Podcasts about jarmusch

"Yes, I'm really in a taxi." For Episode 350, Brandon and David continue the show's series on Anthology Films with a film from the possible King of Anthology films, Jim Jarmusch. Listen as they discuss NIGHT ON EARTH and why Jarmusch wrote the film, how they filmed inside the taxis, and how they tried to capture each city shown in the movie.  Also, don't forget to join our Patreon for more exclusive content:  Opening Banter - Most Popular Films You Haven't Seen and Just Friends -  (00:00:10) Recap of the Anthology Genre (00:11:25) Intro to Night on Earth (00:16:31) How Night on Earth Got to Production (00:21:53 ) Favorite Scenes (00:32:38) On Set Life - (01:04:17) Aftermath: Release and Legacy (01:12:19) What Worked and What Didn't (01:14:26) Film Facts (01:17:05) Awards (01:19:13) Final Questions on the Movie (01:24:39) Wrapping Up the Episode (01:30:17) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Send us a textGraham explores the mystery of rock n roll and Jim Jarmusch's 1989 film Mystery Train and talks about his meeting with Marxist rock writer Toby Manning at a Harrogate International Festivals event last week.Charles shares his recent experience at the National Museum of Science and Media in Bradford, UK Capital of Culture 2025.Charles and Graham revisit the films that won big at the BAFTAs.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to dive into the cinematic treasures that have left an indelible mark on our lives. This episode, Stephanie takes the helm to guide us through the hauntingly beautiful world of Jim Jarmusch's 2013 film, Only Lovers Left Alive. Join Stephanie, Kelly, and Jack as they delve into the film's exploration of vampirism as a metaphor for the human condition, examining the paradoxes of existence through the eyes of the ancient lovers Adam and Eve. Jarmusch weaves a love letter to human creativity and its power to transcend time. We consider the film's poetic nature, commentary on art, and the profound impact of its melancholic yet hopeful storytelling. Pour yourself a glass of something rich and join us as we celebrate a film that invites us to reflect on the beauty and complexity of life itself. Is Only Lovers Left Alive a no-notes masterpiece? Tune in to find out. --- Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support

durée : 00:12:10 - L'invité de 7h50 du week-end - Le réalisateur et musicien américain est l'invité d'honneur de la 27ème édition de Paris Photo. Il critique l'élection cette semaine de Donald Trump. "Je n'ai pas été surpris. Je m'y attendais. Mais oui, je suis inquiet", confie le cinéaste. - invités : Jim JARMUSCH - Jim Jarmusch : Cinéaste américain

durée : 02:58:41 - Le 6/9 du week-end - par : Ali Baddou, Marion L'hour, Benjamin Dussy, Elodie Royer, Mathilde Khlat - Aujourd'hui dans le 6/9, nous recevons un géant du cinéma indépendant américain, le réalisateur Jim Jarmusch, à 7h50, et à 8h20, on parle nature et jardins avec le jardinier préféré des auditeurs de France Inter, Alain Baraton. - réalisé par : Marie MéRIER

durée : 00:21:27 - L'interview de 9h20 - par : Léa Salamé - Tristesse, questionnements : Jim Jarmusch, Raoul Peck, François Busnel, Oliver Gallmeister, et Lauren Groff réagissent à l'élection de Donald Trump. Le réalisateur Raoul Peck s'avoue sombre : "on observe des classes dominantes qui regardent en chantant leur propre perte". - invités : François BUSNEL, Oliver Gallmeister, Lauren GROFF, Raoul PECK, Jim JARMUSCH - François Busnel : Journaliste et critique littéraire, Oliver Gallmeister : Editeur, Lauren Groff : Écrivaine américaine, Raoul Peck : Réalisateur, Jim Jarmusch : Cinéaste américain

durée : 00:21:27 - L'interview de 9h20 - par : Léa Salamé - Tristesse, questionnements : Jim Jarmusch, Raoul Peck, François Busnel, Oliver Gallmeister, et Lauren Groff réagissent à l'élection de Donald Trump. Le réalisateur Raoul Peck s'avoue sombre : "on observe des classes dominantes qui regardent en chantant leur propre perte". - invités : François BUSNEL, Oliver Gallmeister, Lauren GROFF, Raoul PECK, Jim JARMUSCH - François Busnel : Journaliste et critique littéraire, Oliver Gallmeister : Editeur, Lauren Groff : Écrivaine américaine, Raoul Peck : Réalisateur, Jim Jarmusch : Cinéaste américain

https://notesonfilm1.com/2024/09/22/the-gus-van-sant-podcast-1-mala-noche-1985/ A new podcast to accompany a new mini-research project. Richard's kindly humoured me and consented to help kickstart this project, but he'll only co-host with me for the first three films so I shall be reaching out to some of you to talk to me about the rest – and certainly if you have a particular interest in any of Van Sant's films and would like to podcast on them with me, do please get in touch. I'm hoping to build a resource here, not only with the podcasts but eventually with clips, images, a bibliography and more. It will be a process. In this inaugural podcast we talk about Van Sant's first feature, based on Walt Streeter's autobiographical novel, self-financed for $20,000 and filmed on 16mm. We discuss what made us uncomfortable on first viewing, in my case when the film first came out: the power differentials between the characters; the racialised dimension to the casting; but we also discuss why it arguably remains a great film – and the troublesome aspects are part of its greatness. We discuss how the film is an announcement of a new voice in American cinema, with roots in a history of queer culture (John Rechy, Genet, Warhol, The Beats). We speculate on the film's romanticism within a quite fluid representation of sexuality that distinguishes between acts, desire, feelings and identities; queer avant-la-lèttre. We talk about the film's look, one partly dictated by the film's budget, few lights available thus the choice of hard one-directional lighting; making for a noir look but with a beat, bohemian sensibility. MALA NOCHE arrives in the context of new forms of finance, distribution and exhibition permitted by the developing video rental market. One could now produce low-budget films which heretofore challenging subect matterand/or challenging forms and make money from niche markets. Van Sant appears alongside Jarmusch, Spike Lee and other indie filmmakers in the mid 80s. MALA NOCHE can be thought of as a the first of what may be considered a trilogy (alongside DRUGSTORE COWBOY and MY OWN PRIVATE IDAHO), at least thematically: it's North West setting, the marginal cultures, the bohemian romance of outsiderness, it's avant-garde components, its daring. An exciting film to re-watch and talk about.

Podría haber sido la de Ford y sus campesinos de Georgia que gracias al tabaco lograron ganarse la vida siendo ellos el primer eslabón de toda la cadena.   Su presencia en la literatura ejemplificada en Los Pichiciegos , esa novela que Fogwill dice escribió en 9 días y en la que la aparición de una caja de cigarrillos Jockeys Blancos alentó a esos soldados argentinos en medio de la guerra de las Malvinas. Zitarrosa y su consumo que el dice tanto afectó a su voz. La tabaqueria que aparece en la película Smoke , escrita por Paul Auster, como un lugar de encuentro y de placer.   Diego Olivera @dolivera_uy nos habla de la mercantilización, la regulación y las políticas públicas que se implementaron en la lucha contra el tabaco.   Emiliano Zecca @emilianozf con su libro Humo, la patria y la tumba nos acerca a ese juicio de la tabaquelera Phillip Morris contra el estado Uruguayo.   Rodrigo Rey @rodrigorey__ aporta el ojo jurídico frente a los casos de persecución contra aquellos que comercializan tabaco que bien podría haber sido contra la tabaqueria del personaje que escenifica Harvey Keitel.   Por supuesto que hablamos de Cuando Fumar Era Un Placer , ese libro de Cristina Peri Rossi. Y también de la película de Jarmusch en la que el cigarro y el cafe son los elementos centrales gracias a los cuales se desarrollan charlas infinitas , como aquella que tuvo Iggy Pop y Tom Waits.   Luchamos contra la ley aunque sea por un ratito con los Clash, supimos de primera mano los efectos contraproducentes del consumo prolongado en la voz de Dylan. Y Bowie nos enseño que el tiempo pone un cigarro en tu boca hasta convertirte en una estrella de rock suicida.   Nunca discute @eleonoranavatta   Nos pone al aire y nos trae la música @galgomundo   La literatura de hoy y los textos son de @geronimo.pose   @nuncadiascutimos ¡Viva la radio!

This week Amanda and Wade welcome amazing imroviser and actor Nick Trotter to the podcast to discuss the 1999 Jim Jarmusch classic film, Ghost Dog: The Way of the Samurai.  The trio talk about the organic filmmaking of Jarmusch, themes of decay and incompitable, yet not completely unuseful systems of morality, and lots and lots of discussion about pigeons. Plus, our awesome friend Sama gets namechecked a few times. Listen in and enjoy! Credits: https://www.instagram.com/dontworrybmovies/ Logo – John Capezzuto https://www.creativecap.net/ Intro and Outro Music – Andrew Wolfe of Darling Overdrive https://www.instagram.com/darlingoverdrive/?hl=en Additional Music: Note: Some songs may have been adapted from their original form to fit the length of our segments "Smoldering" by Kai Engel (www.freemusicarchive.org/music/Kai_Engel/Chapter_Four__Fall/Kai_Engel_-_Chapter_Four_-_Fall_-_09_Smoldering/) "The Energy of Sound - 432Hz.mp3" By Almusic34 (www.freemusicarchive.org/music/almusic34/single/the-energy-of-sound-432hzmp3/)

Shaunak Sen's first feature-length documentary, "Cities of Sleep," a study of homelessness and sleep in Delhi, was released in 2016 and funded by the Films Division of India. The film was screened at the New York Indian Film Festival, Taiwan International Documentary Festival, and Mumbai International Film Festival, winning six awards. His second documentary, "All That Breathes," premiered at the Sundance Film Festival in January 2022, depicting two brothers caring for injured black kites in New Delhi. It won the World Cinema Grand Jury Prize at Sundance and the L'Œil d'or at Cannes. Following Cannes, HBO acquired worldwide television rights, and the documentary was released theatrically in the USA and on HBO Max. We entirely depend on the support of our listeners. Support us on : Patreon and RazorPay: https://www.anuragminusverma.com/ Watch this podcast on video: https://youtu.be/xN5ASfRvqLw Watch Shaunak's film : All That Breathes: https://www.jiocinema.com/movies/all-that-breathes/3768609 My short film from 2012 (Hostel ka kamra): https://youtu.be/JGB1xYNEAAg Herzog Penguin reference: https://www.youtube.com/watch?v=zWH_9VRWn8Y&ab_channel=futile1981 Mystery Train by Jarmusch: https://www.youtube.com/watch?v=8Foo15dmk2M My short film from 2012 (Hostel ka kamra): https://youtu.be/JGB1xYNEAAg Watch Shaunak's film : All That Breathes: https://www.jiocinema.com/movies/all-that-breathes/3768609 Camera by: Nitin Pareek 2nd Camera: Gyanvi Uppal Assisted by : Kartik Chauhan

Liberated from the arthouse cliches of cinema, Bertrand Bonello is a rare kind of director. Our host Hugo Emmerzael spoke with Bertrand about his daring approach to filmmaking, and why his films focus on translating our collective social anxieties. Find out how influences from Lynch to Jarmusch all unconsciously seep into this French director's work, as well as what it's like working with Lea Seydoux and her unique acting approach for his latest film The Beast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lab111/message

Jim Jarmusch az amerikai független filmes világ korai, ikonikus figurája. Filmjei gyakran felborítják a műfaji konvenciókat, a karakterközpontú történetmesélésre helyezve a hangsúlyt. A Down By Law (Törvénytől sújtva, 1986) a rendező egyik korai mesterműve, amelyben már jelentős szerepet kapnak a Jarmusch karakteres vonásai. A fő szerepekben iszonyú menő zenészek bukkannak fel (Tom Waits, John Lurie) a feltörekvő Roberto Benigni mellett, ennek megfelelően a film zenéje is felejthetetlen. A minimalista vizuális stílust Robby Müller makulátlanul megkomponált fekete-fehér képei teremtik meg, amelyekhez kitűnően passzol Jarmusch feketébe hajló humora. Mik a Tövénytől sújtva közös pontjai az örök független Jim Jarmusch későbbi filmjeivel? Hogyan lehet jellemezni Jarmusch minimalista stílusának a vonzerejét? Mi érdekelte őt New Orleansszal kapcsolatban, amit ebben a filmben akart vászonra vinni? Milyen a három fő szerepben John Lurie, Tom Waits és Roberto Benigni? Mitől “hangout” film a Törvénytől sújtva? Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak András az X-en: @gaines_ Péter az X-en: @freevo Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu  

Esta semana, dedicamos un programa monográfico a nuestros donjuanes preferidos. No necesitamos una excusa, pero el bicentenario de Lord Byron y la traducción española en Penguin Classics de su Don Juan nos valen. Cada cultureta escoge un rostro del seductor en el cine, la literatura, la música o el teatro. De Molière a Jarmusch, pasando por Mozart o Torrente Ballester. 

Esta semana, dedicamos un programa monográfico a nuestros donjuanes preferidos. No necesitamos una excusa, pero el bicentenario de Lord Byron y la traducción española en Penguin Classics de su Don Juan nos valen. Cada cultureta escoge un rostro del seductor en el cine, la literatura, la música o el teatro. De Molière a Jarmusch, pasando por Mozart o Torrente Ballester. 

Esta semana, dedicamos un programa monográfico a nuestros donjuanes preferidos. No necesitamos una excusa, pero el bicentenario de Lord Byron y la traducción española en Penguin Classics de su Don Juan nos valen. Cada cultureta escoge un rostro del seductor en el cine, la literatura, la música o el teatro. De Molière a Jarmusch, pasando por Mozart o Torrente Ballester. 

Felicia is joined by Liam and Wayne from the In Film We Trust Podcast to discuss Jim Jarmusch's film about three outlaws on the run, in Down By Law (1986). We chat about how each of these characters play off each other and why the outsider, Roberto, is the glue that holds them together. We also discuss how he gave Robby Müller carte blanche to shoot the film however he wanted and how that collaboration is imperative to the film's lasting effect. Send us your thoughts on the episode - who is your favourite musician Jarmusch has worked with? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow In Film We Trust here: Spotify: https://podcasters.spotify.com/pod/show/ifwtpod IG: @ifwtpod Twitter: @ifwtpod YouTube: @ifwtpod Sources: https://www.criterion.com/current/top-10-lists/37-rian-johnson-s-top-10 https://www.theguardian.com/film/2014/sep/08/down-by-law-the-monochrome-mastery-of-dutch-cinematographer-robby-muller https://www.tasteofcinema.com/2017/pulling-focus-down-by-law-1986/ https://www.criterion.com/current/posts/229-down-by-law-chemistry-set https://www.criterion.com/current/posts/2386-talking-with-john https://www.rogerebert.com/reviews/down-by-law-1986 OUTRO SONG: Decomposing Trees by Galaxie 500 FILMS MENTIONED: Easy Rider (Dennis Hopper 1969) Chelsea Girls (Paul Morrissey, Andy Warhol 1966) The Way It Is (Eric Mitchell 1985) Downtown 81 (Edo Bertoglio 2000) Toy Story (John Lasseter 1995) Terminator 2: Judgment Day (James Cameron1991) Aliens (James Cameron 1986) Blazing Saddles (Mel Brooks 1974) Smokey and the Bandit (Hal Needham 1977) Dead Man (Jim Jarmusch 1995) Stranger Than Paradise (Jim Jarmusch 1984) The Dead Don't Die (Jim Jarmusch 2019) Paterson (Jim Jarmusch 2016) Permanent Vacation (Jim Jarmusch 1980) The Foreigner (Eric Mitchell 1978) Eraserhead (David Lynch 1978) Paris, Texas (Wim Wenders 1984) Videodrome (David Cronenberg 1983) Harold and Maude (Hal Ashby 1971) Mystery Train (Jim Jarmusch 1989) Night on Earth (Jim Jarmusch 1991) Strange Brew (Rick Moranis, Dave Thomas 1983) Broken Flowers (Jim Jarmusch 2005) Ghost Dog: The Way of the Samurai (Jim Jamursch 1999) Two Lane Blacktop (Monte Hellman 1971) Clerks (Kevin Smith 1994) Dazed and Confused (Richard Linklater 1993) Straight Time (Ulu Grosbard 1978) Reservoir Dog (Quentin Tarantino 1992) The American Friend (Wim Wenders 1977)

Felicia is joined once again by Rolo Tony [listen to our episode on A Woman Under the Influence (John Cassavetes 1974)], to discuss Jim Jarmusch's blending of both noir and samurai genres in Ghost Dog: The Way of the Samurai (1999). We chat about Jarmusch's interest in music and how he blends that art form into storytelling in his films. Along with his interest in stories about humans and their quirks. Send us your thoughts on the episode - who are some of your favourite musical artists Jarmusch has worked with? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Rolo Tony here: Twitter: @PoorOldRoloTony Letterboxd: @PoorOldRoloTony YouTube: @PoorOldRoloTony Sources: https://www.sensesofcinema.com/2002/cteq/ghost_dog/ https://www.theguardian.com/film/2000/apr/28/4 https://www.rogerebert.com/reviews/ghost-dog-the-way-of-the-samurai-2000 https://www.criterion.com/films/31032-ghost-dog-the-way-of-the-samurai https://www.criterion.com/current/posts/7185-ghost-dog-by-the-book https://www.criterion.com/current/posts/7186-ghost-dog-as-international-sampler https://louderthanwar.com/jim-jarmusch-talks-about-his-great-ghost-dog-film/ https://filmmakermagazine.com/107997-the-violence-in-the-film-is-simply-a-reflection-of-the-history-of-human-beings-writer-director-jim-jarmusch-and-actor-forest-whitaker-on-ghost-dog-the-way-of-the-samurai/ https://elementsofmadness.com/2020/11/11/ghost-dog/ https://www.wweek.com/arts/movies/2023/02/21/why-jim-jarmuschs-ghost-dog-the-way-of-the-samurai-endures-as-an-unlikely-classic/ OUTRO SONG: Ghost Dog Opening Theme by RZA FILMS MENTIONED: A Woman Under the Influence (John Cassavetes 1974) Brain Damage (Frank Henenlotter 1988) Basket Case (Frank Henenlotter 1982) One From the Heart (Francis Ford Coppola 1982) Rumble Fish (Francis Ford Coppola 1983) Tetro (Francis Ford Coppola 2009) Twixt (Francis Ford Coppola 2011) Megalopolis (Francis Ford Coppola 2024) Rain People (Francis Ford Coppola 1969) Kill Bill Vol. 1 (Quentin Tarantino 2003) Kill Bill Vol. 2 (Quentin Tarantino 2004) Coffee and Cigarettes (Jim Jarmusch 2003) Down By Law (Jim Jarmusch 1986) Broken Flowers (Jim Jarmusch 2005) Only Lovers Left Alive (Jim Jarmusch 2013) Mystery Train (Jim Jarmusch 1989) Le samourai (Jean-Pierre Melville 1967) Spider-Man: Into the Spider-Verse (Bob Persichetti,Peter Ramsey, Rodney Rothman 2018) Nobody (Ilya Naishuller 2021) O Brother Where Art Thou (Joel Coen, Ethan Coen 2000) The Great Silence (Sergio Corbucci 1968) Hell in the Pacific (John Boorman 1968) Point Blank (John Boorman 1967) Museo (Alonso Ruizpalacios 2018)

Felicia is joined by Josh Cooley to discuss Jim Jarmusch's meditative story about a small town poet, in Paterson (2016). We chat about the Jarmusch's interest in telling the stories of every day people and why mundanity can make for a compelling story. This is the first episode of the Jarmusch series and I think a great film to showcase how he has still maintained his craft and ability to tell a meaningful story throughout his career. Send us your thoughts on the episode - do you have a favourite poet? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Josh here: IG: @_joshcooley_ LB: @movieunycorn Golden Hour (Short Film) GoFundMe Sources: Cinematic Poetry: An In-Depth Reading of Jim Jarmusch's Film Paterson (2016) – Close-Up Culture (closeupculture.com) Paterson review – Adam Driver beguiling in miraculous tale of everyday goodness | Drama films | The Guardian Review: In Jim Jarmusch's ‘Paterson,' a Meditative Flow of Words Into Poetry - The New York Times (nytimes.com) Paterson movie review & film summary (2016) | Roger Ebert The Paterson Poem by William Carlos Williams (patersonproject.com) Adam Driver On Working With Martin Scorsese & Jim Jarmusch -- AwardsLine (deadline.com) OUTRO SONG: Time In a Bottle - Jim Croce FILMS MENTIONED: Dead Man (Jim Jarmusch 1995) Mystery Train (Jim Jarmusch 1989) Night on Earth (Jim Jarmusch 1991) The Dead Don't Die (Jim Jarmusch 2019) Blue Velvet (David Lynch 1984) Moonrise Kingdom (Wes Anderson 2012) After Life (Kore-eda Hirokazu 1998) Columbus (Kogonada 2017) Cléo de 5 a 7 (Agnès Varda 1962) Alice in the Cities (Wim Wenders 1974)

Películas en blanco y negro con Harold Torres Hablemos de nuevo del cine en blanco y negro. Regresa el ya exitoso apartado en los podcasts Cinegarage para hablar de cine en blanco y negro porque, a pesar de lo que influencers y falsos profetas digan, el cine en blanco y negro no es cine defectuoso. Hablando de falsos profetas… Para dar vida a este nuevo episodio hemos llamado como invitado al protagonista de González: falsos profetas, Norteado, la serie de televisión Zero Zero Zero y que está a punto de estrenar una nueva película llamada Desaparecer por completo: el actor Harold Torres. Harold ha elegido tres películas en blanco y negro para recomendar a toda la gente que escucha este podcast, películas que pudieron filmarse a colores pero que aceptaron el reto para regalarnos, irónicamente, una gama amplia de grises para hablar de ellas, de la vida, de nuestros sentimientos y de sus directores: Pontecorvo, Kaurismäki y Jarmusch. Nosotros les pedimos a ustedes entrarle al tan vilipendiado blanco y negro y escuchar las recomendaciones y las razones para hacerlas de Harold Torres, uno de los mejores actores del cine mexicano. Toca hablar de tres joyas del cine contemporáneo de las cuales están a punto de conocer sus nombres. Con ustedes Harold Torres y sus películas en blanco y negro. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bryden Doyle and Charlie Nash (Almost Major podcast) are back as they picked Jim Jarmusch's sensual ONLY LOVERS LEFT ALIVE. Together we talk all things Tom Hiddleston, Detroit on film, Jarmusch going into the 2010s, vampire lore and trip hop --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/message Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support

Ghost Dog (interpretato da Forest Whitaker) è un sicario, freddo e metodico, che uccide le sue vittime senza lasciare tracce.Durante una missione, che avrebbe dovuto essere di normale routine, qualcosa va storto e improvvisamente Ghost Dog diventa egli stesso un bersaglio da eliminare. Per Ghost Dog inizia così un percorso di rivalsa per fermare i suoi inseguitori e riaffermare la sua reputazione.

Felicia is joined by Joe Gantner to discuss Robby Müller's vision of the underground crime scene in LA, in William Friedkin's To Live and Die in LA (1985). We get right into why this is one of the sexiest crime films of the 80s, and Müller's use of red and green throughout which set the time of the story. We also gush about William Petersen's ass acting, and how no one will ever be able to live up to such a brave performance. Send us your thoughts on the episode - what are your thoughts on the counterfeit scenes? Do you like Wang Chungs soundtrack? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Joey here: IG: @outofthepodcast IG: @warmcoat Sources: To Live and Die in L.A. movie review (1985) | Roger Ebert Life Authentic | To Live and Die in L.A. (1985) - Bright Wall/Dark Room (brightwalldarkroom.com) The Film That Returned William Friedkin to Critical Acclaim | Vanity Fair Robby Muller a muse to Wenders, Jarmusch, Friedkin - Variety Celebrating Robby Müller, Who Created Look of Indie Film Classics - The New York Times (nytimes.com) Robby Müller obituary: a king of the quizzical image | Sight & Sound | BFI To Live and Die in L.A. Blu-ray - Willem Dafoe (dvdbeaver.com)Eddie and Ben Friday Night Neo-Noir: To Live and Die in L.A. (1985) intro 20210716 Outro music: To Live and Die in La by Wang Chung FILMS MENTIONED: Down By Law (Jim Jarmusch 1986) Thief (Michael Mann 1981) Manhunter (Michael Mann 1986) Repo Man (Alex Cox 1984) Gleaming the Cube (Graeme Clifford 1989) The Exorcist (William Friedkin 1973) The French Connection (William Friedkin 1971) Sorcerer (William Friedkin 1977) Paris, Texas (Wim Wenders 1984) Touch of Evil (Orson Welles 1958) Streets of Fire (Walter Hill 1984) The Warriors (Walter Hill 1979) 48 Hrs. (Walter Hill 1982) Bullitt (Peter Yates 1968) The Getaway (Sam Peckinpah 1972) The Driver (Walter Hill 1978) Dead Man (Jim Jarmusch 1995) The Yakuza (Sydney Pollack 1974) Hardcore (Paul Schrader 1979) Jade (William Friedkin 1995) Miracle Mile Steve De Jarnatt 1989)

Fue en 1999 cuando Jim Jarmusch invitó al rapero, actor, productor y líder de Wu-Tang Clan, Robert Fitzgerald Diggs, mejor conocido como RZA, a musicalizar la película Ghost Dog: The Way of the Samurai, una joya que sobresale en la filmografía de Jarmusch.

El soundtrack de Sólo los amantes sobreviven (Only Lovers Left Alive, Jim Jarmusch, 2013) incluye música original de SQÜRL, banda de Jarmusch, con la colaboración de Jozef van Wissem en el laúd. Una película de vampiros milenarios con una banda sonora atmosférica y atemporal, como los personajes inmortales del filme.

Jarmusch is not a Creeps guy Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

Today's episode is about "Gimme Danger" (Jim Jarmusch, 2016), which is about Iggy & the Stooges. It's a rags-to-more rags story. We are all at least halfway to Jarmusch-heads. And of course we all love Iggy & the Stooges. If you care about punk rock, or any kind of rock, or music, or just watching Iggy, an extremly articulate and thoughtful person, discussing the fascinating events of his life while surrounded by his laundry, this is the movie for you. Plus: Iggy roasts "Marrakesh Express"! Ron Asheton's phone call with Moe Howard! Mike Watt! And were the Stooges the second-ever jam band?   Our Very Special Guest is Dan Koch of the podcast Pretty Good Vibrations. Pretty Good Vibrations analyzes and celebrates pop and rock music and its crucial role throughout our lives. We super highly recommend PGV. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts   Twitter: @RockDocsPod   Instagram: @RockDocsPod   Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt

Is "Dead Man" the most interesting Western of the '90s, or did Jim Jarmusch just succeed at shooting a really pretty Johnny Depp in black-and-white for two hours? That depends on what you understood of the movie, and Gene didn't understand much. While Ash struggled to stay awake, an increasingly healthy Big D got really into this 1995 box office flop that sparked conversations on cannibalism, Savage X Fenty, how trains work, Chatroulette, Neil Young's musical score and the Texas Renaissance Festival. The Shat Crew also took a few minutes to quiz one another on pop culture and duke it out over their taste in TV. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Blaise and Ray dissect and argue about characters in Jim Jarmusch's Patterson, while Ray forgets the main story line in Pulp Fiction, but learns a new respect for poetry and one of Blaise's favorite directors.

Tim and Tay are once again joined by James Stacey (The Grey Nato) to talk about another Denis Villeneuve movie: Arrival. We discuss this movie's patience, the cinematic  function of the Louise's transformation, and more in this potluck episode.  SynopsisWhen twelve alien ships appear on Earth, a linguist must determine how to communicate with the visitors before more paranoid and violent ambassadors of the human race take action. Starring Amy Adams and Jeremy Renner, and directed by Denis Villeneuve, Arrival was released Sept. 2, 2016. Arrival is available to stream on Crave. Tay's Scene  [23:30-33:00]Almost immediately after arriving at the base, Louise and Ian are rushed in to prepare to visit the alien spacecraft. They are driven over and anticipation mounts as they prepare to enter the vessel.Tim's Scene [1:19:55-1:25:21]Louise's developing grasp of the heptapod language prompts more and more recollections of her daughter, which take on a new dimension when she realizes she can actively affect the memories, calling into question what they are and how she is seeing them. James' Scene [1:33:14 - 1:43:39]With unprompted help from a future General Shang, Louise puts her newfound abilities to use to prevent a military response against the heptapod ships. LinksDenis' filmographyDune: Part 2 starts filmingRendezvous With Rama"Story of Your Life"The Kuleshov EffectSong Exploder, ft. Johann JohannssonThe lost soundtrack for Avatar (Cameron, 2009)Ghost Dog: Way of the Samurai (Jarmusch, 1999)Tarkovsky on filmPrimer (Carruth, 2004)RecommendationsTim — Captive State (Wyatt, 2019)—rent on Google PlayTay — Lifeforce (Hooper, 1985)—stream on ShudderJames — Annihilation (Garland, 2018)—stream on Hoopla All links are verified at the time of publication and based on availability in Canada.

Revisamos la música en la filmografía de uno de los mayores representantes del cine independiente a escala planetaria: Jim Jarmusch. Desde el jazz experimental de John Lurie en DOWN BY LAW, las guitarras distorsionadas de Neil Young en DEAD MAN, la cavernosa voz de Tom Waits en NIGHT ON EARTH, el Hip hop de Wu-Tang Clan y RZA en GHOST DOG, el Ethio-jazz de Mulatu Astatke en BROKEN FLOWERS, el poderoso punk rock de The Stooges en GIMME DANGER, hasta los dilatados sonidos stoner de SQÜRL, la banda de Jarmusch, en LIMITS OF CONTROL, ONLY LOVERS LEFT ALIVE, PATERSON Y THE DEAD DON'T DIE.

Esta es una muestra de "Temas lentos". La versión completa tiene una duración total de 14 h 18 min.Encuentra este audiolibro completo en https://bit.ly/3yOB4SxNarrado por: Mario De CandiaComo esas embriagantes versiones en español de las baladas románticas premiadas en San Remo o Viña, estos Temas lentos, elegantes y sensuales, captan con la crítica, el diario íntimo o la viñeta satírica las modulaciones de las vanguardias (Duchamp y Warhol, ¡claro!, pero también Aira y Bolaño, Brecht y Beckett...) aplicadas a cuestiones pedestres: la orfandad, el inverosímil costumbrista de una Alemania costera, la impotencia de no encanecer con la llamarada nívea de Jarmusch o el desguace procaz de las palabras "albergue" y "alojamiento" con que se disfraza a los hoteles de citas... Del mismo modo que con la ortodoxia arquitectónica de un encuentro sexual, Pauls encuentra en el lenguaje siempre una pista, una huella, un hueco para compartir con sus lectores el éxtasis del voyeur.La crítica ha dicho...«Con una prosa elegante y perturbadora, Temas lentos traduce la curiosidad, las ideas fijas y la compulsión analítica de un escritor capaz de descifrar con rigor tanto las obras de Borges, Duchamp, Bolaño o Jean-Luc Godard como la noción del tiempo en la ciudad de Brasilia, el placer de manejar autos alquilados o las desdichas universales de las tardes de domingo.»El boomeran(g)«La entrada, una mera descripción, un apunte del autor, es al tiempo una buena manera de leer Temas lentos, una exploración que se revitaliza en cada vuelta de página y que puede ser pensada como el mosaico del pensamiento paulsiano, siempre atravesado por más de una hipótesis de lectura. Ya sea de manera lineal o azarosa, juguetona o ceñuda, el rastreo de los textos del libro impone una lógica audaz, empuja a un compromiso con los tópicos, a un entrecruzamiento de nombres, concepciones, análisis, curiosidades y atravesamientos.» Revista Ñ«El escritor argentino demuestra prodigio de soltura e inteligencia para tratar asuntos de alta y baja cultura.»Revista Paula© 2022, Penguin Random House Grupo Editorial, S. A. #penguinaudio #audiolibro #audiolibros #Pauls #AlanPauls See acast.com/privacy for privacy and opt-out information.

Forest Whitaker jako svérázný městský samuraj a Jim Jarmusch ve vrcholné formě vypráví nezaměnitelným způsobem story z betonové džungle, která nemá obdoby. Jarmusch ve své gangsterce mixuje žánry i kultury a my mu za to tleskáme. S Rimsym jsme se ohlédli především za odkazem snímku z přelomu tisíciletí, na který si můžete od 11. července zajít do kin. https://www.aerofilms.cz/ghost-dog-cesta-samuraje/ MovieZone Extended Universe: Web: https://www.moviezone.cz FB: https://www.facebook.com/moviezonecz IG: https://www.instagram.com/moviezonecz CSFD: https://www.csfd.cz/film/688751-moviezone-live-special/ Patreon: https://www.patreon.com/mzlive

In which our heroes discuss the Jarmusch meditation on life and death. Plus a jam-packed MeMeMe.    MeMeMe: Fresh (film); Red Sparrow (film); The New Mutants (film); Birds of Prey (film); an absurd amount of WW1984   Music: fuccboi, "Dragons"

Can you believe this is our first Jim Jarmusch episode? The white-haired director's habit of casting musicians means pretty much all of his films qualify for this show, with regular collaborators including Tom Waits, Iggy Pop and RZA. All of them turn up in this, his ensemble zombie comedy from 2019, along with the rather less expected name of Selena Gomez. (Gomez's presence does at least mean this is the second show in a row where we mention Harmony Korine's Spring Breakers, and no, we weren't expecting that either) Joining us this week is Rob, from The Geek Show's other movie podcast Directors Uncut. Both he and Graham are paid-up fans of both Jarmusch and this movie, and they discuss the film's puzzlingly negative reception, its skilful use of the screen personae of stars as different as Tilda Swinton, Caleb Landry Jones and Iggy Pop, and the remarkable voice of Adam Driver. We also discuss how Rob's fondness for Iggy and Tom has survived problematic early encounters with their music, the changing fortunes of zombie movies and Caleb Landry Jones's great early screen credit. If you'd like to help us stock up to survive the zombie apocalypse, you can donate to our Patreon, where you'll get a monthly bonus episode of Pop Screen - the next one comes out tomorrow, and it's a corker! - Graham's Doctor Who reviews and more. Follow our Twitter, Instagram and Facebook pages for more information. #popscreen #moviereviews #thedeaddontdie #jimjarmusch #zombies #horrorcomedy #tomwaits #adamdriver #billmurray #iggypop #selenagomez #chloesevigny #tildaswinton #carolkane #dannyglover #austinbutler #caleblandryjones #stevebuscemi #rosieperez #larryfessenden

Let us take you for a ride this week with two freeway friendly features!  First up is the Oscar darling Drive My Car, tailed by the joyriding Jarmusch taxi anthology Night on Earth.  Buckle up, and no sheep OR pumpkins allowed in our car!  #drivemycar #nightonearth #jimjarmusch #robertobenigni

Returning to wrap up our film mini-season, Leigh Singer helps Sam and Martin break down this zombie/comsumerism/meta mash-up. With some slight disappointment in this compared to other Jarmusch (and other zombie) films, we question the purpose of his story and his enthusiasm for the genre. And Tom Waits gets to be a weird hobo in the woods too. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Clips from The Dead Don't Die, dir. Jim Jarmusch (2019) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

To celebrate Split Tooth Media's fourth birthday, Split Picks looks at the evolution of late-career Jim Jarmusch. Robert Delany, a devout Jarmusch fan, brings The Limits of Control (2009) to the Split Picks arena, while Bennett Glace, a skeptic who once rated Down By Law a measly two stars, leads a reevaluation of the star-studded zombie comedy The Dead Don't Die (2017). The conversation centers on how Jarmusch's films have changed through the years and how his peculiarities differentiate his modern films from his classic early works. So sing happy birthday to Split Tooth and listen up as we talk about the highs and lows of one of America's finest independent filmmakers. Thank you for reading, listening, and following Split Tooth over these first four years!

Song by Song is delighted to welcome film journalist Leigh Singer, as we dive into another Jim Jarmusch anthology film. We consider the relationship of Waits to Iggy Pop, his position as a film actor in 1993, as well as taking a look at the successes and failures of the other chapters (and the film as a whole). website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Clips from Coffee and Cigarettes, dir. Jim Jarmusch (1993/2003) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

For the ninth episode of our special retrospective season, we're looking back to our season on the awesome movie year of 1999 to feature another future cult classic, Jim Jarmusch's Ghost Dog: The Way of the Samurai. Written and directed by Jim Jarmusch and starring Forest Whitaker, John Tormey, Isaach de Bankolé, Henry Silva, Camille Winbush and Tricia Vessey, Ghost Dog: The Way of the Samurai was a minor hit that has become one of Jarmusch's most acclaimed films. The post Ghost Dog: The Way of the Samurai (Bonus 1999 Future Cult Classic) appeared first on Awesome Movie Year.

We made another attempt to contend with Jim Jarmusch, with mixed results. Follow Elliot!Host of @pastapartypodTwitter: @elliotwith1tOne E of @doubleecomedy Follow the Show on Twitter @freshmoviepod  Instagram @abreathoffreshmovie and Letterboxd @freshmoviepodOr email us at abreathoffreshmovie@gmail.comTheme Music "A Movie I'd Like to See" by Al Harley. 

Amber and Sean argue about the importance of relationships, the creative's tendency toward second thoughts, and Tim's birthday. Music: "Coro dos Tribunais" by SantaJustaStudios - Pedro Monteiro & "Rhinestone Busboy" by Jake McKelvie & the Countertops

It's been a long December (through March) and here we are now at the Dead Man soundtrack! A film scored exclusively by Neil Young. Obviously not quite as long of an episode this time. We talk soundtracks, scores. Get in a heated debate about what does and doesn't belong in the top ten songs of all time. Luke does some heavy breathing. Russ gives us his take on how he thinks Jim's pitch meeting probably went. Mike is the only one of us who's seen another Jarmusch film, and Luke and Russ don't say it, but they're embarrassed. Also, this is another zoom episode so the quality isn't the best. Apologies in advance. Maybe the next show will be better than the last...WE CAN'T WAIT TO GET TO BROKEN ARROW.Longmayyouyoungpodcast.com for merch and other good stuff.Pantheonpodcasts.com for more great music based shows.

It's been a long December (through March) and here we are now at the Dead Man soundtrack! A film scored exclusively by Neil Young. Obviously not quite as long of an episode this time. We talk soundtracks, scores. Get in a heated debate about what does and doesn't belong in the top ten songs of all time. Luke does some heavy breathing. Russ gives us his take on how he thinks Jim's pitch meeting probably went. Mike is the only one of us who's seen another Jarmusch film, and Luke and Russ don't say it, but they're embarrassed. Also, this is another zoom episode so the quality isn't the best. Apologies in advance. Maybe the next show will be better than the last...WE CAN'T WAIT TO GET TO BROKEN ARROW.Longmayyouyoungpodcast.com for merch and other good stuff.Pantheonpodcasts.com for more great music based shows.

“Who speaks of realism here?” This is it: our mammoth exploration of the work of Japanese iconoclast Seijun Suzuki. Hosts Christopher Funderburg & John Cribbs are joined by poster illustrator and peerless cinephile Tony Stella to examine the legendarily idiosyncratic and uncontrollable director. From Suzuki's start as an impossibly lazy assistant director at Shochiku to his his period as a relentlessly prolific genre filmmaker at Nikkatsu to his second act as an esteemed independent artist. His films long-suppressed by Nikkatsu and unknown outside of his native country, Suzuki's reputation took off in America in the 90s when filmmakers like Quentin Tarantino and Jim Jarmusch sang his praises (Jarmusch's Ghost Dog is famously an extended homage to Suzuki's career-breaking Branded to Kill); after a few tumultuous decades, Suzuki finally achieved the international renown he deserved. Join us as we follow the director's journey, beat by beat, film by film; from his early “youth in revolt” films like Everything Goes Wrong to his wild genre experiments like Youth of the Beast & Tokyo Drifter to his notorious “flesh trilogy” that caps off his early career with the brilliant Carmen from Kawachi. We go after it all: the Taisho trilogy, his Lupin III anime, his golf comedy, his late-period curtain call. It's here, the most comprehensive podcast study of a filmmaker like no other. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Tony Stella on Twitter: twitter.com/studiotstella Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Melyek voltak 2017 első felének legjobb filmjei? Összeültünk hárman (Varga Dénes, Huber Zoltán, Baski Sándor), és megbeszéltük. Voltak átfedések a listáinkban, de nem annyi, amennyire számítottunk, sőt néhány filmmel kapcsolatban komoly vita alakult ki. A Filmvilág 14. podcastjából kiderül továbbá, hogy - melyik az év grúz filmje (nyugalom, ezt csak röviden tárgyaljuk), - mennyire szerettük Jarmusch új filmjét (spoiler: nagyon), - született-e idén jobb képregényfilm a Pókember: Hazatérésnél (igen – a szerk.), - hogyan kell skótul kiejteni Edinburgh nevét, - mi a probléma a kritikuskedvenc Baby Driverrel, - milyen fontosabb bemutatók lesznek még az év második felében (kettő ezek közül fel is került a listára), - rajonghatnak-e 30-as férfiak egy tinilányról szóló dramedyért.

Surprise it's another train episode! In this episode, we continue our series on trains with Jim Jarmusch's fourth (4th) film, Mystery Train. We unravel the mystery of said train by examining the film's soundtrack, piece by piece. Join us for discussion of Jarmusch, the influence of Elvis Presley, and America's Most Actor, Steve Buscemi. Keep on chuggin chuggin faithful listeners. Carl Perkins.

In episode ninety of movies imo., Ben, Brandon, and Daniel yell over each other about Jim Jarmusch's zombie movie THE DEAD DON'T DIE before diving into a couple of his earlier genre exercises: the psychedelic western DEAD MAN and the existential vampire romance ONLY LOVERS LEFT ALIVE. Ben feels that Jarmusch leaves too much slack in his intellectual exercises, Daniel compares his dissolve-forward climaxes at the end of the world, and Brandon takes the film f*gz on a tour of Detroit as the podcast's native Michigander. See acast.com/privacy for privacy and opt-out information.

Épisode 95 : Spécial Jim Jarmusch ! spécial JIM JARMUSCH. Exploration sonore du cinéma de Jim Jarmusch à travers ses musiques, ses sons et ses dialogues. Un montage audio en deux parties, allant de Permanent Vacation jusqu'à Paterson, dans lequel on écoute et on entend près de 40 ans de carrière d'un artiste singulier qui place une grande importance à la musique. John Lurie, RZA, Tom Waits, SQÜRL, Neil Young, et autres musiciens se mêlent au collage sonore qui comprend aussi plusieurs extraits de dialogues des films de Jarmusch.

Matt and Mark review the Jim Jarmusch indie darling Stranger Than Paradise. A film ahead of its time, it manages to capture the Kurouac feel despite its early 80's setting. Speaking to the aimless twenty somethings, there's a lot to relate to. Unfortunately in Jarmusch's endeavor, this atmosphere seems to come at the expense of plot and theme. What is this movie about? Not sure. Although, I'm sure Jim Jarmusch would retort in an ironic hipster quip that would leave you defenseless.Download: 131 Stranger than Paradise