Podcasts about classic jazz

A Cellar full of ......... BLUE NOTE ! The Classic Jazz label founded some 85 years ago with contributions from the likes of Lou Donaldson, Gene Harris, Marlena Shaw, Donald Byrd, Ronnie Foster & Bobbi Humphrey to name but a few ! PLAYLIST   Artist Title Year 1 Alan Parker, Punch Bowl 1973 2 Johnny Harris, Odyssey part 2   3 Raul De Souza, Daisy Mae 1978 4 Banbara, Shack Up 1975 5 Earl Klugh, Keep your eye on the sparrow 1978 6 Jimmy McGriff, Ain't it funky now 1970 7 Lou Donaldson, Everything I do gonna be funky   8 Gene Harris, As 1977 9 Alphonse Mouzon, Funky Snakefoot 1974 10 Ronnie Laws & Pressure, Always there 1975 11 Labbi Siffre, The Vulture 1975 12 Maze, Color blind 1977 13 Donald Byrd, You are the world 1975 14 Marlena Shaw, Woman of the Ghetto 1969 15 Donald Byrd, Where are we going 1973 16 Marvin Gaye & Donald Byrd, Where are we going 2001/2014 17 Herbie Hancock, Bring down the birds 2008 18 Ronnie Foster, Momma 1972 19 Bobbi Humphrey, Fun House 1974 20 Sheree Brown, It's a pleasure 1981 21 Lou Donaldson, Say it loud I'm black and I'm proud 1969 22 Willie Bobo, Funky Sneakers 1976 23 Eddie Henderson, The Kumquat Kids 1975 24 Gene Harris, Peace of mind 1977 25 Ronnie Foster, Me and Mrs Jones 1973 26 Donald Byrd, Places and Spaces 1975

Guests - Dana Moore and MaryAnn LambHosted By - Courtney Ortiz and Lesley MealorIn Episode 201 of Making The Impact - A Dance Competition Podcast, we are introducing a new Spotlight Feature Episode series featuring different genres of dance. Kicking off this series is a subgenre of jazz dance - you know it when you see it - Fosse! With us today are two giants in the industry, MaryAnn Lamb and Dana Moore, to share their invaluable insights into this highly specialized style.Topics Include: What characterizes the Fosse genre aside from the recognizable body positions Intimate details of what it was like to work with Bob Fosse and Gwen VerdonHow the Verdon Fosse Legacy organization is sharing the style to a new generationHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDana Moore - @officialdanamooreMary Ann Lamb - @_maryannlamb_Check out our guest's current projects! For more information about Bob Fosse and Gwen Verdon, visit Verdon Fosse Legacy.This episode is sponsored by:Francisco Gella Dance Works Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists.Register now for an upcoming intensive, workshop or seminar! CapezioGet a free “Everyday Dance Duffle” bag with any purchase. To redeem, add the Everyday Dance Duffle style #B246 to your cart and use code IMPACT at checkout, while supplies last.Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Art cannot be studied absent the context of history. Jazz music is part of the enormous cultural contribution of Black Americans and racism is a big part of that history. Enjoy the art form, but also acknowledge the reality of racism past and present. BETTERSAX SHED - all my free lesson downloads https://bettersax.com/shed 7-Day Free Trial of BetterSax Studio https://bettersax.com/products/studio-free-trial/ ♫ BETTERSAX COURSES ♪ https://bettersax.com/products ★ My Sax Gear Recommendations★ The Better Sax Alto Saxophone - https://geni.us/BKIGTw BetterSax BURNIN' Mouthpiece https://geni.us/jH3yKz ★ Other Gear I Love ★ Dual Swab Kit - https://bettersax.com/product/bettersax-ultimate-sax-swab-kit/ ReedGeek Geeklet - https://bettersax.com/store/geeklet/ Ultimate Reed Case - https://bettersax.com/product/bettersax-deluxe-wooden-reed-case/ BetterSax Gear Recommendations on Sweetwater https://imp.i114863.net/bettersax ↪My Amazon Gear Recommendations Page: https://goo.gl/px3AvY DISCLAIMER: This video and description contains affiliate links, which means that if you click on one of the product links and then buy something, I may receive a small commission. As an Amazon Associate I earn from qualifying purchases.

Classic Jazz Forum Orchestra, een fijne jazz band die zijn wortels in Rome heeft en in de naam verwijst naar het Forum Romanum, het bestuurscentrum van het oude Romijnse Rijk. Reacties: jazztrain@studio040.nl

Classic Jazz Ensemble Vol.1 FANTASTiC | 13 July 2022 | 52.68 MB A selection of smooth, jazzy loops, featuring drums, keys, double bass, and trumpet. INFO/DEMO/BUY: https://mage.si/J1RB2 Classic Jazz Ensemble […]

Good News: Scientists have achieved a remarkable breakthrough in the ongoing fight against Alzheimer’s Disease, Link HERE. The Good Word: More wisdom from the great Mister Rogers. Good To Know: A fun bit of trivia about the planet Mercury! Good News: A schoolteacher in Canada has discovered a once-in-a-century fossil! Link HERE. Wonderful World: Learn […]

The final days of summer bring important birthdays in jazz. This episode celebrates Bird, Prez, Wayne and Art Pepper, all with birthdays, and all important figures in the legacy of Jazz music. Playlist Artist ~ Name ~ Album Wayne Shorter ~ Black Nile ~ Night Dreamer Wayne Shorter ~ Footprints ~ Adam's Apple Charlie Parker ~ Yardbird Suite ~ The Complete Savoy & Dial Master Takes Charlie Parker ~ Ornithology ~ Best Of The Complete Savoy & Dial Studio Recordings Charlie Parker & Dizzy Gillespie ~ Mohawk ~ Bird and Diz Lester Young & Teddy Wilson Quartet ~ All of Me ~ Pres & Teddy Billie Holiday ~ Fine and Mellow ~ A Musical Romance Art Pepper ~ You'd Be So Nice to Come Home To ~ Art Pepper Meets the Rhythm Section Art Pepper Quintet ~ Smack Up ~ Smack Up Joey DeFrancesco ~ On the Street Where You Live ~ All or Nothing at All

Good News: NOAA is seeking to create a marine sanctuary to protect an underwater canyon off the coast of New York, Link HERE. The Good Word: Shakespeare’s classic Sonnet 18! Good To Know: A surprising culinary fact about tulip bulbs. Good News: A plumber with a heart of gold has created a company to take […]

My top 10 greatest, most influential and must know alto sax players of the classic jazz era. Not in any order: Charlie Parker, Sonny Stitt, Cannonball Adderley, Johnny Hodges, Benny Carter, Jackie Mclean, Phil Woods, Lee Konitz, Paul Desmond, Ornette Coleman BETTERSAX SHED - all my free lesson downloads https://bettersax.com/shed 7-Day Free Trial of BetterSax Studio https://bettersax.com/products/studio... ♫ BETTERSAX COURSES ♪ https://bettersax.com/products

Classic Jazz Quartet with Marty Grosz, Dick Wellstood, Richard Sudhalter and Joe Muranyi - lp and live performances from the mid 1980's . .great swing playing and arrangements --- Support this podcast: https://anchor.fm/john-clark49/support

My guest today is Scott Yanow—one of the best known and most prolific jazz reviewers.Writing about jazz is special, because of the dynamic and fluid nature of the music. There is a basic melody in jazz…but only to begin with. The musicians, in their solos, interpret that melody and its underlying harmonic structure.And always, and without exception, that interpretation is different every time a jazz soloist plays.Here's an analogy for jazz beginners.Classical music, for instance, is like a play. The lines are written for the actors, who must use their skill to bring out the drama in the lines. But it's always the same lines, the same words.Jazz is like scintillating conversation. You don't say the same thing twice—for the sake of your friends I hope you don't. And how interesting you are depends on how much you know, and how well you say it.So, you see what I mean when I say that writing jazz reviews merits its own skill.Speaking of skill, Scott Yanow has authored 12 books, written over 20,000 recording reviews and over 900 liner notes. (Liner notes are those descriptive passages that accompany an album.)He has also written artist biographies and press releases for record labels, public relations firms and individual artists. And most easily accessible, he has written hundreds of summaries for jazzonthetube.com.Scott doesn't tire easily. And simply listening to him describe a typical day is enough to make most of us pine for a vacation.As I said earlier, it's all about how much you know and how well you say it. Scott Yanow knows a lot and says it in an unpretentious, direct and honest writing style.And now he joins us from his home near Los Angeles.ABOUT SCOTT YANOWScott Yanow was born in New York and grew up near Los Angeles. He became the jazz editor for Record Review, a now-legendary music magazine. Yanow has written for Jazz Times, Cadence, Coda, The Mississippi Rag, Jazz Forum, Jazz News, The Jazz Report, Planet Jazz, Jazz Now, Jazz Improv and other significant jazz magazines. He contributors to seven magazines: Downbeat, Jazziz, the NYC Jazz Record, the Los Angeles Jazz Scene, Jazz Artistry Now, the Jazz Rag and Syncopated Times. Yanow has written 12 books on jazz: The Jazz Singers, The Great Jazz Guitarists, Jazz On Film  Duke Ellington, Swing, Bebop, Afro-Cuban Jazz, Classic Jazz, Trumpet Kings, Jazz: A Regional Exploration,  the massive Jazz On Record 1917-76 and most recently Jazz Through The Eyes Of A Jazz Journalist (My Jazz Memoirs).Jazz Through The Eyes Of A Jazz Journalist: https://amzn.to/3PLnx5SWHAT'S THAT WORD?! - JAZZCo-host Pranati "Pea" Madhav joins Ramjee Chandran in the segment "What's That Word?", where they discuss the origins of "jazz" and tell jazz jokes.WANT TO BE ON THE SHOW?Reach us by mail: theliterarycity@explocity.com or simply, tlc@explocity.com.

Sol and John hit the reset button for the Jazz season and get pumped for the playoffs. Plus, some Classic Jazz talk. 

Kevin MacLeod is an American composer and musician. MacLeod has composed over 2,000 pieces of royalty-free library music and made them available under a Creative Commons copyright license. His licensing options allow anyone to use his music for free as long as he receives attribution, which has led to his music being used in thousands of films.WikipediaBorn:September 28, 1972, Green Bay, Wisconsin, U.S.

In this Episode, we take a look at some classic jazz organists. Surprisngly, this is the first real spotlight on this music in our entire podcast series (even though I have loved this music for decades). So get ready to groove with some funky tunes!

This week Joseph & Chauncey took a look back into their past and compared the visions they had then to the  visions they have now. Blerd talk…  In the world of music we talked about Classic Jazz and Young Dolph. Books, we mentioned Karma by Jewell Anderson and  Mike Epp's Unsuccessful Thug: One Comedian's Journey from Naptown to Tinseltown.TV shows, we discussed Super Crooks, Hit-Monkey, and Hawkeye.News topics for this episode consist of  Ahmaud Arbery, NYC's first government-sanctioned supervised drug injection site, US travel bans, and Dollar Tree increasing their prices. Want to be a guest? Got a idea for the show ?Contact ablerdsintermission@gmail.com

Matt Wigler defines the link between jazz and leadership perfectly. Using jazz as an analogy we explain how to effectively manage your business. We also discuss why important culture is to your business. Tune in for effective managing tips, a great jazz discussion, and straight talk you won't get anywhere else. Support us on Patreon! https://www.patreon.com/WhiskeyJazzandLeadership Follow us on Facebook, Instagram, and Linkedin @whiskeyjazzandleadership  Learn more about your ad choices. Visit megaphone.fm/adchoices

How do we align our work and play? How can we make our passions into a career? Matt Wigler talks about he was able to make harmony between his passion for music and his corporate career. Like his band, Matt Orchestrates his team to work towards their own passions. We are cracking open Four Roses. What are you drinking? Support us on Patreon! https://www.patreon.com/WhiskeyJazzandLeadership Follow us on Facebook, Instagram, and Linkedin @whiskeyjazzandleadership  Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan's Song of the Week is "Classic Jazz" from The Starting Line! What's your favorite song from The Starting Line? Tell us in the comments down below! Like the video if you enjoy this content and subscribe with notifications so you never miss a thing! Tune in every Thursday at Midnight ET on idobi Radio for all new premiere episodes: https://idobi.com/ More free music content including playlists, written/video reviews, social media, interviews + more: https://linktr.ee/spinningthoughts --- Support this podcast: https://anchor.fm/spinning-thoughts/support

Ted Unseth is known to many for leading the Classic Jazz group, the Americana Classic Jazz Orchestra. But Ted has had quite a musical journey. He moved from Chicago to Albert Lea, Minnesota as a young kid. As the son of a Lutheran minister, classical music was on in the house. But Ted had an unexpected response to early piano lessons, as he told Phil Nusbaum.

Haunted Heart is a steamy-sounding classic jazz music podcast by Ken Steele. I gave this a rainy night effect by adding rain and thunder sounds. Please be tranced by this special edition podcast. Artist names and song titles are in order of play...CHET BAKER-LAMENT FOR THE LIVING, ANGELO BADALAMENTI-THE PINE FLOAT, CHET BAKER-GOODBYE, CHET BAKER-THE THRILL IS GONE. ERIK SATIE-GNOSSIENNE 3, CHET BAKER-ALMOST BLUE, BILL EVANS, and CHET BAKER-ALONE TOGETHER, CHET BAKER-DON'T EXPLAIN, TREVOR DUNCAN-EASTSIDE STORY, DEXTER GORDON-I GUESS I'LL HANG MY TEARS OUT TO DRY, BILL EVANS-B MINOR WALTZ, BILL EVANS-HAUNTED HEART, ANGELO BADALAMENTI-FIRE WALK WITH ME, Rain and thunder as ending. Thanks from, Ken Steele.

On today's show, we have new music from Arthur Adams, Donald Byrd and Loose ends, we have a 3 in a row featuring some classic Jazz Funk. At the top of the hour, Don B will be dialling in and we will be playing some of our favourite remixes. Amnesia - Doug Gomez Feat.Earl W. GreenBeautiful - Ezel Feat.Earl W. GreenGive Me You - Mark Francis ft Byron J MooreSpace - Lil John Roberts ft Eric Roberson, Anthony David, Stokley Williams & Musiq SoulchildLove the Life - James Taylor Quartet ft Noel McKoyIn Another Time - Courtney Pine ft OmarLansana's Priestess - Donald ByrdKeep Your Worries – Guru ft. Angie StoneDon't You Ever (Try to Change Me) - Loose EndsMake It Last Ayah ft DJ Jazzy Jeff You Got the Floor - Arthur Adams I can't go for that- DJ S Remix Daryl Hall & John OatesI'll Be Around (Dj ''S'' Remix) - SpinnersWhat's going on - Marvin Gaye (The Detroit mix)Only You - 112 ft Mase · Notorious B.I.G and Puffy)(Bad boy remix)Roxanne - The Police Stereo Cool remix Let's Get Married - Jagged Edge ft. Reverend RunLove is On the Way - Bruce Cameron Jazz EnsembleHunt Up Wind - Hiroshi Fukumura & Sadao WatanabeSchool Days - Stanley ClarkeBack To Afro - Groova (GR)

Vamos a empezar un ciclo de cuatro programas sobre los orígenes del Jazz. En este primer capítulo hablamos de Tambores y cantos africanos, Blues, Ragtime, Espirituales, Balada europea, Bandas militares, Pianolas, Rollos perforados... Seguimos un par de elepés "History of Classic Jazz" de Riverside 1956, estuche de 5 elepés y su adaptación española "Historia del Jazz" (Diresa BDLP52.001 1974) rarísimo de encontrar. Fijaros en el omnipresente patrón de llamada - respuesta. Listado de canciones: 01.- Cakewalk de artista desconocido: En una fiesta campestre de Georgia 02.- Tambores Reales de los (Royal Drums Of The) Abatutsi. Canción de mujeres - Lobertina 03.- Dos artistas callejeros en las calles de Charleston (hombre y mujer) 04.- Blind Lemon Jefferson: Shuckin' Sugar 05.- Rev. J.M. Gates con su congregación: I'm Going To Heaven 06.- Sodero's Military Band: Slidus Trombonus 07.- Fred Van Eps: Ragtime Oriole banjo holandés 08.- Scott Joplin: The Cascades 09.- James Scott: Frogs Legs Rag 10.- Joseph Lamb: American Beauty Rag Escuchar audio

My iteration of the jazz song "fly me to the moon" Thought I'd branch out from classical music.

Matt Schofield, Josh Smith, and Jeff McErlain talk about their Two-Rock Amplifiers, give tone tips, and perform. For more TrueFire Live sessions, check out https://truefire.com/liveAbout Matt:Though he holds a British passport and is an inductee of the British Blues Hall of Fame, Matt Schofield has been making his mark globally as one of the top players in the new class of six string wunderkinds.The Los Angeles Daily News wrote, In Schofield, the UK has produced the best Blues guitarist from any country in decades head and shoulders above the herd, while Guitar & Bass Magazine rated him in the top ten British blues guitarists of all time ranking him with icons Eric Clapton and Peter Green.Born in the industrial city of Manchester and raised amongst the rolling hills and locked in time Cotswolds, Schofield began playing guitar at the age of 12.My dad relocated to America, but before he left he gave me a BB King video. I watched it before school every day; it was three or four tracks from a concert. Later, when I was in California with my father, he showed me BB King with Albert Collins and Stevie Ray Vaughan on video.It was like; Ive got to do this. Theres something about the way the three of them were jamming. B.B. really was majestic. As an 11-or 12-year-old watching him, I was mesmerized but didnt think there was any way I could ever do that. It was too special. But when I saw Stevie Ray Vaughan playing with him, I thought maybe I could. Stevie made it seem accessible to people. I taught myself, working my way through my Dads great blues record collection. I did my first gig age 13, and Ive been doing it ever since.At age 18 he left the countryside and moved to London. There, as a sideman, he was able to hone his skills as backing a great variety of experienced and well known artists of the British Blues scene, visiting American artists, as well start touring internationally. The introspective, well read (lover of science, history and philosophy) and passionate Schofield said, this enabled me to stay close to my roots while learning my trade and exploring a variety of musical frontiers.By age 25 I was starting to explore my own band projects. Although my formative guitar influences are the largely the old school blues players, I never wanted my own music to be constrained by a rigid formula, or even genre. I just want to play Matt Schofield music. Classic Jazz, funk, soul and rock and all the music I love have all found their way into it. The process of writing and singing has become increasingly important to me, and I feel its those other aspects of creativity that helped define my own voice on the guitar. Its always been important to find a context for the guitar to be part of, so that its not just guitar solos for their own sake.I remain a music lover first and foremost. The recognition Ive received from both fans and peers is humbling and inspiring, and those pinch me moments where I found myself trading licks with heroes like Robben Ford and Buddy Guy are still the biggest thrill.Now after five studio albums and a solid 10 years of touring with my own band, I have definite broader concepts I want to explore. Remaining open to where the music might take me while maintaining the excitement that improvising and collaborating with talented musicians allow, is key to me. My inspiration and goals came from many places: My influences old and new, including musicians I have wanted to collaborate with for years. Things I still feel I hadn't fully realized on previous studio records, and a need to keep pushing myself. It all meets at the place where Im heading now. Im always aiming to go as far as possible to capturing the same connection with the listener that I aim to make at a live show or on record. Thats the goal. Capturing that special moment."About Josh:Josh Smith was born October 7, 1979 in Middletown, Connecticut. Before he was 1, his family relocated to Florida, eventually settling in Pembroke Pines, a suburb of Fort Lauderdale. At age 3, he received his first guitar and at 6, he started taking guitar lessons.Josh was exposed to the blues at an early age. He listened to a variety of artists, such as Muddy Waters, B.B. King, Albert King and T-Bone Walker. He also started going to concerts, including the Allman Brothers, Rolling Stones and Bruce Springsteen.By 12, Josh was playing at established professional blues jams in South Florida, such as Musicians Exchange Café in Fort Lauderdale and Club M in Hollywood, FL.When Josh was 13, the Rhino Cats, house band at Club M, asked him to be the lead guitarist. Musicians Exchange owner Don Cohen was so taken aback by the talent of this young musician that he offered to help manage and develop Josh’s career.The Café was renowned for bringing in the best national touring blues bands, and Josh was quick to learn how to approach these blues greats, many of whom would invite Josh to sit in with them, thinking it may be a “novelty” to have a 14-year-old kid playing the blues. The novelty quickly wore off and was replaced by musicians stopping, watching and listening as this “kid” wailed out blues licks better than many of the touring guitarists on the circuit. Josh began sitting in with such greats as Jimmy Thackery, Tinsley Ellis, Kenny Neal, Lucky Peterson, Matt “Guitar” Murphy, Johnny “Clyde” Copeland, Double Trouble, Joanna Connor and Kim Simmonds, among others. Jimmy Thackery said of the 14-year-old, “Josh is three heartbreaks away from being a true blues guitar genius.” At 14, Josh released his first CD, Born Under a Blue Sign , and at 15, he released his second CD, Woodsheddin.While performing all over South Florida, Josh Smith and the Rhino Cats quickly became one of the most in-demand blues bands in the area. In 1994, while Josh was only 15, they received the Florida Jammy Award for best blues band and were selected as XS Readers Choice Winners in 1995 for best blues band. In 1996, then a senior in high school, Josh was put on the cover of the national magazine High School Senior , which hailed him as an “Up and Coming Guitar Legend.” That same year, Washburn Guitars Int’l recognized Josh’s talent and offered him an endorsement. They flew Josh to Chicago and guitar luthier Grover Jackson built him a custom guitar.Although Josh was an honor student, after graduation from high school in June 1997, Josh followed his heart and began pursuing what he was best at. His first national tour ensued with his newly formed power trio, Josh Smith and the Frost. Josh was now the band leader and vocalist, so he not only had to continue developing his guitar chops, but had to concentrate on his vocal prowess. In September 1997, Josh enlisted world-renowned producer Jim Gaines, whose credits include Santana, Stevie Ray Vaughn, Luther Allison, Steve Miller and Jimmy Thackery, to produce his third CD, Too Damn Cold.By 1998, Josh had completed four national tours with his band. In January 1998, Billboard Magazine took note of the rising young talent in a Continental Drift article. In February 1998, Josh was asked to support B.B. King on a number of theatre dates. In March 1998, the TV show Chicago Hope purchased the rights to the tune “32 degrees” from Too Damn Cold . An international CD release, The Mentos Freshmaker Tour , included the title cut, “Too Damn Cold,” in the spring of 1998.Josh toured nationally all of 1999 and in October of that year, he entered the recording studio again with Jim Gaines and produced Woman , his fourth CD. This CD was released and well received in the spring of 2000. Josh continued to tour the East Coast from New York to Florida through 2001 with his band. In June 2002, he married and he and his wife decided to move to Los Angeles. Josh was ready for something new and wanted to be around a variety of musicians. He also began being a sideman.Within a year of moving to L.A., he was retained by Virgin recording artist Ricky Fante. He played nationally and internationally with Ricky for the next two years.In May 2006, Josh recorded his fifth CD, Deep Roots . A more traditional blues CD, his music was once again well received by Blueswax and Blues Revue magazine. Josh continued to play with a variety of artists, such as actress Taryn Manning, Universal hip-hop artist Benny Cassette and Tara Ellis, to name a few. In January 2007, Josh was hired by 2006 American Idol winner Taylor Hicks to be his lead guitarist. They completed two national tours from February-September 2007 with monthly dates and charity events until June 2008 when Taylor started Grease! on Broadway. In July 2008, Josh was hired by Raphael Saadiq. Since that time, Josh has played such high profile gigs with Raphael as backing Mick Jagger at the Grammy Awards in 2011 and the Kennedy Center Honors in December 2011. Josh continues to tour nationally and internationally with Raphael.Josh released his 6th studio CD, “Inception,” in 2009. This is an all-instrumental CD with a variety of genres that was once again well received by the public and critics alike.In 2010, Josh was signed to Crosscut Records, a label based out of Germany. Crosscut re-released Josh’s CD, “Deep Roots,” as “I’m Gonna Be Ready.” In October 2012, Josh’s CD, “Don’t Give Up On Me,” was released in Germany.Josh continues to live in the Los Angeles area with his wife and two children.About Jeff:Jeff McErlain is one of the rare musicians who can teach as well as he plays. This is borne out by Jeff being one of the most in demand guitar instructors as well as performing and recording with Robben Ford.Jeffs unique curriculum and method of teaching is perfect for the player who has been working at the guitar for a while but wants to go to the next level. Jeff has a straight forward and easy rapport with his students, he breaks things down so they can be easily understood, applied, and most importantly, made fun.Music is a language and learning it can be approached in much

Classic Jazz from All Music Radio, where music is the spirit of our souls. Listen to our station at www.allmusicradio.org you wil be glad you did.

Matt Schofield talks about his blues rhythm and In The Jam guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Matt:Though he holds a British passport and is an inductee of the British Blues Hall of Fame, Matt Schofield has been making his mark globally as one of the top players in the new class of six string wunderkinds.The Los Angeles Daily News wrote, In Schofield, the UK has produced the best Blues guitarist from any country in decades head and shoulders above the herd, while Guitar & Bass Magazine rated him in the top ten British blues guitarists of all time ranking him with icons Eric Clapton and Peter Green.Born in the industrial city of Manchester and raised amongst the rolling hills and locked in time Cotswolds, Schofield began playing guitar at the age of 12.My dad relocated to America, but before he left he gave me a BB King video. I watched it before school every day; it was three or four tracks from a concert. Later, when I was in California with my father, he showed me BB King with Albert Collins and Stevie Ray Vaughan on video.It was like; Ive got to do this. Theres something about the way the three of them were jamming. B.B. really was majestic. As an 11-or 12-year-old watching him, I was mesmerized but didnt think there was any way I could ever do that. It was too special. But when I saw Stevie Ray Vaughan playing with him, I thought maybe I could. Stevie made it seem accessible to people. I taught myself, working my way through my Dads great blues record collection. I did my first gig age 13, and Ive been doing it ever since.At age 18 he left the countryside and moved to London. There, as a sideman, he was able to hone his skills as backing a great variety of experienced and well known artists of the British Blues scene, visiting American artists, as well start touring internationally. The introspective, well read (lover of science, history and philosophy) and passionate Schofield said, this enabled me to stay close to my roots while learning my trade and exploring a variety of musical frontiers.By age 25 I was starting to explore my own band projects. Although my formative guitar influences are the largely the old school blues players, I never wanted my own music to be constrained by a rigid formula, or even genre. I just want to play Matt Schofield music. Classic Jazz, funk, soul and rock and all the music I love have all found their way into it. The process of writing and singing has become increasingly important to me, and I feel its those other aspects of creativity that helped define my own voice on the guitar. Its always been important to find a context for the guitar to be part of, so that its not just guitar solos for their own sake.I remain a music lover first and foremost. The recognition Ive received from both fans and peers is humbling and inspiring, and those pinch me moments where I found myself trading licks with heroes like Robben Ford and Buddy Guy are still the biggest thrill.Now after five studio albums and a solid 10 years of touring with my own band, I have definite broader concepts I want to explore. Remaining open to where the music might take me while maintaining the excitement that improvising and collaborating with talented musicians allow, is key to me. My inspiration and goals came from many places: My influences old and new, including musicians I have wanted to collaborate with for years. Things I still feel I hadn't fully realized on previous studio records, and a need to keep pushing myself. It all meets at the place where Im heading now. Im always aiming to go as far as possible to capturing the same connection with the listener that I aim to make at a live show or on record. Thats the goal. Capturing that special moment."

In this Marketing Over Coffee: Learn about the Getty Images and iStock Brands, the Transition to Matrix, Classic Jazz, and more! Direct Link to File Brought to you by our sponsors: LinkedIn and Klaviyo The Getty Images and iStock Brands – Visual Content Providers Mark Case Scenes of London on LinkedIn Starting at Time Incorporated, […] The post Talking with Gene Foca, CMO of Getty Images appeared first on Marketing Over Coffee Marketing Podcast.

For those Jazz lovers of Straight Ahead only. Nothing contemporary about this at all. Its smooth, but in a traditional/classic way. The real chill-out jazz. A sampler's paradise. =D

Lila Ammons sings at the Hook and Ladder in Minneapolis, Sunday march 8 from7 till 9 PM. Lila is known for her vocal interpretations of Jazz and Blues of the 1920’s, 1930s and 1940s, and that is the era Lila and her trio will perform at the Hook and Ladder show. In a conversation with Phil Nusbaum, Lila told why she maintains this type of focus.

Lila Ammons sings at the Hook and Ladder in Minneapolis, Sunday March 8 from7 till 9 PM. Lila is known for her vocal interpretations of Jazz and Blues of the 1920’s, 1930s and 1940s, and that is the era Lila and her trio will perform at the Hook and Ladder show. In a conversation with Phil Nusbaum, Lila told why she maintains this type of focus.

One of my old time favorites sung by Frank Sinatraand many other artists. I always wanted to sing a duet with( Adam Levine) LoL

The first ever episode in which your hosts (Grant & Ethan) have not 1, not 2, but 3 special guests. Those guests being Ella, Deanna, and Trevor. A fun filled listen that had a fair bit of failure but still turned out to be an intriguing and interesting episode.

Matt Schofield discusses his blues guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Matt Schofield: Though he holds a British passport and is an inductee of the British Blues Hall of Fame, Matt Schofield has been making his mark globally as one of the top players in the new class of six string wunderkinds.The Los Angeles Daily News wrote, In Schofield, the UK has produced the best Blues guitarist from any country in decades head and shoulders above the herd, while Guitar & Bass Magazine rated him in the top ten British blues guitarists of all time ranking him with icons Eric Clapton and Peter Green.Born in the industrial city of Manchester and raised amongst the rolling hills and locked in time Cotswolds, Schofield began playing guitar at the age of 12.My dad relocated to America, but before he left he gave me a BB King video. I watched it before school every day; it was three or four tracks from a concert. Later, when I was in California with my father, he showed me BB King with Albert Collins and Stevie Ray Vaughan on video.It was like; Ive got to do this. Theres something about the way the three of them were jamming. B.B. really was majestic. As an 11-or 12-year-old watching him, I was mesmerized but didnt think there was any way I could ever do that. It was too special. But when I saw Stevie Ray Vaughan playing with him, I thought maybe I could. Stevie made it seem accessible to people. I taught myself, working my way through my Dads great blues record collection. I did my first gig age 13, and Ive been doing it ever since.At age 18 he left the countryside and moved to London. There, as a sideman, he was able to hone his skills as backing a great variety of experienced and well known artists of the British Blues scene, visiting American artists, as well start touring internationally. The introspective, well read (lover of science, history and philosophy) and passionate Schofield said, this enabled me to stay close to my roots while learning my trade and exploring a variety of musical frontiers.By age 25 I was starting to explore my own band projects. Although my formative guitar influences are the largely the old school blues players, I never wanted my own music to be constrained by a rigid formula, or even genre. I just want to play Matt Schofield music. Classic Jazz, funk, soul and rock and all the music I love have all found their way into it. The process of writing and singing has become increasingly important to me, and I feel its those other aspects of creativity that helped define my own voice on the guitar. Its always been important to find a context for the guitar to be part of, so that its not just guitar solos for their own sake.I remain a music lover first and foremost. The recognition Ive received from both fans and peers is humbling and inspiring, and those pinch me moments where I found myself trading licks with heroes like Robben Ford and Buddy Guy are still the biggest thrill.Now after five studio albums and a solid 10 years of touring with my own band, I have definite broader concepts I want to explore. Remaining open to where the music might take me while maintaining the excitement that improvising and collaborating with talented musicians allow, is key to me. My inspiration and goals came from many places: My influences old and new, including musicians I have wanted to collaborate with for years. Things I still feel I hadn't fully realized on previous studio records, and a need to keep pushing myself. It all meets at the place where Im heading now. Im always aiming to go as far as possible to capturing the same connection with the listener that I aim to make at a live show or on record. Thats the goal. Capturing that special moment."Matt will release his newest album, a fifteenth anniversary recording with his original organ trio line-up, in 2019.

Today we start a two part series that was put together from Smithsonian Collections. This set is no longer available but it is called Big Band Jazz: From the Beginnings to the Fifties. It was originally released as a six vinyl album set and then re-released on 4 CDs. In 1973, Smithsonian Collections released "The History of Classic Jazz". Compiled by jazz essayist and historian Martin Williams, the album featured tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz. But there was a flaw in this set, there wasn't any big band recordings. So to fix this, another set was released compiled by Martin Williams and Gunther Schuller that featured the Big Bands. This week I'll be playing selections from CDs one and two. There is some great music in this set and I hope you enjoy the selections. Please visit this podcast at http://bigbandbashfm.blogspot.com

Classic Jazz inspired Hip Hop & Beats mix by local legends (Sydney via Perth) PAPER PLAN PROJECT put together to pay homage to the super warm sound of Fender Rhodes. Track List / 1. Breezy Lovejoy – Paradise 2. Bennetrhodes – Share In Love 3. Hiatus Kaiyote – Rainbow Rhodes 4. Union – Intro 5. Modlee & Vlooper – All Matter (Bilal’s) 6. Fonzworth Bentley – Venice Beaches 7. Tall Black Guy – Sweet Europe 8. Memphis – (Guilty) After Love Is Gone (Remix) 9. Dotmatic – Manhattan Pace 10. Funkommunity – Sorceress 11. Dotmatic – Open 12. Modlee & Vlooper – Little Queen 13. Joey Bada$$ – Waves 14. Te-Amir – Fall In Love 15. Robert Glasper Experiment – Afro Blue ft. Erykah Badu 16. Kendrick Lamar – Celebration 17. Gensu Dean – Wantchu ft Oliver Daysoul 18. Quadron – Average Fruit (10.4 Rogs Gradeschool Crush Version) 19. Yuna – Live Your Life 20. Moodymann – U Ranaway 21. Shigeto – Huron River Drive Listen of more of their music & mixes at https://soundcloud.com/paperplaneprojectofficial

Selection of jazz from the golden age featuring Dave Brubeck, Gary Bartz and Grant Green.

Kitaristi-säveltäjä Jarmo Saari kertoo uuden Republic -yhtyeensä EP -julkaisusta.

Watch This Episode on YouTube: https://youtu.be/5fj8GhNicks We’re really excited that one of our successful members let us know he’s going to be in Los Angeles and available for a “pop-up,” special edition of TAXI TV, today! Long-time member, Bob Mete is going to join me for this special WEDNESDAY edition of the show, and I’ll be asking him questions that will help viewers learn how to best use TAXI, and what he’s done that has helped him become successful! Bob is a Composer, Producer and Musician and well known for his dedication to and promotion of Jazz, especially with young musicians. His Jazz Piano Music is regularly placed in top TV shows and movies on ABC, NBC, CBS, FOX, Showtime, HBO and Netflix. Bob is President of Redd Productions LLC, a music production company specializing in Classic Jazz, Smooth Jazz, New Age and Neo-Classical. Some of his recent placements include: Comedians in Cars, Californication, Late Night with Stephen Colbert, Rosewood, The Originals, Ray Donovan and Silcon Valley on Showtime, Nashville, several Indie films, Hemlock Grove, Corazon Valiente, a TV Commercial for Pure, DKNY – Donna Karan, Guy Code on MTV, The Glades, The Convenient Groom, The Fosters, Secret Places in America, Younger, Kevin Probably Saved the World, and a recent TV commercial for Public Storage. ------------------------------------ Learn More About TAXI: http://bit.ly/2mPVGYh Rub Elbows with Music Industry Pros at Our FREE Yearly Convention: http://bit.ly/2a9mwlp View Our Current Music Industry Opportunities: http://bit.ly/28JPUyd Listen on the Go with the TAXI TV Podcast: Apple Podcasts: http://apple.co/2afebwW Google Play: http://bit.ly/2a7cCQX Stitcher: http://bit.ly/2FuSTJQ Soundcloud: http://bit.ly/2icUDe0 TuneIn: http://bit.ly/2DCzKrd Connect With Us On... Facebook: http://bit.ly/2931C7x Twitter: http://bit.ly/2jJ0EnQ Instagram: http://bit.ly/2jcg7we

Now this is the first of two Classic Jazz mixes, be sure to check out OSOL 53 [Part II]. This is for those in pursuit of jazz in what was considered its purest form. Nothing contemporary about this at all. Its smooth, yet in a classy way. Its the “real deal” chill. Music From: Mingus, Charlie Parker, Thelonious Monk, & many more.

For those Jazz lovers of Straight Ahead only. Nothing contemporary about this at all. Its smooth, but in a traditional/classic way. The real chill-out jazz. A sampler's paradise. =D

a jazz journey from the 20's to the present.

Jazz music from the 20's to the present.

This latest episode talks about how different melodies, rhythms, music styles, or a particular sound or tone of the lead instrument or voice can effect the listener's emotions: to feel happy or sad or melancholy, or joyful, exhilarated or just plain old feel-good.  "Whether you hear John Coltrane on the tenor or soprano saxophone, or Carlos Santana hitting that beautiful perfect note at just the right moment, or any breathtaking moment, you can experience energy, or relaxed or just feel great!" Piano and guitar "trade-offs" are also highlighted as the rhythm and the pulse build-up throughout this podcast.

jazz from the 20's to the present, with commentary and suggestions on how to engage in this american artform

a jazz journey from the 20's to the present

a journey into jazz, from the 20s to the present

Stories, history, jazz music. A musical trip from the 20's to the present with this amazing american art form

Jazz and history. Commentary and theory. How to become engaged with this true american art form.

Jazz and history. Commentary and theory. How to become engaged with this true american art form.

Jazz and history. Commentary and theory. How to become engaged with this true american art form.

Jazz, stories, history and commentary about how to become engaged with this true american art form.

Jazz music, rich history, interpretation, suggestions on how to be engaged with this true american art form.

Jazz from the early days to the present, with commentary, story and suggestions on how one might become more engaged with the music.

Jazz and jazz history. Story, commentary, suggestions on how to be engaged with this true american art form.

Jazz music and story along with commentary and suggestions about how to be engaged in this true american art form.

Jazz and jazz history. Commentary and suggestions on how to be engaged with this true american art form.

The jazz timeline. Stories and music. Thoughts about how to truly be engaged with this american art form.

Music and story. Liner notes and commentary through experience and travels with jazz.

Jazz from the 20's to the present.

From the early days through present day, with stories and suggestions about how to enjoy this american art form.

Classic Jazz from the early days to the present.

A journey along the jazz timeline from the early days to the present, with stories and suggestions on how to enjoy this american art form.

jazz from the 20's to the present, with stories and thoughts about how to listen to this true american art form.

Jazz Christmas

A journey through jazz, from it's early days to the present, with history, stories and great jazz, along with ideas on how to listen to this great american art form.

A journey through jazz from the 20's to the present. Stories and history along with ideas for how to listen to this amazing american art form.

From the 20's to the present, With talk, liner notes, history and commentary. Also thoughts on how I learned to listen to jazz and what makes it interesting and fulfilling.

Classic jazz from the 20's to the present, with story, liner notes, history and commentary about this rich american invention.

a history of jazz and a journey through Doug Anderson's collection. Stories and liner notes plus thoughts on how to listen to jazz.

A musical journey across the jazz timeline with history, story, liner notes, talk about how to listen and be engaged.

From the 20's to the present. History, liner notes, commentary, long play and short, a wide variety of music highlighting the idiom's rich history.

jazz music from the 20's to the present. Liner notes, History, commentary and ideas about how I listen and what I hear that makes this a really special art form.

Jazz from the 20's to the present. Liner notes, commentary, stories from jazz musicians and friends. Interviews in the future!

A jazz show from the 20's to today. Stories, research and notes about recordings, ideas about how to listen.

jazz from the 20's through to today, with stories, liner notes, researched talk about history and progression

Classic Jazz, radio from the 20's to today. Stories, researched notes, suggestions on how to listen, Jazz History and stories along with great songs.

Classic Jazz journey from the 20's to today. History, commentary, liner notes, research and stories.

A jazz show dedicated to the history, the players and the progression of jazz. From the early 20's to today's modern sounds. Stories and history from both the artists and research from the host.

From the 20's to today. Classic Jazz from swing to progressive modern. Suggestions on how to listen. Stories from artists and from research gathered by host, along with personal jazz stories.

Jazz, Classic Jazz, Remixes

As is the tradition of The Jazz Show we present the Christmas Eve recording session of the Miles Davis All-Stars from 1954. Classic Jazz that will be enjoyed forever and Jazz that set the standard of the day and the future. Miles Davis on trumpet, Milt Jackson on vibes, Thelonious Monk on piano, Percy Heath on bass and Kenny Clarke on drums. The "Bag's Groove" session. Best of the Season to all and we'll see you in 2008 on January 7.