Podcast appearances and mentions of Rebecca Foon

Elena Setién and Black Duck's Bill MacKay and Douglas McCombs are here to discuss their self-titled debut album, their history as collaborators, Douglas' recent travels with Tortoise, BASIC, and Yr Knives, the role improvisation and composition plays in their respective and collaborative work, the significance of musical intuition and listening, why Elena was keen to learn more about Native American and Indigenous history and how her lyrics may reflect that knowledge, thoughts about their next record together, which I may or may not be executive producing, upcoming shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links: Win You've Changed Records by Fiver and G̱amksimoon in August 2026!Ep. #1069: The Messthetics and James Brandon LewisEp. #1055: PullmanEp. #1049: Rebecca Foon and Aliayta Foon-DancoesEp. #1026: TortoiseEp. #871: Bill MacKayEp. #786: Black DuckEp. #736: Douglas Andrew McCombsEp. #704: Sam Prekop and John McEntireEp. #240: A Way That's Clear – Tortoise & The Making of ‘The Catastrophist'Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

We have experimental songs tonight, underground hip-hop & grime, and quite a lot of jungle & drum’n’bass mixed up with more experimental electronics & noise, sound-art meets contemporary classical, music for Palestine, Lebanon, Iran, Sudan and Congo, and more! LISTEN AGAIN to find the hope in the world; stream on demand at fbi.radio, podcast here. Aphir – Photokeratitis [Bird’s Robe Records/Bandcamp] Naarm’s Becki Whitton is many things: having been a guiding force behind sort-of record label Provenance Collective and mastermind of alternative top 100 for leftfield Australian music, The Wettest 100, professionally she’s a talented sound engineer, mixing & mastering many local pop & indie legends; and of course above all she’s a wonderful songwriter, producer, singer & improviser under the name Aphir. It’s been some time since the last Aphir album of songs with beats & stuff – for some time she’s been creating incredible ambient choral works with live looping & processing, some of which was released on The Halo is Shapeless in 2023. That album was released on Art As Catharsis – a very eclectic label, but best known for postrock & metal. Now Aphir’s new album Avarena is coming in September, and another Eora/Sydney postrock powerhouse, Bird’s Robe Records, is releasing it. I’ve had the pleasure of hearing it already, and it’s full of the kind of experimental electronic pop songs we’ve come to expect from Becki Whitton. Brian Ennals & Blockhead – Let it Burn (like Usher) [Phantom Limb/Bandcamp] Last time I had the pleasure of playing Baltimore rapper Brian Ennals, it was as part of a frankly astonishing opus in collaboration with Infinity Knives last year called A City Drowned in God’s Black Tears, mixing hip-hop with guitars’ acoustic strums & electric riffs, and a male gospel choir. NYC producer Blockhead is known – apart from the endless memes on his Instagram – for his extensive production work with Aesop Rock and more recently billy woods, two genius figures in rap – plus scads of solo work. Ennals more than easily stands in those shoes on *ahem* Boatshoes, the first single of which takes in in jazz loops and weird synths, with often-melodic rapping from Ennals. Keep an eye on this album, due out on July 17th. Basic Rhythm & NyNy – Vibez [Sneaker Social Club/Bandcamp] Basic Rhythm – No Future [Sneaker Social Club/Bandcamp] Anthoney Hart’s Basic Rhythm is generally his take on drum’n’bass, albeit always a little off-centre, rhythms shifted in some way. But his latest for the great bass label Sneaker Social Club is titled 8 Bar Techno. So is it techno? Well… kinda? It definitely starts that way, the title track sporting gun reloads & shots accenting its 4/4 thump. It’s definitely bass music though, and half of it I would suggest is grime – a highlight is NyNy‘s collaboration, “Vibez”, with more of those gun cocks. And then “No Future” has the 4/4 pulse and techno tempo, and that syncopated bassline… With Eklipse the mix empties out for a dubstep/grime feel, and sword slices replacing the guns. Only when the album closes on “Ice Cold” do we get hints at drum’n’bass, and even then what it really is a kind of grime-techno-electro stomp. Excellent. Sourdure – Le Pebre (feat. Lisà Langlois) [Murailles Music/Bandcamp] Ernest Bergez, of experimental electronic duo Kaumwald and various bands in various genres, continues his Sourdure project this year with a new album, Outredore, coming in September. With Sourdure, arcane pagan themes are modernised with electronic processing and synths, with lyrics in the Auvergnat dialect of the regional French language Occitan – which is closer to Catalan than French, and was the traditional language of many troubadors in ages past. As much as it draws on the folk music of central France, there are Arabic melodies flowing through these songs, and electronic pulses and tones. The first single features additional vocals from Lisà Langlois of the band Bòsc and collective La Crue, based also in the Massif Central of France. Jesse Draxler – Traap Number 9 ft. Lord Spikeheart & Hybrid Intuition [RIP ID] LA-based visual artist, filmmaker & musician Jesse Draxler released the first single from his upcoming album/project Tongue of Angels a few weeks ago, featuring hardcore punk/hip-hop duo Ho99o9. Here’s the second one now, with two big names from the Kenyan underground: Martin Kanja aka Lord Spikeheart, who works with heavy electronics and was half of grindcore band Duma, and guitarist/producer/futurist Hybrid Intuition. Draxler is primarily a visual artist as far as I know, but whether this is his music or more curation, it’s good stuff! Artilect – Flames (Featuring Miss Ria) [Weaponist/Bandcamp] One of the most consistently exciting drum’n’bass/jungle producers of the last while is Dylan Blythin aka Artilect, who’s often been associated with the Samurai folks but has always tended to have a junglist’s sense of rhythmic complexity shot through the d’n’b cyberpunk battering ram. And that neon, rain-soaked darkness is present on Reptile, his latest EP on Homemade Weapons‘ Weaponist label – to my ears there’s a lot of Dom & Roland here (high praise). dgoHn – Waiting For [Planet µ/Bandcamp] Here are two tastes that sure go well together – the first release by drumfunk genius dgoHn (aka John Cunnane) on Planet µ! Tessares really is vintage dgoHn, with the melodic focus of label boss µ-Ziq – and dgoHn did have an album with Macc on Aphex Twin’s Rephlex label (digital available here), so IDM isn’t exactly foreign to his style of drum’n’bass. But the beats are impeccable & inventive too, of course. Highly recommended. Mantra, Decibella & Tim Reaper – Force 32 [RuptureLDN/Bandcamp] Force 32 is the third collaboration between three huge forces for the jungle revival in the UK: (DJ) Mantra, who co-founded RuptureLDN with her husband Double O, as club nights and a label (who released this EP); Decibella, herself a busy jungle & drum’n’bass DJ, and Ed Alloh aka Tim Reaper, the hardest working guy in jungle, albeit now on a break from his collaborative releases on Future Retro London. The previous installments can be found on Tim Reaper’s label and on FABRICLIVE, and this may be the best of the lot – just really good jungle as it should be done. Shhau – Bedrock [SFX/Bandcamp] Fresh on Zoë Mc Pherson‘s SFX is an album from Armenian musician & bass music producer Shhau. This is music that moves comfortably between bass music genres and tribal, percussive techno – as such it would be perfectly suited to the YUKU label, but very much fits with Mc Pherson’s aesthetic too. I love the way this is a really solid drum’n’bass tune until it pummels its way into something more techno-y. Bios Contrast & Nilotpal Das – Iron Age Fantasies [Bios Contrast Bandcamp/Universal Broadcast] Bios Contrast & Nilotpal Das, Seraphim, Susu Laroche, BROOD – Escape [Bios Contrast Bandcamp/Universal Broadcast] Bios Contrast & Nilotpal Das is the usual way that Nilotpal Das refers to his music-making, although there are many more variations! He’s an incredibly prolific producer, with new tracks going up on Bandcamp more than weekly – and there’s Bios Contrast and Brahmancore at least to follow. These two tracks are from an honest-to-goodness album that’s even released in a limited CD edition from US distributor Universal Broadcast (with impossibly expensive shipping, natch). Sounds from the S.P.E.A.K.E.R System also extends Das’s love of collaboration, with a whole host of artist joining in. On the second track here we have vocals from French-Egyptian cross-media artist Susu Laroche, and additional production from Seraphim and BROOD. We’re talking crazy glitchy beats, sometimes edging into breakcore or speedcore territory. Brahmancore. KK NULL – Quantum Pulsation X_000005 [KK Null Bandcamp] Kazuyuki Kishino, usually known as KK NULL or Null, is one of the most recognized, long-lasting noise & experimental musicians in Japan. Since the early 1980s he’s made noise rock, hardcore punk and industrial, and collaborated with scads of artists from across the spectrum, but for decades as well he’s made mind-melting electronic music. Even if there are elements of dub, techno or other genres, his music remains sui generis. On his Bandcamp you’ll find a host of different series, albums grouped around particular concepts, this particular recent one being Quantum Pulsation X – and it’s not actually the tenth Quantum Pulsation, but rather an extended riff on an earlier work I guess. The complexity of rhythm and noise reflects the complexity of thought that Null puts into everything he does. A fascinating assault on the senses. Architectural – Psychedelic Dancefloor Visions [Delsin Records/Bandcamp] Better known as Reeko, Spain’s Juan Rico has made thumping minimal techno for many years, and in the last few years branched out into drum’n’bass and 170BPM beats, mainly for Samurai Music. His long-established Architectural alias turned up a couple of years back on R&S Records, and has continued as an outlet for the lighter stuff. Here we have some blissfully head-noddy deep techno. Kirk Barley – Ecstatic [Marionette/Bandcamp] We’ve heard Kirk Barley a lot on this show under his own name and as the Church Andrews half of Church Andrews & Matt Davies. In that pairing, Barley’s sinuous yet precise modular synthesis interacts with Davies’ complex (and precise!) drumming patterns, and it’s interesting hearing on forthcoming album Arc that Barley’s solo synth work retains a lot of that rhythmic quirkiness – although to be fair, Matt Davies appears on a number of tracks, including this one. The oddly-tuned synths and hard-to-pin-down rhythms make for a beautifully strange listening experience. dprk – Blutsuppe [Studio Fabrik/Bandcamp] dprk – Aksak-Turm [Studio Fabrik/Bandcamp] I continue to appreciate the super-weird work of Eora/Sydney experimental trio dprk, made up of Richard Fielding (Loop Orchestra, early Severed Heads), Nick Dan (of noise obscurists xNoBBQx) and Juke Wyat (also recently of Loop Orchestra). Gnomes of Zürich is their ostensibly krautrock excursion, although a lot of the aesthetics of that loose genre have inhabited their mix of psych, noise and synth oddness. The two short vignettes here have a strange affinity with the more de-genred aspects of Mike Paradinas’ µ-Ziq and his one-off collaboration with Jochen Paap aka Speedy J, Slag Boom Van Loon. Lord Tusk – Opposites Attract [do you have peace?/Bandcamp] Dawuna – Anything [do you have peace?/Bandcamp] From do you have peace?, the label run by Bristol minimalist bass/trip-hop mavericks Jabu, a highly recommended compilation raising money for on-the-ground organisations in Lebanon, Congo, Palestine, Iran & Sudan. And this is a seriously stacked compilation, ranging from the more ambient side of this scene’s productions to the dub-influenced weirdness of, for instance, Lord Tusk and the minimalist, obscured r’n’b digi-funk of Ian Mugerwa’s Dawuna, who I loved in his early incarnation as Ot to, not to. Helen Svoboda – If [Room40/Bandcamp] Helen Svoboda – Evening Hepuli (feat. Selma Savolainen) [Room40/Bandcamp] Naarm-based Finnish-Australian double bassist is an artist who truly defies categorisation, as you may have noted if you’ve been listening to this show for a while. Adept as a jazz double-bassist, she has also developed many extended techniques on her instrument, and is a master at the melodic use of stopped harmonics (heard in last year’s debut from the TL;DR quartet and 2024’s Anatomical Heart collaboration). Svoboda’s last solo album, 2023’s The Odd River, is a collection of assorted songs, on which Svoboda is joined by many brilliant Australian jazz players, but the music covers folk and classical – and in fact the album is one part of a film work Svoboda made with Angus Kirby (I’m not sure there’s any way to watch it online though). Now the follow-up, Headwater, has been released by the great Room40, showcasing songs & compositions mostly created from Svoboda’s double bass & voice, and co-produced by Tilman Robinson, whose electronics also wrap around many of the works. There are a few collaborators, and notably the voice of acclaimed Finnish singer Selma Savolainen can be found throughout. It’s a stunner. Kalia Vandever – Tough Play [International Anthem/Bandcamp] New York-based trombonist Kalia Vandever plays an instrument that’s a little unusual in jazz as a lead instrument, but is also a talented ensemble player and a great composer & songwriter. Their last solo album, last year’s Another View, was made with a guitar/bass/drums backing band featuring the brilliant Mary Halvorson, but follow-up Mana is entirely performed by themself. There are electronic textures blending with the sound of multi-tracked trombones, and there are also songs, bearing the influence of Vandever’s Hawaiian heritage. There’s something homely about “Tough Play”, with simple piano chords, trombone lurking underneath and Vandever’s clear voice. Just beautiful. Mara – Air Leak feat. Benjamin Woods [Pure Space/Bandcamp] fbi.radio broadcaster, curator, violist, composer, sound-artist Mara Schwerdtfeger returns to the also-fbi-affiliated Pure Space with a two track release. At the time of broadcast the first track was available, based around the single note playable on her great-grandfather’s flute, with additional flautation from Naarm’s Benjamin Woods. The very breathy tones are warming but slightly unsettling, joined at intervals by sub bass pings. Seabuckthorn – Mumbo Jumbo [Lost Tribe Sound/Bandcamp] When we first heard Andy Cartwright’s Seabuckthorn, the project was a showcase for his incredible fingerstyle guitar picking, a brilliant take on American Primitive from an artist based in the UK. There were hints even then of other tendencies bubbling under – shoegazey bowed guitars, field recordings. In the meantime, both under his own name and as Seabuckthorn, Cartwright has taken his art in many different directions, including sound-collage and electronic elements. On this track, we have an arrhythmic collage of percussive sounds which eventually coalesces into a cyclic rhythm, with string drones and a few select notes from Phil Cassel’s double bass (he’s one of two guests on the album, along with Lost Tribe Sound regular William Ryan Fritch). Ben Shemie – I See You Too [Beacon Sound/Bandcamp] Bint Mbareh – one’s own third harmonic on a rusted sewage pipe [Beacon Sound/Bandcamp] Following January’s brilliant compilation Gaza Is The Moral Compass (and it still is), Portland, OR label Beacon Sound offer Flowers Not Bombs, once again featuring artists associated with Montréal’s Constellation label such as cellist Rebecca Foon, Ben Shemie of SUUNS, as well as Lost Tribe Sound’s William Ryan Fritch, cellist/sound-artist Nick Storring, International Anthem & WeJazz-associated percussionist Booker Stardrum – plus Lebanese composer Youmna Saba, Palestinian sound-artist Bint Mbareh, Iranian composer & sound-artist Rouzbeh Shadpey and many more. Shemie’s piece features his high, vocoded voice with beautifully orchestrated strings, while Mbareh’s echoey piano gradually succumbs to sound manipulation, stretching and reversing until its brief piano coda. All profits of this beautiful compilation go to two very worthy on-the-ground organisations: Arab Group for the Protection of Nature and Palestinian Teacher Creativity Center. Félicia Atkinson – Les Yeux IV [VIERNULVIER Records/Bandcamp] Félicia Atkinson – Sans Visage V [VIERNULVIER Records/Bandcamp] I was lucky to perform at the brilliant dunk!festival last year with my band Black Aleph, a festival in Europe’s best-kept secret, the lovely northern-Belgium city of Ghent. Specifically, the festival occurs in a few theatres and venues around an arts centre / platform / community called VIERNULVIER (404), which itself has a phenomenally-curated boutique record label. Having discovered the excellent Antwerp-based musician Youniss through the label earlier this year, I was pleased to see a familiar name in Félicia Atkinson appearing on the label. This album, Sans Visage, was a commissioned by VIERNULVIER for their Videodroom series. It’s spooky music, not particularly redolent of evil but very atmospheric, and simply as sound-art, the maniupated piano and guitar, the organ and voicelike drones and the quite avant-garde harmonies are beautiful, and evoke a soundtrack from years ago, glitchily transmitted from a long-lost archive. Listen again — ~210MB

Claire Devlin and Eli Davidovici from Bellbird are here for a springtime talk about their new album The Call, the McGill University music program, why so many musicians from British Columbia wind up in Montreal, their respective early interests in top 40 pop radio, mainstream and classic rock, and eventually jazz and free music, how improvisation can feel like freedom but also be quite frightening, the cultural hub that was Resonance Café, playing improvisation games, delving into the political nature of songs like “Blowing on Embers” and “Soft Animal” and dedicating the former to a free Palestine, relating to birds, playing a show at Suoni Per Il Popolo on June 28, 2026, working on new songs, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1107: PotionsEp. #1100: The CreemEp. #1096: Marisa AndersonEp. #1093: Spencer KrugAll Things Konsidered: The Beatles AnthologyEp. #1069: The Messthetics and James Brandon LewisEp. #1051: Friendly RichEp. #1049: Rebecca Foon and Aliayta Foon-DancoesEp. #1048: Mark MolnarSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Richard Reed Parry returns to discuss Were “The Watchtowers” by Dallas Good + Richard Reed Parry, his Skybarn recording studio, being a new dad and adjusting to life off the road, how he first got to know Dallas after they were randomly chosen to participate in a Dawson City Music Festival collaborative workshop, a shared love of the Everly Brothers and other key artists and records, instant friend crushes and a yearning to collaborate on music, how they wrote lyrics together in a shared, outdated daytimer, insights about how vocals and other recordings of Dallas were used posthumously, how the sessions for Colder Streams by the Sadies and the Watchtowers informed each other, a unique contribution by Neko Case and making an album with songs about the tragic loss of one of the creators of that same album, why it's a Record Store Day exclusive, news about Richard's other bands and pursuits, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win a Gord Downie Vinyl Bundle in April 2026!Ep. #1082: Joe PerniceEp. #1049: Rebecca Foon and Aliayta Foon-DancoesEp. #889: Rick White and The SadiesEp. #857: Michael FeuerstackEp. #815: Geordie GordonEp. #805: La ForceEp. #703: The SadiesEp. #669: Dallas Good RememberedEp. #485: Richard Reed ParryEp. #191: Buffy Sainte-MarieSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Rebecca Foon is best known as a cellist – she's been a pivotal figure on the Montreal scene, playing with bands like Thee Silver Mt Zion and her world music/chamber ensemble Esmerine. But Foon has also been making solo records, often including her vocals as well, and her latest, Black Butterflies, is a collection of songs that blends dream pop, minimalism, and ambient music. Rebecca Foon plays live, in-studio. Set list: 1. If I Could Only See the Distant Sky 2. in a time of truth 3. Flood of Eternity

Rebecca Foon and Aliayta Foon-Dancoes are here to discuss their debut album, Reverie, studying at Princeton, their family dynamic and their respective early forays in classical music, how much formal music education can inform improvisation and punk rock, Rebecca's work on the Lost River Music Festival and the Pathway to Paris initiative, how their feelings about the ecological inspiration behind Reverie are more melancholy since collective climate change mitigation targets have not been met, a conversation about the novel The Alchemist with Patti Smith and Jesse Paris Smith, what's next, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1048: Mark MolnarEp. #667: Efrim Manuel MenuckEp. #636: SofaEp. #382: EsmerineEp. #314: SaltlandEp. #220: EsmerinePatti Smith (2007) – TeaserEp. #18: Colin Stetson & Sarah NeufeldSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Playlist for The Everything Show 12/15/2025Iggy & The Stooges / No FunStarcrawler / Goodtime GirlLeonard Cohen / Boogie StreetWooden Shjips / Golden FlowerSarah Neufeld, Richard Reed Parry, Rebecca Foon, Mary Lattimore / Rosa Canina (Mary Lattimore Rework)Johnnie Johnson / Key to the HighwayLos Tayos / Bright SorrowThe Mavericks / RecuerdosBuddy Holly & The Crickets / It's Too LateDerek & The Dominos / It's Too LateArchy Marshall & King Krule / When And WhyThe Limiñanas / La fille de la ligne 15supermodel* / i used to live in englandPuma Blue / Croak DreamThanks Light... / Dirtbag ChristmasThe Eagles / Please Come Home For ChristmasBoy Golden / Cowboy Dreams (feat. Cat Clyde)Kerala Dust / Night Bell (Arizona)Little Walter / Crazy Mixed Up WorldGoat and human language / One More ShadowPortishead / We Carry OnFleetwood Mac / Black Magic WomanJoe Jackson / Welcome to Burning-By-SeaRose City Band / Lights on the WaySteve Cropper / The Amazing Story Behind Green OnionsBooker T. & The MG's / Green OnionsTomora & Aurora & The Chemical Brothers / Ring The AlarmJimi Hendrix / Red House (Live At Woodstock)Johnny Mercer / Blues In The Night (With Jo Stafford & The Pied Pipers)Michael Stipe / Sunday MorningBryan Ferry / Stone WomanEcho And The Bunnymen / The Killing MoonThelma Houston / Don't Leave Me This WayThelonious Monk / Straight No ChaserElvis Presley / Blue ChristmasCaptain Planet / Que Queiro VolverBeck / StarMoon Duo / Slow Down Low

"Black Butterflies" The Vancouver-raised Rebecca Foon grew up with parents who were artists and activists, so it's no surprise that she became an artist and an activist herself. Let's start with the artist part. The Juno-award winning cellist, singer and composer Rebecca Foon has been in so many bands it's hard to keep track, so this is a partial list. No stranger to the post-rock and experimental world, Foon has been in Set Fire To Flames, Fifths Of Seven, A Silver Mt. Zion and the Gorecki Symphony Of Sorrow with Colin Stetson. She's also recorded under the Saltland moniker and she's the co-founder of the modern chamber ensemble Esmerine, whose 2013 Dalmak record won them a Juno. Under her own name Foon put out Waxing Moon in 2020 and the follow-up is the rather stunning new album Black Butterflies. Filled with sonorous vocals, inventive percussion and wondrous, sneaky rhythms, the reflective trip-hop groove of Black Butterflies summons the work of everyone from Massive Attack to Portishead. Redolent with rhythmic precision, musical dexterity and the kind of sonic architecture that builds worlds in the sky, Black Butterflies is a dose of real magic. Foon has collaborated with a list of luminaries like Laurie Anderson, Grant Hart, Nick Cave, British Sea Power, and Patrick Watson. As an activist and environmentalist, she's a member of the sustainability and climate change consulting cooperative Sustainability Solutions Group. A creative force powered by grace, Rebecca Foon is a real treasure. www.rebeccafoon.com www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com Stereo Embers: IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

This story was written by Megan Westberg for the January-February 2025 issue of Strings magazine and is read by the author...Violinist Sarah Neufeld and cellist Rebecca Foon first met as teenagers at an Ani DiFranco concert. This seems a good place to start, as any discussion of their new album, First Sounds (Envision Records)—on which Neufeld and Foon combine talents with those of multi-instrumentalist Richard Reed Parry—really has to start in the late '90s, when this trio initially came together. The relationships, you see, came first in the origin story of this project and are inextricably central to it. Support the show

Da sind wir wieder! Diesmal mit 'First Sounds' von Sarah Neufeld, Richard Reed Parry & Rebecca Foon und 'A Frame of Mind' von Kalandra. Wir reden über die Wichtigkeit von Kunst und verkosten schließlich ein Hefeweissbier der Brauerei Weihenstephan.

[Full Episode]  Rebecca Foon, an Award-Winning Musician, A Climate Activist, and Businesswoman, shares her journey from falling in love with the cello as a child to becoming a renowned cellist and composer. She discusses her experiences playing with various bands, including Silver Mount Zion and Esmerine, and collaborating with artists like Leonard Cohen and Patti Smith. Rebecca also talks about her involvement in climate activism and her work with Pathway to Paris, an organization focused on creating a sustainable world by helping cities transition to 100% fossil fuel-free by 2040. She emphasizes the importance of climate action plans and the need for cities to implement ambitious strategies to reduce carbon emissions. Rebecca Foon discusses her work in climate activism, sustainable cities, and protecting the Peruvian Amazon. She emphasizes the importance of engaging with local communities and politicians, divesting from environmentally harmful industries, and making sustainable choices in daily life. Foon also highlights the power of creativity and imagination in envisioning a sustainable future. She shares her experiences with Modo Yoga and her eco-conscious retail brand, as well as her venture into visual arts with her art exhibit, Ascension. Foon encourages individuals to follow their passions, engage in collective action, and advocate for change.   Chapters: 00:00 - Introduction and Childhood Love for the Cello 08:09 - Exploring Music Outside of Classical 18:59 - Collaborating with Leonard Cohen 26:01 - Founding Pathway to Paris 31:14 - Importance of Climate Action Plans 41:15 - Driving Climate Action and Sustainable Cities 49:37 - Protecting the Peruvian Amazon and Engaging in Conservation 52:54 - Modo Yoga and Eco-Conscious Retail: Integrating Passions 01:02:28 - Venturing into Visual Arts: The Power of Creativity 01:14:42 - Taking Action: Engaging, Divesting, and Making Sustainable Choices

Hear music from the Montreal-based one-woman band, Saltland, aka cellist Rebecca Foon, from her2017 album, A Common Truth. She layers multiple loops of her cello, atop a rich set of drones, live in-studio. (From the Archives, 2017.)     

Rebecca Foon + Spirodon mix for Radio alHara April 2022 Track listing: (Artist, Track Title) 01. Precipitation & Mirage Area - Dream of the Country of the Wind via @ume-records 02. Philip Glass - Opening 03. @nicolas-jaar - Introducción (EMA Soundtrack) 04. Nicolás Jaar - Tema Final (EMA Soundtrack) 05. Jesse Paris Smith - Legacies 06. @williamryanfritch - (I) These Signs Shall Follow 07. Erkan Oğur & İsmail Hakkı Demircioğlu - Derdim Çoktur Hangisine Yanayım 08. Fatoumata Diawara - Nterini (A Colors Show) 09. Tony Allen - Ise Nla 10. Jesse Paris Smith, Tenzin Choegyal, Laurie Anderson - Heart Sutra Song - Gone Beyond 11. @rivalconsoles - Pulses of Information 12. Anarchist Mountains - Balkan Starmap (via @mediteranos)

In this episode, SpokenWeb contributor Julia Polyck-O'Neill shares an archived recording of Canadian poet Lisa Robertson with us and talks us through two interviews she recorded with Robertson. Polyck-O'Neill invites us to consider the significance of Robertson's intimate archival collections in light of the relationships between archives, memory, affect, and mortality. In examining these conceptual, material and immaterial dimensions of the archive within Robertson's personal narrative history of the Kootenay School of Writing, Polyck-O'Neill points to how creative and feminist approaches to the archive and to archival practice are exist within Robertson's practice. Polyck-O'Neill shares with us how Robertson's archives are influencing her research and the ways she approaches the topic of archives and intimacy in her work and her life more broadly.Addendum: Listening NotesNancy Shaw (1962-2007), a celebrated curator, poet, writer, and organizer, at times collaborated with Lisa Robertson and also wrote work in dialogue with Robertson's poetry. Robertson wishes to mention how greatly the absence of her good friends Shaw, Stacy Doris (d. 2012), and Peter Culley (d. 2015) has affected her. Additionally,  XEclogue was, in fact, Robertson's first book, although she published chapbooks prior; additionally, she does not think of her books as collections, as they are written as single, cohesive works. The new edition of R's Boat is titled Boat and is being published by Coach House in Spring 2022.  SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about SpokenWeb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada. Episode Producer:Julia Polyck-O'Neill is an artist, curator, critic, poet, and writer. A former lecturer at the Obama Institute at Johannes Gutenberg Universität Mainz (2017-18) and international fellow of the Electronic Literature Organization, she is currently a Social Sciences and Humanities Research Council (SSHRC) Postdoctoral Fellow in the department of Visual Art and Art History and the Sensorium Centre for Digital Arts and Technology at York University (Toronto) where she studies digital, feminist approaches to interdisciplinary artists' archives. Her writing has been published in Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft (The Journal for Aesthetics and General Art History), English Studies in Canada, DeGruyter Open Cultural Studies, BC Studies, Canadian Literature, and other places. CitationsCvetkovich, Ann. An Archive of Feelings. Duke University Press, 2003. Fong, Deanna and Karis Shearer. “Gender, Affective Labour, and Community-Building Through Literary Audio Artifacts.” No More Potlucks, 2018, http://nomorepotlucks.org/site/gender-affective-labour-and-community-building-through-literary-audio-artifacts-deanna-fong-and-karis-shearer/. Accessed 1 Dec. 2019.  Morra, Linda. Unarrested Archives: Case Studies in Twentieth-Century Women's Authorship. University of Toronto Press, 2014. Robertson, Lisa. “At the Kootenay School of Writing, Vancouver, 1994: Launch of XEclogue on January 8, 1994.” PennSound, n.d., https://media.sas.upenn.edu/pennsound/authors/Robertson/Robertson-Lisa_Reading_Kootenay-School_Vancouver_01-%2008-1994.mp3. Accessed 1 Sept. 2021. Singh, Julietta. No Archive Will Restore You. Punctum, 2018. Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press, 2003. Music Credits:Clouds at Castor Ridge by Zander on Blue Dot Sessions: https://app.sessions.blue/browse/track/69017 Kothbiro by Real Vocal String Quartet on Free Music Archive: https://freemusicarchive.org/music/Real_Vocal_String_Quartet#contact-artist Sunsets and Rockers by Rebecca Foon on Free Music Archive: https://freemusicarchive.org/music/Rebecca_Foon/Live_At_CKUT_on_Montreal_Sessions/03_Sunsets_And_Rockers

It's the first day of the UN's 26th Climate Change Conference in Glasgow, Scotland. Cameron introduces some of the key issues at the summit and speaks to activists, delegates and government representatives. Towards the end of the episode, he travels to Theatre Royal to meet Rebecca Foon - co-founder of Pathway to Paris.  For more information about the podcast, go to: www.thebiglight.com/cop26 Official goals of COP26 (https://ukcop26.org/cop26-goals/): 1. Secure global net zero by mid-century and keep 1.5 degrees within reach Countries are being asked to come forward with ambitious 2030 emissions reductions targets that align with reaching net zero by the middle of the century. To deliver on these stretching targets, countries will need to: accelerate the phase-out of coalcurtail deforestationspeed up the switch to electric vehiclesencourage investment in renewables. 2. Adapt to protect communities and natural habitats The climate is already changing and it will continue to change even as we reduce emissions, with devastating effects. At COP26 we need to work together to enable and encourage countries affected by climate change to: protect and restore ecosystemsbuild defences, warning systems and resilient infrastructure and agriculture to avoid loss of homes, livelihoods and even lives 3. Mobilise finance To deliver on our first two goals, developed countries must make good on their promise to mobilise at least $100bn in climate finance per year by 2020.  International financial institutions must play their part and we need work towards unleashing the trillions in private and public sector finance required to secure global net zero. 4. Work together to deliver We can only rise to the challenges of the climate crisis by working together. At COP26 we must: finalise the Paris Rulebook (the detailed rules that make the Paris Agreement operational)accelerate action to tackle the climate crisis through collaboration between governments, businesses and civil society.

Rebecca Foon, the cellist, producer, composer and climate activist, is a central part of the Montreal new music scene. She's a former member of Thee Silver Mt. Zion, co-founded the progressive chamber band Esmerine, and created albums of cello and electronic soundscapes under the name Saltland. But her new album features a lot more piano, other instruments, and the the quiet kick of her own cello-like voice. The album’s called Waxing Moon, and it’s come out under Rebecca Foon’s own name. Cellist and pianist Rebecca Foon performs some of this new material, in-studio.  Watch the session here:

Den judiska högtiden Purim är en berättelse om kvinnors mod, uthållighet och intelligens. När jag ibland hamnar i situationer där jag behöver vara riktigt stark och modig, hjälper det att tänka på andra starka kvinnor för att få inspiration. Drottnong Vashti och Ester var två modiga kvinnor som stod upp för det de trodde på . De är några av de goda förebilder jag bär med mig. Jag hör dem säga: Bara gör det! Och så gör jag det, fastän jag kanske är rädd eller tror att jag inte ska lyckas. Annebelle Gyllenspetz, föreläsare och skribent från Göteborg, berättar om den judiska högtiden. Text Ester 3:2-10 Musik  Rose Centifolia/Rachel Levine, Rebecca Foon, Spencer Krug,  Fifths of Seven Power of Love/Jennifer Rush Producent Neta Norrmo för Sveriges Radio Göteborg liv@sverigesradio.se

Kvinnodagen och den judiska högtiden har något gemensamt. Den judiska högtiden som börjar idag handlar om starka kvinnor. För mig är Purim inte bara en berättelse om att judarna klarade sig undan utrotning, utan en 2500 år gammal hyllning till kvinnan. Det är hennes mod, intelligens och styrka som står i fokus. Och även i denna tid ser vi unga kloka flickor och kvinnor som vågar stå upp mot etablissemanget, som vågar ta ton i en mansdominerad värld. Annebelle Gyllenspetz är föreläsare och skribent från Göteborg Text Ester 3:2-10 Musik Rose Centifolia/Rachel Levine, Rebecca Foon, Spencer Krug,  Fifths of Seven Power of Love/Jennifer Rush Producent Neta Norrmo för Sveriges Radio Göteborg liv@sverigesradio.se

The founders and guiding visionaries of Pathway to Paris, Jesse Paris Smith and Rebecca Foon sit down for an in depth discussion on climate change and how to inspire change via the power of rock and roll. Our conversation traverses the difficult but perhaps ultimately optimistic way in which we can unite to combat the most pressing issue of our time. Jesse and Becca are extremely powerful activist avatars dancing in the world of art, activism, politics and community. Their foundation, Pathway to Paris, may in fact raise the bar on bringing crucial awareness to this issue while also rocking out! Pathway to Paris is an initiative in partnership with the United Nations Development Programme and 350.org that brings together musicians, artists, activists, climate change experts, academics, politicians and innovators to participate in a series of events, dialogues and leading initiatives to help turn the Paris Agreement into reality. Attend one of their upcoming events in SF or LA in September. Patti Smith, Bob Weir, Flea and Eric Burdon are all a part of it! Intro Rant - More discussion on climate change through the lens of a TED talk from Nicholas Sparks. This episode of the podcast is sponsored by The Yoga of Strength, a new book by Andrew Marc Rowe. Pre-order to publish now!

CAT POWER. SILVER STALLION – 2:50Jukebox, Matador, 2008 BILLIE HOLIDAY. DON'T EXPLAIN – 3:25Don't Explain (single), Decca, 1946 THE CLASH. GHETTO DEFENDANT – 4:45Combat Rock, CBS, 1982 PATTI SMITH. SPELL – 3:15Peace & Noise, Arista, 1997 PATTI SMITH, JESSIE PARIS SMITH & REBECCA FOON. NATURE – 5:00Pathway To Paris – Live At Le Trianon, Pathway […] Cet article Errance #108 : De Cat Power à Smog est apparu en premier sur Eldorado.

This year's UN Response Plan for Yemen, describes the war-torn country as “the worst man-made humanitarian crisis” in the world, with more than 22 million people – around three-quarters of the total population – in need of help. Over the past few years, it's the voice of Humanitarian Coordinator Jamie McGoldrick, that has been drawing the world's attention the most loudly, and the most often, to Yemen's plight. He had extensive experience as a senior manager with the UN humanitarian affairs office (OCHA), before arriving in Yemen, in December 2015, and for our latest UN News interview podcast, he explains why he's just stepped down from the job, and what it has been like to oversee one of the most difficult and challenging aid operations in the world. Mr McGoldrick tells Matt Wells that to deliver aid to an increasingly desperate population in Yemen, there's “no point in getting angry, there's no point in getting frustrated, the point is to get smart”. Music Credits: White Throated Sparrow, by Rebecca Foon. Taking Flight by Chuck Lovejoy.  Licensed by OMNI.

At the end of all things is a maze. Music: Anxiety Remains by Ars Sonor, Song of the Stations by Samara Lubelski, Soli by Kai Engel, Hearts Mend Prelude by Rebecca Foon, Daemones by Kai Engel, and M, Volume II by (morse). Written by Becca De La Rosa and Mabel Martin. Produced by Becca De La Rosa.

Saltland is the moniker of composer and cellist Rebecca Foon who calls Montreal, Quebec home. A former member of A Silver Mt. Zion and currently in Esmerine, Foon has just released, A Common Truth, her second album as Saltland, and a lovely, stirring album released by Constellation Records on March 31, 2017. Rebecca and I recently had a chat about her yoga practice and perceptions of mental health, climate change and the actions of people who acknowledge and deny its impact on Earth, her role in co-organizing the successful and star-studded Pathway to Paris concerts for climate justice, Flea and Warren Ellis, her own music, and much more. Sponsored by the Bookshelf, Pizza Trokadero, and Planet Bean Coffee.    

Atlanta's Mastodon, arguably the kings of modern metal, are back with a crushing new album that cements their legacy as much as it catapults them into the future. After playing it straight for two albums, Emperor Of Sand is a return to the concept album, this time exploring some very real, and very close to home, battles with cancer. Andre and Marcus join Kevin in the basement to talk through this savage masterpiece from one of the fiercest bands in the land. PLUS! Saltland aka Rebecca Foon is back with a sublime new LP entitled A Common Truth, and we've got a listen to its latest single to help you come down. See acast.com/privacy for privacy and opt-out information.

Anna's last stand. Featuring: Featuring: FeatUring: fEaturing: buıɹnʇɐǝɟ: www.mabelpodcast.com Music: Anxiety Remains by Ars Sonor, Black Jack by Scott Holmes, Night Train by c4, The Ruins Part 2 by i AM esper, Ground Machine (after Purcell) by Lloyd Rogers, Hearts Mend Prelude by Rebecca Foon, and M, Volume II by (morse). Written by Becca De La Rosa. Performed by [REDACTED] and Becca De La Rosa.

˙uoıʇsǝnb ɐ 'puɐɯǝp ɐ 'ɐǝןd ɐ :buıɹnʇɐǝɟ ˙pǝןןıʞ ǝq ʇ,uɐɔ ʇɐɥʇ pןɹoʍ-sʎɐʍǝpıs ǝɥʇ uı buıɥʇǝɯos sı ǝɹǝɥʇ www.mabelpodcast.com Music: Anxiety Remains by Ars Sonor, The Cave by Vicnet, Trees Reflected in the Water by Shadows on the Snow, moon saturday by The Owl, White-Throated Sparrow by Rebecca Foon, Weighing of Souls (Anubi) by Absolutus, Here by Blear Moon, and M, Volume II by (morse). Written by Luna Thorne. Performed by [REDACTED] and Becca De La Rosa.

In the final episode of season 1, Anna finds herself caught in the eye of the storm. Featuring: a cold end. www.mabelpodcast.com Music: Anxiety Remains by Ars Sonor, A Moth is Born by Caroline Park, Drown by Altered:Carbon, Hearts Mend Prelude by Rebecca Foon, Cad Goddeu by Nest, Soberbia Espiritual 2 by Epoxia, Perpetua by Avoidant, Ground Machine (After Purcell) by Lloyd Rogers, We Can Be What They Are Doing by Caroline Park, and M Volume II by (morse). Written by Becca De La Rosa. Performed by [REDACTED] and Becca De La Rosa.

There's a man in the street. He's been there all morning. What does he want? Featuring: a stranger, a name revealed, palindromes, recursion, and one important word. www.mabelpodcast.com Music: Anxiety Remains by Ars Sonor, At First the Separation from Your Body Was Harmful by Avoidant, Chantiers Navals 412 by LJ Cruzer, Drown by AlteredCarbon, Apparitions by Avoidant, White Throated Sparrow by Rebecca Foon, and M, Volume II by (morse). Written by Becca De La Rosa. Performed by [REDACTED] and Becca De La Rosa.

Rebecca Foon and Bruce Cawdron are the founding members of a superb chamber rock ensemble from Montreal called Esmerine. Founded in 2001, Esmerine was an exploratory outlet for Cawdron, a marimba player and percussionist who once played drums in Godspeed You! Black Emperor, and Foon, a cellist who once played in A Silver Mt. Zion. […]

Earlier this year, my daughter got to meet the transgender TV star Laverne Cox. I wrote about it for my blog, and that heart-warming, feel-good post went crazy viral on the internet. But there's more to the story. Here it is. My daughter gave her first interview (to Amy Poehler's Smart Girls website): Check it out!Music credits: "Hearts Mend (Prelude)" by Rebecca Foon, "EDM Detection Mode" by Kevin MacLeod (incompetech.com), "nu pop2" by Plusplus.

"En palabras de otros" es un podcast mensual en el que invitamos a escritores a leer y comentar cuentos publicados en las páginas de Letras Libres. En este episodio, Verónica Murguía lee "El encuentro", de Guadalupe Nettel, que fue publicado en Letras Libres en junio de 2011 y puede leerse aquí: http://www.letraslibres.com/revista/convivio/el-encuentro Música: "Improvisation I", de Ikue Mori, Ned Rothenberg y Alex Waterman; "Sunsets and Rockers", de Rebecca Foon. www.freemusicarchive.com

Pinball Sessions are live, off the floor, pressure free recordings by some of Canada and the World's best artists. Recorded in Guelph, ON at the Pinball Studios, full sessions are released twice a week and can be heard and downloaded for free at http://pinballsessions.com. THIS EPISODE: We have a very cool show featuring bands made up of other bands...for lack of a better theme. Esmerine comes first, a band that has been around since the early 2000s consisting of Bruce Cawdron of Godspeed! You Black Emperor and Rebecca Foon of Thee Silver Mt. Sion and Saltland. Following that, Phèdre made up of Hooded Fang frontman Daniel Lee and bassist April Aliermo, who performed their Pinball Session along with Beta Frontiers. Both full sessions can be found at http://pinballsessions.com ESMERINE - TUNGSTEN Session: http://pinballsessions.com/2014/01/16/esmerine/ * Web: http://www.esmerine.com * Facebook: https://www.facebook.com/pages/Esmerine/115994205138357 * Constellation Records: http://cstrecords.com/esmerine/ PHÈDRE - ODE TO THE SWINGER Session: http://pinballsessions.com/2014/01/30/phedre/ * Web: http://phedreamour.wordpress.com * Soundcloud:https://soundcloud.com/phedre * Facebook: https://www.facebook.com/phedreamour * Twitter: https://twitter.com/phedreamour Find Beta Frontiers on Bandcamp: http://betafrontiers.com --- Find Pinball Sessions Online: Web: http://pinballsessions.com/ Twitter: https://twitter.com/PinballSessions/ Facebook: https://www.facebook.com/pinballsessions Instagram: http://instagram.com/pinballsessions/ Google+: https://plus.google.com/109652065469078482120/posts --- Sign up for our newsletter for regular updates on upcoming sessions, contests and other goodies! - http://eepurl.com/uQkyD Rate and Review us on iTunes, Podomatic, or whoever you consume our podcast! It helps more than you could ever know! iTunes: http://itunes.apple.com/ca/podcast/pinball-sessions-podcast/id678367272?mt=2 RSS (Android, WebOS and others): http://pinballsessions.podomatic.com/rss2.xml Each time you rate and review us, a new pinball club is born in a city with no pinball machines. Spread the love!

Before we start these notes, a reminder: rabble.ca is kicking off our fundraising drive this month and so I'd like to issue you a little challenge. We know that most of you listeners consume all kinds of media — mainstream and independent. What rabble.ca wants you to do this year is match your spending on mainstream media: newspapers, cable, whatever you get, and send that amount rabble.ca's way. You can do that at this link: rabble.ca/donate. You can make a one-time donation or buy a membership. It's your support that keeps rabble.ca running. That link again is rabble.ca/donate. Hope to see you there. We're going to start this program with some music. Abousfian Abdelrazik's struggle  has been a long one. While he was on a visit from his home in Montreal to Sudan he was jailed by the Sudanese government, on the recommendation of the Canadian Security Intelligence Service. During his imprisonment he was interrogated and tortured, but he was never charged. In 2007,  he was released from prison, and took refuge in the Canadian Embassy in Khartoum. He lived there for 14 months, while his attempts to return to Canada were blocked by officials. In 2009, grassroots pressure helped facilitate his return to Canada, and this week Abdelrazik was told that his name had been removed from the UN list of terror suspects, and that his life could return to normal. In support of Abdelrazik's struggle, Montreal artists have been raising funds and creating work to commemorate his experience as part of Montreal's history. Stefan Cristoff has been writing a series of piano works based on Abdelrazik's struggle, to start off this episode, we're going to play you one of those pieces. Here is is a live performance of a duet for Abdelrazik, performed by cellist Rebecca Foon and Stefan Christoff. That was Duet for Abdelrazik, performed by Rebecca Foon and Stefan Christoff. A CD of compositions is scheduled for release in 2012. For more information, you can go to: http://artthreat.net/2011/04/abdelrazik-foon-christoff/ I'd like you to cast your mind back a few months. Attawapiskat and the housing crisis affecting its residents is all over the news these days. While it is the most recent First Nation to capture the spotlight it is not the only First Nation where housing conditions, education and career prospects for residents are far below the standard Canada insists it wants to provide.  Despair and suicide are common in communities where living conditions that include poor housing, no plumbing and inconsistent water supplies. I thought it would be appropriate, in this episode, to play an interview I conducted earlier this year with Joanne Dallaire. In August, after two months which saw five young people commit suicide in his community, Gordon Peter, the former chief of Pikangikum First Nation, wrote an open letter  asking for assistance. It hit the media, but was soon lost under other suicide reports as two NHL players took their own lives. Joanne Dallaire agreed to talk to me after the Pikangikum story had fallen out of the news. She has worked with Ryerson University to help incorporate aboriginal teachings into curriculum there, conducts healing workshops for aboriginal and non-aboriginal organizations across Ontario, and sits as an adviser for several agencies. She devotes herself to teaching and healing. She is from Attawapiskat. Here's our conversation. This month the Occupy movement in Canada faced strong opposition from municipal governments in most cities. Vancouver, Ottawa, and Toronto suffered the most high-profile evictions. Raffi is known by many for his work as a children's entertainer. He is also a well-known social change advocate,writing songs in support of social movements worldwide. He took his inspiration for the song we're about to feature from the Occupy movement. Here is Raffi with No Wall Too Tall. For more coverage of the Occupy movement as it continues, go to rabble.ca/occupy. Cathi Bond is rabble.ca's trusty movie columnist. While the rabble.ca podcast Reel Women — where she and Judy battled it out over movie picks — is done, that doesn't mean that Cathi is off the movie beat. In this episode of rabble radio I thought I'd bring you her latest. The new podcast is called Watch Me. This episode, she's talking about Sarah's Key. Here's Cathi. If you want to subscribe for Cathi's DVD recommendations, you know where to go. rabble.ca/podcasts then click the link to Watch Me. That brings us to the end of this episode of rabble radio, thanks for listening. Just a quick reminder before we take off.  Thanks to all the people who helped to put this episode together: Cathi Bond, Emily Hill, and Kim Wiltzen. Small crew this week! Our theme was composed for us by Bob Wiseman. If you have any comments or questions, please don't hesitate to email rabble radio. You can do that by emailing me. My address is as follows: Meagan@rabble.ca That's all from me. Talk to you next month. And I can't leave without giving you the donate address again: rabble.ca /donate.

Solo Performance by Rebecca Foon on cello, effects pedals and voice recorded and mixed by erin Weisgerber and Andrea-Jane Cornell at CKUT for broadcast on the June 8, 2010 edition of the Montreal Sessions.