicAlbums#LegendaryMusicians #PoeticLyrics#SongwritersOfInstagram #MusicLegends#GravelVoice #BluesRock #AvantGardeMusic

723 Tom Waits - Bone Machine

Tom Waits, Bone Machine, año 1992. Gracias por escuchar con cariño y dejar tu corazón en el audio, aunque no lo parezca, esta chorradita es importante. Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal Y gracias infinitas, ya que tu aportación nos permite mejorar cada programa. Este programa, como siempre, está dedicado especialmente a nuestros patrocinadores: Iñaki Del Olmo, Mechimariani, L Ibiricu Traba, Nachoigs, David, Alfonso Ladrón, Yago Llopis, Nacho Ruíz, Javier Carmona, Ana López, El Carabasser, Raúl Espinosa, La Última Frontera Radio, Gustavo, Ruth, Carmen Neke, Manuel García, Rebeca Tatiana, Michel y nuestros queridos anónimos.

On the September 8 edition of the Music History Today podcast, Michael kisses Lisa Marie, Chuck Berry duck walks, & Tom Waits drops Bone Machine. Plus, it's Alecia Beth Moore's birthday. You can call her Pink. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Albums covered include: 1) Stone Roses- "Second Coming" 2) Brandy- "Brandy" 3) Ride- "Going Blank Again" 4) Tom Waits- "Bone Machine" --- Send in a voice message: https://podcasters.spotify.com/pod/show/combingthestacks/message

Travis's cohost from the Cinema Podcast is back! Eric Branstrom is making his third appearance on the show and he is here to talk about an album that is a beloved gem for he and Travis both, the 1992 Tom Waits classic Bone Machine.

Having gone through all of Waits's music Song by Song, we're obviously well-placed to say which ones are best... or maybe least-worst... perhaps just from our perspective... subjectively good in these two people's opinions... but then who are we to say? Anyway, in this penultimate episode, Sam and Martin have a little chat about The Old Favourites as the podcast enters the final straight. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include (deep breath): All The World Is Green, Blood Money, Tom Waits (2002) Barcarolle, Alice, Tom Waits (2002) Blind Love, Rain Dogs, Tom Waits (1985) Blue Skies, The Early Years vol 2, Tom Waits (1993) Cold Cold Ground, Franks Wild Years, Tom Waits (1987) Diamond In Your Mind, Orphans: Brawlers Bawlers and Bastards, Tom Waits (2006) Downtown Train, Rain Dogs, Tom Waits (1985) Fall Of Troy, Orphans: Brawlers Bawlers and Bastards, Tom Waits (2006) Falling Down, Big Time, Tom Waits (1988) Franks Wild Years, Rain Dogs, Tom Waits (1985) Georgia Lee, Mule Variations, Tom Waits (1999) Ghosts Of Saturday Night (After Hours at Napoleone's Pizza House), The Heart Of Saturday Night, Tom Waits (1974) In The Neighbourhood, Swordfishtrombones, Tom Waits (1983) Kentucky Avenue, Blue Valentine, Tom Waits (1978) Low side Of The Road, Mule Variations, Tom Waits (1999) Lucky Day, The Black Rider, Tom Waits (1993) Martha, Closing Time, Tom Waits (1973) Metropolitan Glide, Real Gone, Tom Waits (2004) More Than Rain, Big Time, Tom Waits (1988) Nighthawk Postcards, Nighthawks At The Diner, Tom Waits (1975) Rainbow Sleeves, Girl At Her Volcano, Rickie Lee Jones [w. Tom Waits] (1978/1983) Ruby's Arms, Heartattack And Vine, Tom Waits (1980) So It Goes, The Early Years vol 2, Tom Waits (1993) Somewhere (from West Side Story), Blue Valentine, Tom Waits (1978) Strange Weather, Big Time, Tom Waits (1988) Telephone Call From Istanbul, Big Time, Tom Waits (1988) That Feel, Bone Machine, Tom Waits (1992) Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen), Small Change, Tom Waits (1976) Whistle Down The Wind (For Tom Jans), Bone Machine, Tom Waits (1992) Yesterday Is Here, Franks Wild Years, Tom Waits (1987) You Can Never Hold Back Spring, Orphans: Brawlers Bawlers and Bastards, Tom Waits (2006) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Having done the work, put in the hours and carefully considered all the options, Martin and Sam discuss exactly where they think a new listener to Waits's music might want to start, considering the various angles and perspectives one might have, as well as a little discussion of Tom's compilation albums. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Martha, Closing Time, Tom Waits (1973) Lonely, Closing Time, Tom Waits (1973) Closing Time, Closing Time, Tom Waits (1973) Downtown Train, Rain Dogs, Tom Waits (1985) Time, Rain Dogs, Tom Waits (1985) 9th & Hennepin, Rain Dogs, Tom Waits (1985) The Black Rider, The Black Rider, Tom Waits (1993) I'll Shoot The Moon, The Black Rider, Tom Waits (1993) Lucky Day, The Black Rider, Tom Waits (1993) Diamonds On My Windshield, The Heart of Saturday Night, Tom Waits (1974) (Looking For) The Heart of Saturday Night, The Heart of Saturday Night, Tom Waits (1974) The Ghosts of Saturday Night (After Hours At Napoleone's Pizza House), The Heart of Saturday Night, Tom Waits (1974) Goin' Out West, Glitter&Doom, Tom Waits (2009) Step Right Up, Small Change, Tom Waits (1976) Frank's Wild Years, Swordfishtrombones, Tom Waits (1983) The Earth Died Screaming, Bone Machine, Tom Waits (1992) Who Are You, Bone Machine, Tom Waits (1992) Such A Scream, Bone Machine, Tom Waits (1992) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Continuing our season of specials on material outside the show's main remit, Philippa Spanos returns to help Martin and Sam consider the creative and commercial aspects of Waits's music videos. Starting with a long-overlooked animation experiment from the 70s, we chart how these films function in relation to the music, the commercial purpose of a video, as well as all the tiny tiny guitars. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Tom Waits For No-One / The One That Got Away, short film feat. Tom Waits, dir. John Lamb (1979) In The Neighbourhood, Tom Waits music video, dir. Haskell Wexler (1983) Rain Dogs Promos, dir. Chris Blum (1985) Downtown Train, Tom Waits music video, dir. Jean-Baptiste Mondino (1985) Blow Wind Blow, Tom Waits music video, and Limousine Interview promo, dir. Chris Blum (1987) Temptation, Tom Waits music video from Franks Wild Years, dir. Betzy Bromberg (1987) It's Alright With Me, Tom Waits music video from Red Hot + Blue, dir. Jim Jarmusch (1990) Going Out West, Tom Waits music video from Bone Machine, dir. Jesse Dylan (1992) I Don't Wanna Grow Up, Tom Waits music video from Bone Machine, dir. Jim Jarmusch (1992) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

We're delighted to bring you an extended interview with the man who literally wrote the book on Tom Waits, Barney Hoskyns. Bouncing through a selection of Waits's material from the 70s to the present day, we discuss what it's like to interview and write about artists, what changed (and stayed the same) in Waits's music, and how you should always take a suggestion from Nick Cave seriously. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Ol' 55, Closing Time, Tom Waits (1973) Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen), Small Change, Tom Waits (1976) Shore Leave, Swordfishtrombones, Tom Waits (1983) Goin' Out West, Bone Machine, Tom Waits (1992) Take It With Me, Mule Variations, Tom Waits (1999) Satisfied, Bad As Me, Tom Waits (2011)

Singles Going Around- Brickbats (There's No Home Like Now)Faces- "Stay With Me"Solomon Burke- "Home In Your Heart"The Beach Boys- "Cotton Fields/San Miguel"David Lee Roth- "California Girls"Led Zeppelin- "Wearing and Tearing"The Ramones- "Surfin Bird"Otis Redding- "Satisfaction"Moving Sidewalks- "No Good To Cry"Jimi Hendrix Experience- "Killing Floor"Pixies- "Bone Machine"The Beatles- "Helter Skelter"Simon & Garfunkel- "Fakin' It"Bob Dylan- "Million Miles"The White Stripes- "One More Cup Of Coffee"Captain Beefheart- "Suction Prints (Instrumental Demo)"Nirvana- "Aneurysm"13th Floor Elevators- "May The Circle Remain Unbroken"Led Zeppelin- "Nobody's Fault But Mine"The Rolling Stones- "You Gotta Move"

Ready to surf the grunge wave with us? Promising a deep dive into an iconic album, we unveil the pioneering Pixies and their masterpiece, Surfer Rosa. Journey with us into the underbelly of the grunge era as we delve into the formation, minimalist post-punk sound, and profound influence of the Pixies. From the unique cover art to their influential hit songs like “Gigantic” and “Where Is My Mind?”, we'll take you on a thrilling audio exploration.What does a hidden nod in a song title, flamenco dancers, and a 'no touching' rule in strip clubs have in common? In our wide-ranging and provocative discussions, we leave no stone unturned. We'll explore the Pixies' influence on the pre-grunge sound, investigate the hidden homage to 'Where is my Mind' in their single 'Polly', and reveal the layers of meaning in their remastered tracks. We'll even debate their top three songs and give a nod to the unmissable 'Bone Machine' and 'Gigantic'.Daring to be different, we boldly critique the Pixies' use of feedback and their impact on the post-punk minimalist sound. We'll ignite your curiosity as we explore the homage to 'Where is my Mind' in the single 'Polly', and challenge the conventional rankings with our top three song picks. As we round off our exhilarating exploration of the Pixies and their legacy, we'll unpack their poignant single 'Brick is Red', leaving no fan or new listener behind. Join us for a compelling journey into the heart of one of the most influential bands of the grunge era.Support the show

Ready to surf the grunge wave with us? Promising a deep dive into an iconic album, we unveil the pioneering Pixies and their masterpiece, Surfer Rosa. Journey with us into the underbelly of the grunge era as we delve into the formation, minimalist post-punk sound, and profound influence of the Pixies. From the unique cover art to their influential hit songs like “Gigantic” and “Where Is My Mind?”, we'll take you on a thrilling audio exploration.What does a hidden nod in a song title, flamenco dancers, and a 'no touching' rule in strip clubs have in common? In our wide-ranging and provocative discussions, we leave no stone unturned. We'll explore the Pixies' influence on the pre-grunge sound, investigate the hidden homage to 'Where is my Mind' in their single 'Polly', and reveal the layers of meaning in their remastered tracks. We'll even debate their top three songs and give a nod to the unmissable 'Bone Machine' and 'Gigantic'.Daring to be different, we boldly critique the Pixies' use of feedback and their impact on the post-punk minimalist sound. We'll ignite your curiosity as we explore the homage to 'Where is my Mind' in the single 'Polly', and challenge the conventional rankings with our top three song picks. As we round off our exhilarating exploration of the Pixies and their legacy, we'll unpack their poignant single 'Brick is Red', leaving no fan or new listener behind. Join us for a compelling journey into the heart of one of the most influential bands of the grunge era.Support the show

On this episode, Thom gets into what it is like to be a teacher in this current generation of students, where his poetry comes from, his writing style of Satire, and how he met Scott Laudati of Bone Machine. Instagram: @tyypoet Hosted on Acast. See acast.com/privacy for more information.

We're back from our bye week with the next installment of our readthrough of Deadly Class! The ninth volume, entitled Bone Machine, comprises issues 40-44 of the series. As usual, we provide issue-by-issue commentary of the comic as we analyze, interpret, and discuss it. In our intro conversation, Albert shares about his recent vacation to New England and the east coast and talks about some of the comic book stores he managed to visit while he was out there. Our Deadly Class discussion begins at around the 37:50 mark. Thanks again to Corey J. Beats for producing our theme music. Check out all of his music on various platforms here: linktr.ee/Coreyjbeats If you have any thoughts, comments, questions, or corrections, we're here. Feel free to hit us up on our socials, or email us! We have a Linktree here: linktr.ee/betweenthegutters

On this episode we dig into Scott Laudati of @bonemachineinc (@scottlaudati) inspirations and storytelling.We had a great interactive conversation with the audience as Andy Morales had what was called a PoetryGasm We are celebrating the 8 chapbook sellout 9/11 inaugural @bonemachineinc releasePoems read by our feature came from Thom York and Sarah Etheridge @lightningsue and of course Scott Laudati @scottlaudati Hosted on Acast. See acast.com/privacy for more information.

Being sensitive has got to be one of the oddest characteristics about being a human.During my correspondence via D.M.s (as a total stranger) with Til Willis, I had a small moment of panic. It was the kind of moment wherein the rabbit hole of questioning the way you go about life doesn't suddenly gape, but it doesn't not open a little bit, either.Anyway...it was a handful of months back, and we were swapping messages. He -- at one point -- used the phrase, "Like I said," and I might as well have just made myself a shit sandwich and eaten it.You blew it, Dipstick, I thought. Way to go.The summer went by and I'd all but chalked up this attempt to invite someone on the podcast to be a wash. Then -- right around the time he'd mentioned his availability would open back up again -- he messaged me. And I didn't even remember how much of a failure I'd felt like so many weeks ago.Things, as they say, aren't actually always as they seem, I guess.And this goes both ways. Or...numerous ways. Or...all of the ways. I dunno.Point being: Life is hard sometimes; try and remember to take it easy on yourself.But...BUT!...Til Willis and Episode #83.I like the number 83. It's the year the youngest of my siblings was born, and, well...it's just kind of a robust number, both in numeric value and in appearance.And robust is a good word, perhaps, to sort of, kind of describe Til Willis.He's a fascinating dude with an incredible life story and a journey that's full of making music, performing it live, recording it and releasing it, and -- most of all -- loving it.We really vibed over a couple of artists, so I hope you'll check out our conversation, which -- by the way -- included a few of his favorite records, and those were these:Bone Machine (1992), Tom WaitsLiz Phair's Exile in Guyville (1993)Time Out of Mind (1997), Bob DylanRonny Elliott's Magneto (2002)Tiny Voices (2003), Joe HenryI also hope you'll check out a few of the places his music can be found, such as his own bandcamp, his Web site, his other project, or his other-other project.That's it!Vote for Badass Records for Best Local Podcast in The Pitch's annual contest.Thank you!copyright disclaimer: I do not own the rights to either the promo or the intro/outro audio. They are clips from a track called, "Strolling Sloth" by Arc De Soleil off of their 2020 EP, Libertalia (c/o Epidemic Sound).

On the September 8 edition of the Music History Today podcast, Michael kisses Lisa Marie, Chuck Berry duck walks, & Tom Waits drops Bone Machine. Plus, it's Alecia Beth Moore's birthday. You can call her Pink. ALL MY MUSIC HISTORY TODAY PODCAST LINKS - https://allmylinks.com/musichistorytoday CHECK OUT MY OTHER PODCAST, THE MUSIC HALLS OF FAME PODCAST: LINKS - https://allmylinks.com/musichallsoffamepodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Sammy Sanchez is back!This time, we dug in to the entire Tom Waits discography, and what a ride it was.Sammy's first appearance on Badass Records was on Episode #44, in which we discussed a little LCD Soundsystem, a little Pink Floyd, and a little Tom Waits. And during that conversation, it occurred to me that I needed a Tom Waits fan with whom to geek out. And you know what? Sammy was game!Here's the list of what we covered:Closing Time (1973)The Heart of Saturday Night (1974)Nighthawks at the Diner (1975)Small Change (1976)Foreign Affairs (1977)Blue Valentine (1978)Heartattack and Vine (1980)Swordfishtrombones (1983)Rain Dogs (1985)Frank's Wild Years (1987)Bone Machine (1992)The Black Rider (1993)Mule Variations (1999)Alice (2002)Blood Money (2002)Real Gone (2004)Bad As Me (2011)Sammy was just as fantastic this time around as he was a few months back, and I'll definitely have him back for another run through some artist's body of work. I feel blessed to have had the opportunity to get this off the ground, and thankful that it's still got a pulse.So thank you for stopping by and giving Episode #66 a listen/view. Please visit the Merch' store at badassrecordspodcast.com and drop me a line at badassrecordspodcast at gmail dot com if you're in the Kansas City area and interested in doing an episode.copyright disclaimer: I do not own the rights to the promo or the intro/outro audio. They are clips from Medeski, Martin & Wood's "Dracula" from their 1996 release, Shack-Man (c/o Gramavision Inc.), and Ward Davis's, "Good and Drunk" off of his 2018 Asunder EP (c/o Ward Davis Music). Both are artists versed in badassery, and you should check out their stuff.

We welcome Eadie and Melia to the podcast, presenting five songs from Waits aimed at younger listeners, and discovering how the junior contingent of Song by Song feel about them. We discuss creepy voices and creepier sheds, the feeding habits of Golden Eagles, and the deep trauma of poor WiFi connectivity.  website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Children's Story, Orphans: Brawlers Bawlers & Bastards, Tom Waits (2006) Heigh Ho, Orphans: Brawlers Bawlers & Bastards, Tom Waits (2006) Army Ants, Orphans: Brawlers Bawlers & Bastards, Tom Waits (2006) I Don't Wanna Grow Up, Bone Machine, Tom Waits (1992) Bend Down The Branches, Orphans: Brawlers Bawlers & Bastards, Tom Waits (2006) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Alex and Stovepipe share Halloween memories, Narnia, evil, metal of course, and Tom Waits. You will poop your pants in fear!

Ted Poley is a singer, songwriter and drummer, best known for fronting the band Danger Danger. He has since gone on to several successful projects including a solo career, singing in Tokyo Motor Fist (with Trixter's Steve Brown) and making music for the Sonic the Hedgehog video game. Ted is now starting his final concert tour and we discuss the details in this episode along with the Monsters of Rock Cruise, his career highlights and more! 00:00 - Intro00:46 - Ted's Secret to Staying Young 01:40 - Final Tour Details 06:40 - Danger Danger Reunion? 07:40 - Tokyo Motor Fist 08:04 - Show Locations & MORC12:00 - Career and Personal Highlights 14:02 - Bone Machine 17:08 - Live Set List 17:58 - Sonic the Hedgehog Music 20:03 - Local No Kill Shelter 21:23 - Outro Ted Poley website:https://ted-poley.com/No Kill Animal Shelters website:https://www.nokillnetwork.org/Chuck Shute website:http://chuckshute.com/Support the show

Pixies en directo desde Cardiff en el BBC 6 Music Festival, el 1 abril de 2022: “Gouge Away” “Bone Machine” “Human Crime” “U- Mass” “ Wave Of Mutilation” “Isla De Encanta” “Mr. Grieves” “Where Is My Mind” “Here Comes Your Man” “Vamos” “La La Love” “Monkey Gone To Heaven” “Hey” “Tame” “Debaser” Álbum “Doggerel”: “There’s A Moon On” EP “Come On Pilgrim”: “The Holiday Song” Escuchar audio

On the September 8 edition of the Music History Today podcast, Michael kisses Lisa Marie, Chuck Berry duck walks, & Tom Waits drops Bone Machine. Plus, it's Alecia Beth Moore's birthday. You can call her Pink. ALL MY LINKS - https://allmylinks.com/musichistorytoday --- Send in a voice message: https://anchor.fm/musichistorytodaypodcast/message Support this podcast: https://anchor.fm/musichistorytodaypodcast/support

Bienvenidisimas queridisimas bestias nocturnas a esta más reciente edición de #ALBoomDeLAlbum dedicada en esta ocasión a otra obra treintañera llamada Bone Machine, quizás el álbum más cohesivo de Tom Waits, una pesadilla morbosa y siniestra, que aplicó las peculiaridades de sus clásicos experimentales de los 80 a un efecto asombrosamente evocador y, a menudo, desgarrador. De acuerdo con la imagen grotesca del cuerpo humano del título, Bone Machine o máquina de huesos está obsesionada con la decadencia y la mortalidad, la facilidad con la que se puede destruir la existencia terrenal. un trabajo de escucha difícil, aquí nada de tonadas pop o estribillos pegajozos. Mezcla la lírica en lo macabro y una maroma sónica que dejó perplejas y patidifusas a las que esperaban al Waits del piano en el club de Jazz lleno de humo. Aquí Tom esta desquiciado, y se mete en un viaje caleidoscópico donde se entremezclan música de caricaturas con free jazz y fantasmas sobrevolando en todo momento el artefacto. Es como tener arena en la boca y esculpirla sin éxito. Tras su trilogía de reinvención musical. La Máquina de hueso dejó a más de una completamente fuera de juego…

The Bone Machine is about a young boy facing fears--real and imagined. It's a story about breakdowns and loss--of family, of relationships and of the body. It seems too much for a kid to face on his own, but where could help possibly come from?Chris Preston is a writer of fiction and creative non-fiction from Ontario, Canada. Formal studies include University of Toronto's Creative Writing program, as well as various workshops. You can currently see work by Chris within Mystery Weekly, Schlock! Webzine, JOURN-E and Hellbound Books. To find out more, feel free to visit www.seeprestonwrite.com. You may also follow Chris with the following twitter handle – @write_preston.You can read The Bone Machine at https://www.whiteenso.com/ghost-stories-2022Follow us on twitter at: Japanese Ghost Stories @ghostJapanese Instagram: WhiteEnsoJapanFacebook: https://www.facebook.com/kaidankai100/Help me pay the contributors for their work. Donate to the Kaidankai through Ko-Fi. Thank you!https://ko-fi.com/kaidankaighoststories

Revisamos esa obra maestra publicada en 1992: el álbum Bone Machine del gran Tom Waits. Se trata de uno de esos discos para degustar con lentitud y atención. Ricardo Portmán nos cuenta su historia. Escucharemos Earth Died Screaming, Dirt in the Ground, Such a Scream, All Stripped Down, Who Are You, The Ocean Doesn't Want Me, Jesus Gonna Be Here, A Little Rain, In the Colosseum, Goin' Out West, Murder in the Red Barn, Black Wings, Whistle Down the Wind, I Don't Wanna Grow Up, Let Me Get Up on It y That Feel. Si os gusta el programa podéis apoyar Ecos del Vinilo Radio siendo patrocinadores ¡por lo que vale un café al mes! desde el botón azul de iVoox. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com Distancia Radio (Córdoba) miércoles 18:00 y domingos 23:00. Radio Free Rock (Cartagena) viernes 18:00. Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Generación Radio (Medellín, Colombia) jueves y domingos 19:00 (hora Col.) Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

André Ethier and Sandro Perri discuss their new album Further Up Island, cows and music, Bone Machine by Tom Waits, recording technology, Bob Dylan, Will Oldham, musical trilogies, promotional interview gimmickry, Destroyer, online life, future plans, and much more! Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online. Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.

He's an outlier, an enigma, an iconoclast, an original. We're talking about Tom Waits, whose career is more closely tied to the 70s and 80s, but who released his Grammy Award-winning album Bone Machine in 1992 just as the first wave of grunge was talking off in 90s rock. Trying to compare Waits, and this album in particular, to any of his contemporaries, is a fool's errand. Sure, there's a bit of Nick Cave here, some Mark Lanegan there, even some Morphine and Beck, but Waits is often on another planet entirely. Using a collection of non-traditional percussion instruments (some homemade) combined with buzzing guitars and ramshackle pianos, to create a junkyard orchestra. It often sounds like it's falling apart before it even starts, but Waits can bring it together with his vocals, even if they are the most divisive aspect of a Tom Waits album.   Songs In This Episode: Intro - I Don't Wanna Grow Up 17:26 - Black Wings 24:49 - That Feel 29:54 - Whistle Down The Wind 34:26 - Goin' Out West Outro - The Earth Died Screaming   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

He's an outlier, an enigma, an iconoclast, an original. We're talking about Tom Waits, whose career is more closely tied to the 70s and 80s, but who released his Grammy Award-winning album Bone Machine in 1992 just as the first wave of grunge was talking off in 90s rock. Trying to compare Waits, and this album in particular, to any of his contemporaries, is a fool's errand. Sure, there's a bit of Nick Cave here, some Mark Lanegan there, even some Morphine and Beck, but Waits is often on another planet entirely. Using a collection of non-traditional percussion instruments (some homemade) combined with buzzing guitars and ramshackle pianos, to create a junkyard orchestra. It often sounds like it's falling apart before it even starts, but Waits can bring it together with his vocals, even if they are the most divisive aspect of a Tom Waits album.   Songs In This Episode: Intro - I Don't Wanna Grow Up 17:26 - Black Wings 24:49 - That Feel 29:54 - Whistle Down The Wind 34:26 - Goin' Out West Outro - The Earth Died Screaming   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

WE'RE BACK BABY! After our (very first) hiatus, the Ol' boys are back in studio to discuss Tom Wait's wild 1992 outing "Bone Machine" with return guest Tim Howd (of The Only Humans). Patrick is down in South Carolina now, so get ready for even more Huddle House/Waffle House discourse. It only gets worse from there.

On the September 8 edition of the Music History Today podcast, Michael kisses Lisa Marie, Chuck Berry duck walks, & Tom Waits drops Bone Machine. Plus, it's Alecia Beth Moore's birthday. You can call her Pink. ALL MY LINKS - https://allmylinks.com/musichistorytoday

From Jeffrey Butzer: One of my favorite things to see an artist do is subvert expectations. In 2004 Waits was coming off of the heels of two highly conceptual and theatrical masterpieces (Blood Money and Alice) full of lush and strange instrumentation. Real Gone reminds us what a great songwriter and producer he actually is. It is stacked with some of his best lyrics and songs in his catalog without using a calliope, field organ or even a good old fashioned piano! Sure, the usual Tom tropes are there. What would a Waits record be without mentioning a body of water, a city and a guy with a funny name? (see: Piggy Knowles, Dutch Pink). By far the shining star on this record is Marc Ribot. His solos and tone are in top form here. I noticed Waits' music when I heard Rain Dogs and Blue Valentine, I asked it to go steady after I bought Bone Machine and Black Rider. Fell in love when I heard Alice. Real Gone is us at 70, sitting on a porch holding hands. 

The Earth Dies Screaming is a black and white, 1964 British horror science fiction film directed by Terence Fisher ( who also directed The Curse of Frankenstein (1957) - covered in episode 2 of the General Witchfinders, and went on to film several adaptations of classic horror subjects, including Dracula (1958), The Mummy (1959), and The Curse of the Werewolf (1961)‘Dies Screaming' stars Willard Parker, Virginia Field and Dennis Price.Human bodies are scattered around an English village, apparently dead in a sudden cataclysm. A small group of survivors gather in the local hotel bar, led by an American jet test pilot, Jeff Nolan (played by Parker). During the very short feature the rag tag team face off against Ro-berts, zombies and each other.The film was shot in black and white at Shepperton Studios in London. Location filming was done at the village of Shere in Surrey. The British band UB40 released a single, "The Earth Dies Screaming", in 1980, which spent 12 weeks in the UK chart, peaking at number 10.The first track on Tom Waits' 1992 album Bone Machine is entitled "Earth Died Screaming."Something Horrifichttps://www.youtube.com/watch?v=LBIgXhiOpeQhttps://www.hammerhouseofhorrortvseries.co.uk/project/h-children-of-the-full-moon/$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$Just in case anyone has too much money and wants to give a bit to us to help with our hosting n stuff. It would be amazing if you fancied sending us some pennies - thank you.https://supporter.acast.com/general-witchfinders$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$ Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. See acast.com/privacy for privacy and opt-out information.

On this bonus episode of On In Five, Anton talks with Mooka Rennick, the founder of Prairie Sun Recording Studio, and Jeff Sloan, the Studio Manager during the years of Tom Waits. The studio was used by Tom Waits for a few of his albums, including Bone Machine, Mule Variations, and the Orphan collection. They talk about their time working with Tom, how he discovered and used what has now been known as the Waits Room, and some other artists who have come through the studio. 

This week we have Hull-based brewery Bone Machine Brewing. We find out the history of the brewery and sample some of the Bone stealing beers they have to offer. https://bone-machine-brew-co.myshopify.com/

Jake tries to understand why there are so many bones left out in people's yards and why his dog is so drawn to them.Music recommendations are “No. 1 In Heaven” by Sparks, and “To Pimp A Butterfly” by Kendrick Lamar.Wake & Jake (Bonus Content)https://www.patreon.com/wakeandjakepodWake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Yeah the title is from a joke at the end of the podcast, what do you want from me? Note from Jeremy: There's some weird audio artifacts and crackles in the middle that come and go, but are only around for about a minute. We're on Instagram: @pink_notes_podcast Questions? Concerns? Want to send us money? Send us an email! ppinknotess@gmail.com

Today we talk about what happens behind the scenes for the making of an album.  The role of a producer or an engineer can sometimes seem blurry, but having the right person at the helm can change an artist’s sound and propel them into a different stratosphere. Song Samples from the Discussion:Steve AlbiniNirvana – “Senseless Apprentice” from In Utero (1993)Pixies – “Bone Machine” from Surfer Rosa (1988)Rick RubinNeil Diamond – “Pretty Amazing Grace” from Home Before Dark (2008)Kid Rock – “Slow My Roll” from Born Free (2010)The Cult – “Peace Dog” from Electric (1987)Later followed by Steve Brown’s production of “Peace Dog” from PeaceJohnny Cash – “If You Could Read My Mind” from American V: A Hundred Highways (2006)Tom Petty – “Don’t Fade On Me” from Wildflowers (1994)Tom WermanMolly Hatchet – “Dreams I’ll Never See” from Molly Hatchet (1978)L.A. Guns – “I Wanna Be Your Man” from Cocked & Loaded (1989)Love/Hate – “Fuel To Run” from Blackout In A Red Room (1990)Phil ElverumThe Microphones – “You’ll Be In The Air” from The Glow Pt.2 (2008)Chad VanGaalenWomen – “Heat Distraction” from Public Strain (2010)Brian EnoU2 – “Indian Summer Sky” from The Unforgettable Fire (1985)Robert Mutt LangeAC/DC – “Beating Around The Bush” from Highway To Hell (1979)The Cars – “Hello Again” from Heartbeat City (1984)Steve LillywhiteWorld Party – “Is It Like Today?” from Bang (1993)Martin BirchFleetwood Mac – “Rattlesnake Shake” from Then Play On (1969)Black Sabbath – “Voodoo” from Mob Rules (1981)Support the show (https://www.patreon.com/SchizoMusic)

Recorded in the cellar of Prairie Sun Recording Studios, in an area described as “just a cement floor and a water heater,” Bone Machine is Tom Waits‘ eleventh studio album. It was released in September of 1992. Bone Machine was recorded and produced entirely at the Prairie Sun Recording Studios in Cotati, California, in a room of Studio C known as “the Waits Room”, located in the old cement hatchery rooms of the cellar of the buildings. Prairie Sun's studio head Mark “Mooka” Rennick said, “[Waits] gravitated toward these ‘echo' rooms and created the Bone Machine aural landscape. […] What we like about Tom is that he is a musicologist. And he has a tremendous ear. His talent is a national treasure.” Waits said of the bare-bones studio, “I found a great room to work in, it's just a cement floor and a hot water heater. Okay, we'll do it here. It's got some good echo.” Bone Machine was the first Waits album on which he played drums and percussion extensively. In 1992, Waits stated: “I like to play drums when I'm angry. At home I have a metal instrument called a conundrum with a lot of things hanging off it that I've found – metal objects – and I like playing it with a hammer. I love it. Drumming is therapeutic. I wish I'd found it when I was younger.” If you're not familiar with Waits, this is as good as any place to remedy that. Enjoy! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/esoterica-the-podcast/message

This week, the NTWIC crew talks ART-ROCK! Tom Waits has been a favorite of Aaron's for quite some time, and this week he brings it to the gang. As to be expected with an album like Bone Machine, there is lots to say. Could this be the week that the NTWIC's decide if they are actually a music podcast or not? Don't know .. All this and MUCH more here at NTWIC Radio!

Time for a Brew - #43 Special Guests:  Kimi Karjalainen The latest episode of Time For a Brew, sees Kimi Karjalainen  of Hull based brewers Bone Machine take on the Ultimate Bar Challenge. Before that though, we discover the origins of Bone Machine, following their journey from Pocklington to where they are now in Hulll; we enjoy three of their beers, and talk about how COVID has affected things for Bone Machine over the past 12 months. Kimi's ultimate bar saw some great choices from across the world and his music choices were brilliant. Recorded via Zoom Recordings. Artwork by Adam Graver.  

A conversation with Evan Murphy of Mash SF. www.mashsf.com instagram: @RUALRITE Bonus: A short conversation with Ernesto of Bone Machine Crit. www.bonemachinecrit.com presented by Hexagon Cycles www.hexagoncycles.com www.savethetrackbike.com Music: "Slag Girl" by Vitamin Pets www.fixedgearcrit.com --- Send in a voice message: https://anchor.fm/savethetrackbike/message

Robocop, the franchise, was considered obsolete, broken down, and forgotten in the early 21st century. So what better than to make four films in which Robocop, the character, is considered obsolete, broken down, and forgotten? Such is the premise of the Robocop - Prime Directives. Taking place 10 years after the death of Alex Murphy Robocop still patrols the streets of Delta City hunting the mass murderer Bone Machine. Does this R-rated made-for-TV movie bring back the sprit of the original Robocop? Listen to our review of the first Prime Directives film Dark Justice, to find out! Then join us this Friday for the next Prime Directives review, Meltdown!

Play List:The Books - “Group Autogenics II” from The Way Out Bing Selfish and the Ideals - “Existential Angst” from Calling All Dionysians David Byrne - “I've Tried” from Music for the Knee Plays Jimi Hendrix - “I Don't Live Today” from Are You Experienced? French Frith Kaiser Thompson - “Where's the Money?” from Live, Love, Larf & Loaf The Cure - “Killing an Arab” from 7" For Against - “Echelons” from Echelons Disco Inferno - “Summers Last Sound” from Summer's Last Sound Lowlife - “Swing” from Swirl, It Swings This Mortal Coil - “Late Night” from Late Night The Church - “Under The Milkyway (Acoustic)” from Starfish Tom Waits - “Dirt In the Ground” from Bone Machine Rocket From the Tombs - “Life Stinks” from The Day the Earth Met the Rocket From the Tombs Opinion8 - “Calculated Existential Angst” from VA: Lo-fi Classics Volume One Loren Franklin - “Existential Angst” from I'll Understand The Books - “Group Autogenics II” from The Way Out Download this show: pat_radio_Nov_29_2012.mp3