Podcasts about soundtrack album

Welcome to the forty-first episode of The Daily Rings of Power Podcast! We're back for another solo episode as I take a look at the Season 2 Soundtrack Album announcement, and do some speculation about the 25 titles that were revealed on the album Today, we're analysing the titles themselves rather than the music yet to be released, and trying to work out what scenes, characters or thematic beats they might correspond to.   Timestamps: Intro & Reading: 00:10 Album Overview: 03:25 Old Tom Bombadil: 06:49 Rhûn: 07:51 Life in the Canyon: 09:26 Golden Leaves: 10:31 Cirdan's Perfection: 11:40 Stone Singers: 13:04 Sandstorm at the Well: 13:56 Eregion: 14:47 Emissary at the Forge: 15:54 Shelob: 17:33 The Pyre: 18:26 Estrid: 19:50 The Great Eagle: 21:11 The River-daughter: 21:59 Barrow-wights: 23:21 Forgiveness Takes an Age: 24:07 Candles on the Tide: 25:14 Army of Orcs: 27:15 The Last Battle of Damrod: 28:28 Battle for Eregion: 29:55 Durin's Bane: 30:43 Last Temptation: 31:24 The Staff: 32:36 Old Tom Bombadil Reprise: 33:53 The Sun Yet Shines: 34:51 Closing Thoughts & Outro: 37:45   Follow us on Twitter for more Rings of Power content: @DailyRoP And subscribe to the podcast on your favourite app: https://linktr.ee/dailyrop Intro & Outro Music : She Moved Through the Fair by Sláinte | https://freemusicarchive.org/music/Slinte  Music promoted by https://www.chosic.com/free-music/all/  Creative Commons CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/

Diesmal haben wir zwei gute Nachrichten für euch: Wir haben ein neues Soundtrack-Album für euch zusammengestellt und der Podcast ist auf einer weiteren Plattform verfügbar.

Join Big Tray Deee, KXNG Crooked, and ConiYac as they discuss the iconic Murder Was The Case Soundtrack Album in this in-depth conversation.Deee Yac & Crook #Podcast (Subscribe to the channel)Follow:Instagram - @DeeeYacandCrook Website - biosite/DeeeYacandCrook

Not only was Snow White and the Seven Dwarfs Disney's first full-length animated feature, host Randy Thornton reveals the film generated the world's first Soundtrack Album. 

Gurdip returns this week for a lively discussion about the soundtrack to Elvis' 1968 film "Speedway," which co-starred Nancy Sinatra, who features on two tracks, making her one of the few artists to ever appear on an album with Elvis during his lifetime. The guys dig a bit into the recording sessions (which, minus Sinatra's contributions, were primarily done at MGM's soundstage instead of at RCA Studio B as usual) and how this move affected the production quality of the album, the poor choice of promotional single material, unfortunate timing of the film & soundtrack's release, and ponder how Elvis' final soundtrack LP for a fictional film managed to, like the first movie album from 11 years earlier, end up with nearly half the songs featured not even appearing in the film itself.  The guys also catch up on a bunch of listener emails, and then for Song of the Week, Gurdip selects Elvis' unique 1957 interpretation of the spiritual "I Believe," while Justin goes much lighter, picking "Poor Boy," recorded for and featured in his first feature, Love Me Tender. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Welcome all listeners out there to the new year and also to the inaugural episode of 2024! To launch into this new year, in this episode I am accompanied once more by perennially popular soundtrack album producer and editor Neil S. Bulk, to continue our conversation in recapping his standout projects from the prior year, in this instance 2023. His work can be heard on album releases from the La La Land, Quartet and Varese Sarabande record labels. As always, I appreciate when Neil can spend time to share the details and experiences on these albums!   Below are the films and composers represented here, with time index for helpful reference:   Intro - 00:00:00 GORKY PARK (1983) (James Horner) - 00:02:36 DAD (1989) (James Horner) - 00:13:15 SNEAKERS (1992) (James Horner) - 00:20:01 THE MASK OF ZORRO (1998) (James Horner) - 00:26:01 MULAN (1998) (Dolby Atmos album releases, score by Jerry Goldsmith, songs by Matthew Wilder and David Zippel) - 00:38:12 LIVE AND LET DIE (1973) (music by George Martin, title song by Paul McCartney & Wings) - 00:45:34 OCTOPUSSY (1983) (music by John Barry, title song "All Time High" by Barry and Tim Rice) - 01:00:00   Stay safe out there, take care of yourself and each other!    Albums discussed now available at: La La Land Records Quartet Records   Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com   

Producer Stéphane Humez, sound engineer Maxime Marion, and film music journalist Kaya Savas take you behind the scenes into the approach for the newly expanded and remastered The Rock album for Intrada Records. Learn how the trio all know each other and how this release came to be. Stéphane takes us behind the presentation of the album, and why this album assembly makes the most sense for a listening experience. Stéphane also talks about the process of getting access to certain masters, and how all of that material made its way to Maxime. Maxime takes us behind his mastering process, including how it was important to stay true to the original sound of the score. Maxime also shares how certain tracks were badly damaged, and how he approached the restoration process. Kaya takes us behind the liner notes and how Nick Glennie-Smith, Hans Zimmer, Harry Gregson-Williams and John Finklea were essential in helping piece together the picture of how the score was made. If you've ever been interested in what goes into producing an archival soundtrack album then come join us for the ride! A Film.Music.Media Production | Produced & Presented by Kaya Savas #therock #soundtrack #album #behindthescenes #musicproduction #nickglenniesmith #hanszimmer #harrygregsonwilliams #michaelbay #jerrybruckheimer #donsimpson #stephanehumez #maximemarion #kayasavas #intrada #intradarecords #90s #90smovies

This week, Dave, Neil, and Joanna debate the best movie soundtrack album! They start by talking about the history of movie soundtracks (13:15). Then, they go through pretrial dismissals and give out some awards (30:24) before finally revealing their picks for the best movie soundtrack album (1:03:46)! They also read some listener submissions and choose one to add to the final poll (1:21:38). Now it's up to you to decide! What's the best movie soundtrack album? You can vote for the winner at TheRinger.com, on The Ringer's Twitter feed, and in the Spotify app, where you'll find ‘Trial by Content.' The winner will be announced next week! You can send your picks for next week's topic and a few sentences to support your pick to TrialByContent@gmail.com. You can also submit suggestions for future ‘Trial by Content' topics. Is there a great pop culture debate that you'd like us to settle? Send it on over! Hosts: Dave Gonzales, Joanna Robinson, and Neil Miller Associate Producer: Carlos Chiriboga Additional Production Supervision: Arjuna Ramgopal Theme song and other music credits: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Happy New Year to all listeners out there and welcome to the first new episode of 2023! In this inaugural episode of the new year, I am accompanied by popular soundtrack album producer and editor Neil S. Bulk, in what has become a perennial, (hopefully) entertaining and often “inside baseball” type of discussion. Neil and I recap his standout projects from the prior year, 2022, for the venerable soundtrack record labels La La Land Records, Quartet Records and Varese Sarabande. As always, I appreciate when Neil can spend time to relay the details and experiences on these albums!   Below are the films and composers represented here, with time index for helpful reference:   FIRST BLOOD (1982), RAMBO: FIRST BLOOD PART II (1985), RAMBO III (1988) (Jerry Goldsmith) - 00:00:00 MARY, QUEEN OF SCOTS (1971) (John Barry) - 00:15:39 CHAPLIN (1992) (John Barry) - 00:19:10 DR SEUSS' HOW THE GRINCH STOLE CHRISTMAS (2000) (James Horner) - 00:26:09 TOMORROW NEVER DIES (1997) (David Arnold) - 00:33:43 THE GODFATHER (1972) (Nino Rota) - 00:44:54 PRESUMED INNOCENT (1990) (John Williams) - 00:55:00 DEATH BECOMES HER (1992) (Alan Silvestri) - 1:01:02 L.A. CONFIDENTIAL (1997) (Jerry Goldsmith) - 1:08:09 THE BURBS (1989) (Jerry Goldsmith) - 1:15:50   Stay safe out there, take care of yourself and each other!    Albums discussed now available at: https://lalalandrecords.com/ https://www.quartetrecords.com/ https://www.varesesarabande.com/   Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com   

Happy birthday, Elvis! This week, we're taking a look back at the 1966 soundtrack for the movie "Spinout," one of the first Elvis albums Gurdip ever owned and therefore one he holds with great affection. Has it been wrongly maligned and lumped in with other movie soundtracks? Or has it earned a place as forgettable 60s fluff? And what to make of the bonus tracks? All that and more, but before that, we react to the single of Jamieson Shaw's fun new "Toxic Las Vegas" remix from Baz Luhrmann's film, mashing up Britney Spears and Elvis, as well as Rolling Stone magazine's placement of Elvis in their Top 200 Singers list. For Song of the Week, Gurdip dons his matador costume and faces down "El Toro," the "Fun in Acapulco" song about an unbeatable bull. Then, Justin delves into Bread's heartbreakingly beautiful minor 1972 hit "Aubrey" then tries to unpack one of the most obscure, rarely-heard Elvis concert recordings and speculate on what a seemingly minor lyrical tweak might have meant, if intentional. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music history and movie enthusiast.

Dan and Luis deep dive into BlueTwelve Studio's debut adventure game from 2022, "Stray". 00:00 - Intro / “Slums” 00:51 - Off-Topic 09:15 - Non-Spoiler Review 25:41 - Game Facts / Trophies 36:20 - “Inside The Wall” / Spoilercast Starts! 59:47 - Outro / “Last Night” Once a month, Dan Lima (@PowerUpDan) and Luis Menchaca (@Chacalaca88) deep dive on a game from their backlog. If you want to play along with our hosts, next month's game will “allegedly” be South Park: The Stick of Truth (2014). Please subscribe to the feed so you can get every new show directly to your device as soon as it posts, and if you like it, please leave us a nice review. If you liked the music featured in this episode, check out Stray's official Soundtrack Album by Yann van der Cruyssen. Thank you!

Welcome to the sixteenth episode of The Daily Rings of Power Podcast! We return with a special Sunday episode, taking on the second half of The Rings of Power soundtrack by Bear McCreary! I give my initial thoughts, amateur analysis and speculation on what these tracks might mean! If you missed Part 1, go listen to that as we cover the first 20 tracks there! Follow us on Twitter for more Rings of Power content: @DailyRoP - Stream the whole Soundtrack Album with bonus tracks - Kylie's transcription of This Wandering Day lyrics And subscribe to the podcast on your favourite app: https://linktr.ee/dailyrop   Intro & Outro Music : She Moved Through the Fair by Sláinte | https://freemusicarchive.org/music/Slinte  Music promoted by https://www.chosic.com/free-music/all/  Creative Commons CC BY-SA 3.0 https://creativecommons.org/licenses/by-sa/3.0/

James Reams (1956-2022)So many songs to sing; and so little time to sing them. That was the mantra of James Reams, beloved and well-known Bluegrass performer and song writer. Because of his driving promotion of Bluegrass and Americana music, he had earned several nicknames durning his lifetime that reflected his contributions to the genre; Kentucky Songbird, Father of Brooklyn Bluegrass, and Ambassador of Bluegrass. Unfortunately for those of us who loved him, and the many people who were impacted by his zest for life and music he has passed on. On June 17th at 4:30 in the afternoon he passed away, at home surrounded by family and friends who loved him. Just a few days before his death, he commented to those sitting by his bed, “Dying – this gives me an idea of a new song.”James who was raised in the hills of Appalachia, was exposed to bluegrass from the time he could walk. At an early age he showed a talent for writing and performing the music of the region. James spent many an hour watching the regional variety show “Cas Walker Farm and Home Hour”.  The Farm and Home Hour featured many of the pioneers of bluegrass and launched many emerging stars. This, along with his father's love of bluegrass had a profound effect on him.Kentucky SongbirdJames earned the nickname Kentucky Songbird by building an extensive library of work during his three-decade career and ten album releases. IBMA nominated him as Emerging Artist of the Year. The same year he was also nominated for Recording Event of the Year for his album James Reams, Walter Hensley and the Barons of Bluegrass.His latest album release occurred early in 2022. It is a massive 2 CD release with thirty songs - Like a Flowing River & Soundtrack Album on Mountain Redbird Music. This highly anticipated project follows the release of a documentary film from the previous year. The documentary celebrates the long musical performing and song writing career of James.Father of Brooklyn BluegrassThis James identifier was conferred on him because of his role in being a founding father of the Park Slope Bluegrass Oldtime Music Jamboree in Brooklyn, New York. This music event started in 1998, was organized by James, along with his long-time partner Tina Aridas. The event was a glorious celebration of bluegrass music. It accomplished this by combining live performances and workshops over a two-day period in September each year. The event was popular and attracted top performers from the northeast, and hundreds of participants every year.Ambassador of BluegrassJames promoted the spread of bluegrass beyond the release of his albums and extensive touring. A major accomplishment of his was the releasing of two documentary films that sought to spread the music he loved to people who otherwise not had an opportunity to sample this foot-stomping music. In 2021 the documentary of James' bluegrass life in was released, Like a Flowing River: A Bluegrass Passage. The film that captures the spirit of what it means to be a musician, documenting all of the twists and turns that occur on a musician's journey.On top of the previously mentioned accomplishments, James was also an ex-president of the Arizona Bluegrass Association. James has been a busy contributor to bluegrass from the early days of his career. His passion for music can be seen in his everyday life. You can be sure if there is a kitchen table in heaven, James will be sitting at it singing a soulful tune.Music from Mountain Redbird MusicLinks:http://www.jamesreams.comhttps://bluegrasstoday.com/james-reams-passes/https://en.wikipedia.org/wiki/James_Reamshttps://www.youtube.com/user/MrJamesReamsSupport the show

Queen gehen auf große Magic Tour. Im Gepäck ihr Soundtrack-Album zum Film "Highlander" mit Hits wie "A Kind Of Magic" und "One Vision". Was das mit Fried Chicken zu tun hat? Hört diese Folge.

Welcome to the next new episode! I am pleased to be joined once more by soundtrack album producer and editor, Neil S. Bulk. As heard in previous years, which long-time listeners may recall, I've invited Neil back to reflect on his notable projects from the prior year, in this case 2021, for the various soundtrack record labels such as La La Land Records and Varese Sarabande. Topics range from work continuing during lockdown, rescores, film score presentations vs original albums and guessing as to what was happening in 1989 with recorded cues now missing. Titles discussed in this episode include: THE NEXT KARATE KID (Bill Conti/William Ross) STAR TREK II: THE WRATH OF KHAN, GLORY, FIELD OF DREAMS (James Horner) STRIPES (Elmer Bernstein) CABOBLANCO, THE STRIPPER, S*P*Y*S, TORA! TORA! TORA!, ACE ELI AND RODGER OF THE SKIES (Jerry Goldsmith) THE TIME TUNNEL (1960's TV series) (John Williams, various) THE DIARY OF ANNE FRANK (Alfred Newman) LOVE ACTUALLY (Craig Armstrong) DANTE'S PEAK (James Newton Howard/John Frizzel)   Stay safe out there, take care of yourself and each other!    Albums discussed now available at: https://lalalandrecords.com/ https://www.varesesarabande.com/   Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod     Email the show at ascoretosettlepodcast@gmail.com 

As promised, the band broadcasts "Live?" from the Elm Hill Farm Winter Home, where they become real-life Ghost Busters!  We Ain't Afraid of No Ghosts!website: actonmusicproject.comemail: music@actonmusicproject.comCraig's phone number: ‪(978) 310-1613‬

Vordergründig war Help die Platte zum zweiten Kinofilm der Beatles. Aber bei genauerer Betrachtung ist das fünfte Album der Band viel mehr - und vor allem nur zur Hälfte überhaupt im Film zu hören. Die Rückseite der Platte hat mit dem Film überhaupt nichts zu tun, ist aber ein Fingerzeig für die weitere Karriere der Band. “Help” leitet gewissermaßen die zweite Phase der Bandgeschichte ein. Weg von den klischeehaften Boy-Loves-Girl-Teenager-Songs, hin zu einer viel komplexeren, tiefgründigeren und reflektierteren Art zu texten und zu schreiben. Das betrifft in erster Linie John, aber auf “Help” ist ja auch diese eine Nummer von Paul hier drauf …

#heavymetal #heavymetalmovie #heavymetalsoundtrack Get a FREE EP HERE: http://LouLombardiMusic.com if you love great guitar driven rock from the 70s, 80s, 90s and even today, you will want to get my EP "The Bad Years". Get your copy while supplies last! For this month's Loudini Rock & Roll Circus album retrospective we will tell you all about one of the great guitar driven soundtracks of all time. 1981's Heavy Metal set a new standard for featuring the best rock artists of the day and lots of boobs too!     Topics Covered: https://www.sos2020pgh.org/ https://www.thisdayinmusic.com/   Heavy Metal ... Sammy Hagar Heart Beat .... Riggs Radar Rider.... Riggs Working in a coal mine.... DEVO Veteran of the Psychic Wars... Blue Oyster Cult Reach Out .... Cheap Trick I must be Dreaming.... Cheap Trick Heavy Metal (Takin a ride)... Don Felder All of You... Don Felder True Companion... Donald Fagen Crazy... Nazareth Open Arms.... Journey Queen Bee.... Grand Funk Railroad Mob Rules... Black Sabbath Prefabricated... Trust Blue Lamp... Stevie Nicks

Welcome to the first new episode of 2021! I am graciously joined once more by soundtrack album producer and editor Neil S. Bulk to review his projects from the previous year and discuss surprises, roadblocks and highlights along the way. Titles covered in this episode include THE KARATE KID II (1986) and THE KARATE KID III (1989), with music composed by Bill Conti, both available in deluxe editions released from La-La Land Records, completing the trilogy alongside their previous release of 1984's THE KARATE KID.    Following on from this, we discuss HOFFA (David Newman), DARKMAN (Danny Elfman) and the 4-CD set of music from the Irwin Allen produced 1960's TV series VOYAGE TO THE BOTTOM OF THE SEA. Next, we delve into MR. MOM (Lee Holdridge), JACOB'S LADDER (Maurice Jarre) and a batch of 1960's era Jerry Goldsmith scores presented on the new GOLDSMITH AT 20TH (formerly 20th Century Fox) series from the aforementioned La-La Land Records. Neil also adds comments about working on the recently expanded 2-CD edition of Goldsmith's final theatrical score, LOONEY TUNES: BACK IN ACTION, from 2003.    Stay safe out there, wear a mask, take care of yourself and each other!    Albums discussed now available at: https://lalalandrecords.com/ https://www.quartetrecords.com/ https://www.varesesarabande.com/   Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com   

Das DISCOTHESEN-Team sendet diese Woche aus dem Berliner Tiergarten und bekommt Besuch von Dominik Djialeu (Berries, BBQ | Der Black Brown Queere Podcast). Der Grund: Pop-Queen Beyoncés fast neunzigminütiger Musikfilm „Black is King“, inspiriert von der Geschichte von „Der König der Löwen“, ist erschienen. Zur Neuauflage des 1994er Disney-Klassikers "The Lion King" um die Katharsis der Hauptfigur Simba hatte sie bereits 2019 ein Soundtrack-Album kuratiert und mit Schwarzen Musiker*innen aus den USA sowie aus (West-)Afrika zusammengearbeitet – neben Jay-Z, Pharrell Williams oder Kendrick Lamar sind auch Wizkid, Moonchild Sanelly oder Burna Boy auf „The Lion King: The Gift“ vertreten. Dominik, Carina, Mathis und Fionn haben Dank „Black is King“ ein neues Interesse an diesem Album entwickelt und sprechen über Beyoncés Standing, Kritik am Disney-Konzern, Empowerment und die Diversität afrikanischer Popkulturen.

Soundtrack album producer and editor Neil S. Bulk returns as an honored guest to the podcast to discuss several of his notable film score restorations completed during 2019. He shares behind-the-scenes information and anecdotes from wonderful projects he guided last year for fan favorite record labels, including La-La Land Records, Quartet Records and Varese Sarabande. I ask Neil about his efforts on the 5-disc PLANET OF THE APES box set, which collects all music from the original five films in the beloved franchise.   In addition, we chat about eagerly anticipated expanded album releases such as THE SWARM, THE GREAT TRAIN ROBBERY and U.S. MARSHALS, all composed by Jerry Goldsmith, THE KARATE KID by Bill Conti and STARGATE by David Arnold. We also spend some time talking James Horner's lush score for LEGENDS OF THE FALL from 1994, and its expanded edition from Intrada Records. This interview was conducted on April 17, 2020. Stay safe and healthy, everyone!   Find these albums available at: https://lalalandrecords.com/ https://www.quartetrecords.com/ http://store.intrada.com/ http://www.kritzerland.com/ https://www.varesesarabande.com/   Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com  

Blue Hawaii is Elvis’ fourth Soundtrack album.In this episode we take a look at the recording sessions that were done in March 1961 for the soundtrack recordings to accompany the Movie.Recording Sessions took place at Radio Recorders in Hollywood on March 21st, 22nd, and 23rd, 1961.A Sample of each of the 15 recordings done at the sessions are provided along with interesting information regarding each track.Session chatter is also included to provide an insight into the recording process.The Blue Hawaii soundtrack was nominated for a Grammy Award in 1961 in the category of Best SoundTrack Album or Recording of Original Cast from a Motion Picture or Television. You can contact the show on e mail atelvistheultimatefanchannel@gmail.com

This morning I realized I can’t get soundtracks from my favorite John Hughes movies on any streaming services and it’s driving me nuts. Guess I’m going to have to make my own playlists. from Quantum Xen Moments https://ift.tt/31U6fdgvia IFTTT… The post What happened to the ‘Pretty in Pink’ soundtrack album? appeared first on Quantum Xen.

Lion King : The Gift by Beyonce album review

Track Two on this year's Soundtrack Album is Cheap Vacation.  We'd like to thank all of you who've taken the time to listen and support Achieving Reality:  The Podcast!  It means the world to us that you're out there.  Enjoy!

Tomorrow is our Sixth Anniversary!  And, to celebrate, we're counting down the hours until our new Episode with a new Soundtrack title every hour, on the hour until the big hour at Eight O'Clock.  This year's Soundtrack Album begins with a little ditty we like to call "16 Bit."  Enjoy!

WELL WELL WELL, The last episode of Season One!! Thank You guys so much for listening!! Here is to season 2! I'm off to the cinema to celebrate!

In this episode, I welcome back to the podcast Neil S. Bulk, soundtrack album producer and editor, as he graciously shares behind-the-scenes details and stories from the major projects he shepherded last year for various record labels, such as La-La Land Records. I inquire about the expanded album editions of the James Bond epics DIE ANOTHER DAY and THE WORLD IS NOT ENOUGH, both with music by David Arnold, in addition to the 3-CD, 30th anniversary release of Michael Kamen's DIE HARD, the expansive set of music from the 1960's sci-fi TV series LAND OF THE GIANTS and the deluxe treatment of Elliot Goldenthal's score for ALIEN 3. Find these albums available at https://lalalandrecords.com/.    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at ascoretosettlepodcast@gmail.com  

Our favorite Smoky Mountain singer has lots of fresh music on the way! Dolly Parton will release a new album on November 30, 2018 made up of songs appearing in the upcoming movie Dumplin’. For the Dumplin’ soundtrack, Dolly teamed up with some of the biggest names in music, including Miranda Lambert, Sia, Macy Gray, […] The post Dolly Parton to Release Soundtrack Album for New Movie “Dumplin’” appeared first on Visit My Smokies.

In our special West Coast edition of Beers, Beats & Bailey, I, along with Ricardo Medina, discuss the second season of HBO's "True Detective", Dr. Dre's third and final studio album "Compton: A Soundtrack by Dr. Dre" and the music biopic "Straight Outta Compton" If you'd like to skip the "True Detective (Season 2)" review, go to 31:11 If you'd like to skip the "Compton: A Soundtrack by Dr. Dre" review, go to 1:30:27   MATTHEW BAILEY ON SOCIAL MEDIA: legallyblack.wordpress.com www.patreon.com/legallyblack

In this episode, I am talking with soundtrack album producer and film music journalist, Dan Goldwasser. We focus on his work for both archival score releases, such as THE FIRM and AIRPLANE!, and for recent scores, in this case KINGSMAN: THE SECRET SERVICE and FERDINAND. I ask him about how these projects are begun, who's involved and roadblocks encountered. We also talk about being a movie music fan and whether this affects shepherding these albums and collaborating with composers. Check out Dan's photography and notes from scoring sessions around Los Angeles at his website, www.scoringsessions.com. Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod Email the show at ascoretosettlepodcast@gmail.com

In this episode, I continue my conversation with classic soundtrack editor and producer, Neil Bulk. Some of the topics discussed include his beginnings as a soundtrack fan and collector, re-recordings of movie music, fan demands when it comes to album releases from the niche labels and at the end, Neil tries to get me to actually narrow down my favorite scores. Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod Email the show at ascoretosettlepodcast@gmail.com

In this first episode of the podcast, I talk about Jerry Goldsmith's score for the 1976 sci-fi movie LOGAN'S RUN and also begin part 1 of my conversation with classic soundtrack album producer and editor Neil S. Bulk, including his work on the archival releases of Danny Elfman's score to 1989's BATMAN and Michael Kamen's music for the LETHAL WEAPON series. Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod Email the show at ascoretosettlepodcast@gmail.com

All the evocative & haunting music from our first season, with none of the plots and characters getting in the way. Music by Ars Sonor, selected & edited by Bob J. Koester. Artwork by FraunFraun. Follow @immunitiesdrama

Today on The Music Of Bond the team delve into 1962's Dr. No score by Monty Norman. The earliest film in the series, and the weirdest Soundtrack Album to date (only 7 of the tracks actually appear in the film!) so there is much to discuss and delve into. From Mango Tree to 3 Blind Mice to Bond singing to Bleeps and Bloops in the Gun Barrel: as you have come to expect, everything is covered...

In this episode we were joined by Neil S. Bulk who has produced dozens of soundtracks for some of the most popular films and TV shows in geekdom. He was great and give us the professional 411 on how he puts together soundtracks. We also reviewed Moana which the Venoms liked. Enjoy.

Drunk Director - Ein Underground-Regisseur redet über Filme. Geschichten vom Guerilla-Set, willkürliche Meinungen zu Filmen und Serien, dazu ein kaltes Getränk und etwas eigene Musik. Diesmal: Handlung, Dreh und Einflüsse des ersten Radikal & Arrogant Films "Warum Hans Wagner den Sternenhimmel hasst", Musik vom Soundtrack-Album (von mir), dazu ein kaltes Corona Extra. Cheers!

Drunk Director - Ein Underground-Regisseur redet über Filme. Geschichten vom Guerilla-Set, willkürliche Meinungen zu Filmen und Serien, dazu ein kaltes Getränk und etwas eigene Musik. Diesmal: Handlung, Dreh und Einflüsse des ersten Radikal & Arrogant Films "Warum Hans Wagner den Sternenhimmel hasst", Musik vom Soundtrack-Album (von mir), dazu ein kaltes Corona Extra. Cheers!

Drunk Director - Ein Underground-Regisseur redet über Filme. Geschichten vom Guerilla-Set, willkürliche Meinungen zu Filmen und Serien, dazu ein kaltes Getränk und etwas eigene Musik. Diesmal: Handlung, Dreh und Einflüsse des neuen Radikal & Arrogant Films "Zeckenkommando vs. Cthulhu", Musik vom Soundtrack-Album (von mir), dazu Tullamore Dew mit einer Limette, Rohrzucker und Zitronenbrause. Cheers!

Drunk Director - Ein Underground-Regisseur redet über Filme. Geschichten vom Guerilla-Set, willkürliche Meinungen zu Filmen und Serien, dazu ein kaltes Getränk und etwas eigene Musik. Diesmal: Handlung, Dreh und Einflüsse des neuen Radikal & Arrogant Films "Zeckenkommando vs. Cthulhu", Musik vom Soundtrack-Album (von mir), dazu Tullamore Dew mit einer Limette, Rohrzucker und Zitronenbrause. Cheers!

We're back, and once again Geektown is chatting with some of the best composers working in US film & TV right now. Last week I got to have a video chat with composer Dan Licht, the man behind the music of serial killer tv show 'Dexter', medical drama 'Body of Proof' and also provided additional music for 'The Blacklist. Dan has also worked on a number of films, including  'Children of the Corn II' and 'Hellraiser: Bloodline', along with video games such as the 'Silent Hill' franchise, and the excellent 'Dishonored'. Over a long and varied career, Dan has travelled the world collecting weird and wonderful instruments, as well as finding new and interesting ways to play more traditional ones! He's recently completed the Soundtrack Album for Dexter Season 8, and is currently working on the second season of The Red Road, starring Jason Momoa (Game of Thrones, Stargate: Atlantis) For more about Dan and his music, click here. Geektown Podcast 14: Interview With Dexter... See acast.com/privacy for privacy and opt-out information.

Vocalist Catherine Russell is a native New Yorker born to musical royalty. Her father, the late Luis Russell, was a pioneering pianist/composer/bandleader, and Louis Armstrong's long-time side-kick. Her mother, Carline Ray, is a bassist, guitarist, vocalist, who has performed with Mary Lou Williams and International Sweethearts of Rhythm. Catherine’s professional life began early. After graduating with honors from the American Academy of Dramatic Arts, she embarked upon a rich journey backing artists like Carrie Smith, Steely Dan, David Bowie, Cyndi Lauper, Paul Simon, Jackson Browne, Michael Feinstein, and Rosanne Cash. Her 2006 debut album Cat, (World Village/Harmonia Mundi), garnered rave reviews, paving the way for her 2008 sophomore release, Sentimental Streak. She has won a prestigious German Record Critics' Award and a Hot Club of France Discovery Award.   Catherine Russell's third album, Inside This Heart of Mine, reached #1 on JazzWeek, Roots Music Report, and I-Tunes Jazz Charts. The acclaim has enabled Catherine to join elite company on various compilations, including the Soundtrack Album for the award winning HBO-TV show "Boardwalk Empire", Strictly Romancin’, her fourth album,  establishes Catherine Russell as one of the greatest interpreters and performers of American Popular Song. http://catherinerussell.net