Podcast appearances and mentions of Hiroshi Sugimoto

Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade. In each of her works, ranging from sculptures and large-scale public installations to films, photographs, and works on paper, Kwade displays an astute sense of temporality and the ticking hands of the clock. Her practice, in a literal and figurative sense, is a quest to understand time as a ruler and shaper of our lives and of our world. For her latest exhibition, “Telos Tales,” on view at Pace Gallery in New York's Chelsea neighborhood through August 15, Kwade has created three monumental steel-frame sculptures with treelike limbs alongside new mixed-media works in an effort to engage the intangible nature of time. As with all her work, “Telos Tales” is philosophical, illusionistic, and inspires wonder: Long after a viewer has seen it, it will leave them questioning.On the episode, Kwade considers the unfathomability of all things, finds humor in being human, and explains what a relief it is to know that some questions have no clear answers—and never will. Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Alicja Kwade[13:19] “Alicja Kwade: Telos Tales” at Pace Gallery[16:56] “Hiroshi Sugimoto on Photography as a Form of Timekeeping”[18:41] “Alicja Kwade: Pretopia” (2025)[24:42] On Kawara's Date Paintings[25:04] “Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time” (2024)[25:04] “Gegen den Lauf” (2012-2014)[29:48] “Stellar Day” (2013)[31:44] “Against the Run” (2015)[31:44] “Against the Run” (2019)[31:44] Pinacoteca Agnelli Art Center[35:04] “88 Seconds”  (2017)[35:04] Eadweard Muybridge[39:24] Hiroshi Sugimoto[49:00] Salvador Dalí[49:00] Harry Houdini[49:00] Kazimir Malevich[59:27] “iPhone” (2017)[59:27] “Computer (PowerMac)” (2017)[01:04:47] “LinienLand” (2018)[01:04:47] “Alicja Kwade: Parapivot” (2019)[01:04:47] “Alicja Kwade: Viva Arte Viva” (2017)[01:08:30] “L'ordre des Mondes (Totem)” (2024)[01:13:50] Jason Farago[01:13:50] “Celestial Visions on the Met Roof”

Convidado para expor no templo dos impressionistas, o Museu d'Orsay, em Paris, o artista plástico Lucas Arruda concebeu “Que importa a paisagem” como parte da Temporada França-Brasil 2025. Em suas paisagens, ele fala através de luzes, pinceladas, gestos e memória. Patrícia Moribe, em Paris“Fiquei muito feliz pelo convite”, conta Lucas Arruda, o primeiro artista brasileiro contemporâneo a exibir no Orsay. “Acho que também tive uma certa ansiedade, um certo nervosismo, um certo medo de ter algum aspecto pretensioso em estar aqui. Mas aí, aos poucos, eu fui achando essas relações [entre os quadros] e percebendo que daria para construir algo que não confrontasse, mas que sim, respeitasse e continuasse.”A ideia de trabalhar com Lucas Arruda já estava em pauta há algum tempo, conta o co-curador Nicolas Gausserrand. "Quando estamos diante de uma tela de Lucas Arruda, temos a impressão de que ela nos é familiar, e é o poder da paisagem de nos dar a sensação de que já a vimos", observa."Seja na realidade ou na pintura, as pinturas de Lucas Arruda parecem se inserir perfeitamente nessa continuidade, que é importante no Museu d'Orsay, ao mesmo tempo, trazendo uma contribuição nova, que é o fato de que ele não pinta, ao contrário dos impressionistas, diante da cena que vê. Todas essas telas são imaginadas e são totalmente ideais de paisagens feitas em sua mente.”“Há algo bastante didático na progressão da exposição, falando primeiro sobre paisagens, em um encontro que não é conflituoso, mas organizado de maneira bastante elegante, tanto para as obras das coleções - Rousseau, Corot, Boudin, Pissarro – como para as obras de Lucas Arruda”, explica Gausserrand.“Há também um deslocamento bastante excepcional do Mar Tempestuoso, de Courbet, para a galeria impressionista. E a conversa acontece de maneira bastante fluida com a paisagem como tema”, acrescenta Gausserrand.“Que importa a paisagem”, frase tirada de um poema de Manuel Bandeira, trafega por três salas. A primeira, com vários expoentes do impressionismo; depois, uma ala só com as séries de Arruda, que funciona como uma quebra e a continuidade do diálogo.Há mais de 15 anos, Lucas Arruda vem trabalhando paisagens em quadros de pequeno formato, da série Deserto-Modelo. O formato reduzido parece concentrar e, ao mesmo tempo, aumentar essa realidade virtual. O visitante precisa auscultar traços e matizes, guiado pelas luzes e memórias de Arruda.Depois, na sala de Claude Monet, cinco versões da catedral de Rouen inspiraram Arruda a buscar cinco imagens de florestas.“Tentei achar cinco matas que tivessem luzes diferentes, construções diferentes. Então foi tudo um pouco pensado, com o entorno, com algumas limitações”, explica.Ele fala sobre a influência dos impressionistas, mas sua obra vai além, com imagens que remetem a outras gerações de artistas, como William Turner, Joseph Constable, Mark Rothko, ou ainda as fotografias de Hiroshi Sugimoto.O artista explica ainda a admiração pelo trabalho de Alfredo Volpi, um dos grandes nomes do modernismo brasileiro. “A luz que vem de trás da têmpera do Volpi tem essa transparência, essa pincelada aberta, que não fecha, que não sela. É uma pincelada que, ao mesmo tempo em que ela deposita, ela também abre luz de trás.”“Que importa a paisagem”, de Lucas Arruda, fica em exposição no Museu d'Orsay, em Paris, até 20 de julho de 2025.

Welcome back to another episode of the Perceptive Photographer podcast, as we continue our exploration of the distinctions between simplicity and minimalism in photography. If you missed the first part, I highly recommend catching up at some point with part one where I cover some of the more central differences between the two. While simple compositions can be clean and balanced, minimalism takes it a step further by intentionally focusing on space, form, geometry, and shape. Every element in the frame should serve a purpose. When making an image ask yourself why each component is there and what it adds to the overall composition. Minimalism is about revealing the essence of your subject. Remove anything that doesn't contribute to the viewer's experience. I like to think of it as a deconstruction of subject that is core to the final frame, which involves breaking down the environment to its most essential elements and only those elements. For example, in Hiroshi Sugimoto's classic photograph, the horizon line is centered, and the image consists solely of sky and water, devoid of any distractions. By reducing elements, viewers focus on what truly matters in the frame. Negative space is a cornerstone of minimalist photography. It creates a sense of openness and contemplation, allowing us to focus on the subject without the clutter of additional elements. Negative space is really about two things: isolating your subject, making it the focal point of the image and helping to define form and shape of the thing in the frame. . Negative space can evoke be an effective tool to evoke range of emotional responses, from calmness to loneliness. Be mindful of these nuances when composing your shots.It is also important to call out that successful minimalist photographers often exhibit a repetition of themes, forms, and processing styles, which helps convey their artistic vision. Elements like line, symmetry, and balance become more pronounced when distractions are removed.  Minimalism is often appreciated for its profound psychological impact when we look at the image. The emotional responses elicited by negative space and minimal content can vary widely, depending on the viewer's interpretation.Both simple and minimalist photographs have their own merits, and neither is inherently better than the other. The key is to explore minimalism in your work and consider the intentional choices you make in your compositions. As you delve into this style, remember the importance of intention, the power of negative space, and the emotional impact your images can have.

In this conversation, Greg & Tom interview Ted Forbes, a renowned photographic educator and YouTube creator, about his journey in photography, his new book, and the evolving landscape of visual communication. Ted shares insights from his unconventional career path, the influence of his time working in an art museum, and the importance of understanding visual language in photography. They discuss the impact of social media and AI on photography, as well as the content and purpose of Ted's new book, which aims to educate photographers on the analytical aspects of creating compelling images. In this conversation, Ted Forbes shares insights on the practice of photography, emphasizing the importance of learning to see and understand visual elements in familiar spaces. He discusses the significance of building a relationship with one's own work and the necessity of analyzing past images to improve. Forbes also delves into key principles of composition, the context of photography, and the impact of current trends and technology, including the influence of AI on the industry. In this conversation, Ted Forbes, Tom Barnes, and Greg Funnell discuss the evolving landscape of photography, focusing on the cost of equipment, the importance of simplicity, and the balance between creativity and technical skill. They explore the liberating experience of using manual cameras, the challenges of digital photography, and the significance of making intentional choices in the creative process. The discussion culminates in personal recommendations for favourite cameras and photography books, emphasising the value of inspiration and experimentation in the art of photography. Thank you for listening to The Exposed Negative Podcast. Running this podcast takes a lot of time and effort, and we hope you have found it helpful and interesting. If you would like to support us by buying us a beer or coffee, or by helping with the running costs of the show, we would greatly appreciate it. Please consider signing up for our Patreon (https://www.patreon.com/exposednegative) or making a one-time donation through PayPal (https://www.paypal.me/exposednegative). Thank you for your support! Here are the shownotes; Ted Forbes: https://www.tedforbes.com Ralph Gibson: https://www.ralphgibson.com/ Jason Eskenazi: http://jasoneskenazi.com/ Elliot Erwitt: https://www.elliotterwitt.com/ Henri Cartier Bresson - The Decisive Moment: https://amzn.to/4fZTweI Ansel Adams: https://www.anseladams.com/ John Blakemore: https://britishphotography.org/artists/74-john-blakemore/overview/ Art of Photography episodes on composition: https://www.youtube.com/playlist?list=PLGEE7pGLuppTEjrviNCTwDHA00VsMzsAl Provoke Magazine - Japan: https://www.1854.photography/2018/11/50-years-since-provoke/ Hiroshi Sugimoto: https://www.sugimotohiroshi.com/ William Eggleston: https://egglestonartfoundation.org/ Rick Ruben - The Creative Act: https://amzn.to/3C02ESw Holga panoramic technique: https://shootitwithfilm.com/how-to-shoot-holgaramas/ Teds Desert Island Camera Holga Teds Desert Island Book John Blakemore - Black and White Photography Workshop: [https://onlineshop.oxfam.org.uk/john-blackmores-black-and-white-photography-workshop/product/HD_302460207?pscid=ps_ggl_OOS+-+Performance+Max+-+ROAS+(All)_&crm_event_code=20REUWWS08&gad_source=1&gclsrc=ds](https://onlineshop.oxfam.org.uk/john-blackmores-black-and-white-photography-workshop/product/HD_302460207?pscid=ps_ggl_OOS+-+Performance+Max+-+ROAS+(All)_&crm_event_code=20REUWWS08&gad_source=1&gclsrc=ds)

Send us a textTo learn more, please visit Amineddoleh & Associates LLC and view Leila Amineddoleh performing Chopin Polonaise, Op. 26, No. 1 and Liszt Liebestraum No. 3.Show Notes:1:00 Amineddoleh's background and work in music and law4:00 Patty Gerstenblith 7:00 building Amineddoleh & Assoc.8:45 Amineddoleh's work with Greece 10:00 perspective as musician aids in work as attorney to other artists 11:00 Amineddoleh's experience with plagiarism 14:20 Amineddoleh's practice15:45 Foreign Sovereign Immunities Act19:50 artists' perspectives in hiring an attorney 22:50 Jerry Alonzo: what brings artists to seek out Amineddoleh26:00 return of golden coffin of Nedjemankh 31:45 use of AI 36:30 AI-assisted Beatles song 37:45 analogy of photography to AI outputs38:20 Japanese photographer Hiroshi Sugimoto 39:45 suit over copyright of monkey selfie 41:45 Thaler v. USCO 44:30 Rupali Gujral: negotiating on a client's behalf48:30 Stefania Salles Bruins: history of art collecting52:30 Bruins: Amineddoleh's balancing of legal and musical practices54:00 Amineddoleh's perspective on sharing her music and performing56:30 Liszt's Hungarian Rhapsody No. 2  played by Bugs Bunny 57:20 Amineddoleh's performance of Chopin Polonaise, Op. 26, No. 1 and Liszt Liebestraum No. 3 59:00 under-appreciated composer Brahms 1:01:20 injustices in art law1:04:30 Amineddoleh's definition of justice - access1:06:00 John Cage's 4'33” Please share your comments and/or questions at stephanie@warfareofartandlaw.comTo hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!© Stephanie Drawdy [2024]

To the lighting designer Lindsey Adelman, light is at once ubiquitous and precious, quotidian yet miraculous; it can be easily overlooked or taken for granted, but it also has the potential to become transformative or even otherworldly. Through her craft-forward approach, Adelman creates pieces that defy strict labels and explore the tensions between organic and industrial forms and materials, combining hand-blown glass with industrial and machine-milled components. Since launching her eponymous company in 2006, she has built a formidable business, perhaps becoming best known for her Branching Bubble chandeliers, a series that consists of glass “bubbles” elegantly mounted on the ends of brass, bronze, or nickel “branches.” Adelman also runs an experimental space called LaLAB as a means of exploring and meditating on illumination through the creation of one-off and limited-edition pieces, as well as private commissions.On the episode, she discusses her recent decision to shift her company away from a large-scale production operation and toward a smaller, more intimate “studio” model; the great surprise of having one of her designs installed in Vice President Kamala Harris's Washington, D.C., home; and her love of hosting.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Lindsey Adelman[6:05] Ingo Maurer[6:05] Gaetano Pesce[7:55] Burst Chandelier[12:22] “A Realm of Light”[14:55] Isamu Noguchi's Akari light sculptures[17:20] Yosemite National Park[18:41] James Turrell[18:41] House of Light[20:47] Noguchi's “Lunar Infant”[24:40] Writings by Agnes Martin[26:52] Hiroshi Sugimoto[27:46] David Lynch[29:08] “Paul McCarthy: WS”[29:08] Matthew Barney[30:54] Haruki Murakami[33:14] “A Cacao Ceremony That Brought Close Friends Even Closer”[48:13] Branching Bubble chandelier[48:13] Buckminster Fuller[52:01] Adelman's open-source D.I.Y. light project[52:30] David Weeks[52:30] Lunette[52:46] “The Lighting Designer From Everyone's Dream Brooklyn Brownstone”[52:46] Rich People Problems[52:46] Gwyneth Paltrow

Hiroshi Sugimoto's sublime black and white photographs capture subjects as diverse as polar bears and landscapes, to portraits of Princess Diana – but they're not what they seem. Called 'master of time', Sugimoto is also an architect, designing galleries and art installations around the world. Daniel speaks with him at his big exhibition at Sydney's Museum of Contemporary Art.In lutruwita / Tasmania, three young artists share a city studio and depict the local landscape in very different styles.  All have entered a lucrative landscape painting prize, Hadley's Art Prize – and one has won it. Rosa meets Zoe Grey, Rosie Hastie and Harry Bowe.

While he may technically practice as a photographer, artist, and architect, Hiroshi Sugimoto could also be considered, from a wider-lens perspective, a chronicler of time. With a body of work now spanning nearly five decades, Sugimoto began making pictures in earnest in 1976 with his ongoing “Diorama” series. In 1980, he started what may be his most widely recognized series, “Seascapes,” composed of Rothko-esque abstractions of the ocean that he has taken at roughly 250 locations around the world. In more recent years, Sugimoto has also built a flourishing architectural practice, designing everything from a café in Tokyo to the currently-under-construction Hirshhorn Sculpture Garden in Washington, D.C. As with his subtly profound work, Sugimoto bears tremendous wisdom and is regarded by many as one of the most deeply perceptive minds and practitioners at the intersection of time and art-making.On the episode, he discusses his pictures as fossilizations of time; seascapes as the least spoiled places on Earth; and why, for him, the “target of completion” for a building is 5,000 years from now.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Hiroshi Sugimoto[5:10] Pre-Photography Time-Recording Devices[39:05] “Theaters”[15:06] “Seascapes”[32:31] “Diorama”[17:16] Caspar David Friedrich[25:14] Odawara[28:52] “Aujourd'hui le monde est mort [Lost Human Genetic Archive]”[44:19] “Abandoned Theaters”[44:19] “Opera Houses”[44:19] “Drive-In Theaters”[49:52] “Architecture”[51:12] Le Corbusier[51:12] Mies van der Rohe[55:30] New Material Research Laboratory[55:30] Tomoyuki Sakakida[59:23] Enoura Observatory[59:23] Hirshhorn Sculpture Garden[1:00:48] Katsura Imperial Villa[1:01:05] Bruno Taut[1:02:14] Donald Judd[1:02:14] “Hiroshi Sugimoto: Five Elements in Optical Glass”[1:06:47] Mingei[1:06:47] Isamu Noguchi[1:06:47] Dan Flavin[1:09:15] Sugimoto Bunraku Sonezaki Shinju: The Love Suicides at Sonezaki[1:09:15] At the Hawk's Well[1:09:15] W.B. Yeats

“Giacometti / Sugimoto” En scèneà l'Institut Giacometti, Parisdu 5 avril au 23 juin 2024Interview de Françoise Cohen, directrice artistique de l'Institut Giacometti, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 8 avril 2024, durée 25'29,© FranceFineArt.https://francefineart.com/2024/04/11/3531_giacometti-sugimoto_institut-giacometti/Communiqué de presseCommissaire de l'expositionFrançoise Cohen, directrice artistique de l'Institut GiacomettiOrganisée autour de la reconstitution d'une scène de Nô, l'exposition présentée à l'Institut Giacometti mettra en évidence la proximité des recherches des deux artistes, où dialoguent apparitions et réalité. Cette exposition qui fait référence au théâtre sera animée par une sélection de sculptures d'Alberto Giacometti, de photographies et de films de Hiroshi Sugimoto ainsi que de masques Nô anciens de la collection de l'artiste.Photographe japonais de renommée internationale, Hiroshi Sugimoto, né à Tokyo en 1948, présentera pour la première fois en Europe, cinq oeuvres de la série Past Presence (2013 – 2016) ainsi qu'un ensemble de polaroïds réalisés entre 2013 et 2018. Son choix personnel d'oeuvres emblématiques de Giacometti sera présenté de façon originale et surprenante.En 2013, le MoMA de New York invitait Sugimoto à photographier les chefs-d'œuvre du Jardin de sculptures du musée. Grande Femme III de Giacometti est la première à arrêter son regard. La série Past Presence, centrée sur un choix d'icônes de l'art moderne, interroge la capacité de l'art à rendre présente une force symbolique dans le monde actuel.La donation faite par l'artiste à la Fondation Giacometti en 2019, porte sur huit photographies réalisées à partir d'œuvres de Giacometti au sein de cette série. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Josh sits down with Melissa Chiu, Director of the Hirshhorn Museum and Sculpture Garden on the occasion of the museum's 50th anniversary, and the 10th anniversary of her tenure as Director. Listen as Melissa reflects on the unique role of the national museum, their TV show, The Exhibit: Finding the Next Great Artist, and the ways artists have influenced the museum, from Hiroshi Sugimoto's vision for the revitalized sculpture garden, to the impact of Yayoi Kusama's Infinity Mirror Rooms. She also shares her personal observations on the evolution of the art world in Asia over the last several decades.

The latest on the Israel-Hamas war, the UK hosts the first global summit on AI and we speak with US Senator Lisa Murkowski. Plus: interviews with photographer Hiroshi Sugimoto and president of Emirates, Tim Clark.See omnystudio.com/listener for privacy information.

Hiroshi Sugimoto is famed for mixing wit and commentary with exquisitely tuned craftsmanship and bold conceptual thinking. The Japanese artist is the subject of a new exhibition at London's Hayward Gallery. We speak to Sugimoto, plus the show's curator, Ralph Rugoff, and the director of photography gallery Black Box Projects, Kathlene Fox-Davies. See omnystudio.com/listener for privacy information.

This week: it's the second year of Paris +, the event that has taken over from Fiac as the leading French art fair. How is Art Basel's French flagship faring amid geopolitical turmoil and economic uncertainty, and is Paris still on the rise as a cultural hub? We speak to Georgina Adam, an editor-at-large at The Art Newspaper, and Kabir Jhala, our deputy art market editor, who are in Paris, to find out. The largest ever exhibition of the work of the Japanese photographer Hiroshi Sugimoto opened last week at the Hayward Gallery in London, before travelling to Beijing and Sydney next year. We talk to its co-curator Thomas Sutton. And this episode's Work of the Week is La femme-cheval or the Horse-Woman, a painting made in 1918 by the French artist Marie Laurencin. She is the subject of a major survey, called Sapphic Paris, opening this week at the Barnes Foundation in Philadelphia in the US. Cindy Kang, who co-curated the exhibition, tells us more about this landmark work in Laurencin's life.Paris +, 20-22 October.Hiroshi Sugimoto: Time Machine, Hayward Gallery, London, until 7 January 2023; UCCA Center for Contemporary Art, Beijing, 23 March-23 June 2024; The Museum of Contemporary Art, Sydney, Australia, 2 August-27 October 2024.Marie Laurencin: Sapphic Paris, Barnes Foundation, Philadelphia, US, 22 October-21 January. Hosted on Acast. See acast.com/privacy for more information.

Alberto GiacomettiLe Nezà l'Institut Giacometti, Parisdu 7 octobre 2023 au 7 janvier 2024Interview de Hugo Daniel, responsable de l'École des Modernités, chargé de mission curatoriale, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 4 octobre 2023, durée 27'37, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/10/3486_alberto-giacometti_institut-giacometti/communiqué de presseCommissaireHugo Daniel, responsable de l'École des Modernités, chargé de mission curatorialeL'Institut Giacometti présente une exposition inédite consacrée à l'oeuvre iconique de l'artiste, « Le Nez ».Poursuivant son exploration de l'oeuvre d'Alberto Giacometti, l'Institut Giacometti réunit toutes les versions du Nez, oeuvre retravaillée pendant plusieurs années par l'artiste. L'une d'entre elles, trop fragile pour être déplacée, sera présentée grâce à un dispositif virtuel, introduisant une forme de médiation expérimentale.Sont rassemblés autour de ces oeuvres exceptionnelles des sculptures, dessins et des archives qui mettront en évidence les multiples facettes et interprétations d'une des oeuvres les plus énigmatiques d'Alberto Giacometti.À travers les oeuvres magistrales de quatre artistes contemporains - Annette Messager, Rui Chafes, Hiroshi Sugimoto et Ange Leccia, l'Institut Giacometti éclaire d'un jour nouveau la création du sculpteur.L'exposition est réalisée avec le concours d'un partenariat exceptionnel avec APENFT Foundation et l'entreprise Tron.#LeNezGiacometti - Catalogue co-édité par la Fondation Giacometti et FAGE éditions, Lyon, bilingue français/anglais.Une thématique inédite et des découvertesAyant fait l'objet de plusieurs versions différentes, Le Nez, (1947-1964), est à la fois une figure grotesque rappelant le personnage populaire de Pinocchio, et une vision de la mort, thème récurrent qui prend chez l'artiste des formes détournées souvent paradoxales. L'exposition souligne l'ancrage culturel multiple de ces sculptures, qui forment le rappel tout à la fois des Vanités et des anamorphoses de l'histoire de l'art, des figures carnavalesques de la culture populaire, et de certains objets traditionnels Africains et Océaniens, notamment les masques de Nouvelle Guinée. Une large sélection de portraits sculptés montre aussi le rapport particulier à l'anatomie de Giacometti, qui concentre à de nombreuses occasions son attention sur le nez de son modèle. La place de la caricature dans son imaginaire, illustrée par une sélection de dessins inédits, constituera une découverte pour le public. De même, la réapparition de la fantaisie et de l'humour surréalistes, dans une période dominée par la quête du réel et l'obsession d'une ressemblance inatteignable, colore d'un jour nouveau la démarche artistique de Giacometti dans les premières années de l'après-guerre, en révélant la variété de registres. L'exposition réunit pour la première fois cinq versions du Nez, dont trois modèles différents en plâtre conservés par la Fondation Giacometti et le Centre Pompidou (1947-49-64), deux bronzes (1964) dont un prêt de la Justin Sun Collection, et l'ensemble des dessins et archives concernant cette sculpture emblématique. Elle comprend aussi des oeuvres iconiques qui introduisent la réflexion de l'artiste sur la mort, les célèbres Pointe à l'oeil (1932), Tête crâne (1934) et Tête sur tige (1947). [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

‘Capturing the Moment' is an exhibition at Tate Modern that  explores the dynamic relationship between contemporary painting and photography. It is a group exhibition which unfolds as an open-ended conversation between some of the greatest painters and photographers of recent generations, looking at how the brush and the lens have been used to capture moments in time, and how these two mediums have inspired and influenced each other. The arrival of photography changed the course of painting forever and through ‘Capturing the Moment' we are taken on a journey showcasing the close relationship between these two mediums through some of the most iconic artworks of recent times. From the expressive paintings of Pablo Picasso and Paula Rego, to striking photographs by Hiroshi Sugimoto and Jeff Wall, you will see how these two distinct mediums have shaped each other over time. RNIB Connect Radio's Toby Davey was joined in the gallery spaces at Tate Modern by Beatriz Garcia-Velasco Assistant Curator to find out more about the exhibition, the relationship between contemporary art and photography and how these two art mediums have inspired and influenced each other over the years. Toby began by asking Beatriz why she and the other Curator's wanted to bring this conversation on art and photography to the walls of Tate Modern,  Image shows A Black and White Photograph of A Lady Looking Worried with Two dishevelled Looking Children Leaning on Each Shoulder and a Baby in Her Arms

Episode No. 602 features artist Christina Fernandez and curators Nolan Jimbo and Rachel Federman. Fernandez's work is included in the Hammer Museum, University of California, Los Angeles' post-renovation-and-expansion debut exhibition "Together in Time: Selections from the Hammer's Contemporary Collection." It's on view through August 20. The Amon Carter Museum of American Art in Fort Worth is also showing "Christina Fernandez: Multiple Exposures," a survey of Fernandez's career, through July 9. It was curated by Joanna Szupinska and Chon Noriega. A fine catalogue was published by the California Museum of Photography, University of California, Riverside, which organized the show, and the Chicano Studies Research Center, University of California, Los Angeles. Fernandez is a photographer whose work examines migration, labor, gender, and Mexican American identity. Amazon and Bookshop offer it for about $50. Jimbo is the curator of "Endless," at the Museum of Contemporary Art Chicago. The exhibition brings together art that touches upon the concept of infinity, including works by Hiroshi Sugimoto, David Lamelas, Etel Adnan, and Charles Gaines. It's on view through April 14, 2024. With Cynthia Burlingham and Jay A. Clarke, Federman is the co-curator of "Bridget Riley Drawings: From the Artist's Studio," a survey of Riley's drawing practice primarily drawn from the artist's own collection. It is on view at the Hammer through May 28 before traveling to the Art Institute of Chicago and the Morgan Library, New York. An excellent exhibition catalogue was published by Modern Art Press, London. Amazon and Bookshop offer it for about $30.

Xavier Martel, historien de formation, revient sur ses 5 années au Musée français départemental de la Photographie à Bièvres, l'exposition sur la photographie japonaise qu'il a réalisé pour le patrimoine photographique en 2004 et sa participation à araGo, le portail français de la photo. Habitant au Japon depuis 10 ans, nous avons aussi parlé de photographie japonaise et en particulier du statut d'artisan des photographes japonais. Bonne écoute !02' – Xavier Martel, une formation polyvalente à l'ENSP à Arles.7'45 – Durant 5 ans, il fut responsable des collections protéiformes du Musée français départemental de la Photographie à Bièvres pas les tirages et les photos numériques, mais tout le reste : matériels de laboratoire, sacoches d'appareils photo, etc.13' – Il a commencé une thèse sur l'iconographie touristique comme propagande nationale et il nous parle des photographies de l'association du Touring club de France.15'40 – Sa première rencontre avec la photo japonaise : il a participé à un recollement de la Société Française de Photographie et a découvert des tirages de photographes japonais. Puis il a travaillé au Centre Île-de-France en tant que chargé des publics quand Sylvain Lisson était directeur avec une expo inaugurale sur les collections japonaises dans les collections publiques. Il a alors proposé un complément de photographies venant de la FSP.21'40 – Il a travaillé pour le patrimoine photographique sur l'expo photo : Japon 1945-1975 Un renouveau photographique et a fait une résidence de six mois dans une résidence d'artiste (la Villa Kujoyama) au Japon à Kyoto.25' – Son retour en France fut compliqué, car les institutions n'étaient pas intéressées par une exposition sur la photographie japonaise.29' – Il a travaillé sur un projet mené par le ministère de la Culture déléguée à la Réunion des Musées Nationaux et du Grand Palais : le portail français de la photo, araGo. Le but était de présenter un portail avec toutes les photos des collections publiques (archives, musées et bibliothèques) et privées (galeries, etc.). Projet mené pendant deux ans, lancé à Arles en 2011, préfiguration à Paris Photo en 2011, ouverture du portail en 2012 alors qu'il écrivait des textes pour le portail depuis le japon puis le projet a été mis en pause.34' – En venant vivre au Japon, en parallèle du projet Arago il souhaitait écrire une histoire de la photo japonaise. Sa question de départ : on parle des images faites par des Japonais ou des étrangers qui font de la photo au japon ? Les liens entre les territoires et les photos sont très forts.41'30 – Peu de galeries de photographie (il apprécie la Galerie MEM créée par Katsuya Ishida) au Japon. Importance du livre, car le Japon est un pays de l'écrit et moins de l'exposition.45' – Des photographes japonais qui ne se considèrent pas comme des artistes (Shōmei Tōmatsu, Shōji Ueda). Les photographes reconnus comme des artistes au japon ont fait carrière à l'international comme Hiroshi Sugimoto.48'- Très peu de collectionneurs au Japon d'art contemporain. Le travail de valorisation de la photographie et de la structuration du marché de l'art fut initié aux EU.50' – Les images photo ne pas sacralisées, les photographies sont moins des objets, mais plus consommables. Production d'images et non pas d'objets. Au Japon, il n'y a pas de différence entre artisan et artiste. Le photographe japonais Shōmei Tōmatsu disait : un photographe est uniquement un œil. Comme le photographe Eugène Atget, il disait qu'il faisait uniquement des documents pour les personnes qu'il prenait en photo et qu'il était un artisan au service des artistes.Pour suivre l'actualité du podcast vous pouvez vous inscrire à la newsletter ici : https://beacons.ai/lesvoixdelaphoto et retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

After a longer than anticipated break, Marco invited back his friend and PPN co-founder Scott Bourn to the 6. PPN birthday anniversary show. They did some catching up on what they had been up to since the last episode aired and then covered Scott's new photo genre “toy photography” which later transitioned into covering the good, the bad and the implications that Ai photography may have on the industry and society.   This show is sponsored by MPB.com: www.MPB.com Inspirational Photographer of the Month:   Scott picked Japanese photographer Hiroshi Sugimoto (born 1948 in Tokyo). Scott is particularly impressed that Hiroshi Sugimoto has reinvented himself and his photography many times and always became a true master at the genres that he worked at. Sugimoto has won many international photo awards and exhibited his work in museums and galleries around the world. You can find out more about Hiroshi Sugimoto by visiting his website: https://www.sugimotohiroshi.com   Here is a video interview where Hiroshi Sugimoto talks about his diorama work: https://youtu.be/q9GiyPbLYPg Toy Photography and some pros and Cons of the Development of AI in Photography.   In the main segment, Scott explained how he got into toy photography and shared some insights on his pre- and post-production approach for his impressive photos. In his process, Scott also saw lots of advantages to partially using AI in his post-processing workflow and has since embraced it and pushed his work to new frontiers. This led to an interesting discussion between Marco and Scott on the recent developments of AI in photography and how this may influence the photo industry and society in the future. Inspirational Photo Book Pick of the Month: “Conceptual Forms and Mathematical Models” by Hiroshi Sugimoto.   Scott was so inspired by the work of Hirosho Sugimoto, that he also picked his book: “Conceptual Forms and Mathematical Models”. The photos in this book show the degree of perfection that Hiroshi Sugimoto strives for in his images. Capturing still life forms in technical perfection while creating interesting museum art is what can be learned from the images in this book. The book is published by: Hatje Cantz; Illustrated Edition (24. March 2015) 96 Pages   Amazon Germany: https://amzn.to/41DHb9y   Amazon US: https://amzn.to/3olvHZB Links to Scott Bourne: Web: http://toyphotographs.com Instagram: https://www.instagram.com/bourne.scott/ Facebook: https://www.facebook.com/scottbourne  Vero: vero.co/scottbourne   Links to Marco Larousse: Web: www.MarcoLarousse.com  Twitter: @HamburgCam Instagram: https://www.instagram.com/marco.larousse/  Facebook: https://www.facebook.com/MarcoLarousse1  Workshops: https://www.marcolarousse.com/street-photography-workshops/  Eigen Energie Wende: https://www.eigenenergiewende.de   Links to PPN: Web: www.PhotoPodcasts.com or PPN.fm Twitter: @Photopodcasts Facebook: https://www.facebook.com/photopodcasts/ YouTube: http://www.youtube.com/c/PPNPhotoPodcastNetwork  Apple Podcasts: http://bit.ly/ppn-apple-podcasts  Google Podcasts: http://bit.ly/PPN-GooglePodcast Spotify: http://bit.ly/PPN-fm Please support our show by using our B&H affiliate link (click here) or Amazon Germany link (click here) which will not cost you a penny more than when you are buying at B&H or Amazon without our link.   Check out the Skylum LUMINAR software: Link: LUMINAR NEO (use the discount code “PHOTOPODCASTS” at checkout for extra savings)   And please share this podcast with your friends and subscribe via Apple Podcasts, Google Podcasts, or search for “PPN” in your favorite podcast app. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate it if you could take a short moment to rate or post a quick review of our shows on iTunes.   About this show: On the monthly “Camera and Inspiration” podcast show of the PPN - Photo Podcast Network, Marco and usually a guest discuss the essence of photography and how to photograph with more intent. Determining the “why” before the “how” in photography is essential to understanding your subject better and creating stronger images. In each episode, they introduce you to an inspirational photographer of the month and also share an inspirational photo book of the month.

Over his 25 years as CEO of the Danish textile company Kvadrat, Anders Byriel has turned what was once a small, fairly dusty family design business into a global giant. Perhaps just as notably, he's taken a radical, and even artistic, approach to building and cultivating the brand's culture, partnering with designers such as Raf Simons, Ronan and Erwan Bouroullec, and Peter Saville; arts institutions like the New Museum in New York, the Tate Modern in London, and the Louisiana Museum of Modern Art in Humlebaek, Denmark; and brands including Adidas Originals, Bang & Olufsen, and Jaguar Land Rover. On this week's episode of Time Sensitive, Byriel talks about why the best design has an artistic edge, the importance of making space for emotion within a corporate environment, and his deep and lifelong passions of poetry and photography.Special thanks to our Season 7 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Anders Byriel [01:04]Annie Ernaux [04:25]“Vermeer” at the Rijksmuseum [06:04]Kvadrat [06:56]Raf Simons [12:05]Peter Saville [13:24]David Adjaye [14:05]Thomas Demand [14:14]Louisiana Museum of Modern Art [14:17]Rosemarie Troeckel [14:20]Olafur Eliasson [14:27]Jean Nouvel [14:40]Massimiliano Gioni [18:06]Pipilotti Rist [18:39]Wu Tsang [19:07]“The Triple Folly” [19:33]Danh Vo [24:20]Ronan and Erwan Bouroullec [27:09]Giulio Ridolfo [30:41]“Materializing Color” [30:43]Adidas Originals x Kvadrat Stan Smith [39:03]Konstantin Grcic [43:06]Verner Panton [49:29]“Pop Art Design” exhibition at Vitra Design Museum [50:20]Robert Adams [01:03:08]Henrik Nordbrandt [01:03:52]Nan Goldin [01:10:39]Ocean Vuong [01:04:54]Ocean Vuong's “Time Is a Mother” book of poems [01:05:01]“Your Brain on Art” book [01:05:09]Hiroshi Sugimoto [01:11:37]“Ai Weiwei In the Elevator When Taken Into Custody by the Police” (2009) [01:12:00]Ansel Adams [01:12:44]Robert Adams's “Around the House” book [01:13:01]Robert Adams's "A Road Through Shore Pine" book [01:13:30]

We are thrilled to continue our latest Future of Women Podcast series! In this four-part series, our host Momoko Nakamura takes us around the world to speak with brilliant and creative Japanese women. Today, on our fourth and final episode in the series, Momoko speaks with Yumiko Sakuma about inspiring people to be vocal, active participants in political change. This episode was recorded on November 15, 2021. Yumiko Sakuma writes about contemporary culture, art, fashion, music, and socio-political issues. Based in New York City, she is a regular contributor of reportage, interviews, and travel writing to numerous Japanese and English publications. Among the many visionaries she has interviewed are Al Gore, Robert Frank, Ryuichi Sakamoto, Rei Kawakubo, Kazuo Ishiguro, Hiroshi Sugimoto, Yayoi Kusama, Ryan McGinley, Genna Rowlands, Gary Snyder, and Les Paul. Her books include Hip na Seikatsu Kakumei, 2014 (Hip Revolution), reporting on the American consumer shift following the 2008 financial crisis; Pin Heel wa Hakanai, 2016 (Take Off Your Heels), a collection of essays about the inspiring women in her life; My Little New York Times, 2018, 365 journal entries about splitting her time between America and Asia during the Trump regime; and Majime ni Marijuana no Hanashi wo Shiyo, 2019 (Let's Have a Serious Talk About Marijuana), an analysis of why the world is moving toward the legalization of marijuana. She also hosts a podcast in Japanese, Konnichiwa Mirai (Hello Future) with Kei Wakabayashi, former editor-in-chief of Wired Japan. Her work has been published in Japan, the US, Korea, and Taiwan. Momoko Nakamura is a cultural conservationist and storyteller, sharing the Japanese art of regenerative living with the world. She roves the Japanese countryside, exploring wisdoms imparted by professionals across the archipelago like ceramists, geologists, farmers, repairers, fermenters, and grandmas. Her community education and experiential programs are intended to help us apply teachings rooted in ancestral heritage into our everyday lives. Momoko hosts the podcast Roots to Fruit, is author of Plant-based Tokyo, and can also be found in the Netflix original series Waffles + Mochi.

This episode is also available as a blog post: https://thecitylife.org/2021/12/02/hirshhorn-wins-approval-for-hiroshi-sugimotos-sculpture-garden-revitalization/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Even though this is exclusively a streaming album, I do spend a lot of time sequencing the tracks as if they would be pressed to vinyl. The album is geographically ordered moving south and east from California, through New Mexico (with a trip to the Moon) then into Texas, then Mississippi, then skipping to NYC, then overseas. If pressed on vinyl, Side 2 would begin in Switzerland, then into Kashmir, and ending in Vietnam. Titles, places, and the photographers. The titles are the search that you would do to find the photograph, so essentially it's an "Easter Egg" album. For example "Still 21" will locate that photo immediately. Side 1: 01. Every Building On the Sunset Strip/Havenhurst [Ed Ruscha, Los Angeles] 02. Bronson Tropics [Ed Ruscha, Los Angeles] 03. Nipomo [Dorothea Lange, Nipomo CA] 04. Route 285 New Mexico [Robert Frank, Gallup NM] 05. Moonrise in Hernandez [Ansel Adams, Hernandez NM] 06. Mare Tranquilitatis [Buzz Aldrin, The Moon] 07. Standard Amarillo [Ed Ruscha, Amarillo TX] 08. Red Room Mississippi [William Eggleston, Greenwood MS] 09. Still 21 [Cindy Sherman, Manhattan, NYC] Side 2: 01. Boden Sea 1993 [Hiroshi Sugimoto, Uttwil, Switzerland] 02. Boden Sea 1993 (EDM Mix) 03. Brassai 1934 [Brassai, Paris] 04. Madame Bijou [Brassai, Paris] 05. Srinagar 1948 [Henri Cartier-Bresson, Kashmir] 06. Saigon Street 1963 [Malcolm Browne, Saigon] 07. Brassai 1934 (Jazz Mix) 08. Madame Bijou (EDM Mix) 09. Havenhurst (Reprise)

Per l'antropologo francese Marc Augé, gli alberghi (come gli aeroporti e le stazioni) sono dei non-luoghi: eterne zone di passaggio, onnipresenti nella nostra società, ma in cui non mettiamo radici. Forse, proprio per questa loro ambiguità, gli alberghi non hanno mai smesso di stimolare artisti e teorici come David Hockney, Sophie Calle e Beatriz Colomina. Una puntata sorprendente, in cui scopriremo le rivoluzionarie teorie di Costantino sulla ceretta per naso e orecchie, il rapporto tra non-luogo e non-cazzo nella filosofia di Francesco, un'inedita e struggente storia di Massimo Gramellini e la cronaca di una notte da incubo all'Hangar Bicocca, tra dentifrici allucinogeni e letti semoventi.In questa puntata si parla di Marc Augé, Hans Ulrich Obrist, Maurizio Cattelan, Alighiero Boetti, Christian Boltanski, Gilbert & George, Felix Gonzalez-Torres, Lawrence Wiener, Rikrit Tiravanija, Otto Muhl, Michelangelo Pistoletto, On Kawara, Fischli und Weiss, Banksy, Caravaggio, Claude Monet, Hiroshi Sugimoto, Tadao Ando, James Turrell, Charles Ray, Beatriz Colomina, Zadie Smith, Toni Morrison, Andrea Fraser, Sophie Calle, Carsten Höller, David Hockney, Massimo Gramellini, Walid Raad, Hans Haake, Naeem Mohaiemen, Kerry Hill, Geoffrey Bawa e Hauser & Wirth.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join us as AGSA Director, Rhana Devenport, speaks on the work of Hiroshi Sugimoto in Dark Matter, Bright Light in Gallery 17. For more information please visit agsa.sa.gov.au Image: Installation view - Dark Matter, Bright Light, Art Gallery of South Australia, Adelaide, 2020; photo: Saul Steed.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Matthew Pillsbury discuss how important the individual image is regardless of how it might fit into a body of work and how this allows Matthew to stay open to unanticipated possibilities and suggestions while making the work. Sasha and Matthew also talk about how an artist’s identity can be understood or perceived in their work even when it’s not overtly referenced.  https://matthewpillsbury.com Drawing on inspiration from Hiroshi Sugimoto and Abelardo Morell, Pillsbury's photographs invite viewers to reflect upon how they choose to fill their spaces and time. Demonstrating a talent for making the familiar seem strange, Pillsbury draws attention to the fundamental ingredients of existence, transforming overlooked aspects of reality into both subject and object.   Matthew Pillsbury graduated cum laude from Yale University in 1995 and received his MFA from the School of Visual Arts in 2004. In 2007, he was awarded the Fondation HSBC pour la Photographie award in France, and is also a recipient of the 2014 John Simon Guggenheim Memorial Foundation fellowship. In 2013, Pillsbury published his monograph City Stages with Aperture. His work is represented in more than twenty-five permanent collections, including the Museum of Modern Art, New York; Guggenheim Museum, New York; Museum of Fine Arts, Boston; High Museum of Art, Atlanta; Musée du Louvre, Paris; and many others. Find out more at https://photowork.pinecast.co

The artists share their thoughts on process, architecture and the Japanese aesthetic with the director of the Mori Art Museum. This conversation, celebrating the work of both artists, takes place on the occasion of Theory of Colours, our solo exhibition by Sugimoto at Galerie Marian Goodman. The conversation was recorded this Spring at the Enoura Observatory, Japan, which is part of the Odawara Art Foundation.

Nell'arte la parola acqua ha sempre fatto rima con viaggio. Stavolta, però, il viaggio è burrascoso, perché Costantino e Francesco si scontrano sull'americana Roni Horn e la scoperta dell'acqua calda, su polli e balene, sul ruolo di Willy il Coyote nell'arte concettuale e sulla doppia vita del padre di William Turner: William Gayone Turner. Infine, dei prestigiosi ospiti si uniscono al cast di ArteFatti: due dei maggiori critici di design al mondo, amici intimi di Francesco Bonami.In questa puntata si parla di Roni Horn, Bas Jan Ader, Thierry De Cordier, Hiroshi Sugimoto, Gordon Matta-Clark, Simon Starling, Willy il Coyote, Fabrizio Plessi, Claudio Monteverdi, Luigi Tenco, Peter Fend, Colin De Land, Andrea Fraser, Cady Noland, Rob Scholte, Tacita Dean, William Turner, William Gayone Turner, Mike Leigh, Nanni Moretti, Guy Bourdin, Vaginal Davis, Gustave Moreau, Thomas Chippendale, Laura Ashley, Antonio Citterio, Dan Graham, Donald Judd, Gerrit Rietveld e Gio Ponti

Dans cet épisode, la directrice Europe du département Photo chez Christie’s, Élodie Morel-Bazin nous ouvre les portes du monde des enchères dans le milieu de la photographie. Elle revient sur sa carrière, l’ouverture du département photo français en 2010 et sur les évolutions du marché et en particulier les demandes des collectionneurs. Nous avons aussi abordé : l’importance de la pédagogie pour apprendre à regarder une photographie, les différentes étapes d’une vente de photographie et l’importance de la curation des ventes online et offline. La prochaine vente photo à Paris présentera des tirages de la collection de Lucien et Raymonde Treillard le 2 mars et vous pourrez y retrouver des tirages de Man Ray et des surréalistes. Bonne écoute !SOMMAIRE0:55 – Sa formation et sa carrière avant Christie’s5’10 - L’ouverture du département photo chez Christie’s en 20109’10 - Les différentes étapes d’une vente de photographie13’40 - Quels sont les critères importants pour acheter une photographie ?15’ - Les grands tendances chez les collectionneurs17’30 - La vente monographique des tirages de Hiroshi Sugimoto en 201921’20 - Ne pas négliger la curation des ventes en ligne 22’35 - L’importance de la pédagogie pour apprendre à regarder une photographie24’45 - La prochaine vente en mars 2021 : la collection de Lucien et Raymonde Treillard26’ - Ne pas hésiter à aller à la rencontre des œuvres en visitant les espaces d’expositions des maisons de vente aux enchèresLe LinkedIn d'Élodie Morel-Bazin : https://www.linkedin.com/in/elodie-morel-bazin-0030b119/La vente du 2 mars 2021 de la collection collection de Lucien et Raymonde Treillard : https://www.christies.com/en/auction/man-ray-et-les-surr-alistes-collection-lucien-et-edmonde-treillard-29034/Vos retours sont très importants pour améliorer ce podcast donc n'hésitez pas à m'envoyer vos questions, remarques et suggestions.Pour me contacter : @lesvoixdelaphoto (instagram) ou lesvoixdelaphoto@gmail.com Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Are watches art? Does mechanical precision matter? Today we're asking the big questions.Show Notes(6:30) Pour Me: A Life by A. A. Gill(7:55) Tour De Gall(8:40) The Modern Watch Escapement, And How It Got That Way(20:40) The Pros And Cons Of The Different Types Of Travel Watches(22:40) The Songlines(28:20) Saxonia Dual Time(29:10) Four What-Ifs That Could Have Changed Watchmaking History Forever(34:10) Breguet Number 1160, A Replica Of The Famous Watch Made For Marie Antoinette(36:00) Adam Marelli(39:03) Hiroshi Sugimoto (57:42) Longitude by Dava Sobel 

The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. So relax into your PJs, put your feet up, and let's #MuseumFromHome together. This week: Trying to capture time in art is like trying to pin a wave upon the sand or hold a moonbeam in your hand. So leave it to Japanese photographer Hiroshi Sugimoto to do it so effectively by taking us to the Golden Age of Cinema. The exhibition "Seeking Stillness" was view at the MFA from September 24, 2017 to September 3, 2018. See the images: http://www.thelonelypalette.com/episodes/2018/7/5/episode-31-hiroshi-sugimotos-byrd-theater-richmond-1993-1993 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Cash Cow", "Aourourou", "A Little Powder", "Delicious", "Astrisx", "Bliste" Joe Dassin, “Les Champs-Elysees" Support the show! www.patreon.com/lonelypalette

Dr Carolyn Lam: Welcome to Circulation on the Run, your weekly podcast summary and backstage pass to the journal and its editors. I'm Dr Carolyn Lam, associate editor from the National Heart Center and Duke National University of Singapore. Dr Greg Hundley: And I'm Dr Greg Hundley, director of the Pauley Heart Center at BCU Health in                                                     Richmond, Virginia. Dr Carolyn Lam: So Greg, guess what? We are going to be discussing predicting the benefit of evolocumab therapy in patients with atherosclerotic disease using a genetic risk score. That's our featured paper this week coming from the results of the FOURIER trial. I bet you can't wait to discuss it, but I'm not going to let us until we talk about some of the papers in today's issue. Do you have one? Dr Greg Hundley: Yes, Carolyn, but first I'm going to get a cup of coffee because there's a lot of data in this one. This study is from the ODYSSEY trial and it involves alirocumab and it's from Dr Charles Paulding. Remember Carolyn, the ODYSSEY trial was a randomized double-blind placebo-controlled trial comparing alirocumab, a PCSK9 inhibitor or placebo in 18,924 patients with acute coronary syndrome and elevated atherogenic lipoproteins despite optimized statin treatment. And the primary endpoint of this trial comprise death from coronary artery disease, non-fatal MI, ischemic stroke, or unstable angina requiring hospitalization. Now Carolyn, this is a sub-study and it was performed an A genome wide polygenic risk score for coronary artery disease comprising 6,579,025 genetic variants. And they were evaluated in 11,953 patients with available DNA samples. Analysis of the MACE risks, all those outcomes together, was performed in placebo treated patients while treatment benefit analysis was performed across all the patients. Dr Carolyn Lam: Ooh, so what did they find? Dr Greg Hundley: Well, Carolyn, both the absolute and relative reduction of MACE by alirocumab compared to placebo was greater in high versus low PRS patients. Those genetic, polygenetic risk scores combined in the patients. There was an absolute reduction by alirocumab in high versus low PRS groups of 6% and 1.5% respectively, and relative risk reduction in the alirocumab of 37% in the high PRS group versus 13% in the low PRS group. And so Carolyn, these results suggest the possibility of an independent tool for risk stratification using sort of precision medicine by selecting those using these genetic constructs, who may be more likely to benefit from this form of therapy. Dr Carolyn Lam: Wow Greg, that is really interesting. I genuinely think that our world is moving towards precision medicine and this really, really speaks to remember that feature paper also talking about genetic risk scores, but from the FOURIER trial. But before we get to that, I've got a basic science paper. Now this one provides insights into the mechanisms underlying age related hypertension. And it's from Dr Ying Yu and colleagues from Tianjin Medical University who hypothesize that since proinflammatory cytokines increase in T lymphocytes with aging and prostaglandin D2 suppresses T helper 1 cytokines through the D-prostanoid receptor 1, that this axis in T cells may play a role in age related hypertension. Dr Greg Hundley: Ah, Carolyn. What did they find in this study? Dr Carolyn Lam: Prostaglandin D2 biosynthesis and D-prostanoid receptor 1 expression, were both markedly decline in CD4 positive T cells from older humans and aged mice. D-prostanoid receptor 1 depletion in these CD4 positive T cells, exaggerated age dependent blood pressure elevation in mice by increasing tumor necrosis factor alpha and interferon gamma secretion. Whereas its over expression showed the opposite effect and its activation suppressed TH1 cytokines. These results really indicate that D-prostanoid receptor 1 and its downstream pathway may serve as an attractive immuno-therapeutic target for age dependent hypertension. Dr Greg Hundley: Oh wow. Very insightful Carolyn. Well, I've got a basic science paper to go over and it's from professor Kinya Otsu from Kings College London. This study addresses the mechanism of ongoing inflammation within the hearts of patients with cardiomyopathy. The study involves the assessment of Regnase-1 and RNAs involved in the degradation of a set of pro inflammatory cytokine messenger RNAs in immune cells. And the study involves the role of Regnase-1 in non-immune cells such as cardiomyocytes. Dr Carolyn Lam: Wow. Dr Greg Hundley: The degradation of cytokine messenger RNA by Regnase-1 and cardiomyocytes plays an important role in restraining sterile information in failing heart. Once the inflammatory cascade gets going, this is that constant inflammation that's ongoing. In addition, the Regnase-1 mediated pathway might be a therapeutic target to treat patients with heart failure as adeno-associated virus 9 mediated cardiomyocyte targeted gene delivery of Regnase-1 or administration of anti-IL-6 receptor antibody, attenuated the development cardiomyopathy induced by severe pressure overload in wild type mice. Dr Carolyn Lam: Wow, that's really interesting. I find this whole field of inflammation in heart failure of course, of key interest, but I'm going to next tell you about the results of the FUEL trial, which is the Fontan Udenafil Exercise Longitudinal trial. Dr Greg Hundley: Tell us about the Fontan operation. Dr Carolyn Lam: Aha, I thought you may ask, Greg. Well, the Fontan operation to remind us all, really creates a total cavopulmonary connection and a circulation in which the importance of pulmonary vascular resistance is therefore magnified. Over time, the circulation needs to deterioration of cardiovascular efficiency associated with a decline in exercise performance. This FUEL trial and reported this time by David Goldberg and colleagues from the Children's Hospital of Philadelphia was a phase 3 clinical trial, which randomized 400 patients with Fontan physiology from 30 sites in North America and the Republic of Korea. The participants were randomly assigned to Udenafil at 87.5 milligrams twice daily or placebo. And the primary outcome was the between group difference in change in oxygen consumption with peak exercise. Dr Greg Hundley: Hmmm, very large important trial it seems like Carolyn. What did they find? Dr Carolyn Lam: Treatment with Udenafil did not result in a significant increase in peak oxygen consumption, which was the primary outcome, but did result in improvements in measures of exercise performance at the anaerobic threshold, which was a secondary outcome. Udenafil was well tolerated with side effects limited to those previously known to be associated with phosphodiesterase type 5 inhibitors. These results and future perspectives are discussed an editorial called FUELing the Search for Medical Therapies in Late Fontan Failure, by Doctors Gewillig and De Bruaene. Dr Greg Hundley: Very nice, Carolyn. Now how about the rest of the journal? Dr Carolyn Lam: Oh well I want to tell you about this in-depth review by Dr Rosenkranz and it's entitled, Systemic Consequences of Pulmonary Hypertension and Right-Sided Heart Failure. Very intriguingly, talking about non-cardiac features, as well as cardiac, of right heart failure, a real, real must read with beautiful figures. In the cardiovascular case series we discuss a case of left ventricular non-compaction and cardiogenic shock by Dr Shenoy. There are also two research letters I want to tell you about one by Dr Gillinov on the accuracy of the Apple watch for detection of atrial fibrillation. And this time looking at the Apple watch series 4, which interestingly employs electrodes to generate a single lead ECG and provides two mechanisms for rhythm assessment. Won't tell you more. You got to pick up this beautiful letter. The next is by Dr Mazer on the effect of empagliflozin on erythropoietin levels IN stores and red blood cell morphology in patients with type II diabetes and coronary artery disease. And this really provides evidence to suggest that SGLT 2 inhibition with empagliflozin may stimulate erythropoiesis via an early increase in erythropoietin production in people with diabetes. Dr Greg Hundley: You know Carolyn, we just keep hearing more about EMPA and DAPA and they are just going to really pave the way I think for a whole new class of agents that we're going to be using frequently. I've got a couple letters in the mailbox and one is by Sugimoto and Taniguchi regarding the article, Internal Versus External Electrical Cardioversion of Atrial Arrhythmia in Patients with Implantable Cardio Defibrillators, a randomized clinical trial. And then also there's another research letter by Dr Hiroshi Sugimoto from Kobe Red Cross Hospital with a response by Jakob Lüker from University of Cologne. What a great issue. How about we proceed to that feature article? Dr Carolyn Lam: You bet. Can a genetic risk score identify individuals who will derive greater benefit from PC SK9 inhibition? Well guess what? We're going to find out now in our feature discussion. So pleased to have with us the first and the corresponding authors of our feature paper, Dr Nicholas Marston and Dr Christian Ruff, both from the TIMI study group in Brigham and Women's Hospital and Harvard Medical School and also to have our lovely associate editor, Dr Svati Shah from Duke University in Durham, North Carolina. Welcome everyone. Nick, could I get you started with telling us about this exciting analysis that you did from the FOURIER trial? Dr Nicholas Marston: The FOURIER trial was a 27,000 patient cardiovascular outcomes trial that studied the PC SK9 inhibitor, evolocumab and it demonstrated a significant reduction in major adverse cardiovascular events in patients who had established atherosclerotic disease. And in the study, there was a 15% relative risk reduction and a 2% absolute risk reduction, which earned it a class 2 recommendation for very high-risk patients with atherosclerosis in the recent cholesterol management guidelines. And what we've done in previous lipid trials is we studied the interactions between genetic risk and treatment benefit. For example, in 2015 we showed that patients with high genetic risk, those in the top 20% of genetic risk, had the greatest benefit from statin therapy in terms of both absolute and relative risk reductions. And so now we have the opportunity with evolocumab and data from the FOURIER trial to ask the same question of PC SK9 inhibitor. That is, could a genetic risk score identify patients who will drive a greater treatment benefit and we hypothesize that like statins, there would in fact be a significant interaction between genetic risk and therapeutic benefit. Dr Carolyn Lam: That's so cool Nick. But could I ask, the question always comes, is it nature versus nurture? And so I really love the way that you dealt with the clinical risk factors as well. Could you maybe walk us through that and then tell us the results? Dr Nicholas Marston: Yes, absolutely. We for this study, kind of had two objectives. One was to look at risk prediction and then the other look at treatment benefit and using a genetic risk score for both. However, we wanted to go further than just use the genetic risk score. We wanted to incorporate clinical risk factors since that's how we would do it as physicians in the clinic. We would have not just genetic risk data in front of us but also clinical data. And so when we were grading a patient's risk using genetic risk, we also factored in if they had multiple clinical risk factors. And what we found by combining both genetic and clinical risk was that there was a significant gradient of risk across these risk categories. That is patients who were without high genetic risk and without multiple clinical risk factors actually had no benefit from evolocumab over the 2.2-year follow-up period. However, those without high genetic risk, but who did have multiple clinical risk factors, derived an intermediate benefit. About a 13% relative risk reduction and 1.4% absolute risk reduction. And then it was the high genetic risk group, independent of whether or not they had multiple clinical risk factors that had the largest benefit from evolocumab with a relative risk reduction of 31%, absolute risk reduction of 4% and the number needed to treat of 25. And that's actually a twofold greater benefit than was seen in the overall FOURIER trial population. Dr Carolyn Lam: That's really stunning results. Now I know Svati's going to have questions for us, so maybe I should invite you Svati, just put these results into context and let the audience know what we were thinking as editors when we saw this brilliant paper. Dr Svati Shah: Yeah, thanks Carolyn. And I think Nick has done a fantastic job of describing the exciting results from this paper and just kind of taking a step back to help the audience understand what we're talking about when we're talking about genetics. For decades, we've been trying to figure out the genetics of heart disease and we're not talking about the genetics of things that are really rare like long QT syndrome, but the genetics of just common complex heart diseases. And amongst the scientific community, we've tried all different ways of sort of analyzing these data and so I want to make sure that everybody who's listening understands the novelty of really looking at these polygenic risk scores. Where we have now come to understand that it's not a single gene, it's not even two genes, that it's multiple variants and multiple genes and when they're combined, that's when you really have the power to understand how it might be useful in terms of how we take care of patients. Really important with how Nick and Christian have laid out this really nice paper as well as their prior work in statins, is that not only did they show that these polygenic risk scores are associated with cardiovascular outcomes or even different amongst whether you get treated with the drug or whether you don't, but really importantly they're getting it clinical utility, not only with regards to showing that they compare it to a clinical risk score, but really showing that if you use these polygenic risk scores, you can identify patients who may derive the greatest benefit from PC SK9 inhibitors. And importantly in their paper, they show that if you have low polygenic risk score and low clinical risk score, you may not derive benefit from PC SK9 inhibitors. With all the caveats that this is a secondary prevention population, so I really applaud Christian and Nick and his team for the nice work that was done. Dr Carolyn Lam: Oh, couldn't agree more, Svati. You know what I was very struck with too, because some people go, I may have a genetic risk. Maybe I could undo it or somehow overcome it with my clinical risk factors. And that's why I really appreciated that they showed that it was additive, and genetics still matter even if you have risk factors and vice versa. That was really cool. Christian, could I ask you to maybe describe a bit, what kind of genetic risk score this was and maybe perhaps point out some of the limitations therefore of what you studied. Dr Christian Ruff: As Svati mentioned, this is really a quickly evolving field. We now have the ability to either genotype or sequence all of the variation that makes us different from one another. Our susceptibility to disease as well as our potential benefit for treatment. We had for this study, looked at several different risk scores. The one we focused on was a coronary artery disease genetic risk score that had 27 different variants that had been shown to predict having a cardiac event, both in primary and secondary populations. And we have previously identified patients who may have been at a higher risk who received greater benefit from statin therapy. And in this study, we actually compared this 27 variant genetic risk score with actually a much larger score of over six million variants. And interestingly, the two scores performed fairly similar with respect for risk prediction. One of the big questions going forward is, we have lots of ways to develop genetic risk scores, how many different variants do we need? What more information do we have with more complicated scores? And I think Svati really hit on a really critical point is that really this study is really layering in genetic risk on top of clinical risk factors, which we can easily assess at the bedside. And I think what's reassuring to patients is that not only is genetic risk able to give us much more information for prognosis, but that this risk is modifiable. People think that their genetic risk, they're sort of born with it and there's nothing that they can do about it. But in this study, as Nick pointed out, even over a very short period of time with powerful lipid lowering therapy with a PC SK9 inhibitor, we essentially reduced these patients at high genetic risk to the risk of the very low risk patients on placebo. I think this is a reassuring message that genetics plays an important role for risk prediction and it identifies patients who we might target for more intensive therapy and that we can potentially reduce that risk even though that risk is based on the DNA that they're born with. Dr Carolyn Lam: Indeed. That's a great point. And Svati, I'm sure you were thinking along those lines when you invited that beautiful editorial by Doctors Daniel Raider and Michael Levin. But Svati, would you like to comment on your thoughts on, is this ready for prime time? Dr Svati Shah: I think that's the key question. What Christian and Nick and his team have done is take us a big step forward in how we use these polygenic risk scores. I think there still are many skeptics amongst the genetic scientific community about, well great, you can look at 27 variants and some of these polygenic risk scores, you're looking at a million things. How do we actually use that to take care of patients? I actually want to turn this back, that question back around Carolyn, and I'd like to ask Christian next, what are the next steps? There are a lot of cardiologists who if you're listening to this podcast, should we all run out and get our patient's genotype to order this genetic chip so that we can figure out what their polygenic risk score is? Dr Christian Ruff: Yeah, that's a great question and I could start off and then hand off to Nick, but I think one of the key questions is obviously there are a lot of genetic risk scores and I don't think as a field that we've come up with which one we really should implement in clinical practice. There's still a lot of fine tuning and figuring out which score gives us the most amount of useful information. And then I think as something that you had mentioned that these scores are generated in both a healthy cohort population and now, we're looking at it in clinical trials and there's no sort of reference. Like when we have a blood test and we say, "If your hemoglobin A1C is above or below this number that means that you have diabetes." And we haven't figured out, what are the actual thresholds that you use for these genetic risk scores that you can implement broadly across different patient populations. There's still a lot of work that needs to be done to make these scores ready for prime time. This is really setting the stage. Is this something that we should be doing? And I think these studies and others say that the data looks great that we should be doing this, but we haven't yet figured out the logistics of which score and how do we actually reference to population. Dr Nicholas Marston: Yeah, I agree with Christian definitely that we need to figure out what's the optimal genetic risk tool and for which population and what the cut points are. And then I think another piece that's going to be very important moving forward is doing a lot of this work and studying in non-European ancestry and cohorts and populations. Because most of the work done so far in discovery has been in databases such as the UK Biobank. And that limits us in our analyses to European ancestry patients. And so, I think for this to go to prime time, we want to be able to offer it to all of our patients. And so that means making sure we have scores that fit all populations, not just primary and secondary, but also all different types of ancestry. Dr Carolyn Lam: Oh, I'm so glad you mentioned that, Nick. That was exactly on my mind coming from Asia. And the other thing of course, would be cost effectiveness of these approaches. Oh my goodness. I wish we had all the time in the world to talk about this more. The implications are enormous, but just let me thank you on behalf of all of us for publishing this remarkable paper in Circulation. Audience, you've been listening to Circulation on the Run. Don't forget to tune in again next week. Dr Greg Hundley: This program is copyright, the American Heart Association 2020.  

Marco invited back his friend and PPN co-founder Scott Bourn to the traditional “end of the year in front of the virtual fireplace” Camera and Inspiration episode. And as this is also the last show of the decade, they look back at the past ten years and how it has influenced the world of photography.   This show is sponsored by COSYSPEED: http://bit.ly/STREETOMATIC    COSYSPEED Lens Pouche Indigogo campaign: http://bit.ly/fundlenspouch    Inspirational photographer of the month: Scott picked Japanese photographer Hiroshi Sugimoto (born 1948 in Tokyo). Scott is particularly impressed with the Diorama photography that Hiroshi Sugimoto creates. It is a great example that there are many different areas in photography away from the very common themes that are worth exploring and that can lead to an excellent portfolio and make a photographer famous in a niche genre, too. Sugimoto has more work that is worth exploring and he has won many international photo awards and exhibited his work around the world. You can find out more about Hiroshi Sugimoto by visiting his website: https://www.sugimotohiroshi.com Here is a video interview where Hiroshi Sugimoto talks about his diorama work: https://youtu.be/q9GiyPbLYPg   What has happened in the past decade of photography? Some of the important photographers that have passed away in the past decade:   Robert Frank 1924-2019 - 94- Swiss / American Photographer. He was working for Life, Vogue and Fortune Magazine. In 1955 he received a Guggenheim grant that allowed him to do a social documentary in the USA for 2 years. Frank took 28.000 images during this time and 83 of these images were curated and published in the book “The Americans” that turned out to be the most important photo documentary of the 1950s in the US.   Peter Lindbergh (1944-2019) - He was a German fashion photographer. His image of five young models in downtown NY made the cover of the British Vogue in 1990. This started a new Zeitgeist in fashion photography after the high-gloss and make-up overkill era of the 1980s. He created a new understanding of female beauty with his black and white raw and alluring film images.   Fred Herzog (1930-2019) - He was a documentary photographer who was born in Germany and migrated to Vancouver Canada in 1953 where he documented the seemingly unspectacular everyday life of the city with his Leica on Kodachrome film.   Terry O’Neill (1938-2019) - He was a British celebrity photographer - He documented celebrities like the Beatles, the Rolling Stones, David Bowie, Elton John and so on. And he did it mainly in a candid photography style.   Robert Freeman (1936-2019) - He was also a British photographer who is known as the Beatles photographer.   Ara Güler (1928-2018) - Ara was probably the most influential Turkish photographer so far. He was also a Magnum photographer that traveled the world and captured many amazing images with his analog camera on B&W film. But most of his work portraits his home town Istanbul - his portfolio is an amazing visual history of this city. His nickname was the Eye of Istanbul. https://www.magnumphotos.com/newsroom/ara-guler-1928-2018/   Ren Hang (1987-2017) - He is regarded as a controversial Chinese photographer who was known for taking nude portraits of his friends. But he suffered from depression and took his life at age 29. His work is currently exhibited at the ℅ Berlin photo gallery it runs until February 29th, 2020.   Ben Martin (1930-2017) - He was a staff photographer for TIME and LIFE magazine who covered many memorable events like presidential debates between Nixon and Kennedy, JFK’s funeral, and Dr. Martin Luther King Jr.’s civil rights events.   Pete Turner (1934-2017) - He was one of the first masters of color photography. He started to experiment with colors as a teenager and his work merged the lines between art and commercial photography. He loved breaking the rules and this made him one of the most influential photographers of all time. Some of his stunning color photos can be seen in the book Color of Jazz. His most famous photo shows a giraffe silhouette with a bright red sky and purple ground.   Mary Ellen Mark (1940-2015) - She was a US photojournalist and Magnum member. She focused most of her work showing people who lived at the fringes of society. Her images display the empathy that she must have felt for her subjects.   Saul Leiter (1923-2013) - He was a US photographer and painter. His street photos of New York are beautifully captured and many resemble the look of a beautiful painting.   There are countless more amazing photographers that we did not cover here - many not as famous as they would have deserved to be but that have created amazing work. And we’ll continue to pick one photographer on each PPN Camera and Inspiration show in the future. But if you want to share other photographers that you feel very strongly about just add that photographers' name with a quick explanation of what you like about his or her work to the show notes below. Inspirational Photo Book Pick of the Month: “Born Free and Equal - The Story of Loyal Japanese Americans ” by Ansel Adams. An overview from the publisher: “On February 19, 1942, U.S. presidential order forcibly removed more than 110,000 persons from their homes to one of ten "war relocation centers" across the country. All were of Japanese ancestry, but two-thirds were American citizens. Ralph Merritt, then director of Manzanar War Relocation Center, asked friend Ansel Adams to photograph the center, set against the remote mountains of California's Sierra Nevada. The resulting effort, Born Free and Equal: The Story of Loyal Japanese Americans, written and photographed by Adams, was released in 1944 to the American public as a book and exhibit at the Museum of Modern Art in New York. Reeling from the impact of the bombing of Pearl Harbor and unable to make the distinction between American citizens of Japanese ancestry and the Japanese enemy of war, Adams' message was essentially lost on the American public.” The book is published by: Spotted Dog Press 128 Pages Amazon US: https://www.amazon.com/Born-Free-Equal-Japanese-Americans/dp/1893343057 Links to Scott Bourne: Web: https://scottbourne.online  Instagram: https://www.instagram.com/bourne.scott/ Facebook: https://www.facebook.com/scottbourne  Twitter: https://twitter.com/scottbourne  Podcast: https://picturemethods.com/category/podcasts/    Links to Marco Larousse: Web: www.MarcoLarousse.com  Twitter: @HamburgCam Instagram: https://www.instagram.com/marco.larousse/  Facebook: https://www.facebook.com/MarcoLarousse1  Workshops: https://www.marcolarousse.com/street-photography-workshops/    Links to PPN: Web: www.PhotoPodcasts.com or PPN.fm Twitter: @Photopodcasts Facebook: https://www.facebook.com/photopodcasts/ YouTube: http://www.youtube.com/c/PPNPhotoPodcastNetwork  Apple Podcasts: http://bit.ly/ppn-apple-podcasts  Google Podcasts: http://bit.ly/PPN-GooglePodcast Spotify: http://bit.ly/PPN-fm Please support our show by using our B&H affiliate link (click here) or Amazon Germany link (click here) that will not cost you a penny more than when you are buying at B&H or Amazon without our link.   Check out the Skylum LUMINAR software: Link: http://bit.ly/PPN-Luminar3 (use the discount code “PHOTOPODCASTS” at checkout for extra savings)   And please share this podcast with your friends and subscribe via Apple podcasts, Google Podcasts, or search for “PPN” in your favorite podcast app. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes.   About this show: On the monthly “Camera and Inspiration” podcast show of the PPN - Photo Podcast Network, Marco and usually a guest discuss the essence of photography and how to photograph with more intent. Determining the “why” before the “how” in photography is essential to understanding your subject better and create stronger images. In each episode, they introduce you to an inspirational photographer of the month and also share an inspirational photo book of the month.

Dans ce premier épisode du podcast 3.55 CHANEL à l'Opéra, l'écrivaine et journaliste française Virginie Mouzat s'entretient avec le photographe, architecte et scénographe japonais, Hiroshi Sugimoto, à propos du concept de créativité. Comment passe-t-on de la photographie à la mise en scène ? À l'occasion de son premier ballet, il revient sur sa carrière artistique, raconte son rapport à la scène, l'impact de l'art minimal sur son travail, et la nécessité d'avoir vécu pour devenir un artiste.

Dans ce premier épisode du podcast 3.55 CHANEL à l’Opéra, l’écrivaine et journaliste française Virginie Mouzat s’entretient avec le photographe, architecte et scénographe japonais, Hiroshi Sugimoto, à propos du concept de créativité. Comment passe-t-on de la photographie à la mise en scène ? À l’occasion de son premier ballet, il revient sur sa carrière artistique, raconte son rapport à la scène, l’impact de l’art minimal sur son travail, et la nécessité d’avoir vécu pour devenir un artiste.

In this first episode of the 3.55 podcast CHANEL at the Opera, French writer and journalist Virginie Mouzat talks to Japanese photographer, architect and stage designer Hiroshi Sugimoto about the concept of creativity. How does an artist evolve from photography to directing a ballet? On the occasion of his first ballet, he tells about his artistic career, his experience in No theatre, the impact of minimalism in his work and the necessity of having lived in order to become an artist.

In this first episode of the 3.55 podcast CHANEL at the Opera, French writer and journalist Virginie Mouzat talks to Japanese photographer, architect and stage designer Hiroshi Sugimoto about the concept of creativity. How does an artist evolve from photography to directing a ballet? On the occasion of his first ballet, he tells about his artistic career, his experience in No theatre, the impact of minimalism in his work and the necessity of having lived in order to become an artist.

Trying to capture time in art is like trying to pin a wave upon the sand or hold a moonbeam in your hand. So leave it to Japanese photographer Hiroshi Sugimoto to do it so effectively by taking us to the Golden Age of Cinema. "Seeking Stillness" is on view at the MFA, Boston until September 3, 2018. See the images: http://www.thelonelypalette.com/episodes/2018/7/5/episode-31-hiroshi-sugimotos-byrd-theater-richmond-1993-1993 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Cash Cow", "Aourourou", "A Little Powder", "Delicious", "Astrisx", "Bliste" Joe Dassin, “Les Champs-Elysees" Today's sponsors: www.thegreatcoursesplus.com/lonely http://www.theconversationpod.com/ Support the show! www.patreon.com/lonelypalette

Matthew Sweet discusses the Vietnam War with the film maker Ken Burns who has spent the last decade making a monumental documentary about America's ill fated war in South East Asia. The award winninng poet, Sasha Dugdale, reads from her latest collection, Joy; and Kate Flint traces the history of flash photography from its origins in the nineteenth century to Weegee and Gordon Parks in the twentieth and Hiroshi Sugimoto and Martin Parr todayThe Vietnam War - a film by Ken Burns and Lynn Novick is released by PBS as a 10 disc DVD set.Joy by Sasha Dugdale is published by Carcanet .Flash! Photography, writing and Surprising Illumination by Kate Flint, Provost Professor of Art History and English at the University of Southern California is out now. Producer: Zahid Warley .

Contemporary artist Hiroshi Sugimoto talks with James Ulak, deputy director and curator of Japanese art at the Freer and Sackler Galleries, about his exhibition “Hiroshi Sugimoto: History of History.” In this interview Sugimoto discusses his Japanese roots and western influences, the relationship between his role as art collector and his own artwork, and his process ...

Contemporary artist Hiroshi Sugimoto talks with James Ulak, deputy director and curator of Japanese art at the Freer and Sackler Galleries, about his exhibition “Hiroshi Sugimoto: History of History.” In this interview Sugimoto discusses his Japanese roots and western influences, the relationship between his role as art collector and his own artwork, and his process ...

Publisher and photographer Paul Schiek joins me on the show this week. Schiek is the founder of the photobook publishing outfit TBW Books and over the past ten years he has released titles with many enduring artists including Hiroshi Sugimoto, Alec Soth, Jim Goldberg and Katy Grannan as well as break-out young photographers like Mike Brodie and Christian Patterson. Listen in as we discuss Paul's move out West as a teenager, the origins of TBW and his love of work.

This week, we're back in our respective cities and begin with a bit of follow up on the discussion around tools and process started in last week's “walk and talk” episode. We also ask ourselves and each other “what's my creative hurdle or bottleneck?” Here's a question for you listeners: How directly do the tools you use affect your final product? Can you ONLY get the results with a DSLR and “big lights”? Or would mirrorless and natural light be just as good? Hiroshi Sugimoto is our Photographer of the Week.

This week, we’re back in our respective cities and begin with a bit of follow up on the discussion around tools and process started in last week’s “walk and talk” episode. We also ask ourselves and each other “what’s my creative hurdle or bottleneck?” Here’s a question for you listeners: How directly do the tools you use affect your final product? Can you ONLY get the results with a DSLR and “big lights”? Or would mirrorless and natural light be just as good? Hiroshi Sugimoto is our Photographer of the Week.

Hailed as one of the most important photographers of our time, New York-based Japanese artist Hiroshi Sugimoto is also an accomplished architect. He approaches his work from many different perspectives, with architecture as one component in designing the settings for his installations. As a photographer of the highest technical ability, with equal acclaim for the conceptual and philosophical aspects of his work, Sugimoto has created works in his "Five Elements" series that are constructed as shrines to a primordial birthplace. Using geometric symbols from thirteenth-century Buddhism, Sugimoto encases a single image from his iconic Seascape series in each glass structure. The sea and air, origins of all life, are seen through a prism of ancient Buddhist views of the universe. "Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home," he says. "I embark on a voyage of seeing." View this series at the Asian Art Museum during the exhibition, "Phantoms of Asia: Contemporary Awakens the Past" (May 18-September 2, 2012). For more information: http://www.asianart.org/phantoms/

Artist Hiroshi Sugimoto recently expanded his work to include traditional Japanese performing arts such as "bunraku," or puppet theater, through film. Most recently, Sugimoto lent his vision to the arrangement, direction, and stage design of an adaptation of famed bunraku play, "The Love Suicide at Sonezaki (Sonezaki Shinju)", a 1703 work by Chikamatsu Monzaemon. The program begins with a screening of this monumental project, followed by a conversation between the artist and "Phantoms of Asia" guest curator Mami Kataoka.

Indiana University's Art Museum features fifteen black-and-white photos by world renowned photographer Hiroshi Sugimoto in the exhibit, "Transcendent." Curator, Nan Brewer describes Sugimoto's artistic style.

An exhibition of fifteen prints by the internationally renowned photographer Hiroshi Sugimoto is currently on view at the Indiana University Art Museum in Bloomington. A fixture of the contemporary art scene for more than three decades, Sugimoto's photography has recently surfaced in the pop music world as well, as the cover image of U2's newest album, No Line on the Horizon. WFIU's Yaël Ksander spoke with curator, Nan Brewer.

Der WB-Kulturtipp: Ihr solltet unbedingt in der Neuen Nationalgalerie vorbeischauen: Das Ausnahme-Gebäude feiert dieses Jahr bereits seinen 40ten! Noch bis zum 5. Oktober gibt es die Werke von Hiroshi Sugimoto zu sehen. Keiner kann Wachsfiguren besser in Szene setzen als der japanische Ausnahme-Fotograf. Einfach Video anklicken & genießen.

Please visit our blog at www.artagogo.com/blog for full show notes and links that we discuss during the show.  In this show, we visit the Hirshhorn Museum in Washington, DC.  Includes interviews with Kristin Hileman (Assistant Curator) and Jennifer Wentz (Web Manager) at the Hirshhorn Museum. Thanks for listening! Kathleen & Doug Tags: art, arts, art a gogo, artist, art news, art reviews, interview, museum, gallery, podcast, podcasting, Hiroshi Sugimoto, Hirshhorn Museum, Hirshhorn Museum and Sculpture Garden