Podcasts about Reservoir Dogs

Épisode sur Les Enragés (Reservoir Dogs) sorti en 1992 et réalisé par Quentin Tarrantino. Rendez-vous sur le site du podcast PREMIERVISIONNEMENT.COM pour accéder facilement à toutes les autres rétrospectives couvertes par le podcast. Liens du podcast: Playlist Officiel sur Spotify: https://open.spotify.com/playlist/43WS0oy4ytOVjE4mxGq1mf?si=0dba5df83ecf4b42 feed rss: https://anchor.fm/s/590d508/podcast/rss Facebook: https://www.facebook.com/premiervisionnement/ Twitter: @visionnement Le podcast est disponible sur la plupart des distributeurs de balado-diffusion. Bonne écoute!

-Blood Bowl!Mojo World: Quentin Tarantino!"Parker"Once upon a time in Hollywood, Jacky Brown, DeathproofAaronPulp Fiction, Reservoir Dogs, Kill Bill 1Brandon Inglorious Bastards, Django Unchained, The Hateful Eight

This week call us Mr. Blue and Mr. Green because today we are talking about Quentin Taratino's first movie Reservoir Dogs. Is this the perfect film to watch in High School/College? Or does watching it for the first time now still leave an imprint on you. Let find out!  

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

“When does a career‑defining honor turn into a full‑blown celebrity meltdown?”That's the question hanging in the air during this can't‑miss episode of The Ben and Skin Show, as Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray tumble headfirst into music history, birthday chaos, and one of the ugliest entertainment industry dust‑ups in recent memory.The 2026 Songwriters Hall of Fame class is revealed, and Taylor Swift becomes the youngest woman ever inducted into the Songwriters Hall of Fame at 36, prompting genuine admiration from the crew — until real‑world drama crashes the party.What should be a celebratory moment quickly becomes complicated as the guys unpack leaked text messages and the ongoing Blake Lively / Justin Baldoni / Ryan Reynolds situation, with Taylor suddenly caught in the crossfire. Skin sums up the entire mess with brutal clarity:“It's Reservoir Dogs — everyone's pointing a gun at each other.”

Send us a textLITTLE ODESSA (1994) A new season (Season 16) in a new year (2026 CE), and The Good, The Pod, and The Ugly returns to its roots with its unpatented temporal pincer movement covering the directorial filmography of American auteur James Gray. And in keeping with this homecoming, we begin our Touch of Gray Season with the Gen X filmmaker's first feature endeavor LITTLE ODESSA (1994).  Made at the unripened age of twenty-three after being recruited out of USC film school, Gray's inaugural film is a mixture of the highly personal (reflecting his own mother's terminal brain cancer, father's temper, and family's Slavic Jewish émigré origins) with trappings of the crime genre (hitman with ice cold blood in his veins returns to the one place he promised never to return, viz. New York City, i.e. Brooklyn's Brighton Beach a.k.a. Little Odessa), each and together building to a profoundly unhappy ending.   Thanks to Brit producer Paul Webster who recruited Gray for this first film, Gray was able to bring on Tim Roth fresh from his acclaimed performance in Reservoir Dogs who was able to attract Edward Furlong, Vanessa Redgrave, Maximilian Schell, and Moira Kelly. Gray and team worked around losing a week to a record-setting blizzard in NYC, some days with only four hours to shoot, to create this two-hander crime+family (but not “crime family”) drama with the dominant hand played by Roth as the older brother hitman and other hand by Furlong as the younger brother under his father's thumb and regularly truant from school. Redgrave and Schell play their parents. Kelly, two years removed from The Cutting Edge and Fire Walk with Me, plays Roth's love interest. And fewer of these characters will be alive by the end of this film than you might expect outside of a Greek tragedy.   This week, additional research by Ken who watched the film within the film (Vengeance Valley, 1951), Ryan who explored Jewish funeral rites, and Thomas who on mic clarifies the actual size of Little Odessa.  Oh, and in a callback to the preceding Season 15, there are some satisfyingly strong squibs.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

De «Reservoir Dogs» aux «8 Salopards», il a révolutionné le cinéma américain avec son style unique - fait de violence esthétisée et de dialogues percutants. Sa légende est désormais imprimée dans le marbre hollywoodien : celle d'un gamin fauché, qui vendait des cassettes VHS dans un vidéoclub californien, devenu en deux films le roi du cinéma américain indépendant. Avec le scénariste et critique Laurent Vachaud, nous consacrons cette émission à Quentin Tarantino à l‘occasion du cycle que lui consacrera Arte : cinq films (« Reservoir Dogs », « Kill Bill » vol. 1 et 2., « Jackie Brown » et « Boulevard de la mort ») et deux documentaires disponibles sur Arte.TV et Youtube jusqu'en septembre 2025. [Rediffusion de l'émission du 28 juin 2025]

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Charlie Sheen with a mullet, going undercover in the world of biker gangs led by Michael Madsen? Sign us up!DISCLAIMER: Language and Spoilers!BEYOND THE LAWdir. Larry Fergusonstarring: Charlie Sheen; Linda Fiorentino; Michael Madsen

This month on 80s Kids Unite, The Night Boyz discuss their most memorable school dances! Get ready to do the “Roger Rabbit” and groove to this months episode! Wayne, Corey, and Zak reminisce on going to school dances in middle and high school. Dressing up like “Mr. Blonde” from Reservoir Dogs, eating square pizza, & Sadies Hawkins will be discussed. And yes, at least one "Night Boy” had a traumatic experience. It would be 80s Kids Unite without trauma! Enjoy! Special shoutout to Patreon member Corey for the suggestion! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Buy the 80s Kids Unite t-shirt here! Bodhi's new YouTube channel "Bedrockpros” is now LIVE! Subscribe to the channel ⁠here⁠. Content coming soon! Check out Wayne's podcast, Flip City Podcast here and follow Flip City on instagram here! Diallo's links can all be found here! 80s Kids Unite is a monthly Podcasting After Dark / Two Dollar Late Fee / TV Obscura / Territory Marks crossover show powered by our Patreon members! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Instagram: @territorymarks Subscribe to our YouTube 80s Kids Unite logo by VideoForce Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) You can watch the entire interview on our YouTube channel here. Don't forget to like & subscribe!You can listen & NOW watch on Spotify here. Don't forget to like & subscribe! Learn more about your ad choices. Visit megaphone.fm/adchoices

This month on 80s Kids Unite, The Night Boyz discuss their most memorable school dances! Get ready to do the “Roger Rabbit” and groove to this months episode! Wayne, Corey, and Zak reminisce on going to school dances in middle and high school. Dressing up like “Mr. Blonde” from Reservoir Dogs, eating square pizza, & Sadies Hawkins will be discussed. And yes, at least one "Night Boy” had a traumatic experience. It would be 80s Kids Unite without trauma! Enjoy! Special shoutout to Patreon member Corey for the suggestion! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Buy the 80s Kids Unite t-shirt here! Bodhi's new YouTube channel "Bedrockpros” is now LIVE! Subscribe to the channel ⁠here⁠. Content coming soon! Check out Wayne's podcast, Flip City Podcast here and follow Flip City on instagram here! Diallo's links can all be found here! 80s Kids Unite is a monthly Podcasting After Dark / Two Dollar Late Fee / TV Obscura / Territory Marks crossover show powered by our Patreon members! If you would like to suggest a topic for us to discuss then head on over to either Patreon page and sign up at any tier: Podcasting After Dark Patreon and Two Dollar Late Fee's Patreon Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Instagram: @territorymarks Subscribe to our YouTube 80s Kids Unite logo by VideoForce Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) You can watch the entire interview on our YouTube channel here. Don't forget to like & subscribe!You can listen & NOW watch on Spotify here. Don't forget to like & subscribe! Learn more about your ad choices. Visit megaphone.fm/adchoices

In our latest tribute, Janet, John, (and Pen) celebrate the life and career extremely talented and iconic actor... Michael Madsen! Born in Chicago to a filmmaking and author mother and a veteran/firefighting father, this actor went against the grain during his rather chaotic upbringing and got his start in theater. Specifically with the Steppenwolf Theatre Company as John Malkovich's apprentice. His first noteworthy role being that of a small role in the science fiction film, WarGames. After that he continued acting in small roles for films and television shows until he eventually launched his career by playing Bump Bailey in The Natural (1984). He then went onto to starring in Quentin Taratino's directoral debut film, Reservoir Dogs, as Mr. Blonde. A role that quickly changed his status from actor to cultural icon. He later starred and worked in many films such as, Species (1995), The Getaway (1994), and Donnie Brasco (1997), Kill Bill Vol. 1  (2003) and 2 (2004), Sin City (2005), and many more. He also went onto winning a couple of awards, one being the New York International Independent Film & Video Festival for Best Actor for his role in Strength and Honor (2007) in 2008.    To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!  

Send us a textOn this episode, (#150) Tom and Bert discuss and then select their Favorite Mafia, Gangster Movies of all time. We cover many of the Classics as far back the 1930's and up to the 2020's.The Genre of the Gangster movies is our favorite to cover because of the rewatchable factors. These are movies where you can tune in at any point and watch the balance of these movies. Lot's of Action and Mayhem!These also have a "Who's Who" list of outstanding award winning Directors and Famous Actors that make these movies memorable. The names that come to mind are Directors such as Martin Scorcese, "Goodfellas", "Casino", "The Departed" . Francis Ford Coppola, "The Godfather" Trilogy and Quentin Tarantino, "Reservoir Dogs", "Pulp Fiction" .The Actors that come to mind are Robert DeNiro, Al Pacino, Joe Pesci, Marlon Brando, James Cagney, Edward G Robinson, Samuel L Jackson and Denzel Washington  to name a few.Listen in and see what favorites of yours we selected to talk about and we get to tell you our Top 7 Movies that we enjoyed the most thru the decades.CHAPTERS:(1:06) Intro- The rise of the Mob Movies (3:37) We start the list in no particular order with "Casino" (1995)(11:10) "The Usual Suspects" (1995) plus others(18:12) "Scarface" (1932) one of our oldest movies(26:01) "On the Waterfront" (1954) Top of the class acting plus many others(35:02) "The Godfather" (1972) another all time classic and many others(52:21) "Nobody" (2021) and finally ......our Top 7 and It's a Wrap!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

Nathan and Ryan dive into City on Fire (1987), Ringo Lam's explosive Hong Kong crime classic starring Chow Yun-fat as an undercover cop caught between loyalty and survival. The hosts unpack the film's gritty style, tense undercover drama, and its influence on later action cinema—especially its undeniable fingerprints on Reservoir Dogs. From its sweaty, neon-lit shootouts to its tragic emotional core, the guys explore why City on Fire stands tall as one of the defining heroic-bloodshed films of the era and how it fits into the wild world of '80s Hong Kong genre filmmaking.

-1992!Mojo World: Movies from 1992!AaronMy cousin Vinny, Aladdin, The Cutting EdgeCJDracula, Muppet Christmas Carol, EncinomanBrandonArmy of Darkness, Reservoir Dogs, Batman Returns

This week Dr. Syintist, Chump Slap, and Poppascotch watched a video game movie about a hidden gem called Reservoir Dogs. It was good. Come hear us talk about it! 

Esperpentos Tarantinianos que cinematográficamente pueden gustar, pero que plasmados en una cancha de baloncesto pues nada más lejos de la realidad. Y si encima los protagonistas son los nuestros pues apaga y vámonos, para pillar la claqueta y gritar: corten!! Y ahí ya dejamos cualquier opción posible a la hora de cortar. La primera cabeza fue la de Bruno Fernando, pero bien podría ser alguna que otra más visible o importante en el banquillo. Paciencia sí, pero lo que comenzaba como temporada ilusionante se está torciendo de mala manera y ¿Que puede acabar muy bien? pues también lo sabemos, pero esto no arranca y las sensaciones a día de hoy son muy malas. Tras la victoria en el clásico en Euroliga precedido de otra de prestigio si bien el Fenerbahce no estaba en su mejor momento, han venido dos derrotas más en Euroliga a cada cual peor (cierto que contra dos buenos equipos y plantillas) cuando no contábamos que se fuese a caer el equipo de tremenda manera. Incapaces en 20 min de remontar 7 pts en Valencia e ídem en casa al descanso perdiendo de 14 contra Panathinaikos. A poco sabe la victoria en casa contra Bilbao Basket que precisamente costó más de la cuenta también yendo perdiendo al descanso por 4 pts y con ya más pitos que silencio en las gradas de nuestro Palacio. Que pase esto rápido, dos partidos que deberían ser victorias esta semana. La primera en euroliga contra un equipo que ha empezado muy bien la temporada y ya nos ganó el año pasado aquí, Zalgiris. Y visita a Granada que debería ser innegociable pero ya no nos fiamos. Después un partido difícil contra el hasta ahora líder de la competición continental antes de parón por las ventanas clasificatorias para el mundial.

With the release of Chainsaw Man The Movie: Reze Arc, once again we're reminded just how bizarre and gruesome this series can be! In this podcast episode, we explore the influences behind the creation of Chainsaw Man, as well as its impact on anime as a whole.

paypal.me/LibroTobias ko-fi.com/asier24969 Continuamos el recorrido por la filmografía de Quentin Tarantino. Tras dos obras maestras como “Reservoir Dogs” y “Pulp Fiction”, Quentin Tarantino se enfrentaba en 1997 al reto de rodar su tercera película y para ello decidió adaptar al cine la novela de 1992 de Elmore Leonard, “Rum Punch” y rendirle homenaje al cine Blaxploitation de los setenta mediante esta obra maestra rotunda titulada “Jackie Brown”. Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Interview with THE NAKED GUN Costume Designer BETSY HEIMANN This week, we have an amazing interview with costume designer Betsy Heimann. She has worked on incredible films such as Almost Famous, Pulp Fiction, Reservoir Dogs, and Heretic! We had an amazing time getting to know her and her process and we hope you all enjoy! You can follow her on Instagram! @betsyheimann You can follow us on Instagram! Sebastian: @sebby.mp4 /// instagram.com/sebby.mp4/ Katelyn: @katelyn.mp4 /// instagram.com/katelyn.mp4/ TikTok: @ThatFilmCouple /// tiktok.com/@thatfilmcouple Twitch: @SebasParra1K /// https://www.twitch.tv/sebasparra1k Vlog Channel: @ThatFilmCouple /// https://www.youtube.com/@ThatFilmCouple Support our Podcast! Instagram: @andcutthepodcast /// instagram.com/andcutthepodcast/ https://linktr.ee/andcutpodcast Available on Spotify, Apple, Google Podcast, and most other audio platforms!

St. Louis-based writer Daniel Blake Smith turned his 2018 novel “Mr. Wonderful” into a feature film starring the late Michael Madsen of “Reservoir Dogs” and “Kill Bill” fame. Ahead of its St. Louis premiere at the St. Louis International Film Festival on Tuesday, Smith talks with St. Louis Public Radio's Chad Davis about the film, its personal roots and Madsen's legacy.

The new film “Mr. Wonderful” makes its St. Louis premiere on Tuesday at the St. Louis International Film Festival. It's the work of St. Louis-based writer Daniel Blake Smith, who adapted the screenplay from his 2018 novel of the same name. St. Louis Public Radio's Chad Davis spoke with Smith about the film. It features the late Michael Madsen, of Reservoir Dogs and Kill Bill fame, in one of his final leading roles, playing a fictionalized version of Smith.

In this episode Mike, Rich, Steve and Amanda tackle seven new releases, including two Scott Adkins movies! As usual, click the links to see a trailer for each film. We kick off with the WW2 set PRISONER OF WAR (Kaleidoscope Home Entertainment) in which Scott Adkins is shot down over the Philippiines, captured by the Japanese and forced to fight for the commandant's entertainment. Scott's co-star in the Debt Collector films, Louis Mandylor, directs! A BREED APART (Signature Entertainment) sees a bunch of influences invited to a tropical island to help rescue some feral dogs. Its as dumb as it sounds, but is it entertaining? BONEFACE (High Fliers Films) takes the usual summer camp slasher scenario and turns it into a murder whodunnit... DEVIL IN THE DUST (Signature Entertainment) finds Guy Pearce having to help a mother and daughter trek across the old west to find a faith healer for the daughter, who may be possessed or a carrier for a deadly contagion... SCURRY (Signature Entertainment) is set during an alien invasion of sorts and focuses on two people trapped in underground tunnels... THE DROWNED (Vertigo Releasing) takes the premise of Reservoir Dogs and adds a supernatural element to it... DIABLO (Signature Entertainment) is our second Scott Adkins film, here teaming up with the awesome Marko Zaror and director Ernesto Díaz Espinoza for some mayhem in Colombia! Our Short Shot is FIRST SIGHT, a futuristic dating story with a dark twist. Click the link to see the whole 20 minute short! Our DTV Throwback is DOLLMAN VS DEMONIC TOYS - possibly the most cynical cash-in ever conceived. You can see it on Amazon Prime and other platforms.   Follow the Short Shots  on X where you will find hundreds of links to awesome short films! Don't forget to also check out our main show, the DTV DIGEST on X and FACEBOOK! We are also now on Bluesky! Follow us here: @thedtvdigest.bsky.social and @dtvshortshots.bsky.social  

Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A new week means new questions! Hope you have fun with these!Including half-siblings, how many U.S. Presidents have been an only child?What is mixed with chocolate to make a ganache?Which chemical element, under standard conditions, is the least dense metal and the least dense solid element?I can hear it now! What song by Stealers Wheel, originally released in 1972, was made ‘infamous' in Quentin Tarantino's Reservoir Dogs?Our eyes can detect more shades of which color than any other?The first novel to ever mention a dinosaur was Bleak House in 1853 by which Victorian Author?What is the only franchise to win the Oscar for Best Animation twice?The largest asteroid in the solar system is which Dwarf planet?What is the capital of Turkey?On the Golden Girls, which golden girl was a year younger than her TV daughter in real life?Name either the men's or women's single open champion from 2025?King Edward the first bestowed what title on his son in 1301, beginning the tradition of giving the title to the heir apparent?Which cat is the biggest of the big cats, growing much longer than its parent species.MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

The Unipiper noted that this movie begins like "Stand by Me," but ends up like "Reservoir Dogs." While not exactly right, he's not far off describing this 2000 movie with some legitimately shocking twists and compelling turns. But because this is a movie made around Portland (Vernonia, to be exact), it falls short of being an actual good movie. Find out why on this month's episode.

WIGGLE YOUR BIG TOE!! Kill Bill Volume 1 Full Movie Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With the 10th Film from Quentin Tarantino still a mystery & The Whole Bloody Affair cut playing in Tarantino's own theatre, Tara & Aaron RETURN to give their Kill Bill Volume 1 Reaction, Recap, Commentary, Analysis, & Spoiler Review! Tara Erickson and Aaron Alexander dive into Quentin Tarantino's Kill Bill Vol. 1 (2003), the first half of the legendary kung fu revenge saga that blends martial arts spectacle, grindhouse energy, and anime-inspired sequences into one of cinema's most iconic films. Written and directed by Quentin Tarantino (Pulp Fiction, Reservoir Dogs), the film stars Uma Thurman (Pulp Fiction, Batman & Robin) as The Bride / Beatrix Kiddo, a former assassin who awakens from a four-year coma and sets out on a bloody quest for vengeance against her former colleagues in the Deadly Viper Assassination Squad. The cast includes Lucy Liu (Charlie's Angels, Kill Bill Vol. 2) as O-Ren Ishii, the Yakuza leader whose epic duel with The Bride in the snowy garden has become one of the most famous sword fights in cinema history; Vivica A. Fox (Independence Day, Set It Off) as Vernita Green; Daryl Hannah (Blade Runner, Splash) as the ruthless Elle Driver; and Michael Madsen (Reservoir Dogs, Donnie Brasco) as Budd. The film also stars David Carradine (Kung Fu, Bound for Glory) as the mysterious Bill, whose shadow looms over the entire narrative. From the unforgettable “Crazy 88” showdown at the House of Blue Leaves to the stylish black-and-white anime origin of O-Ren Ishii, Kill Bill Vol. 1 is loaded with legendary sequences, hyper-stylized violence, and Tarantino's trademark genre-mashing storytelling. As The Bride crosses the first names off her death list, the stage is set for even bloodier confrontations in Vol. 2. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with two-time Academy Award-nominated producer Stacey Sher, the creative force behind some of Hollywood's most unconventional and influential films. From executive producing Pulp Fiction to producing Django Unchained, Out of Sight, Erin Brockovich, Get Shorty, Reality Bites, Man on the Moon, and The Hateful Eight, Stacey has built a career through her collaborations with visionary directors like Quentin Tarantino, Steven Soderbergh, and Danny DeVito. Her work demonstrates exceptional taste and the rare ability to bridge indie passion projects with mainstream success.Lessons from a Family Crisis (09:12) Stacey opens up about her personal life during her early career, how it informed her storytelling choices, and the impact it had on her perspective of Hollywood hierarchy and loyalty.Finding Great Material Through Unconventional Methods (16:03) Stacey reveals her mentor Lynda Obst's genius strategy of scouring "Filming in the Future" columns to identify scripts with great cast attachments, which led her to discover Reservoir Dogs and meet Quentin Tarantino.Warren Beatty's Career-Defining Question (27:44) At age 26, Warren Beatty asked Stacey what kind of movies she wanted to make, leading to his profound advice: "Do you want to have various children or marry various men? Because that's the same commitment you need to have to the movies that you make."The Birth of Jersey Films and Creative Freedom (28:15) How Stacey became a founding partner with Danny DeVito and Michael Shamberg, using their discretionary fund to make blind deals with emerging talent like Quentin Tarantino before he'd directed a single frame.Hollywood's Most Beloved Collaborators (35:11) Stacey shares insights on working with industry legends: Stephen Soderbergh, Julia Roberts, George Clooney, John Travolta's generosity, and Hillary Swank's determination to use her Oscar win to get Freedom Writers made.Django Unchained and Controversial Testing (41:03) Stacey shares the remarkable story of how Django Unchained tested similarly across demographic groups, including a screening in the Deep South.Stacey demonstrates how authentic relationships, unwavering taste, and commitment to meaningful stories can create a lasting impact on cinema and culture.Host: Kevin GoetzGuest: Stacey SherProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Stacey Sher:Wikipedia: https://en.wikipedia.org/wiki/Stacey_SherIMDB: https://www.imdb.com/name/nm0792049/X: https://x.com/staceysher?lang=enFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

A lot of the story of Quentin Tarantino's debut movie, Reservoir Dogs, is very well known. The tale of a man working in a video store writing scripts, and becoming Hollywood's hottest filmmaker in a matter of years. But still: there are also tales of sticky blood. Of casting fly-bys. And of a ban that actually was nothing of the sort. The second film story in this episode? The DIVX disc, a format that launched pretty much alongside DVD, with Disney, Fox, Paramount and Universal all backing it. So what happened, and why did it end up being listed as one of the worst consumer product launches of all time? Tales are told in this very episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we welcome Dale Sherman, author of The Quentin Tarantino FAQ, who takes us deep into the life and career of one of cinema's most unconventional directors. Known first for his books on rock legends like Kiss and Alice Cooper, Dale turned his focus to Tarantino, exploring how a high school dropout and video store clerk rose to redefine independent film. From Tarantino's abandoned first attempt at filmmaking, My Best Friend's Birthday, to the unexpected breakthrough of Reservoir Dogs, Dale reveals how persistence, vision, and timing shaped the director's path and changed Hollywood forever. Dale also dives into the evolution of Tarantino's storytelling—his nonlinear structures, pop culture-laced dialogue, and signature use of music—while addressing the controversies surrounding violence and language in his films. Drawing on extensive research, Dale offers filmmakers and film lovers alike a rare, behind-the-scenes look at how Tarantino developed his craft and navigated criticism without losing his voice. This conversation is not just a biography but a blueprint for understanding how passion and originality can transform the art of filmmaking.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Michael Madsen portrayed Mr. Blonde in Reservoir Dogs. Who went on to play Mr. Blonde's brother in a later film?   Play. Share. Listen with Actress, Danica McKellar.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On January 25, 2022, Michael Madsen — the gravel-voiced actor synonymous with tough-guy roles in Quentin Tarantino films — suffered a devastating personal tragedy when his son, Hudson, died by suicide in Hawaii. Madsen, whose own career has spanned more than four decades, has long been a fixture of Hollywood's gritty underbelly, with iconic turns in Reservoir Dogs, Kill Bill, and Donnie Brasco. Known for his menacing screen presence, poetic writings, and troubled off-screen life, Madsen has become both a cult figure and a cautionary tale in the entertainment industry. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 1536: Reservoir Dogs

Episode 1536: Reservoir Dogs

This week on Aug-Heist: The Getaway, director Quentin Tarantino brings us his debut outing, Reservoir Dogs! As a video-store clerk turned first-time filmmaker, he directed, wrote, and appeared in this indie hit, which took Sundance by storm as part of the “Class of ‘92.” The film follows six suited, code-named strangers - including Harvey Keitel, Michael Madsen, Steve Buscemi, Tim Roth, and Tarantino himself - brought together for a jewelry heist. While the film never shows the actual heist, the lead-up and aftermath are explored in bloody detail, as the Dogs turn on each other when the job goes south. Boasting all of his directorial hallmarks - graphic violence, extended dialogue featuring profanity and references to popular culture, and epic needledrops (here in the form of K-Billy's Super Sounds of the Seventies) - the film immediately established Tarantino as a made man in Hollywood and was later named the greatest independent film of all time by Empire Magazine. But do our hosts feel compelled to tip their server, er, uh, director, or are we listening to the world's smallest violin… in a pitch that only Reservoir Dogs can hear?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Aug-Heist: The Getaway Theme features beats produced by Anabolic Beatz https://www.anabolicbeats.com | Remixed with lyrics and vocals by Jonolobster   Normal Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

Get ready for a nostalgic ride as Deandre Robinson and his wife rank *The Best Movies of 1992*!

Hang out with Shawn (The Butcher) and Vertebrae33 as they dive deep into the film that started it all for Quentin Tarantino.What an iconic film! We dive into the controversy and the impact on this iconic film. Check out our AMAZON Storefront! Get the goods, support the show!https://www.amazon.com/shop/vertebrae33?ref_=cm_sw_r_cp_ud_aipsfshop_KG6FVG5MFX63RJN46YSMBuy our shirts at: https://inmadness.com/Check out our Spotify playlist: https://open.spotify.com/playlist/71IoaCGS364P7ecmfnmcys?si=85fd524664784e3dFollow us on Instagram & Twitter at @inmadnesspod. Email us at: inmadnesspod@gmail.com - On YouTube: https://www.youtube.com/@inmadnesspod Hosted on Acast. See acast.com/privacy for more information.

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! Colton and Andrew weigh in on whether seasons 1 and 2 of 'Andor' ought to be considered the best that 'Star Wars' has offered in a long, long time... 00:00:00 - Intro 00:01:39 - Welcome to the World Baby Nolan! 00:14:06 - Andrew's Totally Embarrassing Dad Joke of the Episode! 00:15:46 - Colton's Fun Fact About 'Andor' 00:24:51 - 'Reservoir Dogs' and 'Kill Bill' Actor Michael Madsen Dead at Age 67 00:29:22 - 'Nip/Tuck' and 'Fantastic Four' Actor Julian McMahon Dead at Age 56 00:32:47 - Ozzy Osbourne, 'Prince of Darkness' Turned Reality TV Star, Dead at Age 76 00:38:58 - Production Begins on 'Dune: Part Three', Will Be Partially Shot Using IMAX Cameras 00:46:12 - Denis Villeneuve to Direct Next 'James Bond' Film 00:55:53 - 'Alien: Earth' Official Trailer 01:02:07 - 'Predator: Badlands' Official Trailer 01:09:16 - 'Andor' (Non-Spoilers and Recommendation) 01:55:24 - 'Andor' (Seasons 1 and 2 Spoilers) 02:47:12 - Catching Up With Colton (Outer Banks Vacation, Vermont Vacation, The Sea of Monsters and The Titan's Curse by Rick O'Riordan, Nintendo Switch 2, 'Predator: Killer of Killers') 02:58:20 - Catching Up With Andrew ('Elio', Magic: The Gathering Final Fantasy, Final Fantasy VII Remake Intergrade, Warbreaker by Brandon Sanderson, 'Jurassic World: Camp Cretaceous', 'Love Island', Feeding Baby Nolan) 03:27:43 - Conclusion/Outro Visit our website! Support us on Patreon! Thank you for listening, and please send any feedback to watchreviewrepeat@gmail.com! Intro/Outro Credit: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The Composite Two-Star Recruits podcast returns to take on a slew of questions in a mailbag episode. The discuss the 2027 class, mob movies, impact from the 2026 class and more. TIME STAMPS (0:00) Attack the Mailbag (04:54) Cold Open (Fall Camp Offense) (20:59) Walter Matthews Switch?  (47:04) Fall Camp Defense (01:21:34) USC's 2027 Class (01:56:36) Reservoir Dogs (01:59:53) USC Parents (02:11:27) Throwback I.E. Rivalries (02:29:55) Elite 2027 RBs (02:43:03) Tom Tom vs. Gorilla  (02:57:31) Jayden Maiava Thoughts  (03:09:00) American Gangster  (03:20:18) Our Most Eloquent Email? (03:45:02) USC and UFC?  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Hang out with Shawn (The Butcher) and Vertebrae33 as they dive deep into the film that started it all for Quentin Tarantino.What an iconic film! Did you hang out in diners and talk like that in the 90's? Look at all of those Tarantino-verse bits.Check out our AMAZON Storefront! Get the goods, support the show!https://www.amazon.com/shop/vertebrae33?ref_=cm_sw_r_cp_ud_aipsfshop_KG6FVG5MFX63RJN46YSMBuy our shirts at: https://inmadness.com/Check out our Spotify playlist: https://open.spotify.com/playlist/71IoaCGS364P7ecmfnmcys?si=85fd524664784e3dFollow us on Instagram & Twitter at @inmadnesspod. Email us at: inmadnesspod@gmail.com - On YouTube: https://www.youtube.com/@inmadnesspod Hosted on Acast. See acast.com/privacy for more information.

In this gripping episode of Industry Standard with Barry Katz, legendary actor Michael Madsen opens up like never before. From almost missing out on his iconic role as Mr. Blonde in Reservoir Dogs to improvising unforgettable moments on set, Madsen shares fascinating behind-the-scenes stories from working with Quentin Tarantino, Harvey Keitel, Jennifer Tilly, and many more. He reflects on how Hollywood typecast him into dark, psychopathic roles, discusses the harsh realities of celebrity life, the politics of Hollywood representation, and the personal toll of fame. Madsen also dives into his unexpected start in acting, his passion for poetry, and the unconventional love story with his wife that changed his life. Packed with humor, brutal honesty, and moving reflections, this is a must-watch for fans of film, acting, and the gritty truths behind Hollywood's glamour. Don't miss this revealing conversation with one of cinema's most magnetic—and misunderstood—talents. Movies Discussed: Reservoir Dogs, The Getaway, Kill Bill, Species, Sin City, Donnie Brasco, Free Willy and more.This episode is released in memory of Michael Madsen, honoring his immense talent, unforgettable screen presence, and contributions to film and art.#michaelmadsen #tartantino #actor #showbusiness Blueprint for Success https://barrykatz.com/blueprint Are you a comedian, actor, writer, director, producer, manager, host, podcaster or agent? Would you like personalized help to reach all of your goals in the entertainment business? Click the link to learn more & join our FREE industry networking group full of decades of experience!Barry Katz Entertainment https://barrykatz.com

This August the New Beverly Cinema pays tribute to actor Michael Madsen, the unforgettable star of Reservoir Dogs and frequent Quentin Tarantino collaborator. We also showcase a series of New Hollywood classics, share animation from Studio Ghibli and Walt Disney Productions, spotlight an exhilarating pair of modern western updates, debut a brand new print of a Norm Macdonald comedy fave, uncover a trio of rarities starring Acquanetta, plus midnights, matinees, and much more – all in glorious 35mm! Brian, Elric and Phil discuss all of it on this new Calendar episode! Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

MUSIC The 40th anniversary of Live Aid is this Sunday. And if you want to relive that moment in music history, the official YouTube channel will be celebrating with over 10 hours of footage. A four-part documentary called "Live Aid: When Rock 'n' Roll Took on the World" will also premiere on CNN on Sunday night. But don't expect to see Led Zeppelin there. Oasis will release a nine-CD or 14-LP box set called Oasis: Complete Studio Album Collection on August 22nd. It includes all seven of their studio albums and the B-sides compilation The MasterplanThe Offspring have launched a new sneaker with Vans inspired by their Smash album. They'll be giving away two pairs of the sneakers at each show on their tour with Jimmy Eat World and New Found Glory, which starts Friday in West Palm Beach, Florida. Joe Jonas shared on TikTok that a fan approached him on the street and said that she and her friends were just talking about how TINY his nipples are. In the video, Joe looks down at his chest and says, quote, "I think they're quite average-sized nipples." He added in the caption, quote, "Mind you I was feeling decently confident before this." Olivia Rodrigo paid for all her band and crew to have therapy on her world tour. “And considering a world tour consists of late nights, long days, endless travel, being away from home, jet lag, and the adrenaline of performing in front of thousands of people before the post-show crash, I can only imagine how beneficial this would have been.” The cause of Michael Madsen's death has been revealed. The Kill Bill and Reservoir Dogs actor passed away on Thursday (July 3) at his home in Malibu, California. He was pronounced dead at the scene, and no foul play was suspected."The Devil Wears Prada 2" has added Lucy Liu, Justin Theroux, B.J. Novak, and Timothée Chalamet's sister Pauline to its cast. They will appear alongside the original film's stars, Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci. Disney's 20th Century Studios is backing the sequel, which is currently in production and set to open theatrically on May 1, 2026. AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

RIP Michael Madsen.  He was a great guest over the years.  In this explosive full episode of Opie's old Radio Show, Hollywood legend Michael Madsen joins comedians Jim Norton, Mark Normand, Adam Pally, and Cheech Marin for a no-holds-barred conversation. Madsen dives deep into his Chicago upbringing, from running a car chop shop in his mom's garage and breaking into a liquor store with Chris Penn to sliding down a fire pole with his firefighter dad. He shares raw, hilarious stories from his iconic roles in Quentin Tarantino's Reservoir Dogs, The Hateful Eight, and Kill Bill, plus surreal run-ins with Marlon Brando, Michael Jackson, and a wild Lawrence Tierney.  Packed with gritty humor, heartfelt family reflections, and unfiltered Hollywood truths, this episode is a rollercoaster of epic anecdotes. 

Turns out Thomas Tuchel is the bravest boy of all. A 4-4-2 tribute act, even when it doesn't suit this team or opposition? RULE BRITANNIA!Seriously though, what on Earth was that? Marcus, Jim and Vish try to work out what Tuchel's plan is after a humbling defeat to an excellent Senegal side, as several England players did themselves no favours. Plus, Crystal Palace and Lyon play out the final scene from Reservoir Dogs, there's transfers aplenty in Manchester and we somehow find ourselves in the pocket of Big Tuna.Please fill out Stak's listener survey! It'll help us learn more about the content you love so we can bring you even more - you'll also be entered into a competition to win one of five PlayStation 5's! Click here: https://bit.ly/staksurvey2025Find us on Bluesky, X, Instagram, TikTok and YouTube, and email us here: show@footballramble.com.Sign up to the Football Ramble Patreon for ad-free shows for just $5 per month: https://www.patreon.com/footballramble.***Please take the time to rate us on your podcast app. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.