Podcasts about Little Bird

Our 593rd episode, which aired on June 7, 2026. Arise & Go – Jos Cormier - Jock Broon's 70th, Moments of Light The McDades – Lily of the West, Thread the Light Seamus Begley & Jim Murray – The Old Torn Petticoat that I Bought in Mullingar/Mary Willie's/The Star Above the Garter, Ragairne Rua – The Moon & St. Christopher, Ao-Tea-Roa Hauler – Finders Keepers, Hauler The Kilfenora Fiddle Ceili Band – The Gold Ring/The Lucky Penny, The Kilfenora Ceili Band Gadan – Old Timey, May the Divil Tune Your Banjos Tempest – Queen of Argyll, Bootleg: 35th Anniversary Edition Tara Breen – Pottinger's Reel/Rannie MacLellan's/Bunker Hill, Sooner or Later CLOSET CLASSIC: Mazz O'Flaherty & Eilís Kennedy – The Painting Song, Songs of Mazz O'Flaherty Theresa O'Grady – Patsy Touhey's/Tommy Coen's/The Geese in the Bog, Banjo'ista Tim Edey – Emma's Tune, Little Bird: 22 Compositions 1995-2024

Austin’s Cast Iron Shoes song “Little Bird” is written around themes of borders and escape. It carries a sense of longing and resilience that feels deeply personal. Inspired in part by growing up in a trailer without electricity or running water, the song turns hardship into something hopeful, pairing vivid storytelling with a warm, wandering […] The post Cast Iron Shoes: “Little Bird” appeared first on KUT & KUTX Studios -- Podcasts.

You can find more from John here:Sales Confidence That Lasts: https://www.amazon.co.uk/dp/1919391894 Little Bird: https://www.amazon.co.uk/dp/1919391835 Unshakeable Confidence: https://www.amazon.co.uk/dp/191939186X The Confident Life: https://www.amazon.co.uk/dp/B0GTYM24ZJConfidence isn't something you're born with — it's something you build.In this episode, confidence and behaviour coach John M. Walsh shares what he's learned after working with 34,000 individuals across 180 organisations around the world. With over two decades of experience in sales, leadership, and high-pressure environments, John explains why confidence isn't just a feeling — it's a skill that drives trust, performance, and real results.If you're a high-achieving professional who struggles with confidence under pressure, self-doubt at work, or performing when the stakes are high, this conversation will give you practical tools you can use immediately.In this episode, we cover:• How to build real confidence at work• Why confidence under pressure separates leaders from followers• The psychology of performance and behaviour change• How to perform in sales, leadership, and complex projects• Why confidence drives trust and results• Practical ways to build confidence in everyday work and lifeJohn is the author of four books on confidence and host of the podcast Let's Talk About Confidence, where he shares actionable strategies for building lasting, reliable confidence.If you want to improve your leadership presence, perform better under pressure, and build confidence that lasts — this episode is for you.

In this Film Ireland podcast, recorded live on location in Washington, D.C. at the Capital Irish Film Festival, Gemma Creagh chats with producer, writer and director Ruán Magan his films Báite and Daniel O'Connell: The Emancipator, which were both screening in the programme. Presented annually by Solas Nua, the 20th edition of the Capital Irish Film Festival ran from 26th February to 1st March 2026, presenting one of the largest programmes of Irish cinema in North America. We learn more about the great work they do by catching up with the festival's director Maedhbh Mc Cullagh.Finally we hear from some of the attendees at the event...BáiteA woman's body is found under the waters of a lake in the countryside, and the arrival of a Detective from Dublin is the last thing Peggy, the owner of Casey's Pub, needs as she tries to save her business and her family.Daniel O'Connell: The Emancipator Narrated by Domhnall Gleeson, this hour-long documentary explores the life and legacy of Daniel O'Connell to mark the 250th anniversary of his birth in 2025.Ruán Magan Ruán is a producer, writer and director whose work in drama, documentary and stadium events has reached audiences of millions throughout the world. Having begun his career in the movie business, Ruán has worked as an assistant director and location manger in major Hollywood films including Far & Away, The Devil's Own and Michael Collins. Ruán established Create One in 1996 spurred by the ideal of creating high end content that explored and celebrated the human condition. The company's first production was a documentary presented by the writer and playright, Manchán Magan filmed in India. This led to a long collaboration which saw the two brothers producing 30 documentaries filmed in India, South America, the Middle East, the USA, Europe and China.In 1998, Create One produced By Design. This 6 part documentary series produced by Ruán Magan in collaboration with Fox Laurber and Little Bird, design expert, Garrett O'Hagan and directer, Geoff Dunlop, looked at the crucial role that design plays in the human world. It aired across Europe and the US. Since then Ruán has continued to produce project through Create One while also embarking on an international career that has seen him direct and produce projects in the US, Europe and China for Discovery, History Channel, Smithsonian, BBC, ARTE and Tencent. Drama projects directed by Ruán Magan include Báite (Danu Media), Wrecking The Rising/Éirí Amach Amú (Tile Films), Éoinín na nÉan (TG4) and Angel (Create One). His screenplays No Fury and The Noticer.Maedhbh Mc Cullagh Maedhbh is a multidisciplinary cultural producer, arts programmer and creative consultant. For more than two decades she has been producing and managing artistic programs, presentations, productions, and special events for international festivals, cultural institutes and organizations, in Europe and the US, including appointments as the Associate Director of Irish Screen America, Managing Director of the world-renowned Abrons Arts Center, independent freelance producer at Performance Space NY, The Civilians Theater Company, The Foundry Theatre, the Alliance of Resident Theatres, and program director of the international Dublin Fringe Festival.About Capital Irish Film FestivalSolas Nua's annual Capital Irish Film Festival in Washington, D.C., presents one of the largest programmes of Irish cinema in North America, showcasing the latest Irish dramatic and documentary features, shorts, art films and animation releases by Irish and Ireland-based filmmakers. The festival provides a US platform that amplifies the work of independent filmmakers working in Ireland and beyond, and celebrates the strength of Ireland's contemporary cinematic culture. The programme highlights the country's rich cultural heritage while fostering an inclusive and diverse community of Irish filmmakers.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Little  Bird

Narrator: When people take a plane, they sit down. Then they wait for the plane to fly. But sometimes they have to wait and wait! 大家上了飛機之後坐好，等待飛機起飛。但有時候，可能要等了又等！ Click HERE for the full transcript!

What does it take to bridge one of the most persistent translation problems in talent acquisition – getting a Fortune 500 recruiter to see why a Little Bird attack helicopter pilot from the 160th Special Operations Aviation Regiment is the perfect candidate for their open role? Tim Best, CEO of RecruitMilitary and former active duty Army officer, gives us a mission-driven and practical answer: go beyond the resume. Resumes and job descriptions flatten people. And for veterans, who enter the civilian workforce carrying hundreds of thousands of skills and attributes that don't map to corporate job architectures, that flatness is the enemy. The technology RecruitMilitary built with Findem, the Veteran Talent Source, solves this by giving recruiters a three-dimensional view of who a candidate actually is: not just what they did, but what they've continuously become. Because profiles are enriched in real time, the candidate in someone's ATS today is not the candidate from 25 years ago – and the AI knows the difference. The results are outstanding. In 2025, RecruitMilitary created over 600,000 connections between employers and military community job seekers. The hyper-personalized outreach campaigns powered by the Veteran Talent Source are generating email open rates of 80–90% and click-through rates five times higher than industry norms. These aren't just efficiency gains but create a fundamentally better experience for veterans, who have long lived with the frustration of applying and never hearing back. Tim's vision is for veterans inundated with recruiters who understand them, not spam from algorithms that don't. But Tim's ambitions go further than better sourcing. He wants veteran hiring to stop being a special project that lives in a corner of the TA function and instead become a normal part of a recruiter's everyday workflow, all made possible by AI. Looking ahead to the agentic AI era, Tim sees the next leap: intelligent job posting and agent-driven delivery that reduces friction between “here's my job description” and “here are the right people to talk to” to (almost) nothing. This conversation is essential listening for anyone in talent acquisition who wants to understand how AI creates new business value, not just faster versions of the old model. Related resources Podcast: Why AI Is A Massive Job Creation Technology. Automated Integration. Findem. And Thank You. Research: Insights-First AI: Better and Explainable People Decisions Research: The Talent Acquisition Revolution: How AI is Transforming Recruiting Chapters (00:00:03) - What Works: The Future of Talent(00:00:40) - Interview: Tim Best on Recruit Military's AI(00:03:27) - What Recruit Military Jobs?(00:05:21) - David Furnace, Head of Veteran Talent at HR Tech(00:08:32) - The Veteran Talent Source(00:15:57) - Veteran Recruitment Tech(00:17:04) - What's The Challenge of AI at Work?(00:19:39) - What lessons learned would you share with employers about AI and the role(00:22:03) - Machine Learning and the Veteran Talent Market(00:24:26) - What Works With Recruit Military

The Resurrection is the "macro" event that flipped the world upside down—birthing concepts of human dignity, ending slave trades, and fueling civil rights movements. But behind every global shift is a "micro-encounter": an individual human heart meeting the risen Jesus. Whether it was "Little Bird" in the Rwandan genocide praying for his executioners or the disciple Thomas touching the wounds of Christ, an encounter with Jesus is something you simply cannot unsee. In John 20, we find the disciples trapped in a "Friday reality"—locked in a room by fear and trauma. Jesus enters their locked space and does three things that reorient their existence: He shows them His scars, He gives them His breath, and He identifies Himself as their Master. These aren't just historical details; they are the blueprint for our own transformation. When we encounter Jesus, our past is redeemed by His scars, our spirit is reborn by His breath, and our mission is defined by His Lordship.Support the show

“The technology we’re working with today really makes a lot of those best practices and mental models and the whole toolkit more accessible than ever to more people.” –Marshall Kirkpatrick About Marshall Kirkpatrick Marshall Kirkpatrick is founder of sustainabilty consultancy Earth Catalyst and AI thinking tool What's Up With That. His many previous roles include founder of influence network analysis tool Little Bird, which was acquired by Sprinklr, where he was last Vice President Market Research. Website: whatsupwiththat.app LinkedIn Profile: Marshall Kirkpatrick What you will learn How generative AI transforms cognitive tools and lowers barriers to advanced thinking Techniques to combine human and AI-powered sensemaking for richer insights Practical strategies for filtering and extracting value from infinite information The importance and application of diverse mental models in modern decision-making Methods to balance manual cognitive work with AI assistance for optimal outcomes The role of adaptive interfaces in enhancing individual cognitive capacity Metacognitive approaches to networks and how AI can foster organizational awareness Ethical and societal implications of democratizing access to AI-powered cognitive enhancements Episode Resources Transcript Ross Dawson: Marshall, it is awesome to have you back on the show. Marshall Kirkpatrick: Oh, thank you, Ross. It’s such a pleasure to be reconnecting with you here. Thanks for having me on. Ross Dawson: So back you were very, very early on in the podcast when it was Thriving on Overload, and it was interviews with the book, and you got incorporated—some of the wonderful things you were doing in Thriving on Overload. So I think today, in this world of generative AI, which has transformed everything, including the way in which we think, the Thriving on Overload themes are still super, super relevant, and in a way, we need to be talking about them more. That theme at the time was finite cognition, infinite information. How do we work well with it? I don’t know if our cognition has become more finite, but the information has become more infinite, and there’s just more and more. But also, it cuts two ways, as in, what is the source of all the information? AI is also a tool. So anyway, let’s segue from some of your cognitive thinking tools, technology-enabled cognitive thinking tools and so on, which we looked at. So how do you—where are we? 2026, what do you think about human cognition in our current universe? Marshall Kirkpatrick: Well, especially when you frame it up in Thriving on Overload terms. I mean, those were four, five long years ago that we last spoke, and the book that came out of it was just fantastic. I think it has some timeless qualities, and I think that the technology we’re working with today really makes a lot of those best practices and mental models and the whole toolkit more accessible than ever to more people. That’s what I hope. I think that, yeah, between individuals and organizations, there’s so much that, historically, someone like you or me or the people closest in our networks were willing and able to do and excited to do, that many other people said, “That sounds like a lot of work.” The bar is lower now, because a lot of just the raw cognitive processing can be outsourced into a technology that serves as a lever. Ross Dawson: Well, I mean, that idea of levers for these cognitive tools is interesting. I guess, the very crude way of saying it is, we’ve got inputs into our human brain, and then we are processing information. I’m just thinking out loud a bit here, but it’s like, okay, we have tools to be able to filter, to present, to find what is most relevant, to present it to us in the ways which are most useful—very obvious, like summarization, visualization. Then as we are processing it ourselves, we have dialog, or we can have interlocutors who we can engage with and be able to refine and help our thinking. Does that sort of make sense, or how would you flesh that out? Marshall Kirkpatrick: Yeah, I mean, when you put it that way, it makes me think about Harold Jarche and his Seek, Sense, Share model, right? I think that AI, especially when connected to things like search and syndication and other traditional technologies, can impact all three of those stages. It can hypercharge our search. I think the archetypal example of that, on some level, feels like the combinatorial drug research being done, where just an otherwise cognitively uncontainable quantity of combinatorial possibilities between molecules can be sought out and experimented with for a desirable reaction. And then that sensing, or the pattern recognition that AI is so good at, is something that we do as humans—some of us better than others—and it’s a lifelong muscle to build and what have you. But the AI is really, really good at it, and so it’s a ladder to climb up in some of that sensing. And then the sharing component becomes so much easier with the rewriting capabilities—turn A into B, reformat something into a summary or a set of bullet points, or ideas and words into code. AI is just so excellent for that translation that makes new levels of sharing possible. Ross Dawson: That’s fantastic. Yeah, I had Harold on the show again in the Thriving on Overload days. But you’re right, that’s extremely relevant. Let’s dig into that. I love that you brought up that combinatorial search, which is so important. As opposed to going into Perplexity to do a search, it’s far more interesting to find the uncovered connections between things, which are relevant to what you’re doing. And that’s— Marshall Kirkpatrick: Absolutely. I remember reading, years ago, Dan Pink’s book “A Whole New Mind,” which preceded the generative AI era. But he said, if your kind of work is something that’s easily reproducible by computers, good luck to you. You really are going to need uniquely human practices in the future, and what exactly those are, I’m not sure, because the one that he identified, I don’t think has proven to be uniquely human. But I really appreciated learning about it from him, and that was what he called symphonic thinking, or the ability to draw connections between seemingly unconnected phenomena. So for many years, I have been doing a personal exercise with pen and paper that I call triangle thinking, where I’ll take three different phenomena—maybe that’s the owl outside my window, one of the notes that I’ve taken on paper, and something I come upon on the internet, or maybe it’s three very deliberately related things. I label them A, B, and C, and I ask, what might A have to say about B? What might B offer to A, and vice versa? I write out the six unidirectional connections between those things. And without fail, one, two, or three of those end up being real keepers, where I say, “Aha, that’s a really interesting idea. I’m going to take action on that.” And now, by the time I’ve got the letter B written out, an AI has done that ten times over. I like to do it both ways—still both AI and with my naked brain—but that combinatorial ideation, the generative combinatorial ideation, is, yeah. I’m curious what your thoughts and experience and hope for that might be. Ross Dawson: Well, there’s a prompt I use called “Apply Diverse Thinking,” where it generates extremely diverse perspectives on a topic—who might those very unusual people to think about something be, and then what would they think about this particular situation? Of course, there are a whole array of different thinking tools. There’s Marshall McLuhan’s tetrad, which is a little bit similar to your thing where, again, you can and should do it—well, not manually. What’s the manual equivalent of brain? Marshall Kirkpatrick: Thoughtfully, perhaps. Yeah, good one—deliberately, manually. I mean, Azeem Azhar over at Exponential View uses a fountain pen and paper and will sometimes have his team come online and they’ll do two-hour thinking sessions with no AI allowed. They just get on, I believe, Zoom, and just think through things with pen and paper, individually and together. And then they’ll kick off OpenAI or what have you, and use all the tools afterwards. Ross Dawson: Yeah, well, a couple of things. Actually, research has shown that in brainstorming, it is better for everyone to ideate individually before doing it collectively. And of course, that’s unaided. I think there are analogs there where—actually, one of the frameworks I just released last week was basically to say, think it through for yourself before you ask the AI, because then you have a reference point. If not, you don’t have a reference point to say, “Well, what am I expecting it to do? Let me think it through for myself,” even if it’s just a little bit, as opposed to just going in blank—”All right, give me an answer.” Just that simple thing of thinking through for yourself first is enormous. What it does is, obviously, give you a reference point for that. And I’m going on a lot about appropriate trust at the moment—as in, trust the AI enough, but not too much, which I think is absolutely critical capability. And part of it is being able to say, “Well, this is what I think it should be giving me.” Now you have a reference point for what it gives you. Marshall Kirkpatrick: Yeah, that sounds great in many cases. I do think that’s the right tool for the job in a lot of places, but not necessarily all. I’m thinking of the Iron Triangle of product management—fast, cheap, good, pick two. On some level, just handing the AI the keys for certain decisions is uniquely fast and cheap, right? And maybe it’s good enough. Ross Dawson: Oh yeah. Well, you’ve got to choose your battles, because if you’re now doing ten times what you were doing last week, then maybe for a tenth of those you can do some thinking before you delegate it to the AI. Marshall Kirkpatrick: Yeah, a strategy for how to do that. I think, well, that sounds important—some checkpoints along the way, some random selection of testing things. Ross Dawson: Well, that’s interesting. One of the critical things people talk about with AI model oversight is sampling. As they say, “Okay, I’ve got 1,000 outputs—I’m going to take 20 of them and check how good they are.” You’re not checking every output, but you’re doing some kind of ongoing sampling. Marshall Kirkpatrick: Are you checking with your own deliberate brain, or are you checking with another AI? Ross Dawson: It could be either, depends on the case—how critical it is. This comes back, of course, to the fact that accountability is only human, and so the human who is accountable has to make that decision: “All right, I’m happy for another AI to check it,” or, “Actually, I want to go in myself to see.” And that’s a judgment call. Marshall Kirkpatrick: Totally. And it feels like a process design issue and a personal accountability matter. I mean, “The AI made me do it” is not a viable excuse. Ross Dawson: Let’s hope it remains that way. So, good for those Seek, Sense, Share stages. Sense is one of your superpowers, both in the way you think and also the way you use the tools. It’s probably worth introducing—now you’ve just released this wonderful product called What’s Up With That. So just tell us about the product, but also, I want to go to the bigger context of sense—sensemaking, how we use it generally, how AI can use that, and your role with the tool in that. Marshall Kirkpatrick: Yeah, you know, I think there are so many different ways that sense can be made of anything, so many different ways that anything you read or think about or do can be put into context. It’s just overwhelming. I think we all have our favorite—not all of us, but those of us who are into this have our favorite tools, our favorite ways to—you know, a lot of people will think about something in terms of its past, its present, and its future, or they will break it down in analysis into parts, or they’ll synthesize it together with other phenomena and see how to understand. I think sometimes of the famous Donella Meadows quote, the mother of systems thinking, who said, “Systems thinking isn’t any better than analytical linear thinking than a telescope is better than a microscope.” So there’s just a superabundance of fascinating, powerful tools that all provide different views on anything we’re trying to make sense of. One of the things that I’ve always found a lot of joy and usefulness and power in is learning about new lenses and processes and tools. Now that generative AI has put the ability to develop software into my hands—instead of having to go and hire someone else to build that software—I have built a system that takes as many of those different models and lenses and processes for making sense of something as I can. I mean, it would be trivial to pull up a list of 200 mental models. I might go visit Shane Parrish’s website and The Knowledge Project. I think of ones that would be particularly useful, like, “Tell me who the intellectual predecessors are of this thing I’m reading,” or one of the other capabilities inside of What’s Up With That—my favorite, probably, is a combinatorial one called Fertile Edges. That says, “Take what I’m reading right now, identify the topic that it is a constituent of, and then find other adjacent topics where innovative people have built bridges between those adjacent topics and what I’m reading about, and tell me who those people are.” And that’s really fun. So I have built this sensemaking system, and that’s a part of What’s Up With That. There are really three parts to it. The first is, it analyzes whatever you’re reading or watching, and it pulls out the net new, truly novel, most notable elements. Yesterday, I was telling you, it was a little bit inspired by the US military intelligence guideline that says, when you’re writing up a report about something, focus on what’s new in that situation—tell us what we don’t already know. That’s the first thing that What’s Up With That does. It says, “All right, here’s what’s new in this document relative to its field,” because we just drew a real-time map of the state of the art, and we say, “Okay, here’s what’s really novel there.” The second thing that it does is that toolbox full of all the different mental models and lenses, and it recommends a sequence. One of my favorite books I ever read was “On Grand Strategy,” about strategic thinkers throughout history, who talks about the significance of thinking in terms of sequences of actions. So now, What’s Up With That will say, “Here’s a sequence of analytical lenses we recommend that you subject this document to,” and with a click, it’ll go and do that for you—it’ll do that cognition for you and then just give you a report. The third thing that it does is probably—it, the shorthand for it is compound learning. You don’t have to remember all the things that you read anymore, because our system extracts the causal claims from everything you read, archives them, and then compares everything you read in the future that you analyze with our system to your library of causal connections in the past, to say, “Whoa, we just found a chain of claims that could surface a multi-step risk or opportunity that’s relevant to your work.” We do that both for your data exhaust—your history of things you’ve analyzed—and we do persistent monitoring of the web to detect anything that could be relevant to a project or chain by that same kind of symphonic synthesis and connection. So those are the categories that it has. Ross Dawson: Yeah, I think you’re only scratching the surface of what your tool actually does, and obviously, more generally, these are just pointing in wonderful ways to how you can go beyond saying, “Tell me about this, ChatGPT,” to some far more nuanced ways of getting AI to do it. Marshall Kirkpatrick: People have had the same challenge with Google, historically. Google has struggled with that, to figure out—”I’m feeling lucky” was probably the first intervention in a novice, beginner’s mind, coming to a hyper-complex opportunity space. Even still, now, 20 years since Google launched, I feel like you can tell people that they can search for “site:domain keyword” to find instances of that keyword not in the web at large, just inside that specific domain, and most people don’t know that. It’s a simple power, and there’s a bunch of things like that. So figuring out how to unlock—and I don’t know how much they’ve even worried about it, because they’ve got that cash cow of advertising—but people don’t even recognize, sometimes, whether they’re clicking on an ad or a search result. In polls, when people are asked, they say, “No,” even if they put the ads at the top or mark them as ads, or a bunch of stuff they do do, but nobody notices. So that interface of complexity and accessibility and scale—we’re in it again here now, in this generative AI era. There’s so much more that could be done than is immediately obvious. It’s a real challenge. So I’ve taken the approach that I have, which is to roll up a bunch of that and turn them into buttons and recommend them automatically and try to recommend them just in time, and stuff like that. But I’m sure lots of different people are going to try to respond to that gap of simplicity and complexity in different ways. Ross Dawson: Yeah, that’s—which comes back, I think, a little bit to, you know, I firmly believe that the heart of the future is interfaces. We have these extraordinary capabilities—against finite cognition and infinite capabilities, let’s call them. That’s very much to the individual. The adaptive interface, I think, is going to be absolutely critical. All right, well, it’s after lunch and I’m not feeling so—the interface adapts to you. Marshall Kirkpatrick: So I heard you say that. Ross Dawson: The interface adapts again. Marshall Kirkpatrick: Right? I heard you say that in a conversation with Ramez Naam some time ago. I was listening to that interview that the two of you did together while I was playing hacky sack out in front of my house. I grabbed my hacky sack and I said, “I’ve got to go inside and do something about this idea of Ross—yes, interface variability.” In that case, I did a little experiment that I didn’t implement because I decided not to, but the general idea I want to pursue further, and I’ll tell you what that experiment was. One of the capabilities inside of What’s Up With That is that you can get a reading review synthesized, so that instead of just a list of links, you can get a narrative document exploring the themes, weaving together the last ten articles that you’ve read, and it’s easier to remember and to think about. I decided to hit the Nanonets API and have an image put up at the top that illustrated the themes. Now, maybe it’s just because I read a lot of dystopian AI, authoritarian politics type of stuff, but the images were terrifying, and they’re kind of expensive and slow, and they also look kind of repetitive. I was like, “All right, Ross, I haven’t cracked that nut quite yet in the variable interface, but I think you’re really on to something there.” Ross Dawson: I’ll try to work on that too, a little bit. So coming back to this wonderful thing we laid out, alluding to some of the wonderful ways we can use for really rich investigation of ideas and how to think. It comes back to this frame of mental models. All of us get our mental models from the moment we’re born—we get this understanding of the world, which is hopefully useful. Sometimes, some people’s mental models are not very effective in guiding them in how they work. Our role is to continue evolving, getting better. I call it enriching mental models. Back in my first book, I talked about that, and of course, that’s in the context of the world changing, so mental models can’t be static anyway. In a way, what you’re pointing to is the many, many ways in which we can, at one point, improve our mental models. All right, I understand this linear lineage of thinking, and I can see the strands between that, and these neurons are connecting in my brain in some form. But how can we pull to that bigger picture of all of this lattice of things to be able to say, “All right, I am actually thinking better through these interactions”? Marshall Kirkpatrick: You know, I think that there is a visceral sense—a sense of safety that can come sometimes when a new mental model illuminates a risk that you hadn’t considered before, and you breathe a sigh of relief and say, “Oh, thank goodness, I can now account for that.” And there’s an excitement with opportunity. There is something about a collective greater-than-individual opportunity here, because it’s tempting to—I’m not sure what that looks like, but I feel like there’s some social and interpersonal and network-based. One of the other things I do is build systems for network self-awareness, to build metacognitive network monitoring kinds of systems. I feel like there are mental models on that level as well. Ross Dawson: So I’ve got to dig into that—metacognitive network monitoring. Explain Marshall Kirkpatrick: Yeah. So every one of us, and our organizations, exists in a network of customers, suppliers, competitors, regulators, thought leaders, with orbits that extend out. The signals are strongest in the closest ones, and perhaps they are weaker and harder to hear, but really significant coming from outer orbits—even from other industries or other topics. It is overwhelming. It is cognitively uncontainable for any of us to keep up with all the work being done, all the thoughts being shared, all the new developments and opportunities from all the different entities that we’re interconnected with. One of the other offerings that I build for organizations is a system where I go out and map as many of those as possible with people. Those might be your target accounts you’re wanting to sell to, or your peers in a community of practice. Then I set up systems, basically using RSS, email newsletters, web page change notification—the technical underpinnings—to say, especially when organizations are—there are some forms of communication that organizations do naturally by default, and those tend to be speaking to their own customers. If you can listen to what organizations are saying to their own customers at scale, you can pull in a large quantity of signal, and then the challenge is to winnow that down into just the filtered signals that are most relevant to your priorities. I’ve got a system that uses AI to do that. Then there are combinatorial possibilities as well. I’ve started merging that in with What’s Up With That now, for example, where when we’re watching your broader network and a signal gets picked up on the back end, we’re generating hundreds of possible scenarios for that signal to intersect with your work and projects and priorities, and then we’re filtering to say, “Yeah, but tell me just the subset of these that are most significant and imminent and actionable and interesting.” If there’s something, then we will alert you and tell you what’s going on. Otherwise, you never hear from us, and you just go about your business. But a couple times a day, I get alerts. Yesterday I got an alert that said, “Hey, one of the founders of Manus, the AI platform that Meta just acquired for $2 billion, just got detained in China trying to go back to Singapore. Given your interests in AI and anti-authoritarian politics and the infrastructure battles around AI, we thought you might want to know about this.” I said, “Thanks, What’s Up With That, I really appreciate it.” That’s an example of the sort of thing—so that’s how I do it. Other customers will take that and use it to populate a podcast or a newsletter, and do both an intake and an output as a conduit of that kind of network self-awareness. Ross Dawson: Yeah, well, as you know, my kind of—my metacognition is my mantra. I think one of the key points is this simple question: How can AI assist me in getting to a point of metacognition? I would argue, if we use AI even vaguely well, it’s already doing that, because you’re saying, “Okay, well, let me think about what I can do and what the AI can do,” and you’re starting to think of that system. The only thing that enables this humans plus AI is metacognition, because you can actually see above and see your role and the AI’s role. I think this broader question of saying, many of the things you’ve been talking about are how AI is helping us to get to a point in metacognition. Marshall Kirkpatrick: Ross, can I ask you a question adjacent to that? I think I am not the only one who wants to know, perhaps—and maybe this is a trade secret, I don’t know—but how you think about your analysis and sharing of scientific research papers online? You’re so good at that, and you do a lot of it, and it’s really valuable. It comes to my mind when you talk about metacognition—what role does that function, what are you doing there, what role do you see that playing in this bigger conversation? Ross Dawson: Well, I’ll just tell you the mechanics of it, which might partly answer your question. I go into, often, three or four of the AI engines, including Grok, actually, because it’s very good at search. I say, “Tell me the most interesting research papers in the last few weeks,” whatever—on, I might say, human-AI collaboration or AI and strategy, whatever it might be, just different frames. Then I go and look at them. To be frank, I probably should do some more filtering with AI and tell them, “Only from reputable authors,” etc., because I have to just look at a lot of stuff, but that’s useful in its own right. Then I start to see, okay, this is a paper which is not only interesting, but actually would be useful to summarize for other people. I do a lot of surfacing—a lot. I’m very quick at scanning, so that’s just a mental process. At that point, when I found the paper, I’ve got a Gemini gem and an OpenAI GPT, both of which I call Insight Distiller. Basically, I stick the paper in there, it comes out, and I always rewrite it. I will either prompt the AI to improve it in various ways, and then always just rewrite or choose which of the points I put in, and so on. So there’s actually a fairly manual process, but very, very AI-assisted. To your point, there’s so much extraordinary research going on, and people don’t look at it. The function, I think, is what you’re alluding to—it’s just like saying, “This is the essence of a paper, and you can read it in a few minutes and get some really good insights, and hopefully that will inspire you to go have a proper look at the paper, because there’s a lot more in there.” To myself, of course, going through all that is enormous and valuable to me, but it’s useful to others too. Marshall Kirkpatrick: Absolutely, wow. That is a high-touch. That’s great. I bet you really have a lot of compounding learning as a result of it. Ross Dawson: Yeah, it’s kind of this thing where, just the nature of how my brain works and my immersion in stuff, I think it somehow gets me to some decent understanding of what’s going on. So to round out, what’s the next phase? I think this is an extraordinary time, but in the frame of what we’re talking about—AI and cognition—from your perspective, or just the world’s perspective, where do we go from here? Marshall Kirkpatrick: Well, I think that it comes down, in part, to values. I can’t help but think about this K-shaped future that we risk moving towards, where some people are using all kinds of augmented capabilities and building on top of past experience and education and what have you, and income inequality just gets more and more intense. The gap between people who are excited about this stuff and can use it, and everyone else, just gets all the bigger. That’s not good for anybody. I really hope that isn’t the case. I’d love to get the J of exponential change without too much of the K of increasing inequality. I think that’s the direction we’re pointed in, but I do hope that we can democratize access to a lot of these capabilities and figure out how to use them in partnership with other ways of thinking—like Azeem and his team, writing on paper, like some of the indigenous traditional knowledge practices around the world that are very place-based and around ecosystem balance and recognizing humans as a part of nature, working with AI and technologies. I’d love to see this be an additive experience, more than a destructive experience for humanity and the rest of the planet. Ross Dawson: Yeah and that’s why you and I both working on is doing whatever we can to nudge things in those directions. So where can people go to find out more about your wonderful work? Marshall Kirkpatrick: Well, these days, I am pointing people mostly to whatsupwiththat.app. That’s kind of my home these days for all the different work. Ross Dawson: I’ll recommend it. Marshall Kirkpatrick: Oh, thank you so much, Ross. Ross Dawson: Very useful, and I’ve only just begun to use it so— Marshall Kirkpatrick: Awesome, well, let’s stick some of those papers in there and red team it and hit “Find Science” and get other scientific reviews of the claims in the paper, etc. Thanks—it’s so great to be back in touch with you here and not just watch from a distance, but to get to put our heads together like this is a real pleasure. Ross Dawson: Thanks so much, Marshall. The post Marshall Kirkpatrick on cognitive levers, combinatorial possibilities, symphonic thinking, and compound learning (AC Ep39) appeared first on Humans + AI.

Um F-15E Strike Eagle abatido nas montanhas do Irã. Dois tripulantes ejetados em território inimigo. Um coronel americano escondido numa fenda de rocha a 2.100 metros de altitude, enquanto a Guarda Revolucionária oferece 60 mil dólares pela sua cabeça e vasculha cada vale das montanhas Zagros.O que aconteceu nas 48 horas seguintes é uma das operações de busca e resgate mais complexas já conduzidas pelos Estados Unidos — e envolveu CIA, SEAL Team Six, uma pista agrícola abandonada transformada em base avançada, aviões destruídos de propósito, ataques aéreos israelenses coordenados e uma campanha de desinformação para enganar o comando iraniano em tempo real.Neste vídeo, reconstruímos passo a passo como o piloto foi localizado, como os operadores entraram no Irã, por que dois MC-130J e quatro MH-6 Little Bird tiveram que ser destruídos dentro do território inimigo, e o que essa operação revela sobre o verdadeiro estado da guerra entre Estados Unidos, Israel e Irã.Porque por trás do "WE GOT HIM!" postado por Trump, existe uma história que expõe tanto a sofisticação das forças especiais americanas quanto as rachaduras na narrativa de domínio aéreo absoluto que a Casa Branca vinha vendendo desde o início do conflito.

Send us Fan MailPeaches breaks it down—this isn't theory anymore.A Little Bird destroyed in Iran, multiple aircraft hit, and the second F-15E crew member recovered after evading in the mountains. This wasn't clean. This wasn't easy. This was real. And yeah… people are already calling it Eagle Claw 2.0—but this time, it worked.Peaches dives into what actually matters: the brutality of these missions, the insane level of coordination, and why this should be a wake-up call for anyone pretending fitness or preparation doesn't matter.Then he pivots—budget fights, munitions shortages, and the reality that we're burning through capability faster than we can replace it.Bottom line: you just watched what happens when everything is on the line—and the only thing that matters is bringing people home.⏱️ Timestamps: 00:00 This Isn't Training Anymore 01:30 Little Bird Down—What That Means 03:00 The Reality of SOAR Pilots 04:30 Some People Don't Deserve Oxygen 05:30 OTS—Train for This, Not Instagram 07:00 F-15 Crew Recovered—Massive Win 09:00 Stop Complaining About PT (Seriously) 11:00 Multi-Aircraft Losses—Still Completed Mission 13:00 Eagle Claw 2.0—But Successful 15:00 Artemis & Space Force Momentum 17:00 Why Space Force Actually Matters 19:00 Coast Guard Doing Real Work Too 21:00 $1.5 Trillion Budget—Good or Insane? 23:00 Munitions Problem—We're Not Ready 25:00 Final Thought—This Is The Standard

Our583rd episode, which aired on March 22, 2026. Colin Farrell – The Old Rogue/McMahon's/Maher's Way, On the Move The Freels – West Moon, The Freels Maurice Lennon, Ciara Brennan & Chris Dawson – Trip to London/The Gold Ring/The Rambling Pitchfork, Two 3 Four Caliban – The Journeyman, Caliban Warbelow Range – The Meelick Team/The Gallowglass/Humours of Drinagh, Warbelow Range Phil Cunningham – Andy Stewart's/The Harsh February, Airs & Graces Silly Wizard – Simon Mackenzie's Welcome To His Twin Sisters/Farewell To 'The Heb', A Glint of Silver Dervish – Erin Gra mo Chroi, Midsummer's Night Cormac Breatnach – The Tailor Small's Jig/The Battering Ram, Musical Journey Irish Tradition – A Lady Fair, The Times We've Had Sean Gavin & Colm Gannon – Barndance for Nia, The Boys of ‘25 Tim Edey – The Reculver Polkas, Little Bird: 22 Compositions 1995-2024 Kinnon & Andrea Beaton – The Pleasures of Home, Kinnon & Andrea Beaton

Recently, the dads sat down with Grammy-nominated songwriter, alt-country artist and father, Jeremy Ivey. But you may know him better as Margo Price's husband. Ivey has a new album, It's Shape Will Reveal Itself, out now on Soggy Anvil Records, and it's a heavy look at the world around us. We will talk about his role as Price's husband, their partnership in raising their children and songwriting, and how their lives together (and apart) have influenced his art.Show Notes1:10: Donnie admits to being a fan boy and interrupting Jeremy's dinner before a show in Charlotte, NC, several years ago. What he wanted to ask then, and could ask now, was how Jeremy got into songwriting, and it all started with reading great poetry.3:12: Jeremy explains how It's Shape Will Reveal Itself came together, and the story of “Little Bird” and his daughter's role on the track.5:15: A discussion of how the track order, the playing and technical recording impacts the album's feel, through a patchwork of old and new songs. Also, a CRAZY story about Joan Baez.10:35: Jeremy's approach and process, supporting Margo Price and his personal career, and the impact of fatherhood. And a cautionary tale about selling your car with a young child to make an album -- this one worked out, but don't do it, says Jeremy.14:10: Balancing home and touring. How Margo and Jeremy find the balance for their music and family, and the hardest part of staying off the road is the FOMO.16:20: Balancing the creative, romantic and parenting partnerships, and the annual cycle of creativity and support.19:30: What does a normal day look like for the Ivey/Price household? Pretty normal, explains Jeremy. It's complete chaos, with a bunch of toys on the floor.21:40: Jeremy explains his writing process and how the chaos around him influences it. And the honest balance between self-indulgence and giving in to the process of songwriting.22:57: The difference between songs created for Margo Price's albums and Jeremy Ivey's albums.26:40: The American experience provides an incredible context for creating meaningful and interesting art.27:20: The Dad Life Sound Check.Mentioned in the EpisodeEmily DickinsonThe Beat Poets PAIN: The Board Game by Sampson StarkweatherDrew Carroll The Bomb ShelterJoan BaezBonnie Raitt Emmylou Harris DulcimerThin LizzyThe DublinersBuffalo CloverBrittany Howard and Alabama Shakes Darrin Bradbury Anti RecordsFarm Aid Anthony BourdainKhalil GibranReferences/Songs:Theme Music: “Dark Country Rock” by MoodmodeLittle Bird - Jeremy IveyEdge of Darkness - Jeremy IveyDon't Sleep on Your Dreams - Jeremy IveyWhiskey In A Jar - The DublinersClose to You - Margo PriceTennessee Song - Margo PriceA Long Way From Home - The KinksGone to Stay - Margo PriceHe Stopped Loving Her Today - George JonesLots of Beginnings - Nathan Evans Fox

Recently, Tom took time to chat with Reid on the Orvis Hunting and Shooting Podcast about his 50 years at Orvis. If you're interested in hunting, shooting, or the great outdoors in general, consider subscribing to Reid's show, too! (Crosspost from the Orvis Hunting and Shooting Podcast) "Tom Rosenbauer, longtime Orvis employee, writer, and host of the Orvis Fly Fishing Podcast, joins Reid for a wide-ranging conversation about his nearly 50 years with the company. They talk about the early days at Orvis, the great outdoor writers who shaped the culture around Manchester, Vermont, and how a lifelong fly fisherman found his way, occasionally, behind a shotgun. Along the way Tom shares stories, history, and a perspective on the outdoors that few people still carry."

In this episode, we perceive words of hidden persuasion, as portrayed in Sangam Literary work, Aganaanooru 192, penned by Pothumpil Kizhaan Venkannanaar. The verse is situated amidst the lush millet fields of the ‘Kurinji’ or ‘Mountain landscape’ and presents intriguing images of wild life from this domain. மதி இருப்பன்ன மாசு அறு சுடர் நுதல்பொன் நேர் வண்ணம் கொண்டன்று; அன்னோ!யாங்கு ஆகுவள்கொல் தானே? விசும்பின்எய்யா வரி வில் அன்ன பைந் தார்,செவ் வாய் சிறு கிளி சிதைய வாங்கி,பொறை மெலிந்திட்ட புன் புறப் பெருங் குரல்வளை சிறை வாரணம் கிளையொடு கவர,ஏனலும் இறங்குபொறை உயிர்த்தன; பானாள்நீ வந்து அளிக்குவை எனினே மால் வரைமை படு விடரகம் துழைஇ, ஒய்யெனஅருவி தந்த அரவு உமிழ் திரு மணிபெரு வரைச் சிறுகுடி மறுகு விளக்குறுத்தலின்,இரவும் இழந்தனள்; அளியள் உரவுப் பெயல்உரும் இறை கொண்ட உயர்சிமைப்பெரு மலைநாட! நின் மலர்ந்த மார்பே. In this vibrant trip to the mountains, we get to hear the confidante say these words to the man when he arrives for a tryst with the lady: “Akin to the shining moon, is her flawless, glowing forehead, and now it has taken on a golden hue. Alas! What will become of her? Having a fresh band, akin to the sky's striped bow that launches not arrows, and a red beak, the little parrot plucks from the tall, coarse crop ears, ruining it, and then unable to bear the weight, drops down the seeds, leaving these for the flock of wild hens with curving wings to peck on. The millet fields have now birthed such an yield of crops, bent over by its weight. If we consider that you will come grace in the middle of the night, she has lost the night too, because glowing gems, spit by snakes, which have been brought down by resounding cascades that have stirred within dark caves, before coming down those high mountains, lights up the streets of our little hamlet in the huge ranges. She's to be pitied indeed, O lord of the soaring peaks in the huge mountains, filled with heavy downpours, accompanied by roaring thunder, for she has no way of embracing your wide, blooming chest!” Time to trek on those mountains of yore! The confidante starts with a bang, coming right to the crux of the issue, talking about how normally the lady’s forehead would glow like the moon, without flaws any. However, at the moment it was coated in a golden hue. ‘Having a golden hue is a good thing, isn’t it?’, one might ask with the lens of this fairness-obsessed, modern world. The fact of this particular past is somewhat different and the lady’s dark skin taking on a golden hue implied that the disease of pining had afflicted her and that pallor had covered her head. So, it was by no means, a good news. After lamenting the state the lady is in, the confidante turns to remark about the state of her father’s millet fields. These were brimming with so much yield that a parrot, which is said to have a rainbow-like neck band and red beak, would come and raid those crop ears, and bite a big one. Later, unable to carry that weight, the parrot would drop it down, leaving the scattered millet grains to be feasted upon by clucking wild hens. A moment to relish the imagery of the ‘sky’s bow that never aims arrows’, in other words, a rainbow on a parrot’s neck. Searching I found this could most probably refer to the ‘Indian Ringnecked Parrot’, also called as the ‘Rose-Ringed Parakeet’, one that has a dark blue to pink band around its neck. Moving on, there must be further, hidden significance for this image, which we will see in a moment, but outwardly the confidante says this, only to highlight the crops have grown so much that it’s time for the harvest, and because it’s time for harvest, the lady would no longer visit the fields, an event that had previously been so conducive for her trysts by day with the man. The confidante continues the line of thought by saying to the man, ‘If you are thinking, day tryst is not possible. So, I’ll come by night, then think again’. She explains this is because their streets are lit up by the sparkles of the many gems, spit by snakes, which have brought down by cascades from the dark caves of the mountains. This tells the man that there was a danger of discovery by night too. Here again, the confidante echoes that familiar belief of Sangam folks that snakes had the ability to spit gems. I’m wondering what’s the origin of this bizarre belief? Could it be that those regions were so rich in precious gems, and quite close to the surface too, that these were revealed by the slithering movement of snakes, and somehow people associated the two? Just a theory! But imagine the kind of wealth that was strewn about in that ancient land, if at all this was true!  Returning, we find the confidante clarifying to the man that nightly tryst was thus not possible. She concludes by expressing sorrow that the lady seemed to have no way to embrace the man’s chest, day or night. In that scene of the ring-necked parrot dropping the millet grains and leaving it to be pecked on by wild hens, the confidante implies that the man had been intent only on trysting, and not carrying his relationship with the lady to its end of marriage, and he had left that to become an object of slander among the womenfolk of their town. Through this, the confidante intends to make the man see the error of his ways, learn that the lady had been confined within her house owing to these effects, realise that she was in much suffering and understand that the only way forward was to seek the lady’s hand. All these inner transformations in the man the worthy confidante achieves even as she treats us to the dynamic wild life that teems in these mountains of the past! Like those brimming crop ears, even this song seems to bend with its delightful weight of carrying so much in a few lines and leaves us with the thought, ‘Isn’t it our duty to stay the course and carry on, so as to finish what we have begun?’

Tom Rosenbauer, longtime Orvis employee, writer, and host of the Orvis Fly Fishing Podcast, joins Reid for a wide-ranging conversation about his nearly 50 years with the company. They talk about the early days at Orvis, the great outdoor writers who shaped the culture around Manchester, Vermont, and how a lifelong fly fisherman found his way, occasionally, behind a shotgun. Along the way Tom shares stories, history, and a perspective on the outdoors that few people still carry.

We're talking about what it takes to build a media company from scratch, sell it, and figure out what comes next. We also dig into AI bias and why the data these tools are trained on matters, especially for underrepresented communities. Our guest Sherrell Dorsey founded The Plug, a tech news platform covering the Black innovation economy that became the first Black-owned publication syndicated on the Bloomberg terminal before being acquired by Impact Alpha. She shares what she would do differently, what she learned interviewing major CEOs on the TED Tech Podcast, and why storytelling is the most underrated skill in business. All of this and your top news stories!Top Stories:1. Seattle woman's bracelet tracking company Little Bird ships to 120,000-person waitlist2. Seattle shipyard on Harbor Island to be acquired by French private equity firm3. XAI and OpenAI expand office space in Bellevue4. T-Mobile lays off nearly 400 Washington workersAbout guest Sherrell Dorsey — Author, Host of TED Tech Podcast, Principal of Build for Good: Sherrell is a data journalist and entrepreneur who founded The Plug, a tech news platform focused on the Black innovation economy. The Plug became the first Black-owned publication syndicated on the Bloomberg terminal and was later acquired by Impact Alpha. She is the author of Upper Hand and host of the TED Tech Podcast. Through Build for Good she advises early stage tech and climate founders on storytelling and messaging.About host Rachel Horgan:Rachel is an independent event producer, emcee and entrepreneur. She worked for the Business Journal for 5 years as their Director of Events interviewing business leaders on stage before launching the weekly podcast. She earned her communication degree from the University of San Diego.Contact:Email: info@theweeklyseattle.comInstagram: @theweeklyseattleWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theweeklyseattle.com

EPISODE 670 - Barbara Viniar - Little bird is the story of a girl who finds the courage to forge her own path to womanhood in 1910I was born and raised in the Bronx, NY, but once I left for college at 17, I never went back. With the benefit of having lived in many other places in the U.S. and abroad, I now look back fondly on my neighborhood, a place where people knew and cared about each other. But as a teenager I couldn't wait to escape. I wanted to meet new people and explore New York City, which I was able to do at the H.S. of Music and Art, one the city's selective high schools at that time. Being immersed in the arts was one of the defining experiences of my life.  Writing brings me joy. It will be the cornerstone of this chapter of my life. “With meticulous historical research and heartfelt storytelling, Viniar introduces an unforgettable heroine - not because Fannie is extraordinary, but because she feels so real. She's the kind of character who becomes a friend, someone you'll root for as she navigates the trials of youth, immigration and identity as a Jewish woman. ”— Robyn Rosen, Ph.D. Professor of history, Marist CollegeBook - Little Bird - “Like the heroine of her timeless novel, Barbara Viniar has meticulously embroidered this story of a talented young woman torn between the tradition she respects and the dreams she can't deny.”— Elyce Wakerman, author of A Tale of Two citizens and Father LossAfter an old photograph and newspaper article revealed that my grandmother, Fannie, was married to a cousin at 17 and later divorced, I felt compelled to tell her story. But with only a few dates and names to go on, I had to create the story from my imagination.It took three years of writing and rewriting, not to mention researching the life of a Jewish immigrant in New York City from 1910 – 1917 to finish Little Bird.I only hope that my Fannie captures what might have been true about my grandmother. I often feel that telling her story has been a way of discovering my own.       They say writers are either compulsive plotters or “pantsers,” happy to let their stories evolve without a plan. I am somewhere in between. I had a detailed outline when I started, but then characters surprised me. Their voices changed the story. I am often asked if I have written fiction before. Have I always dreamed of writing a novel? Absolutely not! This passion, this commitment of time and emotional energy to writing a novel has all been new to me. I would sit down at my desk and lose track of time. It still fills me with terror and joy.https://barbaraviniar.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Annie Lennox burst onto the international stage in the early 1980s as part of Eurythmics. The British synth-pop duo, also featuring Dave Stewart, was at the forefront of pop music's New Wave, and Lennox's appearance in the “Sweet Dreams” video – close cropped, bright orange hair in a bold man's suit and tie – created a captivating image that, when paired with her astonishing, soulful voice – was impossible to forget. After several more hits with Eurythmics, Lennox went solo in the 1990s, and became one of the most successful and awarded female British artists of the past 50 years. Over her career she has won 8 Brit Awards, 4 Grammys, an MTV Music Video Award, Billboard Century Award, an Oscar, and a Golden Globe. She is also a passionate and celebrated philanthropist. So join us for this special Patreon-sponsored episode as the Great Pop Culture Debate attempts to name the Best Annie Lennox Song.Songs discussed: “Sweet Dreams (Are Made of This),” “There Must Be An Angel (Playing with My Heart),” “Missionary Man,” “Little Bird,” “Sisters Are Doing It For Themselves,” “17 Again,” “I Put a Spell On You,” “Would I Lie to You?” “Here Comes the Rain Again,” “I Need a Man,” “Why,” “No More ‘I Love Yous','” “Walking on Broken Glass,” “Love Song for a Vampire,” “A Whiter Shade of Pale,” “Put a Little Love in Your Heart”Join host Eric Rezsnyak, Patreon sponsor Derek Mekita, and special guests Ashleigh Stiles and Todd Rezsnyak as they discuss and debate 16 of the most beloved songs from the Annie Lennox and Eurythmics catalogues.EPISODE CREDITSHost: Eric RezsnyakPatreon Sponsor: Derek MekitaSpecial Guests: Ashleigh Stiles (Wizard Radio), Todd RezsnyakProducer: Curtis CreekmoreEditor: Eric RezsnyakIntro/Outro Music: "Dance to My Beat" by Marc Torch#annielennox #eurythmics #80smusic #80s #80ssongs #90s #90smusic #sweetdreams #herecomestherainagain #britpop #synthpop #synthpopvibes #britawards #mtv #musicvideo #nomoreiloveyous #why #walkingonbrokenglass #diva #medusa #wouldilietoyou #missionaryman #podcast #popculture #debate #bestof #podcasts #music #movies #film #books #comics #television #tv #lgbtq #lgbt #nostalgia #geek #nerd #culture #greatestSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We just don't know much about Joseph. Although that's not really a good reason for him getting less time in the Christmas carol collection than the shepherds or wise men. Or the animals! But what we do know about him, though, is helpful in getting a picture of the man. Even in our passage for this week— where Joseph doesn't even say a word— we can pick up on several things to help us understand what kind of person Joseph was. Truth is, we need more Josephs. Join us and find out way! The painting associated with this podcast/sermon is 'The Holy Family with a Little Bird" (detail) by Bartolomé Esteban Murillo. It is viewable on the Epiclesis platform but not in iTunes Podcast.

This powerful true story from Burundi will change the way you think about courage, faith, and hope. John Ortberg shares the moving account of “Little Bird,” a Hutu teacher whose final act was to pray for his executioners and sing a hymn of surrender to Jesus.Discover what real Christian hope looks like — not in comfort, but in costly, radiant trust.If you need strength today, this story will meet you.

Our 567th episode, which aired on November 2, 2025. Fourwinds – Mighty Keith, Allta Gadan – You Were On My Mind This Morning, May the Divil Tune Your Banjos Enda Scahill & Joel Andersson – Slides, The Dark Well Without Willow – Love You Last, single release Cassie & Maggie – Dougie's Set, Gold & Coal Fiddlers Five – The Lass O' Patie's Mill/Timor The Tartar/Da Merry Boys, Fiddle Music of Scotland Damien O'Kane & Ron Block – Youthful Echoes/Wash and Go & Go and Wash, Banjovial Luka Bloom – The Hill of Allen, Riverside Brenda Castles – Jenny's Welcome to Charlie, The Light Side of the Tune Jenn Butterworth – Jeannie, Her By Design Ciaran O Maonaigh – The Repeal of the Union, Caillte sa Cheol | Lost in the Music Tim Edey – Richard's Minuet, Little Bird: 22 Compositions 1995-2024

Mary Ruth Barnes is an author with Chickasaw roots. After years of researching her ancestors, Mary Ruth has taken what she has learned and turned it into her new historical novel, "Where Birds Land," a standalone sequel to her 2022 debut, "Little Bird." "Where Birds Land" follows her great-grandmother, Ella Brown McSwain, as she fights crooked businessmen, land grifters, and grueling court battles for her family's rightful allotment. This really brings history to life, and we can learn so much, and also be encouraged to delve into our own family's history.https://maryruthbarnes.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Two powerful short films. Two unforgettable visions. We sit down with the creator of The Stand and Little Bird to explore the art, the heart, and the meaning behind the stories. From quiet resilience to bold defiance, these shorts show how even the smallest moments can carry the biggest weight.

Our 565th episode, which aired on October 5, 2025, and featured part three of our Celtic Colours preview, including our conversation with Joella Foulds of Celtic Colours. Solas – Girls on the Line, Shamrock City Rachel Davis & Darren McMullen – Dancing on My Own Ground, Home Tim Edey – Bob's Birthday Hoedown/Mum's The Word, Little Bird: 22 Compositions 1995-2024 J.P. Cormier – Fleetwood MacInnis, 50 Years of Guitar Interview with Joella Foulds of Celtic Colours Charlie Grey and Joseph Peach – Lands' End, single release Westward the Light – O'Farrell's, Flow Country Beolach – Annie's New Heart, recorded live at 2021 ECMA Awards Show Ríoghnach Connolly – Níl Sé Na Lá, Black Lung Malcolm MacNeil – The Silver Spear Set, upcoming album preview Matthew Byrne – Jessie Monroe, Stealing Time Westward the Light – The Braes of Rannoch, Flow Country

Little Bird tells the story of a young resistance fighter battling against an oppressive American Empire while searching for her own identity in a world on fire.  One girl risks everything to save her people, their land, and the freedom they so desperately deserve. News 4:45 Little Bird 14:37 Back Matter Matters 45:49 The Pull-List 51:22 Linktr.ee/tradewaiters Follow Us!

On this episode of Pocono Mountains Magazine we're celebrating adventure, culture, and community across the Poconos! Here's what's waiting for you on this episode: Explore Big Pocono State Park with Jim Hamill — hike, zip line, and take in the fall foliage. All aboard! Ride the Stourbridge Line in Honesdale and the Lehigh Gorge Scenic Railway in Jim Thorpe with Bri & Dee. Step inside the Milford Theater revival with Deanna Fontanez — a story of creativity and vision. Discover the AgroLegacy of the Northern Poconos with a multigenerational dairy farm keeping Wayne County's heritage alive. Enjoy live music & food with sweeping views at Penn's Peak. Celebrate community heroes as Brianna Strunk highlights four inspiring nonprofits at the 22nd Annual Pocono Mountains Community Fundraiser. Catch the new Pocono Showcase featuring local talent: Little Bird and the Bad Eggs. Tune in and experience the best of the Poconos... from trails to theaters, farms to fundraisers!Stream PTN or download our app! https://poconomountains.pulse.ly/dsmd8deafj

This week Reid and Dan host guitar slangin' and soul sanging phenom Marcus King, out in God's Country. The episode kicks off with Marcus ripping into his latest song "Honkytonk Hell" and the guys giving a standing ovation to GCP's greatest performance yet. The three of them discuss what it was like growing up southern and how the tough guy narrative has been a struggle to maintain at times. Marcus shares the inspiration behind his latest album, how meeting his wife saved his life, and how he thinks he is the most honest he's ever been with his new album "Darling Blue". Marcus shares a never before heard song with the listeners and ends with a REO Speedwagon gravorite. God's Country on Instagram, TikTok, and Facebook Subscribe to The Brothers Hunt on YT⁠ The Brothers Hunt on ⁠Instagram⁠ and ⁠Facebook⁠ ⁠The Brothers Hunt Merch Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Reid and Dan host guitar slangin' and soul sanging phenom Marcus King, out in God's Country. The episode kicks off with Marcus ripping into his latest song "Honkytonk Hell" and the guys giving a standing ovation to GCP's greatest performance yet. The three of them discuss what it was like growing up southern and how the tough guy narrative has been a struggle to maintain at times. Marcus shares the inspiration behind his latest album, how meeting his wife saved his life, and how he thinks he is the most honest he's ever been with his new album "Darling Blue". Marcus shares a never before heard song with the listeners and ends with a REO Speedwagon gravorite. God's Country on Instagram, TikTok, and Facebook MeatEater on Instagram, Facebook, Twitter, Youtube, and Youtube Clips Subscribe to The MeatEater Podcast Network on YouTube Shop God's Country Merch Shop MeatEater MerchSee omnystudio.com/listener for privacy information.

A porter in Summertime? Yep! Dan from Little Bird Brewing has flexed the balance in his beers and it shows with this Coco Bird Coconut Porter. With just enough coconut flavor and aroma to balance out the maltyness of the beer you get a perfect drinkabale balance in warm or cooler weather.

Warning: things are about to get a little heady into the brewing process, which is alright! Dan From Little Bird Brewing breaks down his thoughts an ideas when it comes to making the popular Hazy IPA with Hazy Bird Hazy IPA.

In today's beer world most people will reach for a light yellow beer when it's hot out. But a long time before now there was another light in body but flavorful and dark beer that people would reach for, the ESP or in this case an English Pale. Dark on color but huge on both flavor and drinkability Little Bird Brewing's West Kensington will transport you back in time where it would all "start in a tavern" and still keep you refreshed.

Community is a big thing for Little Bird Brewing, being right in the middle of a neighborhood. It's a meeting place, a place to tell stories, a place to get away for a bit or just get to know your neighbors. No surpise the people who are always there are just as important as the beer. Today's beer the Nestor IPA takes its name from a beloved regular who loved this beer.

That little space on the corner of Thorn St & 32nd has going through a lot of changes and it's currently being reinvented again. This week Dan from Little Bird Brewing talks about the transition from Thorn St Brewing and what to expect in the tasting room at Little Bird. We start with something he knows a lot about, a Mexican Style Lager called Solita.

Makaela Joy is a delightful mix of whimsical and heartfelt, doing her own thing while drawing on inspiration of great women writers/singers of decades past. She can deliver "La Vie en Rose" beautifully, emote a hymn like "In The Garden," or convey her grief about her brother's passing through her "Apples," all with perfect tone and intention. Makaela is a self-described quiet/shy girl, though you'll have every reason to request that she not remain quiet as you hear her music.

In a book that rarely veers away from blank negativity and abject realism, the Teacher in Ecclesiastes gives readers yet another reality check:The fast don't always win the race nor are the strong guaranteed to prevail in battle. The wise don't always have enough to eat, the brilliant aren't always rich and everyone is subject to the vagaries of time and chance. We simply make the most of the cards we are dealt and find joy where we can.(It'll come as no surprise that Ecclesiastes is one of the least quoted Old Testament books in the New Testament.)

Film journalist and friend of the show Brandon Streussnig returns to discuss Danny Boyle's debut film Shallow Grave, a British riff on the 90s neo-noir template, self-described by Boyle and his collaborators as their take on the Coen's Blood Simple. The film chronicles a trifecta of beautiful, sociopathic yuppies sharing an Edinburgh flat (Kerry Fox, Christopher Eccleston, and Ewan McGregor) who unravel after the untimely death of their new roommate and the discovery of a suitcase full of cash. Frenetic, aesthetically bold, and brimming with terrific performances from its cast of newcomers, Shallow Grave stood in stark opposition to the more muted social realism of established British filmmakers of the era like Mike Leigh and Ken Loach and showcased the collaborative power of Boyle, McGregor, screenwriter John Hodge, and producer Andrew Macdonald only a handful of years removed from their landmark feature, Trainspotting.We discuss Boyle's aesthetic inclinations, his history in the theater, and how the cinematic medium can liberate a particular type of artist from the confines of the stage. Then, we unpack the film's stellar trio of performances, its economy of character, and especially McGregor's star-making turn that suggests the greatness he would achieve with Boyle in their next several collaborations. Finally, we explore the film's ire for post-Thatcherite individualism, its attacks on the moral vacuum of the upwardly mobile, the dramatic irony of a film about the corruptability of money even for those who don't need it.In addition, we spend a brief moment looking forward to Boyle's latest film 28 Years Later (a full Bonus episode on the film coming later this week) and what it supposes for Boyle's late period.Follow Brandon Streussnig on Twitter. Read Brandon's recent interview with Palestinian-American filmmaker Reem Jubran about her new film Don't Be Long, Little Bird at his Substack.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Canadian Soulful Folk/Pop singer-songwriter, Kailee Duggan shares about her creative journey, and how sometimes showing up without knowing why can bring us exactly what we need in life. Follow Kailee on Instagram. Listen to Little Bird on Spotify.For all things Kailee, visit her website.Share your thoughts on this episode in the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Write Songs You Love Facebook Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group.To join the Write Songs You Love Member calls, visit https://writesongsyoulove.substack.com/ and become a paid subscriber.

Happy Easter, podcast listeners! A particularly amazing thing happens in today's episode. Little Bird's best friend Jesus died just three days ago and while she and a few of Jesus' other friends are getting ready for his burial, some special visitors bring surprising news.

Today's episode is a sad one. There are some scary and hard things, but there is also lots of good and love. Our story begins on the same evening as the Last Supper. When Jesus is arrested and put on trial, Little Bird and the disciples are scared and don't know quite what to do. But Jesus is ready to show the world just how big God's love for this world is. 

In this week's episode, Little Bird shares a very special meal with Jesus and the disciples. And before that meal, Jesus does something a little different but extra special for his friends to show his love and care for them.

For the next few weeks, revisit some favorite Little Bird Easter episodes! On today's episode, Little Bird adds another new friend to the story. This time, it's a donkey!  Little Bird, Jesus, and their new donkey friend are part of a palm parade in Jerusalem. 

Hello all- I've been suffering with a stomach flu and so was unable to release an episode this last weekend...but will make up for it with some seriously shiny and amazing people this week! Hurrah! For my guest this episode it's all about forgiveness, intuition and living a life that is full of authenticity and laughter! Not only does Katharine have a wicked sense of humor, but she's a true champion-of forgiveness. We do a really deep dive on what it means to forgive, the energy forgiveness alchemizes and how forgiveness of others is really a great gift to ourselves. Life is too short my dears, to hold grudges (even if some of those grudges are delicious) and really, forgiving others is kinda the best sort of medicine in the world! To read a little bit more about Katharine and what a groovy human she is, click here! PLEASE CONSIDER LEAVING A REVIEW OR RATING...FOR THE LOVE OF PETE!! ;-) Your bit of beauty this week is this: an article by Johns Hopkins all about what benefits YOU WILL REAP if you forgive someone. Read it, I dare you!!

Hello all- I've been suffering with a stomach flu and so was unable to release an episode this last weekend...but will make up for it with some seriously shiny and amazing people this week! Hurrah! For my guest this episode it's all about forgiveness, intuition and living a life that is full of authenticity and laughter! Not only does Katharine have a wicked sense of humor, but she's a true champion-of forgiveness. We do a really deep dive on what it means to forgive, the energy forgiveness alchemizes and how forgiveness of others is really a great gift to ourselves. Life is too short my dears, to hold grudges (even if some of those grudges are delicious) and really, forgiving others is kinda the best sort of medicine in the world! To read a little bit more about Katharine and what a groovy human she is, click here! PLEASE CONSIDER LEAVING A REVIEW OR RATING...FOR THE LOVE OF PETE!! ;-) Your bit of beauty this week is this: an article by Johns Hopkins all about what benefits YOU WILL REAP if you forgive someone. Read it, I dare you!!

Greg Coker is a 160th SOAR AH-6 "Little Bird" pilot and says the platform is the greatest helicopter ever created. Greg Has 6200 hours of night vision google flying time and 1500 hours of combat flight hours under his belt. Listen to the entire interview on Ep. 168!Support the showhttps://www.jcramergraphics.comhttps://www.ANGLICOshop.comhttps://www.patreon.com/formeractionguys

Hello, my spectral spectators! Clinton Baptiste here, bringing you another spine-tingling episode of the Paranormal Podcast.Live from Basingstoke This week, I'm coming to you live from the vibrant town of Basingstoke. The atmosphere is buzzing, and I'm ready to dive into some supernatural shenanigans. Wish me luck!Smelly Pubs and British Pub Culture We kick things off with Linda, who brings up the charming topic of smelly pubs. This leads us into a nostalgic chat about the great British pub—how I love them, and how they may have contributed to my less-than-stellar A-level results. But who needs A-levels when you've got spirits (both kinds) in your life, right?Danny Robins and Deadly Visions We then have a bit of a natter about the brilliant Danny Robins, whose work in the paranormal world continues to fascinate us. This smoothly transitions into a chilling story from Take a Break called "Deadly Visions," about a lady in a funeral parlour. It's a tale that will make your skin crawl and have you questioning what lies beyond the veil.Barry Dodds and Paranormal Problems Next up, we're thrilled to introduce Barry Dodds, who joins us for an interview full of laughs and ghostly insights. Barry's got some cracking stories to share, and we have a good old chat about all things spooky.We then dive into a series of peculiar problems from Take A Break Fate and Fortune. Whether it's ghosts in the attic or mysterious fortunes, we've got it covered with our signature blend of humor and paranormal wisdom.Finale and Thanks As always, we round things off with Glowe's beautiful track, "Little Bird," to soothe your spirit as we part ways for another week.With heartfelt thanks to Katrine Boyle, Barry Dodds, Sally Ann-Hayward, Barry from Watford, and of course, Glowe for providing this glorious music.Stay spooky, my friends.Clint.xCredits:• Kathrine Boyle• Barry Dodds• Sally Ann-Hayward• Barry from Watford• Podcast produced by Laurie Peters from Peters-Fox• Share your own spooky stories at clinton@clintonbaptiste.com• Find more Clinton Baptiste merchandise at Ko-fi• Follow Glowe on Instagram at @glowexx• TOUR DATES: www.clintonbaptiste.com Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The slim, 4½-inch Blue-gray Gnatcatcher is found over much of the East and Midwest and in parts of the West, too. It actively searches trees and bushes for small bugs to eat, often hovering briefly and flaring a long black-and-white tail.More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible. 

Fund conversations that matter: donate.accessmore.com All of the conversations we have the undeserved privilege of engaging in on BPT are special to Ally, Dr. Howard, and me because the point of our conversations – even if it takes a while for us to get there – is always the immutable goodness and compassion of our Trinitarian Creator Redeemer, God the Father, God the Son and God the Spirit. However, this particular conversation which we taped live at Kerygma a few weeks ago with one of my all-time theological heroes, New Testament scholar Dr. Scot McKnight, is a very personal and poignant milestone for me because God used one of Dr. McKnight's books – The Blue Parakeet – like a merciful scalpel in my life to cut away some corrosive shame that had compromised my mind and heart and ministry efficacy for decades. The back cover copy of The Blue Parakeet reads: In this bold, engaging reexamination of reading the Bible, Scot McKnight calls all Christians from both ends of the spectrum to stop taming the Bible and to let it speak anew to our hearts. In other words, his exegetical brilliance will recharge our passion for both reading Scripture and relating to God's redemptive narrative in increasingly intimate and personal ways. If you're a Bible banger like me and your Bible is one of those precious possessions you'd be sure to grab if your proverbial ship was sinking OR if you've secretly and guiltily thought the Bible was boring and have a hard time engaging with it, this conversation is right up your alley, baby! So please grab a cup of coffee and your Bible – whether the pages still stick together from so little use or whether it's tattered and stained – that is unless you're swinging a broom at those nasty cicadas, of course – and come hang out on the porch with us.