Podcasts about Kenneth Patchen

Kenneth Patchen wrote this poem sometime before the middle of the 20th century, but it seemed so apt today that I felt that I had to sing it as a statement for the end of our year. The Parlando Project combines various words (mostly literary poetry) with original music in differing styles. We've done over 800 of these combinations, and you can hear all of them and read about our experiences with the words at the Project's archives and blog located at frankhudson.org  

Kenneth Patchen (1911–1972) was an American poet and novelist known for his experimental style, blending poetry with visual arts and jazz music. He authored over forty books, including  *Before the Brave* (1936),  *The Journal of Albion Moonlight* (1941),  and *Collected Poems* (1969).  Patchen's work often addressed social issues and war, resonating with younger audiences, especially during the Vietnam War era. *************************************************** bit.ly/SyDCafe Community bit.ly/SocialYetDistanced Podcast bit.ly/SydVid YouTube As always, health maintained by BLOOM and Holistic Caring- https://holisticcaring.com/ref/Jack/ --- Support this podcast: https://podcasters.spotify.com/pod/show/socialyetdistanced/support

1. mai 2022 begynner poeten og gjendikteren Øyvind Berg å skrive denne litterære dagboka, og han avslutter 31. juli. "Sommeren med Balder" handler om Dina og Øyvind og den store gjeterhunden de har skaffet seg. Av nødvendighet handler det også om krigen i Ukraina, som framkaller minner fra Bosniakrigens Sarajevo, hvor Dina vokste opp. Og det handler om å føle seg hjemme i en fremmed tradisjon, som den japanske haikudiktningen. Men mest av alt handler det om å finne lys i livet, om humor, og om å åpne seg for det som lever. «Sommeren med Balder» er en bok skrevet med vemod, begeistring og livsglede. Øyvind Berg (f. 1959) debuterte med diktsamlingen Retninger i 1982. Siden har han utgitt en lang rekke diktsamlinger, essays, skuespill og gjendiktninger. Fra 1986 til oppløsningen i 2011 var han et markant medlem i teatergruppa Baktruppen. I 2013 ga han ut Stećci. Ikke rot med knoklene mine. Bosniske gravskrifter 1200–1500 sammen med Dina Abazović. Bergs romandebut Roseromanen utkom i 2019 til strålende kritikker. Samme år mottok han Gyldendalprisen for sitt samlede forfatterskap. Øyvind Berg har gjendiktet Brecht, Paul Celan, Kenneth Patchen, Ezra Pound, Per Højholt, Heiner Müller og William Shakespeare.

In this week's show, John and Nick Georgoudiou discuss Kenneth Patchen's surreal postmodern novel, Memoirs of a Shy Pornographer, before a small crowd gathered at the Kerouac Project of Orlando.

The queens play poetry detective in this episode devoted to true crime-inspired poems.Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.You can check out the Killer Psyche podcast here, hosted by  retired FBI agent Candice DeLong.You can read more about Kenneth Patchen as well as some of his poems here. It's worth taking a look at the poem Aaron reads ("The Murder of Two Men by a Young Kid Wearing Lemon-Colored Gloves") since the visual experience is part of the poem's drama.You can read the entirety of Browning's The Ring and the Book for free. You can also experience an audio play of the book (serially; start here.)Check out more poems from Maggie Nelson's Jane: A Murder here. Julia Shiota's piece "The Humanity of True Crime's Victims" (here on the Ploughshares blog) uses Nelson's Jane: A Murder and the subsequent book about the trial, The Red Parts, to discuss the ethics in true crime.Read Monica Youn's "Stealing the Scream." Read more about the true story behind the poem here and here.You can listen to recorded calls made by the Golden State Killer here.Read Linda McCarriston's "To Judge Faolain, Dead Long Enough: A Summons" from Eva-Mary.

Kenneth Patchen's touching poem performed as a song with acoustic guitar. For more about this and over 650 other combinations of various words (mostly poetry) with original music in different styles, go to our blog and archives at frankhudson.org

Kenneth Patchen's love poem in the dark performed in front of a three-guitar eccentric rock band. Eccentric/eclectic is essential to what this Project does, so be aware that I don't expect any listener to like everything we do. What else do we do then? Visit our blog and archives at frankhudson.org where there are over 650 examples of a variety of words (mostly literary poetry) performed with original music in different styles.

Read by Terry Casburn Production and Sound Design by Kevin Seaman

Poetry-heavy with all the apologies and madness you've come to except. Kenneth Patchen & J. Andrews take turns showing how 1946 & 2022 are not as different as you think. It's disgraceful that we don't have a cult. So now we do - Dead Life Cult. Join now before membership prices go up!

* Jim Messina looks back on his musical journey, his latest album, tour, and Loggins & Messina * Bro On The Global Television Beat: How To Organize A Union: 'The Porter' And Black Militancy  * A performance of poet Kenneth Patchen, featuring Arts Express crew actress extraordinaire, Mary Murphy

Read by Craig RobertsProduction and Sound Design by Kevin Seaman

Read by Dave LuukkonenProduction and Sound Design by Kevin Seaman

13. prosince 1911 se narodil Kenneth Patchen byl americký básník a romanopisec. Básně vyšly ve výboru Když jsme tu byli spolu, vydalo nakladatelství Odeon v roce 1979. Přeložil Jan Zábrana. Podcast "Báseň na každý den" poslouchejte na Anchor, Spotify, Apple, Google, YouRadio, České Podcasty nebo Audiolibrix. Domovská stránka podcastu je na https://www.poetickyklub.cz. --- Send in a voice message: https://anchor.fm/basennakazdyden/message

A great practitioner, publisher and defender of poetry was Lawrence Ferlinghetti. He passed away just shy of his 102nd birthday earlier this year. Born in Yonkers, New York in 1919, his education was paused for World War II and Atlantic and Pacific tours in the U.S. Navy. He witnessed firsthand the ruins of Nagasaki after the atomic bombing in 1945. He became a committed voice for peace and social justice. Ferlinghetti co-founded the country's first all-paperback bookstore, City Lights Books in San Francisco in 1955. Bay area poets Kenneth Patchen and Kenneth Rexroth, then Denise Levertov and Allen Ginsberg appeared under the City Lights imprint. The small press got national attention when Ferlinghetti and his partner were arrested on obscenity charges for publishing Ginsberg's poem Howl. The People of the State of California v. Lawrence Ferlinghetti proved an important victory for freedom of expression over censorship laws. Ferlinghetti had anarchist leanings. He remained politically committed through his art, and to liberation movements in Latin America especially.

Today, as an adjunct to my programs last fall about poverty, and to continue my look at poetry inspired by immigration, I read poems about the conditions and destinies of working people. They are by Ella Wheeler Wilcox, Philip Levine, Kenneth Patchen, Langston Hughes, Rose Pastor Stokes, and Bob Hicok. I end the program with one of my own poems.

Kenneth Patchen created this American myth and I perform it on this day of the season's home opener for #NationalPoetryMonth.  For more about this and other combinations of various words with original music visit frankhudson.org

Larry Smith is a native of the industrial Ohio River Valley having grown up in Mingo Junction, Ohio., the second of four children. His father was a brakeman on the railroad of Weirton Steel where the author worked two summers to help pay for college. A graduate of Mingo High School, Musking­um College, and Kent State University, he taught at Bowling Green State University's Firelands College from 1970 to 2012. He is the author of eight previous books of poet­ry, two books of memoirs, five books of fiction, two liter­ary biographies of authors Lawrence Ferlinghetti and Kenneth Patchen. Larry is the founder and director of The Firelands Writ­ing Center and Bottom Dog Press with its Appalachian Writing Series. He is co-founder with his wife, Ann, of Converg­ing Paths Meditation Center in Huron, Ohio. His most recent book is The Pears: Poems, from Bottom Dog Press.

- https://thenightgallery.wordpress.com/2020/05/22/night-gallery-paintings-will-soon-be-showcased-in-a-special-art-gallery-book/ - https://comicsalliance.com/silver-surfer-stan-lee-buscema/ - https://www.foundsf.org/index.php?title=KENNETH_PATCHEN_and_his_Picture-Poems - https://walkerart.org/collections/artists/joseph-beuys - https://www.taramcpherson.com/ - https://newhumanist.org.uk/articles/5509/the-rise-of-brazils-santo-daime-religion - https://www.alexgrey.com/art - https://en.wikipedia.org/wiki/Perennial_philosophy - https://www.britannica.com/biography/Rumi - https://en.wikipedia.org/wiki/Bhagavad_Gita - https://en.wikipedia.org/wiki/Upanishads --- Support this podcast: https://podcasters.spotify.com/pod/show/jamiel-alkhaja/support

This is Kenneth Patchen's winter poem for troubled lovers, which I perform here with with drums, bass, and piano. For more about this and other combinations of various words with original music, visit frankhudson.org

I continue my consideration of December today and read poems about winter, about ice and snow. They include poems by Dante, Percy Bysshe Shelley, Ezra Pound, William Carlos Williams, Kenneth Patchen, Wallace Stevens, Mark Strand, and Kobayashi Issa. I end the program with one of my own poems.

  Stream Harold Budd, Brian Eno - Ambient 2: The Plateaux of Mirror - First LightHarold Budd, Brian Eno - The Pearl - Late OctoberHarold Budd - The White Arcades - The KissHarold Budd - Agua - AguaHarold Budd - By the Dawn's Early Light - Poem AdventHarold Budd, Jessica Karraker, Daniel Lentz - Walk Into My Voice (American Beat Poetry) - Be Music, Night (Poem by Kenneth Patchen)Harold Budd, John Foxx - Translucence/Drift Music - SubtextHarold Budd - Avalon Sutra / As Long As I Can Hold My Breath - As Long As I Can Hold My BreathHarold Budd, Robin Guthrie - Bordeaux - Radiant CityHarold Budd - Jane 12-21 - Jane 16 (For Pale Saints)Harold Budd - I Know This Much Is True (OST) - The Serpent (in Quicksilver)Harold Budd & Robin Guthrie - Another Flower - Some Smoke"Guardar Link Como" - "Save Link As"Right Mouse Button Click For Save (Last Show December 13h) Respirar é recomeço, romper o peito. Planície na montanha outrora vale, todavia sinuoso. Hoje, não inventas mais o espaço,inicias a cidade. Poema | Poem by - Ana Freitas ReisFotografia | Photo by - Alípio Padilha

A poem a day keeps the sadness at bay.

This week, we went a little off-script and decided to record an impromptu solo show, which was just what the three of us needed to unwind after a stressful week. In typical Ink Heist fashion, this episode was filled with plenty of laughs and I'm pretty sure the three of us had hurt stomachs from laughing so hard. It was a wide-ranging conversation that covered a ton of random topics and we think you'll find plenty of new artists to check out and some helpful writing tips. Just a few of the things we talked about this episode was the work of Kenneth Patchen, if we think about genre when we write, recommendations outside of the Horror genre, what type of fan-fiction we'd write, and more. We had a blast recording this episode and it's always fun when the three of us get together and just hang out. We hope you enjoy the episode and maybe discover some new artists.

The Magical Mouse By Kenneth Patchen

This week, Les chats with Stephanie Hsu. You saw her recently as Mei on 'The Marvelous Mrs. Maisel,' as well as Hulu’s cult drama 'The Path,' and MTV’s 'Girl Code'. We talk particularly about a project very special to her, 'THE LIZ SWADOS PROJECT,' an album of songs by American writer, composer, musician, and theatre director Elizabeth Swados. We'll open the show today a little differently then, with a song before the interview. “In This My Green World” is performed by Stephanie Hsu, with Preston Martin, (from the play Alice in Concert, 1980 – music by Elizabeth Swados, lyrics by Kenneth Patchen from his poem). Check it out! #blacklivesmatter The TV Dudes encourage you to donate to Black Lives Matter, the ACLU Civil Liberties Fund, or another fund that will help move us all forward.

This week, we have a special bonus interview with host Amanda Holmes, in conversation with Stephanie Bastek, the show’s producer and the host of The American Scholar’s Smarty Pants podcast. For the past year and a half, Holmes has recited poems ranging from English classics by W. B. Yeats and Maya Angelou to works in translation by Kamala Das and Wislawa Szymborska to mournful sonnets by Rupert Brooke and lighthearted romps by Kenneth Patchen and Laura Riding. Holmes’s gift lies in treating each poem with equal attention, whether it’s by a new poet she’s just encountered or a canonical master. These days, with listener requests flooding in during the pandemic, the show’s tagline seems truer than ever: we all need more poetry in our lives.Go beyond the episode:Subscribe to Smarty Pants: Spotify • iTunes • Feedburner • Stitcher • Google Play • AcastRead Amanda Holmes’s book reviews and feature column at the Washington Independent Review of BooksPoems mentioned:Robert Browning, “The Pied Piper of Hamelin”Jane Hirshfield, “For What Binds Us”W. H. Auden’s “Funeral Blues”Rabindranath Tagore, “Dungeon” and an excerpt from GitanjaliWalt Whitman, “O Captain! My Captain!”Emily Dickinson,“

For the past year and a half, Amanda Holmes has been delighting readers around the world with The American Scholar ’s podcast Read Me A Poem. She has recited poems ranging from English classics by W. B. Yeats and Maya Angelou to works in translation by Kamala Das and Wislawa Szymborska to mournful sonnets by Rupert Brooke and lighthearted romps by Kenneth Patchen and Laura Riding. Holmes’s gift lies in treating each poem with equal attention, whether it’s by a new poet she’s just encountered or a canonical master. These days, with listener requests flooding in during the pandemic, the show’s tagline seems truer than ever: we all need more poetry in our lives. So this week, we peer behind the curtain of our sister show, speaking with that voice that has been brightening all our lives with weekly poems.Go beyond the episode:View the Read Me A Poem archives on our websiteSubscribe to Read Me A Poem: iTunes • Feedburner • Google Play • AcastRead Amanda Holmes’s book reviews and feature column at the Washington Independent Review of BooksPoems mentioned:Robert Browning, “The Pied Piper of Hamelin”Jane Hirshfield, “For What Binds Us”W. H. Auden’s “Funeral Blues”Rabindranath Tagore, “Dungeon” and an excerpt from GitanjaliWalt Whitman, “O Captain! My Captain!”Emily Dickinson,“I felt a Funeral, in my Brain”Kamala Das, “Summer in Calcutta”Toru Dutt, “

For the past year and a half, Amanda Holmes has been delighting readers around the world with The American Scholar ’s podcast Read Me A Poem. She has recited poems ranging from English classics by W. B. Yeats and Maya Angelou to works in translation by Kamala Das and Wislawa Szymborska to mournful sonnets by Rupert Brooke and lighthearted romps by Kenneth Patchen and Laura Riding. Holmes’s gift lies in treating each poem with equal attention, whether it’s by a new poet she’s just encountered or a canonical master. These days, with listener requests flooding in during the pandemic, the show’s tagline seems truer than ever: we all need more poetry in our lives. So this week, we peer behind the curtain of our sister show, speaking with that voice that has been brightening all our lives with weekly poems.Go beyond the episode:View the Read Me A Poem archives on our websiteSubscribe to Read Me A Poem: iTunes • Feedburner • Google Play • AcastRead Amanda Holmes’s book reviews and feature column at the Washington Independent Review of BooksPoems mentioned:Robert Browning, “The Pied Piper of Hamelin”Jane Hirshfield, “For What Binds Us”W. H. Auden’s “Funeral Blues”Rabindranath Tagore, “Dungeon” and an excerpt from GitanjaliWalt Whitman, “O Captain! My Captain!”Emily Dickinson,“I felt a Funeral, in my Brain”Kamala Das, “Summer in Calcutta”Toru Dutt, “

Amanda Holmes reads Kenneth Patchen’s poem, “Because It’s Good to Keep Things Straight.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you’ll win a copy of a poetry collection edited by David Lehman. Explore more poetry at our website, https://theamericanscholar.org/This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. See acast.com/privacy for privacy and opt-out information.

Memories with lifelong friends repopulates the old town. Larry Smith graduated from Muskingum College in Ohio and earned an MA and PhD at Kent State University He taught at Firelands College-Bowling Green State University and in 1980 he was a Fulbright lecturer in American Literature in Sicily. He is the author of eight books of poetry, two books of memoirs, six books of fiction, two literary biographies of authors Lawrence Ferlinghetti and Kenneth Patchen, and two books of translations from the Chinese with co-translator Mei Hui Huang. His poetry has been featured on Garrison Keillor’s Writer’s Almanac. Two of his film scripts on authors James Wright and Kenneth Patchen have been made into films with Tom Koba and shown on PBS. He is professor of English and humanities at Firelands College (1970-2010) and is director of the Publisher, Bottom Dog Press, Inc.

We must trust and accept vulnerability to fully breathe. Larry Smith graduated from Muskingum College and earned an MA and PhD at Kent State University He taught at Firelands College-Bowling Green State University and In 1980 was a Fulbright lecturer in American Literature in Sicily. He is the author of eight books of poetry, two books of memoirs, six books of fiction, two literary biographies of authors Lawrence Ferlinghetti and Kenneth Patchen, and two books of translations from the Chinese with co-translator Mei Hui Huang. His poetry has been featured on Garrison Keillor’s Writer’s Almanac. Two of his film scripts on authors James Wright and Kenneth Patchen have been made into films with Tom Koba and shown on PBS. He was professor of English and Humanities at Firelands College-Bowling Green State University (1970-2010) and is director of the literary Publisher, Bottom Dog Press, Inc.

Kenneth Patchen's moving and remarkably structured poem of two conversations in a bar performed with an electric band. For more about this and other combinations of various words and original music visit frankhudson.org

Today’s program takes a look at how poems may consider the idea of “happiness” and how some poets may write “happy” poems. The focus, in that consideration, is that happiness may have to do with a sense of contentment. In that light, “happy” poems may reflect a certain contentment in a certain circumstance at a certain time.  That is today’s foundational theme.  I read poems by Walt Whitman, Emily Dickinson, Kenneth Patchen, Gary Snyder (by way of Eliot’s “Little Gidding”), Katia Mitova, Arisa White, and Gina Athena Ulysse that resonate with such momentary contentment – with happiness – and I end with a poem of my own that presents a similar theme.

Drift through an hour of life with this diffuse and meditative episode, which originally aired on November 20th at 3pm. Hear the latest updates from the International Institute for Critical Studies in Improvisation, Marcel Swiboda of School of Fine Art, History of Art, and Cultural Studies, University of Leeds, UK talk about “Sun Ra’s Philosophical ‘Spiritual Exercises’ and the Improvisational ‘Permutation’ of the Present”, and the poem Glory, Glory by Canadians Al Neil and Kenneth Patchen. Originally aired in November 2014 on CFRU 93.3FM. Sound It Out is hosted by Rachel Elliott who is a PhD candidate in Philosophy at the University of Guelph in Ontario, Canada. Sound It Out is produced in conjunction with the International Institute for Critical Studies in Improvisation. The show explores whether and how improvised music can serve as a basis for discursive inclusivity, the creation of new forms of shared meaning, and more democratic means of connecting with each other. Sound It Out airs on Guelph’s campus and community radio station, CFRU 93.3FM, on alternating Tuesdays at 5pm.

Poet Michael C. Ford was a friend of the late Ray Manzarek, as well as one James Douglas Morrison. They met at film school in the early 1960s. He was once considered for the position of bass player in The Doors. Here we discuss his brand new album, Look Each Other In The Ears, which not only features his latest poems but the last-ever musical back-up tracks by all three remaining members of The Doors. We also discuss, among other things, how he learned poetry under the great beat poet, Kenneth Patchen, his first-ever public reading in 1969, and his first appearance on vinyl on SST Records in the mid-80s.

Shock World Service 044 Electronic Snowflakes by Jon Averill 25/12/11 Dublin, Ireland 1. Bjork - Overture It became clear to me early on that a lot of the music I had earmarked for this podcast had only the most tenuous connection to the theme. 2. New David - Radioland One thing I've learned about covers of Kraftwerk tracks over the years is they're mostly crap. Not this. 3. Kenneth Patchen - So Be It A wonderfully forbidding work by Kenneth Patchen. His own reading only serves to enhance its sense of authority. 4. Keith Fullerton Whitman - Generator 3; Keith follows his obsession with "the tenets of Process music & Systems music" 5. Vince Guaraldi Trio - Christmastime Is Here (Alternative Version) The first track which could be called an outright ‘Christmas song' is from Vince Guaraldi. Vince composed & preformed the music to the Peanuts/Charlie Brown cartoons from which this is taken. It provides a suitable nod to the season without Slade or Sir Cliff in sight. 6. µ-Ziq - Hasty Boom Alert Swiftly back to the ‘tracks that remind of Christmas but have no connection whatsoever' box. ‘Hasty Boom Alert' is first rate melodic clatter and bash from µ-Ziq. Taken from his album ‘Lunatic Harness' which I may or may not own. 7. Speedy J - Hayfever Speedy J was behind some stunning techno releases in the mid 90's before stepping back somewhat to make quieter music. 8. Moscow New Choir - Pushkin's Garland Nothing evokes the holiday spirit more than a choir from a cold country, nothing. 9. The Hacker - Electronic Snowflakes I've never been a big fan of The Hacker. This is ok. 10. Max de Wardener - Snowflakes An accompaniment piece to the previous track. Complementing The Hacker's electronic gurglings with more traditional instrumentation. 11. The Cure - Primary Before things get too peaceful and you drift off here are The Cure in their visceral prime. 12. Visage - Whispers From a distance Visage always seemed like something of a novelty act. ‘Fade To Grey' has had all its power and mystic drained away from inclusion on multiple drive-time 80's collections but if you dig deeper they have a handful of really innovative pioneering tracks. 13. Creative Control - Me & My Drums Creative Control rework ‘Little Drummer Boy' 14. Lord Buckley - People Another whimsical rant from the one true lord, Lord Buckley, an indomitable exponent of the importance of people over deities. 15. Tom Waits - Clap Hands I won't lie, I don't know why Tom Waits whiskey & sandpaper voice reminds of Christmas but it does. Cian Ó Cíobháin used a Tom Waits track on his Christmas podcast also so there must be something in this? 16. The Andrew Oldham Orchestra - Play With Fire The Andrew Oldham Orchestra are most famous these days as the act whom The Verve sampled for the string refrain on ‘Bitter Sweet Symphony. 17. Wendy Rané - After Laughter Some may recognise this as the backbone to Wu Tang Clan's ‘Tearz'. 18. The Kingston Trio - Last Month Of The Year Are we the only ones or does the intro remind you of Jape's ‘Floating'? This is 60's folk vintage from the ever so clean-cut Kingston Trio. 19. Soft Cell - Say Hello, Wave Goodbye (12” Mix) Increasingly this time of year is about people returning, myself included from their various outposts around the world before departing just as rapidly. 20. John Baker - Christmas Commercial This short concluding motif comes from John Baker, a key member of The BBC Radiophonic Workshop who produced some stunning and still highly sought after electronic music in the 60's & 70's.

Shortly before he died in 1986, my father was interviewed I think by the Today Show on NBC. At that time, he justified his policy of never withdrawing a record title from the complete two thousand plus collection by saying: “would you take the letter J out of the dictionary merely because it is used less frequently than the letter S?” Well, I thought I would base this show on that idea. Here we have a show in celebration of the letter J. We will cover songs, music from countries, artists, instruments and sounds which all begin with the letter J.