Podcast appearances and mentions of Robert Webb

Send us a textKen from the Sounds of Christmas talks to singer/songwriter James Robert Webb about splitting his time between medicine and music, his new version of "Old Toy Trains" and the possible re-release of his Christmas album, along with conversation about lots and lots of music!James Robert Webb WebsiteJames Robert Webb linksGet James Robert Webb's "Old Toy Trains"Show links:Listen to the Sounds of Christmas stationFind the Sounds of Christmas podcastConnect with the Sounds of Christmas on social mediaCheck out all the artists that are making the 2024 season of the Sounds of Christmas station possibleSupport the show

James Robert Webb's latest single, “Lost in Vega$,” is an infectious blend of upbeat country and pop-rock that delivers far more than its title might suggest. On the surface, it's an energetic love song with irresistible warmth, drawing you in with Webb's inviting vocals and a super catchy chorus that sticks with you long after the first listen. But beneath the glitz and glamour of its Vegas-inspired façade, Webb captures something deeper—the essence of a place where reality blurs into illusion, and life's highs and lows are only as real as you make them. --- Support this podcast: https://podcasters.spotify.com/pod/show/wewriteaboutmusic/support

Northland's sick and beleagured birds may have to find somewhere else nest and recovery, unless a well known local charity lands a cash injection and soon. Each year, the Whangarei bird recovery centre nurses about 1300 of our feathered friends, including Kiwi, but doesn't get any government funding. It's experiencing a cost living crisis too with bigger bills for food, medication and maintenance. Currently, it needs to raise $200,000 in the next month to keep the doors open. Co-founder Robert Webb speaks to Lisa Owen.

Today Tony is talking to comedian David Mitchell. They cover David's comedy awakening; meeting Robert Webb and the early years of Peep Show; how Olivia Coleman got involved; his love of Blackadder; playing William Shakespeare and working with Ben Elton in Upstart Crow and meeting his wife, Victorian Coren Mitchell. Last year the iconic comedy Blackadder turned 40, to mark the occasion, Tony made a TV show in which he tracked down the lost Blackadder Pilot to discover the truth of Blackadder's beginnings. The show is called Blackadder: The Lost Pilot and you can watch it on catch up on Sky, Virgin & Now. For the show, Tony interviewed many of those involved and some who were inspired by Blackadder: you are hearing Tony's unedited, behind the scenes chat with David Mitchell recorded for the programme. David Mitchell has had a stellar career in British comedy. His big breakthrough was Peep Show with David Webb and Olivia Coleman and since then, he's worked on a plethora of panel shows, including Would I lie to You, Mock the Week and QI. He starred as William Shakespeare in Upstart Crow, a historical comedy devised by Ben Elton. His new book ‘Unruly: A History of England's Kings and Queens' is a thoughtful, funny exploration of the entitled and enthroned.Hosted by Sir Tony RobinsonX | InstagramWithDavid Mitchell@RealDMitchell #Unruly | https://www.waterstones.com/book/unruly/david-mitchell/9781405953177 Credits: Series Producer: Melissa FitzGerald | @melissafitzg Executive Producer: Dominic de Terville Blackadder: The Lost Pilot is produced by Red Sauce A Zinc Media Group productionFollow the show:X @cunningcastpod Instagram @cunningcastpodYoutube @Cunningcast If you enjoyed my podcast, please leave us a rating or review. Thank you, Love Tony x Hosted on Acast. See acast.com/privacy for more information.

I am lucky to introduce today's guest who has been at the forefront of British comedy for the last two decades.The man behind hit shows such as Back starring Mitchell and Webb and Sky's Breeders, his career is long and celebrated but it is his partnership with Armando Innaucci for which he is probably best known.Together they have brought movies like In The Loop and The Personal History of David Copperfield into the world as well as the now legendary sitcom The Thick of It and its ridiculously acclaimed US cousin Veep which won seventeen Emmy awards during its run. Along the way, he picked up two of them for himself, as well as four BAFTA nominations and an Oscar nomination for In The Loop.My guest is Mr Simon Blackwell.

The Book Club is taking a brief Christmas break, so we have gone back through the archives to spotlight some of our favourite episodes. This week we are revisiting Sam's conversation from 2017 with Robert Webb. His moving and funny book How Not To Be A Boy turns the material of a memoir into a heartfelt polemic about what he calls 'The Trick': the gender expectations that he identifies as causing many of the agonies of his adolescence and young manhood. What is it to be a man? Are we doomed to lives of inarticulacy, shagging, fighting and drinking — giving pain and fear their only outlet in anger?

The Book Club is taking a brief Christmas break, so we have gone back through the archives to spotlight some of our favourite episodes. This week we are revisiting Sam's conversation from 2017 with Robert Webb. His moving and funny book How Not To Be A Boy turns the material of a memoir into a heartfelt polemic about what he calls 'The Trick': the gender expectations that he identifies as causing many of the agonies of his adolescence and young manhood. What is it to be a man? Are we doomed to lives of inarticulacy, shagging, fighting and drinking — giving pain and fear their only outlet in anger?

Hey and welcome to the Can I Have Another Snack? Podcast. I have been so excited to share this week's episode with you. Our guest today is Kirstie Beaven from Sonshine magazine - a publication dedicated to raising boys for a more equal world. Kirstie and I talk about how seemingly innocuous things like dinosaur t-shirts and shark pants send a message to our kids about who they can and can't be, how they should expect to be treated, and how they should treat others. Kirstie gives us a fascinating history lesson on how kids' clothes became gendered (spoiler, colonialism and capitalism have a lot to do with it) and why these have massive repercussions for gender equality. We also talk about why Kirstie is low-key obsessed with pants (the underwear kind), and why we can't just empower girls in a vacuum; we also need to be teaching boys emotional literacy and allowing them to have an identity outside of the ‘big boy', or the sporty one. Just a heads up that we talk about some distressing statistics around sexual harassment, suicide, and violence towards women and girls, but not in explicit detail.This is without a doubt one of my favourite episodes we've done on the CIHAS pod - if you've never listened before then this is a great place to start, even if you don't have kids. Don't forget to leave a review in your podcast player if you enjoy this episode - or let me know what you think in the comments below. Find out more about Kirstie's work here.Follow her on Instagram here.Follow Laura on Instagram here.Subscribe to Laura's newsletter here.Enrol in the Raising Embodied Eaters course here.Here's the transcript in full:INTROKirstie: That's one of the things I really want to do, is just gently point out the things that we take for granted that we say are normal or natural, but they're not. They're totally constructed. Many of the things that we just take for…oh yeah, pink and blue. Pink is a girls' colour, blue is a boys' colour. We think of that as completely normal and it's totally made up and it's so recent.Laura: Hey, and welcome to the Can I Have Another Snack? podcast, where we talk about appetite, bodies, and identity, especially through the lens of parenting. I'm Laura Thomas, I'm an anti diet registered nutritionist, and I also write the Can I Have Another Snack? newsletter. Today I'm talking to Kirstie Beavan.Kirstie is the founder and editor of Sonshine Magazine, raising boys for a more equal world. Sonshine is a print and digital quarterly, as well as a social profile for parents who want to change the way we talk to and about our sons, to create a better society for all children.I've been so excited to share this episode. We recorded it a while back and I'm really glad that you're able to finally listen to it. It's such a great discussion about gender inequality and why seemingly innocuous things like how we dress our kids have really long term implications for their emotional development and the roles that they learn to occupy in society. Kirstie is a wealth of knowledge about the gendered history of kids clothing, which you won't be surprised to hear is entirely rooted in capitalism, rather than any real biological or physical differences between sexes. I can't wait for you to hear this conversation, and if you don't already, you need to get your hands on a copy of Sonshine Magazine, which is available in print and digitally. I'll link to it in the show notes so you can order yours. It would make a really lovely holiday gift for your co-parent or some other parents that you have in your life, maybe even for yourself. But before we get to today's episode, I'd love to tell you all about the benefits of becoming a paid subscriber to the Can I Have Another Snack? Newsletter. And of course there are cool perks like being able to comment on posts, our Thursday threads, Snacky Bits, and exclusive posts on intuitive eating, weight inclusive health, and responsive feeding. But more than all of that, being reader and listener supported means I can better control who comes into this space. In other words, we can keep the trolls and the fatphobes out. And if they do sneak in, at least they've had to pay for the privilege, and I can still boot them out. Having control over who comes into the space is essential for creating a safe, nurturing space away from diet culture where we can discuss difficult topics like how we deal with diet-y friends, gender division of labour, and body shame. All the way through to more light hearted stuff like the weird shit that mummy influencers say. If you're still not convinced, then here's a recent testimonial from someone in the CIHAS community. So they wrote: “I wish I had access to the advice and information you share when my kids were little, but it's still valuable now that they're nearly adults for a couple of reasons at least. Firstly, having only been diagnosed as autistic in middle age, I have had a complicated relationship with food for most of my life. From childhood fussy eating, through stigma over my higher body weight and internalised fat phobia, to temporary success with dieting, followed by the inevitable return to my previous size. Your writing has helped me cast off many of my own hang ups about food, weight, and health, making me a better role model for my kids. Secondly, your advice helps me to support and advise my kids with their own food, health, and body image issues, and to advocate for them to family and friends. I believe in showing my appreciation for people who provide me with help and support, at least by saying thank you, and where possible, with feedback and or financially. I can't financially support everyone I'd like to all of the time. But I do what I can when I can. Thank you for all you do Laura.”So what are you waiting for? You can sign up today at laurathomas.substack.com or find the link in your show notes. It's £5 a month or £5 for the year and if you can't stretch that right now just email hello@laurathomasphd.co.uk with the word “Snacks” in the subject line and we'll hook you up with a comp subscription. No questions asked. You can also gift a subscription to a friend for the holidays to give them unfettered access to the CIHAS community. I can even send you a gift certificate. Just email hello@laurathomasphd.co.uk and we'll hook you up.  Can I Have Another Snack? is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.All right team, let's get to today's conversation with Kirstie Beavan from Sonshine Magazine. MAIN EPISODEAll right, Kirstie, to start with, can you tell us a little bit about yourself and what you do?Kirstie: I'm Kirstie and I run Sonshine Magazine, which is a quarterly print and digital magazine and a social profile and community looking at raising.Laura: You said that with sort of like eyes rolled so we'll come back to that!Kirstie: I'm looking at raising boys for a more equal world so specifically it's parenting, thinking about parenting through the lens really of how we talk to and about our boys.Laura: Okay, and I'm curious to know, like, where this interest in gender equality comes from and like what spurred you to start a magazine about it?Kirstie: I think…so I've got two children and when my daughter was born, I think I felt more confident about how I was going to break down gender stereotypes for…I felt like, you know, I grew up in the 80s and 90s, which is a time of real flux in terms of how women were portrayed and expected to behave. It's a real…there's lots of progress and lots of backlash. And I think I felt – by the time I had my first child who happened to be a daughter – I felt quite confident about the things that I wasn't going to do and the stereotypes that I wasn't going to inflict on her and how I was going to help her navigate the world that I had already grown into womanhood through. And then two years later I had my son and I started to see that there were a lot of negative stereotypes associated with raising boys. And I felt like I had absolutely no model for managing that as a mother, not as a father, obviously. I just felt like, Oh, this is something I hadn't really considered or thought about. So I went to look for…where are the resources to help me parent a boy who I want to be able to grow up in a way that's free of the strictures of sort of gender stereotyping, but also who is going to be what we might now call a good man? You know, where are the resources for that? And I couldn't find any.Laura: Right. There wasn't a playbook.Kirstie: No, there's really few and far between. There weren't websites talking about it at the time. There weren't Facebook groups dedicated to this. There wasn't something that sort of scratched the itch that I had.And I had been working in content. I work mainly in the museums and gallery sector, working on the stuff that you see on the walls when you go into a gallery, like labels. Laura: I always wondered who wrote that stuff!Kirstie: Yeah, it was me. So that sort of stuff. So like presenting information for a general audience, that's been my job for a long time.So I was like, well, I'm a writer. I'm going to write one. I'm going to write the things that people needed, or that I needed really. And that's how I started.Laura: So you found that there weren't the resources that you as a new parent to a boy needed to help you navigate parenting that child in, so that they didn't grow up to be an asshole, basically. I think?Kirstie: Yes, exactly. I mean, yeah, partly that, but also partly because I noticed a lot of things about how my children interacted. Having an elder daughter and a younger son, I mean, I think it's the same if you…for many children, if you have an older sibling and a younger sibling quite close in age, that the younger one, is desperate to do all the things that the older ones do.So they're like, because, and I get it, like there's this person who's so close to you, but they're just better at everything than you are. So you're like, I just want to be them. Like that looks so good. And so she was like the leader. She was, you know, he was following her around, wanted to be just like her, wanted to wear her clothes, do the things that she liked doing, all of this stuff.And I sort of came to realise that I was really happy with this idea of my daughter. breaking stereotypes. I was really confident with this, like, Oh yeah, she's, you know…dress her in blues and darks and comfy clothes and all of that sort of stuff. And that seemed…that sat very easily with me. But when my son is saying, well, I actually want to wear a pink tutu, yeah, a dress and we're going to the shops. And I'm actually feeling a bit uncomfortable about that. Oh right, why am I feeling uncomfortable? I'm not uncomfortable about my daughter wearing trousers. I'm uncomfortable about my son wearing a dress. What is it in me? Because there's no problem for either of them. What is it in me that is the problem here?And having to confront that I have a problem with boys doing things that are feminine or coded as feminine. And what does that mean about how I feel about things being girly? Basically made me feel like, actually, that's not okay. That is something that I need to think about because the message I give to both my son and my daughter, if I don't want someone to be girly is because I think being girly is not aspirational because I think being a girl is not enough.So that is something that I felt like, Oh, that's work I have to do. That's work I have to unpick. And I'm the sort of person who likes information to unpick that stuff. And so there just wasn't that information out there to help me with that.  Laura:Yeah, that's so interesting that you, I guess, noticed that tension in yourself, because you're absolutely right.There's social acceptance of, for want of a better phrase, maybe like ‘tomboyishness', where girls can, you know, have names that are traditionally masculine names and they can wear trousers and they can climb trees and that's all very well, but we don't have the same leniency for boys who want to do things that are perceived as being ‘more feminine'.And I have the same thing. I have a three year old boy, you know, assigned male at birth, but you know, we try, we like…we let him wear the tutu to the shop and it is, there is a discomfort that I've noticed in myself that I have to work through and kind of push through and I just haven't gone to the lengths of creating an entire magazine about it!But I, I'm really impressed that you have to kind of work through your shit. You made a whole magazine about it. But I'm curious, like, why a magazine and not, say, a podcast or, you know, and I know you do a lot of stuff on social media, which we can also talk about, but why did that feel like the medium for you?Kirstie: I think it's partly because of the way my brain works. So I prefer to organize things. In a way where I, I'm thematically grouping things.Laura: Okay, yes. I just... I get that instinct very much.Kirstie: I just wanted it to feel like, I didn't want to write a diary, I didn't want to write a straight up blog. And I wanted it to be written content, that's where I feel most confident expressing my ideas.But I didn't want to share too much actually about my children. Because, because... My experience as a parent is my experience, but their experience of being a child is their experience and that felt like that's…their private. It's not for me to talk about that for them. Laura: Right. You don't want to commodify your child, you know, to make money and capital.Kirstie: That's not for me. That's not for me. And I didn't want to feel like I was sharing their lives without their permission, but also telling a story about their lives, which maybe isn't the story that they would tell later on. Yeah. So I wanted to sort of use what I'd noticed in my own experience of parenting to give me a jumping off point to think about lots of other things.And so it made sense to me to work it like a magazine. I started online. So I would publish a series of articles grouped around a theme: clothes, books, screen time, whatever it is. You know, looking at these things, but through this idea of what have I noticed in this space about gender stereotyping and the constraints placed on children time after time, but through lots of different themes.Laura: Yeah. So it becomes a lens to explore a particular topic.Kirstie: Exactly. And the magazine lends itself to that. So each magazine now has a theme and I collate articles around that theme. Yeah. But all with that thread that runs through them, thinking about how you might just. poke at the things that we take for granted.I think that's one of the things I really want to do is just gently point out the things that we take for granted that we say are normal or natural, but they're not. They're totally constructed. Many of the things that we just take for…oh yeah, pink and blue. Pink is a girl's colour. Blue is a boy's colour. We think of that as completely normal and it's totally made up and it's so recent that that has come into being.Laura: Oh, really? Do you know the history of that?Kirstie: Yeah, so basically up until the sort of 1800s, a bit later, all children are wearing white because...Laura: Why? That's, that's a terrible idea!Kirstie: Well, I guess it was probably grey, right? Laura: Yeah. Kirstie: But they're basically wearing stuff they can wash easily. You can produce it and wash it easily. So they're wearing simple, plain colours, stuff you can pass down. All children are wearing dresses until seven, five to seven.Laura: It sounds like it's really, like, utilitarian, right? Like is that the right word? Kirstie: Yes. Yes. It is a bit. So there's this idea that children's clothing is, well, there's lots of things at play and I'm not a fashion historian.Laura: For the purposes of this podcast, you are.Kirstie: So children are wearing clothes that can be washed easily, that are good for toilet training. They're good for, you know, being out and about, right? There is a movement to make children's clothes less constrictive. Particularly for boys, and that's sort of in the 1800s and French ideas around children should be allowed to be outside more and, you know, changing parenting ideals. What happens is that there's a boom in fabric production, which is obviously based on plantations of cotton and exploitation of enslaved people. It's also based on the industrial revolution in places like the UK, which means that using child labour and industrial processes. Cotton can be produced on a huge scale. So there's a lot of exploitation that goes into mass producing fabrics. And then simultaneously there's a movement in chemical production of pigments. So you can start to make colours for clothes. And once you can mass produce fabrics and you can actually cheaply produce colours, for clothes, for the fabric to make clothes on, you know, you can have a boom in fashion for men, for women, and also for children, kids. There's a sort of like, Oh, actually. As a marketer, you know, as a producer of cloth, I want to sell more of this stuff. So as a marketer, what tools have I got at my disposal for that? So one of the things is, you don't want people to hand clothes down. So you don't want people to pass clothes just down and down and down. You want to make them so that they can't be passed on and they have to buy a whole new outfit every time their child grows. So it's building consumption into the processes. And so you come up with reasons for people to buy different things. So by the 1930s, 1940s, people are sort of thinking, Oh, how can we sell more of this stuff? So by the 1940s, there were catalogues going round the department stores and stuff like that saying, ‘these are the clothes that you should buy', ‘this is our new season,' ‘this is what everyone is wearing this season'. And it's the same for children's clothes. And they're looking at ways at dividing the children's clothes market by colour. So some of the catalogues produced around that time are saying pink is for brown eyed infants, because that's better for their complexion. And blue, you know…so all of these like weird things, but pinks and blues, but the idea was: pastels were the best ones for the children. And then someone comes up with it…there's a, I forget what it's called, but you can find a pamphlet, if someone comes up with the idea that pink should be for the girls and blue should be for the boys, though you can find other ones, other catalogues and fashion plates that suggest that pink is a stronger colour because it's associated with the red coats that men would have worn in battle, blah, blah, blah, that that should have been the colour for boys. Just made up, basically. Just all made up. Pink and blue is all made up. But it's stuck. And it's stuck with us. And pink got cemented as a feminine colour. By…now I don't want to get it wrong, but I'm going to say Mamie Eisenhower, who was the first lady in the 1940s, and she redecorated the White House and with all these special pink bathrooms and was her favorite colour. And it became sort of cemented, this idea of baby pink as being really feminine, definitely coded girly colour. And ties in with lots of other ideas around femininity that come in through the 1950s.Laura: Yeah, well, you may not be a fashion historian, but I really enjoyed that little foray into understanding, yeah, the, I mean, just the super problematic history that that what we feel is so ‘normal', was built on.Like, you didn't have to scratch the surface, barely at all, to find the colonialism, the violence, the capitalism, like, the effects of all of these things on. Yeah, how we end up ultimately dressing our kids today and what is coded as feminine, what is coded as masculine…and yeah, I remember when, when Avery was born just me and my husband like eye rolling anytime we got a blue card in the post, you know, like there was just like a sea of blue and we really appreciated our friends who'd like, who knew us really well and went out of the way to, to find a card that wasn't blue.And that's just, that's just such a small, like, meaningless thing in the grand scheme of things, like the colour of your baby card, but you know, there are repercussions to how we dress kids and I think this is something that you talk about so well, not just in terms of like the colour of the clothes – although that I think is, is important as well – but also just like the practicalities of dressing our kids. Maybe practicality isn't the right word, but I guess the functionality of how we dress our kids. And I think you've kind of got a bit of a reputation on Instagram for being the ‘pants lady'.So I'd love you to talk a little bit about that, like what your research has found when it comes to, not just pants, but just generally the discrepancies between clothing for girls and clothing for boys.Kirstie: Yeah. I mean, it's a dubious claim to fame, isn't it? The ‘pants lady'.Laura: I would take it. It's a great moniker to have.Kirstie: I mean, that is…some of the stuff that I've talked about is, that's one of the key things, I think, because people really notice it. It started because my daughter asked for a pair of pants with dinosaurs on them. And this is when we were potty training and I thought, great, dinosaurs, that should be easy. And then she'll want to wear them. And then potty training would be much easier. Yeah. And I went looking for them and I couldn't find any girls pants that had dinosaurs on them. Laura: It doesn't surprise me, but… Kirstie: No, I mean it is a bit better now. This is eight, nine years ago. Yeah, so I couldn't find any, and then I found some boys ones and I thought, oh, well she doesn't know.And then I got them home and I was so shocked to get them out of the packet and find that they were bigger, roomier. They were beautifully…they had these incredible overlocked seams, all the elastic was covered. I noticed that they were about, they were two centimeters bigger in the waistband, basically, than the girls pants, same brand, and were made of a thicker, higher grade cotton. They just were better. They just were loads better. And so I thought, well, maybe that's just the, this is just an anomaly that I've picked up. Because you know, often when you go to a shop, you can pick up two things that are the same size, but actually when you try them on, they're not quite the same. They're different. So there's all of that. So I thought, well, maybe this is it. But actually having looked into it now over the last eight years, that is across the board that the girls' pants in particular are cut to a smaller pattern than the boys pants, and they're made with flimsier fabric. They're more badly made. They're itchy. They've got this lacy trim. They're made with a lighter weight cotton, which has less stretch and give. They're cut shorter in the backside, so they don't come up as high. So this is comparing girls briefs with boys briefs. They have a narrower gusset. So they're more likely to ride up your backside, basically, give you a wedgie.Laura: Ah, is that why that happens? Because of the size of the...Kirstie: Yes, because of how it's cut across the bottom.Laura: Yeah, yeah. No, I can, I can imagine it. As someone who has, like, a lot of problems finding... Like decent underwear. Yeah, like don't get me started on how far downhill M&S underwear has gone over the past few years.Kirstie: Totally agree.Laura: But yeah, I guess I just, I hadn't thought of it…because that was going to be my next question for you was like, so what, right? What's the big deal here? And I think you've already kind of answered it, but it looks like you've got more to say, so…Kirstie: Yeah, I have got more to say. Because the big deal, actually, what it made me realise is that a significant proportion of our children are going to school wearing an uncomfortable piece of underwear. So many people, when I post about this on Instagram, so many people say to me, ‘Oh, my daughter is always getting a wedgie'. ‘My daughter is always complaining that her pants are uncomfortable'.I find it myself, I find the seams and labels inside clothing can be really irritating. Yeah. Giving this advice to oh, just wear them inside out, blah, blah, blah. No! Just let's make..Laura: Buy the boys ones, Kirstie: Kids deserve to be comfortable and it made me think how different my life would have been if I had been wearing clothes that were comfortable, if I'd been wearing clothes that weren't for looking at but were for playing in.It's not just pants actually, it comes across all areas of children's clothing. So you see it in girls' trousers versus boys' trousers. You're more likely to find a knee reinforcement in a boy's trouser than you are in a girl's trouser because the expectation is that boys are harder on their trousers than girls.Well, yeah, I mean, obviously you are if your pants aren't riding up your bum all the time. And also, if your shoes…so if you look at the difference between girls' shoes and boys' shoes, you'll see that boy's shoes tend to have a thicker sole. They tend to be waterproof. They tend to be made with a toe cover so that you can climb or run more easily.And if you look at girls' shoes, particularly noticeable in very, very little toddler shoes and school shoes. You'll see that the girl's shoes come with really thin soles, no grip. They often have holes in the top, so they're not really waterproof. They're often made of patent leather, so they're shiny, so they…you can't scuff them up. I mean, you will scuff them up and then you'll be in trouble. So what is what you say? So what? The thing is, it's all based on our expectations of children, our expectations as adults on children. It's nothing to do with whether they, as individuals…what they like doing. You know, if you've got a child that likes running, they like running. It's not whether they're a boy or a girl, it's whether they like running. If you've got a kid that feels more regulated, if they've climbed something and swung on something, it's not because they're a boy or a girl, it's just who they are. That's what their bodies are asking for. But we are channeling them societally down these routes, down these expected routes of you should be more active and you shouldn't be more active just simply based on your genitalia. And it does actually have impact on children. You can see it if you go to any primary school, you can see who's taking up the space in the playground and it is 90% likely to be the boys.Laura: And that wasn't a…in case it came across this way, it wasn't an accusatory…it was meant to be a provocative question because I am 100% with you on this.And I think you articulated it so beautifully when you said, you know, we're setting a precedent, we're setting an expectation that girls clothes are to be looked at and are there to be pretty, whereas boys clothes are designed to be functional and for movement and yeah, to let them really be…engage in a full variety of experiences that we're inadvertently excluding girls from, right?Movement, getting messy, getting scuffed up, getting dirty, whatever, whatever it is.Kirstie: Yeah, it's two sides of the same coin, actually, because you see it with girls that the expectation is that their clothes will be pretty and good to look at. And I particularly don't want to have…in my children's underwear, I particularly don't want to have my daughter thinking that her underwear needs to be good to look at, right? It's gross.Laura: It's a really disturbing thought when you, like, think about the kind of the implications there.Kirstie: Yeah, yeah. It's actually like, what in the world? Children's underwear should just be functional. It should cover up their genitalia.Laura: Maybe it should have days of the week on it. It could, yeah, I'm up for that.Kirstie: Yeah, yeah, exactly. I'm up for that. I'm up for patterns. I'm up for that. I'm up for, like, things on the front so you know which side to get into. Yeah, that's all of that. But it doesn't need to be cut small. It doesn't need to be low rise. It doesn't need to be... skimpy in the gusset. Like none of that is necessary for children's clothing. Laura: It needs to be functional. Kirstie: It needs to, it just needs to do its job. Yeah. And I…and you could even argue that the people most likely to be wearing a skirt are girls. So the children who really need the big pants are the girls. So why is it, when I go to the shops, that the girl's pants are miniscule? Laura: Well I wonder if it goes back to capitalism, because if you've got skimpy pants…you know I'm thinking of this from the perspective of a marketer, if I've got skimpy pants, then I can also sell a pair of shorts to go under the dress. Yeah. This is the only explanation that I could come up with.Kirstie: I mean I have been and interviewed some people who've worked in childrenswear, and a lot of them were like….Oh. We've never thought of this because childrenswear is not a thing conceived of in many big shops. It's not conceived of as childrenswear. It's conceived of as girls and boys and they take their cues from womenswear and menswear. And so they're taking maybe what is the best selling hoodie, jersey weight in the menswear and then they're scaling that down for the boys. And then they're taking what is the best selling hoodie weight, say we're talking about sweaters, jersey for the women's and scaling that down for the girls.And they're not talking to each other necessarily. So it's a sort of vicious circle or a chicken and egg thing where menswear is generally heavier weight and more comfortable and womenswear is generally lighter weight and less comfortable. And the styles from menswear are going to come down into boyswear and the styles from womenswear....And that's the same for underwear. So when you look at women's underwear, that's actually what's going to be started to scale down. Lace trims, bows, the types of patterns that you'll see, crop tops, that sort of stuff is going to be scaled down for the girls underwear. And men's underwear is going to be scaled down for the boys. And I see that, but the fact is that children's bodies are not like men's and women's bodies.That is not... Clothes for children can be clothes for children. Until, really, a long way through their childhood. There's no reason to be making them different. Often when I post about this, and I say, here's a pair of jeans and the jeans for the boys, jeans in the boys' section, maybe are two inches bigger in the waist than the girls. And maybe they are…they've got more flex in the leg, and maybe they're also an inch or two longer in the leg than the girls. It's particularly noticeable in shorts, so when summer comes around, you'll see that the girls' shorts are tiny. And that starts from toddler age, so the toddler girls' shorts, which are often really nice, like they come in nice colours and nice prints and all of that sort of stuff, but they are cut inches shorter.Laura: They're teeny tiny. I remember you posted a reel about this over the summer and I'll link to it in the show notes because yeah, it's…yeah, you're basically dressing toddlers in hot pants.Kirstie: Yeah. The flip of the coin is that if you go into the boys section often you can only find things that are khaki, navy, black, burgundy, what I call sludge. Like you just get sludge colour, so you can't find the pretty prints or the…you can't find florals or butterflies or rabbits. My son loves rabbit, love rabbits for years and it's rabbits and cats…you can't have a rabbit if you're a boy. Because you can only have a shark. And then you think, oh, it's fine. I'll go and buy the rabbit top. It's in the girl's section. What does it matter? And then you get the rabbit top and it's cropped or it's got a cap sleeve or a boat neck, you know, so it's not so sun safe. It's not so easy. You know, it doesn't wash as well. It's very easy, I think, to say, this is obviously bad for girls. This is obviously bad for girls. It's obviously bad to create children's clothes that make girls feel that they are too big for their age. That is obviously bad. I can't see why we are doing this. I've had messages from people who've got boy girl twins who are the same size and if they buy a pair of joggers in the boys' section, so two pairs of joggers in the boys' section, they're enormous in the waist, age five to six. And if they go to the girls section and buy the similar joggers. They can't pull them up and these children are the same age and the same size and what does it do to you if by the time you're old enough to understand it, say you're seven, you can see the labels in your own clothes. What does it do to you to know that the age seven jeans are too tight for you? What does that do to you as a girl? What does it conversely do to you as a boy, if you're a slim boy? And you buy the age seven joggers and they're like a tent on you. And the expectation is that you ought to be bigger and you ought to be broader and you ought to be wider or taller. The expectations that this places on our children based only on their gender, you don't have to follow it very far to see how harmful it is.Laura: Yeah. I mean, there's so much to unpack there as well. Like I'm thinking of it through my lens as well, which is thinking about body image and these pretty arbitrary sizes do to kids' sort of body esteem, if they are, you know, maybe at the lower end of the growth curve or the higher end of the growth curve and they don't fit into that seven to eight, like maybe they're in 10 to 11 and the like the mismatch, I think, between ages and sizes of clothes. And I don't know what the workaround is, it's, it seems kind of like it's all wound up in this, it's a similar problem, right?Kirstie: I think so. I think so. I mean, I think the workaround is what they do in a lot of European countries is…it's not, it's not done by age. It's done by height.Laura: Oh, height. Okay. Yeah.Kirstie: It's a measurement. And I think it's really telling, that if you ask a man what size he is, he'll give you a measurement. Yeah. So if you want to buy a pair of jeans as a man, you're buying a size, an actual size.Laura: X centimetres or inches.Kirstie: 32 inch waist, whatever it is, right? That's a measurement. And if you know what your measurement is, you can buy the right size. But as women, you ask what size we are, we have to give a random number. It doesn't equate to any measurement. Except to make you feel bad. And I think that sort of permeates the landscape of children's clothing.This idea of functionality, that actually clothes are made for comfort and what they can do for you. And what they…they'll just be made to whatever size that you need. That your clothes actually…comfort is the least important thing on the list for women's clothes, often. I mean, I feel like underwear in particular.I'm starting to enter into the preteen world. Yeah. It's really made me question a lot of things. Like this idea that when I was a kid, I guess I was 12, 11 or 12, and we went to get a training bra. And I thought about this… training bra? I thought, what's it being trained for? And I thought I was being trained because bras are really uncomfortable.So to get you used to wearing a thing makes your body more palatable to society's view of what women's bodies should look like. It's not on my horizon yet, but it's something that I've got to have a thought aboout. Laura: How do you have that conversation? Kirstie: Yeah, I don't actually know how I feel about that.Laura: Yeah, I mean, that's a really tricky one.I don't know. I don't know if I've added an unanswerable question to that. Yeah, no, but it is, it's, it's just not something that I've ever given any consideration to. And I think what feels probably really sticky about it is that, you know, you can have these conversations with your kid about, you know, whatever, like some man invented a bra to make our bodies more palatable.I don't actually know if it was a man. I'm making this up, but you probably do know the history of bras as well. I think I read, I read like a really interesting article about it once before, and I, and I really can't remember now, but the list of questions that I was going to ask you is completely gone out of the window. But no, it's great. But yeah, you know, you can have these conversations and you can, like, help your kid feel really empowered to not wear a bra or to wear a bra or to like make their own choice or, you know, about the type of bra that they wear if they choose to wear one. And, but then, you know, they go to school and all their friends are wearing, you know, these cutesy little training bras that probably actually do nothing. Yeah. Really. And so then you have to navigate, like, the social piece, with lining that up with, with your values and their values and it's their body. They ultimately…I think probably what we want to promote in our kids is body autonomy. Also that totally backfired on me the other day when my three year old was like, ‘I'm the boss of my body!' when he didn't want to get in the bath. Yeah, I mean, this is... I wasn't prepared for that. But, like, in general, you know, like, it backfires a lot when they're three and they don't want to get in the bath, but hopefully by the time they're, you know, 11, 12, and they're thinking about training bras, maybe a bit younger than that, even, that they...have a better sense of what their boundaries are around their bodies?Kirstie: Yes, I think so. I think they do. But I think there is, I think also the, the influence of peer pressure becomes so much greater then like…actually, you see that you see your influence declines as a parent, you know, you can lay them foundations, but they're coming to the point where what their peers are doing and thinking is really important.And they actually are going to have to navigate this like the foundation that you've laid in terms of what your family values are around bodies and body autonomy, but also, I hope, you know, like that word you used about body esteem. I think that's really great. But I also really like the idea that perhaps they don't think a lot about their bodies.Like, that's what I would really love for them. Laura: That's the dream. Kirstie: Yeah, but there's just a…that's not something that occupies their thoughts all the time. And I, we talked a lot about girls, but it is, it's really important for boys as well. The reason that I want to talk about boys is because it's like the missing piece of the puzzle.We want things to change for our daughters. You can see that the effects of gender stereotyping is,are really bad for women and girls. We have to have actual tasks…well, let's try that again, task force in government, exactly, for violence against women and girls. That's how big of a problem that is. 90% of the perpetrators of violence against women and girls are men. So we have to also be looking at men in that equation. This is not a women's problem. This is a societal problem, a problem across all, everywhere in society about how we treat men and women. And if we're not talking to the boys about equality, If we're only talking to the girls, we're only going to get half of the population changing.It has to be holistically talking to all of our children. And for me, it feels like that means we have to unpick some of that stuff where, you know, the boys are getting a bit of a privilege. You know, we're talking about clothes. That is a privilege for boys that their clothes are made for playing. But it's also, how do you treat a child if their clothes tell you something about them?So if you see a child and they're wearing a top, which has got a bunny wearing a flower crown, what do you, as an adult, think of that child, as opposed to seeing a kid standing next to them, that's wearing a T-Rex with blood dripping from its fangs, right? As adults, how do we treat those children? What are the expectations that we have? Oh, you're big, you're strong, man up, don't cry. You know, the expectations that…that just tiny little cue might give us the emotional connections that we might allow a boy or a girl. These things seem tiny, but they are played out in all sorts of places through society. And unless we allow boys to be warm, be empathetic, to be vulnerable, to be…wrong. You know, to get things wrong and not always be the best at something, you know, we have to allow them some of the things that we're happy to allow girls and the same way that we have to allow the girls some of the things that we're happy to allow the boys. And that's what leads to a more equal distribution as they get older.Laura: I'm really glad that you brought it back there. And I think what I appreciate the most is how you basically connected the dinosaur T-shirt, shark underpants to the toxic masculinity pipeline, right? Like that's, I think what…because I think it's all very well for us to sit here and be like, ‘Oh, girls pants are too small and dah, dah, dah, dah'. But if we can't frame that within the context of, you know, the bigger issues, which I think you do such a great job of bringing it back to, you know, the gender pay gap, for example, like you just did there, like…Well, you didn't say this, but I'm thinking about how male suicide rates are really, really high. Because, and maybe you have some better insight into, like, the statistics around this, but I know especially there was a big conversation about it a few years ago about, yeah, just just like the gender norms that we foist upon men and boys means that they can't express their emotions. They can't tell us when they're struggling, they can't be vulnerable.And I think a consequence of that is that they end up either taking it out on their own lives and ending their own lives, or they take it out on the women around them in the form of things like domestic violence, for example. Can you maybe speak just briefly to, like, yes, it's about pants, but it's about all these other things? You know, like the bigger picture things? Kirstie: Yeah. I mean, it is about pants in, in one way because it sort of lays the baseline. If you are comfortable in your clothes, perhaps you are running a bit faster at school, perhaps you do have a slight advantage in the playground, that sort of thing. Yeah.If your T-shirt says on it, ‘I'm a genius'. Perhaps someone says that to you every time you wear it. Perhaps someone says, ‘Oh yeah, you're a little genius'. And perhaps that's just popping into your head drip, drip, drip day after day. And if your sister's T-shirt says, ‘Isn't she lovely?' on it? LAURA: ‘I'm a princess'. ‘I'm a princess' or just even, I mean, it can be so subtle, you know, ‘Always Happy”'.If your T-shirt says “Always Happy” on it – I see that on so many T-shirts – what's that telling you about how you have to present yourself? So these just little drip drip drip messages, they make a difference. And it makes a difference in how we as adults therefore treat them. And then that gap between how they feel about themselves widens.And what they…they get this idea that they are opposites, instead of things that are really similar: humans. Yeah, humans. You get this idea that you're super, super different. Instead of this idea that everybody here has similarities and differences. And this is just one of them, being a boy and a girl. That's just one of the differences. And we don't separate children by any other characteristics. We don't go to the park and say, Come on brown haired children, time to go home from the park. Like, we just don't do it. There's no other characteristic that we yell out. In the playground. ‘Come on, boys!' So, you know, we make these binary distinctions really, really important.And then by the time they get into secondary school, there's all sorts of things going on. Like, 45% of girls in mixed sex secondary schools have experienced some sort of sexual harassment at school.Laura: I saw this on your Instagram the other day, and I just... It's, it's horrendous. I cannot, like…I mean, I can believe that, but also what?!Kirstie: Yeah, I mean, I…it gives me the fear so badly. Like, what world are we throwing our daughters into? But what world are we throwing our sons into where they think – well, there's a significant proportion of boys in the school that think it's okay to treat women in that way. And it comes back to this idea. This is, that's why this stuff matters. Because it comes back to this idea that if girls are there to be looked at and boys are there to do things. That's how it plays itself out there. So, girls are for looking at. They're not full humans. Boys are the ones that do things. So it doesn't matter if I stick my hand up your skirt, ping a bra strap, whatever it is.That's one pathway, but…as you call it, the toxic masculinity pathway. But the other one is actually...but you can see right through – this is unrelated to clothes really – but you can see right through that the way we talk about, or the way we talk to them, it differs. So studies show that if you know the sex of your baby before it's born, you're more likely to say that they're very active in utero. So you're more likely to use words like ‘active' or say, ‘Oh, got a little footballer in there. So much kicking'. So colours, your expectation colours, your experience of what you're seeing. And then you have a confirmation bias. So when your child does something that chimes with your ideas of what you think boys must like, you notice it more. So you see your boy playing with something with wheels and you're like, ‘Oh, he loves wheels'. I've heard that boys love wheels. You give them more wheels, you give them a lot of praise or excitement or interest. And it creates a feedback loop where they therefore, yeah, they are going to be more interested in this thing.You keep giving them and showing that you're really proud of them. But we also find that parents are less likely to use emotional language with sons than they are with daughters. When they read books together, they're more likely to talk about, what do you think this character's feeling with a daughter than they are with a son?And in fact, the National Education Union did a survey where they looked at preschool, what were the activities that parents were more likely to do with their children, and they broke it down by gender. And parents are more likely to do singing, reading, painting, and expressive things with their daughters. And the only thing that they were more likely to do with the son was sport.Laura: You think about how we are inadvertently training girls to do the emotional labour. And by not teaching boys how to do it, we're double burdening girls with it. Kirstie: It's exactly that. That's exactly it. And we are expecting girls to behave prosocially.So girls are more likely to be punished for what we could call anti-social behavior…but not sharing. Not being kind, that sort of thing. We are more likely to punish, but whatever form that takes, you know? I'm not suggesting that…punish always sounds like a corporal punishment. But actually to come down heavily on…you know, you've gotta share, you've gotta do that.And we are less likely to reward boys for the pro-social stuff. So when boys are sharing or being kind, we are less likely to say, ‘Oh, he's so good at sharing'. Yeah. You know, that's just a thing that people are less likely to say. So there's exactly, that we expect…the expectation that girls will do a little bit more of that emotional labour, but it comes into school where they can, they've been able to see that boys come with a more limited emotional vocabulary.So they're less able to name their feelings and therefore, once you can name a feeling, you can process it. And if you haven't got the skills to name it, you haven't got the skills to process it. So then you see a third more boys are excluded from school. The stat you were talking about, about suicide. So suicide is still the biggest killer of men under 50.And that speaks to not just a crisis in mental health, men's mental health, because I would say there was a crisis in mental health in general, but in the way that it is expressed and dealt with, and men and boys are less likely to reach out to ask for help. So Childline counsel more girls than they do boys, though the same number of them may be having suicidal ideation thoughts. They're more likely to talk to girls about it than they are to talk to the boys about it, and that is seen in the suicide rates, the death by suicide rates for boys. It being significantly higher for male than girls.Laura: It's so horrendous, like, yeah, as a parent of a boy and, yeah, married to one as well, like, a man, yeah, just hearing that is, it's heartbreaking.Kirstie: I suppose the only other thing I would think is worth mentioning, I don't want people to go away feeling like it's doom and gloom because I think It only takes tiny changes, I think.Laura: I mean, I struggle with this a bit because ultimately it's a social issue. And so, I don't want to put everything on individual parents, like we need to change school policy, we need to change…God, even before that, preschool! My preschooler came home the other day, or we were playing in the playground, and he was like, no girls allowed in. And I had to like, I had to stop the play and be like, Let's talk about how we don't exclude people from playing. And I've, like…he had been at nursery for, like, two weeks before this happened. I was mortified. Where are you getting this? It's before they even get to school is what I'm trying to say.Kirstie: Yeah, and I think it peaks actually around six or seven, that really binary thinking, because they want to find their groups, that's like developmental science, like they're coming away from their parents, they want to find their groups, they do want to fit in actually, it's really hard to not fit in.Laura: Yeah, no, it's an evolutionarY…what's the word that I'm looking for? Like, it's evolutionary adaptive to be part of the group. If you're excluded from the group, you're more likely to get eaten by a predator, or like……I'm putting it in really, really simplistic terms there. But, you know, it's this conversation I have with my clients who are coming to see me about, you know, problems with, with body image.  I mean, problems with body image...! But I mean, you know, when they're struggling with how they feel about their body and they say, you know, I just want this last diet. I…you know,  can't let go of the idea of losing weight. And I'm like, well, of course not, because you're more likely to be accepted when you have thin privilege.  And all the privilege that that gives you access to. And that has an evolutionary basis, right? To be accepted, …there's safety in that group. So yeah, the exact same thing……sorry, that was just a massive tangent for me to talk about myself and my work, but…Kirstie: No, I mean, it's... but that's really important because it's all the same thing, isn't it?Because it's exactly…it's all tied up. Like you say, it's like a societal thing. It's so hard to fight against that. Like, I don't always want to be the person who steps out, speaks up. I mean, sometimes I can't help it. That is who I am. But you know, when I'm standing at the school gate, I just want to be friends. I want to make friends. I don't want to be giving people an earful about everything all the time. So it's the same for our children, isn't it? They want to slot in. I think the things that we can do that change that is try and reduce those divisions. I think putting our children in very, very different clothes based on their gender tells them that we think it's really important. So I think there's lots of things that we can do that just reduce those barriers. And I do think that it is a question of changing policies within schools. And I do think it is also maybe shielding them as much as you can from books or TV programs or…I mean, it becomes impossible to be honest, but that, yeah, it's really hard things that don't constantly drip those messages into their heads. And it's really, really hard because they are absolutely everywhere. But if you're aware of it, you keep an eye on what you're reading with them or what you're watching with them or what you're seeing in the supermarket. You know, if you've just got that little thing running in the back of your head thinking, ‘would I let both my kids wear this'? That's one of the questions I ask myself. And the answer has to be yes, I would let both of my kids wear this. One of the questions I ask in the back of my head, like, does this paint everybody in a good light? Like when you're watching Peppa Pig, is Daddy Pig painted in a good light? What do you think it does to little boys to see that? Just think about that for a second. Like what is it when you're watching...Laura: I've given a lot of thought to this.Kirstie: Yeah, I'm sure you have.Laura: Yeah, I wrote recently about – it's from a different angle – but the horrendous anti-fatness in Peppa Pig. And just how...harmful that show is but I hadn't thought of it, because I try and avoid it if possible, but like I hadn't thought of it from the gender perspective as well as, like the lens…Kirstie: Daddy Pig is portrayed inevitably as an idiot. Yeah. And I just think that doesn't do anything good. But on that, I mean, I think it's really interesting now to see how the idea of talking about bodies…We watch Strictly as a family and that's one of the things that my kids enjoy watching and it's hard to find things that everybody can watch together. And there is so much good representation now in the past few years in Strictly, you know, in terms of same sex couples, in terms of people who are openly gay, like, in terms of people from all different backgrounds and ethnicities, like, that's doing a great job, I think. But we watched the opening show and two of the men talked about how they were overweight. “A bit squashy,” one of them said, something like that, talked about, Oh, well, this is going to be hard for me because I've got a problem with weight. And I thought, I think if a woman was saying this, we would be listening to this in a different way. And we would be thinking about how we could positively respond. I think the conversation around body positivity, which is something I feel a bit uncomfortable about, but I think that conversation for women is at least happening. And I feel like that conversation is more complicated and perhaps nuanced for men because we've had this thing about the dad bod, but equally, I was interested to see that people were like talking about their bodies in this…the disparaging their own bodies. In this show that I think of as not being a…that sort of thing, and it fell down gender lines.Laura: That…it's a really interesting observation. I haven't paid much attention to Strictly, but I think just more broadly speaking, I think – and it ties into kind of just not being able to express themselves, maybe in the same way or talk about the things that are bothering them, but also the shifting roles of body image pressures, I suppose, for men and boys. But I did – I'll link to this in the transcript as well – but so I spoke with Dr. Scott Griffiths, who's a psychologist and a body image researcher about sort of the shifting way that the male bodies are perceived and, and kind of the growing pressure and expectation of them to have this ripped, shredded body to the point that we are now seeing, in older sort of teens, we're seeing something called muscle dysmorphic disorder, so a body dysmorphic disorder, it sort of sits between a body dysmorphic and eating disorder.Generally, boys who struggle with it consider themselves to be like insufficiently muscled and really lean and scrawny and they, they want to bulk up and, and get big and strong, like, you know, all the messages that they've been receiving since they were one and two and three years old. And so they end up…on the really extreme end of it, they might inject testosterone [I MEAN STEROIDS HERE!]. It can lead to infertility. It can, it can lead to all sorts of really, really. hugely problematic things. And again, if I just wonder about, you know…it's, it's acceptable for women to talk about how they struggle with their bodies for better or worse. And we obviously have a sort of counterbalance to that in the, the body positivity, body acceptance movement, but that doesn't exist for men.There is no body positivity for men or…like, there is, but there's a few, you know, a few people talking about it.Kirstie: You could argue that because it hasn't been necessary till now because it has been less of a concern societally for people to police men's bodies. But now we're finding ourselves in this highly visual culture where people are policing everybody's bodies.And simultaneously, like you say, we're asking little boys to conform to these really rigid rules about what it means to be a man or look like a man.Laura: And we're giving them like, if you think back to like what a Ken doll looks like, to what a G.I. Joe or like…I don't know if kids play with them anymore, but you know what I mean?Kirstie: What they do play with is Spider Man or Hulk or Batman or, you know, all of these figures, they are all hyper muscled. And if you watch those Marvel films, those are idealised bodies and the idealising for boys and men is to have these bulging biceps and to have a six pack and things that actually aren't…you know, if you ever hear a film, a film star talking about what they have to do to look the way they do.You know, if you ever heard Hugh Jackman talking about what it was like to be Wolverine, that is not okay. It's punishing. It's absolutely punishing. He didn't drink for days on end. You know, really, he was at the limits of what you can do and still be alive and turning up for work and doing specific sort of flexes and the pressure then that that could put on you if you were the, you know, if you're susceptible to, like you say, injecting hormones or steroids and the fact that that stuff is very reasonable, you know, very easily available or to be buying protein powders and being told on TikTok that you, you too can bulk up, you could, yeah, but actually your genetics are playing a part in this.You can't. Yeah. Bodies are different.Laura: So, so much playing, playing into that. And Kirstie, I feel like we could talk for hours about this stuff. And I, I'm, I'm really conscious about your time. It's a...Kirstie: Yeah, so I've got to go and pick my children up from school! Laura: Okay. So, okay. There is one burning question that I have for you, which is...I don't know if you have this, like, data, but do dads read your magazine?Kirstie: Well, that's a good question. So I don't have this data. What I can tell you is, from my social media account is that it's like 90% women. That's slightly to do with Instagram. Instagram skews towards women. Yeah. This is a question that I get asked a lot: why don't more men write for you? So men are less likely to pitch me. And I think you'll find that men talking about parenting often have daughters. Yeah. And I do get it because I think when you have a daughter as a man, you have the same experience that I talked about where I suddenly was like, Oh, I don't know what it is like to be a boy in this world. I haven't done that. Oh, I see some of the things that you're going to run up against. I think that realisation for some fathers can be huge. Yeah. I think it can be absolutely massive for them. I think they can realise a lot about their own previous experiences to see that. And I don't like the fact that they have to have a daughter for this to happen to them.But they suddenly realise, Oh, I see how you're going to be treated in this world and I do not like it. And I want to talk about parenting now.Laura: I was just going to say, you have a much more generous interpretation of it than I do, which I think is that, and maybe – and I don't think it's one or the other, it's probably both – but I also think that this just speaks to the point that we were making earlier, which is that so much of the emotional labour of raising children falls on women.Kirstie: Yes, I mean, I think that is true, that basically who buys parenting books is women, who worries and feels mum guilt? It's women. We don't, I, I mean, I haven't, I spend a lot of time on the internet, but I haven't seen loads of men talking about dad guilt. I haven't heard a lot of men saying how hard they find it to manage their children's emotional development throughout, through our difficult society.Like that isn't a thing that a lot of men are talking about. It's not the case that no men are talking about it. So there are some prominent men who talk about this stuff. It doesn't fit with our societal narratives. So, I mean, I would recommend anybody to read, Robert Webb's, How Not to Be a Boy. I've really enjoyed that book. There's a really interesting, it's a half memoir, half…Laura: Like parenting?Kirstie: …musing on, well, yeah, it was useful in parenting, I think, in terms of he talks about how he would like to raise his children, bearing in mind what he's done. I would recommend Grayson Perry's book, The Descent of Man. That's a great small book. And it's, he's just got such a really great way of pinpointing the sort of weirdnesses of gender, like there's so many…and he's funny as well and warm, isn't he? He even made a TV programme that went along with that. Those books are relatively old, but I think they have a lot to say. I mean, Justin Baldoni, I don't know if you know him, he was in Jane the Virgin? If you've ever seen that. He was like the beefcake guy, I can't remember, he was called Raphael I think. He's written a book about how hard it was for him growing up and how much he struggled with his own body image. And the expectations placed on him as a young man and how hard he found it to be vulnerable and when someone showed him pornography when he was 12 or younger, he, you know, how he couldn't tell his parents and didn't know how to deal with this.And, you know, so there are some people talking about this, but they are so few and far between. And also it doesn't fall into the easy categories, I think, that we find it, that marketers find it easy to sell, that book publishers see the obvious opportunities, you know. And I think, you're right, men as a general rule aren't being asked to think about this. How are they going to change the world for their sons? Laura: Oh, well, you've given some really cool resources for us to check out and buy for our baby daddies! Right. For Father's Day or whatever, Christmas, whatever's coming up, where are we, what is time? And I think, you know, the work that you're doing is so critical as well and getting these conversations started and just thinking about, you know, like the little things like pants and how they have these huge repercussions.So Kirstie, before I let you go…at the end of every episode, my guest and I share something that they have been really into lately. So it can be a book, it can be…which you've just given us lots of books! But it could be something not to do with work. It could be an actual snack. It can be a podcast, anything that you would like to recommend to the listeners.Kirstie: I had a long think about this. And the thing is, I was thinking that in terms of my actual snacks, I do not have a sweet tooth. Oh, I know this is very…but basically I just want savoury things all the time. So the snacks that I have been snacking on is, I mean, I just eat crisps. I just love crisps.Laura: No shame in the crisp game.Kirstie: Just love crisps. But the thing that I've been really snacking on recently is miso soup. Laura: Miso. Oh, yum. Kirstie: Yeah. Because I, what I really crave in the middle of the day. Is like a hit of that salt. Salty, yes. Salty. Tasty. It feels like a hot velvet drink and so I'm always delighted when it's got cold enough. I feel like, yes, it's soup time. And so that's like my hit of salty deliciousness.Laura: Oh my God, that sounds so good. Actually, I never thought of just…I love miso soup, but like usually when I'm eating Japanese food. Yeah. I never thought of just like…cause you can get like, do you make up miso soup like with miso paste or do you do, like, the instant sachet stuff?Kirstie: I do have the paste, which I just stick in everything because I want everything to taste like that basically. But I bought powdered ones. And they are brilliant.Laura: And yeah, you just fill it up with the boiling water and…?Kirstie: Yeah, it's like two o'clock in the afternoon. I've had my lunch. And eat something else that's delicious.Laura: A little miso pick me up.Kirstie: A little pep me up.Laura: Yeah. Oh, yum. Okay, that's making me hungry just thinking about that. So I am going to be your inverse. And I am

Just weeks after Jarrod Green was missing, police find out that the people he allegedly owed money to, Brandon Wheeler and Robert Webb, had left town and that their rental house had caught on fire. The woman who cleaned that house presents some revealing information. And a lawsuit is filed against Brandon Wheeler with disastrous consequences.  Wheeler v. City of Searcy lawsuit: https://casetext.com/case/wheeler-v-city-of-searcy If you have a case you'd like Catherine Townsend to look into, you can reach out to the Hell and Gone Murder Line at 678-744-6145. See omnystudio.com/listener for privacy information.

From his turn as Shakespeare in Upstart Crow to his historical sketches with Robert Webb, comedian and actor David Mitchell's work has often touched on the past. Now he's written his first history book, Unruly, charting England's monarchy from its earliest days to the reign of Elizabeth I. David tells Matt Elton about this storied history. (Ad) David Mitchell is the author of Unruly: A History of England's Kings and Queens (Penguin, 2023). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Funruly%2Fdavid-mitchell%2F9781405953177 Learn more about your ad choices. Visit podcastchoices.com/adchoices

https://www.jamesrobertwebb.com/ James Robert Webb talks about his latest single Gentlemen Start Your Weekends, and much more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/risingstar/message

James Robert Webb, the Tulsa-based country singer songwriter, has ignited the airwaves with his release "Gentlemen Start Your Weekends." As a multifaceted talent who splits his time between Nashville and Oklahoma, Webb is not only an accomplished musician but also a top musculoskeletal radiologist in Tulsa, adding an intriguing layer to his already captivating persona. --- Support this podcast: https://podcasters.spotify.com/pod/show/wewriteaboutmusic/support

The Atonement of Jesus Christ is vast enough to apply to the entirety of the universe and intimate enough to support us in our trials. Access the speech page here.Support the show: https://ldsp-pay.ldschurch.org/donations/byu/byu-speeches.htmlSee omnystudio.com/listener for privacy information.

Paul Clayton is and actor, director and writer best known for playing Olivia Colman's dad in the comedy Peep Show with David Mitchell and Robert Webb. He also played Graham, in the comedy Him & Her with Russel Tovey, Sarah Solimani, Kerry Howard and Joe Wilkinson. He's about to star in the new Disney+ series of The Full Monty starting the original cast, plus Paul as Dennis! Other TV appearances include. television appearances include One Foot in the Grave, Drop the Dead Donkey, Doctor Who, Wire in the Blood, My Family, Danny Boy, Breeders, Shakespeare and Hathaway, Delicious, Drifters, Wolf Hall, The Frankenstein Chronicles, Mr Selfridge and The Crown. His novels, The Punishment and The Hoax are available now.Paul Clayton is guest number 296 on My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Paul's books are available here: amazon.co.uk/Paul-Clayton/e/B08YXTGCMCGrim & Co - grimmandco.co.ukThe Hope Theatre - thehopetheatre.comConnor Calland reading My Corner Shop by Joe Shackley - fb.watch/k_MOlOFz9hFollow Paul Clayton on Twitter: @Claytoncast & Instagram @claytoncastgram .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Get this podcast ad-free by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Miami Zoo has announced that Paora the kiwi will no longer be offered up for paid encounters with the public after videos of the bird being paraded in daylight for selfies with zoo visitors went viral, causing outrage. Ron Magill, communications director for Miami Zoo, told the Herald that they had listened to the response from New Zealanders. “We regret the unintentional stress caused by a video on social media depicting the handling of Paora, the kiwi bird currently housed within Zoo Miami,” Magill said. Magill apologised profusely to RNZ, saying he told the zoo director: “We have offended a nation”. “I am so sorry. I am so remorseful. Someone asked how would you feel if we did that to your bald eagle, and you're absolutely right.” He said that the concerns expressed by the community “have been taken very seriously” and told the Herald that their $40 “Kiwi Encounter” will no longer be offered. “We should have known better,” Magill told AM this morning. ”We were really not sensitive to the fact that this bird is a national symbol, that it is an icon, it is a spiritual animal.” Video of Paora being petted and put up for selfies caused outrage online, with concerned New Zealanders launching a petition to “help save” the bird. The zoo was also flooded by complaints on social media, as New Zealanders rose up to protest our national bird being petted by zoo visitors under bright lights. Magill said Paora would now be going back into the dark. “Paora is being kept in a quiet, isolated off-exhibit area where he can remain in a dark secluded area during the day and have the freedom to explore his habitat during the evening hours. He continues to be in excellent health,” Magill said. He said the zoo was committed to providing him with the best environment possible and was in the process of creating a new habitat. A video of a kiwi at a Miami Zoo caused outrage online. ‘Terrified' Robert Webb from Whāngarei's Native Bird Recovery Centre told the Herald yesterday that Paora appeared to be distressed by his treatment. “I don't think that bird will last long. You'll notice he's got his eyes closed nearly the whole bloody time when they're touching him. He's terrified.” Webb, who has cared for hundreds of kiwi over the years, told the Herald that the birds were extremely sensitive animals, saying even the sound of paper being shredded “scares the hell out of them” and said Paora “won't survive” if he continues being handled in the manner seen in the videos. Webb compared Paora's treatment at Miami Zoo to the marine mammals at Florida's SeaWorld. “Animals are born to be free, not kept in cages. They'll flog the hell out of that and I bet they make good money out of it.” Webb said the zoo's approach was “totally wrong” and encouraged breeding animals just to “show off” and make money. Magill said today that they were “committed to providing him with the best environment possible while respecting and honouring all that he represents”. He also said that Paora is doing well and in “excellent health”. ‘It's a taonga' The bird was named in honour of New Zealand environmentalist and iwi leader Paora Haitana, who was part of a delegation that visited Zoo Miami for an official ceremony after the bird hatched back in 2019. Haitana told RNZ that he was concerned by the bird's treatment. “It's our signature, we're known as the kiwi, so it goes against everything the bird was given to them for.” Haitana said the bird should have been kept in darkness and was worried it would have damaged eyesight. He said it was his understanding that the bird would be looked after in a way that was consistent with how they were cared for in New Zealand. “It's a taonga and absolutely it was given in good faith that it would be managed, controlled and looked after by Miami Zoo, so it's a concern, huge concern.” This morning, Magill said he would be happy to have a discussion with Haitana regarding his concerns. - Chris Marriner, NZHSee omnystudio.com/listener for privacy information.

Meet The Trick. A way to talk to your children about the patriarchy. To help them understand we're all being tricked into thinking particular things about boys and girls, women and men.I learned about the trick from Robert Webb - his six year old daughter describes the trick as “the thing that makes women get rubbish jobs and makes men sad”My little boy is 5 and this has become our family code word for gender nonsense and you can use it too! We have introduced the idea to his grandparents too. Giving language to complex ideas is powerful.Without much conversation at all my little boy could tell me all the ways he sees the Trick tricking him and his friends.❌ womens are beautiful and men are not❌ mens drives cars and womens don't❌ boys can't wear colourful nail varnish❌ only boys can play football❌ boys can't have long hair❌ boys don't like acting, only girlsHe's FIVE, lives in a country where gender equality is priority and well, I'm his mum! This stuff runs so deep - we have to listen, be pro-active and role model our asses off. Has your child ever noticed the Trick?Will you try it?www.the-trick.coSign up to our next workshop, You Don't Have Imposter Syndrome, here: https://workshop.weareupfront.com Click here to sign up for Bond 7Sign up for UPFRONT's email newsletter hereFollow Lauren and UPFRONT:Twitter: twitter.com/_laurencurrie_Instagram: instagram.com/_laurencurrie_ and instagram.com/upfrontglobalLinkedIn: linkedin.com/in/laurencurrie/ Hosted on Acast. See acast.com/privacy for more information.

Robert Webb first reached a wide audience as the co-star of Channel 4's longest running sitcom, the BAFTA-award winning Peep Show. With his long-standing comedy partner David Mitchell, he also created That Mitchell and Webb Sound for BBC Radio 4, which transferred to TV as That Mitchell and Webb Look, which also won a BAFTA. Robert was born in Lincolnshire and first became hooked on comedy when his impressions of teachers made his school friends laugh. After realising that many of his comedy heroes had studied at Cambridge University, and were members of the Cambridge Footlights, he decided to follow in their footsteps. He took his A levels twice in order to win a place to study English there, and went on to become vice-president of the Footlights - where he met David Mitchell. Their comedy partnership has lasted for 30 years, starting out with shows for the Edinburgh fringe and writing for other performers, before enjoying TV success as a double act. Robert has also written a best-selling memoir, How Not to be a Boy, in which he reflects on masculinity, and a novel. In 2019, a routine medical examination revealed that he had a congenital heart defect. He underwent heart surgery and is now fully recovered. Robert lives in London with his wife and two daughters. DISC ONE: Do I Move You? - Nina Simone DISC TWO: The Old Fashioned Way - Charles Aznavour DISC THREE: Fool if you Think It's Over - Elkie Brooks DISC FOUR: Get A Life - Soul II Soul DISC FIVE: Metal Mickey - Suede DISC SIX: Being Alive, composed by Stephen Sondheim, performed by Adrian Lester and cast of Company and recorded in 1996 at Donmar Warehouse, London DISC SEVEN: How to Disappear Completely - Radiohead DISC EIGHT: It's Corn - Tariq, The Gregory Brothers & Recess Therapy BOOK CHOICE: Cultural Amnesia by Clive James LUXURY ITEM: A top hat and tails CASTAWAY'S FAVOURITE: The Old Fashioned Way - Charles Aznavour Presenter Lauren Laverne Producer Sarah Taylor

How do you negotiate with a talent agent? It's something Boots' Pete Markey knows like the back of his hand. With over 25 years of experience, Pete has secured some of the world's most recognizable names, including Robert Webb, David Schwimmer and Morgan Freeman. Here he talks to host Mike Lander about how to successfully conduct third-party negotiations, the importance of surrounding yourself with an A team, and why communication is key. Hosted on Acast. See acast.com/privacy for more information.

This week I chat with Robert, who experienced an out of body experience while having a massive heart attack in August, 2021. We talk about what Robert experienced, how he had come to terms with it, and how it has affected his future. CONNECT WITH ROBERT: Instagram: https://www.instagram.com/robertwebb750/ Youtube: https://www.youtube.com/channel/UCyQAV-HtwRigqIMLeKUK-Wg Please subscribe to the show, leave a review and follow along with the show on our other social media accounts: Website: https://www.EmbracingDeathPodcast.com/ Instagram: https://www.instagram.com/embracingdeathpodcast/ Youtube: https://www.youtube.com/channel/UCAvGVk_yzSlPHI7XJxFZY0Q Follow your host JULIA SHEEHAN: https://www.instagram.com/JuliaSheehan/ WE WANT TO HEAR YOUR STORY! If you or someone who know has a unique experience relating to death and dying and would be interested in sharing your story, please send an email to EmbracingDeathPodcast@gmail.com Rights to music purchased from https://www.soundstripe.com

Robert Webb, head of production at Pluto Press, joins this episode of the IPG Podcast to talk about his working life in production. He tells us about the varied work of a production professional and the kind of skills that are needed, and shares a few tips for people who want to work in the field.

Blake and Vince talk about biopics they love and the ones they can't wait to see. We also talk about one of our absolute favorite shows, Peep Show. Vince brings on a surprise guest for Blake (Devon) to have a Peep Show Trivia Showdown! Take a listen to quiz yourself and to see who takes home the big prize!If you like the show, or even hate it, please rate and review where you listen to your podcasts.THANKS!Comment, like and subscribe and we'll give you a shoutout on the next podcast!Thanks for watching and be sure to follow us on all social media!New Episode out on Saturdays.Insta: www.instagram.com/pointnemopodcast/Twitter: www.twitter.com/PointNemoShowEmail us questions that we can answer for you on the podcast, or if you have interest in becoming a guest on the show, we can arrange it at location or Skype!GMAIL: thepointnemopodcast@gmail.com

Welcome to the Good Pod Guide a podcast about podcasts for all you podcast lovers out there, hosted by journalist Lauren Windle. Join us each episode as we give you the low down on some of the biggest podcasts, as well as some hidden gems to help you find your next great listen. 'Griefcast' is an interview series in which people reflect on their dealings with death. 'Griefcast' features conversations between its host, the comedian and actor Cariad Lloyd, and her friends and colleagues — among the better-known guests have been Sara Pascoe, Adam Buxton, David Baddiel and Robert Webb. At the start of each episode, Lloyd explains how, after her father died when she was 15, it took her years to be able to express how she felt. For more info about the Good Pod Guide. Check out the show notes. Also, like subscribe and leave a positive review. It helps beat that evil algorithm.

Trevor Feelgood Talks to Robert Webb At West Wood One UK Studios find Trevor on Facebook - @TheTrevorFeelGood Twitter - @trevorfeelgood Instagram - @trevorfeelgood Tiktok - @trevorfeelgood YouTube - @trevorfeelgood --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/trevorfeelgoodpodcast/support

This week Pilot Clubbers Kay and Abbie talk comedy, crime and what to do if your writing or career has hit a wall with Janice Hallett. Janice's first novel “The Appeal” and was Sunday Times Crime book of the Year and her recently published second, “The Twyford Code” was featured in the latest Guardian round-up of best new crime fiction. Featuring clips from “Two Ladies” with Tracy-Ann Oberman, Arabella Weir, Amer Chadha Patel, Robert Webb, Anna Crilly and Dan Mersh and resident actor Emily Chase. Hosted on Acast. See acast.com/privacy for more information.

Join Millicent Oriana and Jacob Urban as they discuss that time Americans and the Wehrmacht confusingly worked together: the story of The Battle of Castle Itter. Clip Info: "Episode 1." That Mitchell and Webb Look, created by David Mitchell and Robert Webb, season 1, episode 1, BBC Two, 2006 "In-A-Gadda-Da-Leela." Futurama, created by Matt Groening and David X Cohen, season 6, episode 2, Comedy Central, 2010 "Hi Honey, I'm Homeland." American Dad, created by Seth MacFarlane, Mike Barker, and Matt Weitzman, season 6, episode 2, TBS/Adult Swim, 2014 The Big Lebowski. Directed by Ethan Cohen and Joel Cohen, Polygram Filmed Entertainment and Working Title Films, 1998 Song Info: Patriotic songs of America by New York Military Band and the American Quartet Nerd Forensics Theme and Fivensic by Elliot Smith Get in touch with the host and guests: Millicent Oriana - @KampPodMillie Jacob Urban - @CactusJake505 Sofia Baca - @SciPodSofia Or the show: Nerd Forensics - @NerdForensics or nerdforensics@gmail.com Licensed by Millicent Oriana (2021) with an Attribution-NonCommercial-ShareAlike 4.0 International Creative Commons license (link to license: creativecommons.org/licenses/by-nc-sa/4.0/) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Seasons greetings to all Andy Jaye podcast listeners. Here is the first of two seasonal specials. The first of the seasonal specials features some of the most poignant mental health conversations Andy has had with his guests in 2021. In this episode, you will hear from; Pop star and model Frankie Bridge, Actor and writer Robert Webb, musician and producer Professor Green, author, actress and singer Terri White, SAS Who Dares win star and author Jason 'Foxy' Fox, singer James Arthur and best-selling author Matt Haig.We hope that you find these conversations inspiring and helpful, and if anything, we hope that it helps a few people realise that thoughts and concerns that are often kept hidden away are more commonly shared amongst others than many people might think.As there are a few hard-hitting subjects in this weeks chat, we include some support network contacts for our listeners in the UK:The Samaritans Website: https://www.samaritans.org/ - Contact the Samaritans by phone: 116 123 (from the UK)The Andy Jaye Podcast is produced by The Driven Media Group - a Paramex Digital brand. Contact the show via email at hello@drivenchat.com and find our entire back catalogue of conversations in all the usual podcast places. See acast.com/privacy for privacy and opt-out information.

The Female Pilot Club is a club to celebrate comedy written by women! Pilot-clubbers Kay Stonham and Abigail Burdess get women TV writers to spill their secrets, from the new and annoyingly talented, to seasoned and annoyingly successful Emmy award winners. We chat about gags and gaffs, what makes a good script great and how to survive and thrive as a female writer in the comedy industry. Featuring clips from pilots performed live at the club with the cream of British comedy talent like Greg McHugh, Sarah Hadland, Jordan Stephens, Vivienne Acheampong and Robert Webb, and resident actor Emily Chase. Join the club, have a laugh and we hope - help get great comedy on the telly! Hosted on Acast. See acast.com/privacy for more information.

Get to know James Robert Webb and hear some acoustic music. Presented by Miller Lite and Pickle Jar Live, Proud supporters of Texas Music and the Texas Music Scene.

I'm so pleased to bring you this s2 bonus episode sponsored by Sage Appliances, with Cariad Lloyd, which we recorded in front of a live audience a month ago. Cariad is a comedian and writer and the creator of the cult podcast, Griefcast, where she interviews famous people (usually comedians) like Robert Webb, David Baddiel and Sara Pascoe about the human experience of death and grief, and which has won multiple British Podcast Awards.    I'm really interested in grief: why we fear it (especially other people's), why we expect grief to look a certain way, the lack of nuance in our understanding of grief. What I love about Griefcast is the way it democratises grief: there is no one way to grieve. Grief, as Cariad digs into, is not just very sad, it is funny, absurd, weird and life-expanding.   You can listen to a new series of Griefcast now, on all good pod platforms and find Griefcast on Twitter @thegriefcast. Here are some helpful resources from Cariad: The Grief Network Let's Talk About Loss charity Dead Parent Club podcast The New Normal charity Bereavement Room podcast   And some books I recommend: Grief Works by Julia Samuel, And Then We Saw Stars by Jayson Greene, It's Your Loss by Robyn Donaldson and Emma Hopkinson, Languages of Loss by Sasha Bates, Sunset by Jessie Cave and The Year of Magical Thinking by Joan Didion.

In this episode we visit with Dr. Julie Gatza, comedians and #IMOMSOHARD stars Kristin & Jen, actress and DWTS competitor Melora Hardin, and country singer and songwriter James Robert Webb. For complete episode details, merch, socials, links and more visit www.GQwithCam.com You can help support this podcast with a donation at www.BuyMeACoffee.com/GQwithCam --- Send in a voice message: https://anchor.fm/camerondole/message

Down Home Cajun Music-  Independent Cajun Labels on 45 rpm: Volume TwoAldus Roger- Channel 10 Two Step (Acadian Artists 1000)Ervin Lejeune & Jake Bertrand- Calcasieu Playboys Waltz (Buck 501)Wayne Hebert- Circle D Special (Circle D 1003)Ernest Thibodeaux and Danny Shuff- Pine Grove Waltz (Lanor Custom Series 1005)Jake Broussard- Iowa Two Step (Kajun King 12472)Charlie Broussard- Flower of Our Life (Cora B 0001)Abe Manual- French Country Gentleman (Tribute 1001)Tee Denise- Bayou Waltz (Acadian Artists 102)Ronnie Fruge- Cajun King Special (Circle D 1005)Aldus Roger- KLFY Waltz (Acadian Artists 1000)Notes on the recordings:1. Aldus recorded for the Acadian Artists label in either the late 60's or early 70's. Acadian Artists was owned by Robert Webb out of St. Martinville and only had 3 releases; two by Aldus and one by Tee Denise.2. Erwin recorded this with Jake Bertrand and the Calcasieu Cajuns in the late 60's. The song also feature Atlas Fruge and Tan Benoit. Buck Records was a early label of Clinton "C.E." Diehl out of Jennings.3. Wayne Hebert recorded this record in 1969 for C.E. Diehl's Circle D Records. It is one of the three records he ever made.4. While Lanor wasn't a small label; this was a private custom series they put out. Ernest Thibodeaux was a original member of the Pine Grove Boys. This custom record was recorded in 1982 with Danny Shuff on accordion.5. Jake Broussard and the Midnite Ramblers recorded this record in 1972 on the Kajun King label. 6. We featured Charlie Broussard's other Cora B on the first episode. Here is his first 45 on the Cora B label recorded in the 1980's.7. Abe Manuel probably recorded this as the same time as the other Tribute 45. One can assume JD Miller put this out, as it was recorded at Modern Sound Studios.8. Theotis Denise recorded as Tee Denise. I have tried for several years trying to find out who he was but have had little success. He recorded is record in 1960's. Tee Denise also played with Happy Fats.9. Ronnie Fruge recorded this record in 1976 for C.E. Diehl's Circle D Records.10. The flipside of one of Aldus's Acadian Artists 45. He had recorded KLFY Waltz previously for La Louisianne in the late 1960's.

Big Daddy Dave catches up with James Robert Webb in this episode. Learn more about this Okie and hear a couple of his latest songs.

We all lead such busy, distracted lives, and often forget to plan for those who will come after us and pick up where leave off. This is especially true in family-owned businesses, where you see things fall apart round about the third generation. But paving the way for the next generation also means educating today's young people in newer, better and more targeted ways, so they will be prepared for a future in which they will be productive, engaged and successful. Camm Morton is an expert on this transition. Camm is President of VR Business Sales Baton Rouge, a business brokerage service that facilitates mergers and acquisitions. Camm is also a certified exit planner and family business advisor, who helps companies figure out their succession plans, which is no small thing. Camm brings a lot of business experience to the field. He spent much of his career in commercial real estate, where he developed and managed hotels, shopping centers and mixed use developments throughout the South the and Atlantic seaboard. He came to Baton Rouge in 2002 to head Commercial Properties Realty Trust, the BRAF's real estate company. Nearly two decades later, Camm still calls the Capital Region home. Robert Webb is CEO of Helix Aviation Academy, a charter school opening in August 2021 at the Baton Rouge Airport that will help prepare high school students for a career in aviation. Robert is also CEO of the Helix Mentorship Steam Academy, a charter high school in downtown Baton Rouge that Robert founded in 2010 in an effort to close the achievement gap for students in grades 9-12 by focusing on STEAM-based learning – that's Science, technology, engineering, arts, and math. Robert also has plans to open Helix Legal Academy which, like the aviation academy, will help prepare young people for a career in the legal field.  Out to Lunch Baton Rouge is recorded live over lunch at Mansurs On The Boulevard. You can see photos from this show by Chris Tricou at our website.   See omnystudio.com/listener for privacy information.

Comedian, actor and writer, Isy Suttie, is best known for playing Dobby in the sitcom Peep Show alongside David Mitchell and Robert Webb. Other acting credits include the sitcom Damned with Jo Brand & Alan Davies and Greg Davies' sitcom Man Down. As a comedian she's been on QI, Would I Lie To You and 8 Out of 10 Cats Does Countdown. Her first book, The Actual One, was released in 2016 and her debut novel, Jane Is Trying is out on 22nd June 2021. Isy Suttie is guest number 110 on My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .Isy Suttie's novel, Jane Is Trying, is available here: https://www.waterstones.com/book/jane-is-trying/isy-suttie/9781474625739 .Follow Isy Suttie on Twitter: @Isysuttie .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens and Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by Matthew Boxall .Social media support by Harriet Stevens .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. See acast.com/privacy for privacy and opt-out information.

We have Dr. James Webb, a doctor by day who fixes backs, and a country music singer by sundown, stopping by for a fascinating discussion on mastery, health, philosophy, and of course, music. Dr. Webb has created his own unique lane in medicine and is now taking that same spirit to the world of country music. So, if you're a creative or someone who is yearning and feeling that a change is a must in your life right now—then you'll dig this episode. Also, at the end of the episode, I included Dr. Webb's hit single 'Okfuskee Whiskey, ' an infectious feel-good song that's been on repeat for me. In today's episode, you'll hear: Dr. Webb’s origin story How Dr. Webb landed in medicine Why regret is the toughest pill to swallow A brief discussion on our shared love for Led Zeppelin Country cliches and “bro-country” (I was personally curious about this) Dr. Webb’s creative process Building mastery at your craft (and it also applies to your health) Balancing medicine and country music How Dr. Webb landed in his specific niche of medicine An interesting discussion on intelligence and dogma The uncomfortableness of stepping out from your old beliefs Where the revolutionary discoveries actually happen Why optimal health is about more than just your diet What’s next for Dr. Webb And much more Connect with Dr. Webb: Website: https://jamesrobertwebb.com/ Instagram: https://www.instagram.com/jamesrobertwebb/ Facebook: https://www.facebook.com/JamesRobertWebb/ TikTok: https://www.tiktok.com/@jamesrobertwebb Connect with Julian: Book a complimentary executive health strategy session — https://theartoffitnessandlife.com/application/ Join the Superhuman Insider newsletter: https://theartoffitnessandlife.com/insider/ Twitter: https://twitter.com/thejulianhayes LinkedIn: https://www.linkedin.com/in/julianhayes

Rumours of an illicit rendezvous have reached Checkpoint all the way from Whangārei. There have been rumours a goose - a gander to be specific - had infiltrated a flock of ducks at Mair Park. Strutting his stuff like a dandy resulting in a strange and new kind of cross-breed of quackers waddling about. Could this be true? Not ones to leave a mystery unsolved, we called on expert birdman Robert Webb from the Whangārei Native Bird Recovery Centre to investigate. 

Got to hang out with James Robert Webb this week. We chatted about his "double life" as a doctor and a musician, and how he is able to balance it all. We also talked about his approach to making music, and the albums that really influence him. Check it out! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/kyle-corbliss/support

Robert Webb is an actor, comedian, presenter and writer and has starred in a number of hit TV series such Peep Show and That Mitchell & Webb look. Robert, who has lived at times a challenging childhood, has taken to writing and documenting his life in books like his memoir How Not to Be a Boy.In this conversation with Andy Jaye, Robert share a little more of his story and how significant and often sad life events have allowed him to see the world differently. Robert also joins Andy to talk about his new book - a novel titled Come Again. See acast.com/privacy for privacy and opt-out information.

As April ends and warmer weather looms large, our full compliment of solvers find it easier than ever to totes dom the NYT crossword. They discuss woes, whoas, and have a spicy discussion about the Scoville test. Daniel wants you to take a look inside the twisted comic minds of Robert Webb and David Mitchell. “Peep Show” is a great place to start. https://www.imdb.com/title/tt0387764/?ref_=nm_knf_i2 David declares “The Parisian” by Isabella Hammad is très bien. French-familiar readers need not apply. Because you're hired! https://www.amazon.com/Parisian-Isabella-Hammad/dp/0802129439 Lindsey can’t get enough true art crime, and bids you watch “This is a Robbery” on Netflix. https://www.imdb.com/title/tt0387764/?ref_=nm_knf_i2

British comedy duo David Mitchell and Robert Webb have been making audiences laugh for over two decades. They began their career performing on stage and eventually transitioned to the world of television with their breakout sketch comedy shows The Mitchell and Webb Situation and That Mitchell and Webb Look. In 2003, they starred on the hit British sitcom Peep Show, a cult favorite that helped them reach international audiences. In 2017, they reunited for the sitcom Back, which is now in its second season. Mitchell and Webb join Bullseye to talk about their latest show, their experiences performing together as a double act over the years, and why they often create "unpleasant" characters in their shows. Near the end of the interview, we also talk with Robert Webb about some controversial tweets he posted in 2018 and later deleted that criticized a charity that provides care and support for transgender and gender nonconforming kids.

This week the boys take on the real questions when it comes to ghosthunting and their experiences with the Covid-19 vaccine. The two topics are unrelated. They also dip their toes into the worlds of Manga/Anime with Attack On Titan, the issues of 21st-century masculinity with Robert Webb's How Not To Be A Boy, and take a look back at seminal metalcore album As Daylight Dies by Killswitch Engage. To keep things light, they also talk about their love of Super Mario 3D World and Bowser's Fury, and discuss why Solo: A Star Wars Story feels like an underrated gem!

Last year, emergency surgery saved Robert Webb's life. This year, he's back with a new show and a new book.

National Treasures: Scotty and Stacey Morrison are joined by a panel of experts as they search for objects and taonga significant to New Zealand’s history (TVNZ 1, Sunday 8.30pm)  Zero Zero Zero: an Italian crime drama television series that follows the journey of a cocaine shipment, from the moment a powerful cartel of Italian criminals decides to buy it until the cargo is delivered and paid for, passing through its packaging in Mexico and shipment across the Atlantic Ocean (Neon).  Back: A British sitcom starring David Mitchell and Robert Webb about a man set to take over the reins of the family business after his father’s death, until his plans are threatened by the arrival of a foster brother he has completely forgotten about (S1 TVNZ OnDemand, S2 Comedy Central, Tuesdays 9.40).LISTEN TO AUDIO ABOVE 

We Have The Pleasure Of Country Music Recording Artist James Robert Webb Returning To The Life Box Media Channel Radio Podcast About His New Single GOOD TIME WAITIN' TO HAPPEN  For More Information On James Robert Webb See His Official Website https://jamesrobertwebb.com/ A Huge Thank You To James Robert Webb For Taking The Time  Thank You To Erin Fligel Of 117 Entertainment Group For Arranging This Great Interview  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

True to his blue-collar roots, James Robert Webb walks the line between traditional and contemporary country music. Raised on a small farm outside of Tulsa, he grew up listening to a wide variety of Oklahomans including Bob Wills, Garth Brooks and Leon Russell. His sound is driven by his unique, indefinable voice and organic, neo-traditionalist style fused with modern production.Support the show (http://www.patreon.com/skiphappens)

Our guest on episode 63 is Robert Webb, who, as well as being a writer, is an actor, best known for the hit British comedy Peep Show. He's the author most recently of the novel  Come Again. He describes that novel like this: Middle-aged widow time travels back to 1992 and tries to save future dead husband when he is an annoying student. Grief, nostalgia, jokes, car-chase, new love, renewal, joy. He and I talked about 90s nostalgia, the unusual structure of his book, and the emotional toll of time travel. ***** Want to help the Brit Lit Podcast survive and thrive? Here are some painless ways. ***** Books Mentioned on the Podcast: Come Again, by Robert Webb The Innocent, by Ian McEwan Feel Free, by Zadie Smith Sweet Sorry, by David Nicholls One Day, by David Nicholls Under the Volcano, by Malcolm Lowry A Star is Bored, by Byron Lane Wishful Drinking, by Carrie Fisher The Golden Rule, by Amanda Craig (UK, 2nd July, literary fiction) Hearts and Minds, by Amanda Craig How Do We Know We're Doing It Right? by Pandora Sykes (UK, 9th July, essays) The Hungover Games, by Sophie Heawood My Best Friend's Girl, by Dorothy Koomson All My Lies Are True by Dorothy Koomson In Case You Missed It by Lindsey Kelk Note to Boy, by Sue Clarke Older and Wider, by Jenny Eclair (UK, 2nd July, non-fiction) Unscripted, by Claire Handscombe ***** Get your first two audiobooks for just $14.99 with the code BRITLIT on Libro.fm. Want to help the Brit Lit Podcast survive and thrive? Here are some painless ways. Sign up for Book of the Month and get your first book for just $9.99 with the code BRITLIT! In the US, buy your hardbacks and paperbacks from Bookshop.org to support the podcast, as well as independent bookshops! In the UK, and for paperbacks and hardbacks published in the UK and not available elsewhere, head to Blackwells. Buy Claire's novel, Unscripted. I encourage you, now and always, to buy some of your books from Black-owned bookshops in London and in the UK more generally. Questions? Comments? Need a book recommendation? Email Claire at britlitpodcast@gmail.com ***** The Brit Lit Podcast Instagram / Twitter / Facebook / Website Claire Twitter / Facebook / Blog / Novel Robert Webb Twitter   

We almost managed to put Peep Show to one side for our chat about Robert Webb's debut novel, Come Again. Grieving Kate Marsden is struggling to see the point in anything following the death of her husband Luke. After a deep sleep she wakes up in her 18-year-old body at freshers' week at York Uni, where she realises she has a chance to save her future husband. We ramble a lot about Webb and read out a smattering of one-star reviews. If you want to get to the actual book chat rather than our thoughts on the author and general fandom, we recommend starting at about minute 7.Support this show http://supporter.acast.com/the-dabblers-book-club. Hosted on Acast. See acast.com/privacy for more information.

Hosted by acclaimed author Cathy Rentzenbrink, the fifteenth edition of The Bookseller Podcast features Alice O'Keeffe, Caroline Sanderson and Philip Jones discussing all of this month's book news and reviews – from Simon Cowell to stonemasonry, via Scotland and Shakespeare. This episode we also have an exciting interview with Hilary Mantel's editor Nick Pearson of 4th Estate, chatting to Cathy about his relationship with Hilary and the eagerly awaited publication of The Mirror and the Light later this month. In author interviews, Cathy and Pete Paphides reminisce about growing up in the 80s as they discuss his new memoir Broken Greek, while actor Robert Webb tells us about the challenges he faced writing his first fiction novel Come Again. And playing us out – an extract from Hamnet written by Maggie O'Farrell and read by Daisy Donovan. The Bookseller Podcast is a Heavy Entertainment Production.

Myf and Zan debrief on the epic sermon from Reverend Michael Curry at the Royal Wedding, and ponder the power of that speech. Ahead of the recut new season of Arrested Development, a New York Times interview with the cast has done more harm than good. And Beyonce bought a church. Cos she's Beyonce. Show notes: Michael Curry's speech will go down in history: https://www.theguardian.com/commentisfree/2018/may/20/bishop-michael-curry-sermon-history-harry-meghan-wedding Maxine Beneba Clarke's Twitter thread: https://twitter.com/slamup/status/997842932462845952 Beyonce: http://www.tmz.com/2018/05/20/beyonce-buys-church-new-orleans/ Arrested Development cast interview: https://www.nytimes.com/2018/05/23/arts/television/arrested-development-netflix-interview-jeffrey-tambor.html Robert Webb: How Not To Be a Boy: https://www.theguardian.com/books/2017/sep/01/how-not-to-be-a-boy-by-robert-webb-review Westworld season two: https://www.vanityfair.com/hollywood/2018/04/westworld-season-2-review