Podcast appearances and mentions of Amanda Plummer

In this episode, we kick off our Year of the Nineties selections for May with the 1991 dark comedy from director Terry Gilliam, "The Fisher King", starring Jeff Bridges, Robin Williams and Mercedes Ruehl! Listen now!

Take a seat at your favorite diner and tune in this month as Austin and Big T talk about the 1994 crime thriller, Pulp Fiction.Join us as we talk about our favorite characters, share what we loved most about this movie, and explore just why we think it became such a classic. And, of course, you can't talk about Pulp Fiction without bringing up the enigmatic briefcase!So grab that $5 shake and give us a listen, then join us next month when we discuss the 1993 classic, The Sandlot.Write into us at layersoffilmpod@gmail.comFollow us on Instagram, Twitter, and TikTok: @layersoffilmpod

National Tamale day.  Entertainment from 1968.  1st elevator installed, Polygamy outlawed, only men can be charged with statutory rape.  Todays birthdays - Joan Crawford, Tony Burton, Ric Ocasek, Chaka Khan, Amanda Plummer, Chatherine Keener, Marin Hinkle, Keri Russell, Brett Young, Brett Eldridge.  Elizabeth Tayolor died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Hot tamales - Mr. WeeblThe box - Roddy RichHomesick - Kane BrownBirthdays - In da club - 50 Cent    http://50cent.com/Best friends girlfriend - The CarsI feel for you - Chaka Khan2 1/2 Men TV themeLike I love you - Brett YoungDon't ya - Brett EldridgeExit - Do you wanna go out - Emily Lockett   https://www.emilylockett.co.uk/ countryundergroundradio.comHistory and Factoids website

An ex-firefighter stuck in a dead-end job is offered a chance to live it up for a week if he jumps in a volcano and dies so a rich man can steal some natural resources from a tropical island. Well, who wouldn't say yes to that? Dennis Vs the Movies month continues, featuring an interview with Mary's mom! Starring Tom Hanks, Meg Ryan, Lloyd Bridges, Abe Vigoda, Robert Stack, Ossie Davis, Dan Hedaya, Amanda Plummer, and Nathan Lane. Written and directed by John Patrick Shanley.

“I'm pissed off and the whole world owes me.” We're taking a look at one of the all-time best cult classics on this week's episode of The Blind Rage Podcast! In FREEWAY, Matthew Bright's delightfully twisted reinterpretation of “Little Red Riding Hood,” we're introduced to Vanessa Lutz (Reese Witherspoon in one of her best roles), a teenage felon from the wrong side of the tracks. After her mother (Amanda Plummer) is arrested for prostitution, Vanessa decides she's going to start over by relocating to her grandmother's trailer in upstate California. On the freeway, her car breaks down, but she is quickly rescued by Bob Woverton (Kiefer Sutherland), a social worker who aids troubled juveniles and portrays himself as her savior. After a long line of manipulative questions meant to let Vanessa drop her guard, Bob reveals his true identity. He is actually a razor-wielding predator known as The I-5 Killer, and his preferred victims are young girls just like Vanessa.

Love is in the air at Severin and this month is proof that romance comes in all shapes and sizes. Join us and special guest Kier-La Janisee as we break down this very romantic slate of titles coming out this February. We celebrate the much anticipated volume 2 of HOUSE OF PSYCHOTIC WOMEN (BUTTERFLY KISS, MORGIANA, THE SAVAGE EYE, and THE GLASS CEILING), IN MY SKIN making it's UHD debut, and the most unconventional love story of them all... Joe Orton's iconic ENTERTAINING MR. SLOANE. As always, DJ Alfonso provides a playlist of songs inspired by this months drop! Hope you're ready for this!   Timecodes for the Episode: 02:47 - ENTERTAINING MR. SLOANE 18:37 - HOUSE OF PSYCHOTIC WOMEN V2 19:55 - BUTTERFLY KISS 38:02 - MORGIANA 47:08 - THE SAVAGE EYE 59:55 - THE GLASS CEILING 1:14:24 - IN MY SKIN 1:37:00 - HOPW Board Game 1:44:50 - Rendezvous After Hours

Send your questions or provocations to Adam or Budi here!Robert Barry Fleming is the Executive Artistic Director of Actors Theatre of Louisville, KY. They have a varied portfolio and a wealth of experience as an artistic leader/administrator, producer, director, choreographer, performing artist, teacher and coach. Their directing/choreography credits include Laura Kaminsky's transgender journey contemporary opera As One (KY Opera); the world premiere of Jonathan Norton's I Am Delivered't (Dallas Theatre Center/Actors Theatre of Louisville co-production); the world premiere of Grace, a new musical by Nolan Williams, Jr., and Pulitzer Prize nominee Nikkole Salter (Ford's Theatre) which was honored as a Broadway World Winner for Best Direction of a Musical and Best Choreography of a Play or Musical; the Humana Festival of New American Plays Professional Training Company's production of Vivian Barnes, Jonathan Norton and Gab Reisman's Are You There? Robert's original ballet suite Hydra for Program 4 mixed repertory (Louisville Ballet); The world premiere of Idris Goodwin's Ali Summit (Actors Theatre of Louisville), Once On This Island (Actors/Cincinnati Playhouse in the Park co-production), Native Gardens (Cleveland Play House), NEXT TO NORMAL (Tantrum Theater), The Royale (CPH), Destiny of Desire (OSF), Caroline Or Change (Tantrum Theater), and Between Riverside And Crazy (CPH). Robert formerly served as Director of Artistic Programming at Arena Stage and Associate Artistic Director at Cleveland Play House. Arena Stage world-premieres commissioned, developed and/or championed under their watch include the 2017 Best Musical Tony-winner, Dear Evan Hansen, Mary Kathryn Nagle's Sovereignty, John Strand's The Originalist, Katori Hall's Blood Quilt, Karen Zacarías' Destiny of Desire and the 2017 Pulitzer Prize winner, Sweat by Lynn Nottage.  Robert was an Associate Producer for the Off-Broadway premiere of The Two Character Play by Tennessee Williams, starring Amanda Plummer and Brad Dourif. Robert is a proud member of the Professional Non-Profit Theatre Coalition (PNTC) planning committee endeavoring to evolve our relationship with governmental support for the arts as well as, our SDC, AEA, and TCG collectives working in solidarity for an equitable and sustainable praxis for our arts ecosystem. Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Spinning out of last week's review of The Year Without a Santa Claus, this week we're looking at another classic Rankin/Bass Christmas cartoon that debuted fifty years ago: 'Twas the Night Before Christmas! It's set in the bizarre little town of Junctionville, where humans and mice coexist in a way we can't quite figure out. There we meet a humble clockmaker, a nerdy mouse, a clueless wacky mayor, an egomaniacal vindictive Santa, and a selfish materialistic populace dreaming of a huge Christmas payday, if only their giant musical clock doesn't explode. It's magnificent. We also discuss the whole voice cast, including Jennifer Grey's father, Amanda Plummer's mother, one of the Bad News Bears, Franken Berry, Twinkie the Kid, and (according to Wikipedia) an "owl-faced, portly character actor." So knock back an egg nog or six, let up a little on the wonder why, and give this podcast a try. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Earth Station DCU!  

Benson and Stabler look for a serial rapist who's targeting women with disabilities. Into the squad room walks Miranda Cole, a woman with schizophrenia (Amanda Plummer, in an Emmy-winning appearance), but it's hard to find answers within her disorganized speech. Olivia butts heads with Miranda's doctor, a former cop who went to the academy with her. Tidbits from the victim's ramblings lead Munch and Tutuola to a closeted gay man who's a strong suspect, but Cragen says his DNA doesn't match the crime scenes. Stabler breaks the rules to decipher the misleading DNA, while Benson lets Miranda be Miranda to discover important evidence.We're talking about Special Victims Unit season six episode nine "Weak." Our guest is Aviv Rubinstein of the "Special Viewing Unit" podcast.This episode is inspired by the ripped-from-the-headlines story of Troy Graves. For exclusive content from Kevin and Rebecca, sign up on Patreon.

Always on the lookout for Westerns starring women, Michael and Pax watch Lamont Johnson's Cattle Annie and Little Britches. Amanda Plummer and Diane Lane insert themselves into a demotivated outlaw gang (run by Burt Lancaster and Scott Glenn) as it tries to avoid capture by Marshal Rod Steiger.  Pax also watches The Thicket (2024) while Michael takes a look at Heart of Arizona (1938) and The Bold Caballero (1936).

"He's afraid Satan will hear him." We have come to end of our Halloween Horrors line up for October, but don't be worried because we're closing out the month with a gem that is finally getting its much deserved praise 20 years later! This week, we're joining Henrique and David over in White Plains, NY, for a slice of low budget horror dripping with all the makings of perfect Halloween time selection. A naive young boy unknowingly becomes the pawn of a serial killer on Halloween night in small island town in 2004's "Satan's Little Helper" ! Directed by Jeff Liberman and starring Alexander Brickel, Katheryn Winnick, and Amanda Plummer. Hear your hosts discuss how they both discovered the film, why the recent blu ray release has made the film readily available again, why the humor works so well even in this grim story, the director's inspiration for the film from a real life experience with a Gorilla Gram at his 50th Birthday party, plus a listener's request for great PG-13 horror, and the origin of the mask used by the killer?!Visit our website: DoYouEvenMovie.com Email us: doyouevenmoviepod@gmail.com LIKE us on Facebook: Do You Even Movie? - PodcastFollow Us on Instagram: @DoYouEvenMoviePod Twitter: https://x.com/dyempodWatch Satan's Little Helper on Screambox:https://www.amazon.com/gp/video/detail/B0B8KRWQCD/ref=atv_dp_share_cu_r

"He's afraid Satan will hear him." We have come to end of our Halloween Horrors line up for October, but don't be worried because we're closing out the month with a gem that is finally getting its much deserved praise 20 years later! This week, we're joining Henrique and David over in White Plains, NY, for a slice of low budget horror dripping with all the makings of perfect Halloween time selection. A naive young boy unknowingly becomes the pawn of a serial killer on Halloween night in small island town in 2004's "Satan's Little Helper" ! Directed by Jeff Liberman and starring Alexander Brickel, Katheryn Winnick, and Amanda Plummer. Hear your hosts discuss how they both discovered the film, why the recent blu ray release has made the film readily available again, why the humor works so well even in this grim story, the director's inspiration for the film from a real life experience with a Gorilla Gram at his 50th Birthday party, plus a listener's request for great PG-13 horror, and the origin of the mask used by the killer?!Visit our website: DoYouEvenMovie.com Email us: doyouevenmoviepod@gmail.com LIKE us on Facebook: Do You Even Movie? - PodcastFollow Us on Instagram: @DoYouEvenMoviePod Twitter: https://x.com/dyempodWatch Satan's Little Helper on Screambox:https://www.amazon.com/gp/video/detail/B0B8KRWQCD/ref=atv_dp_share_cu_r

Join Jackie and Danielle as they dive into the gritty world of the 1996 neo-noir crime thriller, Freeway. This shocking film follows Vanessa, a rebellious teenager who becomes entangled in a dangerous web of violence and deception after a brutal assault. We'll discuss the film's dark themes, memorable characters, and the chilling performances of Reese Witherspoon as Vanessa and Kiefer Sutherland as the Freeway Killer. Don't miss this in-depth exploration of a 90s cult classic. Starring: Reese Witherspoon, Kiefer Sutherland, Amanda Plummer, Alana Ubach, Brittany Murphy, and Bokeem Woodbine Written and Directed By: Matthew Bright No More Late Fees  909-601-NMLF (6653) — Follow Us on Social: Instagram TikTok Facebook Youtube Twitter — CONQUERing 10% Off Code: JACKIE10 — NostaBeauty 20% Off Code: NMLF  — --- Support this podcast: https://podcasters.spotify.com/pod/show/nomorelatefees/support

"Plaion" haut eine große, dicke Box raus, da nimmt Florian Wurfbaum vom "Cine Entertainment Talk" doch mal schnell die Chance wahr, um endlich mal zuzugreifen, um Christopher Walken beim Seelen schlucken zuzuschauen. Wie im "God's Army" heute, bei einer Erstsichtung gefiel, das hört ihr in dieser Folge!

Patreon strikes again! Michael Bagford joins the fellas this week to talk about the Emilio Estevez-starring Freejack. They talk all about Emilio's sexy quirks (and Brendan wonders if he's actually a good actor or not), the connection to Futurama, trashcan fires, Anthony Hopkins genuinely "phoning in" his performance, the Spiritual Switchboard and much more. Next week: Die Hard? Kinda? What We've Been Watching: American Movie "Ted Lasso" "Who Killed WCW?" Questions? Comments? Suggestions? You can always shoot us an e-mail at wwttpodcast@gmail.com  Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/its.mariah.xo Montrose Monkington III: www.twitter.com/montrosethe3rd Freejack stars Emilio Estevez, Rene Russo, Mick Jagger, Jonathan Banks, Amanda Plummer, Frankie Faison, David Johansen and Anthony Hopkins; directed by Geoff Murphy. Learn more about your ad choices. Visit megaphone.fm/adchoices

An arrogant New York shock-jock's fall from grace is tempered by the debt he owes to an eccentric unhoused man, the woman he loves, and a search for the Holy Grail in Terry Gilliam's magical-realist tale of redemption. Starring Jeff Bridges, Robin Williams, Mercedes Ruehl, Amanda Plummer, and Michael Jeter. Written by Richard LaGravanese. Directed by Terry Gilliam. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies.  

Analisamos "Pulp Fiction" no aniversário de 30 anos de um dos mais populares e influentes filmes dos anos 90, escrito e dirigido por Quentin Tarantino. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Confira abaixo a minutagem dos quadros e capítulos do podcast: 00:00:00 - Introdução 00:05:20 - Grande Angular: ficha do filme e as origens de "Pulp Fiction" 00:13:59 - Close-up: O que o estilo de cinema de Quentin Tarantino tem de melhor? 00:29:49 - Ponto de Vista: Como é rever "Pulp Fiction" 30 anos depois? 00:48:01 - Ponto de Vista: "Pulp Fiction" é mais linguagem do que substância? 01:04:41 - Ponto de Vista: A violência nos filmes do Tarantino é um mérito ou um problema? 01:27:35 - Ponto de Vista: "Pulp Fiction" tem um protagonista? 01:42:59 - Zoom: nossas cenas favoritas de "Pulp Fiction" 01:56:20 - Fora de Quadro: Prequel sobre os irmãos Vega? 01:59:35 - Fora de Quadro: Qual é o seu filme favorito do Tarantino? Vencedor da Palma de Ouro no Festival de Cannes, "Pulp Fiction" é estrelado por John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis e Ving Rhames nos papéis principais. No elenco coadjuvante, estão Tim Roth, Amanda Plummer, Eric Stoltz, Christopher Walken, Harvey Keitel, Rosanna Arquette e Maria de Medeiros. Além da análise do filme, o nosso podcast traz os bastidores da origem de "Pulp Fiction" e discute tópicos como a influência que o longa teve sobre cineastas da nova geração, o duelo entre forma e conteúdo nos filmes de Tarantino, sua colaboração com a montadora Sally Menke, o uso da violência como entretenimento, entre outros. Também elegemos nossas cenas favoritas de "Pulp Fiction" e os nossos filmes favoritos do Tarantino. Participam do podcast: Renato Silveira e Kel Gomes, editores do cinematório; Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder"; Renné França, professor, crítico, diretor do filme “Terra e Luz”, autor do livro "Introdução ao Roteiro para Cinema", que pode ser baixado na bio do seu perfil Insólito Audiovisual; e Paulo Henrique Fontenelle, montador e diretor dos documentários “Loki – Arnaldo Baptista”, “Cássia”, “Dossiê Jango” e da série “O Caso Escola Base”. No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br.

National Tamale day.  Entertainment from 1968.  1st elevator installed, Polygamy outlawed, only men can be charged with statutory rape.  Todays birthdays - Joan Crawford, Tony Burton, Ric Ocasek, Chaka Khan, Amanda Plummer, Chatherine Keener, Marin Hinkle, Keri Russell, Brett Young, Brett Eldridge.  Elizabeth Tayolor died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/Hot tamales - Mr. WeeblSittin on the dock of the bay - Otis ReddingA world of our own - Sonny JamesBirthdays - In da club - 50 Cent    http://50cent.com/Best friends girlfriend - The CarsI feel for you - Chaka Khan2 1/2 Men TV themeLike I love you - Brett YoungDon't ya - Brett EldridgeExit - Its not love - Dokken    http://dokken.net/https://coolcasts.cooolmedia.com/

In this week's episode, I rate the movies and TV shows I shaw in Winter 2024. This week's coupon is for the audiobook of GHOST IN THE PACT as excellently narrated by Hollis McCarthy. You can get the audiobook of GHOST IN THE PACT for 50% off at my Payhip store with this coupon code: MARCHEXILE The coupon code is valid through April 5th, 2024, so if you find yourself needing an audiobook to leap into spring, we've got one ready for you! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 192 of The Pulp Writer Show. My name is Jonathan Moeller. Today is March 15th, 2024, The Ides of March, which we're traditionally told to beware, and today we are looking at my Movie and TV Review Roundup for Winter 2024. Before we do that, we will do Coupon of the Week, an update on my current writing projects, and our Question of the Week. So first up, Coupon of the Week. This week's coupon is for the audiobook of Ghost in the Pact, as excellently narrated by Hollis McCarthy. You can get the audiobook for Ghost in the Pact for 50% off at my Payhip store with this coupon: MARCHEXILE and that is spelled MARCHEXILE. As always, the coupon code will be in the show notes. This coupon code is valid through April the 5th 2024. So if you find yourself needing an audiobook on this Ides of March, we've got one ready for you. So an update on my current writing projects. I am about 56% of the way through the first edit of Ghost in the Veils. That means the book should be on track to come out before Easter (which is at the end of March this year), if all goes well. I'm also 40,000 words into Wizard Thief, so hopefully that will come out before too much longer after Ghost in the Veils. I'm 11,000 words into Cloak of Titans. So that is where we're at with my current writing projects. 00:01:19 Question of the Week Now on to our new feature: Question of the Week. This week's question is inspired by the fact that I've spent a lot of the last few weeks setting up my new computer and getting it configured properly. So the question is: what is the first computer you ever used? No wrong answers, obviously. Joachim says his first personal computer was an Atari 1040 ST with 1 MB of RAM. I participated in the “religious war” with the Amiga 500 users, which was better and looked down at the MS-DOS PCs, which only has 640 kilobytes of RAM. Justin says: my first computer was a Timex Sinclair. It had two kilobytes of RAM and I forked out $50 for the 16 KB RAM extender module. The manual that comes with it says you will never need this much memory. I use a cassette tape recorder/player to record more programs and it ran a 300 baud. Todd says his first computer was in 1994. I purchased a 486 DX 2 8 megabytes of RAM for use in school. I believe the hard drive was about 250 MB. The monitor weighed a ton. I wrote a bunch of machine code and played Wolfenstein 3D like crazy. Tarun says in 1993 it was a 386 with four megawatts of RAM with Windows 3.1. I played a lot of Prince of Persia and got bad grades in school. Then the computer was locked up. In my educational defense, I did do some Pascal programming. AM says: my first computer was an Apple IIe at school. Getting to play Number Munchers or Oregon Trail on it was some kind of behavioral reward (and a very effective one at that). William says his first computer was a Macintosh SE in my parent's home office, though “using” is an overstatement since all I did was play a few simple preinstalled games. I also have fond memories of playing the original King's Quest with said parents and something like a Compaq Portable. Rich says Commodore 64 with cassette drive. Didn't have cassette the first day. Spent the whole day punching in code for a blackjack game. My sister walks into the room to turn the computer off, erasing everything. That is a bummer. Juana says: a Gateway. My whole family came to gawk at it, and me setting it up! It had 120 megabytes of RAM. Twice what was the ones that used in the college computer lab! I thought I was set for life. Venus says Commodore Vic20. We played Radar Rat Race and Mom gave us a stack of computer magazines and tape recorder, so we played every game that was in the magazines at the time after we typed in the programs and saved them to the tapes. You are the first person outside my family that ever heard also had one. More on that later. Cheryl says: we got our first computer in the early ‘90s: an Amstrad with an AWA printer. I was doing courses for work, so I needed something to print the assignments, but we also played games on it: Wolfenstein, Lemmings, and Stock Markets. They're the only ones I can remember. Craig says: Apple IIe. I'm oldish. With dot matrix printer and handheld modem, dial-up Internet access, the one you had the dial phone into the holding cradle after you called it in. Tracy says: at college we used the TRS80s. I think she may win the award for oldest computer mentioned in this topic. And Perry says: IBM PC clone at school, a friend's family had a Commodore 64. Our first family computer was a Commodore 128. For myself, I had the same first computer as Venus earlier in the thread. That would be a Commodore Vic20. It had 20 kilobytes of RAM and the Word file for the rough draft of Ghosts in the Veils, which I'm editing right now, is 355 kilobytes in size. So to load the Microsoft Word document of Ghosts in the Veils in Microsoft Word format, I would need about 18 different Commodore Vic 20 computers. That's like 1 computer per chapter and a half. So it is amusing to see how computer technology has changed quite a bit over time. 00:04:56 Winter 2024 Movie/TV Review Roundup Now to our main topic. We are inching closer to spring, so I think it's time for my Winter 2024 Movie Review Roundup. I got a Paramount Plus subscription to watch the Frasier reboot and since Paramount owns Star Trek and the Frasier reboot was only 10 episodes long, I ended up watching a chunk of modern Star Trek this winter. This was a new-ish experience because the last new Star Trek I watched was Star Trek Beyond way back in 2016. That was only eight years ago, but it's been a very eventful eight years, you know? I did watch a lot of Star Trek back in the 1990s. If you had held a gun to my head and demanded, you know, if I consider myself a Trekkie, I would say no, because I think Gene Roddenberry's socialist/utopian vision for the Federation that he put into Star Trek is fundamentally kind of goofy. The shows and movies were at their best when they stayed away from it or subverted it, like how the Federation can only be a utopia because Starfleet seems to have a Black Ops section that does all the unsanctioned dirty work and regularly runs amuck. Or like how Starfleet seems to have an actual mad science division that cooks up all kinds of nasty stuff. So anyway, these are the movies and shows I watched in Winter 2024, and as always, my ratings are wholly subjective and based on nothing more rigorous than my own opinions. We will go through these in order from least favorite to most favorite. So the first movie I watched was Now You See Me, which came out in 2013. Last year, I compared Adam Sandler's Murder Mystery movie to a C- student, but a fun C- student who everyone likes for his great parties and goes on to have a successful career as a regional sales manager. By contrast, Now You See Me is the sort of moody art student who always wears a black porkpie hat and thinks of himself or herself as deep and complicated, but in fact, they're just confusing. This is an apt comparison for this movie. Anyway, the plot centers around four sketchy magicians who are recruited by a mysterious organization called The Eye to carry out a series of high-profile heists using stage magic. I have to admit, that concept sounds even more ridiculous as I said the previous sentence. Anyway, after the first heist, the magicians become fugitives from the FBI but keep carrying on shows, sometimes staying ahead of law enforcement. The trouble is that nothing they do makes very much sense, and it all falls apart if you think about it for more than two seconds. Additionally, the movie overall feels very choppy since they rushed from scene to scene very quickly. The actors all gave very good performances that were entertaining to watch, but honestly, that was about the only thing the movie had going for it. Overall grade: D- Next up is The Marvels, which came out in 2023. This movie was logically incoherent, but actually rather charming and funny. It kind of reminds me of those ‘70s or ‘80s style science fiction movies that don't make much sense, though The Marvels was much lighter in tone than anything that came out in the science fiction space in the ‘60s or ‘70s. The movie got a bad rap because it didn't make back its budget, and apparently Disney rather shamefully threw the director under the bus. But to be fair, the budget for The Marvels was an enormous $274,000,000. To put this into context, the top three movies of 2023 (Barbie, Super Mario Brothers, and Oppenheimer) combined had a total budget across these three movies of $350 million, and together they grossed something like 15 times more than The Marvels did. Anyway, the plot picks up from the end of Ms. Marvel when Kamala Khan, Captain Marvel, and Monica Rambeau discover that their superpowers have become entangled. This means that if two of them use their powers at the same time, all three of them switch places randomly. This makes for a rather excellent fight scene earlier in the movie when the three characters don't know what's going on and are randomly teleporting between three different battles, much to the frequently amusing confusion of all participants. Once things settle down, Captain Marvel and her new friends realize that an old enemy of Captain Marvel is harvesting resources from worlds she cares about. So it's up to them to save Earth from this old enemy's vengeance. I have to admit, the plot of the movie didn't actually make much sense, but it was overall much funnier than Ant-Man 3 and Secret Invasion. The best thing about the movie was Kamala Khan and her family. Kamala, Monica, and Captain Marvel also had an entertaining dynamic together and the planet of space musicals was also pretty funny. I think the movie's biggest, unconquerable weakness was that it was the 33rd Marvel movie. There are all sorts of theories of why the movie didn't perform at the box office: superhero genre fatigue, everyone knew it would be on Disney Plus eventually, the lasting effects of COVID on movie theaters and the movie business, Disney throwing the director under the bus, Disney inserting itself into the US Cultural Wars, etcetera. All those reasons are subjective and subject to personal interpretation. What I think is objectively quantifiable is that The Marvels is the sequel to a lot of different Marvel stuff: The Avengers movie, Wandavision, Captain Marvel, the Guardians of the Galaxy movies, Secret Invasion, and Thor: Love and Thunder. That's like 50 to 60 plus hours of stuff to watch to fully understand the emotional significance of all the various characters in The Marvels. 50 to 60 hours of watching sounds like almost an entire entire semester's worth of homework assignments at this point. As someone who has written a lot of long series, I know that you lose some of the audience from book to book. I think that's ultimately why The Marvels didn't make back its budget. The Marvel movies as a series have just gone on too long and are just too interconnected. Ultimately, I am grateful to The Marvels. Realizing and understanding the concept of Marvel Continuity Lockout Syndrome helped me decide to write something new that wasn't a sequel or even connected to anything else I had written, which eventually led to Rivah Half-Elven and Half-Elven Thief. Overall grade: B- Our next movie is My Man Godfrey, which came out all the way back in 1936. This movie is considered the progenitor or one of the progenitors of the screwball comedy genre. A homeless man named Godfrey is living in a trash dump in New York, though despite his circumstances, Godfrey remained sharp and quick on his feet. One night, a wealthy woman named Cornelia approaches him and offers $5 if he'll come with her. Godfrey is naturally suspicious, but Cornelia assures him that she only needs to take him to a hotel to win a scavenger hunt by finding a forgotten man, which was a term President Roosevelt used to describe people who have been ruined by the Great Depression and then forgotten by the government. I have to admit, Cornelia immediately reminded me of the way the more obnoxious YouTubers and TikTokers will sometimes pay homeless people to participate in dance challenges and suchlike. King Solomon was indeed right when he said that there is nothing new under the sun and what has been done before will be done again. Anyway, Godfrey is offended by Cornell's imperious manner but after he sees Cornelia bullying her kindly but none too bright younger sister Irene, Godfrey decides he'll go with Irene so she can win. A grateful Irene offers him a job as the family's butler. At his first day at work, Godfrey very soon realizes the reason the family has gone through so many butlers: they are all certified certifiably and comedically insane. In addition to these other problems, Cornelia is harboring a massive grudge against Godfrey for losing the scavenger hunt and wants payback. Wacky hijinks ensue. Fortunately, Godfrey has some hidden depths that he will need, which include being much smarter than his employers. Admittedly, this is not hard. 1936 was towards the second half of the Great Depression in the United States, so obviously the movie has more than a bit of social commentary. The characters joked that prosperity is just around the corner and wonder where they can find that corner. The rich characters are uniformly portrayed as some combination of frivolous, clueless, or malicious. I think the movie was pretty funny, if sharply so, but the big weakness was that the male and female leads were so clearly unsuited for each other but got together at the end of the movie simply because it was the end of the movie. Still, it was definitely worth watching because you can see how this movie influenced many other movies after it. I definitely recommend watching it with captions if possible, because while human nature has not changed in the last 90 years, sound technology has in fact improved quite a bit. Overall grade: B. Next up is Charade, which came out in 1963. This is a sort of romantic comedy, sort of thriller that has Audrey Hepburn playing Regina, an American living in Paris who is in the process of getting divorced from her husband. When she returns to Paris, she learns that her husband was murdered in her absence and it turns out that he was in possession of $250,000 he stole from the US government during World War II. Regina had no idea about any of this, but the US government thinks that she has the money stashed away somewhere. It turns out that her late husband also betrayed the men he worked with to steal the money and they're convinced that she has the money as well, and they're going to get it from Regina regardless of what they have to do. Regina's only ally in this mess is a mysterious man calling himself Peter Joshua (played by Cary Grant), who may or may not be one of the other thieves operating under an assumed identity. I liked this movie, but I think it had two structural problems. First, Regina wasn't all that bright, though she did get smarter as the movie went on, probably out of sheer necessity. Second, it had some severe mood whiplash. The movie couldn't decide if he was a lighthearted romantic comedy or gritty thriller, though finally snapped into focus as a pretty good thriller in the last third of the movie. Amusing tidbit: Cary Grant only agreed to do the movie if Audrey Hepburn's character would be the one chasing his character in their romance, since he thought their age gap would be inappropriate otherwise, because he was so much older than Hepburn at the time of filming. Overall grade: B+ Next up is the new Frasier series from 2023. I admit I had very, very low expectations for this, but it was considerably better than I thought it would be. My low expectations came partly because the original show was so good. Some seasons were stronger than others, of course, but the show had some absolute masterpieces of sitcom comedy throughout its entire run. Some of this was because I think the 2020s are a much more humorless and dour age than the 1990s, so I had my doubts whether the new show could be funny at all. Fortunately, my doubts were misplaced. The new Frasier is actually pretty good. It's interesting that the show's generational dynamic has been flipped on its head. In the original show, the pretentious Frasier lived with his working-class father. 20 years later, it's now Frasier who lives with his son Freddie, who dropped out of Harvard to become a firefighter and consciously rejected his father's love of intellectualism and cultural elitism. The inversion of the original dynamic works quite well. It has some moments of genuine comedy because, like his father before him, Freddie is more like his father than he realizes. The show also avoided the pitfall of bringing back legacy characters that Disney and Lucasfilm stumbled into with Star Wars and Indiana Jones and the Dial of Destiny. Disney brought back legacy characters like Luke Skywalker and Indiana Jones but made them into sad, old losers. Frasier, by contrast, while frequently an unsympathetic comedy protagonist who brings his own misfortunes onto his own head, is most definitely not a sad old loser. He's famous, respected, and wealthy enough that he can afford to buy an apartment building in Boston at the drop of a hat. If you know anything about the United States, you know that the East Coast is the most expensive area of the of the country. Despite that, he remains the same well-meaning buffoon that he always was, the sort of man who, as a colleague aptly says, always goes that extra, ill-advised mile. There's a story that when Ricky Gervais was advising the creators of the American version of The Office, one of his chief pieces of advice was that Michael Scott could not be as incompetent as David Brent was in the original UK version of the show. American culture, Mr. Gervais said, was generally much less forgiving of incompetence than British culture. I thought of this as I watched Frasier because all the characters were in fact extremely competent at their jobs. Even Frasier himself, when he finally gets out of his own way, is a very good psychiatrist and teacher. Anyway, the show was funny and I think it deserves a second season. We'll see if that happens or not. Overall grade: A- Next up is Star Trek: Lower Decks Seasons One through Four, which came out from between 2020 and 2023. As I mentioned earlier, I ended up subscribing to Paramount Plus for a month after I watched Frasier, so I decided to watch Star Trek Lower Decks, since I'm forever seeing clips of that show turning up on social media. Lower Decks is a pitch perfect, affectionate parody of Star Trek from the point of view of four relatively hapless ensigns on the Cerritos, one of Starfleet's somewhat less prestigious ships. We have the self-sabotaging rebel Mariner, the insecure and ambitious Boimler, the enthusiastic science girl Tendi, and cheerful engineer Rutherford, who nonetheless has a dark and mysterious past that he can't remember. Season Four also adds T'Lyn, a Vulcan whose mild expressions of carefully measured annoyance make her a dangerous loose cannon by Vulcan standards. The show is hilarious because it makes fun of Star Trek tropes while wholeheartedly embracing them. The ensigns run into a lot of insane computers, random space anomalies, rubber forehead aliens, and other Star Trek tropes, including the grand and venerable Star Trek tradition of the Insane Admiral. Starfleet officers always seem to go off the deep end when they get promoted to Starfleet Command. The senior officers are also varying degrees of insane and drama generators. Starfleet, from the point of view of the Cerritos crew, is a vast bureaucratic organization that veers between ineffective idealism, blatant careerism, and whatever crazy project the Insane Admiral of the Week is pursuing. Yet since American sitcom characters have to be competent (like we just talked about above with Frasier), when the crisis really kicks into high gear, the Cerritos crew can pull itself together and save the galaxy with the best of them. I did like how the show grows from an affectionate parody to its own thing, with all the characters experiencing struggles and personal growth in their arcs. I liked it enough that when the 5th season of Lower Decks comes out, I'll subscribe to another month of Paramount Plus (assuming Paramount Plus still exists and hasn't been brought up by Warner Brothers or Skydance or something). Overall grade: A- Next up is Predator, which came out in 1987. When Carl Weathers died in early February of 2024, I realized I had never actually got around to seeing Predator. So I did and I'm glad that I watched it. Predator was an excellent blending of thriller, science fiction, and horror. Arnold Schwarzenegger plays Dutch, who commands a team of operators who do Black Ops work for the CIA. Since it's 1987, the CIA is up to its traditional shenanigans in Central America and Dutch is dispatched to help out his old friend Dillon (played by Carl Weathers), who has been ostensibly assigned to rescue a Pro-American cabinet minister from rebel guerrillas in the jungle. Since this is the CIA, naturally there is more than the mission than is apparent on the surface. However, the mission quickly becomes irrelevant when Dutch and his team realize they are being hunted by an unknown creature with capabilities unlike anything they have ever seen before. It turns out the creature is the Predator, an alien hunter who comes to Earth and takes human skulls as trophies. Soon the movie turns into a death match duel between Dutch and the Predator. The movie did a very good job of showing the Predator's capabilities such as stealth, heat vision, and his shoulder laser without explicitly spelling them out for the audience. It was a very well put together piece of storytelling and it is of course the source of the famous Internet meme of a muscular white arm gripping a muscular black arm and also Schwarzenegger's famous line of “Get to the choppa!” Also to quote a famous Internet meme, if you had a nickel for every future governor of a US state who is in this movie, you would have two nickels, which is not a lot, but even two is pretty weird, right? Overall grade: A. Now for the favorite thing I saw in winter 2024. That honor goes to Star Trek: Picard Season Three, which came out in 2023. Honestly, this was so much better than I thought it was going to be. I thought I would watch one or two episodes and then give up. Instead I watched the whole thing in like two days over the New Year's holiday. I watched the first episode of Picard Season One way back in 2020 was free on YouTube, but I didn't like it enough to subscribe to CBS All Access (or whatever the heck it was back then). The first episode also seemed more ponderous and dour in the sort of 21st century realistic prestige television snooze fest than I really wanted to watch. But Season Three of the show got high reviews from people whose opinions I generally respect when it came out in early 2023. Since I had Paramount Plus for a month because of Frasier, I decided to give it a go. I'm glad I did. How to describe the plot? You may remember that back in summer 2023, I watched the Battleship movie. Battleship is objectively a bad movie, but it does have one interesting subplot that would make a good movie all on its own. When space aliens imprison most of the US Navy, a bunch of retired veterans take a decommissioned battleship out to war to save the day. This basically is the plot of Picard Season 3. The plot kicks off when Doctor Crusher contacts Admiral Picard after they have not spoken for twenty years. Apparently, Picard had a son named Jack with Crusher that she never told him about and mysterious assailants are trying to kidnap Jack. On the original show, Picard and Crusher definitely gave off the vibe that they probably got romantic whenever they were alone in the elevator together. The fact that Doctor Crusher got pregnant with Picard's son is not all that surprising. Picard had always been adamant about his desire not to start a family and given that any son of the legendary Captain Picard would be a target for his equally legendary enemies, Crusher decided to keep the boy a secret. Picard, understandably, is shocked by the news, but teams up with his former first officer, Captain Riker, to rescue his son. Jack has an extensive Robin Hood-esque criminal history, so it seems that his misdeeds might have caught up to him. It turns out that deadly weapon is locked in Jack's DNA and the people pursuing him aren't merely criminals but powerful enemies intent on destroying Starfleet and the Federation. Jack Crusher's DNA will give them a weapon to do it, which means it's up to the crew of The Enterprise to save the galaxy one last time. This was ten episodes, but it was very, very tightly plotted, with not many wasted moments. Sometimes you see movies that seem like they should have been streaming shows, and sometimes streaming shows seem like they really should have been cut down to movie length. But Picard's Season Three does a good job of telling a tense story that we've been impossible either in a movie or the old days of network television. The show very quickly plunges into the crisis and keeps moving from new tension to new tension. The gradual reveal where Picard at first feels guilty that he has to ask his friends to help rescue his estranged son and ex-girlfriend like he's living his own personal version of some trashy daytime TV show, only to slowly realize that something much more dangerous and much, much bigger than his personal problems is happening, was put together well. The show was also another good example of how to bring back legacy characters right. All the characters from Star Trek: The Next Generation are older and have been knocked around by life or suffered personal tragedies, but none of them are sad old losers like in a Disney or Lucasfilm project. The new and supporting characters were also great. Seven of Nine returns as the first officer to Captain Shaw, a by the book officer who thinks Picard and Riker are dangerous mavericks. He has a point. Shaw turns out to be extremely competent in a crisis. Amanda Plummer was great as Vadic, a scenery chewing villain who has very good reasons to hate Starfleet and the Federation. Vadic's love of spinning directly in her command chair was a great homage to Amanda Plummer's late father, Christopher Plummer, who played a villain with a similar tic way back in Star Trek VI in the ‘90s. It is also great how the show wrapped up some of the dangling plot threads from the ‘90s, like Picard's strained relationship with his former mentee Commander Ro Laren or the brief return of Elizabeth Shelby, Riker's former First Officer. A few people have complained that Worf is now a pacifist, but he's a Klingon pacifist, which basically means he'll attempt negotiation before cutting off your head, but he is still probably going to cut off your head. Less Conan the Barbarian, more serene Warrior Monk. I think Data had an excellent ending to his character arc, which started with his character's very first appearance way back in the ‘80s and Brent Spiner did a good job of portraying Data's fractured personalities and then how they achieved unity. I'd say the weakest point of the show was how consistently dumb Starfleet command is. The plot hinged around Starfleet gathering its entire fleet together for a celebration and then putting all those ships under a remote control system, which seems both exceptionally stupid and very convenient for the bad guys. But to be fair, this is Starfleet, an organization whose high command regularly spits out insane Admirals and also has an unsanctioned Black Ops/Mad Science division that it can't control, so it definitely fits within the overall context of Star Trek. I mean, that's like half the premise of Lower Decks. And if you've ever worked for a large governmental, military, healthcare, or educational institution, you understand. We all know that working in a large institution under leaders who are either insane or dumb isn't exactly an anomaly in the human experience. I mean, the Roman Empire circa 190 A.D. was the most powerful institution on the planet and the Empire's maximum leader liked to spend his time LARPing as a gladiator in the Coliseum. Anyway, the emotional payoff at the end of Picard Season Three was very satisfying, and how the show wrapped up a lot of threads from Next Generation, Deep Space Nine, and Voyager was pretty great. It's like the people who were in charge of Season Three of Picard watched the Star Wars sequel trilogy and thought, you know, we can do better and then they did. Overall grade: A So those are the movies and TV shows I watched in Winter 2024. If you're looking for something to watch, hopefully one of them sounds like it will catch your interest. That's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform or choice. Stay safe and stay healthy and see you all next week.

Watch this movie review podcast where The Guys give their movie review of Quentin Tarantino's classic film, PULP FICTION starring Samuel L. Jackson, John Travolta, Bruce Willis, & Uma Thurman right after watching it with fresh eyes. Sit back, relax, and enjoy this episode of the CRWN Cinema Podcast!  PULP FICTION is about: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer). Chapters: 00:00 Post Movie Rating & Review 05:08 Cool dialogue with hidden intentions 08:30 Tarantino's foot fetish 12:08 Why "Fox Force Five" tricked you 14:02 The divine intervention and morality of this film 21:05 The small details that prove Tarantino a master storyteller 23:25 Vincent couldn't avoid messing up with Mia 24:44 The surprising movie goof 26:42 Tarantino and his consistent use of slurs 32:25 Did Tarantino HAVE to break the "Hard-R" record? 35:18 Breaking down Butch's character 39:59 Our favorite character? 45:08 Tarantino carefully chose what details we need to know 47:30 Pulp Fiction is undeniably 'A Great' 50:59 Final thoughts on Pulp Fiction 53:40 Outro --- Support this podcast: https://podcasters.spotify.com/pod/show/crwncinema/support

We leave behind February musicians for March murderers! Erika and Paul dive into 1993's So I Married An Axe Murderer and delight in singing the praises of Nancy Travis and Amanda Plummer and Anthony LaPaglia and Brenda Fricker and Alan Arkin and…that's it, that's everyone who's going to get effusive praise in this episode. At least from Paul, Erika is, as always, a woman of the people!You can follow That Aged Well on Twitter (@ThatAgedWellPod), Instagram (@ThatAgedWell), Threads (@ThatAgedWell), and Spoutible (@ThatAgedWell)! SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

The boys are in a new locale and with a special guest in tow it's time to tackle Quentin Tarantino's masterpiece - PULP FICTION"Pulp Fiction" (1994), directed by Quentin Tarantino, is a film that defies conventional storytelling, blending dark humour, graphic violence, and a disjointed narrative to create a cinematic experience that is as unforgettable as it is controversial. This review aims to dissect the elements that make "Pulp Fiction" a landmark in modern cinema.From the opening credits, Tarantino sets the tone with his eclectic soundtrack choice, a staple in his films. The music in "Pulp Fiction" not only complements the action but often juxtaposes it, creating a unique audio-visual experience that enhances the film's impact.The narrative structure of "Pulp Fiction" is unconventional, to say the least. Tarantino abandons the traditional linear storyline, opting instead for a series of interrelated stories that are out of sequence. This narrative choice not only keeps the audience engaged but also allows for a deeper exploration of the characters and themes. The film's structure can initially disorient viewers, but as the stories intertwine and characters reappear in different contexts, a cohesive picture begins to emerge.The characters in "Pulp Fiction" are as diverse as they are memorable. John Travolta's Vincent Vega and Samuel L. Jackson's Jules Winnfield are hitmen with a penchant for philosophical discussions, which provides some of the film's most memorable dialogue. Uma Thurman's Mia Wallace, the wife of a mob boss, is both enigmatic and charismatic, leaving a lasting impression with her dance scene with Travolta. Bruce Willis plays Butch Coolidge, a boxer with a code, whose storyline introduces a different angle to the film's exploration of honor and betrayal.Tarantino's dialogue is sharp, witty, and laden with pop culture references. It serves as a tool for character development, revealing depths and nuances that are not immediately apparent. The conversations between characters are often mundane, yet they are delivered with such flair and charisma that they become riveting.The use of violence in "Pulp Fiction" is both graphic and stylized, a hallmark of Tarantino's directorial style. While the violence may be off-putting to some viewers, it is integral to the film's aesthetic and narrative. It's not violence for the sake of violence, but rather a means to explore the characters' morality and the consequences of their actions.Cinematically, "Pulp Fiction" is a tribute to various genres, from crime noir to black comedy and even a nod to the French New Wave. Tarantino's use of long takes, unconventional camera angles, and his ability to build tension through dialogue and silence is masterful. The film's editing, particularly in the way the stories are intercut, enhances the narrative's complexity and keeps the audience guessing.Thematically, "Pulp Fiction" explores redemption, chance, and the randomness of life. The characters are often faced with choices that lead to unexpected consequences. The film challenges traditional notions of heroes and villains, presenting a world where morality is ambiguous and fluid.The performances in "Pulp Fiction" are outstanding across the board. Travolta and Jackson deliver some of their best work, bringing a combination of intensity and humor to their roles. Thurman's portrayal of Mia Wallace is both alluring and haunting, while Willis brings a grounded toughness to Butch. The supporting cast, including Harvey Keitel, Tim Roth, and Amanda Plummer, contribute significantly to the film's depth and believability."Pulp Fiction" had a significant impact on popular culture and the film industry. It redefined what a mainstream film could be and influenced a generation of filmmakers. The film's success at the box office and its critical acclaim, including winning the Palme d'Or at the 1994 Cannes Film Festival and receiving multiple Academy Award nominations, cemented Tarantino's status as a major director.In conclusion, "Pulp Fiction" is a cinematic tour de force that combines brilliant writing, stellar performances, and innovative filmmaking. It challenges viewers with its unconventional narrative and moral ambiguity, leaving a lasting impact on both the audience and the film industry. This film is not just a product of its time but a timeless piece that continues to resonate and inspire. Whether viewed as a crime drama, a black comedy, or a postmodern masterpiece, "Pulp Fiction" remains a pivotal work in the history of cinema.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

We're dancing with our fingers and finding out what they call a quarter pounder with cheese in France this week as we continue TarantiNovember/NovUMAber with the 90s modern classic, “Pulp Fiction”! Uma Thurman's Oscar nominated performance as the mysterious and charming Mia Wallace steals the second act of the movie and much of our time in this week's episode, when we're not talking about lunch meat or Bruce Willis's history of full frontal nudity. We also solve an over 25 year old mystery regarding a cassette tape and Amanda Plummer, have Band-Aid related questions and think this whole situation could have been avoided if Vincent just went to the bathroom at home. Join us for The Best Supporting Aftershow and early access to main episodes on Patreon: www.patreon.com/bsapod Email: thebsapod@gmail.com Instagram: @bsapod Colin Drucker - Instagram: @colindrucker_ Nick Kochanov - Instagram: @nickkochanov

Do you know everything about your significant other? Are they hiding any deep, dark secrets? Could they be... an axe murderer? (I mean, probably not.) Tomorrow, we dive into the Mike Myers' comedy that didn't perform as well as it should've: So I Married an Axe Murder. Written by Robbie Fox (with uncredited re-writes from Mike Myers and Neil Mullarkey). Directed by Tommy Schlamme. Starring Mike Myers, Nancy Travis, Anthony LaPaglia, Amanda Plummer and a huge cameo cast. --- Support this podcast: https://podcasters.spotify.com/pod/show/thegenxfiles/support

A classic from the mid-90's this one! It's Quentin Tarantino's second movie, Pulp Fiction from 1994. Written and directed by Quentin himself, with some of the story by Roger Avary, this iconic movie stars John Travolta, Samuel L. Jackson, Uma Thurman, Harvey Keitel, Tim Roth, Amanda Plummer, Maria de Medeiros, Ving Rhames, Eric Stoltz, Rosanna Arquette, Christopher Walken, Bruce Willis. Now listen to this episode. Pretty f**kin please, with sugar on top. If you enjoy the show we have a Patreon, become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer) are two thieves who, while dining at a coffee shop, decide that the best thing to do is to rob it. Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), two hit men working for mob kingpin Marcellus Wallace (Ving Rhames'), are sent to retrieve a very special and very mysterious briefcase for their boss. Vincent later must also show Mrs. Wallace (Uma Thurman) a good time while her husband is out. Butch Coolidge (Bruce Willis) is an aging prizefighter who is being paid to "take a dive", but instead accidentally kills his opponent, and tries to flee town, but not before getting his dead father's lucky golden watch. These four seemingly unrelated stories are interwoven in a non-linear fashion. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

Writer Maggie Serota joins to discuss the 1993 comedy 'So I Married An Axe Murderer', a movie that takes inspiration from classic screwball comedies, Hitchcock thrillers, and SNL-style sketch comedy in equal measure. We discuss the rise of the film's star, Mike Myers, a gifted comedic performer who dedicated much of his 90s output to an evolving pantheon characters, often involving elaborate makeup and outlandish vocal affectations. Then, we talk about the film's stunning bullpen of comedy veterans, including Alan Arkin, and the late Phil Hartman and Charles Grodin - all contributing hilarious riffs on their signature characters. Finally, we talk about Myers's career today by way of his most recent work, the dire Netflix series 'The Pentaverate' and why audiences might welcome a career pivot in the vein of other SNL alum Adam Sandler or Bill Hader.Follow Maggie on Twitter.Read & Subscribe to Maggie's Substack. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

THE FINAL ROUND between Data and Lore forms the center of a critical episode in sorting out the season arc of #StarTrekPicard season three. Bryan is joined by actor-improvisor-podcaster Katie Hampton (@ElSassyPants on Twitter) from the Napping Through Happy Hour podcast to talk about the challenges of playing two roles that involves acting against yourself and, wouldn't you know it, Brent Spiner is truly great at it. Meanwhile, Captain Vadic faces a cold reality and Riker and Troi are forced to resolve their marital strife. Does it all work or did the writers, in their haste to make a compressed production schedule, overlook a critical issue with the Riker-Troi family storyline? Which way will we go with this one? Is "Surrender" a Trek, Marry, or Kill? If you're enjoying our show, consider rating us five stars on Apple Podcasts or Spotify. You can check out all our rankings at trekmarrykillpod.com. Our theme is "70's Synth Funk Jam" by Phill_Dillow on Pixabay.

WHO'S JACK CRUSHER? It's the question with an easy answer, only, Jean-Luc Picard's in denial. This week, we're joined by Joel, who runs Trek Against ALS, a special fundraiser to help in the fight against ALS by raising support funds for Margot, who was Jeri Ryan's stand in on the ABC series "Body of Proof" and in the last two seasons of Star Trek: Picard. Come aboard and listen to Joel talk about how Jeri Ryan and other Trek stars have come together for this important cause and stay for his story about Walter Koenig. Meanwhile, Bryan and Joel also deal with Raffi's storyline and how it leads to us getting Worf! And this is the episode where we meet Amanda Plummer's character, Captain Vadic. If you've been enjoying our show, consider subscribing and giving us five stars on Apple Podcasts/iTunes or a thumbs up right there in the Spotify app. You can keep tabs on all our grades by visiting trekmarrykillpod.com. Our theme music is "70's Synth Funk Jam" by Phill_Dillow on Pixabay.

Season 3 of STAR TREK PICARD is back with Episode 9 titled "VOX".The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of PICARD Season 3 Episode 9! They break down their overall thoughts on the episode and talk the Borg and the Changelings plans being revealed, Picard and Jack's connection to it, how Starfleet was infiltrated, the death of a certain character, and that final moment of nostalgia!The series stars PATRICK STEWART, JONATHAN FRAKES, TODD STASHWICK, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.Chapters:0:00 Intro and Overall Thoughts10:00 Jack and Deanna, The Borg, Jack Runs from Picard and Beverly22:20 Jack Escapes, Data and Picard, Geordie Informs Picard36:25 Jack vs the Borg Queen, the Borg Assimilates Starfleet, Shaw, TNG Cre Escapes53:53 TNG Crew Comes Home, Final Thoughts on the Episode FOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoon

Paul and Erin revisit two films about New Yorkers suffering from whimsical delusions: our art pick is Terry Gilliam's 1991 comedy/drama THE FISHER KING, and our trash pick is Anthony Harvey's 1971 unaffiliated-with-the-band cult film THEY MIGHT BE GIANTS.

On this week's show, Brian talks about Terry Gilliam's 1991 film THE FISHER KING starring Jeff Bridges, Robin Williams, Mercedes Ruehl and Amanda Plummer via the new Criterion 4K UHD Blu-ray and goes into detail on the supplements. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Season 3 of STAR TREK PICARD is back with Episode 8 titled "SURRENDER".The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of PICARD Season 3 Episode 8! They break down their overall thoughts on the episode including Davic taking over the Titan leading to her demise, Deanna and Will reunited and then Worf too, Data vs Lore for Data's body, the reunion of the whole TNG crew and the growing mystery of what's behind Jack's red door.The series stars PATRICK STEWART, JONATHAN FRAKES, TODD STASHWICK, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.Chapters:0:00 INTRO AND OVERALL THOUGHTS on PICARD Season 3 Episode 86:56 Vadic Controls the Titan, Jack Uses Her Powers, Deanna and Riker are Captive22:14 Riker, Deanna and Worf, Lore vs Data, Vadic's Death42:24 Shaw and Seven Retake Titan, Deanna and Jack Explore the Red DoorFOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoon

Season 3 of STAR TREK PICARD is back with Episode 7 titled "DOMINION". The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of PICARD Season 3 Episode 7!They break down their overall thoughts on the episode including the possible return of Tuvok, Jack's growing powers, Data vs Lore for control of Data's body, Vadic capturing the Titan, the unsettling experiments on Changelings in Section 31, and the growing mystery of Jack's origin.The series stars PATRICK STEWART, JONATHAN FRAKES, TODD STASHWICK, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.Chapters:0:00 INTRO AND OVERALL THOUGHTS on PICARD Season 3 Episode 77:18 Seven vs Tuvok, Beverly, Picard and Geordie Debate, Data vs Lore over Picard18:14 Vadic's Struggle, Jack and Sidney on Turbo Lift, Jack and Picard Debate28:06 Vadic Takes the Titan, Federation's Ugly Experiments, Geordie's Emotional Scene45:00 Deanna Troi Complaints and Final ThoughtsFOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoon

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Season 3 of STAR TREK PICARD is back with Episode 5 titled "THE BOUNTY". The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of PICARD Season 3 Episode 6! They break down their overall thoughts on the episode including the Daystrom Institute heist, the retrieval of the new Data, the return of Geordie LaForge (LeVar Burton), the Klingon cloaking device off the Bounty, the themes, the Star Trek references and where they think the show is headed next.The series stars PATRICK STEWART, JONATHAN FRAKES, TODD STASHWICK, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.Chapters:0:00 INTRO AND OVERALL THOUGHTS on PICARD Season 3 Episode 610:57 The Daystrom Institute Heist and the new Data Storylines32:45 Athan Prime, Geordie LaForge, Klingon Cloaking Device Storylines55:02 Speculation on What's Next and Other Star Trek ReferencesFOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoon

The Hunger Games: Catching Fire: Movie Review from the Ray Taylor ShowShow topic: The Hunger Games: Catching Fire is the second installment in The Hunger Games film series, directed by Francis Lawrence and based on the 2009 novel Catching Fire by Suzanne Collins. The film stars Jennifer Lawrence as Katniss Everdeen, alongside Josh Hutcherson as Peeta Mellark, and features new additions to the cast such as Philip Seymour Hoffman, Jeffrey Wright, Sam Claflin, Lynn Cohen, Jena Malone, and Amanda Plummer. The story takes place a few months after the previous installment, following Katniss and Peeta as they embark on a Victory Tour that sparks rebellion throughout the districts, leading to their eventual return to the Hunger Games as part of the third Quarter Quell.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/linksGenres: Action - SciFi

It's Hard For Picard! Join Pete and Johnny as they break down Picard Season 3 episode 2, "Disengage"! Amanda Plummer is chewing the scenery, gangster Ferengi are getting WORFED, and where WAS Beverly during TNG Season 2? Tune in and Make It So, so sexy.

Season 3 of STAR TREK PICARD is back with Episode 5 titled "Imposters". The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of Episode 5! They break down the return of Ro Laren (MICHELLE FORBES), her excellent scenes with Picard, Raffi and Worf's adventures, the growing threat from the Changelings and Jack Crusher's role in all of it, and that explosive, shocking and heartbreaking finale.The series stars PATRICK STEWART, JONATHAN FRAKES, TODD STASHWICK, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.Chapters:0:00 INTRO AND OVERALL THOUGHTS on Episode 3x512:10 Ro Laren, Picard, Riker, Jack Crusher and the Changeling Evolution38:19 Raffi and Worf Discover a Vulvan Crime Lord, Worf's Handler RevealedFOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoon

Season 3 of STAR TREK PICARD is back with Episode 4 titled "No Win Scenario" directed by Jonathan Frakes. The series stars PATRICK STEWART, JONATHAN FRAKES, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.The Geek Buddies' John Rocha welcomes ENTERPRISE INCIDENTS cohost and his THE CINE-FILES cohost Steve Morris for a Spoiler Review of Episode 4 and talk Picard and Riker confronting son trauma, Jack and Picard revisitng the past, Captain Shaw and 7 of 9 working together, Shaw's connection to Picard, the Changelings conspiracy deepening, and what was with Jack's visions at the end!FOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Steve Morris: https://twitter.com/srmorrisInstagram:https://www.instagram.com/the_geek_bu...SUPPORT US:PATREON: https://patreon.com/JohnRocha _________________________________________________________________________________Chapters:0:00 INTRO AND OVERALL THOUGHTS on Episode 3x49:25 Picard and Riker Storyline18:01 Picard and Jack Confront the Past28:28 Captain Shaw and 7 of 9, Shaw's Connection to Picard41:22 The Changelings Conspiracy Ensnares Vadic and Jack Crusher Jr.

From the opening scene to the closing credits, this one is packed tight with callbacks, intriguing character dynamics, and breathtaking visuals. While some mysteries get uncovered, even more questions linger. Join in as we discuss it all in our review of Star Trek: Picard, season three, episode three, Seventeen Seconds.

Season 3 of STAR TREK PICARD is back with Episode 3 titled "17 Seconds". The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of Episode 3 and talk the great scenes between Picard and Beverly Crusher and Picard and Riker. The reveal of the Changelings, Jack Crusher and 7 of 9 teaming up and Worf and Raffi getting closer to the truth behind who is trying to destroy the Federation.The series stars PATRICK STEWART, JONATHAN FRAKES, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.Chapters:0:00 INTRO AND OVERALL THOUGHTS on Episode 3x38:51 Shrike vs Titan, Beverly and Picard Scene in Sick Bay, Riker on Fatherhood Scenes26:02 Riker Takes Over, Shaw is Hurt, Changelings, 7 of 9 and Jack, Picard Makes a Mistake45:53 Raffi and Worf storyline, Changelings Are Discovered, Worf and OdoFOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoon

In the latest episode of Star Trek: Picard, we get an exhibition of Star Trek actors at their finest. Join us as we postulate theories, dissect the details, and discuss everything in between for Star Trek: Picard season three, episode two, Disengage.

Welcome to Captain's Pod, a Star Trek companion podcast presented by CinemaSins! This week sees Captain Ian and Ambassador Deneé review S3E2 of Star Trek Picard; Disengage. Join the crew as Ian falls deeper in love with Captain Shaw, Deneé falls deeper in love with Worf, and they BOTH fall in love with Amanda Plummer.1) Ten Forward - Thoughts on the episode; what did the crew love and what can go out the airlock! - (8:57)2)  Engineering - ReSINstance is Futile: Everything Wrong With Star Trek in Q minutes or less. (1:05:25)3) The Ready Room- Ian and Deneé gaze into the time crystal and share their predictions for the rest of the series (1:16:57)CAPTAIN'S POD IS LIVE EVERY FRIDAY AT 12:30PM(ISH) CENTRAL!! Twitch: https://www.twitch.tv/cinemasinsliveYoutube: https://www.youtube.com/channel/UC5Nxj5dpHf2p7cN9qdUVEzAThe show's hailing frequencies are always open by email at captainspod@cinemasins.com Find us on Twitter:@captainspodcsIan - @whittsinnedDeneé - @DeneeSays  Join a community of CinemaSinners and Trekkies on the CinemaSins discord:www.discord.gg/cinemasins  Want extra *holodeck privileges? Join the Sinclub! https://www.patreon.com/CinemaSins And live long and Podsper! *holodeck and ads not includedAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hosts Cam Smith and Tyler Orton cackle gleefully on a viewscreen while delving into the second episode of Picard's final season, Disengage. From the secret of Jack Crusher, to the introduction of Amanda Plummer's Vadic and the return of Worf, the duo cover it all. Then, special guest Dale Deruiter of the Outrage Factory podcast and YouTube's The Dale Show shuttles in with his thoughts on the episode, as well as the current state of Trek, and the hosts discuss their recent away mission to the Vancouver Fan Expo. Join our Facebook page for exclusive content such as videos and bonus episodes. And you can also visit our blog, or follow us on Twitter and YouTube! Send any other questions, topic ideas or feedback to subspacetransmissionspod@gmail.com! Related Podcast Episodes: Picard: "Penance" Star Trek TNG: "Encounter at Farpoint" Join us next week as we tangle with the third episode of Picard S3, Seventeen Seconds!

This week Raffi's handler gets ahead, there's a new mustache twirler in town and her name is Amanda Plummer, and Picard drops a little bombshell. Join us as we discuss the second episode of Star Trek Picard's final season with “Disengage”.That Star Trek Podcast is part of the Infinite Potato Alliance. Join us for more great podcasts at InfinitePotato.com! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thatstartrekpod.substack.com

Season 3 of STAR TREK PICARD is back with Episode 2 titled "Disengage". The series stars PATRICK STEWART, JONATHAN FRAKES, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of Episode 2 and talk the two main storylines, the intro of Jack Crusher, the reunion of Picard and Beverly, the return of Worf, the introduction of Captain Vadic, and all the easter eggs throughout the episode.Chapters:0:00 INTRO AND OVERALL THOUGHTS on Episode 3x26:16 Picard, Jack Crusher, Riker, Beverly, Shaw, and Captain Vadic Storyline32:15 Raffi, Sneed and Worf StorylineFOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoonInstagram:https://www.instagram.com/the_geek_bu...SUPPORT US:PATREON: https://patreon.com/JohnRocha

Season 3 of STAR TREK PICARD debuted this week with Episode 1 titled "The Next Generation". The series stars PATRICK STEWART, JONATHAN FRAKES, MARINA SIRTIS, GATES MCFADDEN, MICHAEL DORN, BRENT SPINER, AMANDA PLUMMER, JERI RYAN and MICHELLE HURD.The Geek Buddies and big STAR TREK nerds John Rocha and Michael Vogel bring you their Spoiler Review of Episode 1 and talk the two main storylines we got, why this season already feels different than Seasons 1 and 2, and all the easter eggs throughout the episode.SUBSCRIBE: https://www.youtube.com/johnrochasays FOLLOW THE GEEK BUDDIES:Twitter: https://twitter.com/Geek_BuddiesFollow John Rocha: https://twitter.com/TheRochaSays​​​​​Follow Michael Vogel: https://twitter.com/mktoonInstagram:https://www.instagram.com/the_geek_bu...SUPPORT US:PATREON: https://patreon.com/JohnRocha Chapters:0:00 INTRO AND OVERALL THOUGHTS on Episode 3x19:18 Picard, Beverly Crusher, Riker and 7 of 9 Storyline33:40 Raffi's and Terrorist Attack Storyline

In this minisode gathering of The Treksperts Roundtable, our Wonder Twins, Keith & Christina, discuss the upcoming and final season of Star Trek: Picard. Christina does a live reaction to the final trailer for Season Three of Picard.

Pulp: 1. A soft, moist, shapeless mass of matter 2. A magazine or book containing lurid subject matter and being characteristically printed on rough, unfinished paper An all star cast featuring *deep breath* John Travolta, Samuel L. Jackson, Tim Roth, Amanda Plummer, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Eric Stoltz, Roseanna Arquette, Alexis Arquette, Phil LaMarr, Uma Thurman (and her big ass feet) in Quentin Tarantino's Pulp Fiction. An extra long holiday treat, this time on Doom Generation! Support this show at patreon.com/doomgeneration --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/doomgeneration/message

Marsha Mason has received four Academy Award nominations for her roles in the films The Goodbye Girl, Cinderella Liberty, Only When I Laugh and Chapter Two. She has been the recipient of two Golden Globe Awards for her film roles and an Emmy Award nomination for her role on “Frasier.” Her other TV credits include “The Middle,” “The Good Wife,” “Madam Secretary,” and “Grace & Frankie.” Broadway roles include Impressionism with Jeremy Irons, Steel Magnolias, The Night of the Iguana, The Good Doctor, King Richard III, and Cactus Flower. Off-Broadway she co-starred in the world premiere of Terrence McNally's Fire and Air at Classic Stage and Little Gem at the Irish Repertory Theatre (Outer Critics Circle Award winner for Outstanding Actress in a Play). Regionally she has starred in All's Well That Ends Well at Shakespeare in Washington, DC, A Doll's House at ACT in San Francisco, Arms and the Man at Old Globe Theatre in San Diego and Watch on the Rhine at Arena Stage in Washington, DC. As a director, Marsha, has helmed productions of Neil Simon's Chapter Two and Steel Magnolias at the Bucks County Playhouse, Chapter Two and the first female An Act of God with Paige Davis at the Arizona Theatre Company, Juno Swans for Second Stage in New York City and the world premiere of Tennessee Williams's Talisman Roses starring Amanda Plummer at the Tennessee Williams Festival in Provincetown, Mass. Marsha was Associate Director with Jack O'Brien for the Roundabout Theater's production of All My Sons on Broadway. She received a Daytime Emmy® Award for Direction of “Little Miss Perfect”. In 2020, she directed Walter Bobbie and Brooke Shields in The Man Who Came to Dinner for Bucks County Playhouse, starred with Brian Cox in Dear Liar for Bucks County, and opposite Richard Dreyfus in The Letters of Noel Coward for Bay Street Theater. Learn more about your ad choices. Visit podcastchoices.com/adchoices