Podcast appearances and mentions of Robert Richardson

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY WILL DISTURB SOME LISTENERS.  After five years, a ban has been lifted—momentarily. For this single episode, the pod's ironclad rule against discussing a Quentin Tarantino film that has divided our hosts is broken. The director is set free. And Jack goes fugitive this week as TGTPTU discusses the all-so-deliciously-squibby DJANGO UNCHAINED (2012).   Set just a few years before the Civil War to allow Tarantino to have his favorite racial epithet spoken a stunning 110 times—yikes!—juicy bloody condoms burst all across the faux climax of this Neo-Spaghetti Western as Django (the “d” is silent, played by Jamie Foxx) takes his revenge on the Francophile plantation owner, phenology enthusiastic, and curator of the ahistorical bloodsport of Mandingo fighting viz. “Monsieur” Calvin J. Candie (Leonardo DiCaprio) for the death of immigrant German dentist+bounty-hunter Dr. King Schultz (Christoph Waltz) all lensed by regular QT collaborator Robert Richardson.  This ep, Ken takes issue with the treatment and ambiguity of sexual violence (not?) portrayed in the film, its lazy writing, and that the picture was made after and is not Inglorious Basterds; Thomas, who claims to be both a Boomer and German this episode, brings irrelevant and irreverent German Facts (an unused example: “‘Gesundheit' is a German's way of saying: How tall is your gay son?”); and Ryan violates the unspoken rule of keeping talk of Quentin Tarantino on the QT. At least all three hosts agree the triple-threat Actor+Writer+Director Tarantino is best as a just double threat.  So tune in for an episode that answers the age-old question: What if TGTPTU hosts finally take on Quentin Tarantino—and no one does an impression?  Next week Jack returns. Content Warning: Django Unchained not merely contains but is brimming with a specific racial slur using a hard-r by characters of various races and classes as directed (and written) to do so by a White filmmaker. Django Unchained also contains, and glosses over, sexual violence.   THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

WELCOME to Season 5 of the ⁠⁠WE GOT US NOW Podcast⁠⁠ series POWERED by ⁠⁠RWJFoundation⁠⁠HOSTED by ⁠Ebony Underwood⁠For our 7th annual #KeepFamiliesConnected multimedia campaign series that runs from Mother's Day through Father's Day, WE spotlight voices from our community, and uplift our allies working across the field to create a just and equitable society that seeks to keep justice-impacted families connected.Sibil Fox and Robert Richardson, affectionately known among their peers as FoxandRob,  are a popular New Orleans-based couple who endured and survived twenty-one years as an incarcerated family. In 1997, Rob Rich, a first offender in Louisiana, was sentenced to 61-years as a result of overzealous prosecution. Not to be denied, after her release from prison in 2002, Fox Rich led a valiant charge to regain her husband's freedom. In June 2018 Governor John Bel Edwards granted clemency to Rob. Ninety days later he was released. Their story is told in the acclaimed, award-winning documentary TIME, and the forthcoming sequel, TIME II: Unfinished Business.In this episode, Fox and Rob give us an inside look into their timeless love story. Together a total of 38 years total and survived 21 of those years as an incarcerated family. They share their story of love, surviving the criminal justice system and raising six successful sons. Their work continues through their advocacy for incarcerated families through the NOLA chapter of Participatory Defense Movement, an initiative of Rich Family Ministries, which they founded with the vision of “changing lives and laws through love” and dedicated to empowering families and marriages to thrive. Take a moment to absorb this Unforgettable Journey of Love, against all odds!FOR MORE INFORMATION, GO TO: ⁠WEGOTUSNOW.org ⁠|⁠ Instagram⁠ LISTEN to the WE GOT US NOW Podcast on SPOTIFY, APPLE Podcasts and all podcasts platforms.#WEGOTUSNOW#FoxAndRob #Mother #Father #Children #Justice #Freedom #Sons #Family #Reunification #Love #Marriage #Partnership #Incarceration #ChildrenwithIncarceratedParents #WellBeing #TIMEIIWATCH #UnfinishedBusiness #JusticeForGenerations#WeGotUsNowCommunity

State of the State is the monthly round up of policy and research for the state of Michigan from Michigan State University's Institute for Public Policy and Social Research (IPPSR). Matt Grossmann and Arnold Weinfeld from IPPSR are joined by economist Charley Ballard to discuss the latest in politics and the economy.Matt is away this month. Arnold and Charley welcome MSU ecological economist Robert Richardson to this month's episode. Richardson is interested in the study of the environment and development. He recently led a team at MSU to study attitudes towards recycling in Michigan, especially as it relates to increasing what is known as the tipping fee. That's a disposal surcharge placed on garbage haulers.Conversation Highlights:(2:25) – Charley comments on the “stunning, shocking, and astonishing” tariffs President Trump has put in place.(10:19) - Is there any indication from prior history on the use of tariffs as to their efficacy in balancing trade or creating new jobs? (16:10) – Richardson describes his team's research.(19:25) – What did your survey find?(24:47) – “There's a great deal of logic if you're a landfill owner.”(27:46) – How do we encourage more recycling? And are citizens willing to pay more if they could recycle more products?(29:53) – “If you make recycling easy, you get a lot more recycling.”(31:29) – How does Michigan's bottle bill impact the state's recycling rate?Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

AAF D10 Webinar - Pushing Back on Ad Legislation The AAF D10 Webinar discussed strategies to oppose ad tax legislation, using Nebraska's experience as a case study. Robert Richardson and Cassi Warren detailed how they formed a coalition with the Nebraska Broadcasters and Press Associations, ANA, and the National Federation of Independent Businesses to oppose a 7.5% ad tax. They emphasized the importance of early preparation, building relationships with legislators, and leveraging national resources. Despite initial success, a reduced 5.5% tax on digital advertising was still imposed on large companies. The speakers advised staying informed, building local networks, and using personalized communication to influence legislative decisions.

In this enlightening episode of the Living Strong Podcast, we are joined by Dr. Robert Richardson, a neurologist at University Hospitals, as he delves into the complexities of Epstein-Barr virus (EBV) and its connection to neurological health.

Talking About Inglourious Basterds with our guest, cinematographer Shane HurlbutIn this engaging episode of Movies We Like, acclaimed cinematographer Shane Hurlbut joins hosts Andy Nelson and Pete Wright to discuss Quentin Tarantino's masterpiece Inglourious Basterds and share fascinating stories from his illustrious career behind the camera. From his humble beginnings on a farm in upstate New York to becoming one of Hollywood's most innovative cinematographers, Hurlbut's journey is filled with determination, creativity, and a fearless approach to his craft.The conversation delves deep into what makes Inglourious Basterds a cinematographic triumph, with Hurlbut breaking down the brilliant work of Robert Richardson and how the film's visual style enhances its storytelling. He discusses the importance of tension-building in Tarantino's work, the strategic use of lighting, and how the film's iconic scenes were crafted to maximize dramatic impact. The discussion also explores the significance of color, particularly the use of red throughout the film, and how it ties into the narrative themes.Hurlbut shares incredible behind-the-scenes stories from his own career, including his innovative work on films like Drumline, Terminator Salvation, and The Babysitter. He details how he overcame challenging shooting conditions, developed creative solutions to technical problems, and established strong collaborative relationships with directors like McG and Charles Stone III. His anecdotes about transforming limited resources into cinematic gold provide valuable insights into the art of cinematography.Inglourious Basterds stands as a testament to the power of masterful filmmaking, where every technical element serves the story's emotional core. Our conversation with Shane Hurlbut not only illuminated the brilliant craftsmanship behind this modern classic but also demonstrated how passion, innovation, and fearless creativity continue to push the boundaries of cinematic storytelling.Film SundriesFind Shane on his website, Facebook, Instagram, and IMDbLearn more about Filmmakers Academy on their YouTube channelWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

In this episode of the WN Movie Talk Podcast, I take an in-depth look at Hugo (2011), the visually stunning 3D masterpiece directed by the legendary Martin Scorsese. Known for his gritty, violent dramas like Goodfellas and The Departed, why did Scorsese pivot to this family-friendly adventure? We explore the director's motivations, the film's ground-breaking use of 3D technology, and its heartfelt tribute to the magic of cinema.Based on Brian Selznick's award-winning novel The Invention of Hugo Cabret, Hugo tells the story of a young orphan (played by Asa Butterfield) living in a Paris train station who uncovers the forgotten legacy of pioneering filmmaker Georges Méliès, portrayed brilliantly by Ben Kingsley. Méliès' journey from a celebrated illusionist and filmmaker to a forgotten relic of a bygone era is deeply emotional and steeped in themes of art, creativity, and redemption—elements that resonate powerfully with Scorsese's sensibilities and his own dedication to film preservation.The stellar cast also includes Chloë Grace Moretz, Sacha Baron Cohen, and Jude Law, with a supporting crew that brought Scorsese's vision to life—cinematographer Robert Richardson and production designer Dante Ferretti.Join me as I discuss the film's themes, the nuanced performance by Kingsley, its place in Scorsese's career, and why Hugo remains a timeless ode to the art of filmmaking. Don't forget to subscribe, leave a review, and share your thoughts on this enchanting journey into cinema history! Listen now and rediscover the magic of Hugo! Hosted on Acast. See acast.com/privacy for more information.

For this episode we leap with cinematographer Robert Richardson to Quentin Tarantino's 2009 WW2 film Inglourious Basterds. Mike generally doesn't like Tarantino but has taken us here, so it should be an interesting discussion.

In this episode, I discuss William James' consequential essay Philosophical Conceptions and Practical Results and his lecture to students, The Gospel of Relaxation, as collected in The Heart of William James, edited by Robert Richardson.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.George Washington University ungergrad and Liberal Currents contributor Sami Gold just informed us that there's an election coming up in the good ol' US of A, so we decided to discuss a foundational text of presidential cinema - Oliver Stone's brilliant, frenetic JFK. Meticulously composed on several different film formats, masterfully edited in a radical, experimental style, and structured as a steady unraveling of institutional footings, the film stands as one of the finest formal evocations of political radicalization ever made for the silver screen.We discuss the film's groundbreaking formalism, how it creates an unmooring effect on behalf of its viewers, and charts the cacophonous frenzy of conspiracy thinking. Then, we talk about where Stone sits in relation to the film's protagonist Jim Garrison, what the film gets very wrong, and why the minutiae doesn't ultimately matter in the borader context of its critique of empire. Finally we look to the upcoming election, share our personal thoughts on the outcomes, and what it means for Palestinian resistance and political movements in our own country.Follow Sami Gold on Twitter.....Our theme song is "Mirror" by Chris Fish. 

Episode Notes On this episode of TXL, we're joined by Robert Richardson of SAP SuccessFactors, where we'll dive into the rapidly changing role of AI in HR. Robert will share his insights on the current AI trends reshaping talent acquisition and management — from enhancing internal and external talent strategies to tackling the ethical concerns that are top of mind for HR professionals. We'll also explore the balancing act between AI adoption and organizational hesitancy, the risks of unvetted tools, and whether AI will ever move beyond its buzzword status.  Get notified about all upcoming TXL episodes here: https://www.phenom.com/talent-experience-live

In the time between De Niro and DiCaprio, who were Scorsese's leading men? Answer: Nicolas Cage and the Dalai Lama. Listen to strangers become friends through a shared love of books and movies as Jacob White joins Devin Diazoni to discuss 1999's Bringing Out the Dead.Support the podcast on Patreon!Guest: Jacob White (IG: madcrazymoviereviews)Episode Correction: There are nine circles of Hell. 

Watch the full video interview on YouTube here: https://www.youtube.com/watch?v=TKyL4zu2q8I SIGN UP FOR THE FILM COURAGE NEWSLETTER https://filmcourage.substack.com Illya Friedman is an entrepreneur, inventor, cinema technologist, studio builder, podcaster and producer. A renowned camera technologist spanning the eras of film, video and digital cameras, he worked on the team that invented the world's first 4K cinema camera. Illya got his start working professionally in the camera department in Hollywood in the early 1990s, and is the inventor of camera, lighting and optical products used by filmmakers of every level. Upon opening his company, Hot Rod Cameras, Illya became widely credited as a pioneer in the 'DSLR Filmmaking Revolution' and his L.A. based brick and mortar store sells cameras, lenses, lighting, grip and workflow tools to professionals and aspiring professionals alike. Hot Rod is a primary supplier to both the traditional entertainment industry, the new creator economy, and even performs full studio build outs. Along with co-host Ben Rock, Illya created the weekly Cinematography Podcast, which features interviews with hundreds of cinematographers, directors and filmmakers. Notable guests include Academy Award-winning DP's, such as Robert Richardson, Linus Sandgren, Robert Elswit and Vitorrio Storaro. The show also features prominent directors like Ron Howard, Antonie Fuqua, Ruben Fleischer and Randall Einhorn. Many guests of the podcast are also clients of Hot Rod Cameras. Occasionally, Illya produces feature films, his most recent is a fictional story about young skateboarders in Los Angeles, entitled Concrete Kids. It's streaming on Amazon Prime, Vudu, Roku, Tubi and other platforms. CONNECT WITH ILLYA FRIEDMAN https://hotrodcameras.com https://www.imdb.com/name/nm0295233 https://www.instagram.com/hotrodcameras https://www.youtube.com/c/Hotrodcameras https://twitter.com/hotrodcameras LISTEN TO ILLYA'S CINEMATOGRAPHY PODCAST https://www.camnoir.com https://www.facebook.com/cinepod https://www.instagram.com/thecinepod https://twitter.com/shortendz MORE VIDEOS LIKE THIS Honest Advice On Being A Professional Cinematographer - https://youtu.be/GdIcUV-F6sQ Cinematographer Greig Fraser Interview - Story Behind The Imagery - https://youtu.be/NFmABajxBjs Pro Cinematographer On How The Movie JOKER Was Made - https://youtu.be/MRHBLOvelis Why I Stopped Music For Filmmaking - https://youtu.be/AGXF9gco6fg CONNECT WITH FILM COURAGE http://www.FilmCourage.com SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage (Affiliates) ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖3️⃣5️⃣ | PLATOON Dirigida y guionizada por el director de cine estadounidense Oliver Stone, nos adentramos en las junglas de Vietnam para vivir parte de un retrato semi-autobiográfico del conflicto bélico acaecido desde mediados de los 50 hasta mediados de los 70 . Con un reparto de lujo que, en su momento, estaba construyendo su cenit en sus carreras interpretativas, encontramos a figuras de la talla de Charlie Sheen, Tom Berenger, William Dafoe, Forest Whitaker, John C. McGinley, Jhonny Deep, Francesco Quinn y Kevin Dillon. Una producción Hemdale / Cinema 86 distribuida por Orion Pictures que contó con la colaboración de Georges Delerue en la composición musical y Robert Richardson en la fotografía. ¿Conoces las andanzas como recluta de Oliver Stone en La Guerra de Vietnam?. ¿Quieres saber como se rodó esta película? ¿Quién es Dale Dye y que importancia tuvo en la historia del cine?. Y además, debatimos: ¿Con quien te quedarías como compañero en una guerra, con Barnes o con Elías? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Platoon. SECCIONES ▪️ Contexto ▪️ Oliver Stone en Vietnam ▪️ Cómo se hizo ▪️ Dale Dye, el asesor militar ▪️ ¿Barnes o Elías? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x34-podcastwood-platoon/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY (PODCASTWOOD JUKEBOX): https://open.spotify.com/playlist/3Pm8vswdhuBW6FeobnQH3F?si=FwqJBIAiSsKO-_aLfqF9FQ&pi=e-kdoptmnIRoSO ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2024

"A Few Good Men" is a gripping courtroom drama testament to the power of compelling storytelling, strong performances, and sharp dialogue. Directed by Rob Reiner and based on Aaron Sorkin's play, the film has become a classic in the genre. It delivers a powerful narrative that delves into themes of honour, duty, and the complexities of military life.OverviewThe film centres around the court-martial of two U.S. Marines, Lance Corporal Harold Dawson (Wolfgang Bodison) and Private First Class Louden Downey (James Marshall), who are accused of murdering fellow Marine William Santiago at the Guantanamo Bay Naval Base in Cuba. The case seems straightforward, but as the defence team, led by the inexperienced Navy lawyer Lieutenant Daniel Kaffee (Tom Cruise), digs deeper, it becomes clear that there is more to the story than meets the eye.Kaffee, known for his penchant for plea bargains and lack of trial experience, is initially reluctant to take the case seriously. However, with the support of Lieutenant Commander JoAnne Galloway (Demi Moore), an idealistic and determined lawyer, and Lieutenant Sam Weinberg (Kevin Pollak), Kaffee begins to uncover a conspiracy that reaches the highest levels of the Marine Corps. Their investigation leads them to the formidable Colonel Nathan R. Jessup (Jack Nicholson), whose belief in the importance of a strong military defence directly conflicts with the principles of justice and accountability.PerformancesThe cast of "A Few Good Men" is stellar, with each actor bringing depth and nuance to their roles. Tom Cruise delivers one of his finest performances as Lieutenant Kaffee, transitioning from a cocky, indifferent lawyer to a passionate advocate for justice. Cruise's portrayal captures the character's growth and determination, making his journey believable and compelling.Demi Moore shines as Lieutenant Commander Galloway, a character-driven by a strong moral compass and unwavering dedication to her clients. Moore's performance adds a layer of intensity and integrity to the film, highlighting the challenges faced by women in the military.However, Jack Nicholson's portrayal of Colonel Jessup steals the show. Nicholson's commanding presence and delivery of the film's most famous line, "You can't handle the truth!" have become iconic. His performance perfectly captures the arrogance and conviction of a man who believes that his actions, no matter how morally questionable, are justified in the name of national security.Cinematography and DirectionRob Reiner's direction is precise and effective, allowing the tension to build steadily throughout the film. The courtroom scenes, in particular, are masterfully shot, with Reiner using close-ups and dynamic camera angles to emphasise the intensity of the legal battle. The film's pacing is impeccable, ensuring that the audience remains engaged from start to finish.Robert Richardson's cinematography complements Reiner's direction. Its focus on stark lighting and tight framing adds to the film's dramatic atmosphere. The use of shadows and light enhances the visual appeal and symbolises the moral ambiguities and hidden truths at the story's heart.Screenplay and DialogueAaron Sorkin's screenplay is the backbone of "A Few Good Men," showcasing his talent for crafting sharp, intelligent dialogue. The film is filled with memorable lines and exchanges that drive the plot forward and provide insight into the characters' motivations and beliefs. Sorkin's writing is thought-provoking and entertaining, perfectly balancing drama and wit.The courtroom confrontations are particularly well-written, with the back-and-forth between Kaffee and Jessup as the film's climax. These scenes are a masterclass in tension and conflict, with each line of dialogue carefully constructed to build toward the explosive conclusion.Themes and Cultural SignificanceAt its core, "A Few Good Men" is a film about the clash between duty and morality and the often blurred line between right and wrong. The story raises important questions about the nature of authority, the ethics of military command, and the cost of protecting a nation. It challenges the audience to consider the balance between security and accountability and the importance of standing up for truth and justice, even in the face of overwhelming opposition.The film's exploration of these themes remains relevant today, as issues of military conduct and governmental transparency continue to be hotly debated. A Few Good Men serves as a reminder of the importance of integrity and courage, both in the legal system and in everyday life.Character DevelopmentOne of the strengths of "A Few Good Men" is its well-developed characters, each of whom can evolve throughout the film. Kaffee's transformation from a complacent lawyer to a passionate defender of justice is central to the narrative, and Cruise's performance effectively captures this growth.Galloway's character provides a strong counterpoint to Kaffee, embodying the ideals of dedication and perseverance. Her unwavering commitment to uncovering the truth catalyses Kaffee's own journey, and Moore's portrayal brings depth and complexity to the role.Colonel Jessup, while ostensibly the antagonist, is portrayed with enough nuance to make him a compelling and, at times, sympathetic character. Nicholson's performance ensures that Jessup is not merely a villain but a man whose rigid beliefs and sense of duty have led him down a morally questionable path.Historical Context and ImpactReleased in 1992, "A Few Good Men" came at a time when the United States grappled with military ethics and accountability issues, particularly in the wake of the Iran-Contra affair and the Gulf War. The film's focus on a military trial resonated with audiences and critics alike, sparking discussions about the responsibilities of those in power and the consequences of unchecked authority.The film's critical and commercial success helped to cement its status as a classic, earning multiple Academy Award nominations, including Best Picture, Best Supporting Actor for Jack Nicholson, and Best Screenplay for Aaron Sorkin. Its enduring popularity is a testament to its powerful storytelling and the relevance of its themes."A Few Good Men" is a masterful legal drama that combines outstanding performances, sharp writing, and expert direction to create a thought-provoking and emotionally resonant film. Its exploration of duty, morality, and justice remains as powerful today as it was upon its release, making it a timeless classic that continues to captivate audiences.For the Born to Watch podcast, "A Few Good Men" represents a significant entry in the legal drama genre and a film that challenges viewers to consider the complexities of honour and duty in a world where the lines between right and wrong are often blurred. Whether you're revisiting it for the umpteenth time or watching it for the first, "A Few Good Men" is a cinematic experience that promises to leave a lasting impact.

Sibil Fox and Robert Richardson, affectionately known as Fox and Rob, share their compelling story of redemption and love, after twenty one years as an incarcerated family, their life changing ministry work and their new award winning documentary “Time II: Unfinished Business.”

Ever found yourself eyeing that stranger in a suit and wondering if they're not quite of this world? Well, Sabrina and I sure have, and in our latest podcast episode, we're taking you on a whirlwind tour of the mysterious Men in Black. Forget the comic book heroes; we're talking about the real deal. With a Natty Daddy in hand for me and a cotton candy IPA for Sabrina, we clink glasses of Mountain Java moonshine to the captivating tales of Howard Dahl's 1942 encounter with doughnut-shaped UFOs and a host of other historical run-ins with these ominous agents.Amidst sips and laughs, we don't shy away from the darker side of conspiracy theories, discussing the daunting idea of being watched by the very government we chat about. We even question our son's newfound whistling skills—could he be the next great whistleblower? Diving into incidents like Robert Richardson's UFO collision and the Robinsons' home invasion, our conversation hits nerves as we ponder the unsettling tactics these so-called Men in Black employ to keep their secrets, well, secret. Are they guardians of government knowledge, or could they be something far more otherworldly?Rounding out the episode, we tease the notion that these agents might just be extraterrestrial beings themselves, especially in light of the recent, albeit overshadowed, admissions by our government regarding UFOs. And because we're all about community and a good conspiracy, we're thrilled to announce our new Drunk Conspiracies Podcast Discussion Group. So pour a drink, pull up a chair, and join us—Sabrina, me, and potentially alien Men in Black—for a conversation that's equal parts eerie, enthralling, and downright entertaining.

Amy Vincent, ASC did not originally set out to become a cinematographer. While studying veterinary medicine at UC Santa Cruz, she got a work study job hanging lights for the theater department. She fell in love with the creative art of lighting, and soon transitioned to the theater arts department. Amy found her natural affinity for math and science matched the skill set needed for technical theater production. She began making short films at UCSC, moving to Los Angeles after college to pursue a career in film. Amy's first job was as an assistant editor, but she really wanted to work in the camera department. So she began working her way up from camera intern to camera assistant, working with notable DPs such as Bill Pope on Clueless and Robert Richardson on Natural Born Killers. A few years into her career as a camera assistant, Amy decided to go to grad school at AFI. She shot many student short films for free before meeting writer and director Kasi Lemmons. Amy could tell from page one that the script for Eve's Bayou was something personal and special. They made the short film together, then over the course of three years, Lemmons raised enough money and interest to turn Eve's Bayou into a feature. It was Amy's first movie as a cinematographer and it became her first big breakout. One of Amy's frequent collaborators was director Craig Brewer. She was given a copy of his first film on VHS, then the two met to discuss making 2005's Hustle & Flow. “I think the beauty of where my collaboration with Craig and the process of making the movie was what the movie was about. The two folded over on each other. I mean, it's the idea of making music or making a movie by whatever means necessary. And there was something that became so apparent in the process. For example, we tried on a whole bunch of different formats, like, what are we going to shoot? At one point we were going to shoot Mini DV, because that's what Craig knew and then we settled into Super 16.” She and Brewer went on to work together on Black Snake Moan and the 2011 Footloose remake. Throughout her career, Amy has enjoyed collaborating with directors on smaller movies. Her most recent project, A Nice Indian Boy, had a very low budget and it had to be shot quickly before the actors strike. “It is so cool to have a really funny rom com that's gay and Indian. It would have been great to have more time and more money to make that movie, but I love all of the things that came together to make this simple little movie. It's really important to me to be able to make a movie that means something to a slightly different community.” Amy recently received the ASC Presidents Award, which recognizes her long career as a cinematographer and a mentor to new cinematographers. She's also an artist in residence at Loyola Marymount University, where she teaches film classes and mentors students making short films. You can see Amy's recent work on the show Parish with Giancarlo Esposito on AMC+. A Nice Indian Boy premiered at the SXSW Film Festival to critical acclaim, and is seeking distribution. Find Amy Vincent: https://www.amyvincentasc.com/ Instagram: @amyvvincent Sponsored by Hot Rod Cameras www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

The first installment of Quentin Tarantino's 2003 exploitation extravaganza, KILL BILL VOL. 1, is our feature presentation this week. We discuss the origins of the idea, that Brian De Palma sequence, experience The Whole Bloody Affair with Tarantino himself, Sony Chiba, Michael Parks, and much much more! We also pick our TOP 7 ROBERT RICHARDSON movies in this week's SILVER SCREEN 7. Check out the show, subscribe and become a regular here at THE BROKEN VCR! To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early.

In this episode, I explore Samuel Coleridge's breakdown of the four types of readers. I then share some of my favorite takeaways from "First We Read, Then We Write" by Robert Richardson that have transformed my own reading habits. To cap it off, I'll recommend a book that not only challenges your mind but also guides you in refining your reading skills. Join me to discover which reader type you embody and how you can enhance your reading experience.IMPORTANT LINKS:

The little LA flourishes that make it such a delight to live here! Dubai? More like Du-BYE, to that opportunity. (Good job, dummy) Doing favors for people always ends up fucking you in the motion picture business, and I still do it. Underappreciated skill: traffic helicopter narrator guy. Eric Rocha at the West Covina Laugh Factory, and going to see "Casino" at the Aero theater. 

The longtime local anchor moves to WICS-TV and visits with the guys along with the station's general manager, Robert Richardson. See omnystudio.com/listener for privacy information.

A 2024-es évet szokásunkhoz híven különkiadással nyitjuk meg, amelyben egy-egy régi kedvencünket vesszük újra elő. Quentin Tarantino Kill Bill filmjei 2023-ban, illetve 2024-ben húsz évesek. Ez tökéletes alkalom arra, hogy újranézzük a kétrészes eposzt Uma Thurman, David Carradine, Daryl Hannah, Lucy Liu, Michael Madsen és Vivica A. Fox főszereplésével. Tarantino a kedvenc filmes korszakait, kedvenc alzsánereit idézi meg a modern, harcművészes bosszúfilmben, és még szerepeket is oszt olyan fiatalkori ikonjaira, mint Sonny Chiba és Gordon Liu. Tarantino negyedik filmje a Jackie Brown visszafogott léptéke után érkezett. Megbeszéljük, honnan jött a Kill Bill ötlete, fel tudott-e nőni a feladathoz Tarantino, és hosszasan lamentálunk arról, mennyire eredeti a szamurájfilmeket, spagettiwesterneket, film noirokat és még sok minden mást megidéző alkotás? Igyekszünk a filmet feminista szempontból is részletesen boncolgatni, kritizálva a rosszabbul öregedő részeket. Mitől működik a film zenéje? Miket idéz meg a képeiben Robert Richardson kamerája? Hogy állnak Tarantinónak az óriási léptékű akciójelenetek? Megbeszéljük az első és második rész közti jelentős különbségeket is, és hosszasan elemezzük a finálét. Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak András az X-en: @gaines_ Péter az X-en: @freevo Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu  

En este episodio conversamos sobre la película del año 2009, “Inglourious Basterds” (Bastardos Sin Gloria) del director Quentin Tarantino, protagonizada por Brad Pitt, Christoph Waltz, Michael Fassbender, Diane Kruger, Daniel Brühl y Mélanie Laurent.

On this, the Season 3 Finale of Frame & Reference, I'm absolutely thrilled to welcome Robert Richardson, ASC. You know Bob from his work with Quentin Tarantino, Martin Scorsese, Oliver Stone, and on Ben Affleck's new movie "Air". You're going to love this one, so I'll let you get to it and we'll be back with more F&R in February! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Mike talked with Robert Richardson (ASC) about his career including his work with Oliver Stone, Martin Scorsese and Ben Affleck.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Mike talked with Robert Richardson (ASC) about his career including his work with Oliver Stone, Martin Scorsese and Ben Affleck.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Robert discusses the media industry, particularly the television stations he oversees in the local market.See omnystudio.com/listener for privacy information.

This is a live recording of a roundtable from the ACE Hotel Tech Summit 2023 to discuss metaverse and investment hospitality needs to be considering.  We discussed the potential for hospitality sector today largely agreeing that on the whole technology wasn't ready just yet but it's important for the sector to keep an eye on it - and the best deployment of metaverse is in #virtualreality tours of properties or #augmentedreality experiences. With Angelika Krania, Robert Richardson, Harpreet Singh Saluja, Catt Mcleod, Vidar Thomassen, and Harry FielderListen to more episodes of the hospitality industry podcast Travel Market Life and subscribe for the latest news at http://travelmarket.life/ Follow us on LinkedIn for more thought-provoking content: https://www.linkedin.com/company/travel-market-life/ Do you have a story to share about technology, digitalisation or culture changes within the hospitality and travel industry? We'd love to hear what your company is doing and the impact it is having. Please contact us through http://travelmarket.life/

The Equalizer 3 movie! Holy cow. How often does it happen on a podcast for a 35 year old show that a new movie in the franchise comes out? Not often at all. For Chris and Chuck, it's a lot of firsts - the first podcast field trip (to a Chicago suburb halfway between our respective suburbs), the first mid-season bonus episode, and the first time we've seen the character Robert McCall, whom we have discussed so very much, on the big screen. It's a roaring rampage of bloody Equalizing justice. On the whole it's consistent with the first two movies, but also a departure in significant ways. Antoine Fuqua and Denzel Washington reteam, along with cinematographer Robert Richardson to bring you this installment of The Equalizer in a beautiful Italian seaside village, and Chris and Chuck are here to discuss it with their specialized expertise of the original Equalizer. @equalizerspod equalizerspodcast at gmail dot com https://www.facebook.com/equalizerspodcast/

Ok, so for this one I took a chance and found a film that both me and Mikey haven't seen before. I vividly remember seeing tv spots during the 1997 MTV VMAs. The casting immediately was my draw, that and being directed by Oliver Stone. Well, suffice to say that we were underwhelmed with this script in particular. The beautiful cinematography by Robert Richardson was particularly striking despite the lacking story. We did find something to talk about like the amazing desert fashion, interesting music choices, and how this ending was kinda buck wild but fitting. Off-topic rants include: talking about the movie Scream, Ryan Gosling, and why the upcoming Joker 2 could have been an email--- Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! GIVE US A 5 STAR RATING & SUBSCRIBE!Hosts: Lauren @lauren_melanie & Mikey @agentmikey007  Music by Den-Mate @imdenmateFollow Fashion Grunge Podcast Substack The Lo Down: a Fashion Grunge blog/newsletterInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod 

World 60910"United to defend us? City shocked by unlikely alliance between heroes and villains in the wake of the Eternal Defenders Memorial Massacre. Surviving Defender still missing. This is WNUS Rancho Pasillo Radio News, Robert Richardson reporting."---Click here for more information on the city, our heroes, and the multiverse.It's played in Masks: a New Generation, by Magpie Games.Our theme music is composed by Michael Freitag and features Beau DalleoAdditional music provided by Kevin MacLeod, and sound effects provided by https://www.zapsplat.com/ Hosted on Acast. See acast.com/privacy for more information.

Throughout this season, we've explored the value that atmosphere, design, and innovative tech provide when boosting customer experience. But as an industry built on people, F&B is increasingly shifting its focus inward to find new ways to enhance the experience of those who keep the businesses running – staff.In this episode of Beyond Retail, we investigate the ways in which brands are enhancing the everyday tasks of their frontline staff. We hear about the changes being made to improve the service industry, which has traditionally been associated with strenuous schedules, few employee perks, and high turnover rate. We learn about what employers are doing to make the work in this field more attractive in order to retain existing employees, and attract new staff.We speak with Robert Richardson, CEO of the Institute of Hospitality to learn about the effects a post-pandemic landscape and growing cost of living crisis are having on employee recruitment and retention rates. We also talk to Christophe Delacroix, co-founder and CEO of Storekit, who teaches us about the technology helping brands through the recruitment process, and easing the strain of service staff.CEO of TiPJAR, Ben Thomas, tells us more about tipping in the industry, explaining the complexity of increased legislation around it and sharing new initiatives aimed at promoting tip transparency between workers and employers.And Hemmo Bosscher, SVP of Platforms and Financial Services at Adyen, gives us a deeper understanding of the platforms built to alleviate pressure on food and beverage businesses by streamlining services, tasks, and functions.If you want to find out more about technology and behavioral trends, visit Adyen.com/en_GB/ for more

This week we're back to take a closer look at an award-winning adventure through French history from Martin Scorsese; featuring automatons, mysterious pasts, 3D hijinks, and fair bit of cinemagic. All aboard our discussion of Hugo! Listen on YouTube: https://youtu.be/Rg2UURvwFqU --- TIME CODES: 00:00 - INTRO 03:54 - BASIC FACTS 07:40 - THE CLOCKWORK 56:29 - WHAT WE WATCHED --- FILM INFORMATION: Hugo (2011) “When wily and resourceful Hugo discovers a secret left by his father, he unlocks a mystery and embarks on a quest that will transform those around him and lead to a safe and loving place he can call home.” Directed by Martin Scorsese with additional direction by Christopher Surgent. Written by John Logan and Brian Selznick, edited by Thelma Schoonmaker, cinematography by Robert Richardson, score composed by Howard Shore. Starring Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory… Read more on Hugo's official webpage: http://www.HugoMovie.com/ Find where to stream Hugo on JustWatch: https://www.justwatch.com/us/movie/hugo --- OUR LINKS: Host Webpage: https://podcasters.spotify.com/pod/show/recentlylogged Letterboxd HQ: https://boxd.it/30uy1 YouTube: https://youtube.com/@recentlylogged Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com --- EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert “Robbie” Grawey Hosts - Micah and Robert “Robbie” Grawey Songs used in this episode - Jesse's Carnival Waltz by The Great North Sound Society, Anchors Aweigh by Charles Zimmerman, Nemesis by ALBIS, Parisian Cafe by Aaron Kenny, No.9 Esther's Waltz by Esther Abrami Editor - Robert “Robbie” Grawey Episode art designer - Robert “Robbie” Grawey Episode Description - Robert “Robbie” Grawey --- Support this podcast: https://podcasters.spotify.com/pod/show/recentlylogged/support

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Air is a 2023 American biographical sports drama film directed by Ben Affleck and written by Alex Convery. The film is based on true events about the origin of Air Jordan, a basketball shoeline, of which a Nike employee seeks to strike a business deal with rookie player Michael Jordan. It stars Matt Damon, Affleck, Jason Bateman, Marlon Wayans, Chris Messina, Chris Tucker, and Viola Davis. The project was announced in April 2022, with Affleck set to direct, as well as star and produce alongside Damon through their newly-formed production company Artists Equity. Filming took place that summer, with Affleck reuniting with his frequent collaborators, cinematographer Robert Richardson and editor William Goldenberg. While Michael Jordan was not involved with the production, he did meet with Affleck and offered several suggestions, including the casting of Davis as his mother. Originally set to premiere on the streaming service Amazon Prime Video, distributor Amazon Studios opted to release the film theatrically first after positive test screenings, making it the first Amazon title since Late Night (2019) to be released in theaters without simultaneously premiering on Prime Video. Air had its premiere at South by Southwest on March 18, 2023, and was theatrically released in the United States on April 5, by Amazon Studios. The film received critical acclaim, particularly for Affleck's direction, Convery's screenplay, and the performances of the cast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

This week on the show John, Dave, and Jeff talk about Air (2023), the new Matt Damon-starring & Ben Affleck-directed film which kicks off their new company Artists Equity, a venture designed to share ownership of films with more artists in more departments. This movie rocks, the reviews are high, the story is compelling, and the performances are incredible. We drink beer and discuss!  Find all of our Socials at: https://linktr.ee/theloveofcinema 0:00 Intro/Actors Equity/Air Set-Up. 15:39 Movie Review.   30:13 Spoilers. 1:06:48 What You Been Watching.  
Cast/Crew: Matt Damon, Ben Affleck, Viola Davis, Chris Tucker, Jason Bateman, Alex Convery, Matthew Maher, Jay Mohr, Chris Messina, Marlon Wayans, Al Madrigal, Damian Delano Young, Robert Richardson, William Goldenberg.  Hosts: Dave Green, Jeff Ostermueller, John Say. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Tags: Mario, Jason Bateman, Dolby Digital, IMAX, AMC Times Square, Philippines, The Philippines, Manila, OBS Ninja, SAG Awards, Academy Awards, Oscars, Drugs, Drug Money, Gazebos, DC, Air, Nike, Michael Jordan, The Last Dance, ESPN, Skydance Sports, Artists Equity, Converse, Adidas, Steve Prefontaine, Oregon, Portland, The Mandalorian, The Last of Us, HBO, HBOMAX, James Gunn, Drive To Survive, F1, Formula One, Australian Grand Prix.

Hey everyone, the new Ben Affleck directed film - AIR - has released in theatres. Ben Affleck is an OSCAR-winning writer and has directed a movie that's won BEST PICTURE. He's one of the greatest creative forces working in the business right now and he alongside Matt Damon (who's the lead of this film)) literally won Oscars in their 20's for writing one of the best movies ever made: Good Will Hunting. Needless to say, my interest was peaked when it was revealed they'd be working on a movie together again. Does Air live up to Ben Affleck's previous efforts or is it a let down? Find out in this review. Air: Directed by: Ben Affleck Written by: Alex Convery Produced by: Ben Affleck, Madison Ainley, Jason Michael Berman, Matt Damon, David Ellison, Peter Guber, Jeff Robinov, Jesse Sisgold, Jon Weinbach Cinematography by: Robert Richardson (director of photography) Film Editing by: William Goldenberg Casting by: Lindsay Graham Ahanonu, Mary Vernieu Production Design by: François Audouy Cast: Matt Damon, Ben Affleck, Jason Bateman, Marlon Wayans, Chris Messina, Chris Tucker, Viola Davis, Julius Tennon Synopsis: Sonny Vaccaro and Nike pursue basketball rookie Michael Jordan, creating a partnership that revolutionizes the world of sports and contemporary culture.

On this episode of The Living Strong Podcast, Kym is joined by Dr. Robert Richardson to discuss inspiring stories of MS resilience and new MS therapies.

In a final powerful book, acclaimed literary biographer Robert Richardson told the story of how Ralph Waldo Emerson, Henry David Thoreau, and William James dealt with personal tragedies early in their careers. In this episode, Jacke talks to Pulitzer-prize winner Megan Marshall, who wrote the foreword for the book, about her friend Robert and his look at three great thinkers and the resilience, growth, and creativity that can stem from devastating loss. Additional listening: 491 Elizabeth Bishop (with Megan Marshall) 483 Margaret Fuller (with Megan Marshall) 461 The Peabody Sisters (with Megan Marshall) Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Twenty-one years of love and commitment is the sign of a great relationship by most standards. But twenty-one years of love and commitment, separated by America's most violent maximum-security prison while raising six boys as a single mom and relentlessly advocating against a system designed to keep her husband in prison, can only be described as radical love. Sibil Fox and Robert Richardson are a New Orleans based couple who endured 21 years as an incarcerated family and whose story is told in the acclaimed, award-winning documentary TIME. Together they have six sons and continue their advocacy for incarcerated families.     Connect with Fox & Rob Online:  Website: https://www.foxandrob.com/  Instagram: https://www.instagram.com/foxandrob/  Facebook: https://www.facebook.com/foxandrob/  YouTube: https://www.youtube.com/@foxandrob 

Director Antoine Fuqua and Academy Award-winning cinematographer Robert Richardson were kind enough to recently spend some time talking with us about their work together on "Emancipation." The film tells the true story of a runaway slave named Peter (Will Smith) who escaped his plantation in the 1860s and fought his way to freedom. With unique color grading and striking images influenced by the photography from the time period, the film can currently be seen on Apple TV+. Please take a listen down below and listen to Fuqua and Richardson dive into their work on the film. Enjoy!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

To tell the story of Emancipation, director Antoine Fuqua and cinematographer Robert Richardson were influenced by the colors in the famous photo "Whipped Peter," whose story and the photograph of his scarred back is still one of the most famous photos documenting the brutality of slavery today. They chose to desaturate the images to a sepia-tone with just hints of color. Antoine also felt the lack of color reflected the world of a slave- it's bleak and hopeless, and he wanted the film to look beautiful but brutal. The Louisiana swamps Peter must navigate through as he escapes also looked more eerie and otherworldly with a lack of color. Antoine says he and Bob spent a lot of time discussing the film, designing shots, laying out storyboards, and going over the story more than with any other cinematographer he worked with. Antoine wanted Emancipation to show that a movie about slavery could also be a taut, entertaining thriller. They both wanted to create an action movie with sustained intensity throughout, but at its heart, Bob saw the film as a love story about a man fighting against insurmountable obstacles, on the run to get back to his family. They decided to show the caring Peter has for his family in the opening scene of the film, as Peter gently washes his wife's feet. Bob chose to use long, sweeping one shots to build the tension throughout the film, rather than relying on quick cutting. This allowed the tension to build as the slaves run away into the swamps. He and Antoine didn't do multiple takes or alternate shots if they didn't think they needed it. Antoine created tension within the railroad camp scenes with many layers of action- it wasn't necessarily what was going on right in front of Will Smith's character, but also what was happening to the men and overseers behind him. As a director, Antoine always wanted to work with Bob Richardson, but at first Bob said no to shooting Emancipation. Bob says that as a white man, he didn't really feel comfortable making a story about race. Antoine points out that most human beings could feel compassion for someone else's story, and slavery exists across races. Though it wasn't Bob's personal history, Emancipation was telling the story of our history in America. Antoine Fuqua and Robert Richardson are currently shooting a second project together. Find Antoine Fuqua: Instagram @antoinefuqua Find Robert Richardson: Instagram @robertbrichardson Emancipation can be streamed on Apple TV+. Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

On this week's Good Growing Podcast, we're talking Christmas trees. We discuss some of the different types of trees you can find, which are more sustainable cut or fake trees, potted Christmas trees, as well as some alternatives to the typical evergreen tree. Watch us on YouTube: youtu.be/1Ask9-9KcPo Skip to what you want to know: 00:31 – How was your Thanksgiving? 01:45 – Christmas trees, what type do we have? 04:23 – What's the best type of cut Christmas tree? 07:20 – Good species for aroma 07:55 – Not all evergreens smell good… 08:50 – Fake/synthetic trees 10:15 – What is more sustainable, cut or fake Christmas trees? 14:30 – Renting a live Christmas tree? 16:37 – Caring for potted Christmas trees 20:25 – What are some alternatives to typical evergreens? 26:55 – Critters coming in on live Christmas trees 28:35 – Wrap-up, thank you, what's up next week, and goodbye! Interview with Robert Richardson, President of the Illinois Christmas Tree Growers Association – https://youtu.be/Z7D5ckMCEX8 Consumer Reports article – https://www.consumerreports.org/home-garden/have-you-ever-heard-of-a-potted-christmas-tree-a7784784473/ Contact us! Chris Enroth: cenroth@illinois.edu Ken Johnson: kjohnso@illinois.edu Check out the Good Growing Blog: https://go.illinois.edu/goodgrowing Subscribe to the weekly Good Growing email: https://go.illinois.edu/goodgrowingsubscribe Any products or companies mentioned during the podcast are in no way a promotion or endorsement of these products or companies. -- You can find us on most podcast platforms. SoundCloud https://soundcloud.com/user-555304573 iTunes https://podcasts.apple.com/us/podcast/good-growing/id1446630377 Stitcher https://www.stitcher.com/show/good-growing Tunein https://tunein.com/podcasts/Gardening/Good-Growing-p1187964/ Spotify https://open.spotify.com/show/202u3siWExE1tTqrVgtmCR Vurbl https://vurbl.com/station/good-growing-4pljnNlUtyG/ Listen notes https://www.listennotes.com/podcasts/good-growing-chris-enroth-cHLPMWpvEOG/ Ivy https://ivy.fm/podcast/good-growing-167902 Castbox https://castbox.fm/channel/Good-Growing-id4302614?country=us Google podcasts https://bit.ly/3AiYjTD

On this episode of TLSP, Kym is joined by neurologist Robert Richardson to break down the topic of Mitochondria.

Robert Richardson, 2nd Missionary Journey, part 2: Acts 17:1-18:22 by Terrill Road Bible Chapel

The Meta History Museum uses unique NFT's to help fund the restoration of historical sites in Ukraine, as well as military supplies to help fight the Russian invasion. The NFT's are an act of historical preservation - daily events in Ukraine are chronicled on the blockchain as unique works of art. We speak with Alisa Fursa live from Kyiv, Ukraine to learn more about how this new tech is being used in War. Plus, the crash of Crypto has drained thousands of US investors... but what about the global impacts? From evading sanctions to replacing national currencies... we speak with Benjamin Powers and Joshua Keating from Grid News to learn why some foreign governments lean heavily into Crypto, and how the crash has impacted their motives.  Lastly, WEB3 opportunities aren't just reshaping Silicon Valley and Wall Street! Robert Richardson from Disrupt Art is the founder of Midwest Con, the first NFT conference coming to the midwest. He joins the show to tell Shira why he's bringing Web3 to the Midwest, and what attendees can expect to see there.  00:01 - Welcome 00:40- Weekly Headlines 05:00 - Benjamin Powers + Joshua Keating Writers at Grid - International Impact of the Crypto Crash 12:00 - Alice Fursa - The Meta History Museum  20:27 - Robert Richardson of Disrupt Art + Creator of MidwestCon - The first NFT Conference coming to the Midwest  

Senior Colorist of Company 3 and Co-Head of Feature Color, Stephen Nakamura continues to be among the most accomplished feature film colorists in Hollywood. In this episode, he talks about his career as a colorist, the importance of color on screen, and his experiences as an Asian American in the film business. Nakamura has worked alongside directors such as David Fincher, Ridley Scott, Kathryn Bigelow, Spike Lee, David O. Russell, and Steven Spielberg. He has also worked with cinematographers Dariusz Wolski, ASC, Claudio Miranda, ASC, Robert Richardson, ASC, and Janusz Kaminski. His feature film credits include Da Five Bloods, Sicario: Day of the Soldado, It: Chapter Two, Crazy Rich Asians, The Martian, and Alien: Covenant. Nakamura got his start in feature film finishing with Technicolor Digital Services. Previously, he was a colorist with the Post Group, working on commercial, music video, television and feature film projects. He began his career at California Video Center​. In 2018 Nakamura was accepted into the Academy Of Motion Picture Arts & Sciences.

Do you have a job without a desk? Dr. Muriel Clauson of Anthill explains how to manage the unique challenges faced by people who work on the floor or in the field outside of corporate offices. She shares tips on finding the best deskless jobs and what you can do to improve the quality of deskless work. Muriel Clauson's LinkedIn profile: https://www.linkedin.com/in/mclauson/ Steve Hunt's LinkedIn profile: https://www.linkedin.com/in/steventhunt/ Robert Richardson's LinkedIn profile: https://www.linkedin.com/in/robertrichardson/

IN DE PALMA DA HAND, A TRACH  Martin Scorsese and Brian De Palma were best buddies in the free wheelin' 1970s who, by the late 1990s, were Hollywood legends with instantly recognizable cinematic styles. Cage was in his box office prime in in 1998 and 1999 with De Palma's SNAKE EYES and Scorsese's BRINGING OUT THE DEAD. Two old timers whose kinetic stylish flourishes met their match in big studio era Cage? Perfect, right? Snake Eyes has energy to spare behind and in front of the camera but is it empty calories? It's a follow-up to director De Palma and screenwriter David Koepp's 1996 smash hit Mission: Impossible, which similarly uses deep-pocketed studio resources to go all-indulgence with obsessively elaborate set pieces. It begins with a 15-minute tracking shot! Yay, cinema!  Bringing Out the Dead reunites Scorsese with Taxi Driver writer Paul Schrader and composer Elmer Bernstein. Can the old guys recapture the magic of their 1976 masterpiece while adding Robert Richardson's halo-centric lighting and a crack supporting cast? Cage plays an NYC EMT  who can't sleep and sees ghosts. Whoa!  Our six remaining Cage Films:Con Air, Face/Off,  Left Behind, Lord of War, Mandy, Raising Arizona EPILOGUE: WILLY'S WONDERLANDTheme Song by: Howling Fantods.SNAKE EYES: 00:08:57BRINGING OUT THE DEAD 00:48:51