Podcasts about Sally Menke

Analisamos "Pulp Fiction" no aniversário de 30 anos de um dos mais populares e influentes filmes dos anos 90, escrito e dirigido por Quentin Tarantino. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Confira abaixo a minutagem dos quadros e capítulos do podcast: 00:00:00 - Introdução 00:05:20 - Grande Angular: ficha do filme e as origens de "Pulp Fiction" 00:13:59 - Close-up: O que o estilo de cinema de Quentin Tarantino tem de melhor? 00:29:49 - Ponto de Vista: Como é rever "Pulp Fiction" 30 anos depois? 00:48:01 - Ponto de Vista: "Pulp Fiction" é mais linguagem do que substância? 01:04:41 - Ponto de Vista: A violência nos filmes do Tarantino é um mérito ou um problema? 01:27:35 - Ponto de Vista: "Pulp Fiction" tem um protagonista? 01:42:59 - Zoom: nossas cenas favoritas de "Pulp Fiction" 01:56:20 - Fora de Quadro: Prequel sobre os irmãos Vega? 01:59:35 - Fora de Quadro: Qual é o seu filme favorito do Tarantino? Vencedor da Palma de Ouro no Festival de Cannes, "Pulp Fiction" é estrelado por John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis e Ving Rhames nos papéis principais. No elenco coadjuvante, estão Tim Roth, Amanda Plummer, Eric Stoltz, Christopher Walken, Harvey Keitel, Rosanna Arquette e Maria de Medeiros. Além da análise do filme, o nosso podcast traz os bastidores da origem de "Pulp Fiction" e discute tópicos como a influência que o longa teve sobre cineastas da nova geração, o duelo entre forma e conteúdo nos filmes de Tarantino, sua colaboração com a montadora Sally Menke, o uso da violência como entretenimento, entre outros. Também elegemos nossas cenas favoritas de "Pulp Fiction" e os nossos filmes favoritos do Tarantino. Participam do podcast: Renato Silveira e Kel Gomes, editores do cinematório; Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder"; Renné França, professor, crítico, diretor do filme “Terra e Luz”, autor do livro "Introdução ao Roteiro para Cinema", que pode ser baixado na bio do seu perfil Insólito Audiovisual; e Paulo Henrique Fontenelle, montador e diretor dos documentários “Loki – Arnaldo Baptista”, “Cássia”, “Dossiê Jango” e da série “O Caso Escola Base”. No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br.

For this Calendar episode - Elric, Brian and Phil are joined by film writer and SVP at The Blacklist Kate Hagen to talk about the month's 35mm screenings of The Holdovers, spotlighting female forward stories, celebrating classic Hollywood star Carole Lombard, editor Sally Menke, animator Ralph Bakshi, martial arts master Jackie Chan, and more! Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod

En este episodio conversamos sobre la película del año 2009, “Inglourious Basterds” (Bastardos Sin Gloria) del director Quentin Tarantino, protagonizada por Brad Pitt, Christoph Waltz, Michael Fassbender, Diane Kruger, Daniel Brühl y Mélanie Laurent.

When it comes to keeping an audience on the edge of their seat, the precision of the edit is everything. In this WFT Podcast acclaimed New York-based editor Julia Bloch spoke with WFT Ireland member Amy O'Connell about their craft, Bloch's career, and on cutting thrillers and drama that make a mark on the film industry. Julia Bloch: Julia is a New York-based film editor who has worked on a wide range of projects, including Terrence Malick's Palme d'Or winner The Tree of Life and Doug Liman's war drama The Wall. Films she has edited have premiered at the Sundance Film Festival, TIFF, The Venice Biennale, The Berlinale, and Cannes; her work on “The Mosquito Coast” recently aired on Apple TV+. She also edited three films for director Jeremy Saulnier, starting with Blue Ruin, which premiered at the Cannes Directors' Fortnight and was awarded the FIPRESCI (International Federation of Film Critics) prize in 2013. Before studying Film at the European Film College in Ebeltoft, Denmark, Bloch received her B.A. in Comparative Literature from Columbia University and a Master's degree in Literature at the Université de Haute Bretagne in Rennes, France. In 2011 Bloch received the Sundance Institute's inaugural Editing Fellowship in honor of Sally Menke. Amy O'Connell: A lifelong horror enthusiast with a passion for storytelling, Amy is an experienced editor with a varied portfolio. Her work ranges from lighthearted food and travel documentary, to bone chilling drama. Her most recent short, ‘Shadowban' (Best Irish Short, 2023 Shark Awards) tells the story of a woman driving through the countryside alone in her car at night… Or is she? This podcast has been made possible thanks to the Screen Ireland Stakeholder Fund.

Today on Art of the Cut, editors Fred Raskin, ACE and Greg D'Auria discuss the editing of James Gunn's Guardians of the Galaxy: Volume 3. Fred's been a guest on Art of the Cut for Quentin Tarantino's Hateful Eight. He was also a guest for Once Upon a Time in ... Hollywood. He was on for the previous Guardians movie and for The Suicide Squad. He also edited the first Guardians movie, Django Unchained, Fast and Furious, Fast And Furious: Tokyo Drift, and Fast Five. Greg is also an alum of the Fast movies, having cut Fast and Furious 6, and Fast 9. His other work includes Star Trek: Beyond, among others. Raskin and D'Auria go back as assistant editors, both working on Kill Bill: Volume 1 under the legendary Sally Menke. They were also both editors on Bone Tomahawk.

Writer/director Quentin Tarantino, producer Lawrence Bender, executive producer Monte Hellman, cinematographer Andrzej Sekula, editor Sally Menke and actors Tim Roth, Chris Penn, and Michael Madsen

FADE OUTEpisode 9 - Editor Sally Menke's PEACOCK with Special Guest Elizabeth Yng-WongHave a question or comment? Looking for more great content?E-MAIL: firewaterpodcast@comcast.netFollow FADE OUT on Twitter: @FadeOutPodTheme by Luke Daab: https://www.daabcreative.comYou can find FADE OUT on these podcast platforms:Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950Amazon MusicSpotifyStitcherThis podcast is a proud member of the FIRE AND WATER PODCAST NETWORK:Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.comFollow Fire & Water on TWITTER – https://twitter.com/FWPodcastsLike our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetworkSupport The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcastsUse our HASHTAG online: #FWPodcastsThanks for listening!

Editor, Tatiana Riegel ACE Cruella editor, Tatiana Riegel ACE and director Craig Gillespie were already quite familiar with one another prior to their work on Disney's most recent reimagining of its iconic I.P..  Starting with Lars and the Real Girl in 2007, the two also worked together on Fright Night, Million Dollar Arm, The Finest Hours and the critically acclaimed I, Tonya.  I, Tonya also notched Tatiana an ACE Eddie award and an Oscar® nomination for Best Film Editing. Set in 1970s London amidst the punk rock revolution, Cruella follows a young grifter named Estella.  Recently orphaned, Estella befriends a pair of juvenile thieves and together they are able to build a life for themselves on the streets of London.  One day, while toiling away in London's Liberty department store, Estella’s flair for fashion catches the eye of legendary designer, Baroness von Hellman, but their relationship sets in motion a course of events and revelations that will cause Estella to become the raucous and revenge-bent "Cruella". Editing Cruella In our discussion with Cruella editor, Tatiana Riegel ACE we talk about: The sometimes necessary evil of voice overs Delaying the use of audio until later in the edit Keeping an eye on continuity in the quiet scenes Eavesdropping on conversations between Quentin Tarantino and editor Sally Menke during Pulp Fiction The Credits Visit ExtremeMusic for all your production audio needs See the latest Special Offers for Avid  Media Composer Ultimate Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

On this week's episode of "Hey Lady" we're keeping awards season alive, and talking about two more wonderful women of cinema. Only this time, we're going behind the scenes. First up, we bring you Sally Menke. Do you like "Pulp Fiction", how about "Reservoir Dogs"? Well if you do, you better thank Sally because she edited nearly every Quinten Tarantino movie in existence. Afterwards, let's talk about Catherine Martin. She's the woman responsible to for the amazingly lush, eye popping, extravaganzas that are Baz Luhrmann movies. Catherine is the one responsible for all the costuming, set design for movies like, "The Great Gatsby" and "Moulin Rouge". Its high time we got to know the people, without whom, our favorite movies would not exist!  If you like what you hear, feel free to rate and review. Don't forget to subscribe so you never miss an episode and we'll C U Next Tuesday!

Reinecken e Duca Mendes discutem a edição e produção de Bastardos Inglórios,última parceria da editora Sally Menke (1953-2010) com o diretor Quentin TarantinoApresentadores:Reinecken: instagram.com/reineckenDuca Mendes: instagram.com/ducamendesLinks do episódio: https://www.segundocorte.com*Na data de lançamento deste episódio, Bastardos Inglórios está disponível em:Amazon Prime Video, Telecine, iTunes, Looke Arte da Capa:Daniel Brito: instagram.com/dbritoCanal do Telegram:https://t.me/saladeedicaoSiga o canal do Sala de Edição e fique por dentro das promoções, descontos dos patrocinadores, pesquisas e novidades sobre o podcast.Promoções:AvMakers:https://www.avmakers.com.br/salaAcesse nossa página exclusiva na maior plataforma online de cursos audiovisuais do Brasil e ganhe benefícios exclusivos para os ouvintes e apoiadores do podcast.LenoFX:https://lenofx.com15% de desconto em todo site (exceto produtos que já estejam em promoção) para todos os ouvintes. Apoiadores do Sala VIP ganham 25% nas mesmas condições.Tanto ouvintes quanto apoiadores também ganham a facilidade de efetuar o pagamento em Real e sem IOF. Envie um email para support@lenofx.com e peça o seu desconto nos plugins desejados.MovLocadora:https://movlocadora.com.brUse o cupom SALA10 e ganhe o desconto exclusivo de 10% de desconto para todos os ouvintes em qualquer locação de equipamento com entrega para todo o Brasil.Loja do Filmmaker:https://www.lojadofilmmaker.com.brLoja especializada em equipamentos de produção audiovisual com pronta entrega para todo o Brasil.Sala VIP:https://bit.ly/2YtvIskSeja você também um apoiador do Sala VIP e ganhe benefícios exclusivos.Este podcast é um oferecimento de:Sem Rumo - Projetos Audiovisuais, Brito e Escotilha Filmes.Agradecemos os nossos apoiadores:Cesar Munoz, Isaac Orcino, Wagner Pimentel, Cristiano Videira, Ricardo Tavares, Brener Oliveira, Anderson Massambani, Otto Blodorn, Leopoldo Nakata, Mari Porlan, Andre Albuquerque, Eduardo Arake, Luquinhaz, João Alexandre Scartezini, Demetrios Cardozo Burnato, Thiago Emérito, Celso Peixoto, Germano Strazzi e Gil Gonçalves.Contato:Site: saladeedicao.com.brEmail: contato@saladeedicao.com.brFacebook: facebook.com/saladeedicaoInstagram: instagram.com/saladeedicaoTwitter: twitter.com/saladeedicaoLinkedin: linkedin.com/company/saladeedicao/Youtube: https://bit.ly/2Eqjp8aTelegram: t.me/saladeedicao

Reinecken e Duca Mendes discutem a edição e produção de Bastardos Inglórios,última parceria da editora Sally Menke (1953-2010) com o diretor Quentin TarantinoApresentadores:Reinecken: instagram.com/reineckenDuca Mendes: instagram.com/ducamendesLinks do episódio: https://www.segundocorte.com*Na data de lançamento deste episódio, Bastardos Inglórios está disponível em:Amazon Prime Video, Telecine, iTunes, Looke Arte da Capa:Daniel Brito: instagram.com/dbritoCanal do Telegram:https://t.me/saladeedicaoSiga o canal do Sala de Edição e fique por dentro das promoções, descontos dos patrocinadores, pesquisas e novidades sobre o podcast.Promoções:AvMakers:https://www.avmakers.com.br/salaAcesse nossa página exclusiva na maior plataforma online de cursos audiovisuais do Brasil e ganhe benefícios exclusivos para os ouvintes e apoiadores do podcast.LenoFX:https://lenofx.com15% de desconto em todo site (exceto produtos que já estejam em promoção) para todos os ouvintes. Apoiadores do Sala VIP ganham 25% nas mesmas condições.Tanto ouvintes quanto apoiadores também ganham a facilidade de efetuar o pagamento em Real e sem IOF. Envie um email para support@lenofx.com e peça o seu desconto nos plugins desejados.MovLocadora:https://movlocadora.com.brUse o cupom SALA10 e ganhe o desconto exclusivo de 10% de desconto para todos os ouvintes em qualquer locação de equipamento com entrega para todo o Brasil.Loja do Filmmaker:https://www.lojadofilmmaker.com.brLoja especializada em equipamentos de produção audiovisual com pronta entrega para todo o Brasil.Sala VIP:https://bit.ly/2YtvIskSeja você também um apoiador do Sala VIP e ganhe benefícios exclusivos.Este podcast é um oferecimento de:Sem Rumo - Projetos Audiovisuais, Brito e Escotilha Filmes.Agradecemos os nossos apoiadores:Cesar Munoz, Isaac Orcino, Wagner Pimentel, Cristiano Videira, Ricardo Tavares, Brener Oliveira, Anderson Massambani, Otto Blodorn, Leopoldo Nakata, Mari Porlan, Andre Albuquerque, Eduardo Arake, Luquinhaz, João Alexandre Scartezini, Demetrios Cardozo Burnato, Thiago Emérito, Celso Peixoto, Germano Strazzi e Gil Gonçalves.Contato:Site: saladeedicao.com.brEmail: contato@saladeedicao.com.brFacebook: facebook.com/saladeedicaoInstagram: instagram.com/saladeedicaoTwitter: twitter.com/saladeedicaoLinkedin: linkedin.com/company/saladeedicao/Youtube: https://bit.ly/2Eqjp8aTelegram: t.me/saladeedicao

On todays episode of the Art of the Cut Podcast, Steve talks with editors Tyler Cook, Amelia Allwarden & Phyllis Housen, ACE about their work on the HULU series "Little Fires Everywhere." Tyler has edited episodes of "Glow", "Kidding" and "Preacher." Amelia edited "Pen15", "Impulse" and worked as an assistant editor on "Westworld." Phyllis worked under legendary editor Sally Menke on Kill Bill Vol. 1&2 and edited "Clemency" which was at Sundance 2019. Enjoy the episode! Art of the Cut is brought to you by Studio Network Solutions, helping video teams in over 80 countries transform the way they store, share, and organize content. Studio Network Solutions’ industry-leading EVO shared storage servers come with a perfect suite of core features you’ll love, like built-in media asset management and powerful integrations for Adobe, Resolve, Avid, and FCPX. They’ve even made it easier to work from home with their new remote editing tool, Nomad. Visit studionetworksolutions.com/aotc and sign up for a demo today. Thank you for listening to the Art of the Cut Podcast. If you have a chance please leave a review on whatever platform you listen on! The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend!

Today we are so lucky to have the amazingly talented showrunner for the Facebook Watch show Sacred Lies, Raelle Tucker. Raelle is also a playwright and has written for such TV shows as Supernatural, Jessica Jones, and True Blood. The movie she has chosen to discuss today is Kill Bill (both 1 and 2). Raelle and April have a long conversation about loving this film (and other films of its ilk) despite the problematic elements that went on behind the scenes. Raelle also talks about working with the wonderful Juliette Lewis. And she details how she gets her projects off the ground.You can watch Sacred Lies right this very minute!And if you haven’t seen Kill Bill…what are you doing?With April Wolfe and Raelle Tucker.

On this weeks episode of the Art of the Cut Podcast Steve talks with “The Rhythm Section” editor Joan Sobel, ACE. As an assistant editor, Joan worked on "Boogie Nights" and on "Kill Bill: Vol. 1" and "Kill Bill: Vol. 2" under legendary editor Sally Menke. Joan also edited the Oscar winning short “The Accountant” and more recently “Nocturnal Animals." This weeks episode is brought to you by Studio Network Solutions. Studio Network Solutions combines state-of-the-art shared storage hardware with intuitive media management software, and powerful integrations for Adobe Premiere Pro, DaVinci Resolve, Avid, and Final Cut Pro Ten. Visit http://studionetworksolutions.com/AOTC/ and start creating amazing content, faster. The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend!

Comedic World War Two. Sarah Watt, William Chen and Jeremy Downing discuss two films that focus on Nazi-occupied Europe during World War Two that have a comedic or satirical edge: Jojo Rabbit (2019) and Inglourious Basterds (2009). We begin by discussing the situations and ways we first watched Inglourious Basterds, highlighting key reactions we had to the film the first time and upon rewatching it. We then move into a discussion of Jojo Rabbit, beginning with a comparison of music between the two films and then progressing into a chat about the film generally. We unpack the way that Jojo Rabbit plays with comedic moments, while not underplaying the horrors of the regime and war, as well as thinking about how the film connects to other movies. We celebrate the character of Col. Hans Landa and the work of Christoph Waltz. We talk about the tension in Tarantino films and how editor Sally Menke's work contributes to his films' confidence in tension. Our discussion then moves back to Jojo Rabbit and how it deals with serious moments, as well looking at how successful the satirical Hitler scenes were. We finish our discussion by exploring the performances in both films and highlighting key actors.

This week Steve spoke with Emmy winning editor Kelley Dixon, ACE about editing the new film "The Goldfinch". From cutting shows like "Shameless", "Better Call Saul" and "Breaking Bad" Kelley has found huge success as a TV editor. What you might not know is Kelley also worked as a first assistant editor under Sally Menke on "Reservoir Dogs" and on "Good Will Hunting" under Pietro Scalia. "The Goldfinch" is Kelleys debut as a feature film editor. This week’s episode of the Art of the Cut podcast is brought to you by G-Technology and Filmtools.com. G-Technology is a leading brand for professional-grade storage solutions for the media and entertainment industry. Since their inception in 2004, G-Technology has consistently offered reliable, high-performance hard drives! If you are in the market for some new storage make sure to head over to Filmtools.com and check out the hottest product offerings from G-Technology. The Art of the Cut podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and tell an editor friend!

Quentin Tarantino is hailed as one of the most distinctive storytellers of his generation thanks to his nonlinear style and aesthetic. But everything that gave a Tarantino movie its trademark edge was thanks to his long-time editor, the late Sally Menke.

Nesta edição do podcast, discutimos o 9º filme de Quentin Tarantino, "Era uma Vez em Hollywood". O longa, estrelado por Leonardo DiCaprio, Brad Pitt e Margot Robbie, se passa na Los Angeles de 1969 e remonta ao período em que Hollywood passava por grandes mudanças e os seguidores do psicopata Charles Manson se preparavam para assassinar a atriz Sharon Tate. Durante a conversa, discutimos se Tarantino seria um "eterno saudosista" e se há um limite no cinema para "reescrever" a História. Também debatemos a forma como Tarantino representa as mulheres e o quanto seus filmes mudaram desde a morte da montadora Sally Menke, com quem ele trabalhou até "Bastardos Inglórios".  Para o bate-papo, nós recebemos Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Carlos Quintão, professor e crítico de cinema. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br. A sua mensagem pode ser lida no podcast! O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. - Visite a página do episódio em nosso site e confira os materiais extras. - Receba nossa newsletter e conteúdo exclusivo de cinema! Saiba mais!

Nesta edição do podcast, discutimos o 9º filme de Quentin Tarantino, "Era uma Vez em Hollywood". O longa, estrelado por Leonardo DiCaprio, Brad Pitt e Margot Robbie, se passa na Los Angeles de 1969 e remonta ao período em que Hollywood passava por grandes mudanças e os seguidores do psicopata Charles Manson se preparavam para assassinar a atriz Sharon Tate. Durante a conversa, discutimos se Tarantino seria um "eterno saudosista" e se há um limite no cinema para "reescrever" a História. Também debatemos a forma como Tarantino representa as mulheres e o quanto seus filmes mudaram desde a morte da montadora Sally Menke, com quem ele trabalhou até "Bastardos Inglórios".  Para o bate-papo, nós recebemos Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Carlos Quintão, professor e crítico de cinema. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br. A sua mensagem pode ser lida no podcast! O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. - Visite a página do episódio em nosso site e confira os materiais extras. - Receba nossa newsletter e conteúdo exclusivo de cinema! Saiba mais!

Quentin Tarantino is hailed as one of the most distinctive storytellers of his generation thanks to his nonlinear style and aesthetic. But everything that gave a Tarantino movie its trademark edge was thanks to his long-time editor, the late Sally Menke.

This week, Brian and Cargill come out of their shells to explain in absurd detail, the full T.U.R.T.L.E power of 1990's Teenage Mutant Ninja Turtles! Dark as the comic at points, dopey as the cartoon at others, featuring some of Jim Henson's best work and edited by...Sally Menke(?), TMNT is a criminally underrated superhero film that tastes better on revisit than a slice of Domino's pizza.Like the show? Consider supporting us on Patreon! For as little as $4/mo, you can get access to all our bonus content, and you ensure we can keep doing Junkfood Cinema long after the end of the world! Thanks! www.patreon.com/Junkfoodcinema

Joan learned feature storytelling as first assistant editor with writer/director Paul Thomas Anderson and editor Dylan Tichenor on Boogie Nights and as first assistant editor with writer/director Quentin Tarantino and editor Sally Menke on both Kill Bill movies. Joan edited Being Flynn, starring Robert DeNiro and Paul Dano, for Paul Weitz. She also edited Tom Ford’s multi-award-winning A Single Man, starring Colin Firth and Julianne Moore, and the Academy Award winning short film The Accountant, directed by Ray McKinnon and Suburban Girl for Mark Klein. More recently, Joan again collaborated with Tom Ford on the acclaimed Golden Globe and BAFTA nominated Nocturnal Animals, starring Amy Adams, Jake Gyllenhaal, Michael Shannon, about an art gallery owner, haunted by her ex-husband's novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale.

Quentin Tarantino exploded onto the screen 20 years ago and in the time since, he has had but one crucial collaborator; his editor Sally Menke. The post 16. Reservoir Dogs appeared first on Steven Benedict.

WEB EXCLUSIVE: An editor is as important a component of a movie as the director. They often serve the function of sounding board and collaborator. Sally Menke was just that person... 

Grab your climbing gear and don’t forget to grab your Swiss Army knife-you know in case you need to cut off your arm-and join us as we discuss Danny Boyle’s 127 Hours. Then we take time to honor Sally Menke, an individual who will be sorely missed in the film community, and we discuss just how important the editor is. Then we tackle the 1940’s with Get Your Film History with Get Your Film Fix! We wrap it all up by discussing our top 5 films that follow up a director’s Best Director Oscar.

From Hollywood's earliest pioneers of creation and collaboration, the pairing of director and editor has helped to push and expand the language of cinema in ways never before possible. The titans of twin thinking have discovered ways to take the unique art of film editing and create a musical language on par with peers in any other collaborative art. With the tragic death of Quentin Tarantino's editor Sally Menke, the quiet and magical relationship between editor and director becomes the subject of a long night of drinking and discussion for John and Andy. Breaking open a bottle of the Saloon's finest, the rich and inspiring work of these great artists are given a proper toast of gratitude.

Matthew Socey and The Film Yap's Joe Shearer discuss THE SOCIAL NETWORK, the DVDs of IRON MAN 2 and GET HIM TO THE GREEK plus paying tribute to Tony Curtis, Arthur Penn and Sally Menke among others in the film world that died this past week.

John and Gord talk about Sally Menke, as well as editing reality.