Podcasts about Sharon Tate

Þátturinn er í boði: Miðbæ Selfoss Oche Reykjavik - https://oche.com/is/reykjavik Hugur Studio - www.hugur.studio Helgi er orðinn giftur maður og Heiðdís er hæst ánægð með þann ráðahag og fögnuð. Við förum aðeins yfir málin, hvernig fór þetta allt saman fram og hvað gerðist. Heiðdís fór að tala um fótbolta sem vakti furðulega lukku og skoðuðum örlítið karlmennskuna. Morðmál Sharon Tate kom líka fyrir í sögu eins og svo margt annað eins og nú er orðið hlustendum kunnugt þegar opnað er fyrir munninn. Njótið vel!

The boys are back for part two of the Born to Watch fourth birthday celebration, and this week's feature is Quentin Tarantino's love letter to a vanished era, Once Upon a Time in Hollywood Review. Set against the backdrop of 1969 Los Angeles, this is Tarantino at his most nostalgic, most personal, and possibly most indulgent, but when it looks this good and feels this immersive, who cares?Whitey, Damo and G-Man dive deep into the neon-soaked streets of old Hollywood, where television cowboys still mattered, stuntmen drank beer on rooftops, and everyone smoked enough cigarettes to shorten their lifespan by 20 years. From Rick Dalton's crumbling confidence to Cliff Booth's effortless cool, the crew break down why this film becomes richer with every rewatch.The boys discuss how the movie completely subverts expectations, especially if you walk in expecting a full Charles Manson story. Instead, Tarantino delivers something far more emotional and reflective, a fairy tale about fading relevance, friendship, loneliness and the death of an era. Whitey explains how his first viewing left him confused, but his second cinema trip completely changed the way he saw the film, shifting focus away from the Manson backdrop and onto Rick Dalton's fear that Hollywood has passed him by.There's plenty of love for Leonardo DiCaprio's performance as Rick Dalton, with Damo calling it one of the actor's best ever performances. The boys unpack how brilliantly DiCaprio balances insecurity, desperation, and ego, especially in scenes where Rick spirals after forgetting his lines or fearing he's become yesterday's news. Brad Pitt's Oscar-winning turn as Cliff Booth also gets the praise it deserves, with the crew debating whether Cliff might actually be one of Tarantino's coolest characters ever.Naturally, the conversation turns toward the ridiculous depth of the cast. From Margot Robbie as Sharon Tate to Al Pacino, Timothy Olyphant, Dakota Fanning, Austin Butler, Luke Perry, Damian Lewis, Bruce Dern and Australian actor Damon Herriman as Charles Manson, this movie is stacked from top to bottom. The boys even debate whether this is Tarantino's deepest cast ever assembled.And because this is Born to Watch, things quickly descend into absolute chaos.There are discussions about Playboy Mansion parties, giant murals of yourself in your garage, Strangles learning what a queef is, and whether anyone alive could realistically resist picking up Margaret Qualley and Sydney Sweeney hitchhiking on the side of the road in 1969 Hollywood.The episode also covers:Tarantino's recreation of 1969 Los AngelesThe unbelievable soundtrack and radio advertisementsWhy the movie feels like it was made in the late '60sThe brilliance of the Spahn Ranch sequenceThe film's Oscar success and controversial lossesWhy the ending works so perfectlyBrad Pitt's effortless charismaMargot Robbie is somehow becoming even more beautiful in every sceneThe insane amount of smoking throughout the filmWhy Tarantino's "fantasy history" trilogy keeps workingThere's also another loaded Snorbs Report Special, some underrated 2019 movie recommendations, and more random nonsense than should legally fit into one podcast episode.Whether you're a lifelong Tarantino obsessive or someone who only recently discovered Once Upon a Time in Hollywood, this episode celebrates everything that makes the film unforgettable: the atmosphere, the performances, the music, the humour, and the strange, bittersweet feeling that Hollywood itself was changing forever.So if you love movie deep dives, behind-the-scenes trivia, outrageous tangents, and three Aussie blokes talking absolute rubbish while somehow stumbling into genuine film analysis, this is the episode for you.JOIN THE CONVERSATION

Parce que c'est en ce moment-même le Festival de Cannes, Histoire Vivante aussi fait son cinéma. Dans cette série, on vous parle de cinq films d'histoire, avec des spécialistes, des critiques et des réalisateurs. On plonge dans ce dialogue entre fiction et histoire, pour la transmettre, pour la venger ou pour partir à l'aventure. Et pour l'occasion c'est justement un cinéaste suisse, Andreas Fontana qui aime l'histoire et qui a rejoint l'équipe pour l'occasion… Nous sommes au début de l'année 1969, à Los Angeles, très exactement à Hollywood. Steve MacQueen triomphe avec la course-poursuite de Bullitt, une nouvelle génération fait tanguer l'emprise des vieux studios, et toute la ville n'a d'yeux que pour un jeune réalisateur venu d'Europe : Roman Polanski. Depuis, il est poursuivi dans de multiples affaires de violences sexuelles mais à ce moment-là, c'est le massacre de son épouse, l'actrice Sharon Tate, et de ses amis au cours de l'été 1969 qui a sidéré Hollywood. Quentin Tarantino décide 30 ans plus tard de tordre cette histoire. Dans son film Once Upon a Time in Hollywood , sorti en salles en 2019, les fanatiques de la "famille Manson" ne s'en prennent pas à la femme de Polanski, mais aux voisins d'à côté : Rick Dalton, un acteur en déclin, et sa doublure un peu blasée, un peu cascadeur, Cliff Booth. À partir de là, Tarantino bifurque. Il réécrit l'événement, corrige le réel, en propose une autre issue. Et le film pose alors une question centrale : à quel endroit la fiction a-t-elle un devoir de vérité envers l'Histoire ? Emmanuel Burdeau est critique de cinéma. Il a publié Quentin Tarantino : Un cinéma déchaîné aux éditions Capricci.

Does he have the cancer that kills you when you get married? You'll have to listen to find out. Valley of the Dolls (1967) film on the Internet Archive Valley of the Dolls (1966) book on the Internet Archive Valley of the Dolls: Why We Love This Awful Movie By Broey Deschanel Casting the Women of Valley of the Dolls | PT 1 By Be Kind Rewind The Making of Valley of the Dolls | PT 2 By Be Kind Rewind Dolls! Dolls! Dolls! Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time By Stephen Rebello   FIND US ON LETTERBOXD SHOP THE SHOW: TEE PUBLIC FOLLOW THE SHOW: INSTAGRAM EMAIL THE SHOW: abreathoffreshmovie@gmail.com  

The guys have a creepy guest chat with David Oman. The Oman House, located in Beverly Hills just 150 feet from the site of the 1969 Sharon Tate murders…and is a private residence. It is widely regarded as one of the most actively haunted houses in America! Enjoy, Creepies!!!https://www.facebook.com/share/18QXpq3nAG/?mibextid=wwXIfrhttps://www.instagram.com/theomanhouse?igsh=MTk3ZG45YnBpZm1jaw==https://www.youtube.com/@davidoman

Nuevo podcast de Par-Impar en torno a la clásica comedia de terror de Roman Polanski, El baile de los vampiros. El baile de los vampiros, o The Fearless Vampire Killers, parece una parodia de las películas de terror de la Hammer y la Universal... pero es de todo menos inofensiva. Roman Polanski, a un año de dirigir La semilla del diablo, realizó una comedia cartoon que tiene tanto de Scooby Doo como de sus títulos más inhumanos y pesimistas. Pero El baile de los vampiros es también la película por la que se recuerda a la célebre y malograda Sharon Tate, pareja de Polanski y tristemente asesinada en unos acontecimientos que todavía se recuerdan. En este nuevo podcast de cine de Par-Impar, Juanma González y Dani Palacios conversan sobre este clásico de la comedia negra en la que Polanski consiguió inyectar un inesperado pesimismo a su cuento de vampiros... además de un punto de vista muy europeo. El hecho de filmar con tanto lujo una parodia ya habla por sí mismo. n este nuevo podcast de cine de Par-Impar, Juanma González y Dani Palacios conversan sobre este clásico de la comedia negra en la que Polanski consiguió inyectar un inesperado pesimismo a su cuento de vampiros... además de un punto de vista muy europeo. El hecho de filmar con tanto lujo una parodia ya habla por sí mismo. La película representa un punto de inflexión en la carrera del director polaco, marcando su transición desde el cine de autor europeo más introspectivo, como Repulsión o Cuchillo en el agua, hacia una producción con vocación más internacional y comercial. Los colaboradores destacan que Polanski realiza aquí un homenaje satírico a las producciones de la Hammer Films, pero lo hace con una factura técnica y una elegancia visual que superan con creces a las obras originales que parodia. A diferencia de las parodias actuales que suelen caer en lo burdo, esta cinta mantiene un equilibrio perfecto entre la comedia y el género de terror, logrando inquietar al espectador mientras lo divierte. La figura de Sharon Tate ocupa una parte central de la conversación. La forma en que Polanski la filma trasciende la mera dirección; es la mirada de un hombre profundamente enamorado de su musa. Cada plano de Tate en la película, desde su primera aparición en la tina hasta el baile final, está cargado de una luminosidad y una perfección estética que hoy, conociendo su trágico final a manos de la secta de Charles Manson, adquiere una cualidad casi espectral. El programa recuerda cómo directores posteriores, como Quentin Tarantino en Érase una vez en... Hollywood, han intentado recuperar esa luz que Polanski capturó de manera definitiva en esta obra maestra del 67. Todo esto y mucho más en el episodio de Par-Impar. Te recordamos que puedes pinchar en el enlace para acceder a la web del programa y otros episodios.

In this episode, Alicia follows up with some spiderwebs from the Doris Day story, and how her son Terry factors into those terrible events on Cielo Drive on August 8, 1969. Terry and his longtime girlfriend Candice Bergen lived there in a fairy tale dream in 1968, before Sharon Tate and Roman Polanski moved into the home. Why did Terry and Candice move? Doris told them they must. This one is filled with all kinds of connections throughout those days in the Hollywood Hills and beyond, with all sorts of folks chiming in on and rounding out the details of this time from Doris and Terry's point of view. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at⁠ patreon.com/trashydivorces⁠! Want a personalized message for someone in your life?⁠ Check us out on Cameo⁠! To advertise on our podcast, please reach out to ⁠info@amplitudemediapartners.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Alicia follows up with some spiderwebs from the Doris Day story, and how her son Terry factors into those terrible events on Cielo Drive on August 8, 1969. Terry and his longtime girlfriend Candice Bergen lived there in a fairy tale dream in 1968, before Sharon Tate and Roman Polanski move into the home. Why did Terry and Candice move? Doris told them they must. This one is filled with all kinds of connections throughout those days in the Hollywood Hills and beyond, with all sorts of folks chiming in on and rounding out the details of this time from Doris and Terry's point of view. Continue your investigation with ad-free and bonus episodes on ⁠⁠⁠Patreon⁠⁠⁠! To advertise on Done & Dunne, please reach out to ⁠⁠⁠info@amplitudemediapartners.com⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

BASED ON A TRUE STORY (BOATS EP. 384) — Quentin Tarantino's Once Upon a Time in Hollywood tells a tale of alternative history. In this episode, we'll separate the film's fairy-tale storytelling from the real history behind the Manson murders, Sharon Tate, Bruce Lee, Steve McQueen, and the Hollywood of 1969.Listen to All the Right MoviesJohn's podcast breaks down the history of Hollywood, one film at a time. Check out All the Right Movies to learn all about the work that went into making movies, how much of it works, and more.More from All the Right MoviesFind all the episodes: https://alltherightmovies.com/All the Right Movies episode for Once Upon a Time in Hollywood: https://www.patreon.com/posts/atrm-classic-111-152929056Facts about the movie: https://alltherightmovies.com/feature/45-interesting-and-golden-age-facts-about-once-upon-a-time-in-hollywood/Mentioned in the EpisodeJohn Neal Phillips on 1967's Bonnie and Clyde: https://links.boatspodcast.com/195Chapters0:00 Intro and historical accuracy4:15 Tarantino's fairy-tale approach11:25 Rick, Cliff, and Sharon Tate18:40 Hollywood in the late 1960s28:30 Steve McQueen and The Great Escape36:20 Bruce Lee, Sharon Tate, and Spahn Ranch49:10 The Manson Family and Cielo Drive58:45 The film's alternate ending1:04:20 Final thoughts and ATRMSupport my workSupport my sponsorsBecome a BOATS ProducerEmail me: dan@basedonatruestorypodcast.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Charles Manson hält sich für Jesus, bewundert Hitler - und manipuliert seine "Manson Family" so geschickt, dass sie für ihn mordet. Am 29.3.1971 wird er zum Tode verurteilt. Von Philip Ritter.

Ciao ragazzi e benvenuti a questa nuova puntata de L'Inspiegabile Podcast. Questo episodio, l'ottavo della terza stagione, si immerge in premonizioni inspiegabili, storie misteriose e misteri irrisolti Esistono sogni che sembrano troppo reali per essere semplici incubi. Visioni così precise… così inquietanti… da sembrare veri e propri avvertimenti dal futuro. Ma cosa succede quando queste premonizioni fatali si trasformano in realtà? Dall'inquietante sogno che anticipò il disastro del American Airlines Flight 191 alla misteriosa visione dell'attrice Sharon Tate prima della sua tragica fine per mano della setta di Charles Manson. Tra sogni profetici, presagi oscuri e intuizioni che sfidano la logica, queste storie sollevano una domanda inquietante: È possibile percepire il futuro prima che accada? Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Oscar week, costume nerds, and on this episode of The Art of Costume Podcast, we're heading back to the sun-soaked streets of 1969 Los Angeles to explore the Academy Award–nominated costumes of Once Upon a Time… in Hollywood.Join Spencer and Elizabeth as they break down the unforgettable looks of Rick Dalton, Cliff Booth, and Sharon Tate, the eerie style of the Manson Family, and even the costumes from the Western television series unfolding within the film itself. Along the way, Spencer shares some behind-the-scenes stories from Jay Glennie's new book, dives into a bit of Hollywood lore, and—because it's Oscar season—offers another passionate awards-season rant.Plus, this episode features special featurette clips from the film's costume designer and Academy Award nominee Arianne Phillips, giving us a closer look at the craftsmanship behind one of modern cinema's most memorable films. Join us as we journey back to the summer of 1969.

It's Oscar week, costume nerds, and on this episode of The Art of Costume Podcast, we're heading back to the sun-soaked streets of 1969 Los Angeles to explore the Academy Award–nominated costumes of Once Upon a Time… in Hollywood.Join Spencer and Elizabeth as they break down the unforgettable looks of Rick Dalton, Cliff Booth, and Sharon Tate, the eerie style of the Manson Family, and even the costumes from the Western television series unfolding within the film itself. Along the way, Spencer shares some behind-the-scenes stories from Jay Glennie's new book, dives into a bit of Hollywood lore, and—because it's Oscar season—offers another passionate awards-season rant.Plus, this episode features special featurette clips from the film's costume designer and Academy Award nominee Arianne Phillips, giving us a closer look at the craftsmanship behind one of modern cinema's most memorable films. Join us as we journey back to the summer of 1969.

We're back with a packed Olympics update — including heartbreak for Ilia Malinin, the condom report, and a cheating scandal. Then it's a box office report, with early positive eyewitness reactions to Wuthering Heights and Crime 101. We also spotlight another great podcast and celebrate the legendary career of Robert Duvall. Over in TV land, we're excited about The Night Agent, Season 2 of Paradise, 56 Days on Prime Video, plus thoughts on Unfamiliar and Bridgerton. Finally, Hollywood is going all-in on celebrity biopics, with projects in the works about Joni Mitchell, Michael Douglas, Nat King Cole, Lance Armstrong, Mama Cass, and Sharon Tate.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On August 9, 1969, Sharon Tate — the luminous young actress and rising star of Hollywood's new generation — was brutally murdered at the age of 26 in one of the most shocking crimes in American history. A symbol of 1960s glamour and promise, Tate embodied a fresh, modern screen presence: playful, stylish, and effortlessly charismatic. From her breakout performance in Valley of the Dolls to memorable roles in Eye of the Devil and The Fearless Vampire Killers, Tate's career was cut tragically short just as she was emerging as a major talent, leaving behind a legacy defined as much by her unrealized potential as by the cultural rupture her death came to represent. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rosemary's Baby was a hit novel that became an iconic film, only to bring woe to nearly everyone who made it. We'll look at the film which many people believe to be cursed. We'll look at some real-life cases of women who believed they were pregnant with a demon child! And how can you tell if YOU are pregnant with the child of Lucifer? IN THIS EPISODE: The movie, The Sixth Sense, has become a worldwide meme with the phrase “I see dead people”. But for one family in Britain, it's not a joking matter. (My Children See dead People) *** Barbara and Patricia Grimes were murdered in 1956, but new clues have raised hopes the killer might still be caught. (The Unsolved Murder of the Grimes Sisters) *** “In space, no one can hear you scream” – not just a movie tagline, but reality for astronauts reporting some of the strangest things they've encountered while outside our atmosphere. (Space Cases) *** Rosemary's Baby was a hit novel that became an iconic film, only to bring woe to nearly everyone who made it. We'll look at the film which many people believe to be cursed. We'll look at some real-life cases of women who believed they were pregnant with a demon child! And how can you tell if YOU are pregnant with the child of Lucifer? There are a few signs to look for! (Real Cases of Rosemary's Baby)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:17.543 = Show Open00:03:07.844 = The Cursed Film, Rosemary's Baby00:13:43.230 = Real Cases of Rosemary's Baby***00:24:53.029 = Are You Pregnant With a Demon Spawn?00:33:41.790 = My Children See Dead People***00:39:32.425 = Space Cases00:50:24.963 = Unsolved Murder of the Grimes Sisters***00:55:59.370 = Show Close*** = Begins immediately after inserted ad breakSOURCES and RESOURCES – and/or --- PRINT VERSION to READ or SHARE:SOURCES AND REFERENCES FROM THE EPISODE…Theme from “Rosemary's Baby”, piano version by vampir: https://youtu.be/n3j1qnCdwvM“The Cursed Film: Rosemary's Baby” by Rosemary Counter for Vanity Fair: https://weirddarkness.tiny.us/j8b64p4t“Real Cases of Rosemary's Baby” by Lisa A Flowers for Ranker's True Stories: https://weirddarkness.tiny.us/p4sxumwn“Am I Pregnant With a Demon Spawn?” by Jacob Shelton for Graveyard Shift: https://weirddarkness.tiny.us/yhk4eetp“My Children See Dead People” by Kate Jackson for The Sun: (link no longer available)“The Unsolved Murder of the Grimes Sisters” by Gary Sweeney for TheLineUp.com:https://weirddarkness.tiny.us/mvh4kfz7“Space Cases” by John Lemelman for Ranker's The Space Page: https://weirddarkness.tiny.us/mzz5tn48=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired: June 26, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/RealRosemarysBabyABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness, #RosemarysBaby, #CursedMovies, #SharonTate, #MansonFamily, #HorrorHistory, #HollywoodCurses, #TrueHorror, #Occult, #CreepyHistory

Synopsis: Both a love letter to classic Hollywood while also being a fictional retelling of an infamous murder, Once… tells the story of a fledgedling western actor and his slow move from action star to has been alongside the bright new star Sharon Tate and her rise to fame.IG: https://www.instagram.com/porshalauriYT: https://www.youtube.com/PorshaLauri/IG: https://www.instagram.com/officialjerryjoseph87IG: https://www.instagram.com/londonbloke.Tiktok: thecinemasitdoIw

Step into an atmosphere of elegance, intrigue, and just a hint of the macabre.This week on The Scary Spirits Podcast, we honor what would have been Sharon Tate's 83rd birthday on January 24th with a spellbinding look at the 1966 supernatural thriller Eye of the Devil (also known as 13). In true celebratory fashion, your ever‑spirited hosts Karen and Greg guide you through the film's shadowy corridors—complete with aristocratic secrets, eerie rituals, and Tate's mesmerizing performance—while sipping a specially crafted, devilishly tempting cocktail: the “Devilish Delight.” Join us for an episode brimming with cinematic nostalgia, atmospheric storytelling, and the sort of refined yet playful charm one might enjoy over a late evening drink in a candlelit manor. Tune in, raise a glass, and indulge in a deliciously haunting celebration of Sharon Tate's timeless legacy. Devilish Delight Cocktail • 30 ml vodka• 30 ml amaretto• 30 ml cranberry juice• 10 ml orange juice• 190 ml ice Instructions: Pack ice into glass. Add all ingredients in shaker. Dry shake without ice. Pour over glass over ice. Revitalizing Source: adultbar.com.au A Brief Synopsis: A French winegrower returns to Bordeaux with his wife and family to face ritual sacrifice for another bad year. Some of the topics discussed and highlights of this episode include: Karen gives us a history of Marie Antoinette. We learn about the board game “Scrabble”. Do you know what a parapet is? Greg makes a references to Dokken and Marillion songs. Dr Karen tells us about the belladonna plant and its uses. Our rating of the film: This movie was OK. It took us 3 cocktails to get through it. Take our online survey! We want to know more about you! Please take our survey. All questions are optional and you can remain completely anonymous if you prefer. Tell us what you like or would like to hear more of! All music on the Scary Spirits Podcast is provided by the band “Verse 13”. Please check them out. You can listen to all their music on their Bandcamp page. Get social with us! Connect with us on Facebook and Instagram Subscribe on YouTube to watch Greg attempt to make all the featured cocktails Follow @ScarySpiritsPod Questions, comments or suggestions? Shoot us an email at info@scaryspirits.com As an Amazon Associate, we may earn a small percentage of qualifying purchases through our links.

National peanut butter day. Entertainment from 1964. Gold 1st found in California, 1st canned beer, Ice cream bar invented in Iowa. Todays birthday - Ernest Borgnine, Ray Stevens, Aaron Neville, Neil Diamond, Sharon Tate, Warren Zevon, John Belushi, Ed Helms. Winston Churchill died.Intro - God did good - Dianna Corcoran  Dianna on SpotifyPeanut butter - The MarathonsThere! I've said it again - Bobby VintonLove's gonna live here - Buck OwensBirthdays - In da club - 50 Cent     http://50cent.com/The Streak - Ray StevensEverything is beautiful - Ray StevensTell it like it is - Aaron NevilleSweet Caroline - Neil DiamondWerewolves in London - Warren ZevonBluto's speech in Animal HouseExit - Summer Fall - Lee Sims    https://www.leesims.com/countryundergroundradio.comHistory & Factoids about today webpagecooolmedia.com

This week, in Springville, California, one of the strangest stories, in the history of murder unfolds. Featuring an escaped convict with an apparent CIA background, who also claims to havented the character of "Cap'n Crunch", and a model, with an unlikely story of being held captive, that just might true. Mix all this with a murder plot that was supposed be a "Sharon Tate style bloodbath", and you get a wild, expansive & just plain insane story!!   Along the way, we find out that you know you may have to move, when a disease is named after your county, that you shouldn't commit many, many dangerous felonies "just for fun", and that sometimes the most fantastical sounding story can actually be true!!   New episodes, every Wednesday & Friday nights!! Go to shutupandgivememurder.com for all things Small Town Murder, Crime In Sports & Your Stupid Opinions!   Follow us on... instagram.com/smalltownmurder facebook.com/smalltownpod   Also, check out James & Jimmie's other shows, Crime In Sports & Your Stupid Opinions on Apple Podcasts, Spotify, or wherever you listen to podcasts!!

On this episode, the Epstein Files saga ramps up again as the DOJ confirms more than 500 people are reviewing millions of pages, but even Pam Bondi is admitting there have been “glitches” in the process, keeping the public waiting for the next big release. Meanwhile, actor Timothy Busfield gets dropped by his agency as his legal situation deepens, adding another ugly chapter to the entertainment-world scandal machine. Plus Canada makes a headline-grabbing move that could reshape the EV market in North America by slashing tariffs and cutting a major deal that brings Chinese electric vehicles closer to the U.S. market. Also in the mix: Jennifer Lawrence claims she lost out on Margot Robbie's Sharon Tate role for a ridiculous reason, A$AP Rocky appears to fire lyrical shots at Drake while flexing Rihanna, and a Minneapolis restaurant raising funds for families impacted by increased ICE presence reports federal agents showing up outside their doors.#EpsteinFiles #TimothyBusfield #ChineseEVsGet more AoA and become a member to get exclusive access to perks:https://www.youtube.com/channel/UCOfx0OFE-uMTmJXGPpP7elQ/joinGet Erin C's book here: https://amzn.to/3ITDoO7Get Merch here - https://bit.ly/AnthonyMerchSubscribe to the Anthony On Air Podcast here:Facebook - https://bit.ly/AntOnAirFBYouTube - https://bit.ly/AntOnAirYTApple Podcast - https://bit.ly/AntOnAirAppleSpotify - https://bit.ly/AntOnAirSpotTwitter - https://bit.ly/AntOnAirTwitterInstagram - https://bit.ly/AntOnAirInstaTikTok - https://www.tiktok.com/@anthonyonairpodDiscord - https://discord.gg/78V469aV22Get more at https://www.AnthonyOnAir.com

JLaw claims she wasn't "pretty enough" for the Sharon Tate role in 'Once Upon a Time in Hollywood', Radar Online gets after Ryan Seacrest and Bravo Drama!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week I'm joined by author/photographer Pat Blashill (Texas Is The Reason; Someday All The Parents Will Die) to talk about the Texas punk community he documented, including Scratch Acid, Butthole Surfers & Big Boys, as well as the 2014 documentary The Dicks From Texas.We also discuss punks living in Texas and how the bands from there pushed back hard against it, was Cheap Trick punk rock, which music freaked us out when we were younger, DEVO making your friends cry in fear, Pat getting invited to his first punk show by Big Boys in 1979 when he started taking photos of the scene that night, Pat's artistic influences, The Huns riot, early bands like Sharon Tate's Baby, the band Terminal Mind getting mad at people for dancing to their music, singing with a British accent, Raul's being the centerpiece club of the punk scene, Buxf of The Dicks, Sister Double Happiness, Gary Floyd's singular vocals in punk, The Torn Panties, how Gary upstaged Lou Reed, Poison 13, Pat befriending David Yow and David Sims before they started Scratch Acid, Jesus Lizard, watching the evolution of Butthole Surfers and their work ethic, Pat being at the Rembrant Pussyhorse recordings, The Residents' Hardy Fox, Kurt Cobain, Big Boys playing the Austin Chronicle Award Show and the fight that ensued, Flipside VHS Tapes, the lack of local press support for punk rock, IRS's The Cutting Edge coming to Austin, Daniel Johnson and more.So let's get lost in the pit together on this episode of Revolutions Per Movie!PAT BLASHILL: patblashill.comTEXAS IS THE REASON book: www.bazillionpoints.com/books/texasSOMEDAY ALL THE PARENTS WILL DIE book: utpress.utexas.edu/9781477332474THE DICKS FROM TEXAS doc: www.youtube.com/watch?v=GYSNWLY5iEMBIG BOYS live: https://www.youtube.com/watch?v=HsVjMx0JDHMBUTTHOLE SURFERS live film: www.youtube.com/watch?v=BW0mXU2mkgoSCRATCH ACID live: https://www.youtube.com/watch?v=ZdG1OALNSFIREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Forrest, Kristina Oakes, Conan Neutron and Kev talk about Quentin Tarantino's Once Upon a Time in Hollywood Starring Leonardo DiCaprio as the fading film star Rick Dalton and his stunt double Cliff Booth (Brad Pitt) who live in Hollywood, next door to Sharon Tate and Roman Polanski in 1969. Starring a huge cast, Leonardo DiCaprio, Brad Pitt, Margot Robbie, Margaret Qualley, Austin Butler, Dakota Fanning, Emile Hirsch, Sydney Sweeney, Al Pacino, Bruce Dern, Timothy Olyphant, Mikey Madison, Lena Dunham Tarantino's revisionist history of the night that destroyed the 1960s. The Manson Murders. #onceuponatime #leonardodicaprio #mansonfamily #charlesmanson #sydneysweeney #alpacino #tarantinofilms #tarantino #margotrobbie #sharontate #movies #filmpodcast #film #filmmaking #margaretqualley #truecrimecommunity #truecrimestories #losangeles #pauldano #podcast #livestream #livestreaming #moviepodcast #hollywood #leo We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

In my first attempt at an all-video podcast, I reprise my season-one episode on Sharon Tate.  I dive into her impact on American culture, the landscape for female crime victims, and her enduring legacy as the most beautiful woman who ever lived.  I discuss the details of her most iconic role as Jennifer North in The Valley of the Dolls and all her spectacular looks on and off screen—including her mini taffeta wedding dress. In many ways, there would not be a podcast without Sharon Tate, so I thought she would be the best person to usher in the video version.  As always, thank you for tuning into Window Dressing!

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, we hear reviews of two films: the 2019 "An Officer and a Spy," a film by controversial director Roman Polanski on the Dreyfus Affair, which is now playing in the United States, and the shattering documentary, "The Voice of Hind Rajab." But the pair opens the program by honoring director-actor Rob Reiner, who was slain over the weekend alongside his wife, Michele. We learn about his early acting work and hear about many of his groundbreaking films that have become enduring classics. Hoffman tells us about Polanski's cinematic childhood and early adult life -- he barely survived the Holocaust and his wife, Sharon Tate, was murdered by the Manson family. We then hear how Polanski skipped out on the sentencing after pleading guilty to engaging in unlawful sexual intercourse with a minor, a 13-year-old girl he was photographing for Vogue, and has lived outside of the US ever since, but still working consistently. And after all that, we learn about the merits of the film, "An Officer and a Spy." The final movie discussed is potentially even more controversial to several listeners, "The Voice of Hind Rajab." The film portrays the attempts of the Ramallah-based Red Crescent to send an ambulance to save the six-year-old Hind, who is trapped in a war zone in northern Gaza in a car with her family, who are all dead. Using the actual soundtrack from the terrified girl's phone calls for help, the film is a carefully crafted re-enactment of the impending tragedy. Hear which film(s) got a seal of approval on this week's The Reel Schmooze. The Reel Schmooze is produced by the PodWaves and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Jacques Pradel reçoit l'écrivain-journaliste Éric Yung dans ce numéro dédié au meurtre de Sharon Tate. L'invité va détailler les résultats de son enquête sur cette tragédie qui a secoué Hollywood au mois d'août 1969. Au programme, des révélations sur le véritable mobile du crime et les témoignages exceptionnels de deux anciennes fidèles du gourou meurtrier Charles Manson. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dr. Jeffrey Smalldon has corresponded with some of the most infamous killers in United States history.That habit started long before he became a distinguished forensic psychologist, an expert on what makes killers tick.In his new book, That Beast Was Not Me: One Forensic Psychologist, Five Decades of Conversations with Killers, Jeff delves into his correspondence with infamous killers and figures like Charles Manson, Lynette "Squeaky" Fromme, Ted Bundy, John Wayne Gacy, and more.Get Jeff's book That Beast Was Not Me here: https://bookshop.org/p/books/that-beast-was-not-me-one-forensic-psychologist-five-decades-of-conversations-with-killers-jeffrey-l-smalldon/a4e8236eb8ace300?ean=9798986512488&next=tOr here, on Amazon: https://www.amazon.com/That-Beast-Was-Not-Conversations-ebook/dp/B0D6WPF17HCheck out Jeffrey Smalldon's email and newsletter here: https://jeffreysmalldon.com/Find discounts for Murder Sheet listeners here: https://murdersheetpodcast.com/discountsCheck out our upcoming book events and get links to buy tickets here: https://murdersheetpodcast.com/eventsOrder our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Check out more inclusive sizing and t-shirt and merchandising options here: https://themurdersheet.dashery.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“We're as real as a f**king donut!” Join Ian, Liam & Beadle Steve for our 307th episode as we cruise down Sunset Boulevard, slip into our moccasins, and take a long, nostalgic look at Quentin Tarantino's sun-drenched fairytale Once Upon a Time in Hollywood (2019). Megs and Kev? They're not with us this week — Megs got invited to a last-minute audition on a Spaghetti Western set outside Rome, and Kev got lost trying to hitchhike to the Playboy Mansion. We wish them both luck. We're also waxing poetic about Jay Glennie's excellent history of the film with "The Making of Quentin Tarantino's Once Upon a Time In Hollywood" available everywhere now. This week we discuss: How Tarantino utilises revisionist history and a clear late sixties aesthetic into his most affectionate, laid-back film yet. Leonardo DiCaprio's turn as Rick Dalton — insecure, electric, and oddly sympathetic. Brad Pitt's Cliff Booth — stuntman, handyman, maybe-murderer, absolute legend. Beadle Steve weighs in on the film's leaving of breadcrumbs and its toasty payoff How the film handles Sharon Tate with grace, warmth, and unexpected emotional weight much to Liam's appreciation The Manson Family sequences — slow-burning dread done right but where is Charlie and why does Ian argue it's the right call for the film? Ian breaks down Tarantino's structural choices: meandering brilliance or indulgent reimagining? The film's controversial ending — catharsis, fantasy, or simply Tarantino being Tarantino?  Does it help if you know the real life history? Someone argues it doesn't matter and the film still works. Nostalgia vs. narrative: does the film rely too heavily on vibes, or is that the point? We question whether OUATIH is a buddy film, a fairy tale, a love letter, or all of the above. The “Rick Dalton meltdown” scene — one of the great comedic acting moments of the decade? Which parts got combined and then split again on account of scheduling conflicts Who was supposed to be in the film if not for tragedy occurring? And finally, whether Once Upon a Time in Hollywood is the Best Film Ever — or just Tarantino's most beautifully crafted hangout movie. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Buy Jay Glennie's book at https://amzn.eu/d/fTGfDBu We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

They might look like ordinary women as they Instacart from Bristol Farms or strengthen their core at morning pilates. You might be standing behind them in line at Starbucks as they order their half-cream, half-caff, no whip, no foam, triple-pump chai latte with oat milk. They seem to be everywhere once you know how to recognize them. They're the target demographic for Audible's Bestsellers list. They account for the bulk of spending on sites like Amazon and Skims. Ever wonder how it is that Goop still stays in business? They live in the Hamptons, Brentwood, or Malibu. They're married to talk show hosts like Jimmy Kimmel. Or they're married to themselves. They're having Thanksgiving in a gated community in Montecito. They're cloning duplicates who parrot the talking points of the coven like abortion is healthcare and no human is illegal, and trans women are women. They've taught them to be strident, demanding, and intolerant with standards too high for any man, job, or country to meet. Their world before was idyllic - a utopia that kept them at the top because they ordered this new world in such a way that nothing and no one threatened their power. The future is female. It's time for women to rule. White Dudes for Harris. They call it the Great Feminization, but really, it's a coven of witches.Just before Charlie Kirk's assassination, Jezebel and Etsy cast a dark spell on Charlie. Why? Because they couldn't shut him up. In their world, they decide what people can and can't say, think, buy, or do. They've taken down the “story,” but it still exists on the Wayback Machine:These days, witches cater to more than just personal grudges. And it's not uncommon for them to channel their energy toward thwarting Republicans (there's even a subreddit devoted to casting nightly hexes on Trump). Are you interested in punishing Kirk for the years of regressive rhetoric he's shouted at America's youth and anyone within earshot? Here at Jezebel, we're about to find out if there's a spell for that.And:After placing my first spell, “MAKE EVERYONE HATE HIM,” I was left with more questions than answers. How long would it take to kick in? Should I have splurged for a pricier spell to make it work faster? Shortly after, the witch messaged me trying to upsell me a $50 “spell booster.” When I asked what it did, she explained it would “amplify the energetic support” of the main spell, or else I could let it unfold “in its natural timing.” I decided to trust the witch's will.And her closing paragraph:Sunday, August 24, passed. Nothing. Monday, still nothing. Tuesday rolled around, and I began to wonder if I'd been scammed. But then I reminded myself: this is witchcraft, not Amazon. The forces operate on their own schedule.Megyn Kelly reported exclusively on how this affected Erika Kirk after Charlie was assassinated, leaving behind two small children and a widespread movement that touched millions:What bothers them so much about Erika Kirk, other than that she is brave, kind, beautiful, and true, is what I once believed about the Christian Right. I'd never be able to live like that, I always thought. Then I saw what happened to the Left, to all of us, without religion. Now, we are a movement that believes it's okay to sterilize children and mutilate their bodies without their consent. We treat abortion like it's an act of empowerment.Erika Kirk put her faith in God and in her husband. These are mortal sins to the Wicked Witches of the Left. Thou shalt have no God before ourselves. We are the power because we are empowered. But unfortunately, it has resulted in a movement ruled by and defined by evil and hatred. Jennifer Welch, a prominent Wicked Witch of the Left who podcasts alongside a Renfield-like puppet whose name no one knows but who nods along numbly as Welch spits out her invective - “I call him Canks,” she says about Trump after her “Cankles McTaco Tits” went viral. These are the same people who pearl clutch over Trump calling a reporter “Piggy.” Bill Madden and Marco Foster are two of the feminized men dominated by the witches. They do nothing but post the ugliest things all day long on social media. They have found their perfect voice now in Jennifer Welch.Here is Walter Kirn and Matt Taibbi on Jennifer Welch:After Charlie Kirk was assassinated, the witches and their compliant male counterparts decided it was more than justified to celebrate his death, to splash around in his blood like the Manson family after they hit the home of Sharon Tate. It didn't matter to them even a little bit, just as the near-assassination of Trump didn't matter. Even death didn't satiate the beast. Charlie's brutal assassination wasn't enough. They wanted — NEEDED — more. And so the witches convened once again, with Joy Reid, Jennifer Welch, and her sidekick, whose name no one will ever know or remember, to word-vomit about their perceived enemies. Megyn Kelly was having none of it:Even the Real Clear Politics gang had words (full video here):And here is Erika's response, the one Tom Bevan references:If the spell on Charlie Kirk was to “make everyone hate him,” then it failed. If it was to shut him up, it also failed. His message will carry on. He is more beloved today than he ever was in life. It turns out that love is harder to kill than even people. Love lives on in the hearts of all of us. It spreads. It unites us. It redeems us. Love was what hundreds of thousands expressed in the wake of Charlie's death and even now. Charlie's memory lives on in clips of his tiny daughter running into his arms. In how he told the story of meeting Erika:And how he explained Newton's laws to his baby.Or money matters:They believe those who do not agree with them must be gotten rid of, and nothing else will satisfy. They will use emotional blackmail, uniform caterwauling, non-stop whining and complaining, and all of the other ways women have learned over the millennia to drive society to the brink of madness, and none of it will work.Unfortunately for the Wicked Witches of the Left, their power is about as useful as their policies and their candidates. Limp, dull, flaccid.Women like I used to be and witches like they are tend to our needs and our fragility. For years, we treated ourselves to therapy, yoga, meditation, Oprah, de-aging, antidepressants, and keto.Eventually, when we fixed ourselves and attempted to raise our perfect children, we overprotected them. In the wake of Columbine and 911, everywhere we looked, we saw danger. We thought every man was a potential child molester. We worried about school shootings, we worried about microplastics and pollution. We thought we could protect our kids to raise them with high self-esteem, but we forgot about strength and resiliency.We abandoned that in ourselves, and we never taught it to our children.What I've learned coming out of this era is that you can't control the world. Even if, as women, as mothers, as wives, as business owners, we'd like to have complete control over everything because we believe we could create a perfect world, I eventually realized you can't. It's not possible. Trump came along because we needed to be reminded of what it is to survive things, events, tragedies, wars, and words. The answer is not to control everything and everyone. The answer is to be strong and just to survive.And that's why these women are now witches, huddled over their cauldron, chanting out that their spells will never succeed and never hold power. Because they can't survive. If they can't survive words, and they can't survive Trump, and they can't survive open debate and Charlie Kirk, then they most certainly can't be in charge of this country. All anyone had to do was listen to Charlie and hear what he had to say. If you disagreed, debate him. Yet, you can hear in their messaging who they thought he was, and this was the worst they could say about him, from Jezebel:A cornerstone of Kirk's nightmare ideology is his insistence that, since gaining more independence, Western women are more miserable than ever. He tells auditoriums full of young women that our freedom is a flaw, not an achievement. He's obsessed with declining birth rates and idealizes the 1950s, when women's only “job” was tending to children and husbands. If we all abandoned our careers and returned to motherhood, we'd be happier, according to Kirk. Indeed, he fails to realize that I would be happiest if he would just shut up.She could not offer up a stronger argument to the contrary because look at her. She is proof that he was right. She's miserable. Jennifer Welch is miserable. All of the witches are miserable. I was miserable too. I know what it is to live the feminist lie, and I know what it is to look back at my life with regret. How can they sell that to young women? The Jezebel writer consoled herself with a petition that was launched on the Utah campus that would become the site of Charlie's murder. The petition was launched on Friday, August 22, and had already been signed over 3,800 times. Could this be the “MAKE EVERYONE HATE HIM” at work?”But the petition grew to 6,829, all of them in agreement that the university should prevent Charlie from speaking:Sign this petition to send a clear message that we stand united for a university that upholds the tenets of inclusivity, respect, and enlightenment. Let us work together to ensure that Utah State University remains a campus where all students feel safe, valued, and respected.Yeah, shutting him up by any means necessary sure sounds like “inclusivity, respect, and enlightenment” to me. Sounds more like the very definition of fascism, “conform or else.”These wicked witches and so much of the Left's once-mighty empire invented a version of Charlie Kirk that never existed and transformed him into a monster of their own making. They wanted to send a message to anyone who might think about disagreeing with them, on a college campus, no less. What are they teaching these kids? Not free speech or open debate.They invent monsters, chase those monsters, and then act shocked when loser nobodies pick up a gun and become their heroes. No, they aren't shocked. They are grateful. They should heed the wise words of Friedrich Nietzsche:Welcome to the abyss, Wicked Witches of the Left.//Tip JarMusic… This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Gary Lippman is the author of the novel Set the Controls for the Heart of Sharon Tate, the short story collection We Loved the World but Could Not Stay, and, most recently, I Wish, Therefore I Am, or, This Here is a List of Humble Appeals to Dame Fortune. Co-hosts: Jonathan Friedmann & Joey Angel-Field Producer-engineer: Mike Tomren Gary's Websitehttps://garylippmanofficial.com/ I Wish, Therefore I amhttps://rarebirdlit.com/i-wish-therefore-i-am/ We Loved the World but Could Not Stayhttps://rarebirdlit.com/we-loved-the-world Set the Controls for the Heart of Sharon Tatehttps://rarebirdlit.com/set-the-controls-for-the-heart-of-sharon-tate-by-gary-lippman/ Amusing Jews Merch Storehttps://www.amusingjews.com/merch#!/ Subscribe to the Amusing Jews podcasthttps://www.spreaker.com/show/amusing-jews Adat Chaverim – Congregation for Humanistic Judaism, Los Angeleshttps://www.humanisticjudaismla.org/ Jewish Museum of the American Westhttps://www.jmaw.org/ Atheists United Studioshttps://www.atheistsunited.org/au-studios

Years before her infamous murder in 1969, actress Sharon Tate had a terrifying nightmare in a Benedict Canyon house - a vision many believe predicted the horror to come. The BOOKBY US A COFFEESubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch:https://www.cielodrive.com/archive/did-sharon-tate-have-a-premonition/https://www.housebeautiful.com/lifestyle/a37926396/jean-harlow-paul-bern-house-haunted/https://www.housebeautiful.com/lifestyle/a40834300/10050-cielo-drive-sharon-tate-house/https://www.latimes.com/archives/la-xpm-2005-jul-03-ca-manson3-story.htmlThanks so much for listening, and I'll catch up with you again next weekend.Sarah xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

On this week's Wrap Party, Zeth is talking about the so-called “Coroner to the Stars,” Thomas Noguchi, who famously performed autopsies on Marilyn Monroe, Sharon Tate, Janis Joplin, and this week's Hollywoodland subject, Natalie Wood. Also, you guys bring the fall movie recommendations and we're talking movie blind spots. What are some of the movies you've never seen and why? Call or text (617) 906-6638, email disgracelandpod@gmail.com, or reach out on socials @disgracelandpod. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

On this week's Wrap Party, Zeth is talking about the so-called “Coroner to the Stars,” Thomas Noguchi, who famously performed autopsies on Marilyn Monroe, Sharon Tate, Janis Joplin, and this week's Hollywoodland subject, Natalie Wood. Also, you guys bring the fall movie recommendations and we're talking movie blind spots. What are some of the movies you've never seen and why? Call or text (617) 906-6638, email disgracelandpod@gmail.com, or reach out on socials @disgracelandpod. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Historias de fama, tragedia y misterio… Desde Miroslava Stern, la actriz más bella del cine mexicano que murió sin amor, hasta el caso de Fede Dorcaz, el modelo cuya muerte sigue sin explicación. También Sharon Tate, la estrella que conoció el horror en Hollywood; Juan Carlos Colombo, el actor que huyó del exilio para renacer en México; y Laura Rivas, la vidente marcada por lo paranormal. Cinco vidas unidas por un mismo destino: el misterio que nunca se apaga. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Una noche de horror que cambió Hollywood para siempre… La historia de Sharon Tate sigue estremeciendo al mundo más de medio siglo después. Su belleza, su talento y su destino se cruzaron con la locura de Charles Manson y su clan, en uno de los crímenes más escalofriantes de la historia del cine. ¿Fue casualidad, venganza o una profecía convertida en sangre? Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Patricia Krenwinkel was just 21 when she participated in the brutal killings that resulted in the deaths of seven individuals, including the pregnant actress Sharon Tate.See omnystudio.com/listener for privacy information.

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Joseph Scott Morgan Scott Morgan is a death investigator who is considered one of the leading experts on the Coroner System in the United States. He also hosts the "Body Bags" podcast. SPONSORS https://hellofresh.com/danny10fm - Get 10 Free Meals + a Free Item for Life! https://mnniceethno.com/dj - Use code DJ22 for 22% off your first order. https://www.bruntworkwear.com/danny - Use code DANNY for $10 off BRUNT workwear. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off EPISODE LINKS https://www.iheart.com/podcast/1119-body-bags-with-joseph-sco-87375583 https://www.instagram.com/josephscottmorgan https://x.com/joscottforensic FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - coroners vs. medical examiners 05:53 - what happens to unidentified bodies 15:23 - performing autopsies at 21 years old 20:34 - Sharon Tate's coroner 24:48 - hardest thing a death investigator has to do 35:06 - the toll of being a death investigator 42:23 - seeing ghosts of the dead 52:25 - PTSD & recurring nightmares from seeing death 01:04:05 - first thing a medical examiner does at a death scene 01:13:23 - most disgusting death of Joseph's career 01:22:32 - the death penalty & prisoner autopsies 01:34:02 - attending death row executions 01:45:06 - analysis of George Floyd's death 01:52:50 - the Idaho 4 murders 02:11:49 - why Bryan Kohberger left some roommates alive 02:20:20 - the death of Danny Casolaro 02:24:06 - problems with Jeffrey Epstein's autopsy report 02:37:36 - Jeffrey Epstein's noose mystery 02:50:23 - what happened to Epstein's victims Learn more about your ad choices. Visit podcastchoices.com/adchoices

Le 9 août 1969 à Los Angeles aux Etats-Unis, quatre adeptes de la communauté de Charles Manson viennent de pénétrer dans la villa du réalisateur Roman Polanski. Il est absent. Sa femme, la comédienne Sharon Tate, est là avec trois amis…Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Le 9 août 1969 à Los Angeles aux Etats-Unis, quatre adeptes de la communauté de Charles Manson viennent de pénétrer dans la villa du réalisateur Roman Polanski. Il est absent. Sa femme, la comédienne Sharon Tate, est là avec trois amis…Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

*The definitive and bestselling account of Charles Manson* 'A sprawling, fast-paced account of Manson's life' The Times ' Fascinating' Daily Mail __________ Los Angeles, California. 1969. Seven people are found shot, stabbed and beaten to death in Beverley Hills. Among them is actress Sharon Tate, the beautiful young wife of Roman Polanski. It soon became apparent that a happyish cult known as 'The Family' was responsible. Their charismatic and manipulative leader, Charles Manson, took the public's imagination. As the world watched in morbid fascination, the sensational and horrifying details of the case slowly emerged. Coming Down Fast is the definitive and most revealing account of one of the most notorious criminals in history, charting Manson's terrifying rise from petty-criminal to one of the most recognisable icons in criminal history. Including never-before-published photographs, this is the definitive book about Charles Manson.https://amzn.to/3VFdd3qBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Part One | Part TwoI didn't just leave the Democratic Party. I ran screaming from them. On Friday night, I was reminded once again why.The news hit X that Trump had died. It wasn't true, of course, but for some reason, those who think that the only way to gain back power from Trump is “mess with him” or “troll him” seemed to think this was funny.But as usual, the Left can't meme. It wasn't funny. It was chilling because of how obsessed with Trump they've been and how their hatred has boiled over into madness.It became a frenzy, a wild-eyed bacchanalia on TikTok. They were smiling and cackling at the mere thought of “it finally happening.”After all, the TikTok trend of “when it happens” has been flourishing on the app, along with “somebody just do it,” for quite some time. They're strung-out junkies by now, hunting for that dopamine hit that comes from blurting out what shouldn't be said.Looking at their eyes, their crazy, crazy eyes, always makes me think of the Manson followers who had that same look, especially as they skipped through the courthouse while on trial for having slaughtered innocent people who were enjoying a hot August night in 1969 before the creepy crawlers came.The conclusion at the time was that they'd been brainwashed by Charlie. But how he brainwashed them wasn't that different from how the Left has brainwashed their followers. He surfed the wave of the anti-establishment counterculture, finding easy targets to dehumanize and blame. Are you angry? He seemed to say, take it out on them. They deserve it.The evil was at the top - cops were “pigs,” the rich “deserved” to die, which is why when Susan Atkins, aka Sadie, plunged the knife into the pregnant stomach of Sharon Tate, she only felt relief and a kind of euphoria:The Left of today reminds me so much of my childhood growing up as a hippie kid in Topanga during that time. I was too young to really remember the Manson murders, but I could sense the vibe shift in the wake of them. It was their inability to hold power, how the silent majority rejected them, that transformed the “make love not war” hippies into violent radicals.I also knew that we all believed religion was too oppressive, which is partly what birthed the counterculture movement in the first place. Sex, drugs, and rock n' roll only took us so far, I remember that, too. I was a child of the narcissistic “me” generation, where kids were sidelined as adults chased their bliss and “found themselves.”The rise of feminism also meant women adopted a false sense of security, and serial killers and rapists began sprouting up like mushrooms all through the 1970s. I remember the gas lines and the malaise. I remember the pendulum shift, and how welcome it was when our culture finally became too exhausted of the hippies, especially after the violence, and opted for a different kind of life.Money and success were the fix in the 1980s - mortgages, marriages, kids, jobs. But even that failed to do the trick. We were still broken and empty inside. By the 1990s, just as the self-help revolution and therapy culture arose in the wake of the FCC allowing Pharma to market to consumers, we turned to the brave new world of psychologists and psychiatrists who would “fix” us, heal us from our trauma and abuse.After a while, though, how we were abused, what made us victims, would eventually become our identity. For years, every time I met a man or anyone, I would tell my story of abuse to put it all into context: see me as a victim, feel sorry for me.In 2008, the Wall Street bailout of $700 billion was the crisis that sparked the Fourth Turning, according to Neil Howe, who co-authored the book with the late William H. Strauss. But it was an important year for another reason. It was the rise of Barack Obama, the iPhone, Twitter, and Facebook.While the bailout would awaken the public and eventually birth two populist movements — Occupy Wall Street and the Tea Party — the rise of Obama would be the religion we didn't even know we needed. It was a collective sense of purpose where everyone had a seat at the table, but mostly focused on marginalized groups, everyone but the majority.We colonized the internet as Obama built his coalition on Twitter, as civilization began to migrate into virtual spaces. Because we were all connected, we could decide the rules of behavior, of language, of status. We remade a new America online to address our collective trauma and abuse and build a better America, a shining Woketopia on the Hill.As wealth and power shifted Leftward under Obama's rule, much of America's rust belt was abandoned. We didn't realize this as we tinkered with our perfect little world, our insulated bubble. We were so cut off that we almost speciated, with an entirely different language from the rest of America.The ruling elites could find absolution by borrowing oppression. They could elevate the marginalized and use them as a protective layer as the populists began rising up against the government.The Democrats, as the party of the wealthy, didn't have to address their needs or even acknowledge them. Turning the public against them by convicting them as “racists” in the media and in the court of public opinion served the Democrats well. Now, they had an existential crisis because Trump was leading the populists, and they were about to shock the world by winning.Mass PsychosisTrump's win would kick off Trump Derangement Syndrome, otherwise known as mass psychosis. Maybe it wouldn't have afflicted so many and gone on for so long if the people at the top - the Democrats and the ruling class - cared enough to calm things down. But they didn't. Having a public crippled by mass psychosis served their needs.Trump Derangement Syndrome: The Movie begins there. It was never about Trump. He was what Alfred Hitchcock would call “The MacGuffin.” It's the thing people in the movie care about, but the audience knows doesn't matter.As they chased their Macguffin for ten years, they had no idea that the real story unfolding was what happened to all of them. What happened during COVID, during lockdowns? What happened to a group of people who were fed the Russiagate lie, and even now, it has never been corrected or debunked.What happened to people who were told by the New Yorker, the New York Times, and the Washington Post that fascism was coming to America? What happened to the young people who absorbed and internalized the unending and relentless focus on the evils of Trump as the media cherry-picked the worst things he said and dumped them into the churn?And all for what? To turn out voters when the candidates don't drive enthusiasm? They never once thought using fear for that long would ultimately cause a mental health crisis in this country, especially among the young?By 2020, I could no longer endure the daily ritual, the two minutes of hate for one more minute.It felt like poison. I had to know whether it was true or not. Was Trump really all of these things we believed him to be, or was he the guy we all remembered from the 1980s, the guy in Home Alone? Or, in the worst-case scenario, was he the Goldstein-like figure from Orwell's 1984, used only to keep their voters in compliance and full of hate?So I did the hard thing and I decided to find out for myself. I watched Trump's rallies heading into the election, all five a day. I saw his supporters for the first time. They were nothing like as described. They were intersectional, for one thing, all different races, gay people, and even trans people.The one thing they had in common was that they did not belong to the ruling class and were not part of the Doomsday Cult. They were sick of Trump Derangement Syndrome: The Movie. They were exhausted by it. They wanted to move on. So did I.For me, finally seeing that none of it was real, that Trump wasn't who I was led to believe he was, that he was the Macguffin, and his supporters were not mouth-frothing brown shirts fueled by racism. And that meant, for me, there was no going back. It took all the courage I could muster — my Soylent Green is People moment, my To Serve Man is a Cookbook plea to say to them, “It's not about race. It's about class!”But class had been eliminated out of necessity. If America is a systemically racist country, then Barack and Michelle Obama are still oppressed, which gives them status. But some white guy strung out on fentanyl dying on the streets in Wisconsin is still an oppressor and has no status.Are they surprised the revolution happened to them?The Trump They Invented Never ExistedThe story the Left has been telling itself is how Shakespeare once described life in the play Macbeth: A tale told by an idiot, full of sound and fury, signifying nothing.Focusing solely on Trump for ten long years has meant they have never made any progress in solving the problems that put Trump in power in the first place.They've only hurt themselves because there is no version of this movie that comes to anything good. Should they take back power, what is their plan for the rest of the country that voted for Trump? Gulags? Mass deportation? Firing squads?Trump Derangement Syndrome has all but collapsed the empire, with Hollywood barely clinging to life, network television hemorrhaging viewers, and a rising counterculture movement they can't keep up with. Their jokes aren't funny. Their movies are unwatchable. Their moral superiority is unbearable.Voters are fleeing like rats off a sinking ship.The Democrats themselves have been recorded now as having no faith in the direction of the country, down to zero for the first time in history.Unfortunately, there is no snapping out of it any time soon. They are trapped in a hell of their own making and have arrived at the abyss. Their Great White Hopes, such as Gavin Newsom and JB Pritzker, seem to think that “fighting back” must also mean reflecting the mass psychosis that has distorted their perception of reality.But a great leader would be the one to help them out of it, offering rationality and critical thinking. A good leader would welcome Trump's help with crime to save mothers from having to worry about their children, but this is not a party that cares about them. This is a party that only cares about the ruling elite, still stuck in the Doomsday cult.It should not be about Donald Trump 10 years laterWhat has destroyed the Democrats and the Left was never Trump. They could have easily beaten him. They just had to be a little less crazy. But they couldn't even do that. The voters had in Trump someone who could see the working class at all, let alone help address their problems. But really, most of us voted for Trump as a way outThe Democrats have become so disconnected from reality that they believe it's acceptable to sterilize children and amputate their body parts, among other horrors.There is no such thing as a sane Democrat. Even those who seem semi-sane, like Rahm Emanuel, will buckle under the question of “gender affirming care.”That made voting for Trump in 2024 one of the easiest things I've ever done. I will spend the rest of my life reminding every single Democrat that they not only went along with it, but they also fought to preserve it. They own this and every terrible thing that will happen in the next ten years as children wake up and become adults and realize what has been done to them.That's just one of the reasons I think Trump is the Gray Champion of this Fourth Turning, the one we're living through now. 8 years ago, Neil Howe was asked this question. He wasn't prepared to answer it because Trump's presidency had not yet been tested.All of these years later, it's hard to see Trump as anything else:And maybe that's why a death fantasy was their last best hope. Maybe deep down, they know this is the end. Trump Derangement Syndrome: The Movie is nothing less than the rise and fall of a once-mighty empire and a disastrous campaign that has all but destroyed the minds of a generation.What the Democrats don't realize or won't accept is that the pendulum wants to swing. So let it. But until they find their way out of mass psychosis, we should do everything we can to keep them as far away from our schools and our government as possible.It brings me no pleasure to watch the empire fall, but I always knew it would. We built an empire of lies. I also knew that sooner or later, the truth would bring the whole thing crashing down.You can't stop what's coming. It ain't all waiting on you. That's vanity. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Today on another encore episode of the Rarified Heir Podcast we are talking to returning (or is it returning, returning, oh well, whatever, never mind), guest Eric Bonerz, son of actor/director Peter Bonerz. We had such a good time talking to Eric in our first conversation, we brought him back to discuss more of the wild and the wacky things we connected on the first time around. Of course, like many of our guests, we discussed the weird and wonderful connection we have to the Oakwood School like so many of our past guests. Be it Peter Rafelson, Carnie Wilson, Jason Everly or many others nothing bonds us closer than Gorilla Glue like Oakwood. But this time around we delve deep into more on his dinner with cartoonist Chuck Jones as a small kid, what it was like mixing a track with Trent Reznor at the infamous house where Sharon Tate was murdered (really),  befriending director Harmony Korine while running the X-Large store in New York for The Beastie Boys, and drumming for Free Kitten from then Sonic Youth's co-hort Kim Gordon & much much more. This is the Rarified Heir podcast and everyone has a story.      

Unnatural celebrity deaths and unnaturally celebrated murders pockmark the history of Los Angeles, looming as large in the public imagination as the Hollywood stars themselves. Death in Paradise is the first authorized history of the Los Angeles Coroner's Office, revisiting the most culturally significant and forensically complex cases of accidental death, suicide or murder of the famous. It documents the notorious deaths of Senator Robert Kennedy, Marilyn Monroe, Sharon Tate, Janis Joplin and many others, providing an unflinching view of Tinseltown's dark, even perverse underbelly.Brad Schreiber, who wrote the original hardcover for book packager Tony Blanche, has updated many of the fascinating cases in Death in Paradise and added new photographs for this e-book edition. Schreiber, who created the truTV series North Mission Road inspired by this book, also presents some of the lesser-known but most puzzling deaths in the history of Hollywood. Did 1930s comedy film star Thelma Todd accidentally die of carbon monoxide poisoning in her own garage, commit suicide or was she killed by the jealous lover who locked her out of her own house? Death in Paradise highlights the bizarre as well as the renowned. There's the story of a funhouse dummy that got broken during a TV show filming, only to reveal the mummy of a Wild West gunslinger underneath. Or how about the murderer of a woman who was caught, based upon the ingredients in the exotic cocktail found in his victim's stomach?In addition to these mind-bending investigations, Death in Paradise summarizes the surprising origins of early historical medical examiners, the development of forensic science and, of course, the rise of the Los Angeles County Department of Coroner, the most technologically advanced in the world…and the only one with its own gift shop. https://amzn.to/4mcilYBBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Demonic: How the Liberal Mob Is Endangering America by Ann Coulter. French Revolution chapter 6 All of Ann Coulter's Books are a must have on every Conservatives' bookshelf. Buy them Today... All of them!   The demon is a mob, and the mob is demonic. The Democratic Party activates mobs, depends on mobs, coddles mobs, publicizes and celebrates mobs—it is the mob. Sweeping in its scope and relentless in its argument, Demonic explains the peculiarities of liberals as standard groupthink behavior. To understand mobs is to understand liberals.   In her most provocative book to date, Ann Coulter argues that liberals exhibit all the psychological characteristics of a mob, for instance:   Liberal Groupthink: “The same mob mentality that leads otherwise law-abiding people to hurl rocks at cops also leads otherwise intelligent people to refuse to believe anything they haven't heard on NPR.” Liberal Schemes: “No matter how mad the plan is—Fraternité, the ‘New Soviet Man,' the Master Race, the Great Leap Forward, the Cultural Revolution, Building a New Society, ObamaCare—a mob will believe it.” Liberal Enemies: “Instead of ‘counterrevolutionaries,' liberals' opponents are called ‘haters,' ‘those who seek to divide us,' ‘tea baggers,' and ‘right-wing hate groups.' Meanwhile, conservatives call liberals ‘liberals'—and that makes them testy.” Liberal Justice: “In the world of the liberal, as in the world of Robespierre, there are no crimes, only criminals.” Liberal Violence: “If Charles Manson's followers hadn't killed Roman Polanski's wife, Sharon Tate, Clinton would have pardoned him, too, and he'd probably be teaching at Northwestern University.”   Citing the father of mob psychology, Gustave Le Bon, Coulter catalogs the Left's mob behaviors: the creation of messiahs, the fear of scientific innovation, the mythmaking, the preference for images over words, the lack of morals, and the casual embrace of contradictory ideas. Coulter traces the history of the liberal mob to the French Revolution and Robespierre's revolutionaries (delineating a clear distinction from America's founding fathers), who simply proclaimed that they were exercising the “general will” before slaughtering their fellow citizens “for the good of mankind.” Similarly, as Coulter demonstrates, liberal mobs, from student radicals to white-trash racists to anti-war and pro-ObamaCare fanatics today, have consistently used violence to implement their idea of the “general will.” This is not the American tradition; it is the tradition of Stalin, of Hitler, of the guillotine—and the tradition of the American Left. As the heirs of the French Revolution, Democrats have a history that consists of pandering to mobs, time and again, while Republicans, heirs to the American Revolution, have regularly stood for peaceable order. Hoping to muddy this horrifying truth, liberals slanderously accuse conservatives of their own crimes—assassination plots, conspiracy theorizing, political violence, embrace of the Ku Klux Klan. Coulter shows that the truth is the opposite: Political violence—mob violence—is always a Democratic affair. Surveying two centuries of mob movements, Coulter demonstrates that the mob is always destructive. And yet, she argues, beginning with the civil rights movement in the sixties, Americans have lost their natural, inherited aversion to mobs. Indeed, most Americans have no idea what they are even dealing with.             Only by recognizing the mobs and their demonic nature can America begin to defend itself.

As a child, Roman Polanski escaped from a Krakow ghetto on the day the Nazis took his father to a concentration camp. As a new filmmaker, he became the toast of young Hollywood with his 1968 horror masterpiece, Rosemary's Baby. But after the brutal murder of his wife, Sharon Tate, at the hands of the Manson family, Polanski unraveled. He wound up committing a heinous crime that led him to escape yet again – this time fleeing the country when an angry judge was ready to throw the book at him. This episode contains themes that may be disturbing to some listeners, including child sexual abuse. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

As a child, Roman Polanski escaped from a Krakow ghetto on the day the Nazis took his father to a concentration camp. As a new filmmaker, he became the toast of young Hollywood with his 1968 horror masterpiece, Rosemary's Baby. But after the brutal murder of his wife, Sharon Tate, at the hands of the Manson family, Polanski unraveled. He wound up committing a heinous crime that led him to escape yet again – this time fleeing the country when an angry judge was ready to throw the book at him. This episode contains themes that may be disturbing to some listeners, including child sexual abuse. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This is a Grave Talks CLASSIC EPISODE! Cielo Drive is whispered about in true-crime circles for one reason: tragedy refuses to loosen its grip on this sloping lane above Beverly Hills. Long before Hollywood knew its name, the land echoed with sorrow from clashes between Spanish settlers and the Tongva people. But the address seared into modern memory is 10050 Cielo Drive—the site of the 1969 murders that claimed the life of actress Sharon Tate and four others. In the late 1990s, producer David Oman and his father broke ground just a few doors away, intending to build their dream home. Almost immediately, David realized he'd invited more than contractors onto the property. Footsteps in empty hallways, full-bodied apparitions, and disembodied voices soon convinced him that the valley of shadows along Cielo isn't finished telling its story.  If you enjoy our interviews and conversations about "The Dead," why not listen ad-free? Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!

This is a Grave Talks CLASSIC EPISODE! Cielo Drive is whispered about in true-crime circles for one reason: tragedy refuses to loosen its grip on this sloping lane above Beverly Hills. Long before Hollywood knew its name, the land echoed with sorrow from clashes between Spanish settlers and the Tongva people. But the address seared into modern memory is 10050 Cielo Drive—the site of the 1969 murders that claimed the life of actress Sharon Tate and four others. In the late 1990s, producer David Oman and his father broke ground just a few doors away, intending to build their dream home. Almost immediately, David realized he'd invited more than contractors onto the property. Footsteps in empty hallways, full-bodied apparitions, and disembodied voices soon convinced him that the valley of shadows along Cielo isn't finished telling its story. This is Part Two of our conversation. If you enjoy our interviews and conversations about "The Dead," why not listen ad-free? Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!

Mama Cass' role as Hollywood's hippie den mother pulled her into the orbit of troubling company during the “Summer of Love.” The former singer of The Mamas and the Papas thrived in Laurel Canyon's social circles, which included her close friend Sharon Tate and Sharon's husband, filmmaker Roman Polanski. But Cass' alleged involvement in some of the long rumored-hedonistic events put her at the center of a counter-narrative that explosively disrupts the supposed motive for the Manson family murders. Decades later, there's plenty to debunk about the final years of Mama Cass' life— including a silly, fat-shaming myth surrounding her death that has persisted for nearly 50 years. This episode contains themes that may be disturbing to some listeners, including domestic violence and graphic descriptions of violence and sexual assault. Do you believe the accepted narrative around Helter Skelter as put forth by Vincent Bugliosi?? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. To see the full list of contributors see the show notes at www.disgracelandpod.com. This episode was originally published on December 13, 2022. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices