Podcasts about Ebeltoft

(02:00): Barns tredje sygedag og børnebørns-omsorgsdage: Ny overenskomst for industrien er landet. Medvirkende: Bent Greve, arbejdsmarkedsforsker professor Roskilde Universitet. (13:00): Tonie blev bedt om at filme sin døde mor. Medvirkende: Tonie Hansen fra Ebeltoft. (29:00): Fåreavler er blevet angrebet af ulve tre gange på en uge. Medvirkende: Morten Thøgersen, fåreavler fra Vemb. (44:00): Sexsomnia kan i princippet ramme alle søvngængere. Medvirkende: Ellids Kristensen, Speciallæge i psykiatri og specialist i klinisk sexologi. Værter: Mathias Wissing & Peter MarstalSee omnystudio.com/listener for privacy information.

Hej - Adam her ... Dette er Fotografiske Signaler – en eksistentiel-fotografisk podcast fra Fotografikurser. Det er januar, det er gråt og det er faktisk også ret koldt. Men det skal ikke være nogen undskyldning for ikke at fotografere - eller for ikke at optage et afsnit af Fotografiske Signaler. Ligesom sidst er det både en lydpodcast og en video. Så hvis du hellere vil se mig end kun at lytte så find den på Fotografikurser's Youtube-kanal.I denne episode er jeg taget til Ebeltoft i et desperat forsøg på at finde farver i alt det grå. Det bliver til en snak om at prøve at bryde ud af en rutine. Og det handler det også om når vi skal se på det "nye" sociale netværk Pixelfed (det er nemlig ikke helt så nyt, men det har bare fået meget opmærksomhed i den sidste tid - og det er nyt for mig). Du kan læse mere om pixelfed på https://pixelfed.org og du kan finde min profil på https://pixelfed.dk/adambindslevVil du være medlem af vores Slack-workspace på Fotografiske Signaler – så finder du det her: https://join.slack.com/t/fotografiske... Episoden er optaget på Sony A7IV og DJI Osmo Pocket 3 og med Røde Go lavalier-mikrofoner. Klipper i Premiere Pro, lydmaster fra Hindenburg.Links:· https://fotografikurser.dk · https://www.instagram.com/fotografikurser.dk/· https://www.instagram.com/adambindslev/· https://bsky.app/profile/adambindslev.bsky.social· https://www.threads.net/@adambindslev· https://expressional.social/@adambindslev This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit fotografiskesignaler.substack.com

Childhood experiences of life on a sailboat in the Bahamas and Caribbean left a profound mark on Kait Rhoads. The experience of growing up on the water has provided great inspiration for her artwork. The artist's Sea Stones series hints at its watery origins. Each sculpture is a small world in itself, an intimate object you can hold in your hand. A talisman, the work looks almost molecular, like plankton carapaces as observed under a microscope. Rhoads states: “My work is inspired by nature and informed by memory. And, three oceans—the Caribbean, the Indian and the Pacific – delineate the imaginative boundaries of my practice. I grew up on the water of the Caribbean in a ship with my family where my deep affinity for biological systems began. I lived surrounded by nature; the liquid light and aquatic life imprinted upon my senses. The sculptures I create emanate from my early experiences within and curiosity about the natural world. While exploring the waters around Bali, I experienced the extraordinary biodiversity and extensive architecture of coral colonies there. This has been a deep influence on my sculptural forms and process of making.” Best-known for her innovative use of Venetian techniques such as murrine and filigrana, she applies these decorative processes to sculptural forms as well as to vessels. She was influenced early on by Lino Tagliapietra's work with cane and Richard Marquis' use of murrine as a structural material. Rhoads' unique process involves weaving pieces of blown and cut glass tubes with copper wire to create flexible looking “soft sculptures.”  States Rhoads: “My method of construction mirrors how my life has formed me, with individual elements woven together to create a strong whole. I consider the individual units, conical hexagonal forms known as hollow murrine, as architectural elements that fit together to create a fluid or floating object. The concept of the work develops slowly, and the production of a complicated piece can take months to years to complete.” Rhoads is also well known for her public art installations including Bloom, commissioned in 2018 for the Bainbridge Island Museum of Art's two-story tall window space. In 2022, Bloom was chosen to be permanently installed inside of the biology department at Highline College, Des Moines, Washington. She also created Salish Nettles, her largest work to date, for the Pacific Seas Aquarium, Tacoma, Washington, and Proto Kelp, which was on view through October of 2024 at Method Gallery, Seattle, Washington. In 2025, the artist will apply for residencies and funding to expand the project sustainably. In all of these public projects Rhoads hopes to inspire in the viewer empathy, curiosity and interest in ocean ecology.  Receiving her BFA in glass from the Rhode Island School of Design in 1993, Rhoads earned her MFA in glass from Alfred University, New York in 2001. She has been an Artist in Residence at the Pratt Fine Arts Center in Seattle, Washington, and the recipient of numerous awards, including the Doug and Dale Anderson Scholarship, The Anne Gould Hauberg Award, and a Fulbright Scholarship for the study of sculpture in Venice, Italy. She has exhibited throughout the United States and abroad. Her work can be found in many collections, including the Seattle Art Museum; the Toyama Institute of Glass in Toyama, Japan; the Glasmuseum in Ebeltoft, Denmark; Shanghai Museum of Glass, China; and The Corning Museum of Glass. She maintains a studio in Seattle, Washington. “The cold, deep green waters of Puget Sound are a more recent source of inspiration in my work.  Since moving to the Northwest over two decades ago, my fascination extended from coral colonies to kelp forests. Seaweed's pliable forms continually inspire me—they stretch up from the depths, undulate in the shallows, and lie on tidal surfaces. Aquatic life infuses my sculptures with animated forms, sparkling surfaces and faceted exoskeletons.” In 2025, Rhoads will continue to work on a community generated art project called Fused Together (2021-2025), for which she is the lead artist. She shepards stained glass windows made by the public that are donated to Tacoma libraries. She will also participate in group shows including Habatat's Glass Coast show at Ringling School of the Arts in Sarasota, Florida, and Women Who Make Glass at the Vashon Center for the Arts, Vashon, Washington, in March 2025.   Of her work Rhoads states: “I desire my work to be emotionally affective—that it evoke for audiences a similar sense of wonder in our blue planet that continues to inspire me. And even, perhaps, to instill a desire to conserve our fragile aquatic ecosystems.”  

Som 16-årig levede Thomas fra Ebeltoft et dobbeltliv. I dagtimerne var han en helt almindelig gymnasieelev, men om natten var han en meget aktiv hacker. Drevet af nysgerrighed og en tro på, at han kunne finde det, han søgte, begyndte han at udforske de amerikanske militærsystemer. En nat i 1993 lykkedes det ham at trænge ind i Pentagons systemer, hvor han ubemærket bevægede sig rundt i næsten et år. Men hvad fandt han? Og hvordan klarede han det?

Hang out with Al Mega as he chats with the creative team behind Image Comics, The Cabinet (dropping on 2/14/24), David Ebeltoft & Jordan Hart. Tune in to learn all about your next favorite comic book and more… Thank You for Watching / Listening! We appreciate your support! Episode 403 in an unlimited series! Host: Al Mega Follow on: Twitter | Instagram | Facebook): @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet: https://www.youtube.com/c/comiccrusadersworld Twitch: https://www.twitch.tv/comiccrusaders Visit the official  Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL  Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/​​​​ Sister Site: http://www.undercovercapes.com​​​​ Pick up official Undercover Capes Podcast Network merchandise exclusively on RedBubble.com: bit.ly/UCPNMerch Streamyard is the platform of choice used by Comic Crusaders and The Undercover Capes Podcast Network to stream! Check out their premium plans for this amazing and versatile tool, sign up now: https://bit.ly/ComicCrusadersStreamyard * Edited/Produced/Directed by Al Mega

This week I am joined by writers and creators of the new Image Comic's series THE CABINET, David Ebeltoft and Jordan Hart! Awesome dudes who can write one hell of a book! Check it! Additionally I check out some great coffee from RUSTY DOG COFFEE, great new LP's by AMARANTHE and LODESTAR, and a fun new comics series by Alex Osbourne and Hugio A.R.T., POLAR DESTROYER! Rusty Dog Coffee: https://www.rustydogcoffee.com/ Polar Destroyer: https://polardestroyer.bigcartel.com/ The Cabinet: https://imagecomics.com/comics/series... Follow David and Jordan Here: Twitter:  www.twitter.com/davidebeltoft   Instagram:   www.instagram.com/david.ebeltoft   Instagram:  www.instagram.com/jordyjordith   COMICS-COFFEE-METAL is hosted by DON CARDENAS Twitter:   / doncardenasart   Instagram:   / doncardenasart   Website: doncardenasart.com EMAIL: comicscoffeemetal@gmail.com #comics #imagecomics #comicspodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/comicscoffeemetal/support

Nyt studie. Ny adresse. Ny lyd på Esben Bjerre Hansen. To mønter til færgemanden i Ebeltoft, en halsbyld i snudeskaftet og ‘en bananspray', en ung skøn damelæge, sænkeslagskib med Houthierne, Trolex skulle bede om en redegørelse, en Harald Nyborg-forsvarschef er ude, en tur i Baba Ganoush-Strædet, ugens slyngel er Europas kokainboss og superbruger, det lugter langt væk i Helsinki, Ursula Von Der Leyen skal undersøges, fedmeforskere i lommen på Novo Nordisk, ‘Lissan Al Gaib Vistisen' i russiske medier og Divia Das i krig med Facebook, EB versus BT, og den største ros til stjernen Mikkel Hansen.Værter: Esben Bjerre & Peter FalktoftRedigering: PodAmokKlip: PodAmokMusik: Her Går Det GodtInstagram:@hergaardetgodt@Peterfalktoft@Esbenbjerre

Jordan Hart returns to the podcast! He’s been on the show previously to chat about his Eisner and Harvey award nominated book, Ripple Effects! This week he’s here with his pal David Ebeltoft to talk about their new comic called The Cabinet being published by Image Comics on Valentine’s Day! The Cabinet is about a […]

Jordan Hart returns to the podcast! He’s been on the show previously to chat about his Eisner and Harvey award nominated book, Ripple Effects! This week he’s here with his pal David Ebeltoft to talk about their new comic called The Cabinet being published by Image Comics on Valentine’s Day! The Cabinet is about a […]

Craig and Lisa (Phillips) Hutcheson, Managing Partner at J.C. Williams Group, discuss insights gathered in the Ebeltoft Group's newly released Retail Innovations 19 book. They highlight the role of sustainability in modern retail, both as an environmental concern and as a foundational element in business models. From Canadian initiatives like Good Foot Delivery, promoting employment for neuro-diverse communities, to France's Fresh focusing on local, organic produce, they illustrate how sustainability is being integrated in diverse retail formats globally.  The conversation then shifts to enhanced consumer experiences, demonstrating the resurgence of physical stores but with a twist. They discuss examples like Suso Skate Co's roller rink pop-ups in shopping centres and Shanghai's Ultraviolet restaurant, which offers a multi-sensory dining experience. These examples underscore the retail sector's innovative approaches to creating memorable, immersive customer experiences. Hutcheson also touches upon the importance of combining online and offline aspects to enhance customer engagement and convenience. Patterson and Hutcheson then delve into the theme of operational efficiency in retail.  They discuss examples like Sweet Green's automated salad preparation in Chicago and Just Cuts' streamlined haircutting services in Australia, showing how technological integration is optimizing retail operations. These examples highlight the industry's response to modern challenges, including labor shortages and the demand for quick, efficient service. The discussion concludes with a forward-looking perspective on how these innovations might shape the next 50 years of retail. Interviewed this episode:Lisa (Phillips) Hutcheson, Managing Partner at J.C. Williams GroupJ.C. Williams Group This podcast is the audio version of the The Interview Series video podcasts by Retail Insider Canada are available through our Retail Insider YouTube Channel where you can subscribe and be notified when new video episodes are available. Subscribe, Rate, and Review our Retail Insider Podcast! Follow Craig:LinkedIn: www.linkedin.com/in/CraigPattersonTorontoInstagram: @craig_patterson_torontoTwitter: @RI_EICFollow Retail Insider:LinkedIn: www.linkedin.com/company/Retail-InsiderFacebook: https://www.facebook.com/RetailInsider/Twitter: @RetailInsider_Instagram: @Retail_Insider_CanadaListen & Subscribe:Apple PodcastsSpotifyOvercastStitcherShare your thoughts!Drop us a line at Craig@Retail-Insider.com. You can also rate us in Apple Podcasts or recommend us in Overcast to help more people discover the show!Background Music Credit: Hard Boiled Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/

When it comes to keeping an audience on the edge of their seat, the precision of the edit is everything. In this WFT Podcast acclaimed New York-based editor Julia Bloch spoke with WFT Ireland member Amy O'Connell about their craft, Bloch's career, and on cutting thrillers and drama that make a mark on the film industry. Julia Bloch: Julia is a New York-based film editor who has worked on a wide range of projects, including Terrence Malick's Palme d'Or winner The Tree of Life and Doug Liman's war drama The Wall. Films she has edited have premiered at the Sundance Film Festival, TIFF, The Venice Biennale, The Berlinale, and Cannes; her work on “The Mosquito Coast” recently aired on Apple TV+. She also edited three films for director Jeremy Saulnier, starting with Blue Ruin, which premiered at the Cannes Directors' Fortnight and was awarded the FIPRESCI (International Federation of Film Critics) prize in 2013. Before studying Film at the European Film College in Ebeltoft, Denmark, Bloch received her B.A. in Comparative Literature from Columbia University and a Master's degree in Literature at the Université de Haute Bretagne in Rennes, France. In 2011 Bloch received the Sundance Institute's inaugural Editing Fellowship in honor of Sally Menke. Amy O'Connell: A lifelong horror enthusiast with a passion for storytelling, Amy is an experienced editor with a varied portfolio. Her work ranges from lighthearted food and travel documentary, to bone chilling drama. Her most recent short, ‘Shadowban' (Best Irish Short, 2023 Shark Awards) tells the story of a woman driving through the countryside alone in her car at night… Or is she? This podcast has been made possible thanks to the Screen Ireland Stakeholder Fund.

British born artist, Joanna Manousis creates sculptural objects and installations in glass and mixed media, manipulating materials through a multi-disciplinary process that includes bronze casting, enamels, and even taxidermy. With a hands-on studio practice spanning 17 years, she strives to transform cast glass surfaces into reflective, three-dimensional mirrors, shifting the viewers' perspective and bringing new experiential possibilities. Wrote Eve Kahn in a 2018 Todd Merrill exhibition catalog: “Joanna Manousis mines her life experiences while exploring broader themes—materialism, memory, domesticity, vanity, iridescence—in acclaimed sculptures that mingle glass with wheat husks and taxidermied birds. Viewers may find themselves reflecting on the transience of existence while seeing themselves literally and metaphorically mirrored in her works.” An only child raised by her mother, growing up Manousis loved drawing and painting. During early meditations with mirrors, she had the initial experience of being somehow detached from her body – a phenomenon whereby her spirit seemed disconnected from her visual appearance. In college, Manousis set out to become a painter, but the canvas plane gave her artist's block. She enrolled at Wolverhampton University for a bachelor of fine art-glass degree, and during a year abroad studied neon and glass casting and blowing at Alfred University in western New York. In 2008, she earned her MFA at Alfred, and by then had met her future husband, the Maine-born glass artist Zac Weinberg.  Now a working mom of two, Manousis travels the world to teach, exhibit, and make artworks, while winning awards and grants. Her work has been recognized with nominations for the Louis Comfort Tiffany Foundation Award and a Bombay Sapphire Award Nomination for ‘Excellence in Glass' as well as the Margaret M. Mead Award and the Hans Godo Frabel Award. She has received support from internationally recognized residency programs including the Glass Pavilion at the Toledo Museum of Art, Ohio; the Museum of Arts and Design, New York; the Corning Museum of Glass, New York; and Cité Internationale des Arts, Paris, France. Her work has been exhibited at Design Miami and Art Basel, Basel, Switzerland; FOG Art + Design, San Francisco; the Glasmuseet Ebeltoft, Ebeltoft, Denmark; and the British Glass Biennale, Stourbridge, England. The artist has worked, studied and taught in Japan, the United Kingdom, the United States and Australia. Manousis states: “My work is born out of a sustained exploration of human nature and the conflicts that exist between our inner reality and the world we occupy. I often emphasize decadence and grandiosity to illuminate the superfluous nature of accumulated luxury when faced with our own impermanence. I am also interested in engaging the viewer's gaze, drawing the participant into a state of reflection, literally and philosophically, about the essence of human existence and ideas related to growth, emotionality, aspiration and mortality.” She continues: “Glass is my chosen medium, and I am drawn to its contrasting qualities–transparent yet solid, it simultaneously reveals yet barricades. In recent works I use cast glass as a lens to magnify residual formations of objects within. On occasion these negative spaces are mirrored, enlivening static surfaces in my pursuit to reflect the viewer and the environment that the work inhabits. Incorporating the audience's gaze, whether it is distorted or clear, centralizes the viewer within the work itself, facilitating a stronger connection between observer and object.” ToYG podcast caught up with Manousis just prior to two US workshops: Penland School of Craft, Bakersville, North Carolina, July 2 – 14 and The Corning Museum of Glass, July 31 – August 6. In addition to her core-cast pieces with internal spaces, she continues her PhD testing, along with a new venture in customizable wall installations made with graphite molding techniques that she and husband Weinberg create together in their company Manberg Projects. Manousis' PhD research focuses on three-dimensional mirrors within cast glass resulting in work that deals with reflection, both physically and metaphorically. The artist has also recently started making jewelry – small scale pieces that are more accessible and used to adorn. Check out this new work on Instagram @jomanousis. Her sculptural practice can be found @joanna.manousis.  

I dette afsnit vinder Niarn sin første pris, Geo har skrevet et hørespil som skal fremføres for Bente Betjent, Niarn har sejlet fra Ebeltoft til Odden, drengene ringer til Oliver Stanescu og så har Niarn en herlig penis-historie med i posen. Hosted on Acast. See acast.com/privacy for more information.

Today's programme is a bit of a Nordic special. We hear from the winners at this year's Icelandic Design Awards and visit a Danish museum that has proved itself to be “best in glass”.

Fashion designer Stine Goya discusses her namesake brand, we visit a folly that appears to be made of paper in Ebeltoft and the revival of Hvidt & Mølgaard with &Tradition. See omnystudio.com/listener for privacy information.

Fashion designer Stine Goya discusses her namesake brand, we visit a folly that appears to be made of paper in Ebeltoft and the revival of Hvidt & Mølgaard with &Tradition.

Denne samtale handler om at være menneske! Den handler om stress, arbejdsmarkedet, work/life balance, fertilitetsbehandling og graviditet. Den handler om ønsket om at skabe et liv i balance på alle parametre. Min gæst er 35-årige Signe Brok som jeg har kendt siden jeg var barn. Vores familier har altid boet i det samme område i Ebeltoft og jeg har altid set op til "seje" Signe. Men hvad gør man lige når man ikke er så "sej" længere fordi stress river det hele fra hinanden? Og hvem er man hvis man ikke er en festende og sprudlende projektleder i kunstverdenen? Det reflekterer modige Signe over i denne ærlige samtale om at være i 30'erne og skulle nå alt det samfundet beder os om: købe hus, karriere, få et barn, selvudvikling, blive gift og meget mere.Find Signe Brok på Instagram:@signebrok Eller følg hendes vintage-virksomhed bluey herDu kan støtte min drøm om at leve af at podcaste ved at tegne abonnement på min Patreon herDu kan enten blive Underfladisk supporter og støtte det frie gratis feed med 30kr eller Underfladisk medlem for 45kr og få adgang til ekstra-materiale. Nytårs-retreat på Helgenæs 2023 finder du herDancing Yolates workshop i Aarhus d. 20 november finder du herTusind tak fordi du lytter med

Bananskræller, oppustelige badedyr og pomfritbakker. I første omgang lyder det måske ikke som kunst. Men det er det hos Ned Cantrell i Ebeltoft. En af hans store inspirationskilder er pop art og med sine kunstværker i glas leger han med kontraster som dyrt og billigt, god og dårlig smag, finkultur og og lavkultur - for Ned Cantrell er det ikke vigtigt, om kunsten er pæn at se på eller hvad den eventuelt skal forestille - det vigtige er, at den har noget at sige. 

Celebrating her 50th anniversary of working with glass, Emma Varga recently received a Government Ministry for Art grant to create works for four major solo shows as part of the celebration project. These include: Forces Of Nature solo exhibition, Sabbia Gallery, Sydney, April – May 2021; Fragile World #2, solo exhibition, Australian Contemporary, Melbourne, 2023 TBA; Revival, retrospective, Wagga Wagga Art Gallery, 2023 TBA; and Long Reef – Revitalization,Manly Art Gallery & Museum, 2024 TBA. The pandemic provided the artist with isolated time in her studio experimenting and creating elements for new works. This week, she teaches two sold-out workshops at Creative Glass Switzerland.   Born in Ada, Yugoslavia, in 1952, Varga graduated from the University of Applied Arts in Belgrade in 1975 earning a bachelor of arts degree in visual and applied art, with majors in glass design and ceramic sculpture. Her work has been heavily influenced all along by her environment and experiences, which have, ironically, served as the catalyst for both dramatic change (in tone and feel), and stabilization (in process, style and focus) of her work over the past 20 years. Political unrest within her home country led the artist to immigrate to Australia in 1995, a move which enabled the true blossoming of her work and the development of both her own signature process and style. The interplay between how and why Varga makes her work is truly dynamic and beautiful. Behind each of her works, which communicate the simple and captivating beauty of nature so succinctly, is an incredibly complex and labor-intensive process. To make each object, she cuts thousands of tiny glass elements from clear and transparent colored glass sheets and combines them with glass frits and stringers. The sculptural glass objects are made from thin transparent glass layers; glass mosaic elements, colored frits and stringers are assembled on each sheet, according to a complicated three-dimensional plan that she envisions ahead of time. These are then fused together in stages. It takes two weeks to fire and slowly cool down large sculptural works, then a further two weeks to grind and polish all of the surfaces to perfection. Only then it is finally possible to see the inside; all the fine details and veil-like structures floating in the sea of clear glass.  This work is truly a labor of love for Varga, and her recent travels and research have further solidified her devotion to raising awareness surrounding environmental concerns. By preserving the beauty of nature through her work, she contributes to the global conversation in her own personal and powerful way.   Varga states: “Ever since my student years, I was attracted (and traveled) to lonely, remote places, untouched by man: high mountains in Europe, the far north of Norway, Antarctica.   In recent years, escalating danger of global warming and melting of Arctic ice prompted me to not only visit the coldest, frozen places, but also to do something about their protection. I decided to contribute by creating glass objects to raise awareness.” In the early stages of her career in Europe, Varga participated in landmark exhibitions such as the 1st Coburger Glaspreis1977 and New Glass in Corning 1979, Vicointer in Valencia 1983, Contemporary European Sculpture in Glass in Liege 1989, as well as in 3rd and 4th Interglass Symposium in Novy Bor (Czech Republic) in 1988 and 1991. Her work can currently be found in the collections of the PowerHouse Museum, Sydney; National Gallery of Australia, Canberra; National Art Glass Collection, Wagga Wagga, Australia; Palm Springs Art Museum, Palm Springs, CA; The Museum of Applied Art, Belgrade, Serbia; Glass Museum, Ebeltoft, Denmark; Ishikawa Design Center, Kanazawa, Japan, and Toyama Glass Museum, Japan, and numerous major private collections in Australia, USA, Europe, Asia and Africa. A natural storyteller, Varga draws upon memories from her birthplace in Ada and major events that shaped her life. Her enduring passion has been using her art and her love of nature as an agent for social change, particularly in relation to climate change. In 2017 Varga was invited to join a group of International artists sailing around Svalbard Archipelago, Norway, in waters above the Arctic Circle. She was also the winner of the prestigious Stephen Procter fellowship where she received a 4-week residency at the Australian National University School of Art and Design Glass Workshop. She used this time to experiment and develop ideas for an exhibition based on her observations and photographs taken on this extraordinary journey. In summing up her five decades in glass, Varga States: “Despite all the tumultuous events in my life (the biggest being a civil war and moving to the other side of the globe) there is one line connecting everything and helping me to persevere: my work in glass.”   

“The glass forms of Latchezar Boyadjiev balance the tangible and the intangible. Evoking the sensual undulations of the female figure and the powerful flow of natural forces, his works are composed in fluid, fragmented planes of color marked by fine shifts in depth, tone and translucency. He works monochromatically and uses rich color and light to describe the sweeping contours of the glass as it reflects and refracts through luminous golden yellows, icy blues, and woozy magentas.” – LewAllen Galleries  Considered one of the most important glass artists working today, Boyadjiev's oeuvre transcends the field of glass so much so that his ethereal sculptures are simply titled with emotions. His dynamic sculptures reflect depth, dimension, and a new approach to contemporary glass art and design. Born and raised in Sofia, Bulgaria, Boyadjiev attended the prestigious Academy of Applied Arts in Prague, Czech Republic (formerly Czechoslovakia), under the guidance of Professor Stanislav Libensky, one of the most prominent glass artists of our time and influential source for most glass artists in the Czech Republic and Slovakia. In 1986, just after graduating from the Academy, Boyadjiev defected to the United States. After settling in California, Boyadjiev worked for more than 10 years in the field of optical glass, using cold working techniques such as cutting, grinding, polishing and laminating to create the optical glass sculpture for which he initially became known. Because there were limits to the size of object he could create by this method, the artist began experimenting in casting as a means to work larger. The Academy's strict curriculum of daily drawing and design classes had its intended effect on Boyadjiev. Today, when working on new designs, the artist keeps drawing until something finally strikes him. New designs sometimes take him hours, days or weeks to complete. Once a drawing is satisfactory, a clay model is made with perfectly smooth surfaces and details. Next, a series of positive and negative molds are produced, a time-consuming and detail-oriented process that leads to the last plaster positive that determines the sculpture's final form. Initially those plaster positives were delivered to the Czech Republic by the artist in person, with the goal of selecting the best glass casting studios and glass colors available. It also gave Boyadjiev the opportunity to work with some old friends to create his new glass sculptures that were cast into yet another mold, and later annealed, partially ground and polished. Currently, he accomplishes most of his work from his California studio. Boyadjiev's new and exciting cast glass sculpture was introduced at SOFA Chicago 1997 to enthusiastic response. These dynamic sculptures reflected depth and dimension, as well as a new approach to contemporary glass art and design. Boyadjiev's works are commissioned and collected extensively both publicly and privately worldwide. Major collections include the Museum of Applied Arts in Prague, the Czech Republic; the Glasmuseum, Ebeltoft, Denmark; the Glasmuseum der Ernsting Stiftung, Germany; the Museum de Alcorcon, Spain; and the White House Collection, Washington, DC., to name a few. At the moment, he is working on a large commission for a hotel lobby in Macao. Known for their figurative, abstract qualities depicting the human physique and powerful forces of nature, Boyadjiev's sculpture is often monochromatic in color, using mainly reds, blues, and yellows, complimented by lighting to place emphasis on the piece's profile. Art critic James Yood wrote: “His forms take on rich volumetric shape, never literally echoing the shapes of the body, but amplifying or deleting them in what all together becomes a kind of three-dimensional caress.”  

“To have even a brief conversation with artist Michael E. Taylor is to dive headfirst into a deep pool of scientific and intellectual inquiry. Taylor has always been an extremely analytical artist, responding with equal fervor to his intellectual encounters with scientific ideas, art history, philosophy, or current events. Whether inspired by formal quality of geometry, the Higgs boson particle, or the moral implications of artificial intelligence, Taylor's work is ultimately about investigation.” – Museum of Glass, Tacoma, solo show, Traversing Parallels, 2017/2018. Widely-renowned for his cut and laminated glass works, geometric constructions, and fractal abstractions inspired by everything from subatomic particles to music, Michael E. Taylor first used glass while attending a workshop at Penland School of Crafts in North Carolina. He was struck by the material's heat and spontaneity, a dynamic opposite from the deliberate and extended processes for firing and shaping ceramics. Dedicated to art and education for over 49 years, the artist was born in Lewisberg, Tennessee, in 1944, where he initially studied ceramics while working towards a Bachelor of Science in Art Education from Tennessee State University. Studying ceramics honed his intuitive sense of form, color, and design; skills which would later be important to his glass career.  One of the first generation of artists to learn from the founders of the Studio Glass movement, Taylor experienced the early days of glass through interactions with Harvey Littleton, Fritz Dreisbach, and Marvin Lipofsky. As a young student, a Fulbright Hayes Grant to Scandinavia introduced him to the factories of Kosta-Boda Glasbruke and Johansfors Glasbruke, as well as artists of the region, including Anna Warff.  Taylor's artistic career has been intertwined with decades as a university professor, including a more than 20-year tenure as a professor in the School for American Crafts at Rochester Institute of Technology, invited Professor at the Universidade Nova de Lisboa, Faculdade de Ciencias e Tecnologia, Campus da Caprica, Portugal, 2005 – 2013, and instructor at schools in the US such as Pilchuck, Penland, and the Corning Museum of Glass. His career in academia made it possible to experiment and explore new ideas through his sculpture instead of feeling pressure to repeat popular works for monetary sales. The academic setting also allowed Taylor to continue to explore scientific, philosophical, and artistic ideas. While at the College of Idaho and teaching the history of modern art, Taylor's directive led to political and visual expressions of the Russian revolution and artists of constructivism. The hard lines and acute angles of constructivism of the 1920s continued to scientific theory and theoretical physics. Using glass with scientific exactness and austerity resulted in further architectural form and shapes of accuracy. Readings of future science and cultural futurism led to issues of DNA and binary systems as they related to laminations in his work.  Taylor states: “Art reflects thought and ideals of the period in which it is made. It can relate to predictions for the future. My work speaks of the importance of science and technology and its eventual dominance through Artificial Intelligence.” Taylor's honors and awards are many and include the Calouste Gulbenkian Foundation Grant, 2009, 2011; Luso – American Foundation Grant, Portugal, 2002 -2007; Outstanding Visual Artist Award, Arts and Cultural Council of Greater Rochester, New York, 2001; College of Imaging Arts and Sciences, Research and Development Grant, RIT, 2000; Grand Prize, The International Exhibition of Glass, Kanazawa, Japan, 1988; National Endowment for the Arts, Visual Artists Forums Grant, 1985-86 and Visual Artist Fellowship, National Endowment for the Arts, 1984-85. Other educational awards and opportunities include a Lewis Comfort Tiffany Grant, Penland School Scholarship, and The American – Scandinavian Foundation Grant. His work can be found in the permanent collections of the Chrysler Museum of Art, Norfolk, Virginia; the National Collection of American Art, Renwick Gallery, Smithsonian Institute, Washington, D.C.; The Museum of Glass, Tacoma, Washington; Asheville Museum of Art, North Carolina; Racine Museum of Art, Racine, Wisconsin; Royal Ontario Museum, Toronto, Ontario, Canada; Glas Museum Ebeltoft, Ebeltoft, Denmark; Kanazawa City Museum, Kanazawa, Japan; and Tokyo Glass Art Institute, Kawasaki-Shi, Japan, to name only a few. Inviting viewers to utilize scientific-like observations to analyze the implications of a rapidly changing world, Taylor's sculpture is both triumphant and cautionary, simultaneously celebrating technological breakthroughs and worrying about their implications. By using glass to make these theoretical connections, the artist inspires contemplation of social and scientific issues and continues to take the material of glass into new expressive terrain. States Taylor: “The race is on in all technological advanced countries for the discovery of human consciousness for AI. I predict it will be the last frontier of human intellect. I have constructed a laminated slab of color blocks which represent the codes for the human consciousness. I see it as a kind of Rosetta Stone of translation from one language to another – binary to English. The RS interpretation of Egyptian hieroglyphics to Greek language allowed us to make the intellectual and cultural jump. “I see Codes as containing the information for making the final leap from human consciousness to that of machines. This will be a discovery of epic proportions. This would be the beginning of a new world of solutions to puzzles such as eternal life, interplanetary travel, and the discovery of philosophic truth for each individual human.”   

Overvejer du at købe sommerhus, men er kommet i tvivl i en tid med stigende boligrenter og uro på markederne? Så skal du lytte til vores allerførste udgave af Nordeas nye podcast, Pengepulsen. Dine værter Pernille Dehn og Malene Thuesen har besøg i studiet af Nordeas boligøkonom Lise Nytoft Bergman og med på telefonen er Simon Freund Jensen, der er mægler i danbolig i Ebeltoft, Silkeborg og Nørresundby. Få deres gode råd – og hør om deres egne erfaringer med sommerhus eller ej.

Lone Beate Ebeltoft er sjøsame, var med på å etablere Sjamanistisk forbund, syr samekofter og jobber til daglig for Tromsø Arctic Reindeer, som viser frem den samiske kulturen til turister. Hun er stolt av sin kulturarv, og er bevisst på den smertefulle historien der kristning og nasjonsbygging førte til undertrykkelse av det samiske folk. Mobbing er fortsatt en så stor del av samenes hverdag at de satte i gang kampanjen «Nok nu!» for noen år siden. Ebeltoft forteller hvordan splitt og hersk- taktikk har ført til at selv samene angriper hverandre for å uttrykke sin egen kultur, av frykt for å få problemer med storsamfunnet. Etter to vonde år med nye statlige overgrep, ønsker hun å etablere lokale fellesskap som kan finne en annen måte å leve livet på, og som gjennom helhetlig helse, ren mat og å leve i pakt med naturen også kan bli en ressurs for storsamfunnet. KILDER:› Lone Beate Ebeltoft • Alveskogen Design • Tromsø Artic Reindeer› Jordloven for Finnmark, 1902› Fornorskingspolitikken› For knappe 50 år siden var samisk forbudt i skolen› Arkeolog Mattis Danielsen - Den usynlige historien› NRK: Samer tåler mobbing› Primstav› Samiske trommer› Skallemålinger av samer› Snøfrid Svåsedatter (søk)Download this episodeRecorded: 2022-03-21Published: 2022-04-17

Lone Beate Ebeltoft er sjøsame, var med på å etablere Sjamanistisk forbund, syr samekofter og jobber til daglig for Tromsø Arctic Reindeer, som viser frem den samiske kulturen til turister. Hun er stolt av sin kulturarv, og er bevisst på den smertefulle historien der kristning og nasjonsbygging førte til undertrykkelse av det samiske folk. Mobbing er fortsatt en så stor del av samenes hverdag at de satte i gang kampanjen «Nok nu!» for noen år siden. Ebeltoft forteller hvordan splitt og hersk- taktikk har ført til at selv samene angriper hverandre for å uttrykke sin egen kultur, av frykt for å få problemer med storsamfunnet. Etter to vonde år med nye statlige overgrep, ønsker hun å etablere lokale fellesskap som kan finne en annen måte å leve livet på, og som gjennom helhetlig helse, ren mat og å leve i pakt med naturen også kan bli en ressurs for storsamfunnet. KILDER:› Lone Beate Ebeltoft • Alveskogen Design • Tromsø Artic Reindeer› Jordloven for Finnmark, 1902› Fornorskingspolitikken› For knappe 50 år siden var samisk forbudt i skolen› Arkeolog Mattis Danielsen - Den usynlige historien› NRK: Samer tåler mobbing› Primstav› Samiske trommer› Skallemålinger av samer› Snøfrid Svåsedatter (søk)Opptaksdato: 2022-03-21Publiseringsdato: 2022-04-17Last ned episoden

Rasmus Kaae Dunvad kastede sig efter 20 meget succesfulde år i reklamebranchen sidelæns ind i en modeindustri, han ikke kendte en skid til. Ud fra en glødende indignation og en tyrkertro på at kunne ændre noget til det bedre, opstod hans eget tøjmærke: Dunville Apparel. Mærket har ti tidsløse produkter på bøjlerne og bæredygtigheden er så gennemtænkt, at man nærmest får tårer i øjnene. Vi taler knapper i genanvendt metal, tråde af reinkarneret nylon og jeans, der er præget med laser, og derved sparer 70% af vandet i produktionen væk. I nakken står der Best Before 2039 og alt stinker af Rock n' Roll, Land Rover, bålrøg, romantik og ikke mindst storytelling.Faktisk er storytellingen bag Dunville Apparel så altoverskyggende, at det var et enkelt blik på butiksfacaden i Ebeltoft, der som det første fangede Bløde Værdiers interesse. De tanker, fotos og ikke mindst tekster, der ligger bag det bæredygtige brand, dykker vi ned i sammen med Rasmus.Det bliver til en snak om, hvordan 17.616 amerikanske penisulykker kan blive til en annonce i Politiken, som får Københavnere til at bestille sommerhus i Ebeltoft for at møde brandet bag teksten. Vi taler også om den ældgamle men pivsvære disciplin; at tænke sin modtager først, når man kommunikerer sit produkt.Endelig kommer vi omkring, hvorfor det affortryller den gode historie at skulle ride algoritmerne, og hvorfor helsides annoncer i landsdækkende dagblade er og bliver det mest sexede kanvas at udkomme på. Punktum!I øvrigt må vi beklage den lidt sketchy lyd i dette afsnit. En noisegate havde sneget sig ind fra højre, og den måtte vi desværre slås lidt med i redigeringen. Undskyld!God fornøjelse!Produktion: Skæg & Ballade | Gorm Branderup & Jakob Egerup Edut | www.skaegogballade.dkLydpedel: Dennis Guldmann Meier Jensen | www.podcaster.dkGæst: Rasmus Kaae Dunvad | www.dunvilleapparel.comJingles og underlægningsmusik: Henrik Pahlke Møller | www.henrikpahlke.dkDerudover benyttes lydklip fra “Gifted” instrueret af Marc Webb på Disney+ og “Margrete den første” instrueret af Charlotte Sieling på TV2 Play.Denne podcast er præsenteret i Psyko Audio - det nye Dolby!

Sandra Blach er kunstchef på Glasmuseet i Ebeltoft, hvor hun har arbejdet i næsten 30 år og lavet udstillinger med både lokale og internationale kunstnere - og i de 30 år har glaskunsten været under en rivende udvikling. Hvor den tidligere oftest bestod af blæst eller støbt glas, eksperimenterer de unge glaskunstnere i dag med mange forskellige materialer - og kombinerer glasset med alt fra beton til pap eller træ. Ifølge Sandra Blach er det netop den mangfoldighed, de gerne vil vise frem på Glasmuseet. 

En nyere opgørelse fra PLO viser at 87,3% af de danske praktiserende læger er medlem af en DGE gruppe. (Decentral Gruppebaseret Efteruddannelsesgruppe). I samtalen kommer vi omkring rammer og indhold i DGE grupperne, financiering og forskellen imellem en DGE gruppe og en klynge.Vores gæster er Mikkel Tang Knudsen – praktiserende i lægehuset i Vejlsø i Silkeborg og Karen-Dorthe Bach-Nielsen praktiserende læge i Ebeltoft. Begge er efteruddannelsesvejledere. Christian Vøhtz er redaktør og vært

Adam Becher er født og opvokset på Mols, hvor han gennem sin barndom har leget i den bakkede natur. I dag er han kunstmaler og har sit eget galleri og værksted ved Maltfabrikken i Ebeltoft, hvor han maler sine billeder. De fleste af dem er abstrakte og dramatiske landskaber, som rummer en fortælling om hans barndoms landskab. 

I fregathavnen i Ebeltoft ligger Svartlöga, som er et gammelt svensk minestrygerskib. I dag er det både et foreningsskib og et udstillingssted, hvor besøgende kan komme forbi og se på kunst i utraditionelle rammer. Men vejen til, hvor skibet er i dag, har været både lang og dramatisk. Sara Kirstine Grønborg er formand for foreningen Svartlögas fremtid og for hende har skibet både været hendes hjem og rammen for kunstneriske oplevelser indtil skibet forliste i 2018 og alt så sort ud. Men så besluttede hun sig for at forsøge at redde Svartlöga og give det et nyt liv. Kom med på rejsen fra minestryger til kunstskib. 

Die Jylland ist die letzte aus Eichenholz gebaute Fregatte der dänischen Marine und das längste, noch erhaltene Schiff ihrer Art. Der Dreimaster ist mit wunderschönen Holzarbeiten verziert und beherbergte einst hunderte Matrosen. Erik Christophersen erzählt uns in dieser Folge von der bewegten Geschichte dieses stolzen Schiffes - unter anderem vom deutsch-dänischen Krieg und dem Alltag der Seemänner. Heute liegt die Fregatte in einem Trockendock in Ebeltoft.

Mathias Kokholm har været en af spydspidserne i arbejdet med at få en ny kunsthal stablet på benene i Ebeltoft. Han er leder og kurator af kunsthallen og det er dermed ham, som har besluttet, hvilke kunstnere der skal udstilles i de to år, kunsthallen foreløbig kommer til at have til huse i Ebeltoft. Mathias har hentet inspiration i lokalområdet, da han skulle vælge, hvad man skal kunne opleve i den nye kunsthal - kunstværkerne kommer nemlig til at tage udgangspunkt i naturen, geografi og historien. 

Ny formand for skole i storm - Den europæiske filmhøjskole i Ebeltoft har været i gevaldigt stormvejr, efter at skolen i flere år holdt hånden over en krænkende lærer. Tidligere elever sendte skriftlig klage, rektor fra skolen gik - og de tidligere elever krævede en helt ny bestyrelse. Det har de ikke fået - men en ny formand for bestyrelsen er trådt til. Vi spørger ham i dag, hvordan han vil stilne stormen. Hang On genbesøgt - For 21 år siden indspillede DJ Freedom nummeret Hang On, som blev et kæmpe hit. Men manden bag fik stort set ikke en krone ud af hittet, for han havde skrevet under på en kontrakt, der gav det hele væk. Nu gør han som den amerikanske superstjerne Taylor Swift og genindspiller nummeret, hvor han selv beholder alle rettigheder. Vi ser på sagen om Hang On og taler om musikbranchens lunkne kontrakter. For nøgen til Herning - På ydersiden af Kunstmuseet Heart i Herning hænger en kæmpe poster med en nøgen kvinde, som skal reklamere for den udstilling, der lige nu er inde på museet. Plakaten er taget fra værket 'La Venere' (1973) af den italienske kunstner Michelangelo Pistoletto, og forestiller en piberygende, nøgen kvinde, der med krydsede ben slænger sig på en blomstret divan. Hun hang også overalt i bybilledet for at gøre opmærksom på udstillingen. Men nogle har klaget, og nu er hun pillet ned fra gadelygterne. Men hvornår er nøgenhed ok i bybilledet? Værter: Tore Leifer og Jesper Dein.

57 tidligere elever fra Den Europæiske Filmhøjskole i Ebeltoft har erklæret mistillid til bestyrelsen såvel som ledelsen.Det sker som følge af en sag om sexisme, der omhandler en nu afskediget underviser. Men problemerne forsvandt ikke sammen med den pågældende person. For tilbage står en række utilfredse elever, der ikke føler sig hørt og som savner en undskyldning. Derfor har de indkaldt til stormøde for elever den 6. juni for at diskutere næste træk. Medvirkende: Jonas Mirza, tidligere elev på EFCFrederik Hoff, Journalist på EkkoVært: Martin Sodemann Tilrettelægger: Flora Juul Holst Redaktør: Charlotte Bjerrekær

En ny opsætning af Romeo & Julie har en særlig detalje, som adskiller den fra andre udgaver. Romeo taler nemlig dansk, mens Julie taler tysk. Vi taler med teaterchefen om, hvordan et teaterstykker på to sprog er en succes, og hvordan deres forestilling trækker tråde til genforeningen med Sønderjylland for godt 100 år siden. Vi kigger også mod Ebeltoft, hvor tidligere elever fra en af landets førende filmskoler kræver, at skolens bestyrelse går af. Og så har vi en ny anbefaling fra en af Kræs' kulturagenter, der kastede sig ud i en kulturoplevelse, han ikke troede, han kunne lide.

Elever klager over Filmhøjskolen i Ebeltoft: 60 tidligere elever fra Filmhøjskolen i Ebeltoft kritiserer i et åbent brev ledelsens og bestyrelsens håndtering af sagen om en højskolelærers krænkende adfærd, som Filmmagasinet Ekko har skrevet om. I dag taler vi med en af medunderskriverne, som beder bestyrelsen om en undskyldning. Årets Historiske Bog 2020: Vi taler med forfatteren bag Årets Historiske Bog 2020, som bliver overrasket af komiteen på sit forlag mens vi sender. Nye LGBT+ og minoritetsstemmer på den litterære scene: Både store og små forlag er begyndt at satse på fortællinger, der giver plads til nye stemmer fra både LGBT+-miljøet og etniske minoriteter. Vi taler med tre af de nye, unge stemmer. 'Ovenpå': Ritt Bjerregaard fylder 80 år i dag og på hendes fødselsdag udkommer det fjerde og sidste bind i hendes anmelderroste erindringer. Vi var forbi fødselaren i formiddags og fik hende til at fortælle om bogen, der bl.a. handler om hvad der adskiller mænd og kvinder i magtpositioner. Værter: Jesper Dein og Tore Leifer.

Lige nu kan man for den nette sum at 2.495.000 kroner bliver ejer af Elsegårde Camping lige udenfor Ebeltoft. Her får du en plads med et areal på 1,7 hektar, hvorpå der er 92 pladser og 16 hytter eller lejligheder. Derudover får du en villa med på 122 kvadratmeter. Men hvordan går det egentlig med camping her i Danmark? Vi spiser for FÅ pomfritter … Eller jeg gør sgu’ nok ikke. Men generelt. Det hér er en af de mere skæve afledte effekter af coronaen, for de nedlukkede frituregryder landet over rammer nemlig ikke kun caféerne – men også kartoffelavlerne, fordi vi ikke spiser lige så mange friturestegte fritter… “CO2-neutral”, “bæredygtig” og “klimavenlig” er du måske stødt på, når du har været en tur i eks. supermarkedet. De her betegnelser viser, at de pågældende produkter er gode for klimaet. MEN kan vi nu også stole på det? Medvirkende: Anne-Vibeke Isaksen, landsformand for Dansk Camping Union. Mahmoud Hamad, Vært DCU-camping ved Holstebro sø. Carl Heiselberg, kartoffelavler. Brian Vad Mathiesen, professor ved institut for planlægning på Aalborg universitet.

An off-schedule podcast discussion with Lisa Hutcheson, Managing Partner at J.C. Williams Group. Craig and Lisa discuss discuss Ebeltoft's 2021 retail innovation book which showcases leading innovations in Canada and beyond. Retail Insider Podcast is available on Apple Podcasts, Stitcher, TuneIn, Google Play, or through our dedicated RSS feed for Overcast and other podcast players.Interview Details:Lisa HutchesonJ.C. Williams GroupGlobal Retail Trends & Innovations 2021 (Ebeltoft Group) Subscribe, Rate, and Review our Retail Insider Podcast!Follow Craig:LinkedIn Instagram TwitterFollow Retail Insider:LinkedIn Facebook Twitter InstagramListen & Subscribe:Apple PodcastsSpotifyOvercastStitcher Share your thoughts!Drop us a line at Craig@Retail-Insider.com. You can also rate us in Apple Podcasts or recommend us in Overcast to help more people discover the show!Background Music Credit: Hard Boiled Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/

Med en forgyldt stolpe og kunstige tænder præsenterer vi tredje episode af 'Du er ikke Peter Schmeichel'. Denne episode dykker ned i arkiverne i fodboldens udkanter og præsenterer: De mærkeligste regler. Havde det her været en kursusbeskrivelse på Københavns Universitet, havde undertitlen været “meget mere end bare jura”. Vi tager jer lyttere og seere med til Bravo Tours alternative Bermuda-trekant mellem Caribien, Madagaskar og Ebeltoft og besøger de mest bemærkelsesværdige historier om eksperimenter og interpretationer af jura, fodbold og retfærdighed Vores team i sminken har sørget for at klæde os rigtigt på, således at vi med sikkerhed kan vende vigtige temaer som: - Hvordan bør man komme 0-0-kampe til livs? - Kan man introducere kommatal i fodboldresultater? - Hvordan er dynamikken i Medianos studier, når man skal sende inden et preview? Værter: Mads Adam Wegener og Sebastian Boelskov Meyer

Asbjørn er ejer af overgangsritualet.dk og har arbejdet med marginaliserede børn i + 20 år, på skoler, institutioner og i naturen. Hans projekt, Overgangsritualet, henvender sig til fædre og deres sønner i alderen 14 – 17 år. Det bliver afviklet i skovene ved Skovværk, mellem Feldballe og Ebeltoft. Hvis du vil med, så sker det næste gang den 15.oktober. Find ham på de sociale, og på www.overgangsritualet.dk

Tunger fortæller, at verden er gået af lave. Amerikanerne bliver ondere, danskerne mere ubetænksomme, egoistiske og ligeglade. Men hvorfor er det sådan, og er det sådan? Hvem er det, denne ubalance kommer fra? En sensommermorgen går Katrine Hedegaard ud for at finde verdens mørke i Ebeltoft. Katrine går ud med to benspænd. Det første er: Hun må kun bruge én dag. Fra det bliver lyst, til det bliver mørkt. Det andet benspænd er: Hun må kun tale med hundeejere. Måske kan de uskyldige dyr lede hende frem til mørket. Hvor kommer ondskaben fra? Mig, dig eller alle de andre? Medvirkende: Tilrettelæggelse: Katrine Hedegaard

Aktion er i gang! Første gæst er Maya Husted Davidsen der var med til at grundlægge Rampen i Ebeltoft. For Maya var det røvsygt at være ung i Ebeltoft, og der var kun den underholdning man selv stod for – så hvorfor ikke starte et ungedrevet kulturhus? Hør om op- og nedturene som projektmager, hvordan man crowdfunder ved at sælge asfalt, overtaler en borgmester og skaber fede events.I programmet Aktion udforsker vi vejen fra holdning til handling. Vi undersøger, hvilke udfordringer, frustrationer og oplevelser der giver handlekraft og mod til at starte et projekt. Vi skal høre fortællinger fra unge ildsjæle, der har taget initiativ til at starte et projekt, der skal gøre en forskel i verden. Som lytter bliver du taget med helt ind i maskinrummet, og sammen graver vi ned i hvad der skal til for at skabe forandring.

Salget af sommerhuse boomer. Flere danskere end normalt vil i år holde deres ferie i et sommerhus herhjemme. I denne uge har vi set på sommerhuset - på drømme, traditioner og historier. Vi har været i Ebeltoft, og i sammendraget her kan du møde nogle af de mennesker, som i ugens løb har fortalt. Palle Rasmussen er en dem. Han bor i sit sommerhus hele året. Og stedet hjalp ham igennem de sværeste perioder i hans liv, da han mistede først sin kone og kort efter sin datter. Ved Femmøller ser vi på arkitekten og byplanlæggeren Egil Fischers historiske ferieby - Danmarks første.

Flere og flere vælger at bo i deres sommerhus året rundt. Palle Rasmussen er en dem. Han nyder naturen og udsigten over vandet, og samtidig tager han aktivt del i kulturlivet i Ebeltoft. Det sortmalede træhus og naturen rundt om det har hjulpet den aktive pensionist med at komme igennem de sværeste perioder i hans liv, da han mistede først sin kone og kort efter sin datter. Et andet sted i Ebeltoft er ejendomsmægler Maria Madsen på besøg hos et ægtepar, som efter mange år har besluttet at sige farvel til deres sommerhus. De har nogle andre drømme, som de også gerne vil nå at leve ud.

I 1934 byttede Claus Hvitveds mormor sig til et sommerhus ved Ahl strand syd for Ebeltoft. Hun fik huset for et klaver og 700 kroner. Siden har flere generationer nydt sommeren og samværet med familien i 'Kræmmerhuset'. Huset var det første i det område, som senere blev Ebeltofts fed. Museumsinspektør Lea Glerup Møller fra Museum Østjylland har arbejdet med historien om, hvordan sommerhuskulturen opstod. Hun kan også fortælle, hvordan Ebeltoft har udviklet sig til at blive en af Danmarks mest populære feriedestinationer.

I 1934 byttede Claus Hvitveds mormor sig til et sommerhus ved Ahl strand syd for Ebeltoft. Hun fik huset for et klaver og 700 kroner. Siden har flere generationer nydt sommeren og samværet med familien i 'Kræmmerhuset'. Huset var det første i det område, som senere blev Ebeltofts fed. Museumsinspektør Lea Glerup Møller fra Museum Østjylland har arbejdet med historien om, hvordan sommerhuskulturen opstod. Hun kan også fortælle, hvordan Ebeltoft har udviklet sig til at blive en af Danmarks mest populære feriedestinationer.

Elk verhaal heeft altijd en geschiedenis, die voorbij "h et einde". gaat. Leefde zij nog lang en gelukkig? Deel 2 met evenveel plezier verteld en gespeeld door Mzuri-Sana Marcel. Dit verhaal voor het eerst gespeeld in Ebeltoft (bij Arhus), Denemarken 1982... èn professioneel ingezet. (NZR-methode). Voor meer over de NZR-merhode, volg ook onze Podcast De NZR-Academie.

Welcome to the The Voice of Retail, I'm your host Michael LeBlanc, and this podcast is brought to you in conjunction with Retail Council of Canada.In this episode Lisa Hutcheson, Managing Partner of J.C. Williams Group joins us to talk about her rich, decades long background in retail and the retail mega trends brought together in the annual Ebeltoft Groups's Global Retail Trends and Innovations report, for the past decade or so one of my favourite reads of the year.  We talk about the 2020 report, the four key trends that pull together the retail case studies and a few of the standout retailers representing each of the four big trendsNext, Karl Littler, Senior Vice President of Public Affairs from RCC returns to the podcast to bring us up to speed on the ratification process and timeline in Canada for the new NAFTA agreement, CUSMA.  Karl also provides a masterclass  on understanding the new, hard fought De Minimis rules that will helping keep the playing field level for online retailers in Canada.But first, let's jump right into my conversation with Lisa from the J.C. Williams Group******Thanks to Lisa and Karl for being my guests on this episode.  Well  Now let's hit the highlights of the retail news in Canada and around the world with Retail This Week for the week of March 2, 2020That's a wrap on this edition of The Voice of Retail.  If you liked this podcast you can subscribe on Apple iTunes or your favourite podcast platform, please rate and review, and be sure and recommend to a friend or colleague in the retail industry.I'm Michael LeBlanc, Founder and President of M.E. LeBlanc and Company Inc. and you can learn more about me on www.meleblanc.co or of course on LinkedInUntil next time, have a great week!

Lundbergs Maltfabrik fra 1861 var et vartegn for Ebeltoft i over 130 år, men den lukkede i 1998. I 2008 drømte en række ildsjæle med Kristian Krog i spidsen om at omdanne Maltfabrikken til et kreativt og kunstnerisk kraftcenter for iværksættere, teater, musik, børne- og ungekultur – et slags fremtidens kulturhus. Denne vision er nu ved at blive til virkelighed, for i 2020 åbner Maltfabrikken officielt efter en ombygning til 165 millioner kroner med Kristian Krog i spidsen som direktør.Kristian Krog bliver blandt andet spurgt, hvordan det lykkedes, og hvilke partskaber der skulle etableres? Hvordan det lod sig gøre at samle et trecifret millionbeløb, og hvad man lærte i den proces?Men Christian Have vil også vide, hvad der er det specielle ved det, Maltfabrikken kan, og hvilken betydning fabrikken vil få for den enkelte borger og for hele regionen? Hvordan kommer erhverv og kunst side om side til at befrugte hinanden, og hvad er det særlige ved det kunstnerprogram, der etableres i samarbejde med Statens Kunstfond?

Jeg har besøgt min nabo Steen Møller - ham der startede Friland og som er blevet lidt af en guru indenfor bæredygtigt byggeri. Han var en af de første i Danmark, der startede med at bygge halmhus i 90´erne, hvilket førte til at han grundlagde økosamfundet Friland i 2002 - altså stedet hvor vi bor. Sidenhen har han oprettet Grobund, som er et bæredygtigt projekt i Ebeltoft, hvor 150 mennesker har købt en nedlagt fabrik og arbejder på at omdanne den til grønt væksthus for iværksætteri og mindre firmaer. Steen har holdt foredrag i 20 år om bæredygtighed og har ofte været i fjernsynet, hvor hans markante Vendelbo-dialekt får ham til at skille sig ud. Men man skal høre efter når Steen siger noget, for det er ofte ret klogt. Jeg har optaget 3 timers samtale med Steen i hans halmhus en stille dag i december 2019 og det har jeg klippet sammen til dette afsnit. Så jeg vil dedikere dette afsnit til snakken og håber at I får lige så meget ud af det som jeg gjorde.

Vi har fått besøk av et par karer med skikkelig klokkedilla! Tor Ebeltoft & Thomas Jørgensen var innom MGO Studio med hver sin klokkesamling. Tor har med seg noen meget flotte Blancpain klokker, mens Thomas har med seg en av Norges mest omfattende Hauer samlinger. Og disse gutta er helt klart mer opptatt av litt sjeldne Ur med en bakhistorie, patina og affeksjons verdi enn hva andre entusiaster er. Bilder av klokkene kan dere finne på MannegruppaOttar.com

Den familieejede virksomhed Kvadrat spinner guld på upcycling af tekstil-materiale med tråde, der rækker langt ud for landets grænser i tekstil-branchen - og med bæredygtighed og miljøhensyn som kerneværdier i sin forretning. Tag med Bæredygtig Business til Kvadrats hovedsæde i Ebeltoft og hør Sustainability Manager Tina Kaysen forklare hvordan den engang så lille lokale biks på Syddjurs, er blevet til en international storspiller på tekstilmarkedet, samt hvordan de løbende finder nye muligheder i reduktion af materialespild. Gæster: Tina Kaysen, Sustainability Manager, Kvadrat Vært og tilrettelægger: Steffen Max Høgh Tilrettelægger, teknik og produktion: Andrew Davidson og Martin Bille Video: Anders Uhl

Maya Husted Davidsen er en af stifterne af Ungdomskulturhuset Rampen i Ebeltoft. Hun har lavet et hav af kreative events og markedsføring og fortæller historierne bag. “Vi kunne ikke sælge alkohol! Og var langt væk fra alting. Så vi var nødt til at lave noget alternativ markedsføring for at få folk til at komme” Tjek projekthåndbog.dk hvor du kan læse mere og få fingrene i Hack det! Projekthåndbogen til unge kulturskabere og Den Lille Projekthåndbog. Bøgerne giver dig viden, værktøjer og inspiration til, hvordan du kan lave kulturprojekter. Tilrettelægger: Julie Melgaard Smidt Produceret af Frontløberne Musik, klip og mix af Basbjørn Støttet af Tuborgfondet

Vores patreon: https//www.patreon.com/dknpodcast/ Instagram: https://www.instagram.com/detkanoget/ Lasse har taget sin G-Star Travoltalæderjakke på, som kan befrugte mænd og kvinder ved sin blotte tilstedeværelse. Fransk er kærlighedens sprog, og Anders finder ud af hvad "le sable de l'érotisme" kan betyde, når man er med kæresten på romantisk sommerhustur.  I en Føtex i Ebeltoft har man opbygget en overvågningsstat, der kunne gøre Erich Honnecker helt våd i kommunisttrussen. Apropos totalitære typer så har Aisha Gaddafi skrevet, og hun har et hamrende godt tilbud til en fattigrøv som Lasse.  Sidst men ikke mindst snakker vi om nogle stakkels typer, der er edderspændt frustrerede over ikke kunne bolle nogen. Og hvad gør man så? Man myrder løs selvfølgelig. Logisk!  Så frisér venligst diktatoroverskægget og tag din egen smarte G-Star læderbøf på, for vi vil rigtig gerne have, at du for en gang skyld er lidt pæn i tøjet, når du sætter dig til rette for at lytte til episode 3 af Det Ka’ Noget.  Ses i jeres ører.    

I januar døde Malthe Thomsen af en blodprop i hjertet, mens han var elev på Den Europæiske Filmhøjskole i Ebeltoft. TVÆRS besøger denne uge skolen og vennerne, der pludselig mistede deres højskolekammerat. Medvirkende: Bjarke Kastbjerg Andersen og Laurits Fog Balstrup. Klip: Kristian Lindhardt og Cathrine Leonhard. Redaktør: Karen Straarup. Programansvarlig: Tine Maria Borresø. Vært: Sara Bovin.

Episode #56 / December 2018 Topic: Tune in and hear what amazing things Rachael and her organization, S.E.E.C. Inc are doing to impact the community of Boise, Idaho. About the Host: Ronald Kern attributes his success in life and business to the never-ending support of his wife, a lot of hard work, and his faith. Ronald was the founder and CEO of a multimillion-dollar private investigation company, which started in the basement of his parents home and became one of the top five (5) investigation firms in the United States. It, as well as his multitude of other businesses, were sold in late 2013 allowing him to pursue other ventures at the age of 44. He is considered a business guru and entrepreneurial expert. In addition to his book, which is endorsed by Jack Canfield, "Passion In Action - Pursue Your Passion To Create Your Success," Ronald has a column in Christian Living Magazine, writes for several other publications, and loves writing about personal development and business principles that work. Having no formal education after high school, he has spent years in receiving certifications that help his clients such as personal development, leadership, communication, coaching, training, confidence building, goal setting, and psychological mindsets. Combined with his 25+ years of business experience he understands the measure of success is based on results. It is his desire to use his experience and resources to encourage, teach, support, and equip his clients with actionable, real-life, and sustainable tools that work. Ron wants to help you on your Pathway To Purpose. Ron and his bride Lisa have been married 28 years, have two amazing children, and live on a 42-acre Ranch in Idaho. Learn more at: www.mypassioninaction.com

I denne udgave af Tankerum sætter vi spot på spørgsmålet om, hvordan vi kan bygge på fortiden, når vi indretter til fremtiden. Det handler om en levende bygningskultur, transformation, identitet, ildsjæle og om de fortællinger, som fortidens bygninger rummer.Tag med os til Ebeltoft, hvor den store monumentale rødkalkede maltfabrik med kamtakker og høj skorsten har knejst på bakken ved havnen siden 1861. Maltfabrikken er en vigtig del af Ebeltofts historie - generationer af arbejdere er hver morgen gået ind gennem fabriksporten, maltduften har hængt i gader og stræder og fra havnen ved foden af bakken blev malten sendt ud til bryggerier i hele Danmark og så langt væk som Brasilien. Men i 1998 blev maltkøllerne slukket, og siden da har der været stor usikkerhed om fremtidsudsigterne for byens ikoniske industrimiljø.Susanna Sommer møder i denne episode direktør Kristian Krog, der fortæller om fremtidsvisionerne for Den Ny Maltfabrik. Den åbner i 2019, og skal være samlingssted for byen med spillested, bibliotek, mikrobryggeri, madhus, øvelokaler, kontorfællesskab og meget meget mere. Det var Praksis Arkitekter fra Troense, der vandt arkitektkonkurrencen om Maltfabrikkens transformation. Vi møder indehaver Mette Tony, der forklarer, hvorfor deres overskrift for projektet er ”Forstærke, forbinde og forankre” og fortæller hvorfor det er vigtigt at bevare bygningernes ekko af fortid.Arne Høi er leder af Arkitektskolens i Københavns institut for Bygningskunst og kultur og han har tidligere arbejdet i kulturstyrelsen, ledet center for bygningsbevaring i Raadvad og arbejdet som rådgiver. Han fortæller om den identitet, som de gamle bygninger bærer i sig og forklarer, hvordan arkitekterne arbejder med værdisætning og de bærende værdier, når de skal transformere en bevaringsværdig bygning. Læs mere om Maltfabrikken på Realdanias hjemmeside https://realdania.dk/projekter/maltfabrikken-i-ebeltoft og hjemmesiden for den nye Maltfabrik 'Ny Malt' http://www.nymalt.dk/  Medvirkende: Kristian Krog, direktør for Den Ny MaltfabrikMette Tony, indehaver Prakis ArkitekterArne Høi, leder af Arkitekskolens Institut for Bygningskultur og KunstRealdania Podcast er produceret af Susanna Sommer

Shane Fero’s legendary avian forms in hot glass have been sought after and cherished by collectors worldwide for nearly five decades. On the wings of his ever-inquisitive mind and an imagination fueled by nature, anthropology, astrology, and Surrealism, Fero’s work soars above and beyond its natural form, relying upon humor and thought provoking elements to attract and hold the attention of viewers.   If there has been criticism of Fero’s work it’s that bird imagery makes no statement, has no narrative. Not so to its creator. “Some beautiful and spiritual birds have always held a deeper connotation throughout history. This can only be understood by paying attention to them and contemplating both their place in the world and our affect on that.”   In fact, Fero’s focus on bird imagery has sharpened in the last 16 years with his blown bird series based on German flameworking techniques. Though these processes were learned as a young apprentice, the artist brings them into contemporary context in his sculptures, vessel forms, and mixed media pieces.   Born in Chicago, Illinois, in 1953, Fero has been a flameworker for nearly 50 years and maintains a studio next to Penland School of Crafts, Bakersfield, North Carolina. He is the Past-President of the Board of Directors of the Glass Art Society (GAS) and received the 2014 Lifetime Membership Award at GAS Chicago.   Since 1992, Fero has participated in 400 group exhibitions and 33 solo shows including three retrospectives: a 30-year at the Berkowitz Gallery at the University of Michigan, Ann Arbor; a 40-year at the Huntsville Museum of Art, Huntsville, Alabama; and at the Christian Brothers University, Memphis, Tennessee. His work can be found in over 20 museum collections worldwide including the Museum of Art & Design, New York, New York; The Corning Museum of Glass, Corning, New York; Glasmuseet Ebeltoft, Ebeltoft, Denmark; the Museum fur Glaskunst, Lauscha, Germany; and the Nijiima Contemporary Glass Museum in Tokyo, Japan.   A renowned educator, Fero has lectured and demonstrated in symposia and conferences all over the world and taught at institutions such as Penland School of Crafts; Urban Glass, Brooklyn, New York; and the Pilchuck Glass School, Stanwood, Washington. His 2019 workshop schedule includes Glass Axis in Columbus, Ohio, June 24 through 27 and Appalachian Center for Craft, Smithville, Tennessee, July 14 through 19.   

I en 10.000 kvadratmeter stor nedlagt stålfabrik nær Ebeltoft er en flok danskere i gang med et bæredygtigt eksperiment. Gennem iværksætteri og nye boligformer skal de i rammerne af asfalt og beton udleve grønne visioner og drømme om økologi og permakultur. Her skal være plads til både bæredygtigt savværk, tangproduktion, upcycling af møbler og mikrobryggeri og at Grobund skal kunne danne ramme om koncerter, festivaler, folkekøkken og et kulturelt mødested for hele lokalsamfundet. Det her er 3. og sidste afsnit af nybyggerne - en serie om de pionerer, der går hele vejen i jagten på et mere bæredygtigt liv. Tilrettelægger: Ula Bach Hulgaard. Redaktør: Rune Sparre Geertsen. Produceret af Filt CPH.

Kelly O’Dell’s hot glass sculpture speaks to the devastating impact of the human race on species in the wild and embodies the Latin phrase “memento mori,” meaning “remember death.”  Using the fragility and translucency of glass to create ghost-like animals in an homage to all that have been lost never to return, the artist endeavors to inspire environmentally-mindful changes in our daily routines while providing hope for a different future.      From October 5, 2018 through January 22, 2019, the Pittsburgh Glass Center’s Hodge Gallery presents All of a Suddens, an exhibition exploring existence and extinction, preservation and decay.The focal point of O’Dell’s solo show, “Critical Masse” features 13 endangered species mounted on the wall in clusters. Her “Ghost Animals” mimic hunting trophies displayed in a game room and highlight the 100 to 1,000 species that are lost per million per year primarily due to human-caused habitat destruction and climate change.   “My upbringing in the Hawaiian Islands inspired my love of oceans. Coming from a place so diverse in culture, climate, and teeming with flora and fauna, I feel a servitude or responsibility to honor what is lost or extinct. It’s fascinating and devastating that our presence as one species has so much impact of the delicate balance of life.”   Born in Seattle in 1973, O’Dell was raised in Hawai’i, the daughter of artists who used stained glass, furnace glass, and pressed flowers in their artwork. As a student at the University of Hawai’i, O’Dell fell in love with glass herself. The program offered many opportunities to study at Pilchuck Glass School, Stanwood, Washington, where she eventually relocated and became a member of the William Morris winter crew.   From September 9 -14, 2018, O’Dell and husband Raven Skyriver will co-teach in Bornholm, Denmark, at the Royal Danish Academy of the Arts in an event open to the general public, followed by a demo at Glasmuseet Ebeltoft,Ebeltoft, Denmark.From October 4 – 7, Skyriver will demo at the International Glass Symposium in Novy Bor, Czech Republic, while O’Dell heads to Pittsburgh, Pennsylvania, for the opening of All of the Suddens. In 2019, O’Dell and Skyriver will be working hard to move into their new home and studio on Lopez Island, made possible by a recent successful Kickstarter campaign.    

We talk to David Ebeltoft about the European Premiere of Here Alone Frightfest 2016 schedule and tickets info at www.frightfest.co.uk/2016films/schedule.html Follow at @FrightFest https://www.facebook.com/herealonefilm/ @herealonefilm www.herealonefilm.com @davidebeltoft Intro and Outro music is a combination of samples from three creative commons files : "Carefree" Kevin MacLeod (incompetech.com) 
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/ Title: AM Radio Tuning About: Sony battery-powered am radio weak signal switches and tuning. changing stations on a manual radio. Uploaded: 01.13.16 | License: Public Domain | Recorded by SailorMoonFan Without God - They Rot They Rot by Without God is licensed under a Attribution-NonCommercial-NoDerivatives 2.0 Germany License. freemusicarchive.org/music/Without_…-_1_-_They_Rot

Vibeke og Anders er igen forbi med kunst til folket. Vibeke fortæller meget begejstret om sit besøg på Glasmuseet i Ebeltoft. Se mere her: www.glasmuseet.dk

Live fra Cafe Moeslund i Ebeltoft The post Fotografi, kamera og motiv 9 – Nytårsforsætter appeared first on Fotografikurser.dk.

02:00 Sidste afdeling af Hareskovens Fire Årstider var kold og våd, men forrygende sjov, selv om jeg nåede at blive et skovsvin under vejs. 14:45 Andreas Hedensted fra Ebeltoft har både i overført betydning og helt bogstavelig talt løbet få centimeter fra afgrunden. Andreas er en af landets yngste ultraløbere, og sidst i programmet skal du høre ham fortælle om, hvordan det er at opdage, at man ikke er helt så uovervindelig, som man selv gik og troede - og om, hvordan man så kommer tilbage igen, som en stærkere og klogere løber. Men først tager Andreas os med til Pembrokeshire i Wales, hvor han forleden var ovre og løbe en tredobbelt marathon.