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10 episodes with Arthur Penn
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2 episodes with Arthur Penn
3 episodes with Arthur Penn
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2 episodes with Arthur Penn
Brothers and Sisters! Let us tell you the story of Love and Hate. H-A-T-E! It was with this left hand that old brother Cain struck the blow that laid his brother low. L-O-V-E! You see these fingers, dear hearts? The right hand, friends, the hand of love. Now watch, and we'll show you the story of being a movie fan. Old brother left hand Hate's a-fighting; there are many, many films that most folks hated and which have not, like other ignored-upon-release films, gone on to be cult classics. But wait a minute! Hot dog, Love's a winning! Yessirreee! It's Love that's won, and old left hand Hate is down for the count! For in this episode, brothers and sisters, Team Vintage Sand makes the case for why we love these films that just about everyone else hates. The nine films we've chosen to highlight could not be more different from one another. We reach all the way back to the 1940's and come all the way up to a film released just four years ago. We range from well-known directors like Paul Schrader, Ang Lee, and Arthur Penn to solid directors like George Roy Hill, Mark Robson, and Lasse Hallström, to a couple of directors whose obscurity is well-earned or whose reputation is yet to be determined by time. So beat the drums, ‘cause here comes our last episode before a summer interlude! Lastly, join us in a moment of silence for the late Ted Turner, who in spite of colorization and his ownership of the Atlanta Braves is one of our heroes, for TCM is a treasure that never stops giving to film fanatics like us. As for the coming summer, here's hoping that "Disclosure Day" is closer to "E.T." than to "A.I." , and that Nolan is somehow able to pull off "The Odyssey" (and that for once in a Nolan film, we can hear the dialogue over the music in the sound mix). Have a safe and peaceful break, and remember a great way to stay cool in the time of El Niño (both the weather phenomenon and the current political leadership ) is to go see movies in a real theater. Just saying…
Reed Birney has been working in film, television and theater for decades. Among his earliest credits are Albert Innaurato's Broadway comedy GEMINI in 1974 and Arthur Penn's FOUR FRIENDS in 1981. A celebrated member of the New York theatre community, Reed has won a Tony and numerous other awards and nominations for plays including THE HUMANS, CASA VALENTINA, MAN FROM NEBRASKA, UNCLE VANYA, BLASTED, and CIRCLE MIRROR TRANSFORMATION. Most recently he starred opposite his son Ephraim Birney in CHESTER BAILEY at Irish Rep, and in the highly successful run of Donald Margulies's LUNAR ECLIPSE at Second Stage, following a sold out run at Shakespeare & Company. On television, he was recently seen recurring opposite Kim Kardashian in the most recent season of "American Horror Story". He was also recently seen in Peacock's "Poker Face", and "Star Trek: Strange New Worlds." Other TV credits include HBO's "Succession" and Hulu's "The Handmaid's Tale", as well as the Apple TV+ series "Home Before Dark". He is also well known for his performance as Vice President Donald Blythe in the Netflix series "House of Cards". Next he will be seen in a series regular role on the upcoming season of "Silo" on Apple TV+, and also recently joined the cast of the limited series "Rabbit, Rabbit" for Netflix. In film, Reed received a Gotham Award nomination for his performance in the Bleecker Street feature MASS opposite Ann Dowd, Jason Isaacs and Martha Plimpton. The film's cast was also honored with the Robert Altman Award at the Independent Spirit Awards. Other recent film credits include THE MENU opposite Ralph Fiennes and Anya Taylor-Joy, the Universal/Blumhouse thriller THE HUNT, and Netflix's THE FORTY-YEAR-OLD VERSION and LOST GIRLS. Reed recently shot an independent feature THE STEEL HARP with Lois Smith and Cherry Jones, as well as BLUE FILM which debuted at Edinburgh Film Festival in August. We chat about almost quitting 3 times, regrets, 35 bad years & breakout roles 'later in life', embracing fear, being a LIFER, rejection & nasty things people say, spreading the ashes of one of his teachers, terrible plays, His Tony speech, good and bad agents, not working for a year + more! Check out BLUE FILM (tickets currently out) https://obscuredreleasing.com/films/blue-film ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/
Stories about lovers on the run have been captivating audiences since the classic years of Hollywood - although it feels like a long time since we've seen many notable examples. Graham Williamson of the Pop Screen podcast pops in to talk about the history of the sub-genre and also to discuss a couple of contrasting examples. First up, seminal New Hollywood classic, Bonnie and Clyde (1967), directed by Arthur Penn and then, something COMPLETELY different, James Robert Baker's shot-on-video work of backyard auteurism, Blonde Death (1984). Bonnie and Clyde treats real life events which haven't been news since the 1930's, and Blonde Death isn't really spoilable, so we won't be announcing a Spoiler Territory section for either of the films this week. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp "Black and Blonde" by Veruca Salt
The obvious point of comparison for The Bride! is apparent in the title, but Maggie Gyllenhaal's new revivification of The Bride of Frankenstein finds its animating spirit in a different film, with her protagonist couple spending a good portion of the movie on the run from the law in the 1930s in scenes that openly evoke Bonnie and Clyde. Whether The Bride! manages to rise anywhere close to the level of its inspiration is a question for next week's episode; this week, we're revisiting Arthur Penn's "lovers on the lam" classic to consider why it hit the way it did in 1967 and what remains striking about it to this day. Then in Feedback, we tackle a couple of listener questions concerning our recent discussions of Send Help and Wuthering Heights. Please share your thoughts about Bonnie and Clyde, The Bride!, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off. Learn more about your ad choices. Visit megaphone.fm/adchoices
With the 98th Academy Awards around the corner, we are breaking format this week to register the Next Picture Show's recommendations to the Academy of who should take home Oscar gold. Join us as three critics with competing tastes attempt to find consensus for this podcast's official endorsement for a single winner in all the major categories. Please share your thoughts about this year's Oscar nominees, winners, ceremony, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Maggie Gyllenhaal's THE BRIDE! and Arthur Penn's BONNIE AND CLYDE This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off. Learn more about your ad choices. Visit megaphone.fm/adchoices
Recorded at the American Film Market (AFM) in November 2025 An estranged father and daughter embark on a road trip — each hiding secret motives — but as unexpected detours and the dad's quirky caretaker draw them closer, they rediscover what it means to be a family. Sari Earl - Writer Born and raised in Brooklyn, New York, Sari was a tax attorney who worked for Delta Air Lines before a passion for writing inspired her to shift careers. She is a published author of ten books, seven under the pen name Sari Robins and three under her own name. She also wrote and helped create a documentary short. Now Sari is focused on her most personal story yet, making a film inspired by her father who lived with ALS for over twenty years. The screenplay, Do Over, is a comedy that reflects her dad's indomitable spirit, his humor, and his love of family. Do Over is the Grand Prize Winner of the Table Read My Screenplay Competition Hollywood 2025 and won Best Comedy Screenplay at the Atlanta Women's Film Festival 2025, among others. Motivated by her father's ALS, Sari helped create and co-chairs the accessibility and inclusivity committee at her Temple where she also served as Vice President of Community, led the leadership program and served on the board. Sari also served as President of the Atlanta Jewish Film Festival, the largest Jewish film festival in the world, and is a founding board member. Sari served as Vice President of Film, and Vice President of Leadership at American Jewish Committee, Atlanta, where she continues to serve on the board and is part of the Black-Jewish Coalition and community engagement efforts. Sari served on the board of a mental health non-profit and on the advisory board for an interfaith disability organization. Check out www.sariearl.com Drew Ann Rosenberg - Director Drew began her career in the arts, working in off-Broadway theatre in New York City and as a classically trained singer. She was Assistant Director on 6 Academy Award-winning films and has worked alongside such acclaimed directors as Sidney Lumet, Arthur Penn, Woody Allen, Paul Newman, Jonathan Demme, Rob Reiner, and Abel Ferrara. She's also First ADed 7 movies for HBO and multiple TV series and limited series. Drew's directorial debut, SEX AND A GIRL, aired on Showtime and Lifetime Networks. FOLLOW THE PROPHET was released theatrically. She directed second unit on THE RETURNED, STARKID, and NOW AND THEN. Drew wrote and directed the short film DAYBREAK, which received an LA Emmy. Her short film, AMY'S GIFT, won 5 awards at festivals. DADDY'S EYES, her latest short, won Best in Fest and Best Narrative Short at The Lake Placid Film Festival and the Rome Film Festival. Drew co-produced the feature NINE BULLETS, for Writer/Director Gigi Gaston, starring Lena Headey, Sam Worthington, and Barbara Hershey. Recently, Drew stepped up to direct on the limited series, American Sports Story, Gladiator for FX networks. She's currently in development on two independent features, KINGS ROAD and OUR CLASS, as well as a series derived from her short, DADDY'S EYES. www.drewrosenberg.com Cast: Rob Morrow - https://www.imdb.com/name/nm0001555/ Tu Morrow - https://www.imdb.com/name/nm2358754/ RJ Hatanaka - https://www.imdb.com/name/nm4082552/ Siena Goines - https://www.imdb.com/name/nm0324788/ Dean Cameron - https://www.imdb.com/name/nm0131541/ Maiara Walsh - https://www.imdb.com/name/nm2118666/ Oliver Blank - https://www.imdb.com/name/nm14028470/ Eric Keitel - https://www.imdb.com/name/nm3318078/ JK Anderson - Narrator
In this episode the random movie machine transports the misfits into the 1930's. The scene is complete with gun molls, Model A s and Tommy guns as they review the 1967 crime drama Bonnie and Clyde. This film was directed by Arthur Penn and stars Warren Beatty, Faye Dunaway and Michael J Pollard. Ranking: AFI's 100 Years…100 Movies: 27th AFI's 100 Years…100 Movies – 10th Anniversary List: 42nd All original content including sound effects, graphics, photos and music is © Classic Movie Misfits. Movie audio clips and music are used in accordance with Fair Use, and are property of the film copyright holders. #BonnieAndClyde #ArthurPenn #WarrenBeatty #FayeDunaway #MichaelJPollard #GeneHackman #EstelleParsons #ClassicMovies #AFI100 #ClassicMovieMisfits
In this episode of our 2025 series in which we discuss classics from 1975 and 1995 we are turning our attention to Night Moves directed by Arthur Penn. Over the course of our conversation you will hear us talk about how this movie executes on the film noir template with its convoluted plots and morally ambiguous characterizations and how it functions as its subversion. We debate the possible reasons why this movie was misunderstood and unsuccessful upon release, and why competing against Jaws for box office dollars might have had something to do with it. We also delve into the controversy surrounding explicit scenes featuring young Melanie Griffith and the equally problematic ways the studio wanted to 'solve' what they clearly identified as a moral issue. Finally, we wonder just how many times one has to watch Night Moves to begin to like its subversive new-wave commentary on noir.Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Rich FosterHead over to our website to find out more! (uncutgemspodcast.com)Follow us on Twitter (@UncutGemsPod) and IG (@UncutGemsPod)Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod)Subscribe to our Patreon (patreon.com/uncutgemspod)
The Triplex Cinema in Great Barrington celebrates “Noir-vember” this fall with “The New Hard-Boiled: The Birth of American Neo-Noir,” a five-film series highlighting defining thrillers of the 1960s and 1970s.Screenings will take place Wednesday nights at 7 p.m. and Saturday afternoons at 5 p.m., through November 19 with a special screening of Arthur Penn's “Night Moves” followed by a talkback with Penn's son, Emmy-nominated director Matthew Penn.
Big Speakeasy welcome to our wonderful guest co host Carlos!! He has been a supporter of the show since day one so it was great pleasure for him to spend some time with us.We had such a wonderful time talking to him about film, weather, indie film and general shenanigans! Oh - and the classic Night Moves!Night Moves is a 1975 American neo-noir thriller film directed by Arthur Penn from a screenplay by Alan Sharp. It stars Gene Hackman as an ex-professional football player turned Los Angeles private investigator who uncovers a series of sinister events while searching for the missing teenage daughter of a former movie actress. The cast also features Susan Clark, Edward Binns, Jennifer Warren, James Woods and Melanie Griffith in her film debut.
To celebrate the 50th anniversary of Arthur Penn's neo-noir thriller Night Moves, starring the late Gene Hackman, Alan Sharp's novel based on his original screenplay – out of print since its first publication in 1975 – is presented here in a stunning new paperback edition, with exclusive cover art by the legendary Tony Stella, an introduction by Matthew Asprey Gear (author of Moseby Confidential) and an afterword by David Manderson (author of The Anti-hero's Journey: the Work and Life of Alan Sharp). Out of print for 50 years, this special edition is strictly limited to 1,000 copies, and exclusively available from Plumeria here. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
To celebrate the 50th anniversary of Arthur Penn's neo-noir thriller Night Moves, starring the late Gene Hackman, Alan Sharp's novel based on his original screenplay – out of print since its first publication in 1975 – is presented here in a stunning new paperback edition, with exclusive cover art by the legendary Tony Stella, an introduction by Matthew Asprey Gear (author of Moseby Confidential) and an afterword by David Manderson (author of The Anti-hero's Journey: the Work and Life of Alan Sharp). Out of print for 50 years, this special edition is strictly limited to 1,000 copies, and exclusively available from Plumeria here. Learn more about your ad choices. Visit megaphone.fm/adchoices
“A world without Human Beings has no center to it.” Little Big Man (1970) Directed by Arthur Penn and starring Dustin Hoffman, Chief Dan George, Faye Dunaway, Martin Balsam and Richard Mulligan
We review Night Moves (1975) on movie podcast The Collector's Cut. Night Moves is directed Arthur Penn and stars Gene Hackman, Susan Clark, Jennifer Warren, Melanie Griffith patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/
GGACP celebrates the 50th anniversary of one of Gilbert's favorite 70s movies, the Gene Hackman-starrer "Night Moves" (released in summer, 1975) by revisiting this discussion from back in 2015. Also in this episode: Kenneth Mars! "Prime Cut"! Arthur Penn tries his hand at film noir! Henry Fonda brings order to the Old West! And Gilbert remembers classic movie posters! (but not the name of his own podcast). Learn more about your ad choices. Visit megaphone.fm/adchoices
Joe's Shelf finally returns! In this series, I pick a movie that Ryan has never seen, we watch it, and then discuss. Groundbreaking concept for a podcast, I know. This time, in honor of Gene Hackman and Harris Yulin, I chose Night Moves - a 1975 neo noir directed by Arthur Penn. Man, do I just love a good private detective movie and Night Moves is one of the best to ever do it. Support us on Patreon for tons of bonus content and features at: www.patreon.com/almostcultclassics. You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com
Book Vs. Movie: “Alice's Restaurant” Arlo Guthrie's 1967 18-minute Song Vs the 1969 MovieArlo Guthrie's “Alice's Restaurant” is an 18-minute satirical folk monologue and song that became an anthem for the 1960s counterculture. Officially titled “Alice's Restaurant Massacree,” it was released in 1967 on his debut album. The piece tells a true, albeit embellished, story from Thanksgiving 1965 about a littering arrest that prevented Guthrie from being drafted into the Vietnam War. Blending comedy and protest, the song critiques authority and the military draft system, recounting how disposing of garbage with a friend led to an arrest, which ironically disqualified him from military service.In this episode, the Margos discuss:The career of Arlo GuthrieThe story behind the songThe differences between the song & movie. The cast includes: Arlo Guthrie (as himself), Pat Quinn (Alice Brock), James Broderick (Ray Brock), Pete Seeger (as himself), Joseph Boley (Woody Guthrie), M. Emmet Walsh (Group W Sergeant.) Clips Featured:“The Town Dump”Alice's Restaurant (1969 trailer)“The Wedding Scene”“Pete Seeger and Woody Guthrie"“The Funeral Scene” (Songs to Aging Children by Joni Mitchell sung by Tigger Outlaw)Music by Arlo GuthrieFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: “Alice's Restaurant” Arlo Guthrie's 1967 18-minute Song Vs the 1969 MovieArlo Guthrie's “Alice's Restaurant” is an 18-minute satirical folk monologue and song that became an anthem for the 1960s counterculture. Officially titled “Alice's Restaurant Massacree,” it was released in 1967 on his debut album. The piece tells a true, albeit embellished, story from Thanksgiving 1965 about a littering arrest that prevented Guthrie from being drafted into the Vietnam War. Blending comedy and protest, the song critiques authority and the military draft system, recounting how disposing of garbage with a friend led to an arrest, which ironically disqualified him from military service.In this episode, the Margos discuss:The career of Arlo GuthrieThe story behind the songThe differences between the song & movie. The cast includes: Arlo Guthrie (as himself), Pat Quinn (Alice Brock), James Broderick (Ray Brock), Pete Seeger (as himself), Joseph Boley (Woody Guthrie), M. Emmet Walsh (Group W Sergeant.) Clips Featured:“The Town Dump”Alice's Restaurant (1969 trailer)“The Wedding Scene”“Pete Seeger and Woody Guthrie"“The Funeral Scene” (Songs to Aging Children by Joni Mitchell sung by Tigger Outlaw)Music by Arlo GuthrieFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
We're back with part two of our ongoing summer series devoted to the newest physical media releases from The Criterion Collection & today's episode is a must for neo-noir fans everywhere. First up, you'll hear from bestselling award-winning authors S.A. Cosby (whose newest novel KING OF ASHES just hit shelves last week) & Jordan Harper (SHE RIDES SHOTGUN & EVERYBODY KNOWS) on director Stephen Frears' outstanding adaptation of author Jim Thompson's THE GRIFTERS. Then we leave the '90s behind & go further back in time to catch up with the brilliant film essayist & historian Priscilla Page on two of her all-time favorite films in director Michael Mann's THIEF & Arthur Penn's NIGHT MOVES. Scholarly, fresh, funny, & filled with razor sharp analysis, hold onto your wallet, car, & any missing girls or crooks in your orbit & just try to keep up with all of these cons.Originally Posted on Patreon (6/22/25) here: https://www.patreon.com/posts/131774814Listen to the Watch With Jen™ Podcast on RSS, Spotify, Google, Stitcher, Apple, Pandora, and MoreShop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive
On this week's episode of Unclear and Present Danger, Jamelle and John watched Executive Power, an obscure made-for-TV movie directed by David Corley and starring Craig Sheffer as Nick Seger, a Secret Service agent who gets entangled in a web of political intrigue and moral compromise after he assists the president in a deadly cover-up.There is not much more to the movie, but Jamelle and John try very hard to extract something like political insight from the proceedings! You can watch Executive Power for free on YouTube (although I would not recommend it).Our next episode is on The Assignment, a 1997 thriller directed by Christian Duguay and starring Aidan Quinn, Donald Sutherland, Ben Kinglsey and Claudia Ferri. Here is a brief plot synopsis:Jack Shaw has experienced the terror first-hand. He's a top CIA agent who's tracked international killer-for-hire Carlos “The Jackal” Sanchez for over twenty years and barely survived Carlos' devastating bombing of a Parisian cafe. Now, he finally gets a break when he discovers Carlos' dead ringer: American naval officer and dedicated family man Annibal Ramirez.And sign up for our Patreon, where we cover the films of the Cold War. Our next episode will be on Arthur Penn's Night Moves. You can sign up at patreon.com/unclearpod.Our producer is Connor Lynch and our artwork is by Rachel Eck. You can reach out to us over email at unclearandpresentfeedback@fastmail.com
Devin & James are back in the DEN to conclude their discussion about one of the greatest American actors ever to hit the screen, GENE HACKMAN! This time around, we reach into some slightly more obscure territory. We get into his early Western work, in THE HUNTING PARTY and BITE THE BULLET. We also discuss two films he made with a frequent collaborator, Arthur Penn: the underappreciated TARGET and the stone-cold neo-noir masterpiece, NIGHT MOVES. Actress Joanna Cassidy shows up as a match for Hackman in THE PACKAGE and UNDER FIRE. We also discuss a couple of misfires that may fall short of greatness (or even goodness, in some opinions). Still, we make the case that Hackman makes them interesting watches anyway: LOOSE CANNONS (with Dan Aykroyd and an insane Hitler sex tape plot) and LUCKY LADY (which puts him in a literal throuple with Liza Minnelli and Burt Reynolds!!!!). All this, plus many more films to add to your list. We could have honestly gone into a third episode with Hackman as the headline topic, and we hope you join us to celebrate his unique presence in cinema. Gene Hackman was truly one of a kind.
Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Sean Burns (film critic) will discuss the greatness of the departed Gene Hackman in the special CRITERION COLLECTION 4K release of NIGHT MOVES.Night MovesArthur Penn's haunting neonoir reimagines the hard-boiled detective film for the disillusioned, paranoid 1970s. In one of his greatest performances, Gene Hackman oozes world-weary cynicism as a private investigator whose search for an actress's missing daughter (Melanie Griffith) leads him from the Hollywood Hills to the Florida Keys, where he is pulled into a sordid family drama and a sinister conspiracy he can hardly grasp. Bolstered by Alan Sharp's genre-scrambling script and Dede Allen's elliptical editing, the daringly labyrinthine Night Moves is a defining work of post-Watergate cinema—a silent scream of existential dread and moral decay whose legend has only grown with time.4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, with uncompressed monaural soundtrackOne 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresNew audio commentary by Matthew Asprey Gear, author of Moseby ConfidentialNew audio interview with actor Jennifer WarrenInterview with director Arthur Penn from a 1975 episode of Cinema ShowcaseInterview with Penn from the 1995 documentary Arthur Penn: A Love Affair with FilmThe Day of the Director, a behind-the-scenes featuretteTrailerEnglish subtitles for the deaf and hard of hearingPLUS: An essay by critic Mark HarrisNew cover by Greg ManchessSean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsSupport: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Agents Scott and Cam, along with guest operative Scott McCrea, author of Targets West, learn about the importance of tradecraft in father/son bonding while decoding the 1985 Gene Hackman & Matt Dillon spy drama Target. Directed by Arthur Penn. Starring Gene Hackman, Matt Dillon, Gayle Hunnicutt, Josef Summer, Guy Boyd, Viktoriya Fyodorova, Herbert Berghof and Ilona Grübel. Make sure to purchase Targets West on Amazon, and check out more of Scott's work at his website. You can also follow Scott on X and Instagram. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.
This week, we head to 1964 to discuss John Frankenheimer's “The Train,” a film that begs the question: How much do train mechanics know about art? Just kidding, it's an awesome film with Burt Lancaster in the lead performance butting heads with legendary antagonist Paul Scofield as an SS Captain hoping to smuggle French art from Paris to Germany before the Allies liberate France's capital city. Fortunately, the French have the infamous Underground! Grab a drink and give us a listen! Our phone number is 646-484-9298. It accepts texts or voice messages. 0:00 Intro; 14:37 1964 Year in Review; 34:55 Films of 1964: “The Train”; 1:17:31 What You Been Watching?; 1:24:46 Next Week's Movie Announcement Additional Cast/Crew: Jeanne Moreau, Maurice Jarre, Arthur Penn, Franklin Coen, Frank Davis, Rose Valland. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir.
In this episode, Brian talks about the recent 4K UHD releases of Arthur Penn's NIGHT MOVES and Alan Rudolph'd CHOOSE ME from Criterion as well as a great trio of discs from Fun City Editions. Info on Criterion here: https://criterion.com/ Fun City Editions (including their latest Pre-orders) here: https://www.funcityeditions.com/ This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/
This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We pay tribute to the late Gene Hackman with one of his - or anyone's - greatest films, Arthur Penn's 1975 neo-noir NIGHT MOVES. Shot by longtime Eastwood DP Bruce Surtees and starring Clint co-stars Gene Hackman, Susan Clark, James Woods, and John Crawford, so it's totally fair game. Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart
This week- two films starring the brilliant Gene Hackman. Harry Moseby, a former football player turned private investigator, is hired to find a runaway sixteen-year-old. A search that will drag him into a conspiracy and coverup. The fourth genre redefining feature in a row from director Arthur Penn, Night Moves. A seasoned nuclear submarine commander and his new executive office clash over how to interpret their orders and at what point does on make a decision that could have grave consequences on massive scales. A pair of masterful performances from the best of their respective generation, Crimson Tide. All that and Kevin commissions a new battalion, Tyler celebrates in the way he is most accustomed, Dave has shallow thoughts, and Craig is already reaping what he has sown. Join us. won't you? Episode 403- A Pair of Genes
Cinematic Karma - Stanley Kubrick's A Clockwork Orange WatchThis fan and BuyMeACoffee contributor, Alan Lamberg, suggests this week's title, Stanley Kubrick's 1971 controversial (masterpiece - ?), A Clockwork Orange. In the late 60s and early 70s the cinematic landscape was changing and evolving into a very different creature. Arthur Penn's Bonnie & Clyde and Sam Peckinpah's The Wild Bunch would usher in a new era of cinematic violence. Stanley Kubrick would soon pick up the baton and create one of the most polarizing and controversial films ever made. From the novella by Anthony Burgess, Kubrick would create a dystopian England that would change the attitudes and expectations of film audiences. With a powerful and compelling performance by Malcolm McDowell, A Clockwork Orange has riveted audiences since its premiere in 1971. Fifty plus years later we have to ask ourselves if the film continues to offend and frighten as it did those many years ago. Mr. Chavez & I definitely have our opinions and are thrilled to lay it out for you the listener. Sit down, download, and enjoy a spirited discussion on the film, its role in cinematic history, and Kubrick's continuing power as a filmmaker. It's a fun time. As always, we can be reached at gondoramos@yahoo.com - Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.
In this episode of Drive-In Double Feature Podcast, Nathan and Ryan dive into the surreal and enigmatic world of Mickey One (1965). Directed by Arthur Penn and starring Warren Beatty, this experimental noir-thriller is a haunting portrayal of paranoia, art, and identity in 1960s America. The hosts discuss the film's avant-garde cinematography, Beatty's mesmerizing performance, and its influence on the countercultural cinema movement. Is this hidden gem an unsung masterpiece or a confounding experiment? Nathan and Ryan have the answers!
In this special Thanksgiving holiday episode, we're looking back to our recent season on the films of 1969, to talk about Arthur Penn's Alice's Restaurant. Directed and co-written by Arthur Penn and starring Arlo Guthrie, Pat Quinn, James Broderick and Michael McClanathan, Alice's Restaurant is an adaptation of folk singer Guthrie's signature song.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/alices-restaurant-1969), Andrew Sarris in the Village Voice, and Paul Schrader in The Los Angeles Image (https://paulschrader.org/articles/pdf/1969-AlicesRestaurant.pdf). Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at
In this epilogue to our season on the awesome movie year of 1969, we talk about alternate movies we considered including in all of our different categories this season, and read suggestions from some listeners about their favorite 1969 movies.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in next time for a 1969 Thanksgiving bonus episode, featuring Arthur Penn's Alice's Restaurant.
EPISODE 61 - “FAVORITE CLASSIC FILMS OF THE 1960s” - 11/11/2024 The decade of the 1960s was an exciting time in filmmaking. The stodgy studio contract system was starting to give way to a new crop of independent cinematic auteurs, often associated with the "New Hollywood" era, include: Stanley Kubrick, Robert Altman, Sam Peckinpah, Arthur Penn, John Cassavetes, Francis Ford Coppola, Martin Scorsese, and Peter Bogdanovich. These films were edgier and pushed the creative boundaries and social themes to reflect the changing times. In this episode, Steve and Nan discuss some of their favorite films of the decade and why they had such an impact! SHOW NOTES: Sources: Some Like It Cool (2002), by Michael Freehand; Mike Nichols: A Life (2021), by Mark Harris; Jean Simmons: Her Life and Career (2022), by Michelangelo Capua; “Veronica Cartwright talks about ‘The Birds',” February 8, 2008, YouTube; “Here's to You, Mr. Nichols: The Making of ‘The Graduate',” February 25, 2008, by Sam Kashner, Vanity Fair; “Tippi Hedren On Alfred Hitchcock's ‘The Birds',” April 29, 2009, The American FIlm Institute; “The Revenge of Alfred Hitchcock's Muse,” October 5, 2012, New York Magazine; “Tippi Hedren: Hitchcock Ruined My Career,” December 7, 2012, Huffington Post; “Throwback Thursday: Shirley MacLaine Recalls Filming Lesbian Drama ‘Children's Hour' in 1961,” June 4, 2015, Hollywood Reporter; “The Underappreciated Genius of ‘Planet of the Apes',” May 18, 2024, by Janelle Bouie, New York Times; “The Children's Hour,” October 16, 2024, Episode 257, Feminist Frequency Podcast; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned: The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels, Elizabeth Wilson, Murray Hamilton, Buck Henry, Marion Lorne, Alice Ghostly, Brian Avery, William Brooke, and Norman Fell; The Birds (1963), Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright, Ethel Griffies, Charles McGraw, Richard Deacon, and Elizabeth Wilson; Days of Wine and Roses (1962), starring Jack Lemmon, Lee Remick, Charles Bickford, Jack Klugman, Alan Hewitt, Maxine Stuart, Debbie Megowan, and Jack Albertson; Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, Roddy McDowell, Maurice Evans, Linda Harrison, James Whitmore, and James Daly; The Happy Ending (1969), starring Jean Simmons, John Forsyth, Shirley Jones, Lloyd Bridges, Teresa Wright, Bobby Darin, Kathy Fields, Dick Shawn, Nanette Fabray, and Tina Louise; The Children's Hour (1961), starring Audrey Hepburn, Shirley MacLaine, James Garner, Miriam Hopkins, Faye Bainter, Karen Balkin, Veronica Cartwright, and Hope Summers; In The Heat Of the Night (1967), starring Rod Steiger, Sidney Poitier, Lee Grant, Warren Oats, Beah Richards, William Schallert, and Larry Gates; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
El lunes 21 de octubre se cumplen 40 años del fallecimiento de François Truffaut, un director francés cuya carrera nació con la llamada Nouvelle Vague de los años 50 y que acabó convirtiéndose en uno de los cineastas galos más importantes de la historia del cine, autor de películas como “Los 400 golpes”, “Fahrenheit 451” o “La noche americana”. En este episodio repasamos su vida y su trayectoria profesional. También repasamos la relación que ha tenido el rey Enrique VIII de Inglaterra con el cine ya que parece que su figura vuelve a recuperarse tanto en la pantalla grande como en la televisión. Charlamos con el actor David Anido, uno de los protagonistas de “As Bestas” o de la serie de televisión “Rapa”. Y en “Diligencia hacia el Oeste” traemos esta semana u no de los llamados “westerns revisionistas” que planteaban el genocidio de los nativos americanos y trataban a los indios con dignidad y respeto: “Pequeño Gran Hombre”, dirigida por Arthur Penn en 1970 y protagonizada por Dustin Hoffman.
El lunes 21 de octubre se cumplen 40 años del fallecimiento de François Truffaut, un director francés cuya carrera nació con la llamada Nouvelle Vague de los años 50 y que acabó convirtiéndose en uno de los cineastas galos más importantes de la historia del cine, autor de películas como “Los 400 golpes”, “Fahrenheit 451” o “La noche americana”. En este episodio repasamos su vida y su trayectoria profesional. También repasamos la relación que ha tenido el rey Enrique VIII de Inglaterra con el cine ya que parece que su figura vuelve a recuperarse tanto en la pantalla grande como en la televisión. Charlamos con el actor David Anido, uno de los protagonistas de “As Bestas” o de la serie de televisión “Rapa”. Y en “Diligencia hacia el Oeste” traemos esta semana u no de los llamados “westerns revisionistas” que planteaban el genocidio de los nativos americanos y trataban a los indios con dignidad y respeto: “Pequeño Gran Hombre”, dirigida por Arthur Penn en 1970 y protagonizada por Dustin Hoffman.
Can a riveting thriller be based on the game of chess? This question has plagued cinema philosophers for time immemorial but Joe, Rob and Bryce deliver the definitive resolution! We check out Night Moves (1975), directed by Arthur Penn, and Knight Moves (1992), directed by Carl Schenkel. We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Night Moves by skipping ahead to the 1:15:47 mark, and for Knight Moves by skipping ahead to 2:03:49. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
Exploring 'Bonnie and Clyde' (1967) - LOVE ON THE RUN Part 1In this episode, we dive deep into the classic film 'Bonnie and Clyde' (1967) and tease 'True Romance' (1993) - Love on the Run Part 2. This two-part series kicks off with a thorough analysis of 'Bonnie and Clyde,' directed by Arthur Penn. Chris explores the film's critical scenes, character arcs, and thematic elements while sipping on a Miller Genuine Draft, setting the tone for a lively discussion. Tune in to hear a breakdown of the plot structure, notable moments, and behind-the-scenes trivia, along with a comparison to other crime films. Stay tuned for part two, where 'True Romance' takes center stage!00:00 Introduction and Announcements00:26 Setting the Scene: Miller Genuine Draft and Movie Pairing02:10 Behind the Scenes: Podcast Delays and Personal Updates03:56 Happy Hour Begins: Tequila and True Romance07:14 Bonnie and Clyde: Movie Overview and Initial Impressions09:31 Bonnie and Clyde: Historical Context and Critical Reception14:49 Breaking Down Bonnie and Clyde: Plot and Themes18:12 Analyzing the Structure: Beats and Arcs28:42 Buck and Blanche: A New Dynamic29:10 Blanche's Role in the Story29:40 Fun and Games Turn Deadly30:26 Media Frenzy and Rising Fame31:01 Gene Wilder's Comical Debut32:10 Bonnie's Reality Check33:03 Clyde's Sexuality: A Debate37:52 The Family Reunion38:36 The Final Shootout46:26 The End of the Crime Spree48:46 Legacy and TriviaFollow Silver Screen Happy Hour on Instagram here:https://www.instagram.com/silverscreenhappyhour/
Welcome back to another episode of The Video Store Podcast. This week, I have some new recommendations, featuring a selection of neo-noir classics from the '70s and early '80s. These films capture the essence of the genre with their complex characters, intricate plots, and moody atmospheres. I grew up as a fan of original noir films that I would see on TV late shows and weekend film fests. So as I got older, my enjoyment of these made a lot of sense.First up is The Long Goodbye (1973), directed by Robert Altman. This film features Elliott Gould as Philip Marlowe, a laid-back private detective navigating a world of mystery and betrayal in contemporary Los Angeles. Altman's unique take on Raymond Chandler's classic character adds a touch of humor and irreverence to the story. Pay attention to the film's soundtrack by John Williams, which cleverly reprises the same theme in various styles throughout the movie.Next, we have Chinatown (1974), directed by Roman Polanski. This film stars Jack Nicholson as private investigator Jake Gittes, who gets entangled in a web of corruption and deceit in 1930s Los Angeles. Faye Dunaway and John Huston deliver unforgettable performances. Keep an eye out for the film's meticulous attention to detail, from its period-accurate costumes to its stunning cinematography by John A. Alonzo. This might be the most famous film that has a nose-slashing in it.Moving on, I am recommending Night Moves (1975), directed by Arthur Penn. Gene Hackman stars as Harry Moseby, a former football player turned private investigator. As he searches for a runaway teenager, Moseby finds himself caught in a dark and twisted conspiracy. Hackman's performance, as you might expect, is a standout, and the film's ambiguous ending will leave you pondering long after the credits roll (Seventies!) Keep an eye out for a young Melanie Griffith in one of her earliest roles.Lastly, we have Cutter's Way (1981), directed by Ivan Passer. This film features Jeff Bridges as Richard Bone, who becomes involved in a murder investigation with his friend Alex Cutter, played by John Heard. The film paints a sad/confusing picture of post-Vietnam America and explores themes of disillusionment and betrayal. The chemistry between Bridges and Heard is electric, and Lisa Eichhorn delivers a heartbreaking performance as Cutter's wife, Mo.These films are essential viewing for any fan of the noir genre or films of the seventies. While they have a lot in common, they each also bring something unique to the table and showcase some of the best talent of their time, both in front of and behind the camera. Subscribe to the Video Store Podcast* The Video Store Podcast* Apple Podcast* RSS This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com
After earning a degree in Theatre and Philosophy at the University of Texas, Ms Spencer moved to New York City, where she attended NYU and The Actors Studio Playwright/Director's Unit, which was run by Elia Kazan and Arthur Penn. She wrote and directed plays in New York City, and was a member of Circle Rep Lab. She also wrote and directed plays in London and Los Angeles, and is a published poet. Her first film, Little Noises, premiered at Sundance. Her second film, Faces On Mars (aka: Wake Up Running), premiered in Europe at Solothurn and she is preparing the film for distribution screenings. She completed her third feature film, The Ninth Cloud, in 2015, has been in many festivals, garnered great reviews and was released in April 2018 in Europe and the UK and can be seen on iTunes and Amazon Prime in USA and UK. She is in Post Production for her fourth feature film, South of Hope Street, starring Tanna Frederick, Judd Nelson, William Baldwin, Asser Yassin, Jack McEvoy, Michael Madsen and Patricia Sluka, which has been picked up by Buffalo8 Productions in LA re Domestic Distribution, and has two other projects in development: 'The Velvet Gentleman' which will star Jean Hugues Anglade, and 'The Red Weather' with FilmInTuscany Productions. She received an Award for her work as a Filmmaker from Producers Without Borders at the Venice Film Festival 2023 for 'Auteur and Poetic Filmmaking'. She lives in Europe.
The snow is falling & it's cold outside, so join Henrique & Dave who are kicking off their Winter Watching Favorites List with an undiscovered film that Hitchcock never directed but it sure feels like he did. A struggling actress accepts an audition for a role that could change her life…or take it. Finger Removals, Homicidal Identical Twins, Snow Covered Mansions, Betrayal, & more in 1987's Dead of Winter, directed by Arthur Penn. Plus Mary Steenburgen playing 3 characters, Roddy McDowall, & Jan Rubes. Gey cozy by the fire & grab a cup of hot cocoa as the hosts dissect this one setting thriller that gets deadlier & twisted till the very end. Visit our website: DoYouEvenMovie.com Email us: doyouevenmoviepod@gmail.comLIKE us on Facebook: Do You Even Movie? - PodcastFollow Us on Instagram: @DoYouEvenMoviePod Twitter: https://x.com/dyempodTik Tok: @doyouevenmoviepodWatch Dead of Winter on Prime:https://www.amazon.com/gp/video/detail/B003UPYOE0/
Snow and darkness are the hallmarks of winter (at least in the Northern Hemisphere). They are also perfect for setting up an intriguing mystery. In this episode, Brook and Sarah discuss what makes a great winter mystery and a few of their favourites.DiscussedAnd Then There Were None (1939) Agatha ChristieMurder On the Orient Express (1934) Agatha ChristieThe Sittaford Mystery (1931) Agatha ChristieIn a Dark, Dark Wood (2015) Ruth WareOne by One (2020) Ruth WareThe Hunting Party (2018) Lucy FoleyAn Unwanted Guest (2018) Shari LapenaThe Sanatorium (2020) Sarah PearseDeath and the Dancing Footman (1941) Ngaio MarshMidwinter Murder: Fireside Mysteries from the Queen of Crime (2020) Agatha ChristieCrimson Snow: Winter Mysteries (2017) ed. Martin EdwardsDead of Winter (1987) Arthur Penn (director)The Woman in Red (1941) Anthony GilbertTrapped (2016- 2021)"Has an Old Soviet Mystery at Last Been Solved?" New Yorker (May 10, 2021) Douglas PrestonFor more informationInstagram: @cluedinmysteryContact us: hello@cluedinmystery.comMusic: Signs To Nowhere by Shane Ivers – www.silvermansound.comSign up for our newsletter: https://cluedinmystery.com/clued-in-chronicle/Join the Clued in Cartel: https://cluedinmystery.com/clued-in-cartel/Transcript
We review Dead of Winter (1987) on horror movie podcast Screams After Midnight. Dead of Winter is directed by Arthur Penn and stars Mary Steenburgen, Roddy McDowall, Jan Rubes patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight email: mftvquestions@gmail.com THE CRYPT: https://sites.google.com/view/mildfuzztvpatreonlists/crypt?authuser=0 Audio version: https://screams-after-midnight.pinecast.co/
We're taking a short break from covering Christmas movies by talking about Arthur Penn's The Miracle Worker. Anne Bancroft and Patty Duke are tremendous as the battling teacher and student. Both won Oscars as Bancroft's Anne Sullivan teaches manners and ASL to Duke's deaf and blind Helen Keller. The real Keller was intelligent, stubborn, ferocious and---disabilities or not---also a bit of a jerk. Sullivan pushes back though and DOESN'T have the patience of Job. This is a hard job, especially during their epic 9-minute battle in the dining room. The Miracle Worker is a movie about making connections and they eventually do that...as do we by comparing this difficult girl to our beloved dogs. Forgive us, it's what we know best. So put on some dark glasses and resist the urge to grab food right off people's plates as our 554th water pump of Have You Ever Seen analyzes this biopic about 2 extraordinary women. Sparkplug Coffee is extraordinary too. They will give our listeners a onetime 20% discount if said listeners will use our "HYES" promo code. Go to "sparkplug.coffee/hyes". We like feedback. Let us know what you think with an x-tweet (@moviefiend51 and @bevellisellis) or an email (haveyoueverseendpodcast@gmail.com). You can also comment on our YouTube page (@hyesellis), but also feel free to rate, subscribe, like and review us there or on your podcast app.
“I was always making a beeline for my inner truth”: Estelle Parsons reflects on her remarkable life and acting career with incredible stories about luminaries like Arthur Penn, Paul Newman and others. Plus, why getting Gene Hackman interested in filmmaking was “a terrible loss for the American theater”, how she found her way into a Shakespeare podcast, and what it's like to play with Time. All this and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices
“A painting means as much to you as a string of pearls to an ape.”In the early 1960s, French author Rose Valland pitched the idea for The Train to producer Jules Bricken. Valland had worked at the Jeu de Paume Museum in Paris during World War II, overseeing the Nazi looting of French art treasures. Intrigued by her true story of resisting Nazi art theft, Bricken brought in director Arthur Penn to develop the film. Penn saw it as a vehicle for his friend Burt Lancaster and got him on board to star and co-produce. But creative differences led Penn to depart the project, with action director John Frankenheimer taking over. Join us – Pete Wright and Andy Nelson – as we continue the 1965 BAFTAs Best Film From Any Source Nominees series with a conversation about The Train.Here's a hint at what we talk about:We dive into the real history behind this fictionalized account of protecting French art from the Nazis in WWII. We discuss Frankenheimer's groundbreaking filming techniques using real trains and locations. And we debate the deeper themes around valuing art over human life.Here are a few other points in our discussion: Highlighting the standout performance by Burt Lancaster Appreciating Paul Scofield as the obsessive Nazi colonel Noting the exceptional black and white cinematography Poking fun at the uneven accents Praising the thrilling climactic train yard action sequences The Train is a thoroughly engrossing WWII action-drama that also makes you think. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn more about CODA and how it can work for you! Check out The Next Reel's Merch Store! Want to upgrade your Letterboxd account? Use our PROMO CODE to get a DISCOUNT and help us out in the process! Visit our WATCH PAGE to rent or purchase movies we've talked about on the shows that are part of The Next Reel's family of podcasts. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
“A painting means as much to you as a string of pearls to an ape.”In the early 1960s, French author Rose Valland pitched the idea for The Train to producer Jules Bricken. Valland had worked at the Jeu de Paume Museum in Paris during World War II, overseeing the Nazi looting of French art treasures. Intrigued by her true story of resisting Nazi art theft, Bricken brought in director Arthur Penn to develop the film. Penn saw it as a vehicle for his friend Burt Lancaster and got him on board to star and co-produce. But creative differences led Penn to depart the project, with action director John Frankenheimer taking over. Join us – Pete Wright and Andy Nelson – as we continue the 1965 BAFTAs Best Film From Any Source Nominees series with a conversation about The Train.Here's a hint at what we talk about:We dive into the real history behind this fictionalized account of protecting French art from the Nazis in WWII. We discuss Frankenheimer's groundbreaking filming techniques using real trains and locations. And we debate the deeper themes around valuing art over human life.Here are a few other points in our discussion: Highlighting the standout performance by Burt Lancaster Appreciating Paul Scofield as the obsessive Nazi colonel Noting the exceptional black and white cinematography Poking fun at the uneven accents Praising the thrilling climactic train yard action sequences The Train is a thoroughly engrossing WWII action-drama that also makes you think. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn more about CODA and how it can work for you! Check out The Next Reel's Merch Store! Want to upgrade your Letterboxd account? Use our PROMO CODE to get a DISCOUNT and help us out in the process! Visit our WATCH PAGE to rent or purchase movies we've talked about on the shows that are part of The Next Reel's family of podcasts. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
We're joined again by our music sponsor DASEIN aka Brandon Say to head back to film school in a discussion of the great Bonnie and Clyde (1967) after a spoiler-free mini review of The Equalizer 3 (2023). This drinking podcast was recorded as the second episode of a back-to-back, so we were feeling loose and having some fun! While much has been written about Bonnie and Clyde, the direction, the writing, the incredible performances, and so much more, we talked about what it felt like seeing this iconic movie for the 20th time or the 1st time. Find all of our Socials at: https://linktr.ee/theloveofcinema. Our phone number is 646-484-9298, it accepts texts or voice messages. 0:00 Intro/The Equalizer 3 mini review; 13:30 1967 in film + Bonnie and Clyde Movie Discussion; 1:15:03 What You Been Watching? Additional Cast/Crew: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Gene Wilder, Arthur Penn, Charles Strouse, Robert Towne, Robert Benton, David Newman, Warner Bros Pictures, Burnett Guffey, Dede Allen, . Additional Tags: Kennedy, Grassy Knoll, The Depression, Netflix, Amazon Prime, Spotify, Better Help, Apple+, Apple TV, Netflix, Amazon Prime, TikTok, Twitch.
1970 was an important year for Indian-themed Westerns, with A Man Called Horse and Soldier Blue both released within months of each other. But by far the most popular Indian Western of that year was Arthur Penn's Oscar-nominated Little Big Man. On this episode, Andrew Patrick Nelson discusses the film's public reception, its Vietnam war symbolism, the acclaimed performance of supporting actor Chief Dan George, and many other issues surrounding the Dustin Hoffman classic. The episode also features a special bonus interview with documentarian Alex Sherratt, who co-directed The Real Wild West, a new 4-part docuseries available exclusively on the Curiosity Stream platform.To watch a trailer for The Real Wild West and to subscribe to the platform, visit the Curiosity Stream website.
What a CreepSeason 19, Episode 3Bonnie & Clyde(Crooks & Murderers Elevated to Icon Status)Bonnie Elizabeth Parker (Bonnie Parker) & Clyde Chestnut (Champion) Barrow were Depression-era outlaws who caught the nation's attention between 1932-1934 with their antics. According to legend, they were star-struck lovers who traipsed across the middle of America and the South, holding up banks to “stick it to the man.” The 1967 movie Bonnie and Clyde, directed by Arthur Penn and starring Warren Beatty (possible future Creep episode) and Faye Dunaway, was a sexed-up Hollywood version of their affair. In real life, they were murderous losers who took 11 lives, kidnapped several people and dropped them off hundreds of miles from home to evade the police, mainly robbed small businesses like gas stations and grocery stores, and put out shitty poetry. Today we will talk about the real story behind Bonnie and Clyde. Trigger warnings: Sexual Assault and MurderSources for this episode: WikipediaHistory.com64 ParishesCrime MuseumDecider.comUSA TodayTexas Monthly405 MagazineBiography.comTexas ArchiveThoughtCo.comBonnie & Clyde: The Making of a Legend by Karen BlumenthalPBS American ExperienceNetflix: The HighwaymanAnything Under the Sun (YouTube)Be sure to follow us on social media. But don't follow us too closely … don't be a creep about it! Subscribe to us on Apple PodcastsTwitter: https://twitter.com/CreepPod @CreepPodFacebook: Join the private group!Instagram @WhatACreepPodcastVisit our Patreon page: https://www.patreon.com/whatacreepEmail: WhatACreepPodcast@gmail.comWe've got merch here! https://whatacreeppodcast.threadless.com/#Our website is www.whatacreeppodcast.comOur logo was created by Claudia Gomez-Rodriguez. Follow her on Instagram @ClaudInCloud
In today's episode Leslie talks with Director Drew Ann Rosenberg about her time on Broadway and her move toward directing films.Drew grew up in Princeton, New Jersey, later graduating from Brown University. She found her love of the arts through her years of study as a classically trained singer, performing in Boston and NYC. After graduation, Drew began working behind the scenes in New York's off-Broadway Theatres- Playwright's Horizons and American Place, before transitioning to film. She began her film career working with directors Sidney Lumet, Arthur Penn, Woody Allen, Paul Newman, Barbet Schroeder and Abel Ferrara.
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