Podcasts about big band jazz

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Avantgardistin, Pop-Elfe, emotionale Sängerin und innovative Produzentin – Björk ist der größte Art-Pop-Star unserer Zeit. Nach ersten Veröffentlichungen schon als Kind spielte sie als Teenagerin in Punk-, Jazz-, Metal- und Psychedelic Bands – die kleine und heterogene isländische Musikszene sei dank. Mit den Sugarcubes wurde sie international bekannt und launchte danach mit „Human Behaviour“ und ihrem „richtigen“ Debut-Album ihre einzigartige Solo-Karriere. Auf „Debut“ und dem Nachfolger „Post“ hat sie gezeigt, was sie interessiert und was sie alles kann, in nie zuvor dagewesenen Klangkombinationen: House mit Streichern, Tribal Beats mit Modemgeräuschen, ätherischer Wave Pop, Ambient Trance, Industrial Club Music, Big Band Jazz. Danach wurde Björk mal gefühlvoller und dann wieder verkopfter, widmete sich Heimatverbundenheit und Fernweh, ihrem Laptop und dem Dancefloor, pendelte textlich und musikalisch immer zwischen organischen Naturelementen und technologischem Fortschritt. Ihre Musik wird dabei erweitert und vorangetrieben durch eine bunt funkelnde, visuell ästhetische und herausfordernde Video-Welt, die sie von den angesagtesten Regisseuren ihrer Generation erschaffen ließ. Zu Gast ist mit Negisa Blumenstein eine absolute Björk-Expertin. Sie schrieb einst ihre Bachelor(ette)-Arbeit über Videos von Björk in Bezug auf ihre Deutung hinsichtlich weiblicher Sexualität, Mutterschaft, Feminismus und der Überschreitung von Geschlechtergrenzen – Themen, die bei Björk immer wieder Bestand von Songs und Videos sind. Negisa ist außerdem selber Musikerin und eröffnet uns dadurch eine völlig neue Perspektive. Alles zu hören in Episode #099AllIsFullofBjörk

Das Musik-Studium schloss er ab mit einer Examensarbeit über Miles Davis‘ Musik zu Lous Malle's legendärem Kinofilm „Fahrstuhl zum Schafott“. Dann spielte Thomas Trompete u.a. bei „Kettcar“ und „Fettes Brot“ – bis er 2015 den Techno-Spielmannszug „Meute“, nur Drummer und Bläser, gründete. Die „Meute“ ging ab wie eine Rakete - auf der Straße, in Wohnvierteln, auf Plätzen, in Konzertsälen (Europa, Afrika, USA). Und millionenfach auf ihrem YouTube-Kanal. Ein Talk über (Big Band-)Jazz,- HipHop,-, Elektro- und Techno-Liebe. Andreas Wrede ist nun stolzer Besitzer zweier heißbegehrter „Meute“-Aufnäher, die seine beiden Bomberjacken zieren. Was will man noch mehr? The Culture Tapes ist ein FYEO Original von Podstars by OMR & Andreas Wrede Redaktion von Andreas Wrede, Isabel Lübbert-Rein & Podstars by OMR Produziert von Podstars by OMR und Isabel Lübbert-Rein von FYEO Gesamtleitung FYEO: Benjamin Risom, Luca Hirschfeld und Tristan Lehmann Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Ola Onabule – In the End – 3:52 Ola Onabule – Point Less – 5:31 Interview Ola Onabule – 17:51 Ola Onabule – Dignity – 5:53 Ola Onabule – Ballad of the Star Crossed – 6:02 Big Band Jazz de México, Ola Onabule – Jankoriko – 4:58 Ola Onabule featuring Drizabone – Soul Town – […]

Ernesto Ramos, director de la Big Band Jazz de México, nos invita al Concierto internacional único de la Big Band Jazz el 17 de agosto a las 20:00 hrs. Solo aquí en Tamara Vargas en MVS 102.5 Conéctate con Tamara Vargas en MVS, de lunes a viernes, de 10:00 AM a 12:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

Hoy con Tamara Vargas en MVS, platicamos sobre qué falta en las políticas públicas y laborales para lograr la igualdad de género, y qué acciones afirmativas pueden implementar las empresas para fomentar la inclusión. El pingüino melómano, colaborador y analista musical, nos cuenta sobre la primera lista que compartió billboard sobre las predicciones de los próximos Grammys, además nos habla sobre el inicio de la nueva era musical de The Weeknd. Pregunta del día: ¿Qué te hacía feliz en tu infancia? También, Ernesto Ramos, director de la Big Band Jazz de México, nos invita a su próximo concierto internacional con el talentoso británico-nigeriano Ola Onablué. Además, en nuestro jueves de tecnología, Pontón nos da todos los detalles de las nuevas actualizaciones de meta AI. Conéctate con Tamara Vargas en MVS, de lunes a viernes, de 10:00 AM a 12:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

Today with Joseph Bowie and Ed Partyka. Zurich Jazz Talks is 30 months old today. We're celebrating the 30th episode with exciting conversations and a good dose of nostalgia. We talk to Joe and Ed about trombones, about their coolness factor, about show business, about the music scene in the past and about young musicians today compared to back then. Ed also tells us about his history with Joe, which goes back to the 80s, even before Joe knew anything about Ed, and what impact Joe had on Ed's life as a young trombonist.

Diesmal bei Zurich Jazz Talks zu Gast ist der Bassposaunist und Notenwart des Zurich Jazz Orchestra: Jonas Inglin. Von Jazz bis Klassik, von kleinen Formationen bis Orchester, von Bassposaune bis zu Sousaphon.

Heute mit Ed Partyka über Billy Strayhorn und Duke Ellington Billy Strayhorn war fast drei Jahrzehnte lang der engste Mitarbeiter und Mitmusiker Duke Ellingtons. Nebst der Freundschaft und Zusammenarbeit zwischen Duke Ellington und Billy Strayhorn sprechen wir heute mit Ed über die Merkmale ihrer Kompositionen, Arrangements und Orchester-Besetzung.

Heute plaudern wir mit Bettina Uhlmann, der Geschäftsführerin des Zurich Jazz Orchestra über diesen nun bald erfüllten Traum, über die ersten Visionen, das heutige Konzept und darüber, was es alles braucht, um ein eng verschachteltes Haus mitten im Kreis 5 in ein funktionierendes Musikhaus umzuwandeln. Auch erzählt sie uns, was dadurch für positive Veränderungen auf das ZJO zukommen.

Die Rolle des Saxofons in der Big Band, der Sax-Coolness-Faktor, ein bisschen Fachsimpeln zum Thema Doublings sowie die prägenden musikalische Vorbilder sind die Themen des «Zurich Jazz Talks» mit zwei unserer Saxofonisten.

This week, Joe features Vocalist Amanda Carr with the Kenny Hadley Big Band from their 2009 OMS Records recording “Common Thread.”  

Heute mit Gregor Müller und Adrian Frey. Der langjährige Wunsch einer hauseigenen Probelokalität geht diesen April mit dem «Jazzhaus» offiziell in Erfüllung. Dies haben wir zum Anlass genommen, um diverse Themen rund um das «Jazzhaus» in unserem Podcast aufzugreifen. Wir starten heute mit Gregor Müller, unserem Pianisten, und Adrian Frey, seinem Vorgänger und gelegentlichen Vertreter.

Wir sprechen mit Ed Partyka über Gil Evans und dessen Meisterwerke, Einfluss auf die Jazzgeschichte nach dem Zweiten Weltkrieg, Klangsprache und Band-Leading zu sprechen. Ausserdem verrät uns Ed im Gespräch, mit welchen Musikern und Musikerinnen ausserhalb des konventionellen Big-Band-Jazz er gerne einmal zusammenarbeiten würde.

Cuentahabientes, estoy feliz por que la Big Band Jazz de México is in da house! Así que vamos a prender la semana con la mejor música y completamente en vivo.

Cuentahabientes, estoy feliz por que la Big Band Jazz de México is in da house! Así que vamos a prender la semana con la mejor música y completamente en vivo. Hosted on Acast. See acast.com/privacy for more information.

Heute mit Claudia Döffinger. Am 8. November stehen wir bereits zum zweiten Mal innerhalb eines Jahres mit Claudia Döffinger auf der Bühne. So konnten wir es natürlich nicht lassen, die deutsche Pianistin, Komponistin und Arrangeurin zu einem Gespräch über Big Band, Leidenschaft, ihre Unterrichtstätigkeit und ihre Beziehung zu ihrem ehemaligen Dozenten, Ed Partyka, einzuladen.

Heute mit Cinzia Catania. Am 26. Oktober stehen wir im Moods mit Cinzia Catania auf der Bühne. Dies haben wir zum Anlass genommen, um mit ihr über ihre Beziehung zu Big Band im Allgemeinen und zur Technik im Jazz zu plaudern. Wir sprechen mit ihr über ihre Vielseitigkeit in der Musik, was diese repräsentiert und was der gemeinsame Nenner ist.

Heute mit Ed Partyka zu «The Art of Arranging» Die neue Saison steht vor der Tür. Die neue Saison steht vor der Tür. Als Einführung haben wir mit Ed Partyka über unser neues Saison-Thema gesprochen: «The Art of Arranging». Unser musikalischer Leiter kennt sich mit der Kunst des Arrangierens bestens aus. So erzählt er uns nicht nur, was Arrangieren genau bedeutet, sondern auch, was es für ein gelungenes Arrangement alles braucht.

Ernesto Ramos Nieto / Director Musical y Sax, Alfonso Alquicira Tello / cantante y Jorge David Bolón León / guitarrista

Episode 50: ‘Eat ‘Em And Smile' by David Lee Roth (1986)‘Shy Boys (Not!)'Having parted ways with Van Halen in early 1985, David Lee Roth assembled a star studded supergroup consisting of Billy Sheehan on Bass, Steve Vai on Guitar and Greg Bissonette on Drums - to help him write and record his debut album, ‘Eat ‘Em And Smile'. With a wide range of styles available including Glam Rock, Blues, Rock ‘N' Roll, Glam Metal, Big Band Jazz and Fusion/Prog elements, David Lee Roth's debut album was met with favourable reviews and had a unique all round sound - meeting the mainstream desires in easy to listen to melodies, singalong choruses and nice chord progressions - whilst also boasting some of the most difficult music played by some of the technical musicians. Laz & Felipe dive into the songwriting, musicianship and performances on offer in this tasty album! Playlist: https://open.spotify.com/playlist/7LeWl9BelrbX6CF10S8zdV?si=kTQasOD0SJOLUVQ0lumJXgGreg Bissonette on EEAS: https://youtu.be/_DV5SJnODW8Steve Vai Zappa Audition: https://youtu.be/ow36K1RBKS0LONG LIVE ROCK ‘N' ROLL - Follow the Podcast on Social Media: https://linktr.ee/longlivernrpod - Get in touch and/or leave us a review: longliverocknrollpodcast@gmail.com - Podcast Music by GeriArt, NaturesEye, astrofreq, Twisterium from Pixabay - Podcast Art by Ross Davidson (@ross_feelshame)

Heute mit Efrat Alony. Seit ihrem ersten und letzten Auftritt mit dem Zurich Jazz Orchestra sind inzwischen 16 Jahre vergangen. Anlässlich des diesjährigen Konzerts haben wir mit Efrat Alony über ihre damalige Erfahrung im Vergleich zur heutigen gesprochen - und über vieles mehr: Welchen Beruf sie fast eingeschlagen hätte, ihre Studienzeit, und wie sich der Kreis mit ihrem neuen Album «Händel - Fast Forward» schliesst. Auch erzählt sie uns von der Bedeutung der Musik als Brücke zwischen verschiedenen Menschen, ihrem Kompositionsprozess, ihrer langjährigen Zusammenarbeit mit Ed Partyka, ihren Werten als Gesangsdozentin und vom Musikbusiness mit all seinen Hürden.

Heute mit Ed Partyka über Duke Ellington. Für Ed Partyka ist Duke Ellington eine grosse Inspiration. Ellington hat sein Jazz Orchestra knapp 50 Jahre lang am Leben erhalten und einen Klangkörper erschaffen, der unglaublich wichtig ist für die Jazz-Geschichte und natürlich auch für die Big-Band-Geschichte. Ed Partyka erzählt uns, welche Werke von Duke Ellington ihn als Big-Band-Leader im 21. Jahrhundert inspiriert haben, und er verrät uns, um welche Eigenschaften er Ellington ein wenig beneidet.

Heute mit Marianne Racine. Marianne Racine ist aus der Schweizer Jazzszene nicht mehr wegzudenken. So haben wir uns mit ihr getroffen und über Heimat, unvergessliche Erfahrungen, die Verantwortung als Bandleaderin, ihre langjährige Dozententätigkeit und die Zeit danach geplaudert. Sie hat uns sogar verraten, was sie unter der Dusche singt.

#841 - Billy Vera The Billy Vera Interview is featured on The Paul Leslie Hour. Are you here? Coming at you from the coast of Carolina, this is The Paul Leslie Hour. Wherever you are: north, south, east or west, we want to welcome each and everyone one of you to another episode. Throughout 19 years of interviews, there is quite a sizable archive. This episode features a telephone interview with the great Billy Vera. Yes, that Billy Vera. You may know Billy Vera & The Beaters and their supremely successful song “At this Moment.” Billy Vera, of course, wrote that song. It's gone on to be recorded by everyone from Michael Bublé, Wayne Newton and Tom Jones. Billy Vera is a musician, singer, songwriter, actor, author and music historian. This interview took place surrounding the release of his album “Big Band Jazz.” It's an exceptionally cool album, check it out folks. Oh, oh, right! Thank you all of the new people who subscribed to The Paul Leslie YouTube channel. We're getting close to 100 subscriptions since the new year began. Okay, there's really no reason to delay. It is indeed time for the Billy Vera interview. Let's hear that tape. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

En este episodio se me puso la piel de gallina, y estuve con el ojo Remi al escuchar cantar a Fela Domínguez, una mujer con una luz espectacular. ¡Híjole! ella es el talento hecho mujer, me atrevo a decir que es un ícono en la historia de las obras musicales, ha estado en musicales impresionantes como, “El Guardaespaldas” en Madrid, interpretando a Whitney Houston, protagonizó a Nala en el “Rey León (lleva 7 años ininterrumpidos de hacer teatro musical). Lideró la “Big Band Jazz de México”, ha participado con grandes cantantes como Carlos Rivera, Pepe Aguilar, Emmanuel, Kalimba, Alejandro Fernández (solo por mencionar algunos). Se ha presentado en el Teatro Metropólitan por medio de su álbum, además de hacer doblaje en películas animadas. Definitivamente esta plática fluyó increíble y nos contó muchas cosas interesantes. Fela durante toda su infancia sufrió bullying por el color de su piel. Los niños pueden ser muy crueles y le decían cosas como, “eres fea”, “nunca vas a lograr nada”. Su mamá le decía que Dios la hizo así por una razón, pero claro que a esa edad no lo entendía, ella se quería ver como el 90% de las niñas que iban en su escuela. Spoiler, después se volvió fan de su color de piel y sus facciones, pero vamos por partes. Empezó a cantar en los festivales escolares, y eso hizo que los bravucones la dejaran en paz y se convirtiera en la "niña que cantaba". Viene de familia de músicos, así que ya te puedes imaginar que el talento lo llevaba en la sangre, pero descubrió que tenía pánico escénico, subirse a un escenario le daba pavor, no podía respirar y le daba taquicardia, así que sus papás la metieron a clases de canto con una maestra para que le ayudara a superar su miedo. Después de un tiempo de práctica, fue a hacer un examen que consistía en cantar frente a un público del restaurante donde trabajaba su maestra. Ese día por supuesto estaba aterrada, no quería cantar, pero su papá con mucho amor le dijo que ahí iba a empezar su carrera y que tenía dos opciones: o se iban por un helado pero se olvidaba de volver a cantar o se subía a cantar y lo superaba poco a poco. Se subió a cantar “I will always love you” de Whitney Houston, con la voz temblando y llorando por los nervios, pero descubrió que la música sana, porque conforme iba cantando dejaba de llorar y se iba sintiendo a salvo. Vamos al momento más esperado, su peor error, nos dijo que en cuanto a su familia es, haber dejado pasar momentos increíbles por no perdonar y pedir perdón. Para ella su familia es su centro, y darles la espalda fue algo de lo que se arrepiente. También nos dijo que en el amor se perdió por intentar agradar a su pareja, al grado de ya no reconocerse. Ha aprendido a soñar en grande y su mayor sueño es llenar el Madison Square Garden con su música, estoy seguro que lo logrará y ahí estaremos en primera fila apoyándola. Cree que Dios va trabajando con nuestra vida, y nos va moldeando para hacernos fuertes para cuando llegue el momento adecuado sepamos manejar las oportunidades que tenemos enfrente, pero ¡ojo! dice que las cosas no llegan fácil, y que a veces confiamos mucho en nuestro talento, y pensamos que las oportunidades van a llegar solas o viceversa sentimos que nada bueno nos puede pasar. Actualmente está preparando otro disco, una obra de teatro (que aún es sorpresa y no nos pudo platicar mucho), cantará con la filarmónica en Dallas música mexicana y claro le pregunté cómo se encontraba en la parte personal y se siente bien, pero este año quiere cuidar más el no perderse el momento, no descuidarse, no callarse y alejarse de personas que no le hacen bien. Definitivamente creo que todo lo que pasa en nuestra vida es por una razón y hoy Fela nos demostró eso con su historia. Nos dejó grandes lecciones para reflexionar, pero, ¿tú que aprendiste de esta historia?

Big Band Jazz de México; Ola Onabule – Invincible – 4:51 Cynthia Thijs Coenraad; Snarky Puppy Hornsection; Ronald Snijders – Is It Me – 3:00 Myles Sanko – Blackbird Sing – Mo’ Horizons Remix – 4:01 Richard Hallebeek – Cruisin’ California – Live – 6:44 Club des Belugas; Lene Riebau – Coming a Little Bit […]

Welcome to a new edition of the Neon Jazz interview series with Planning Committee Member Payton Kelly for the 2022 Hanover Big Band Jazz Orchestra Visit to Kansas City that will take place at venues throughout the Kansas City metro from October 14-24 .. This esteemed Hanover outfit will indeed infuse an on their very first visit to Kansas City as part of a Sister City jazz exchange program between the cities of Hannover, Germany and Kansas City. The 17-member renowned Hanover Jazz Orchestra will perform seven times beginning Oct. 15 .. Hanover Big Band Jazz Kansas City Fall ScheduleSaturday October 15, 2022 - American Jazz Museum at 11 amMonday October 17, 2022 - KC Bier Co. for 2 Shows - 4:30 & 7:30Tuesday October 18, 2022 - Knuckleheads in the Garage - 7:00 pmFriday October 21, 2022 - Midwest Trust Center at Johnson County Community College with Kansas City Jazz Orchestra - 7:00 pmSaturday October 22, 2022 - Village Presbyterian ChurchSunday October 23, 2022 - Village Presbyterian ChurchClick here for the full list of events - https://gacaofkc.org/events/Click here for the interview.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..

Berkshires Jazz presents an evening of big-band jazz, with saxophonist-vocalist Grace Kelly and the UConn Jazz Ensemble on Sunday, October 9 at The Stationery Factory in Dalton, Massachusetts.

August 21, 1944... audiences tuned to NBC heard "The Best of the Big Bands" live from "The Famous Door" on 52nd Ave. in NYC... The Band That Played The Blues... The Woody Herman Orchestra with guest vocalist Carol Kaye. Playlist: Choppin Wood / Faithful Forever - Woody is vocalist / South of the Border - Carol Kaye, vocalist / Midnight Echoes / Little Old Dutch Garden - Woody, vocalist / Woodchopper's Ball / It's a Blue World / Blues on Parade. Woody Herman was born on May 16, 1913 in Milwaukee, WI and died on Oct. 29, 1987 in West Hollywood, CA. ... His band often played music that was considered to be "cutting edge" and experimental. His recordings received many Grammy nominations. Track will be stored in the "Big Band / Jazz" Playlist.

The AFRS broadcast a weekly show from NYC entitled "Date with the Duke" featuring the Duke Ellington Orchestra, vocalists Kay Davis and Joya Sherrill. Here is playlist: Theme - "Take the A Train," Orch: "Teardrops in the Rain. " Joya Sherrill sings "Everything But You. " Kay Davis sings "You Are But A Dream. " Orch: "Perdido " Orch and Vocalists: Medley of 3 original songs: "In A Sentimental Mood;" "It Don't Mean a Thing;" "In My Solitude." Orch: "C Jam Blues". Theme: "Take the A Train." - Outro AFRS broadcast. In "Big Band/Jazz" Playlist.

"Jubilee" is an American treasure. It was the War Dept. Service Division and Armed Forces Radio Service (AFRS) program that featured African-American musicians and singers. Broadcast to servicemen and women via shortwave radio from 1942 to 1953. Jubilee was conceived at least in part as a morale-building service for African-American troops overseas. This Oct. 24, 1947 features Count Basie and his Orchestra with their vocalist Jimmy Rushing and guest vocalist Ella Mae Morse. So climb aboard the time machine and go back to the days of Big Band and Jazz with Jubilee! This track will be stored in the "Big Band /Jazz" Playlist on this Soundcloud.com originating podcast. Thank you for listening.

Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.“One thing I do know is that over-compressed music is distorted music and distortion has an introduction of harmonic frequencies that absolutely create an inurement and inability to discern certain sounds and basically make people deaf. Bottom line, new music is over-compressed, ultra-distorted, and even at low levels, will create deafness. And it's a scientifically proven, and that means we've got this entire generation…Somehow I feel like with all the internet and the attention disorder that we discussed, we're synthesizing into new human beings. ‘Something is happening here but, you don't know what it is.' That's to quote an old Bob Dylan song. ‘...do you, Mr. Jones?' And there's always something happening, and you don't know what it is.”www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

“One thing I do know is that over-compressed music is distorted music and distortion has an introduction of harmonic frequencies that absolutely create an inurement and inability to discern certain sounds and basically make people deaf. Bottom line, new music is over-compressed, ultra-distorted, and even at low levels, will create deafness. And it's a scientifically proven, and that means we've got this entire generation…Somehow I feel like with all the internet and the attention disorder that we discussed, we're synthesizing into new human beings. ‘Something is happening here but, you don't know what it is.' That's to quote an old Bob Dylan song. ‘...do you, Mr. Jones?' And there's always something happening, and you don't know what it is.”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter."We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.”www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

"We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

"We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter."There are a lot of new avenues now that are opening up and also these magnet schools where I think there's a lot of possibility in educational systems. And I think that education, in general, is where the main problem is, the perpetuation of poverty and a kind of a welfare existence…This is why meditation is so important and is now being taught in schools that even children with their febrile minds and their heavy curiosity and this unbelievable amount of input coming out of their machines, which they're allowed to have at their faces all day long. There's no time for space, and then, therefore, there's no time for intuition to enter into your psyche. And without that, you have no access to who you truly are. You are only a reflection of what's out there, and society is largely a reflection of what it's told, what you're told to do, right? Individuals are a reflection of their society and it's there's got to be a balance.”www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

"There are a lot of new avenues now that are opening up and also these magnet schools where I think there's a lot of possibility in educational systems. And I think that education, in general, is where the main problem is, the perpetuation of poverty and a kind of a welfare existence…This is why meditation is so important and is now being taught in schools that even children with their febrile minds and their heavy curiosity and this unbelievable amount of input coming out of their machines, which they're allowed to have at their faces all day long. There's no time for space, and then, therefore, there's no time for intuition to enter into your psyche. And without that, you have no access to who you truly are. You are only a reflection of what's out there, and society is largely a reflection of what it's told, what you're told to do, right? Individuals are a reflection of their society and it's there's got to be a balance.”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter."I had mentors all along the way. To be quite honest, I wasn't even aware that I was ‘only a woman in a man's world'. It didn't even occur to me that there was a difference. My entire life, I liked the things that boys were interested in. People love to teach and I loved to absorb and learn. And so I was as excited by the signal path of a live PA system for a rock band as I was going on the road and plugging into amusement parks, where we were recording some very serious acts, Ronnie Millsap, Willie Nelson, Waylon Jennings, Lynn Anderson…”www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

"I had mentors all along the way. To be quite honest, I wasn't even aware that I was ‘only a woman in a man's world'. It didn't even occur to me that there was a difference. My entire life, I liked the things that boys were interested in. People love to teach and I loved to absorb and learn. And so I was as excited by the signal path of a live PA system for a rock band as I was going on the road and plugging into amusement parks, where we were recording some very serious acts, Ronnie Millsap, Willie Nelson, Waylon Jennings, Lynn Anderson…”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter."We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.”www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

"We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter."And so that this is like a daily gift, which is why I practice every day, and that's what the artistic and creative experience is for me. So in a world that's either so impossible to control, such as political situations and world hunger and gargantuan, spiritual malaise, which is what I believe this world is suffering from because we are way too identified with our animal nature and way too unidentified with our spiritual nature, which is what I believe is required as a transformation for this world to exist. For us to become less selfish and more compassionate human beings or we're doomed.You know, it can be painful to stay awake or it can be revelation to become awake, which is why people are learning how to meditate and why that's coming into schools because there's an awakening to yourself and the goodness and possibility in this world.”www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.orgPortrait of Cynthia Daniels by Mia Funk

"And so that this is like a daily gift, which is why I practice every day, and that's what the artistic and creative experience is for me. So in a world that's either so impossible to control, such as political situations and world hunger and gargantuan, spiritual malaise, which is what I believe this world is suffering from because we are way too identified with our animal nature and way too unidentified with our spiritual nature, which is what I believe is required as a transformation for this world to exist. For us to become less selfish and more compassionate human beings or we're doomed.You know, it can be painful to stay awake or it can be revelation to become awake, which is why people are learning how to meditate and why that's coming into schools because there's an awakening to yourself and the goodness and possibility in this world.”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

"Some of those people who came through my first day at A&R, Steely Dan was recording Gaucho. Dressed to Kill, which was a very big film, and Annie, the musical Annie was being recorded in studio A1, and Paul Simon had just finished One-Trick Pony, and Billy Joel had just finished Glass Houses and was launching into his Nylon Curtain album.There was nowhere else you would want to be, but A&R Recording were four rooms going 24 hours a day, and to be part of that... And that - a moment where I closed my eyes - is because that is the time when I removed myself from the verbal idea and actually try to explain to you what the purpose is of my job, which is to channel and be of service to music and to understand every aspect of music, no matter how many years that takes, be part of another creative process and to have your own creative process as a person who is channeling other people's music.”Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter.www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

Cynthia Daniels is a Grammy and Emmy award-winning producer, engineer and composer working extensively in film, television, and music. Her career has led her around the world, initially specializing in orchestral pop from Big Band Jazz to Broadway, and then crossing over into producing records for young and seasoned artists in the rock, country, and folk-rock world. She is owner and chief engineer at The Hamptons first world-class recording studio, MonkMusic. She has hosted or engineered sessions for Chaka Khan, Beyonce, Coldplay, Paul McCartney, Nile Rogers, Alec Baldwin, Julie Andrews, Sarah Jessica Parker, and Billy Porter."Some of those people who came through my first day at A&R, Steely Dan was recording Gaucho. Dressed to Kill, which was a very big film, and Annie, the musical Annie was being recorded in studio A1, and Paul Simon had just finished One-Trick Pony, and Billy Joel had just finished Glass Houses and was launching into his Nylon Curtain album.There was nowhere else you would want to be, but A&R Recording were four rooms going 24 hours a day, and to be part of that... And that - a moment where I closed my eyes - is because that is the time when I removed myself from the verbal idea and actually try to explain to you what the purpose is of my job, which is to channel and be of service to music and to understand every aspect of music, no matter how many years that takes, be part of another creative process and to have your own creative process as a person who is channeling other people's music.”www.cynthiadaniels.netMonk Music Radiowww.creativeprocess.infowww.oneplanetpodcast.org

If you like Jazz, you will enjoy this rebroadcast of the NBC program known as "Stars and Jazz" with the guest orchestra being that of Count Basie. Thirty minutes of wall-to-wall popular jazz music from this January 6, 1953 broadcast on NBC radio. This track will be living in the "Big Band/Jazz" Playlist on this Soundcloud.com originating podcast.

The Duke Ellington Orchestra with vocalists performed many broadcasts via the Armed Forces Radio Service during WW II. This program was broadcast in 1945. These shows were heard via shortwave radio were not available to the standard broadcast channels at the time. The Armed Forces Radio Service were experts at preserving the recordings of everything they did and we owe a lot to them for preserving so much of our artistic culture of the era. This track will be stored in the "Big Band/Jazz" Playlist on this Soundcloud originated podcast of Heirloom Radio.

One of the most influential Big Band / Jazz drummers, Gene Krupa played his last gig on this day in 1973 with the Benny Goodman Quartet. Reach me at drumhustle@gmail.com. https://youtu.be/Nu1teeixmpw https://youtu.be/j9J5Zt2Obko