Podcasts about Reservoir Dogs

Quentin Tarantino's 1992 Los Angeles heist thriller, RESERVOIR DOGS, is our feature presentation this week! We talk about James Woods near casting, the theories behind the film's title, the trouble with Lawrence Tierney, the incredible ensemble (Steve Buscemi, Tim Roth, Michael Madsen, Harvey Keitel), the emphasis on securing "Stuck In The Middle With You", and much more! We also pick our Top 7 Directorial Debuts in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Directorial Debut Month continues with one of the most influential first films ever made: Quentin Tarantino's Reservoir Dogs.Released in 1992, this low-budget crime thriller exploded onto the independent film scene and introduced audiences to Tarantino's signature style—sharp dialogue, unforgettable characters, nonlinear storytelling, and bursts of shocking violence.We break down the infamous heist movie that never shows the heist, the incredible ensemble cast featuring Harvey Keitel, Tim Roth, Michael Madsen, and Steve Buscemi, and discuss how Tarantino turned a modest budget into one of the most talked-about debuts in cinema history.From the opening diner conversation to the film's explosive finale, Reservoir Dogs remains a masterclass in tension, character, and independent filmmaking. More than thirty years later, we're asking: does this debut still hit as hard as it did in 1992?Violent, stylish, endlessly quotable, and impossible to ignore—this is the film that introduced the world to Quentin Tarantino.#WatchTowerFilmPodcast #DirectorialDebutMonth #ReservoirDogs #QuentinTarantino #IndependentFilm #CrimeCinema #FilmPodcast #CinemaHistory #CultClassic #CinephileTalk

As Zach's month of movies comes to an end, we are joined by actor Zac Rose to finally review a Studio Ghibli film. Written and directed by Hayao Miyazaki, Porco Rosso is a classic Japanese anime adventure about an Italian World War I fighter pilot who now looks like a pig. He fights some sky pirates, starts a rivalry with a younger American pilot, and meets a young girl who helps fix up his plane.Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow Zac Rose!Instagram: https://www.instagram.com/zany_zac/Letterboxd: https://letterboxd.com/loftyzman/William Shakespeare's Reservoir Dogs: https://www.theatreworks.org.au/2026/william-shakespeares-reservoir-dogsThe Glam Gizmo: https://www.theglamgizmo.com.au/Follow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChair- TikTok: https://www.tiktok.com/@sandrofalceZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

Brooklyn-born actor and director Steve Buscemi (pronounced “BOO-SEMI”) joins Gilbert and Frank for lunch and laughs at the New York Friars Club and tells us all about his early days as a struggling stand-up, his recollections of filming modern-day classics like “Reservoir Dogs,” “Miller's Crossing” and “Fargo” and his memorable on-screen deaths at the hands of everyone from to Vince Vaughn to Roger Daltrey. Also, Steve shares a cab with Gilbert, shares the stage with Andy Kaufman and shares his appreciation for Harvey Keitel and yes...“The Brady Bunch.” PLUS: “Joey Pants”! The madness of Lawrence Tierney! Illya Kuryakin ties the knot! Paul Winchell builds an artificial heart! And Woody Allen meets Carrot Top! Learn more about your ad choices. Visit megaphone.fm/adchoices

After 205 episodes we finally land on Tarantino, with his first directorial effort.Small budget, simple production, epic dialogue - how does it stack up 34 years later? You can get in contact with us via email at themovietreepod@gmail.com or via socials.Feel free to write in with suggestions for movies you'd like to see us cover in future episodes.Also FEEL FREE TO WRITE IN WITH SUGGESTIONS FOR MOVIES YOU'D LIKE TO SEE US COVER IN FUTURE EPISODES!!We mean it. Please write in. We'll send you some free stuff.Check out our weekly videos on YouTube, TikTok and Facebook, most of them are absolute deadset bangers.If you know someone who might like this episode, or the last episode, or even any of the episodes then please hit Share on your podcast app of choice and let them know about all of the goodness that is a Movie Tree episode.As is the cliche - please like, subscribe, comment and review! Would be lovely to build on our 4 reviews we've had so far.Adios bitches. Hosted on Acast. See acast.com/privacy for more information.

This episode appeared previously on our Patreon pagepatreon.com/cinemrecallpodDuring the recording of our all new audio drama of Reservoir Dogs. I had to re record some voices for both Mr. White (voiced by Leona Zolata) and Mr, Orange (Voiced by Jaylan Salah Salman) So I brought them together for a recording session and you get to experience the fun we had making it. Listen to the full finished version ⁠Reservoir Dogs The Audio Drama⁠

Explore the "middle" phase of intellectual property protection. The period between filing and final protection is a crucial phase where strategy, negotiation, and risk management take shape. Using pop culture references ranging from Quentin Tarantino films to Willy Wonka and Jurassic Park, hosts Michael Snyder and Joseph Gushe connect famous middle acts in entertainment to the middle stages of the patent, trademark, trade secret, and copyright processes. This episode of IP Goes Pop!® breaks down:  What "patent pending" actually means from publication to examination How the patent examination process can strengthen a patent How the "middle" for trade secrets effectively becomes the entire lifecycle of protection The importance of preserving trade secret rights via NDAs, restricted access, and confidentiality measures  Common law trademark rights versus federal registration Trademark examination process and USPTO requirements The crossovers between copyright process "middle" and trademarks Along the way, the hosts question whether Willy Wonka's factory tours would survive modern confidentiality practices and whether Jurassic Park had one of the least effective trade secret protection programs in movie history. Whether you are protecting technology, building a brand, or managing confidential business information, this episode offers a practical look at the "middle" phase of IP protection where rights are often shaped, tested, and strengthened the most. Key Moments: (00:55) IP First, Lasts, and Middles S7, EP 1: We're #1! Intellectual Property Firsts S7, EP 2: If You're Not Firsts, You're Lasts (01:40) "Stuck in the Middle With You" and Reservoir Dogs (05:01) Malcolm in the Middle and Famous "Middle" Stories   (07:31) Why The Empire Strikes Back Became the Most Famous Middle Movie (11:22) "Middles" in Intellectual Property: Obtaining a Patent Protection (17:10) Why Strong Patents Are "Battle Tested" (19:02) Expanding Patent Protection During "Patent Pending" Process (20:52) "Middles" in Intellectual Property: Trade Secrets (26:16) "Middles" in Intellectual Property: Trademarks (30:06) After Trademark Issuance (33:48) "Middles" in Intellectual Property: Copyrights Past IP Goes Pop! Episodes on Copyright S6 Ep 3: The (Copy)Right Tool for the Job- The Copyright Tool Kit S4 Ep 2: Streamlining Copyright Disputes: The Copyright Claims Board (CCB) S3 Ep 11: You Can't Do That-What IP Cannot Protect S3 Ep 1: Escape of the Famous Cartoon Characters- IP and the Public Domain S1 EP2: Intellectual Property Urban Legends -Taking on Myths About IP in Popular Culture (34:25) Final Thoughts   For full show notes and to explore more episodes, please visit www.vklaw.com/newsroom-podcasts. You can stay connected with us on Facebook, Linkedin or Twitter, and Instagram using the handle @volpeandkoenig.  

Hot off making Pulp Fiction, Tarantino knocked it out of the park (in our opinions) with this Elmore Leonard adaptation and dedication to a bygone era of filmmaking. DISCLAIMER: Language and Spoilers and Toes!JACKIE BROWNdir. Quentin Tarantinostarring: Pam Grier; Robert Forster; Samuel L. Jackson

Komiker og skuespiller Jonas Schmidt har et ambivalent forhold til figuren, der gjorde ham landskendt. Den brovtne flodhest Dolph fungerede som en vigtig ventil – både for Jonas og Dolphs fans – men figuren stemplede også Jonas og begrænsede de tilbud han fik som skuespiller. For Jonas er meget mere end en højtråbende tegneseriefigur med baseballbat. Det viser hans valg af musik til ugens Portrætalbum også. Vi dykker nemlig ned i Quentin Tarantinos super varierede soundtrack til filmen "Reservoir Dogs". En film og et soundtrack der fik kæmpe betydning for Jonas opvækst, hans måde at se verden på og hans skuespil. Udsendelse nr.: 228 Vært: Anders Bøtter Klip og lyddesign: Emil Germod Produceret af: Gizmo.See omnystudio.com/listener for privacy information.

I love a good heist film. These films always feature a group of criminals coming together to pull off a crime none of them could do on their own. I always enjoy the interaction and banter between the members of the gang, and despite trying to figure out what the group is about to do, like the police chasing them, I'm usually one step behind. There are many classic films including the Oceans 11 franchise, Point Break, and The Italian Job. Here are four of my favorites.First up is Reservoir Dogs (1992), the directorial debut of Quentin Tarantino. In this film, things go terribly wrong after six men known only by aliases like Mr. White and Mr. Pink attempt a jewelry heist. By the end of the film several members of the gang have been killed, an undercover cop has infiltrated the group, and one very unlucky police officer ends up tied to a chair. Reservoir Dogs is not for the faint of heart, but then again neither is a good jewelry heist.House of Games (1987) is a lesser known film that features a group of conmen who cross paths with a psychiatrist, Margaret Ford. Ford is sucked in by the group's jobs, alternating between being a member and a mark of the group's cons. When Mike, the leader of the group pushes Margaret too far, the two go head to head in a battle of the minds… and also, bullets. Third up is The Usual Suspects, the groundbreaking film from 1995. After meeting in the clink, five local criminals team up to begin working together. The danger mounts when the group begin working for the mysterious crime lord Keyser Söze, a criminal so underground that no one has ever seen his face. The story unfolds through the eyes of Verbal Kent as he relays the group's activities to a detective. By the end of the film you'll discover that Kent may not have been entirely truthful to the police… and by the very end you'll be hit with a twist that will not only blow your mind but demands you watch the film a second time. Wrapping up this week's episode is one of my favorite films of all time, 1998's Ronin. ”Ronin” were samurai who lost their masters and roamed the earth as mercenaries for hire, which defines the criminal masterminds that come together in this film. Four men are hired to obtain a briefcase, despite not knowning what's in the case, who has it, or who' they're delivering it to. The stakes continue to rise as one mission leads to another, and things really spin out of control when one member of the gang attempts to make off with the briefcase for his own purposes. Starring Robert De Niro as Sam, the self-appointed leader of the gang. Ronin features a twisty plot, non-stop tension, and jaw-dropping car chases. A must watch.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Nouveaux pilotes, un brin déjantés, à bord de la Libre Antenne sur RMC ! Jean-Christophe Drouet et Julien Cazarre prennent le relais. Après les grands matchs, quand la lumière reste allumée pour les vrais passionnés, place à la Libre Antenne : un espace à part, entre passion, humour et dérision, débats enflammés, franc-parler et second degré. Un rendez-vous nocturne à la Cazarre, où l'on parle foot bien sûr, mais aussi mauvaise foi, vannes, imitations et grands moments de radio imprévisibles !

While they were promoting Reservoir Dogs and El Mariachi. Robert Rodriguez and Quentin Tarantino met and soon after they would begin working together on projects. One of them is a little horror movie about two bank robbers(George Clooney, Quentin Tarantino) who just wanted a safe spot to lay low for a few hours. Join us as we explore the making, themes, and impact of 'From Dusk Till Dawn' with film critic Aaron Neuwirth. Discover behind-the-scenes insights, character analysis, and the film's unique blend of crime and horror genres.Links Aaron Neuwirth's reviews and articles - https://www.rottentomatoes.com/critic/aaron-neuwirthPodcastOut Now with Aaron and AbeSupourt our independent podcast and buy us a coffeehttps://buymeacoffee.com/cinemarecallJoin our Patreon and get episodes earlyhttps://www.patreon.com/c/cinemarecallpod

In this episode of Heroic Purgatory: An Asian Cinema Podcast, John and Jason revisit the heroic bloodshed genre with arguably the second (and far less melodramatic) entry into the category: Ringo Lam's City on Fire (1987). While male friendship is central to the film, Lam injects a fair amount of social criticism into his film, making him a unique and often underappreciate voice among the the action filmmakers of 1980s Hong Kong. Listen as we dissect the many themes of City on Fire and even take a jab at Tarantino's Reservoir Dogs, which it inspired. We hope you enjoy! Website: https://www.heroic-purgatory.com/2026/04/s6e3-city-on-fire-1987.html Follow the show on BlueSky: https://bsky.app/profile/heroicpurgatory.bsky.social Follow Jason: https://bsky.app/profile/filmnohito.bsky.socia Follow John: https://bsky.app/profile/jmhimara.bsky.social

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we celebrate an actor with an incredible range: Chow Yun-fat. Our B-Sides include 100 Ways to Murder Your Wife, City War, Peace Hotel, and The Corruptor.  We discuss Chow Yun-fat's emergence in Hong Kong, his early work with John Woo, the breakout that was Crouching Tiger, Hidden Dragon in 2000. Conor and I debate which Western star Chow Yun-fat reminds us of, before resolving that he's quite a bit more dynamic than any one of them. There's debate over the success of his move to Hollywood and his brief stint as a Western leading man (lest we never forget about Bulletproof Monk!), the City on Fire influence on Reservoir Dogs, the John Woo Hollywood run (and why Chow wasn't in any of them!?), and the impossible influence of Asian action cinema on Hollywood action blockbusters to this day.We also discuss the difficult and narrow needle to thread when making a slapstick marital comedy, and why 100 Ways to Murder Your Wife fails where a few succeed.

Before Pulp Fiction, there was a group of color-coded criminals and a diamond heist that went horribly sideways. In this episode, we go back to 1992 to revisit Reservoir Dogs. We're talking about the powerhouse performances of Harvey Keitel, Tim Roth, and Steve Buscemi, and how Tarantino used a single location to create unbearable tension on the Back to the Past Podcast from the AllStar Fence STL Studios on the Lion's Den Podcast Network powered by Stark Roofing! For all things Back to the Past Podcast, including feedback, episode suggestions and even how to purchase your very own shirt, please visit BacktothePastPodcast.com! Please support our sponsors: Stark Roofing LLC AllStar Fence STL Pasta House in High Ridge Granite Pros, LLC Turner Tree Specialists Terri Anne The Moon & Back Photography and Doula Services If you have any feedback or questions, email - thelionsdenpodcast32@gmail.com Also please "Like" and DM The Lions Den Podcast Facebook Page here. You can also follow The Lions Den Podcast on: Instagram at @TheLionsDenPodcast TikTok at The Lions Den Podcast Feel free to DM us at The "2 Dumb Dads" Show Facebook Page.  

Writer/director Lee Cronin (THE MUMMY, EVIL DEAD RISE) breaks down the eight movies that made him before he turned 10 — plus movies he's seen since that deserve more shine. Show Notes: Movies Referenced In This Episode Lee Cronin's The Mummy (2026) Dead Alive a.k.a. Braindead (1992) Bad Taste (1987) The Lord of the Rings: Fellowship of the Ring (2001) The Hole in the Ground (2019) Evil Dead Rise (2023) Jaws (1975) Jaws 2 (1978) Jaws 3D (1983) Jaws: The Revenge (1987)  Goodfellas (1990) Cave of Forgotten Dreams (2010) Terminator 2: Judgment Day (1991) The Commitments (1991) Sing Street (2016) Alien (1979) Die Hard with a Vengeance (1995) The Shining (1980) Paranormal Activity (2009) Ringu (1998) Planes, Trains and Automobiles (1987) 2001: A Space Odyssey (1968) Local Hero (1983?) The Holdovers (2023) Poltergeist (1982) The Evil Dead (1983) Evil Dead 2: Dead by Dawn (1987) Evil Dead (2013) Robocop (1987) Robocop 3 (1993) Starship Troopers (1997) Black Book (2006) Heavenly Creatures (1994) The Exorcist (1973) *Bug (2006) Reservoir Dogs (1992) Blue Velvet (1986) Killer Joe (2012) Sorcerer (1977) Exorcist II: The Heretic (1977) Other Notable Items Our Patreon!  The Hollywood Food Coalition Quentin Tarantino Peter Jackson Diana Peñalver Halo video game franchise (2001- ) The Academy Museum Care Bears TV series (1985) Steven Spielberg Werner Herzog Universal CityWalk Jack Reynor Stanley Kubrick Stanley Kubrick's The Shining book by J. W. Rinzler and Lee Unkrich (2023) Warner Bros Scatman Crothers Blumhouse KLM Royal Dutch Airlines Steve Martin John Candy John Hughes Bruce Campbell TFH Guru Fede Alvarez Scott Spiegel Jerry Lewis Paul Verhoeven Fred Dekker The Fear of God: Twenty-Five Years of The Exorcist documentary by Mark Kermode (1998) William Friedkin Brian Tyler  Serj Tankian System of a Down Bug play by Tracy Letts (1996) The Egyptian Theatre in Los Angeles Learn more about your ad choices. Visit megaphone.fm/adchoices

And we are back with yet another Tarantino review. How many do we even have left?Support the show

In this episode, we discuss Eagle Pennell's Last Night at the Alamo, including character introductions, the parallels between Cowboy and Pennell, and the film's anti-Hollywood aesthetic.See where Last Night at the Alamo is available to watch.Supplemental Material:• Last Night at the Alamo (Remaster)• The King of Texas: The Life and Death of Independent Filmmaker Eagle Pennell• Inside/Outside• Last Night at the Alamo Q&A• How Austin Movies Shaped the City's Culture and Identity by Michael Barnes• How A Little-Known Film From The 1970s Kickstarted The Austin Film Scene by Terri Langford & Laura Rice• In Memoriam by Chronicle Staff• Eagle Pennell, the Last Cowboy by Nadine Smith• Remembering a Different 'Alamo,' 40 years Later by Nathan Cone• The Most Authentically Texan Movie You've Never Heard Of by Sean O'Neal• King for a Day by Steve McVicker• Indie Legend Who Inspired Sundance, ‘Reservoir Dogs' And More Will Have Classic Films Restored by Louis Black• The Defiant Defeatist: Eagle Pennell by Daniel Stuyck• Fade to Black by Steve McVickerAdditional Audio Sources:• Last Night at the Alamo Remaster Teaser• Last Night at the Alamo (Remaster)If you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow the Scene by Scene Instagram account for announcements and updates.Follow us on Letterboxd: Joe | Justin

Seine PULP FICTION hat uns zu Fans gemacht. Er hat uns von ONCE UPON A TIME IN HOLLYWOO erzählt, mit seinen INGLOURIOUS BASTERDS den Zweiten Weltkrieg geändert und zusammen mit JACKIE BROWN und den RESERVOIR DOGS jede Menge wertvolles Zeug geklaut. Trotzdem können wir unsere Beziehung nicht mehr so wirklich als TRUE ROMANCE bezeichnen. Dafür kamen zu viele Aussagen und angekündigte Projekte, die alles andere als DEATH PROOF – TODSICHER waren. Aber weil gerade KILL BILL: THE WHOLE BLOODY AFFAIR bei uns im Kino gestartet ist, nehmen wir das einfach mal als Anlass, um einfach mal drauf los zu quatschen und über den momentan Status von Quentin Tarantino zu reden. Daher parlieren Etienne, Vitus, André und Schröck dann natürlich auch noch über FROM DUSK TILL DAWN, über DJANGO UNCHAINED, THE HATEFUL EIGHT, NATURAL BORN KILLER; die Wirkung seiner Filme und die Wirkung seiner Aussagen, über unseren jeweils ersten Erlebnisse mit seinen Streifen, über das, was wir uns noch von ihm wünschen würden oder die jeweiligen Favoriten wie Schlusslichter seiner bisherigen Vita. Dabei wünschen wir Euch nun viel Spaß, diskutiert gerne mit und bleibt ansonsten so gesund wie gut drauf. Mit dem vielleicht einen oder anderen Royale mit Käse. Goodbye. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a Tarantino movie but there are no women so we don't see anybody's feet. But don't worry, he made sure to have all his favorite slurs coming out of his character's mouths. Join the guys as they raw dog Reservoir Dogs.   Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Two arrested in connection with $65,000 jewel heist https://www.newspapers.com/article/the-peninsula-clarion-314-reservoir-dogs/192777372/ Jewel heist cut short by traffic stop https://www.newspapers.com/article/fort-pierce-tribune-314-reservoir-dogs/192777385/ Trooper anniversary besmirched https://www.newspapers.com/article/the-journal-news-314-reservoir-dogs-199/192777833/  

Legendary actor TIM ROTH sits down with John Mingione and discusses everything from PULP FICTION to RESERVOIR DOGS to the PEAKY BLINDERS Movie!! Fun fact: TIM ROTH never saw a single second of Peaky Blinders before starring in the finale film!

Kill Bill held a special place in a lot of hearts. The Whole Bloody Affair was supposed to be the definitive version: Tarantino's original vision restored as a single four-and-a-half-hour film. Richard Lewis, Thorin, and MonteCristo sat through all of it, and what they found was the precise moment Quentin Tarantino disappeared up his own references. Everything that made Reservoir Dogs and Pulp Fiction brilliant, such as the compelling dialogue, the clever homage, the subversion of genre, is replaced here by wholesale theft from better movies that the audience can now watch for free on YouTube.   Raycon — The Essential Open earbuds wrap around your ear so you can hear everything while working out. Secure fit, great sound, 30-day guarantee. Go to https://buyraycon.com/fourplayopen to get 20% off sitewide. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We go on a ski touring adventure in Chamonix, staying an unmanned refuge at 3000m, and also take a closer look at some of the most spectacular Alpine refuges in the world. Plus we find out about the ski resort synonymous with Robert Redford – Sundance in Utah.We also learn of a post-Olympic spike in visitors to the UK's snow centres, plus we have snow reports from Madesimo, Gausta and Les 2 Alpes, plus your feedback.--------- Tirol in Austria sponsors The Ski Podcast, which means this winter we're are finding out more about some of the great destinations in Tirol, and how you can connect with the Austrian way of life: ‘Lebensgefühl' – that you'll find there. --------- SHOW NOTESKatja Gaskell was last on the show in Episode 242 when she reported on Saint Gervais (1:30) Aaron Rolph is founder of the British Adventure Collective (1:45) Aaron skied on the Dome de Miage (4:00) Claire Harrison reported from Madesimo in Italy (5:30)Mike Richards was in Gausta in Norway (6:45) Alex Armand from Tip Top Ski Coaching is in Les 2 Alpes (9:00) The new Entry/Exit System EES with the EU will scale up to 100% on 10 April (09:15)Freddy Carrick Smith picked up the silver in the slalom at the Junior World Championships (9:30) Ian Brown, MD of The Snow Centre, reports on a bump in traffic in both Hemel Hempstead & Manchester (10:00)Iain was guided by Brad Carlson on a ski mountaineering 101 trip (14:30)Iain stayed in the Bivouac de l'Envers des Dorées (17:30) Brad was on the podcast in Episode 240 discussing the impact of global warming on the Mer de Glace (18:30) The kit you need for ski mountaineering adventure (20:45) Aaron's bookis ‘Alpine Refuges: The Architecture and Culture of Mountain Shelters' (25:45) What is a bothy in Scotland? (26:45) What is an Alpine refuge? (28:30) Choosing the 30 refuges featured in the book (29:20) The Bivacco Gervasutti is one of Aaron's favourites (31:00) The Hannibal Bivouac (32:00) Aaron has visited around 60 refuges (34:00) Aaron is the founder of the British Adventure Collective (34:30) European refuges v. North America (35:30)Sundance is famous for the film festival (38:00) Films that launched at Sundance include Reservoir Dogs, The Blair Witch Project, Get Out and Memento (39:00) Robert Redford bought it in 1968 (39:40) There is a focus on conservation (41:00) Redford felt it should be ‘“developed a little, preserved a lot” (41:30) The skiing (42:00) His ownership meant it developed as a hub for the arts (44:00) Who is Sundance suitable for? (47:00) FeedbackYou can leave a comment on Spotify, Instagram or Facebook – our handle is @theskipodcast – or drop me an email to theskipodcast@gmail.com You can also follow us on WhatsApp for exclusive material released ahead of the podcast. Martyn Crawshaw: “I'm currently skiing in Champery, Switzerland which can be reached by rail direct via a funicular from the mainline station at Aigle”  seanski: "It's such a great podcast and look forward to it every week, I've been particularly inspired by your series on the Tirol, and as I write I'm en route by train to Landeck" Linley Lewis: "Just wanted to drop you a line let you know I greatly enjoyed your Ste Foy episode. Ste Foy has become an annual pilgrimage for my family. It's an absolute gem and I think you summed up its joy perfectly." Claire: "We have just returned from a week in Fugen in the Zillertal after listening to your feature in Episode 272. We were very impressed with the ski area: the efficiency of the transport, range of slopes, wonderful mountain "hutte" and friendly hospitality everywhere. We will be back for sure!"Colin Tierney: “I love skiing in Austria: you could do a different resort every winter without ever having to repeat.”There are now 308 episodes of The Ski Podcast to catch up with and 187 of those have been listened to in the last week, including interviews with Winter Olympians such as Andrew Musgrave, Eddie The Eagle, Dave Ryding, Graham Bell, both Izzy and Zoe Atkin, Chemmy Alcott, Bode Miller and Kirsty Muir. If you'd like to listen to an interview with an athlete, get some insight on a particular destination, or find out about the latest kit, just go to theskipodcast.com, have a search around the tags and categories and you're bound to find something of interest to listen to. If you'd like to help the podcast, there are three things you can do:    -          follow us, or subscribe, so you never miss an episode   -          give us a review on Apple Podcasts or leave a comment on Spotify   -          save yourself some money by using the code ‘SKIPODCAST' when you book using this link

The movie theater experience is evolving — and Alamo Drafthouse St. Louis is leading it. We sat down with the team to break down the new Film Club, April movie lineup, and why community-driven cinema is making a huge comeback.

In the March of Madness month continues with another Marc pick of movies that take place in one confined space. This week, we're taking a look at Quentin Tarantino's Reservoir Dogs, the 1992 American independent heist film starring Harvey Keitel, Tim Roth, Chris Penn, Steve Buscemi, Michael Madsen as diamond thieves whose heist of a jewelry store goes terribly wrong. Joining us on the podcast this week, is friend of the show and one of Tarantino's biggest fans...Mike Freeman! Listen in and find out what we all thought.

Before Pulp Fiction made Quentin Tarantino a household name, there was Reservoir Dogs — a film so raw and transgressive it was banned in the UK for years, circulated on pirate VHS tapes, and became the blueprint for an entire generation of filmmaking. A guy who worked in a video store in LA wrote and directed this. Wrap your head around that.   Richard Lewis, MonteCristo, and Thorin kick off Four Play's Tarantino Arc with the film that started it all. They dig into why Reservoir Dogs was banned in the UK (and what the Jamie Bulger case had to do with it), how Tarantino's background as a video store clerk — obsessively watching foreign cinema and genre trash alike — produced one of the most assured directorial debuts in film history, and why this movie, despite its reputation as a "video nasty," has a surprisingly low body count and a genuine soul underneath the blood.   The crew breaks down what makes the non-linear storytelling genius rather than gimmick, unpacks the iconic Mr. Blonde torture scene and what Michael Madsen brought to that role, makes the case for Steve Buscemi's Mr. Pink as the film's true protagonist, and explains how the K-Billy Super Sounds of the 70s changed how soundtracks work in movies — commercially and culturally — forever.   This is the beginning of Four Play's deep dive through Tarantino's career. Coming next: Pulp Fiction. The arc is just getting started.   Mint Mobile — If you like your money, Mint Mobile is for you! Shop plans at https://mintmobile.com/FOURPLAY. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hey Dude, I both celebrate Quentin Tarantino's Pulp Fiction, and defend Rosanna Arquette's legitmate criticism of the groundbreaking film.  QUOTE: "I'm willing to stand next to Jon Hamm and take off my shirt..." CAST: Don Draper, Mac Sledge, Jon Hamm, Bad Bunny, Harvey Keitel, The Wolf, John Travolta, Samuel L. Jackson, Vinnie Barbarino, Uma Thurman, Bruce Willis, Arnold Schwarzenegger, Ving Rhames, Rosanna Arquette, Mark Lonow, Patricia Arquette, Nicolas Cage, Nick Nolte CAMEO: Ming Ming LOCATIONS: Jack Rabbit Slims, Improv, Santa Monica, Ventura Blvd. PROPS: Cadbury Bunny, Stanley Steamer, Instagram, Corvette MOVIES/TV: Mad Men, Pulp Fiction, Reservoir Dogs, Welcome Back Kotter, Saturday Night Fever, Urban Cowboy, Grease, Die Hard, New York Stories, Life Lessons, Annie Hall, Jackie Brown, Once Up a Time in Hollywood  DIRECTORS: Quentin Taratino, Francis Ford Coppola, Woody Allen, Martin Scorsese  SOUNDS: Ming Ming,  Laguna Sawdust Cowbell Chimes  (more cowbell), birds, planes PHOTO: "Rosanna Pulp Googled" via YouTube shot with my iPhone XS RECORDED: March 12, 2026  in "The Cafe" under the flight path of the Hollywood Burbank Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 19:48 FILE SIZE: ~ 20 MB GENRES: storytelling, personal storytelling, personal journal, journal, personal narrative, audio, audio blog, confessional  HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

Let's Talk - MoviesEpisode 100: Reservoir Dogs (1992) - Rapid ReviewJason Connell revisits the classic 1992 film, Reservoir Dogs, with a rapid review, sharing sharp insights and impressions on why the movie still holds up today.Recorded: 02-15-26Studio: Just Curious MediaListen:BuzzsproutApple PodcastsSpotifyGoogle PodcastsAmazon MusiciHeartRadioTuneInWatch:YouTubeFollow:FacebookInstagramHost:Jason ConnellAffiliates:BuzzsproutRiversideWe Edit Podcasts#justcuriousmedia #letstalkmovies #mrjasonconnell #cinema #classicmovies #movies #moviereviews #film #filmreviews #studios #producers #directors #writers #actors #moviestars #boxoffice #reservoirdogsSend a textSupport the show

This week call us Mr. Blue and Mr. Green because today we are talking about Quentin Taratino's first movie Reservoir Dogs. Is this the perfect film to watch in High School/College? Or does watching it for the first time now still leave an imprint on you. Let find out!  

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

“When does a career‑defining honor turn into a full‑blown celebrity meltdown?”That's the question hanging in the air during this can't‑miss episode of The Ben and Skin Show, as Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray tumble headfirst into music history, birthday chaos, and one of the ugliest entertainment industry dust‑ups in recent memory.The 2026 Songwriters Hall of Fame class is revealed, and Taylor Swift becomes the youngest woman ever inducted into the Songwriters Hall of Fame at 36, prompting genuine admiration from the crew — until real‑world drama crashes the party.What should be a celebratory moment quickly becomes complicated as the guys unpack leaked text messages and the ongoing Blake Lively / Justin Baldoni / Ryan Reynolds situation, with Taylor suddenly caught in the crossfire. Skin sums up the entire mess with brutal clarity:“It's Reservoir Dogs — everyone's pointing a gun at each other.”

Send us a textLITTLE ODESSA (1994) A new season (Season 16) in a new year (2026 CE), and The Good, The Pod, and The Ugly returns to its roots with its unpatented temporal pincer movement covering the directorial filmography of American auteur James Gray. And in keeping with this homecoming, we begin our Touch of Gray Season with the Gen X filmmaker's first feature endeavor LITTLE ODESSA (1994).  Made at the unripened age of twenty-three after being recruited out of USC film school, Gray's inaugural film is a mixture of the highly personal (reflecting his own mother's terminal brain cancer, father's temper, and family's Slavic Jewish émigré origins) with trappings of the crime genre (hitman with ice cold blood in his veins returns to the one place he promised never to return, viz. New York City, i.e. Brooklyn's Brighton Beach a.k.a. Little Odessa), each and together building to a profoundly unhappy ending.   Thanks to Brit producer Paul Webster who recruited Gray for this first film, Gray was able to bring on Tim Roth fresh from his acclaimed performance in Reservoir Dogs who was able to attract Edward Furlong, Vanessa Redgrave, Maximilian Schell, and Moira Kelly. Gray and team worked around losing a week to a record-setting blizzard in NYC, some days with only four hours to shoot, to create this two-hander crime+family (but not “crime family”) drama with the dominant hand played by Roth as the older brother hitman and other hand by Furlong as the younger brother under his father's thumb and regularly truant from school. Redgrave and Schell play their parents. Kelly, two years removed from The Cutting Edge and Fire Walk with Me, plays Roth's love interest. And fewer of these characters will be alive by the end of this film than you might expect outside of a Greek tragedy.   This week, additional research by Ken who watched the film within the film (Vengeance Valley, 1951), Ryan who explored Jewish funeral rites, and Thomas who on mic clarifies the actual size of Little Odessa.  Oh, and in a callback to the preceding Season 15, there are some satisfyingly strong squibs.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

De «Reservoir Dogs» aux «8 Salopards», il a révolutionné le cinéma américain avec son style unique - fait de violence esthétisée et de dialogues percutants. Sa légende est désormais imprimée dans le marbre hollywoodien : celle d'un gamin fauché, qui vendait des cassettes VHS dans un vidéoclub californien, devenu en deux films le roi du cinéma américain indépendant. Avec le scénariste et critique Laurent Vachaud, nous consacrons cette émission à Quentin Tarantino à l‘occasion du cycle que lui consacrera Arte : cinq films (« Reservoir Dogs », « Kill Bill » vol. 1 et 2., « Jackie Brown » et « Boulevard de la mort ») et deux documentaires disponibles sur Arte.TV et Youtube jusqu'en septembre 2025. [Rediffusion de l'émission du 28 juin 2025]

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Charlie Sheen with a mullet, going undercover in the world of biker gangs led by Michael Madsen? Sign us up!DISCLAIMER: Language and Spoilers!BEYOND THE LAWdir. Larry Fergusonstarring: Charlie Sheen; Linda Fiorentino; Michael Madsen

This month on 80s Kids Unite, The Night Boyz discuss their most memorable school dances! Get ready to do the “Roger Rabbit” and groove to this months episode! Wayne, Corey, and Zak reminisce on going to school dances in middle and high school. Dressing up like “Mr. Blonde” from Reservoir Dogs, eating square pizza, & Sadies Hawkins will be discussed. And yes, at least one "Night Boy” had a traumatic experience. It would be 80s Kids Unite without trauma! Enjoy! Special shoutout to Patreon member Corey for the suggestion! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Buy the 80s Kids Unite t-shirt here! Bodhi's new YouTube channel "Bedrockpros” is now LIVE! Subscribe to the channel ⁠here⁠. Content coming soon! Check out Wayne's podcast, Flip City Podcast here and follow Flip City on instagram here! Diallo's links can all be found here! 80s Kids Unite is a monthly Podcasting After Dark / Two Dollar Late Fee / TV Obscura / Territory Marks crossover show powered by our Patreon members! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Instagram: @territorymarks Subscribe to our YouTube 80s Kids Unite logo by VideoForce Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) You can watch the entire interview on our YouTube channel here. Don't forget to like & subscribe!You can listen & NOW watch on Spotify here. Don't forget to like & subscribe! Learn more about your ad choices. Visit megaphone.fm/adchoices

This month on 80s Kids Unite, The Night Boyz discuss their most memorable school dances! Get ready to do the “Roger Rabbit” and groove to this months episode! Wayne, Corey, and Zak reminisce on going to school dances in middle and high school. Dressing up like “Mr. Blonde” from Reservoir Dogs, eating square pizza, & Sadies Hawkins will be discussed. And yes, at least one "Night Boy” had a traumatic experience. It would be 80s Kids Unite without trauma! Enjoy! Special shoutout to Patreon member Corey for the suggestion! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Buy the 80s Kids Unite t-shirt here! Bodhi's new YouTube channel "Bedrockpros” is now LIVE! Subscribe to the channel ⁠here⁠. Content coming soon! Check out Wayne's podcast, Flip City Podcast here and follow Flip City on instagram here! Diallo's links can all be found here! 80s Kids Unite is a monthly Podcasting After Dark / Two Dollar Late Fee / TV Obscura / Territory Marks crossover show powered by our Patreon members! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Instagram: @territorymarks Subscribe to our YouTube 80s Kids Unite logo by VideoForce Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) You can watch the entire interview on our YouTube channel here. Don't forget to like & subscribe!You can listen & NOW watch on Spotify here. Don't forget to like & subscribe! Learn more about your ad choices. Visit megaphone.fm/adchoices

In our latest tribute, Janet, John, (and Pen) celebrate the life and career extremely talented and iconic actor... Michael Madsen! Born in Chicago to a filmmaking and author mother and a veteran/firefighting father, this actor went against the grain during his rather chaotic upbringing and got his start in theater. Specifically with the Steppenwolf Theatre Company as John Malkovich's apprentice. His first noteworthy role being that of a small role in the science fiction film, WarGames. After that he continued acting in small roles for films and television shows until he eventually launched his career by playing Bump Bailey in The Natural (1984). He then went onto to starring in Quentin Taratino's directoral debut film, Reservoir Dogs, as Mr. Blonde. A role that quickly changed his status from actor to cultural icon. He later starred and worked in many films such as, Species (1995), The Getaway (1994), and Donnie Brasco (1997), Kill Bill Vol. 1  (2003) and 2 (2004), Sin City (2005), and many more. He also went onto winning a couple of awards, one being the New York International Independent Film & Video Festival for Best Actor for his role in Strength and Honor (2007) in 2008.    To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!  

Send us a textOn this episode, (#150) Tom and Bert discuss and then select their Favorite Mafia, Gangster Movies of all time. We cover many of the Classics as far back the 1930's and up to the 2020's.The Genre of the Gangster movies is our favorite to cover because of the rewatchable factors. These are movies where you can tune in at any point and watch the balance of these movies. Lot's of Action and Mayhem!These also have a "Who's Who" list of outstanding award winning Directors and Famous Actors that make these movies memorable. The names that come to mind are Directors such as Martin Scorcese, "Goodfellas", "Casino", "The Departed" . Francis Ford Coppola, "The Godfather" Trilogy and Quentin Tarantino, "Reservoir Dogs", "Pulp Fiction" .The Actors that come to mind are Robert DeNiro, Al Pacino, Joe Pesci, Marlon Brando, James Cagney, Edward G Robinson, Samuel L Jackson and Denzel Washington  to name a few.Listen in and see what favorites of yours we selected to talk about and we get to tell you our Top 7 Movies that we enjoyed the most thru the decades.CHAPTERS:(1:06) Intro- The rise of the Mob Movies (3:37) We start the list in no particular order with "Casino" (1995)(11:10) "The Usual Suspects" (1995) plus others(18:12) "Scarface" (1932) one of our oldest movies(26:01) "On the Waterfront" (1954) Top of the class acting plus many others(35:02) "The Godfather" (1972) another all time classic and many others(52:21) "Nobody" (2021) and finally ......our Top 7 and It's a Wrap!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

Nathan and Ryan dive into City on Fire (1987), Ringo Lam's explosive Hong Kong crime classic starring Chow Yun-fat as an undercover cop caught between loyalty and survival. The hosts unpack the film's gritty style, tense undercover drama, and its influence on later action cinema—especially its undeniable fingerprints on Reservoir Dogs. From its sweaty, neon-lit shootouts to its tragic emotional core, the guys explore why City on Fire stands tall as one of the defining heroic-bloodshed films of the era and how it fits into the wild world of '80s Hong Kong genre filmmaking.

This week Dr. Syintist, Chump Slap, and Poppascotch watched a video game movie about a hidden gem called Reservoir Dogs. It was good. Come hear us talk about it! 

St. Louis-based writer Daniel Blake Smith turned his 2018 novel “Mr. Wonderful” into a feature film starring the late Michael Madsen of “Reservoir Dogs” and “Kill Bill” fame. Ahead of its St. Louis premiere at the St. Louis International Film Festival on Tuesday, Smith talks with St. Louis Public Radio's Chad Davis about the film, its personal roots and Madsen's legacy.

The new film “Mr. Wonderful” makes its St. Louis premiere on Tuesday at the St. Louis International Film Festival. It's the work of St. Louis-based writer Daniel Blake Smith, who adapted the screenplay from his 2018 novel of the same name. St. Louis Public Radio's Chad Davis spoke with Smith about the film. It features the late Michael Madsen, of Reservoir Dogs and Kill Bill fame, in one of his final leading roles, playing a fictionalized version of Smith.

A new week means new questions! Hope you have fun with these!Including half-siblings, how many U.S. Presidents have been an only child?What is mixed with chocolate to make a ganache?Which chemical element, under standard conditions, is the least dense metal and the least dense solid element?I can hear it now! What song by Stealers Wheel, originally released in 1972, was made ‘infamous' in Quentin Tarantino's Reservoir Dogs?Our eyes can detect more shades of which color than any other?The first novel to ever mention a dinosaur was Bleak House in 1853 by which Victorian Author?What is the only franchise to win the Oscar for Best Animation twice?The largest asteroid in the solar system is which Dwarf planet?What is the capital of Turkey?On the Golden Girls, which golden girl was a year younger than her TV daughter in real life?Name either the men's or women's single open champion from 2025?King Edward the first bestowed what title on his son in 1301, beginning the tradition of giving the title to the heir apparent?Which cat is the biggest of the big cats, growing much longer than its parent species.MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

The Composite Two-Star Recruits podcast returns to take on a slew of questions in a mailbag episode. The discuss the 2027 class, mob movies, impact from the 2026 class and more. TIME STAMPS (0:00) Attack the Mailbag (04:54) Cold Open (Fall Camp Offense) (20:59) Walter Matthews Switch?  (47:04) Fall Camp Defense (01:21:34) USC's 2027 Class (01:56:36) Reservoir Dogs (01:59:53) USC Parents (02:11:27) Throwback I.E. Rivalries (02:29:55) Elite 2027 RBs (02:43:03) Tom Tom vs. Gorilla  (02:57:31) Jayden Maiava Thoughts  (03:09:00) American Gangster  (03:20:18) Our Most Eloquent Email? (03:45:02) USC and UFC?  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

MUSIC The 40th anniversary of Live Aid is this Sunday. And if you want to relive that moment in music history, the official YouTube channel will be celebrating with over 10 hours of footage. A four-part documentary called "Live Aid: When Rock 'n' Roll Took on the World" will also premiere on CNN on Sunday night. But don't expect to see Led Zeppelin there. Oasis will release a nine-CD or 14-LP box set called Oasis: Complete Studio Album Collection on August 22nd. It includes all seven of their studio albums and the B-sides compilation The MasterplanThe Offspring have launched a new sneaker with Vans inspired by their Smash album. They'll be giving away two pairs of the sneakers at each show on their tour with Jimmy Eat World and New Found Glory, which starts Friday in West Palm Beach, Florida. Joe Jonas shared on TikTok that a fan approached him on the street and said that she and her friends were just talking about how TINY his nipples are. In the video, Joe looks down at his chest and says, quote, "I think they're quite average-sized nipples." He added in the caption, quote, "Mind you I was feeling decently confident before this." Olivia Rodrigo paid for all her band and crew to have therapy on her world tour. “And considering a world tour consists of late nights, long days, endless travel, being away from home, jet lag, and the adrenaline of performing in front of thousands of people before the post-show crash, I can only imagine how beneficial this would have been.” The cause of Michael Madsen's death has been revealed. The Kill Bill and Reservoir Dogs actor passed away on Thursday (July 3) at his home in Malibu, California. He was pronounced dead at the scene, and no foul play was suspected."The Devil Wears Prada 2" has added Lucy Liu, Justin Theroux, B.J. Novak, and Timothée Chalamet's sister Pauline to its cast. They will appear alongside the original film's stars, Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci. Disney's 20th Century Studios is backing the sequel, which is currently in production and set to open theatrically on May 1, 2026. AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

RIP Michael Madsen.  He was a great guest over the years.  In this explosive full episode of Opie's old Radio Show, Hollywood legend Michael Madsen joins comedians Jim Norton, Mark Normand, Adam Pally, and Cheech Marin for a no-holds-barred conversation. Madsen dives deep into his Chicago upbringing, from running a car chop shop in his mom's garage and breaking into a liquor store with Chris Penn to sliding down a fire pole with his firefighter dad. He shares raw, hilarious stories from his iconic roles in Quentin Tarantino's Reservoir Dogs, The Hateful Eight, and Kill Bill, plus surreal run-ins with Marlon Brando, Michael Jackson, and a wild Lawrence Tierney.  Packed with gritty humor, heartfelt family reflections, and unfiltered Hollywood truths, this episode is a rollercoaster of epic anecdotes.