American film director, screenwriter and actor
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5 episodes with jarmusch
2 episodes with jarmusch
2 episodes with jarmusch
2 episodes with jarmusch
2 episodes with jarmusch
2 episodes with jarmusch
2 episodes with jarmusch
2 episodes with jarmusch
4 episodes with jarmusch
Tóth Gabi szerint azért sem hívják fesztiválozni, mert nem drogozott együtt a zeneipar szereplőivel "Otthon a feléből jóllaksz" – Schóbert Norbi kiakadt az ételárakon az osztrák síparadicsomban Jack Sparrow fia lehet A Karib-tenger kalózai következő részének főhőse Meghalt Brad Arnold, a 3 Doors Down frontembere Reagált Szabó Zsófi, hogy leváltották a TV2-nél Mit árulnak el a macskák alvási pozíciói? "Amióta gyerekeink vannak, azóta nem megyünk háborúba" 7 új helyszínnel bővült Olaszország legszebb falvainak listája Jarmusch családi asztalánál egy pohár víz felett is jó eltűnődni Jennifer Garner és Ben Affleck fia ritka fotón A Nagy Ő vörös szépségének testvére is a TV2 sztárja A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Tóth Gabi szerint azért sem hívják fesztiválozni, mert nem drogozott együtt a zeneipar szereplőivel "Otthon a feléből jóllaksz" – Schóbert Norbi kiakadt az ételárakon az osztrák síparadicsomban Jack Sparrow fia lehet A Karib-tenger kalózai következő részének főhőse Meghalt Brad Arnold, a 3 Doors Down frontembere Reagált Szabó Zsófi, hogy leváltották a TV2-nél Mit árulnak el a macskák alvási pozíciói? "Amióta gyerekeink vannak, azóta nem megyünk háborúba" 7 új helyszínnel bővült Olaszország legszebb falvainak listája Jarmusch családi asztalánál egy pohár víz felett is jó eltűnődni Jennifer Garner és Ben Affleck fia ritka fotón A Nagy Ő vörös szépségének testvére is a TV2 sztárja A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Pour vous accompagner dans ce mois aux jours encore trop courts, nous vous proposons de vous laisser guider par Géraldine Mangenot, monteuse notamment pour Rebecca Zlotowski et Hafsia Herzi.Professionnelle au sens du rythme aiguisé, elle est également une spectatrice à l'enthousiasme contagieux. Nous avons parlé ensemble des vagues de Pacifiction et du vague à l'âme des personnages de Desplechin. Nous avons bougé la tête sur le générique stroboscopique de Climax et vibré sur les boucles de RZA pour le Ghost Dog de Jarmusch. Nous avons débattu de la place de la sensation dans le cinéma d'auteur récent. Évidemment ce n'est pas tout mais pour savoir, il faut écouter ! Inscrivez-vous à la newsletter en cliquant sur ce lienRejoignez-nous sur Substack : https://cinephilesdenotretemps.substack.com/ Bonne écoute ! I. Si j'étais… 5'31 Un silence : le silence avant l'attaque dans La ligne rouge (T. Malick, 1998) - 5'31 Une scène intime : la scène de sexe dans la boîte Chinoise dans Le Rire et le couteau (P Pinho, 2025) - 9'40 Un générique de film : celui de Enter the void (G Noé, 2009) - 12'13 II. Le cinéma dans tous ses états - 17'03 Une bande originale parfaite : celle de RZA pour Ghost Dog (J Jarmusch, 1999) - 17'03 La double casquette monteuse-spectatrice de Géraldine - 24'36 L'image qui vous hante : le père et les enfants au bord de la rivière dans Zone of interest (J Glazer, 2024) - 28'14 Un portrait de femme : Ladybird (K Loach, 1994) - 31'04 Carte Blanche - 34'50La séquence de surf de Pacifiction (A Serra, 2022) III. Cinéma et transmission - 39'19 Le rapport de Géraldine à la salle de montage - 39'19 Le besoin de partager des films et des séances de cinéma - 44'39Un film à transmettre par sa BO : le travail de Grégoire Herzel pour Un conte de Noël (A Desplechin, 2008) - 52'47Archive radiophonique : CRÉDITSMusique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation, Réalisation : Phane Montet & Clément Coucoureux
This week, Julia reports back from the screening she attended of "Father Mother Sister Brother", the latest from "Ghost Dog" writer/director Jim Jarmusch. "Father Mother Sister Brother" is an anthology dramedy starring Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Sarah Greene, Indya Moore, and Luka Sabbat. Julia and John discuss the film and take another stab at what makes a Jarmusch film a Jarmusch film, the career of Tom Waits, great casting, and some of their favorite anthology films.
durée : 00:03:33 - Le Regard culturel - par : Lucile Commeaux - Petite réflexion sur l'écriture des dialogues au cinéma à partir de deux films bavards sortis mercredi dernier : "Father Mother Sister Brother" de Jim Jarmusch, et "Ma Frère" de Lisa Akoka et Romane Guéret.
durée : 00:03:33 - Le Regard culturel - par : Lucile Commeaux - Petite réflexion sur l'écriture des dialogues au cinéma à partir de deux films bavards sortis mercredi dernier : "Father Mother Sister Brother" de Jim Jarmusch, et "Ma Frère" de Lisa Akoka et Romane Guéret.
We're starting the new year with a look at our favorite movies of 2025, and also at DreamWorks Animation's 2015 film Home for some reason. Join in as we discuss Rihanna's acting career, Steve Martin's performance as Captain Smek, and the 2025 box office. Plus: What was the death toll of the Boov invasion of Earth? Who were our favorite weird little freaks? And what were the worst movies we saw this year? Make sure to rate, review, and subscribe! Next week: Robots (2005)-----------------------------------------------------Key sources and links for this episode:Almost Home prequel short (YouTube)"Building a New Foundation" (Animation Magazine)Tim Johnson interview with the Huffington PostTim Johnson interview at the Animation Home Network"How and Why Barry Jenkins Made Mufasa for Disney" (Vulture)“George Clooney Says the ‘Old' but ‘Smart' Ocean's Eleven Gang will ‘Work around their Limitations' in Upcoming Sequel” (People)"Adam Driver on Jarmusch, Star Wars, and Putting Filmmakers First" (Associated Press)“Filmmaker Jafar Panahi is Sentenced Again in Iran as Hollywood's Awards Season Starts” (NPR)
In the very adult comic drama "Is This Thing On?" Will Arnett plays a man who tries out standup comedy as a way to cope with his impending divorce. Strong performances by Arnett and Laura Dern propel this empathetic tale, well directed by Bradley Cooper, who also has a funny supporting role. A number of noted comics appear as cynical versions of themselves. While fictional, the movie inspired by the true story of British standup comic Jim Bishop. Arnett's foul-mouthed comedy material isn't really all that funny but still rings true. "Is This Thing On?" should appeal to those not easily offended. What's really being said when estranged family members engage in awkward 'small talk?' Indie film darling Jim Jarmusch offers a suggestion in "Father Mother Sister Brother," three unrelated stories of family dysfunction. The strong cast includes Adam Driver, Tom Waits, Mayim Bialik, Charlotte Rampling and Cate Blanchett. Surprisingly, this restrained and subtle drama was the big winner at the 2005 Venice Film Festival. The talented cast helps a lot, but “Father Mother Sister Brother” is one that will probably only appeal to fans of Jarmusch's slow, low-key style. Lucy Liu's impressive performance is the main draw of the excruciating true story "Rosemead" which is based on a 2017 article from the Los Angeles Times. Liu plays a widow suffering from terminal cancer who is forced to decide what to do with her teenage son who's struggling with schizophrenia. The intent is admirable, and the execution is competent enough. But “Rosemead” is a hard watch that offers no easy answers. It's tragic and depressing in equal measure.
Back in 1986, Tim Blake Nelson was a drama student at Julliard when he saw Jim Jarmusch's sophomore feature, DOWN BY LAW. Tom Waits (who would continue to work with Jarmusch, and is starring in his latest film) plays a regular unlucky joe, and does it as no typical Hollywood star could. It was a path into the world of movies that Nelson could see himself following, if he got the chance (which he did). Today, you can see the great Tim Blake Nelson in Mona Fastvold's THE TESTAMENT OF ANN LEE, which stars Amanda Seyfried.Then Jordan has one quick thing about a great action cinema primer that's fun for action heads and would-be action fans alike: @HeadExposure's Action Year in Review. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.
Il bilancio cinematografico di Radiodorme è arrivato!Il 2025 è stato un anno di rottura, di transizione o solo un'annata tiepida? Con la conduzione di Claudio Confalonieri insieme ad Antonio Pettierre e Giuseppe Gangi ci sediamo sul lettino dello psicanalista per analizzare trionfi, flop e sorprese della stagione.Dagli autori premiati ai festival come Jarmusch e Panahi, fino alla crisi dei cinecomic e alle mosche bianche del cinema italiano, ripercorriamo tutto quello che (forse) vi siete persi.Ecco i film di cui abbiamo parlato, Father, Mother, Sister, Brother, Un semplice incidente, Dreams, The Shrouds, The Brutalist, Una battaglia dopo l'altra, L'uomo nel bosco, Il seme del fico sacro, Bugonia, Warfare, Biancaneve, Captain America: Brave New World, The Electric State, Fantastic Four, Thunderbolts, Superman, Atlas, Tron: Ares, Mission: Impossible - The Final Reckoning, Scenedrick, 19, Orfeo, Le città di pianura, L'albero, Fuori, La Grazia, Queer, After the Hunt, La città proibita, Freaks Out, Testa o croce, Re Granchio, The Mastermind, House of Dynamite, Detroit, The Ugly Step Sister, Pomeriggi di solitudine, The Girl with the Needle, Strange Darling, Cloud, Una viaggiatrice a Seul, Chainsaw Man – The Movie: Reze Arc, Un film fatto per bene, Together, Dracula, Eddington, Caught Stealing, I peccatori, Frankenstein, Die My Love, Materialists, Here, Nosferatu, 2073: Ultima chiamata, Weapons, Discross Day, Dog Stars, Project Hail Mary, The Bride, Dune: Part Three, Keeper, Noa Dark Choice, Nouvelle Vague, Fino all'ultimo respiro, Blue Moon, Supergirl, 28 anni dopo.Buon ascolto e, come sempre, lunga vita alla Nuova Carne!
durée : 00:29:36 - Les Midis de Culture - par : Marie Labory - Pour son dernier long-métrage, "Father Mother Brother Sister", le réalisateur américain Jim Jarmusch chronique la famille dans un triptyque entre le nord-est des États-Unis, Dublin et Paris, où l'action laisse place au silence. - réalisation : Laurence Malonda, Benjamin Hû - invités : Jim Jarmusch Cinéaste américain
Min 2: ANACONDA (3 estrellas) Anaconda, dirigida por Tom Gormican (El talento de Mr. C), es una comedia metacinematográfica que toma el título del clásico de terror noventero como excusa para construir una sátira deslenguada sobre Hollywood, la nostalgia y la absurda maquinaria del remake. Protagonizada por Paul Rudd y Jack Black, la película sigue a dos profesionales en horas bajas que aceptan participar en una delirante reimaginación de Anaconda, convencidos de que puede ser su última oportunidad para volver a estar en el mapa. Min 10: BOB ESPONJA: AVENTURA PIRATA (3 estrellas) Bob Esponja: Aventura Pirata, dirigida por Derek Drymon (veterano creativo del universo Bob Esponja desde sus orígenes televisivos), devuelve al personaje al largometraje con una aventura de gran escala que recupera el espíritu gamberro y surrealista que lo convirtió en icono generacional. Con las voces originales encabezadas por Tom Kenny, junto a Bill Fagerbakke, Rodger Bumpass y Clancy Brown, la película sitúa a Bob y sus inseparables amigos en una travesía marítima marcada por mapas imposibles, piratas extravagantes y una amenaza que pone en jaque el equilibrio de Fondo de Bikini. Min 15: FATHER MOTHER SISTER BROTHER (4 estrellas) 'Father Mother Sister Brother', escrita y dirigida por Jim Jarmusch (Paterson, Only Lovers Left Alive), es una obra episódica, minimalista y profundamente humana que articula tres historias independientes unidas por los vínculos familiares, la soledad y el paso del tiempo. Protagonizada por un reparto coral que incluye a Cate Blanchett, Adam Driver, Tom Waits, Mayim Bialik y Charlotte Rampling, la película se despliega en distintos lugares y tonos, manteniendo siempre el pulso contemplativo y el humor seco característico del cineasta. Jarmusch observa a sus personajes con distancia afectuosa, dejando que los silencios, los gestos mínimos y las conversaciones aparentemente intrascendentes revelen heridas emocionales y tensiones soterradas entre padres, madres, hermanos y hermanas que apenas saben comunicarse. Min 21: HOMO ARGENTUM (3 estrellas) Homo Argentum, dirigida por Mariano Cohn y Gastón Duprat (El ciudadano ilustre, Competencia oficial), es una sátira feroz y elegante que radiografía, a través del humor incómodo, las contradicciones morales y sociales de la Argentina contemporánea. Protagonizada por un camaleónico Guillermo Francella, la película se articula en episodios autónomos que retratan a distintos personajes unidos por una misma pulsión: el individualismo extremo, la picaresca elevada a norma y la supervivencia como único código ético. Cohn y Duprat utilizan el formato fragmentado para multiplicar puntos de vista y situaciones, construyendo un espejo deformante en el que la risa nace del reconocimiento y la incomodidad. Min 28: LA PELÍCULA DE TU VIDA, CON ROBERTO LANCHA A las puertas del nuevo año, casi sobre la campana, llega el turno de conocer la confesión cinéfila del director de Estamos de Cine. El periodista de Radio Castilla-La Mancha y crítico especializado, Roberto Lancha, desvela en pleno Filtro Liuchini por qué "El Padrino 1 y 2", entendidas como un todo, es el título que marcó su adoelscencia y, por extensión, su amor por el cine y por la comunicación vinculada al Séptimo Arte. Min 38: BSO ESPECIAL BSO EL PADRINO Y dado que la elección del director de Estamos de Cine enlaza con una de las bandas sonoras más celebradas de la historia del cine, la cita con Ángel Luque en la finca familiar de Los Corleone -en un entorno privilegiado de Long Island- se convierte en todo un homenaje musical a una de las mejores películas de todos los tiempos.
durée : 00:10:07 - L'invité de 7h50 - par : Benjamin Duhamel - Le réalisateur américain Jim Jarmusch sort son nouveau film “Father, Mother, Sister Brother”, au cinéma le 7 janvier. Cette comédie sur les relations familiales, a remporté le Lion d'or à Venise. Le cinéaste va faire une demande pour obtenir la nationalité française. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:10:07 - L'invité de 7h50 - par : Benjamin Duhamel - Le réalisateur américain Jim Jarmusch sort son nouveau film “Father, Mother, Sister Brother”, au cinéma le 7 janvier. Cette comédie sur les relations familiales, a remporté le Lion d'or à Venise. Le cinéaste va faire une demande pour obtenir la nationalité française. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
It's Christmas time, so we're looking at a movie that tells the story of a mysterious man who spends a lot of time on the roof with his animal friends and has the ability to sneak into your house undetected as if by magic: Ghost Dog: The Way of the Samurai! Ghost Dog appears nowhere on the 1999 box office charts because it technically didn't have a major theatrical release in the US until March of 2000 (it did begin its festival run in 1999, starting in May at the Cannes Film Festival where it was nominated for the Palme D'or) Starring Forest Whitaker and written and directed by Jim Jarmusch with a score by Wu-Tang Clan's RZA, Ghost Dog is a movie unlike any other, aggressively defying genre and staying laser-focused on its bizarre but endearing vision. This week, John and Julia are joined by returning guest Sean Malin, author of the just-released book The Podcast Pantheon to talk Whitaker, Jarmusch, podcasts, Jon Hamm, and Christmas movies!
Charlie XCX i nowy Jarmusch na American Film Festivalu Już za chwilę we Wrocławiu startuje 16. edycja Tauron American Film Festival – organizowanego przez Stowarzyszenie Nowe Horyzonty festiwalu niezależnego kina amerykańskiego. W tym roku wśród 135 filmów (30 z nich będzie do obejrzenia także on-line) znalazły się nowa premiera duchowego patrona AFF, Jima Jarmuscha, obrazy nagradzane na Sundance i w Berlinie czy "Erupcja", kręcony w Warszawie film z Leną Górą i Charlie XCX. Do Wrocławia w rozmowie z Bartoszem Pergołem zaprasza dyrektorka festiwalu, Ula Śniegowska! Tauron American Film Festiwal odbędzie się we wrocławskim Kinie Nowe Horyzonty w dniach 6-11 listopada. Szczegóły tegorocznego programu znajdziecie na stronie: https://www.americanfilmfestival.pl
Herzlich Willkommen bei einer absoluten Sonderfolge der Kinotagesstätte! Marius war mit vier Freunden auf dem Filmfestival in Venedig und hat einfach mal das Mikrofon mit im Reisegepäck dabeigehabt. In verschiedenen Tagebuch-Abschnitten hört ihr von den Biennale High- und Lowlights wie z.B. zu den neuen Filmen von Park Chan-wook, Lanthimos, Baumbach, Bigelow, Guadagnino, Jarmusch oder Herzog. Nur die Eindrücke von den Kleidern am roten Teppich haben wir irgendwie vergessen… Dafür gibt es über 2,5 Stunden Gequatsche vom Festivalgelände über die großen und kleinen Filme der nächsten Monate. Viel Spaß beim Reinhören! Timecodes: 00:00:00 Intro 00:03:05 Ghost Elephants 00:05:57 Orphan (Árva) 00:10:09 The Kidnapping of Arabella 00:12:27 Father (Otec) 00:18:23 Broken English 00:23:13 K.I. Filme in Venedig?! 00:28:56 Bugonia 00:37:23 Jay Kelly 00:39:04 My Tennis Maestro 00:43:13 The Souffleur 00:44:13 Motor City 00:50:01 Father Mother Sister Brother 00:57:58 The Hand of Dante 01:08:33 The Ozu Diaries 01:13:57 Cover-Up 01:17:15 No Other Choice 01:21:31 One Year of School 01:23:37 The Last Viking 01:28:08 Silent Friend 01:34:47 Dead Man's Wire 01:40:26 Frankenstein 01:48:43 The Stranger 01:54:57 After the Hunt 02:05:35 A House of Dynamite 02:14:44 The Smashing Machine 02:20:37 Festival Gewinner*innen und Recap
Ivča je zpátky z Benátek, kde se viděla s Jimem Jarmuschem a taky viděla jeho nový film, který celý festival nakonec vyhrál. Kupa z benátských filmů míří k nám do distribuce i na Netflix, kde je už teď tříhodinový dokumentární portrét abstinujícího Charlieho Sheena – anebo minisérie Pod tlakem, kterou rozhodně nemohl psát nikdo střízlivý. Jak končí série V zajetí démonů? A proč končí film Karavan tak banálně?Karavan (kina od 28. srpna) Ivča
Tornato da Venezia con più polemiche che premi, Niola racconta un festival spaccato in due: il film sulla bambina palestinese commuove tutti ma prende solo il secondo premio, mentre il Leone d'Oro va al caruccio e innocuo Father Mother Sister Brother di Jarmusch. Italiani in ripresa con Tony Servillo premiato (forse immeritatamente) e un bel docu su Napoli. Ma il vero filmone è Un anno di scuola di Laura Samani, che nessuno considera eppure è una meraviglia. Poi si parla di Silent Friend, di M – Il figlio del secolo, del misterioso docu su Califano, di Downton 3, di Maresco, dei volumi squilibrati sulle piattaforme e pure di Goldrake in Rai. In mezzo, ovviamente, proposte indecenti per sequel apocrifi e qualche stoccata al mercato che resta, purtroppo, sotto il livello pre-pandemia.
Cala il sipario sull'82esima Mostra Internazionale d'Arte Cinematografica: tra premiazioni e messaggi tra sociale e politica, il punto di Sandra Bordigoni.
No der Palme d'Or fir dem Jafar Panahi seng Lëtzebuerger Koproduktioun "Un simple accident" ass 2025 ee seelent Glécksjoer fir de Lëtzebuerger Kino: Zu Venedeg geet de Gëllene Léif un deen neie Film vum Jim Jarmusch - an am Starcast vu "Mother Father Sister Brother" spillt ënner anerem d'Vicky Krieps mat. De Marc Trappendreher analyséiert de Palmarès - an erkläert, wisou de Präis fir den Jarmusch engersäits kohärent ass - an anerersäits nawell iwwerrascht.
ANSA - di Francesca Pierleoni.Tanti appelli contro la guerra. L'Italia con Rosi, Porcaroli e Covi
Un rebelde sin pista (y sin causa) que deambula en los días y noches de su barrio. Una mujer obsesionada con el sentido de su propio nombre. Un taxista enamorado de su auto. Los protagonistas de los primeros filmes de Martin Rejtman (Rapado, Silvia Prieto, Los guantes mágicos) poseen una indudable vocación de solitarios, de sujetos que se sitúan aparte del colectivo pero que, paradójicamente, terminan abrazados por otros que se encuentran en situación similar, formando así insólitos grupos, familias integradas por extraños que no tienen más remedio que andar juntos en medio de un país que naufraga, pero que al mismo tiempo acoge. Al contrario que varios de sus colegas del Nuevo CIne Argentino (del cual Rejtman puede haber sido un adelantado, uno que nunca se integró realmente a esa banda, tal como le ocurre a sus personajes), de sus historias emana un trasfondo calmo y casi optimista, el que se complementa a la perfección con su estilo seco, despojado y carente de énfasis. El hombre podría pasar por bressoniano, por seguidor de Jarmusch y de Kaurismaki. Algo de eso hay, pero la belleza de sus filmes, finalmente es creación propia, privada, enteramente suya. De eso y más se habla en este podcast.
"Yes, I'm really in a taxi." For Episode 350, Brandon and David continue the show's series on Anthology Films with a film from the possible King of Anthology films, Jim Jarmusch. Listen as they discuss NIGHT ON EARTH and why Jarmusch wrote the film, how they filmed inside the taxis, and how they tried to capture each city shown in the movie. Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Most Popular Films You Haven't Seen and Just Friends - (00:00:10) Recap of the Anthology Genre (00:11:25) Intro to Night on Earth (00:16:31) How Night on Earth Got to Production (00:21:53 ) Favorite Scenes (00:32:38) On Set Life - (01:04:17) Aftermath: Release and Legacy (01:12:19) What Worked and What Didn't (01:14:26) Film Facts (01:17:05) Awards (01:19:13) Final Questions on the Movie (01:24:39) Wrapping Up the Episode (01:30:17) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast
Send us a textGraham explores the mystery of rock n roll and Jim Jarmusch's 1989 film Mystery Train and talks about his meeting with Marxist rock writer Toby Manning at a Harrogate International Festivals event last week.Charles shares his recent experience at the National Museum of Science and Media in Bradford, UK Capital of Culture 2025.Charles and Graham revisit the films that won big at the BAFTAs.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos
Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to dive into the cinematic treasures that have left an indelible mark on our lives. This episode, Stephanie takes the helm to guide us through the hauntingly beautiful world of Jim Jarmusch's 2013 film, Only Lovers Left Alive. Join Stephanie, Kelly, and Jack as they delve into the film's exploration of vampirism as a metaphor for the human condition, examining the paradoxes of existence through the eyes of the ancient lovers Adam and Eve. Jarmusch weaves a love letter to human creativity and its power to transcend time. We consider the film's poetic nature, commentary on art, and the profound impact of its melancholic yet hopeful storytelling. Pour yourself a glass of something rich and join us as we celebrate a film that invites us to reflect on the beauty and complexity of life itself. Is Only Lovers Left Alive a no-notes masterpiece? Tune in to find out. --- Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support
durée : 00:12:10 - L'invité de 7h50 du week-end - Le réalisateur et musicien américain est l'invité d'honneur de la 27ème édition de Paris Photo. Il critique l'élection cette semaine de Donald Trump. "Je n'ai pas été surpris. Je m'y attendais. Mais oui, je suis inquiet", confie le cinéaste. - invités : Jim JARMUSCH - Jim Jarmusch : Cinéaste américain
durée : 00:21:27 - L'interview de 9h20 - par : Léa Salamé - Tristesse, questionnements : Jim Jarmusch, Raoul Peck, François Busnel, Oliver Gallmeister, et Lauren Groff réagissent à l'élection de Donald Trump. Le réalisateur Raoul Peck s'avoue sombre : "on observe des classes dominantes qui regardent en chantant leur propre perte". - invités : François BUSNEL, Oliver Gallmeister, Lauren GROFF, Raoul PECK, Jim JARMUSCH - François Busnel : Journaliste et critique littéraire, Oliver Gallmeister : Editeur, Lauren Groff : Écrivaine américaine, Raoul Peck : Réalisateur, Jim Jarmusch : Cinéaste américain
durée : 00:21:27 - L'interview de 9h20 - par : Léa Salamé - Tristesse, questionnements : Jim Jarmusch, Raoul Peck, François Busnel, Oliver Gallmeister, et Lauren Groff réagissent à l'élection de Donald Trump. Le réalisateur Raoul Peck s'avoue sombre : "on observe des classes dominantes qui regardent en chantant leur propre perte". - invités : François BUSNEL, Oliver Gallmeister, Lauren GROFF, Raoul PECK, Jim JARMUSCH - François Busnel : Journaliste et critique littéraire, Oliver Gallmeister : Editeur, Lauren Groff : Écrivaine américaine, Raoul Peck : Réalisateur, Jim Jarmusch : Cinéaste américain
https://notesonfilm1.com/2024/09/22/the-gus-van-sant-podcast-1-mala-noche-1985/ A new podcast to accompany a new mini-research project. Richard's kindly humoured me and consented to help kickstart this project, but he'll only co-host with me for the first three films so I shall be reaching out to some of you to talk to me about the rest – and certainly if you have a particular interest in any of Van Sant's films and would like to podcast on them with me, do please get in touch. I'm hoping to build a resource here, not only with the podcasts but eventually with clips, images, a bibliography and more. It will be a process. In this inaugural podcast we talk about Van Sant's first feature, based on Walt Streeter's autobiographical novel, self-financed for $20,000 and filmed on 16mm. We discuss what made us uncomfortable on first viewing, in my case when the film first came out: the power differentials between the characters; the racialised dimension to the casting; but we also discuss why it arguably remains a great film – and the troublesome aspects are part of its greatness. We discuss how the film is an announcement of a new voice in American cinema, with roots in a history of queer culture (John Rechy, Genet, Warhol, The Beats). We speculate on the film's romanticism within a quite fluid representation of sexuality that distinguishes between acts, desire, feelings and identities; queer avant-la-lèttre. We talk about the film's look, one partly dictated by the film's budget, few lights available thus the choice of hard one-directional lighting; making for a noir look but with a beat, bohemian sensibility. MALA NOCHE arrives in the context of new forms of finance, distribution and exhibition permitted by the developing video rental market. One could now produce low-budget films which heretofore challenging subect matterand/or challenging forms and make money from niche markets. Van Sant appears alongside Jarmusch, Spike Lee and other indie filmmakers in the mid 80s. MALA NOCHE can be thought of as a the first of what may be considered a trilogy (alongside DRUGSTORE COWBOY and MY OWN PRIVATE IDAHO), at least thematically: it's North West setting, the marginal cultures, the bohemian romance of outsiderness, it's avant-garde components, its daring. An exciting film to re-watch and talk about.
This week Amanda and Wade welcome amazing imroviser and actor Nick Trotter to the podcast to discuss the 1999 Jim Jarmusch classic film, Ghost Dog: The Way of the Samurai. The trio talk about the organic filmmaking of Jarmusch, themes of decay and incompitable, yet not completely unuseful systems of morality, and lots and lots of discussion about pigeons. Plus, our awesome friend Sama gets namechecked a few times. Listen in and enjoy! Credits: https://www.instagram.com/dontworrybmovies/ Logo – John Capezzuto https://www.creativecap.net/ Intro and Outro Music – Andrew Wolfe of Darling Overdrive https://www.instagram.com/darlingoverdrive/?hl=en Additional Music: Note: Some songs may have been adapted from their original form to fit the length of our segments "Smoldering" by Kai Engel (www.freemusicarchive.org/music/Kai_Engel/Chapter_Four__Fall/Kai_Engel_-_Chapter_Four_-_Fall_-_09_Smoldering/) "The Energy of Sound - 432Hz.mp3" By Almusic34 (www.freemusicarchive.org/music/almusic34/single/the-energy-of-sound-432hzmp3/)
Shaunak Sen's first feature-length documentary, "Cities of Sleep," a study of homelessness and sleep in Delhi, was released in 2016 and funded by the Films Division of India. The film was screened at the New York Indian Film Festival, Taiwan International Documentary Festival, and Mumbai International Film Festival, winning six awards. His second documentary, "All That Breathes," premiered at the Sundance Film Festival in January 2022, depicting two brothers caring for injured black kites in New Delhi. It won the World Cinema Grand Jury Prize at Sundance and the L'Œil d'or at Cannes. Following Cannes, HBO acquired worldwide television rights, and the documentary was released theatrically in the USA and on HBO Max. We entirely depend on the support of our listeners. Support us on : Patreon and RazorPay: https://www.anuragminusverma.com/ Watch this podcast on video: https://youtu.be/xN5ASfRvqLw Watch Shaunak's film : All That Breathes: https://www.jiocinema.com/movies/all-that-breathes/3768609 My short film from 2012 (Hostel ka kamra): https://youtu.be/JGB1xYNEAAg Herzog Penguin reference: https://www.youtube.com/watch?v=zWH_9VRWn8Y&ab_channel=futile1981 Mystery Train by Jarmusch: https://www.youtube.com/watch?v=8Foo15dmk2M My short film from 2012 (Hostel ka kamra): https://youtu.be/JGB1xYNEAAg Watch Shaunak's film : All That Breathes: https://www.jiocinema.com/movies/all-that-breathes/3768609 Camera by: Nitin Pareek 2nd Camera: Gyanvi Uppal Assisted by : Kartik Chauhan
Liberated from the arthouse cliches of cinema, Bertrand Bonello is a rare kind of director. Our host Hugo Emmerzael spoke with Bertrand about his daring approach to filmmaking, and why his films focus on translating our collective social anxieties. Find out how influences from Lynch to Jarmusch all unconsciously seep into this French director's work, as well as what it's like working with Lea Seydoux and her unique acting approach for his latest film The Beast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lab111/message
Jim Jarmusch az amerikai független filmes világ korai, ikonikus figurája. Filmjei gyakran felborítják a műfaji konvenciókat, a karakterközpontú történetmesélésre helyezve a hangsúlyt. A Down By Law (Törvénytől sújtva, 1986) a rendező egyik korai mesterműve, amelyben már jelentős szerepet kapnak a Jarmusch karakteres vonásai. A fő szerepekben iszonyú menő zenészek bukkannak fel (Tom Waits, John Lurie) a feltörekvő Roberto Benigni mellett, ennek megfelelően a film zenéje is felejthetetlen. A minimalista vizuális stílust Robby Müller makulátlanul megkomponált fekete-fehér képei teremtik meg, amelyekhez kitűnően passzol Jarmusch feketébe hajló humora. Mik a Tövénytől sújtva közös pontjai az örök független Jim Jarmusch későbbi filmjeivel? Hogyan lehet jellemezni Jarmusch minimalista stílusának a vonzerejét? Mi érdekelte őt New Orleansszal kapcsolatban, amit ebben a filmben akart vászonra vinni? Milyen a három fő szerepben John Lurie, Tom Waits és Roberto Benigni? Mitől “hangout” film a Törvénytől sújtva? Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak András az X-en: @gaines_ Péter az X-en: @freevo Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu
Esta semana, dedicamos un programa monográfico a nuestros donjuanes preferidos. No necesitamos una excusa, pero el bicentenario de Lord Byron y la traducción española en Penguin Classics de su Don Juan nos valen. Cada cultureta escoge un rostro del seductor en el cine, la literatura, la música o el teatro. De Molière a Jarmusch, pasando por Mozart o Torrente Ballester.
Esta semana, dedicamos un programa monográfico a nuestros donjuanes preferidos. No necesitamos una excusa, pero el bicentenario de Lord Byron y la traducción española en Penguin Classics de su Don Juan nos valen. Cada cultureta escoge un rostro del seductor en el cine, la literatura, la música o el teatro. De Molière a Jarmusch, pasando por Mozart o Torrente Ballester.
Esta semana, dedicamos un programa monográfico a nuestros donjuanes preferidos. No necesitamos una excusa, pero el bicentenario de Lord Byron y la traducción española en Penguin Classics de su Don Juan nos valen. Cada cultureta escoge un rostro del seductor en el cine, la literatura, la música o el teatro. De Molière a Jarmusch, pasando por Mozart o Torrente Ballester.
Felicia is joined by Liam and Wayne from the In Film We Trust Podcast to discuss Jim Jarmusch's film about three outlaws on the run, in Down By Law (1986). We chat about how each of these characters play off each other and why the outsider, Roberto, is the glue that holds them together. We also discuss how he gave Robby Müller carte blanche to shoot the film however he wanted and how that collaboration is imperative to the film's lasting effect. Send us your thoughts on the episode - who is your favourite musician Jarmusch has worked with? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow In Film We Trust here: Spotify: https://podcasters.spotify.com/pod/show/ifwtpod IG: @ifwtpod Twitter: @ifwtpod YouTube: @ifwtpod Sources: https://www.criterion.com/current/top-10-lists/37-rian-johnson-s-top-10 https://www.theguardian.com/film/2014/sep/08/down-by-law-the-monochrome-mastery-of-dutch-cinematographer-robby-muller https://www.tasteofcinema.com/2017/pulling-focus-down-by-law-1986/ https://www.criterion.com/current/posts/229-down-by-law-chemistry-set https://www.criterion.com/current/posts/2386-talking-with-john https://www.rogerebert.com/reviews/down-by-law-1986 OUTRO SONG: Decomposing Trees by Galaxie 500 FILMS MENTIONED: Easy Rider (Dennis Hopper 1969) Chelsea Girls (Paul Morrissey, Andy Warhol 1966) The Way It Is (Eric Mitchell 1985) Downtown 81 (Edo Bertoglio 2000) Toy Story (John Lasseter 1995) Terminator 2: Judgment Day (James Cameron1991) Aliens (James Cameron 1986) Blazing Saddles (Mel Brooks 1974) Smokey and the Bandit (Hal Needham 1977) Dead Man (Jim Jarmusch 1995) Stranger Than Paradise (Jim Jarmusch 1984) The Dead Don't Die (Jim Jarmusch 2019) Paterson (Jim Jarmusch 2016) Permanent Vacation (Jim Jarmusch 1980) The Foreigner (Eric Mitchell 1978) Eraserhead (David Lynch 1978) Paris, Texas (Wim Wenders 1984) Videodrome (David Cronenberg 1983) Harold and Maude (Hal Ashby 1971) Mystery Train (Jim Jarmusch 1989) Night on Earth (Jim Jarmusch 1991) Strange Brew (Rick Moranis, Dave Thomas 1983) Broken Flowers (Jim Jarmusch 2005) Ghost Dog: The Way of the Samurai (Jim Jamursch 1999) Two Lane Blacktop (Monte Hellman 1971) Clerks (Kevin Smith 1994) Dazed and Confused (Richard Linklater 1993) Straight Time (Ulu Grosbard 1978) Reservoir Dog (Quentin Tarantino 1992) The American Friend (Wim Wenders 1977)
Felicia is joined once again by Rolo Tony [listen to our episode on A Woman Under the Influence (John Cassavetes 1974)], to discuss Jim Jarmusch's blending of both noir and samurai genres in Ghost Dog: The Way of the Samurai (1999). We chat about Jarmusch's interest in music and how he blends that art form into storytelling in his films. Along with his interest in stories about humans and their quirks. Send us your thoughts on the episode - who are some of your favourite musical artists Jarmusch has worked with? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Rolo Tony here: Twitter: @PoorOldRoloTony Letterboxd: @PoorOldRoloTony YouTube: @PoorOldRoloTony Sources: https://www.sensesofcinema.com/2002/cteq/ghost_dog/ https://www.theguardian.com/film/2000/apr/28/4 https://www.rogerebert.com/reviews/ghost-dog-the-way-of-the-samurai-2000 https://www.criterion.com/films/31032-ghost-dog-the-way-of-the-samurai https://www.criterion.com/current/posts/7185-ghost-dog-by-the-book https://www.criterion.com/current/posts/7186-ghost-dog-as-international-sampler https://louderthanwar.com/jim-jarmusch-talks-about-his-great-ghost-dog-film/ https://filmmakermagazine.com/107997-the-violence-in-the-film-is-simply-a-reflection-of-the-history-of-human-beings-writer-director-jim-jarmusch-and-actor-forest-whitaker-on-ghost-dog-the-way-of-the-samurai/ https://elementsofmadness.com/2020/11/11/ghost-dog/ https://www.wweek.com/arts/movies/2023/02/21/why-jim-jarmuschs-ghost-dog-the-way-of-the-samurai-endures-as-an-unlikely-classic/ OUTRO SONG: Ghost Dog Opening Theme by RZA FILMS MENTIONED: A Woman Under the Influence (John Cassavetes 1974) Brain Damage (Frank Henenlotter 1988) Basket Case (Frank Henenlotter 1982) One From the Heart (Francis Ford Coppola 1982) Rumble Fish (Francis Ford Coppola 1983) Tetro (Francis Ford Coppola 2009) Twixt (Francis Ford Coppola 2011) Megalopolis (Francis Ford Coppola 2024) Rain People (Francis Ford Coppola 1969) Kill Bill Vol. 1 (Quentin Tarantino 2003) Kill Bill Vol. 2 (Quentin Tarantino 2004) Coffee and Cigarettes (Jim Jarmusch 2003) Down By Law (Jim Jarmusch 1986) Broken Flowers (Jim Jarmusch 2005) Only Lovers Left Alive (Jim Jarmusch 2013) Mystery Train (Jim Jarmusch 1989) Le samourai (Jean-Pierre Melville 1967) Spider-Man: Into the Spider-Verse (Bob Persichetti,Peter Ramsey, Rodney Rothman 2018) Nobody (Ilya Naishuller 2021) O Brother Where Art Thou (Joel Coen, Ethan Coen 2000) The Great Silence (Sergio Corbucci 1968) Hell in the Pacific (John Boorman 1968) Point Blank (John Boorman 1967) Museo (Alonso Ruizpalacios 2018)
Felicia is joined by Josh Cooley to discuss Jim Jarmusch's meditative story about a small town poet, in Paterson (2016). We chat about the Jarmusch's interest in telling the stories of every day people and why mundanity can make for a compelling story. This is the first episode of the Jarmusch series and I think a great film to showcase how he has still maintained his craft and ability to tell a meaningful story throughout his career. Send us your thoughts on the episode - do you have a favourite poet? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Josh here: IG: @_joshcooley_ LB: @movieunycorn Golden Hour (Short Film) GoFundMe Sources: Cinematic Poetry: An In-Depth Reading of Jim Jarmusch's Film Paterson (2016) – Close-Up Culture (closeupculture.com) Paterson review – Adam Driver beguiling in miraculous tale of everyday goodness | Drama films | The Guardian Review: In Jim Jarmusch's ‘Paterson,' a Meditative Flow of Words Into Poetry - The New York Times (nytimes.com) Paterson movie review & film summary (2016) | Roger Ebert The Paterson Poem by William Carlos Williams (patersonproject.com) Adam Driver On Working With Martin Scorsese & Jim Jarmusch -- AwardsLine (deadline.com) OUTRO SONG: Time In a Bottle - Jim Croce FILMS MENTIONED: Dead Man (Jim Jarmusch 1995) Mystery Train (Jim Jarmusch 1989) Night on Earth (Jim Jarmusch 1991) The Dead Don't Die (Jim Jarmusch 2019) Blue Velvet (David Lynch 1984) Moonrise Kingdom (Wes Anderson 2012) After Life (Kore-eda Hirokazu 1998) Columbus (Kogonada 2017) Cléo de 5 a 7 (Agnès Varda 1962) Alice in the Cities (Wim Wenders 1974)
Películas en blanco y negro con Harold Torres Hablemos de nuevo del cine en blanco y negro. Regresa el ya exitoso apartado en los podcasts Cinegarage para hablar de cine en blanco y negro porque, a pesar de lo que influencers y falsos profetas digan, el cine en blanco y negro no es cine defectuoso. Hablando de falsos profetas… Para dar vida a este nuevo episodio hemos llamado como invitado al protagonista de González: falsos profetas, Norteado, la serie de televisión Zero Zero Zero y que está a punto de estrenar una nueva película llamada Desaparecer por completo: el actor Harold Torres. Harold ha elegido tres películas en blanco y negro para recomendar a toda la gente que escucha este podcast, películas que pudieron filmarse a colores pero que aceptaron el reto para regalarnos, irónicamente, una gama amplia de grises para hablar de ellas, de la vida, de nuestros sentimientos y de sus directores: Pontecorvo, Kaurismäki y Jarmusch. Nosotros les pedimos a ustedes entrarle al tan vilipendiado blanco y negro y escuchar las recomendaciones y las razones para hacerlas de Harold Torres, uno de los mejores actores del cine mexicano. Toca hablar de tres joyas del cine contemporáneo de las cuales están a punto de conocer sus nombres. Con ustedes Harold Torres y sus películas en blanco y negro. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bryden Doyle and Charlie Nash (Almost Major podcast) are back as they picked Jim Jarmusch's sensual ONLY LOVERS LEFT ALIVE. Together we talk all things Tom Hiddleston, Detroit on film, Jarmusch going into the 2010s, vampire lore and trip hop --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/message Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support
Fue en 1999 cuando Jim Jarmusch invitó al rapero, actor, productor y líder de Wu-Tang Clan, Robert Fitzgerald Diggs, mejor conocido como RZA, a musicalizar la película Ghost Dog: The Way of the Samurai, una joya que sobresale en la filmografía de Jarmusch.
El soundtrack de Sólo los amantes sobreviven (Only Lovers Left Alive, Jim Jarmusch, 2013) incluye música original de SQÜRL, banda de Jarmusch, con la colaboración de Jozef van Wissem en el laúd. Una película de vampiros milenarios con una banda sonora atmosférica y atemporal, como los personajes inmortales del filme.
Jarmusch is not a Creeps guy Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!
Today's episode is about "Gimme Danger" (Jim Jarmusch, 2016), which is about Iggy & the Stooges. It's a rags-to-more rags story. We are all at least halfway to Jarmusch-heads. And of course we all love Iggy & the Stooges. If you care about punk rock, or any kind of rock, or music, or just watching Iggy, an extremly articulate and thoughtful person, discussing the fascinating events of his life while surrounded by his laundry, this is the movie for you. Plus: Iggy roasts "Marrakesh Express"! Ron Asheton's phone call with Moe Howard! Mike Watt! And were the Stooges the second-ever jam band? Our Very Special Guest is Dan Koch of the podcast Pretty Good Vibrations. Pretty Good Vibrations analyzes and celebrates pop and rock music and its crucial role throughout our lives. We super highly recommend PGV. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod Instagram: @RockDocsPod Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt
Is "Dead Man" the most interesting Western of the '90s, or did Jim Jarmusch just succeed at shooting a really pretty Johnny Depp in black-and-white for two hours? That depends on what you understood of the movie, and Gene didn't understand much. While Ash struggled to stay awake, an increasingly healthy Big D got really into this 1995 box office flop that sparked conversations on cannibalism, Savage X Fenty, how trains work, Chatroulette, Neil Young's musical score and the Texas Renaissance Festival. The Shat Crew also took a few minutes to quiz one another on pop culture and duke it out over their taste in TV. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite
Blaise and Ray dissect and argue about characters in Jim Jarmusch's Patterson, while Ray forgets the main story line in Pulp Fiction, but learns a new respect for poetry and one of Blaise's favorite directors.
Let us take you for a ride this week with two freeway friendly features! First up is the Oscar darling Drive My Car, tailed by the joyriding Jarmusch taxi anthology Night on Earth. Buckle up, and no sheep OR pumpkins allowed in our car! #drivemycar #nightonearth #jimjarmusch #robertobenigni
Amber and Sean argue about the importance of relationships, the creative's tendency toward second thoughts, and Tim's birthday. Music: "Coro dos Tribunais" by SantaJustaStudios - Pedro Monteiro & "Rhinestone Busboy" by Jake McKelvie & the Countertops
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