Podcasts about Bas Jan Ader

Bas Jan Ader erforschte in seinem Werk die Grenzen der Schwerkraft. Mit „I’m searching…“ widmet die Hamburger Kunsthalle dem Konzeptkünstler 50 Jahre nach seinem Verschwinden eine Retrospektive. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-bas-jan-ader

Bas Jan Ader erforschte in seinem Werk die Grenzen der Schwerkraft. Mit „I’m searching…“ widmet die Hamburger Kunsthalle dem Konzeptkünstler 50 Jahre nach seinem Verschwinden eine Retrospektive. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-bas-jan-ader

Bas Jan Ader erforschte in seinem Werk die Grenzen der Schwerkraft. Mit „I’m searching…“ widmet die Hamburger Kunsthalle dem Konzeptkünstler 50 Jahre nach seinem Verschwinden eine Retrospektive. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-bas-jan-ader

Einmal die Woche spielen Hamburgs Kunsthallen-Direktor Alexander Klar und Abendblatt-Chefredakteur Lars Haider „Ich sehe was, was du nicht siehst“ – und zwar mit einem Kunstwerk. Heute geht es um das Bild „In Search of the Miraculous (One Night in Los Angeles)“ von Bas Jan Ader aus dem Jahr 1973 und die Frage, wann Kunst beginnt.

Probst, Carsten www.deutschlandfunk.de, Kultur heute

Schneider, Anette www.deutschlandfunkkultur.de, Fazit

‘Light Vulnerable Objects Threatened by Eight Cement Bricks' (7-12 June, 2022) at Verein by Association in Zürich (Switzerland) is a ...

On a summer day in 1975, conceptual artist Bas Jan Ader steps onto a sailboat and embarks on a trans-Atlantic voyage. He never reaches his intended destination. But did he suffer a maritime tragedy — or stage another art installation? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Being an artist isn't the easiest way to live your life but sometimes this path takes very dangerous turns. Caravaggio, Chris Burden, Ai Weiwei, Marina Abramović, Bas Jan Ader or Pippa Bacca and many other artists have a lot in common - their passion for artmaking threatened their existence. In this episode we (Kasia and Alicja) are talking about artists who either unconsciously or with full risk put theirs lives in danger. All for the sake of art.

Nell'arte la parola acqua ha sempre fatto rima con viaggio. Stavolta, però, il viaggio è burrascoso, perché Costantino e Francesco si scontrano sull'americana Roni Horn e la scoperta dell'acqua calda, su polli e balene, sul ruolo di Willy il Coyote nell'arte concettuale e sulla doppia vita del padre di William Turner: William Gayone Turner. Infine, dei prestigiosi ospiti si uniscono al cast di ArteFatti: due dei maggiori critici di design al mondo, amici intimi di Francesco Bonami.In questa puntata si parla di Roni Horn, Bas Jan Ader, Thierry De Cordier, Hiroshi Sugimoto, Gordon Matta-Clark, Simon Starling, Willy il Coyote, Fabrizio Plessi, Claudio Monteverdi, Luigi Tenco, Peter Fend, Colin De Land, Andrea Fraser, Cady Noland, Rob Scholte, Tacita Dean, William Turner, William Gayone Turner, Mike Leigh, Nanni Moretti, Guy Bourdin, Vaginal Davis, Gustave Moreau, Thomas Chippendale, Laura Ashley, Antonio Citterio, Dan Graham, Donald Judd, Gerrit Rietveld e Gio Ponti

Ulisses Carrilho nasceu em Porto Alegre, Rio Grande do Sul, Brasil, em 1990. É curador da Escola de Artes Visuais do Parque Lage e ex-aluno da mesma instituição. Pós-graduado em Economia da Cultura (UFRGS), estudou Comunicação Social (PUCRS) e Letras – Português/Francês (UFRGS). Iniciou sua trajetória como assistente de direção do Museu de Arte Contemporânea do Rio Grande do Sul. Integrou a equipe de relacionamento institucional da Fundação Bienal do Mercosul (Porto Alegre) e da galeria Rolando Anselmi (Berlim, Alemanha). Desde 2015 trabalha na Escola de Artes Visuais do Parque Lage. Em 2018, assumiu a curadoria de Ensino e Programas Públicos da escola. Vive no Rio de Janeiro. [Ulisses Carrilho was born in Porto Alegre, Rio Grande do Sul, in 1990. He is postgraduated in Economy of Culture (Federal University of Rio Grande do Sul) and studied Social Communication (Catholic University of Rio Grande do Sul) and Portuguese/French (Federal University of Rio Grande do Sul). He started his career as a curator working as assistant of the director of the Contemporary Art Museum of Rio Grande do Sul. He was part of the institutional relations team at the Foundation Mercosul Biennial (Porto Alegre) and also of the gallery Rolando Anselmi (Berlin, Germany). Since 2015 he works at the Visual Arts School at Parque Lage, where he also studied. In 2018, he assumed the position of curator of Education and Public Programs at the school. He lives in Rio de Janeiro] ///imagem selecionada|selected image: Bas Jan Ader, "Fall I", 1970/// [entrevista realizada em 21 de agosto|interview recorded on august 21st] [link para YouTube: https://www.youtube.com/watch?v=D2OZW1E5wXU]

Recorded as a special programme to celebrate Resonance 104.4fm's 18th birthday, Suite (212) founder and host Juliet Jacques reads two texts written in response to 20th century art. The first is a short story inspired by Dutch artist Bas Jan Ader (1942-75) entitled 'I'm too sad to tell you about I'm Too Sad to Tell You' (2008). The second is a longer text about writer/artist Claude Cahun (1894-1954) called 'Sertraline Surrealism' (2016).

Hunter Drohojowska-Philp talks about the extreme art of Chris Burden, Jack Goldstein and Bas Jan Ader at the Modern Art Museum of Fort Worth

Wossup! This week we have a member of Desperate Journalist and an actual journalist whom I shall not refer to as "desperate". Clarisse Loughrey, is here! The Independent's Chief Film Critic, and occasional "substitute teacher" for the BBC's flagship movie show on 5Live (known as Wittertainment to those in the know) herself. I really enjoyed our chat. We talked about the current state of film journalism, its challenges, its rewards, and whether it can be considered a truly creative profession. Jo Bevan, vocalist with one of the finest bands in the U.K., Desperate Journalist, talks us through their phenomenal third album "In Search Of The Miraculous", via a the story of Dutch conceptualist. Growing up and childhood also ended up being a theme of the episode with Clarisse and Jo both sharing candid memories of the difficulties they experienced when they were young. Visit desperatejournalist.co.uk You can find Clarisse's work at theindependent.co.uk Let me know what you thought @signalspodcast

In this Art Dirt podcast, Brandon Zech and Christina Rees help you plan your summer road trip by recapping all of their favorite smaller-town museums across the state of Texas. Thanks to this week's podcast sponsor, The Modern Art Museum of Fort Worth and their exhibition, "Disappearing—California, c. 1970: Bas Jan Ader, Chris Burden, Jack Goldstein." For more information on the show, go here: http://bit.ly/2FoK4Tl

Last week's episode about the infamous ghost ship Mary Celeste put me in mind of a story about influential artist Bas Jan Ader. In 1975, Ader was lost at sea after attempting a solo crossing of the Atlantic Ocean. In this extra episode we learn more about Ader's trip and the extraordinary ideas that inspired him to attempt it in the first place. Go to @unexplainedpod, facebook.com/unexplainedpodcast or unexplainedpodcast.com for more info. Thank you for listening.

Over de biertjes van Omnipollo, over kunstenaar Bas Jan Ader, over een reis naar Los Angeles en over Just Do It! En natuurlijk het Leiden Internationaal Film Festival waar wij de Cinema Brewers Shorts voor het 3de jaar op een rij hebben gesponsord. Luister naar... The post Leiden Internationaal Film Festival appeared first on Cinema Brewers - Craft beer from movie classics..

This piece feels like rifling through a scrapbook inside someone's head. Its structure is as flowing and choppy as the ocean that Phoebe so often alludes to. We love Phoebe's play with music, and the raw meticulousness of the tape she's collected. This is a piece that resists traditional personal narrative storytelling arcs; it reveals itself slowly through additional listens. 

  In 1976 a television crew discovered a mummified corpse in a California funhouse. Unbelievably, an investigation revealed that it belonged to an Oklahoma outlaw who had been shot by sheriff's deputies in 1911 and whose remains had been traveling the country ever since. In this week's episode of the Futility Closet podcast we'll trace the postmortem odyssey of Elmer McCurdy, "the bandit who wouldn't give up." We'll also reflect on a Dutch artist's disappearance and puzzle over some mysterious hospital deaths. Intro: In 1922, mechanical engineer Elis Stenman built a summer home with walls of varnished newspaper. Winston Churchill's country home Chartwell must always maintain a marmalade cat named Jock. Sources for our feature on Elmer McCurdy: Mark Svenvold, Elmer McCurdy, 2002. Robert Barr Smith, "After Elmer McCurdy's Days as a Badman, He -- or at Least His Corpse -- Had a Fine Second Career," Wild West 12:1 (June 1999), 24-26. United Press International, "Amusement Park Mummy Was Elmer McCurdy, a Wild West Desperado," Dec. 10, 1976. Associated Press, "Died With His Boots On," Dec. 11, 1976. Associated Press, "Wax Figure Maybe No Dummy, May Be Old Outlaw's Mummy," Dec. 12, 1976. Associated Press, "Elmer McCurdy Goes Home to Boot Hill," April 23, 1977. Listener mail: Alexander Dumbadze, Bas Jan Ader: Death Is Elsewhere, 2013. Jan Verwoert, Bas Jan Ader: In Search of the Miraculous, 2006. Brad Spence, "The Case of Bas Jan Ader," www.basjanader.com (accessed 08/18/2016) (PDF). Rachel Kent, "Pun to Paradox: Bas Jan Ader Revisited," Parkett 75 (2005), 177-181. Wikipedia, "Bas Jan Ader" (accessed 08/18/2016). Richard Dorment, "The Artist Who Sailed to Oblivion," Telegraph, May 9, 2006. (We had referred to a collection of Ader's silent films on YouTube. Unfortunately, this has been pulled by Ader's estate.) This week's lateral thinking puzzle was contributed by listener Steven Jones. You can listen using the player above, download this episode directly, or subscribe on iTunes or Google Play Music or via the RSS feed at http://feedpress.me/futilitycloset. Please consider becoming a patron of Futility Closet -- on our Patreon page you can pledge any amount per episode, and all contributions are greatly appreciated. You can change or cancel your pledge at any time, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

SUN ARAW & M.GEDDES GENGRAS MEET THE CONGOS, Sunshine, da “FRKWYS vol. 9 Icon Give Thank” ERGO, Let’s, da “If Not Inertia” FORGAS BAND PHENOMENA, Corps et Âmes, da “Acte V” PIL, Human, da “This Is Pil” – MIKE REED’S PEOPLE, PLACES & THINGS, The Ephemeral Words Of Ruth, da “Clean On The Corner” BABA SISSOKO, Afrika/Afro Blues, da “African Griot Groove” AUGUSTUS PABLO, Rockers Magic, da “Dubbing On Bond Street” DAVID LIEBMAN/ELLERY ESKELIN, Adjusted Scatter, da “Non Sequiturs” RELLA THE WOODCUTTER, Bonobo, da “The Golden Undertow” NED ROTHENBERG, Preamble, da “World of Odd Harmonics” SEAMUS CARTER & VILJAM NYBACKA, Bas Jan Ader, da “The Anecdotes” – LOUIS SCLAVIS ATLAS TRIO, Près d’Hagondange, da “Sources”

This week Duncan and Richard talk to Michelle Grabner and Annika Marie about Picturing the Studio and among other things whether or not anyone does four studio visits a day. Go check out the show, even the art I disliked was interesting. Lifted from SAIC: This exhibition explores the richly complex politically- and psychologicaly-charged notion of the artist's studio today. With works by over 30 artists spanning the past two decades, this exhibition also includes several specially designed installations undertaken by artists on site. Curated by Michelle Grabner, SAIC, and Annika Marie, Columbia College, "Picturing the Studio" is presented in conjunction with the College Art Association's 98th Annual Conference in Chicago, February 11-13, 2010. It is made possible in part with funds from the College Art Association and the Illinois Art Council, a state agency. Artists include: Bas Jan Ader, Conrad Bakker, John Baldessari, Stephanie Brooks, Ivan Brunetti, Ann Craven, Julian Dashper, Dana DeGiulio, Susanne Doremus, Joe Fig, Dan Fischer, Julia Fish, Nicholas Frank, Alicia Frankovich, Judith Geichman, Rodney Graham, Karl Haendel, Shane Huffman, Barbara Kasten, Matt Keegan, Daniel Lavitt, Adelheid Mers, Tom Moody, Bruce Nauman, Paul Nudd, Frank Piatek, Leland Rice, David Robbins, Kay Rosen, Amanda Ross-Ho, Carrie Schneider, Roman Signer, Amy Sillman, Frances Stark, Nicholas Steindorf, and James Welling.

Rene Daalder is a Dutch writer and director. He lives in Los Angeles. Before becoming a protege of Russ Meyer, Rene Daalder has worked with Jan de Bont, Frans Bromet, and Rem Koolhaas. He is regarded as a pioneer of Virtual Reality and digital motion picture technologies. His movies include teenage horror classic Massacre at Central High (1976), Habitat (1997) and Hysteria (1998). He also produced a documentary on Bas Jan Ader entitled „Here is Always Somewhere Else“.

Rene Daalder is a Dutch writer and director. He lives in Los Angeles. Before becoming a protege of Russ Meyer, Rene Daalder has worked with Jan de Bont, Frans Bromet, and Rem Koolhaas. He is regarded as a pioneer of Virtual Reality and digital motion picture technologies. His movies include teenage horror classic Massacre at Central High (1976), Habitat (1997) and Hysteria (1998). He also produced a documentary on Bas Jan Ader entitled „Here is Always Somewhere Else“.