Podcasts about cromlech

A year and a half in the making, the time has finally come for Terminus to reconvene with the members of Mormegil, formed from the ashes of the late Cromlech. What ensues: a rollicking conversation covering Cromlech's "Ascent of Kings," songwriting techniques on an epic scale, the ambitions of continuing band Mormegil, and how the ghost of AFI haunts us all. Break out the mead, boys: it's time for another hangout with our favorite Canadians. 0:00:00 - Interview 1:43:15 - Cromlech - "Turambar (Master of Doom/By Doom Mastered) fr. Ascent of Kings (Hessian Firm, 2023) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

We sit down with Kevin, Jacob, Brandon and Roman from Canadian epic doom/heavy metal act Cromlech and blackened death metal act Into Oblivion. We talk about Cromlech's new album Ascent of Kings, working with Hessian Firm, the band's musical and lyrical inspiration and their love for Conan the Barbarian. We go down a rabbit hole of talking all things craft brewing and Toronto cuisine. We also discuss Greek black metal, 90s Metallica, the negative reputation of Australian wildlife and more. Listen to and order Ascent of Kings and follow Cromlech: Bandcamp: https://cromlechdoom.bandcamp.com/album/ascent-of-kings Facebook: https://www.facebook.com/CromlechDoom BigCartel: https://hessianfirm.bigcartel.com/product/cromlech-ascent-of-kings-pre-order Listen to and follow Into Oblivion: Bandcamp: https://blackdeathtriumphant.bandcamp.com/album/winds-of-serpentine-ascension Facebook: https://www.facebook.com/blackdeathtriumphant/

Mom and dad are fighting again. It's been a tough time on the Terminus homestead with regards to scheduling, TDMG waylaid from recording earlier by the insidious trickery of budget airlines. Perhaps a cooling-off period was needed, though, before recording what is perhaps the most contentious episode in Terminus history. Blood must be shed. There is no other path forward. The cause of such discord within the family? The long-awaited return of Cromlech, epic doom purveyors with close ties to the podcast. "Ascent of Kings," a record a decade in the making, is without question one of the single most ambitious albums we've ever covered on the show. Epic in scope, scale, and concept, Cromlech pulls on threads of epic doom, traditional heavy metal, and those genres' progressive rock ancestors to make a record as unwieldy as it is grandiose. The question is simple: does Cromlech stick the landing, or is the sheer weight of compositional intricacy too much to bear? The battle lines are drawn and the positions the hosts take may surprise you, but one thing is clear once the dust has settled: "Ascent of Kings" will undoubtedly be a cult smash hit for a certain audience, and it is a record which necessitates tremendous discussion, whatever your position might be. Following this is another album with tremendous ambitions, albeit in a radically different direction: the debut full-length by Haxprocess, Jacksonville progressive death metal band and friends of The Death Metal Guy. Haxprocess sets its sights on recreating the style of late 90s progressive death metal, closely hewing to the structural rigor of deathrash while also heavily invested in the psych and prog rock of yesteryear. Through careful recreation of that era's stylistic features but with a genuine charge of youthful spirit and creativity, this is a record which could easily have emerged from '98, but with an energy and soul all its own. 0:00:00 - Intro 0:07:12 - Cromlech - Ascent of Kings (Hessian Firm) 1:51:24 - Virgin Steele - “Through the Ring of Fire” fr. The House of Atreus - Act I (T&T Records, 1999) 1:56:49 - Haxprocess - The Caverns of Duat (Independent / CD on Witches Brew) 2:49:39 - Outro - Burning Inside - “Apparition” fr. Apparition (Crash Music, 2001) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

Esta conferencia está disponible en VIDEO: https://youtu.be/ywcUtErvdz0 Desde "El Oro de los Dioses" de Erich von Däniken a la expedición a la Cueva de los Tayos. El mito. ¿Cómo se llega? ¿Cómo es el camino? Los Shuar. La biblioteca de láminas de oro, plata y cobre del Padre Crespi. Una casualidad simbólico-esotérica. Los incendios del museo de Crespi y el expolio del Vaticano. Juan Móricz. Los petroglifos de Katazhos. Los menhires de Quillusara. El gigante de Loja. ¿Maldición o radiación? Un horizonte cultural desconocido. Una ceremonia de ayahuasca en la cueva de los Tayos. Un cruce de líneas Hartmann. Conclusiones. Preguntas de los asistentes. Relacionados: Podcast AFR Nº EXTRA 40: Los petroglifos de Katazhos; rumbo a Los Tayos https://alfilodelarealidad.com/podcast-afr-no-extra-40-los-petroglifos-de-katazhos-rumbo-a-los-tayos/ Crónicas de la Cueva de los Tayos (parte 1) https://alfilodelarealidad.com/cronicas-de-la-cueva-de-los-tayos-parte-1/ Crónicas de la Cueva de los Tayos (parte 2) https://alfilodelarealidad.com/cronicas-de-la-cueva-de-los-tayos-parte-2/ La Cueva de Los Tayos y los petroglifos de Katazhos: metalenguaje de los Dioses https://alfilodelarealidad.com/la-cueva-de-los-tayos-y-los-petroglifos-de-katazhos-metalenguaje-de-los-dioses/ El “Cromlech” de Quillusara: ¿un Stonehenge en Ecuador? https://alfilodelarealidad.com/el-cromlech-de-quillusara-un-stonehenge-en-ecuador/ Más sobre gigantes en Ecuador https://alfilodelarealidad.com/?s=gigante Más sobre el tema de la Cueva de los Tayos https://alfilodelarealidad.com/?s=tayos Nueva plataforma de cursos (https://miscursosvirtuales.net). "FORMACIONES DE GUÍAS DE TEMAZCAL" para notificar fechas, lugares, Niveles Avanzados, Retiros de formación complementarios, detalles, etc., de las próximas Formaciones que en ese sentido haremos desde "Casa del Cóndor". Interesados: súmense al grupo donde concentraremos las actualizaciones: https://www.facebook.com/groups/153766088413706 * * * Programa de Afiliados * * * iVoox comparte con AFR un pequeño porcentaje si usas uno de estos enlaces: * Disfruta de la experiencia iVoox sin publicidad, con toda la potencia de volumen, sincronización de dispositivos y listas inteligentes ilimitadas: Premium anual https://www.ivoox.vip/premium?affiliate-code=68e3ae6b7ef213805d8afeeea434a491 Premium mensual https://www.ivoox.vip/premium?affiliate-code=7b7cf4c4707a5032e0c9cd0040e23919 * La mejor selección de podcasts en exclusiva con iVoox Plus Más de 50.000 episodios exclusivos y nuevos contenidos cada día. ¡Suscríbete y apoya a tus podcasters favoritos! Plus https://www.ivoox.vip/plus?affiliate-code=258b8436556f5fabae31df4e91558f48 Más del mundo del misterio en nuestro portal: alfilodelarealidad.com

Esta conferencia está disponible en VIDEO: https://youtu.be/ywcUtErvdz0 Desde "El Oro de los Dioses" de Erich von Däniken a la expedición a la Cueva de los Tayos. El mito. ¿Cómo se llega? ¿Cómo es el camino? Los Shuar. La biblioteca de láminas de oro, plata y cobre del Padre Crespi. Una casualidad simbólico-esotérica. Los incendios del museo de Crespi y el expolio del Vaticano. Juan Móricz. Los petroglifos de Katazhos. Los menhires de Quillusara. El gigante de Loja. ¿Maldición o radiación? Un horizonte cultural desconocido. Una ceremonia de ayahuasca en la cueva de los Tayos. Un cruce de líneas Hartmann. Conclusiones. Preguntas de los asistentes. Relacionados: Podcast AFR Nº EXTRA 40: Los petroglifos de Katazhos; rumbo a Los Tayos https://alfilodelarealidad.com/podcast-afr-no-extra-40-los-petroglifos-de-katazhos-rumbo-a-los-tayos/ Crónicas de la Cueva de los Tayos (parte 1) https://alfilodelarealidad.com/cronicas-de-la-cueva-de-los-tayos-parte-1/ Crónicas de la Cueva de los Tayos (parte 2) https://alfilodelarealidad.com/cronicas-de-la-cueva-de-los-tayos-parte-2/ La Cueva de Los Tayos y los petroglifos de Katazhos: metalenguaje de los Dioses https://alfilodelarealidad.com/la-cueva-de-los-tayos-y-los-petroglifos-de-katazhos-metalenguaje-de-los-dioses/ El “Cromlech” de Quillusara: ¿un Stonehenge en Ecuador? https://alfilodelarealidad.com/el-cromlech-de-quillusara-un-stonehenge-en-ecuador/ Más sobre gigantes en Ecuador https://alfilodelarealidad.com/?s=gigante Más sobre el tema de la Cueva de los Tayos https://alfilodelarealidad.com/?s=tayos Nueva plataforma de cursos (https://miscursosvirtuales.net). "FORMACIONES DE GUÍAS DE TEMAZCAL" para notificar fechas, lugares, Niveles Avanzados, Retiros de formación complementarios, detalles, etc., de las próximas Formaciones que en ese sentido haremos desde "Casa del Cóndor". Interesados: súmense al grupo donde concentraremos las actualizaciones: https://www.facebook.com/groups/153766088413706 * * * Programa de Afiliados * * * iVoox comparte con AFR un pequeño porcentaje si usas uno de estos enlaces: * Disfruta de la experiencia iVoox sin publicidad, con toda la potencia de volumen, sincronización de dispositivos y listas inteligentes ilimitadas: Premium anual https://www.ivoox.vip/premium?affiliate-code=68e3ae6b7ef213805d8afeeea434a491 Premium mensual https://www.ivoox.vip/premium?affiliate-code=7b7cf4c4707a5032e0c9cd0040e23919 * La mejor selección de podcasts en exclusiva con iVoox Plus Más de 50.000 episodios exclusivos y nuevos contenidos cada día. ¡Suscríbete y apoya a tus podcasters favoritos! Plus https://www.ivoox.vip/plus?affiliate-code=258b8436556f5fabae31df4e91558f48 Más del mundo del misterio en nuestro portal: alfilodelarealidad.com

Ce 66e Congrès de futurologie a le plaisir d'accueillir le résultat du travail initié par des auteurices et compositeurices lors de la 10e édition du festival en avril 2022. Au programme :– Ce qui compte de Ketty Steward (texte et voix) et Léo Grise (musique).– Le rêve d'Arsène Marquis & Elise Bonnard (texte et voix) et Noon (musique).– C'était comment ton rêve de Léo Henry (texte et voix) et Léo Grise (musique).– Cromlech de Luvan (texte et voix) et Edward Morton (musique). Musique outro :"Run" par NOONyoutube.com/watch?v=pmBKYhwGz6YEP dispo : bfan.link/run-10 Emission du jeudi 30 juin 2022 à de 16h30 à 18h sur les ondes de Radio Canut, et en podcast sur les internets le surlendemain l

Dove sono i più interessanti megaliti del mondo? Questa mattina li o voluti cercare per raccontarveli in Quello di Arte. Ecco i dieci che mi hanno incuriosito di più:1)Stonehenge, Salisbury, Wiltshire;2) L'anello di Brodgar, Isole Orcadi, Scozia;3) Pietre Calanais, isola di Lewis, Scozia;4) Drombeg Stone Circle, Co Cork, Irlanda;5) Allineamento di Carnac, Bretagna, Francia; 6) Avebury henge e cerchi di pietre, Wiltshire;7) Rujum el-Hiri, Israele;8) Cerchio di pietre di Castlerigg, distretto dei laghi, Gran Bretagna;9) Sito del dolmen di Gochang, Corea del Sud;10) Sassi di cervo, Mongolia e Siberia.

Le architetture preistoriche nascono come luoghi del ricordo, della memoria. Accanto avremmo scorto accampamenti o villaggi. Menhir, Dolmen e Cromlech sono architetture che servono per vivere ma non per abitare. In più, in questa puntata c'è l'intervento di @Cristina_crt che ci racconta l'opera d'arte che le ha svoltato la vita (Diario 21 - https://www.spreaker.com/episode/47287419)

A few months ago, out of the blue, Terminus received a bold and brazen email to the effect that we would interview Cromlech. What had we done to deserve this? Cromlech is the brother-band of Into Oblivion, whose Winds of Serpentine Ascension placed #1 on the Terminus Aggregate Top 10 for 2020. The Norns ordained our paths would cross, and so they did. Cromlech plays Epic Doom, forged from the same mythril as Solstice and Candlemass, but steeped in the dragon's blood of black and death. In this freewheeling juggernaut of an interview, The Black Metal Guy speaks with every member of Cromlech (except Kevin) about writing and recording their forthcoming record, Ascent of Kings (Hessian Firm), oppressing the peasantry of ironic retro-metal, and sacrificing to the shade of Robert E. Howard. Plus a whole bunch of other stuff. What emerges, over the course of the conversation, is a band whose swaggering pride is backed by serious artistry, loyal comradery, relentless shit-giving, and remorseless shitposting. This is as close as it gets to being in the practice room with Cromlech. Gird thy loins.   00:00 - Cromlech - Origin and destiny 10:41 - "Every week for seven years" - Writing and recording Ascent of Kings 16:30 - Crossbridge of the helix - Brandon, Jake, et. al. on the Cromlech rhythm section 21:27 - "Riff Tyrants" - Baron and Roman on collaborative guitar work 28:30 - The Ritual Airing of Grievances / a digression on Emperor / a further digression on the noble art of shitposting 36:42 - Spotlight on Kevin - Kevin as frontman and lyricist / Roman on collaborative vocals 40:36 - Cimmerian Codex - Conan The Barbarian, Celtic Frost, and some surprising links to classic 80s heavy metal 45:35 - Extreme heavy metal Pt. I - Vibrato and "exploded" vocal chords 47:58 - Interlude - “Iron Fist / Iron Will,” fr. the Iron Guard EP (Independent, 2017 / CD by Forgotten Wisdom Productions, 2018) 58:18 - Extreme heavy metal Pt. II - Wielding the mighty chug / the legacy of Solstice / Baron's formative influences / metal nerd Easter eggs 1:06:15 - Extreme heavy metal Pt. III - cross-pollination between Cromlech and Into Oblivion 1:15:42 - Brothers in arms - Cromlech's remarkably stable lineup / "forge your own flesh" / pushing musical boundaries 1:32:53 - More on sound quality and production for Ascent of Kings 1:37:38 - The Cromlech / Hessian Firm alliance - Getting signed and working with Nick 1:43:17 - "Gatekeeping is necessary, essential, and mandatory" 1:54:45 - Outro - Wagner - end Act I, Scene 3 of Siegfried (Bayreuth Records, 1876), in which Siegfried reforges his father's sword, Nothung, then cleaves the anvil asunder. Fr. Decca's complete Ring Cycle (Wiener Philharmoniker, Georg Solti conducting).   Cromlech recommends: Oath of Cruelty - Summary Execution at Dawn: "very aggressive, riff-oriented black thrash" Korrosive: "Our fuckin brothers. Thrash, not for wimps and posers." New album Kaustic Hordes coming soon. Hessian Firm bands, esp. Mefitis: "Kevin, listen to The Misfits!"   Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Subscribestar Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

Guido Cossard"I Santuardi del solstizio d'inverno"Edizioni Pedrinihttps://www.edizionipedrini.it/Il mascherone di pietra veglia sul bastione del film degli Avengers. Il forte di Bard, nelle riprese del film Age of Ultron, rappresenta l'inespugnabile rifugio dei nemici degli Avengers: lo storico monumento valdostano ricopre nella trama della pellicola il ruolo di sede dell'organizzazione terroristica Hydra, acerrima avversaria degli eroi della Marvel. Col-locato nella nazione immaginaria di Sokovia, Bard è il quartier generale dei cattivi, preso d'assalto con successo dagli Avengers. Su di una parete rocciosa, collocata a ovest della rocca del forte, un inconsueto profilo sembra riprodurre una forma umana: un guerriero di pietra, dal grande volto litico, che sembra rivolgere il suo sguardo attento e severo pro-prio in direzione del forte di Bard. E' in questo contesto che le rilevazioni astroarcheologiche di Cossard diventano un punto di riferimento anche per approfondimenti successivi, estendendone la conoscenza archeologica odierna, all'a-spetto antropologico e quindi psicologico e fisiologico, collegandole all'habitat naturale. Questo per favorirne una decifrazione legata alla pianificazione della vita preistorica, associandola al sorgere del sole e al posizionamento dei pianeti, sino al solstizio d'inverno e d'estate. Le numerose coppelle, alcune con canaletta, il reticolato, le profonde inci-sioni e il loro posizionamento sulla nuda roccia, lo scivolo della fertilità accanto al masso erratico, indicano una serie di operazioni non avvenute a caso all'interno del sito, che si prospetta dunque come un santuario preistorico, e come straordinario punto di osservazione della volta celeste. Il manifesto simbolo solare, raffigurato sul punto più in altro che domina l'area rituale, che si conforma alla caratteristica geomorfologica del luogo creata dal ritiro del ghiacciaio Balteo 20.000 anni fa, si colloca in relazione all'analisi e al controllo che l'uomo primitivo, in questo caso il “sacerdo-te” poneva, con l'acquisizione di nozioni utili alla sopravvivenza stessa del gruppo o meglio del clan. Anche il cielo è stato trascritto dall'uomo del neolitico: lo indicano le costellazioni e l'Orsa Minore che si notano all'inizio delle rocce montonate, e anch'esse raccontano di una Civiltà perduta che ha lasciato evidenti simboli, tracce e testimonianze. Gui-do Cossard ha il merito di aver rimosso dall'oblio una parte della storia antica della Valle d'Aosta, che volutamente è definita “Civiltà perduta”, ma giuntaci con i suoi indelebili messaggi scolpiti su pietra e su roccia. Nel libro, testi e foto su Newgrange (Irlanda) i tumuli di Gavrinis e di Dissignac in Francia, i tumuli del Marocco ed i dolmen pugliesi. Per la parte valdostana, vengono presentati: Saint-Martin-de-Corléans, il dolmen del col d'Arla, la roccia forata di Donnas, il menhir del lago Coperto di Champorcher e a Lillianes il Plan des Sorcières (Piano delle streghe) che citati nel libro, ad ogni effetto propongono una piccola guida del mistero. Informazioni e prenotazione Briviodue cell. 3466286717 - (www.edizionipedrini.it)Note sull'autore Guido CossardDopo aver conseguito la laurea in Fisica, è designato all'appassionante ruolo di Presidente dell'Associazione di Ri-cerche e Studi di Archeoastronomia Valdostana.Attivo conferenziere, ha pubblicato numerosi testi tra cui "Codex 2027. Il cielo degli aztechi e la fine del mondo, Edi-zioni l'Età dell'Acquario (2020), Storia e riti di Capodanno", Rizzoli Editore (1999), "Cieli Perduti. Archeoastrono-mia: le stelle dei popoli antichi" Utet (2018), tradotto in "Firmamentos Perdidos" (Città del Messico, 2015) e sempre per la UTET ha collaborato all'Atlante dell'Universo (1998).In considerazione del contributo da lui dato nel campo dell'archeoastronomia, nel 2005 la International Astronomical Union (IAU) gli ha dedicato il pianetino (4993) 1983 GR, che da allora si chiama Cossard, con la seguente motivazio-ne:"Italian archeoastronomer, Guido Cossard (b. 1958) made a big contribution to the study of megalithic sites located in Valle d'Aosta, in particular on the interpretation of several engravings with astronomical meanings found there. Of particular importance is his work on the Coligny calendar dating back the Celtic period. [Ref: Minor Planet Circ. 53952].IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

I am joined this week by Dan 'Mr. Cromlech' and Seb 'Mr. Stone' for the second edition of the Fuzzy Forum! Highlights include Seb professing his undying love of Motorpsycho, Dan scooping an exclusive play from the new Sealand Airlines album, more new music from Vexing Hex and Red Spektor and a whole lot more.Get ready for another show full of heavy riffage!

Pick Up & Deliver 254: Rattlebox Games Update - Brendan shares a discussion of the current games under production at Rattlebox Games, including Monster Press Your Luck, Hindsight, and Gameshire.

Pick Up & Deliver 254: Rattlebox Games Update - Brendan shares a discussion of the current games under production at Rattlebox Games, including Monster Press Your Luck, Hindsight, and Gameshire.

Pick Up & Deliver 254: Rattlebox Games Update - Brendan shares a discussion of the current games under production at Rattlebox Games, including Monster Press Your Luck, Hindsight, and Gameshire.

Pick Up & Deliver 254: Rattlebox Games Update - Brendan shares a discussion of the current games under production at Rattlebox Games, including Monster Press Your Luck, Hindsight, and Gameshire.

Acompáñanos con un café o un te a conocer algo del Metal y Hardcore Colombiano en compañía de Jeronimo Alvarez Burgos. Músico y guitarrista de Cromlech, Entre niebla y miedo o Insurgencia. Följ med oss med ​​en kopp kaffe eller en te för att lära och känna något om colombiansk metall och Hardcore i sällskap med Jeronimo Alvarez Burgos. Musiker och gitarrist av Cromlech, Entre niebla y miedo och Insurgencia. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/ermitanos/message

Il concetto di abitare è sempre presente nella vicenda umana e si consolida nella preistoria. Si passa dalla caverna alle palafitte in meno di una manciata di millenni. L’uomo non crea più solo edifici per abitare ma anche luoghi di culto per celebrare i defunti, le sue divinità e praticare magia. Oggi in StArt, su quello di Arte Blog Radio Podcast, parleremo di Preistoria.Tutte le immagini su http://quellodiarte.com/2018/09/18/costruire-quando-non-cera-il-mattone

Chapelizod only appears in documentary sources from around the early 13th century CE, but the archaeological remains of the area point to human activity in the Liffey Valley from the depths of Irish prehistory. The most significant – and earliest – archaeological site in the area of Chapelizod is the Knockmary Cist or Knockmary Cromlech, located at the summit of Knockmary Hill where it holds a commanding view of the village and surrounding landscape.You can find the site by entering the Phoenix Park through the turnstile at the top of Park Lane. Continuing straight ahead, you follow the narrow path to the top of the hill. Cross the road, and continue up the driveway. Go right along the hedge at the top, and you will come upon the remains of the cromlech (pictured above). Today, all that can be seen at this site on the small hill above Chapelizod are five upright stones supporting a large capstone. Once upon a time this assemblage of stones served as the rock chamber of the tomb – the remains of which are often known as a dolmen or cromlech. They would have been covered in a mound of earth; some accounts describe the original mound at Knockmary to have had a height of 15 feet and a diameter of 120 feet (Borlase, 1897).The largest stone measures roughly six foot six inches at its longest point. This capstone is made of calp, also known as “black quarry stone”. Later in time, this type of rock was commonly used for building works, and can be found incorporated into many of Dublin’s buildings; but this particular example is believed to have been dredged from the bed of the Liffey and brought up to this hill overlooking the valley (Borlase, 1897). It is supported by five smaller upright stones, creating a hollow void in which human remains and grave goods were deposited. The remains of three men were found inside this chamber when the mound was excavated in 1838. Numerous artefacts were also recovered: a small flint knife and a necklace of small sea-shells, perforated with small holes and strung together with a vegetal fibre that may have been seaweed. Four highly ornamented ceramic urns were also discovered in the mound, placed individually in their own small stone-lined chambers.These date to a later period in Irish prehistory – the Bronze Age. Whereas the bodies placed within the main cist at the center of the monument were buried whole, the urns contained the ashes of burned human bone. This represents a shift of not only technology, but also burial practices and perhaps religion between the Neolithic and the Bronze Age.The story of the Knockmary Cist’s discovery is closely tied to the emergence of archaeology from antiquarianism in the 19th century. Even up to the 1960s the site was associated with the semi-mythical earliest colonists of Ireland, the so-called Fir Bolgs:“The first people assumed to have dwelt in this country are the Firboigs, a pasture loving race, who inhabited Ireland about two thousand years ago. This deduction was made from the discovery of two Cromlechs in the nineteenth century, one on Knockmary Hill, overlooking Chapelizod, and the second in a sandpit near the village.” (McAsey, 1962, 37)Two centuries earlier the interpretations were a lot more fanciful, based on the theory that stones such as this served as the altars or temples of Druids. This idea was only challenged in the mid-1800s, when empirical evidence was being sought to discover the true function of these mysterious monuments. In 1837 a man named George Petrie pioneered this work at the archaeological landscape at Carrowmore, County Sligo – the largest cemetery of megalithic tombs in Ireland. The results of this were presented to the Royal Irish Academy in 1838; the same year that Thomas Larcom, then director of the Ordnance Survey of Ireland, wrote to Petrie notifying him of the newly discovered site in the Phoenix Park. Full details on the context surrounding Petrie’s work in Carrowmore, the excavation of the Knockmary cist and the shift towards archaeological methods in Ireland can be found in the excellent article by David McGuinness (2010).The remains of a second dolmen, originally located close to that on Knockmary Hill, can today be found in the tapir enclosure of Dublin Zoo.Further Reading:David McGuinness (2010) "Druids' altars, Carrowmore and the birth of Irish archaeology." The Journal of Irish Archaeology, Vol. 19, 29-49.William Copeland Borlase (1897) The dolmens of Ireland, their distribution, structural characteristics, and affinities in other countries; together with the folk-lore attaching to them; supplemented by considerations on the anthropology, ethnology, and traditions of the Irish people. Available to read here.Robert Alexander Stewart Macalister (1912) Ireland in pre-Celtic times. Dublin: Maunsel and Roberts. Available to read here.Carmel McAsey (1962) "Chapelizod, Co. Dublin." Dublin Historical Record, Vol. 17, No. 2, 37-53.Wm. Thompson, Robert Mallet, Samuel Ferguson, Professor Kane and Mr. Petrie (1838) "May 28, 1838." Proceedings of the Royal Irish Academy, Vol. 1 (1836 - 1840), 177- 191.

Brendan discusses some of our thinking about which components to include in a game and how the components, box size, and ideas about how the production of a game shapes how we understand it.Games discussed during the podcast:The Grimm ForestCromlechIn The Loop (no BGG page yet)Elder SignCentury: Spice RoadWhat games have you played that have a disconnect between what they look like and how they play? What was it that shaped that disconnect for you?  Let us know in our BoardGame Geek guild, #3269.

Brendan discusses some of our thinking about which components to include in a game and how the components, box size, and ideas about how the production of a game shapes how we understand it. Games discussed during the podcast: The Grimm Forest Cromlech In The Loop (no BGG page yet) Elder Sign Century: Spice Road What games have you played that have a disconnect between what they look like and how they play? What was it that shaped that disconnect for you?  Let us know in our BoardGame Geek guild, #3269.

Brendan discusses some of our thinking about which components to include in a game and how the components, box size, and ideas about how the production of a game shapes how we understand it.Games discussed during the podcast:The Grimm ForestCromlechIn The Loop (no BGG page yet)Elder SignCentury: Spice RoadWhat games have you played that have a disconnect between what they look like and how they play? What was it that shaped that disconnect for you?  Let us know in our BoardGame Geek guild, #3269.

Brendan discusses some of our thinking about which components to include in a game and how the components, box size, and ideas about how the production of a game shapes how we understand it. Games discussed during the podcast: The Grimm Forest Cromlech In The Loop (no BGG page yet) Elder Sign Century: Spice Road What games have you played that have a disconnect between what they look like and how they play? What was it that shaped that disconnect for you?  Let us know in our BoardGame Geek guild, #3269.

In this episode, Brendan tells stories of five times his game experiences went wrong. A little bit of humor and a little bit of reflection help him recall these stories and discuss what can be learned from them.

In this episode, Brendan tells stories of five times his game experiences went wrong. A little bit of humor and a little bit of reflection help him recall these stories and discuss what can be learned from them.

In this episode, Brendan tells stories of five times his game experiences went wrong. A little bit of humor and a little bit of reflection help him recall these stories and discuss what can be learned from them.

In this episode, Brendan tells stories of five times his game experiences went wrong. A little bit of humor and a little bit of reflection help him recall these stories and discuss what can be learned from them.

Rob Huber of Rattlebox Games joins Scott Bogen to discuss his company's first game, Cromlech, as well as his experience using Kickstarter to fund it. Let's begin now, shall we?

Diffusé en direct le 23 juin 2015 Entretien en direct avec jean-Michel Raoux le Mardi 23 juin à 20h00 heure de Paris (14h00 heure du Québec) : « Le Secret du Cromlech de Rennes les Bains» Enquête scientifique SUITE ET FIN Voici le lien pour poser vos questions lors du direct : https://plus.google.com/events/cs79ev... « Deux pierres branlantes, placées sur une arête de colline, nous invitaient aussi à interroger avec persévérance un passé, d'ailleurs, fort ténébreux. Mais comment pénétrer le secret d'une histoire locale par l'interprétation d'un nom composé dans une langue inconnue, lorsque l'histoire de la Gaule ancienne est encore plongée dans une obscurité désolante? » Abbé Jean Jacques Henri Boudet • Né le 16 novembre 1837 à Quillan • Auteur de: – Le nom de Narbonne, 1880 (non edité) – La vraie langue celtique et le Cromleck de Rennes-les-Bains, 1886 – Le Livre d'Axat, 1896 (non edité) • Devenu prêtre en 1861 • Prêtre de Rennes les Bains en 1872 • Décédé le 30 mars 1915 à Axat

Diffusé en direct le 2 juin 2015 Entretien en direct avec jean-Michel Raoux le Mardi 2 juin à 20h00 heure de Paris (14h00 heure du Québec) : « Le Secret du Cromlech de Rennes les Bains» Enquête scientifique SUITE ET FIN Voici le lien pour poser vos questions lors du direct : https://plus.google.com/events/cm0u0m... « Deux pierres branlantes, placées sur une arête de colline, nous invitaient aussi à interroger avec persévérance un passé, d'ailleurs, fort ténébreux. Mais comment pénétrer le secret d'une histoire locale par l'interprétation d'un nom composé dans une langue inconnue, lorsque l'histoire de la Gaule ancienne est encore plongée dans une obscurité désolante? » Abbé Jean Jacques Henri Boudet • Né le 16 novembre 1837 à Quillan • Auteur de: – Le nom de Narbonne, 1880 (non edité) – La vraie langue celtique et le Cromleck de Rennes-les-Bains, 1886 – Le Livre d'Axat, 1896 (non edité) • Devenu prêtre en 1861 • Prêtre de Rennes les Bains en 1872 • Décédé le 30 mars 1915 à Axat Interview organisée par: http://www.legrandchangement.tv et http://www.isa-vision.com Merci pour votre présence lors du direct et merci d'avance pour vos invitations et partages pour que nous soyons nombreux à vibrer ensemble. A très vite ! Nora

Diffusé en direct le 22 mai 2015 Entretien en direct avec jean-Michel Raoux le Vendredi à 20h00 heure de Paris (14h00 heure du Québec) : « Le Secret du Cromlech de Rennes les Bains» Enquête scientifique Voici le lien pour poser vos questions lors du direct : https://plus.google.com/events/c63cno... « Deux pierres branlantes, placées sur une arête de colline, nous invitaient aussi à interroger avec persévérance un passé, d'ailleurs, fort ténébreux. Mais comment pénétrer le secret d'une histoire locale par l'interprétation d'un nom composé dans une langue inconnue, lorsque l'histoire de la Gaule ancienne est encore plongée dans une obscurité désolante? » Abbé Jean Jacques Henri Boudet • Né le 16 novembre 1837 à Quillan • Auteur de: – Le nom de Narbonne, 1880 (non edité) – La vraie langue celtique et le Cromleck de Rennes-les-Bains, 1886 – Le Livre d'Axat, 1896 (non edité) • Devenu prêtre en 1861 • Prêtre de Rennes les Bains en 1872 • Décédé le 30 mars 1915 à Axat Merci pour votre présence lors du direct et merci d'avance pour vos invitations et partages pour que nous soyons nombreux à vibrer ensemble. A très vite ! Nora

Hoy en Piedra de Toque redescibrimos nuestra tierra siguiendo las huellas de Juan Mari Feliu que nos lleva a Iparralde hasta el corazón de Irati para ascender al monte Okabe, donde se encuentra el enigmático grupo de cromlech de Illarrite en la meseta cimera. Esto es territorio de Benafarroa y el acceso de aproximación es desde Donibane Garazi. Nueva propuestas para vivir experiencias únicas sin salir de casa.

This week's episode is on “The Enchantress of Sylaire.” Enchantress was published in the July 1941 issue of Weird Tales. Illustration from Weird Tales most likely by Clark Ashton Smith. The Wikipedia entry for Cromlech has an illustration of a basic one, as well as more complex outlines. A few links here for those interested […]