Podcasts about Exit Through the Gift Shop

Get your Magic Mind here : https://www.magicmind.com/WHEELSLT20 You get 20% for one time purchase and up to 48% off for subscriptions with code: WHEELSLT20 So it's finally happened, this month's “worst kept secret in F1” has [...] The post Episode 366 – Exit Through The Gift Shop appeared first on 3Legs4Wheels.

Roger Gastman is an art dealer, curator, filmmaker, publisher and historian of graffiti and street art. He's THE fucking guy. He's worked closely with people like Shepard Fairey and Banksy. And a ton of other great artists. He was a consulting producer on Exit Through The Gift Shop, which is one of my favorite documentaries. In 2018 he curated Beyond The Streets in Los Angeles that kinda led to me becoming obsessed with his art shows. And in 2022, he opened a permanent gallery in LA.  Video on www.patreon.com/brido

Tiller talks to the multi-talented producer/director Jaimie D'Cruz about his journey from founding a hip-hop magazine to being nominated for an Oscar for the documentary “Exit Through the Gift Shop,” a brilliant collaboration with the legendary and elusive street artist Banksy.

Oscar-winning producer James Gay-Rees shares the monumental challenges he faced while crafting the archival-only masterpieces "Amy" (on the life and tragic death of Amy Winehouse) and "Senna” (about the Brazilian racing champion Ayrton Senna), as well as what it really means to be a producer.

Maryam Master is a writer with more than 20 years' experience creating work for stage and screen. She wrote the stage adaptation of David Walliams' best-selling book The Midnight Gang. In 2011 she was selected by Sesame Workshop as the writer for Elmo's tour of Australia, with other TV credits including Lah-Lah's Adventures, Blinky Bill and New Macdonald's Farm. She has also written over 80 episodes of Home and Away and just this year has released her first book aimed squarely at the tween market, entitled Exit Through The Gift Shop. FACEBOOK https://www.facebook.com/maryammasterauthor/See omnystudio.com/listener for privacy information.

0:00 Intro3:08 Exit Through the Gift Shop39:22 Coldplay

Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. It dates back to the Roman Empire, older to ancient Greece, and more advanced ancient Egypt. It's like hunting since it's an act that can land anywhere on the spectrum of honorable to deplorable. With game trophy hunting of endangered species being vandalism while sustenance hunting which honors the animal being natural, graffiti that's not art is contractive, such as gang signs that make the surface it's made on worse, while graffiti that's art can make the surface it's made on better.Outside of commercial graffiti, where artists are hired to paint a billboard on the side of a high rise per se, the majority of this action outside of those rare occurrences, involves the graffitist self creating a canvas in public view without permission. So most graffitists through time have chosen to protect their identities through anonymity and/or to avoid prosecution from the state.Ask anyone on a street about graffiti, especially the artistic type, and they will surely mention one nom de plum - Banksy. A nearly household name who's a pseudonymous England-based street artist who's become one of the world's most notorious known for his political art. Anonymity, which has been the superhero trait for many authentic occultists through time, has also worked to Banksy's personal advantage. For both reasons he planned and didn't plan for. As he said in the 2010 documentary film focused around him, Exit Through The Gift Shop, “What I do is in sort of a legal grey area”, thus he takes his privacy very seriously. It also of course gives him more of a safety blanket. And allure. While not making his works so much about his ego, but more the art works themselves. At least in theory. With Banksy in the past saying “fame is a grotesque sole destroying vulgarity for the egomaniacal, narcissists who are, of course, staggeringly insecure”. Having no desire for fame is a very soul mature and sophisticated trait. Yet every once in a blue moon, those who feel that way still acquire it. Or perhaps it acquires them.To highlight how incredibly talented Banksy is, The film Exit Through The Gift Shop started out being made in the early 2000's by a Los Angeles-based French shopkeeper Thierry Guetta, whose obsession with street art leads him to attempt to make a documentary about the subject. Notice how I said attempt because the halls of the akashic records are full of struggling filmmakers who want to or try to make a documentary and never finish one. This is because Guetta is what we call a shooter. Which is just a dude with a camera who shoots stuff, without really any editing skill and even less narrative writing skill. He actually connected up with Banksy and gets exclusive access to film him, but turns out to be such a crap filmmaker that Banksy actually ends up taking over the project and steering the creative with the many thousands of hours and years of footage Guetta had shot. The film, after being assembled into something with a narrative story by Banksy, shows how Thierry Guetta has become Mr. Brainwash, now one of the most provocative and famous figures in the contemporary world of street art, and also contains exclusive interviews and footage of Banksy, Invader, Shepard Fairey, and many other graffiti artists. So for never having taken on this moving medium, and perhaps being the one and only time he does so in feature length. He did a quite good job putting it together into an enjoyable to watch doc. Which is not an easy task.Banksy's primary focus, street art, has typically contained common motifs of monkeys, apes, rats, children, elderly, police, and soldiers with recurrent critiques of societal operating problems such as hypocrisy, despair, absurdity, poverty, greed, alienation, and off balance profiteering - of which there's certainly no shortage of in the world. His work could be said to be anti-establishment, anti-war, anti-authoritarian, anti-fascist, and even critical of capitalism while also being somewhat anarchistic and nihilistic. All with twists of humor and relevance. Because he is not only a brilliant graffitist, multi medium artist, activist, not to mention adding filmmaker to that resume - Unlike many lukewarm artists, Banksy's work stands out from the hoards because it actually has real things to say and we very much personally resonate with him and his creative outputs.Since our personal main form of documentary still image work is street photography, we'll highlight here that the vast majority of those who have ever seen a piece of Banksy art have done it through the photographs taken of it, rather than the physical work itself. Banksy's stencil spray work, an artform which allows one who prefers to sneak around in the shadows, and usually under cover of night, to get in and out very quickly, has a quite distinct (individualized, hint, hint) visual style. So much to the point where you know it when you see it. But the only real way to absolutely confirm a work is genuinely his, is when Banksy shares a street photo or video on the internet. As confirmation a work is his, you if you will. Some of the most compelling street shots have a focal point of someone or something interacting or in a scene, (in situ), with a sign, or storefront, or work of art. We've personally taken photos inside art galleries that entail a painting and people's reaction to the painting, or in frame in front of the painting, which then became a meta expression of the artwork, being another artwork created with an artwork contained within. Some of the most amazing street art becomes even more amplified when photographed and that photograph has someone or something accentuating or interacting with the artwork. For example, a Banksy painting on a wall of rats in a beach chair was intentionally done on a concrete wall against a sandy beach. So the floor of sand was intended to be part of the artwork. Or a small memorial of the World Trade Center is placed right at a location with a crack in the wall running vertically down one of the towers so that a flower can be placed inside of it. Banksy does oftentimes include a secondary focus to a piece which may be a life sized person who is then looking at the focal point of the art. But oftentimes these real life 3D additions make what would otherwise be a 2D piece of art into more of a full volume, which when then captured photographically, becomes the largest expression of what the piece of art could hope to be. So the art becomes as much about the photography of it than the piece itself.It's known that Banksy is for sure a male, originally from Bristol, England, and there are debates about his real identity. At the time of this writing, there's actually significant proof of his birth corporate fiction name but we'll touch on that another time. There's also proof that he may operate as himself with another person or multiple other people. Radiating out from Bristol, down to London, his work has been thrown up across parts of Europe, the United States, and more specifically in locations such as Chiapas Mexico - an area known fort the indigenous Zapatista Army of National Liberation, and also in Palestine, hitting the Palistinean side of the aprprtide states of Israel's controversial and ironically enough, holocaust style West Bank barrier.Banksy's art is a prime example of the classic controversy of vandalism vs. art. Or another way to frame it is brandalism vs vandalism - brandalism being the sanctioning of corporate culture plastering their message and sigeles (another form of vandalism) everywhere in public space. No different than graffiti, only sanctioned because they've paid for it. The book Seven Years With Banksy says “By prescient I mean that what you see on a wall boldly painted by someone often projects into the future; it's powerful and effective – and the status quo doesn't like it. They never have and they never will, because they can't control it. But if you can pay through the nose for a billboard, you can say virtually anything you like. And as citizens we all have to swallow the messages of envy and greed from our ‘friendly' corporations because they have created laws saying that kind of indoctrination is OK. It's been paid for. And every graffiti artist, understands that. Adverts are as far from the truth as it is possible to get. They represent the utopia that you must pay for as you slope through your trashy end of town without a penny to scratch your arse with. But to go out there in the dead of night when even the dogs are asleep and to put up on a wall a picture of the way you, as a free citizen, see this whole setup is to have the courage of your convictions so the general public can witness how you see it, for free. And we all know graffiti can be exquisitely poignant and beautiful, more than any advertiser can co-opt or come up with. As long as there are advertising billboards there will be graffiti and there is no contest as to which is the more creative and true.”Supporters of public art very much endorse Banksy's work distributed in urban areas as pieces of art over vandalism and some government councils, such as Bristol, have officially protected them, while officials of other areas have deemed his work to be solely vandalism so it's been removed by the state or by other taggers. This is very common behavior for graffitists, who constantly paint over one another's works. Jocking for the top stop position of being seen and not covered up.For we must also never forget, the matrix is a cultural overlay on top of nature, which only allows and encourages lukewarm creativity to a certain point. And anything beyond that is strictly prohibited for being too truthful. For truly free expression and speech are the cornerstones of any real authentic democracy. Not pho, somewhat pretending to be democracies that are really, corporatocracy, plutocracies, or kleptocracies. So forms of real journalism and art are always swimming upstream from these systems. And one who works inside this system only can become an exception when they become so well known - Even though they may still highlight the subversive inversion to the powers of the corportized state. Now that Banksy's works are considered so valuable, he's almost become somewhat protected by that system. For Capitalism even finds a place for its enemies when they make it money. And the larger and more well known Banksy's art gets, the more he trolls the art world, the more both are exploited. For now everything he touches somewhat becomes gold monetarily. With literally entire sections of walls he tags removed soon after they go up. Knowing this, he often keeps his work to more publicly owned buildings or walls and only hits easily removable surfaces if he intentionally intends to use a work of his as a donation to the place. Such as leaving a stencil on an exterior door of a youth club that's struggling financially so they gain the revenue from selling the work. Or donating an artwork honoring health care workers who've been redlind during the covid pandemic.But as a whole, he hates the commodification and commercialization of art - Often trolling it. Being quoted as saying “The art world (meaning combining art with money) is the biggest joke,” “It's a rest home of the over privileged, the pretentious, and the weak. Knowing it doesn't care as much about the aesthetics let alone the messages of what the art is saying, which was proved in the case of an occurrence of Banksy having an old timer set up a fold up table in New York city for one day of his artwork. Which is perceived as fake with canvases selling for only $60 when they're worth in excess of $200,000, very few people bought them on the day. For the business art world cares exclusively about an artist's work's perceived high value and the standing of the artist themselves. Not the quality of the work. This was something we once personally experienced when showing our street photography to a Leica gallery manager. They wanted to know all about us and our status and standing in the photographer world, rather than the quality of the photography itself. Banksy himself has said Graffiti art has a hard enough time as it is, without hedge fund managers wanting to hang it on their walls.Another example of this sliminess was a blockchain company, (and there a lot of good things about blockchain) bought a $95,000 Banksy artwork, burned it and broadcast it live on the anti socials — all part of a process of turning the work into a virtual asset called a non-fungible token, or NFT - of which there are some good things, and some bad things as well. The company behind the stunt acquired the print in a New York gallery, then destroyed it. Moments later, they uploaded the digital representation of the art using blockchain technology on a NFT selling site. Hopefully they didn't really destroy it but instead a copy and it was just a marketing stunt for the NFT. But, whether real or staged, their mindset was that they were transferring the physical value of art by removing the physical piece from existence. So they bought the physical art piece just to destroy it. The problem here is they obviously don't give a shit about the artwork itself, they set fire to it.Prior to this, Banksy did probably the most known “high class negging” stunt against the art selling world in the now famous occurrence of his “Girl with Balloon” painting which was designed to self district after being remote triggered the moment after being sold at auction for $1.4 million dollars. With a built in shredder inside the frame being activated, with initial tests of the self shredding frame having ripped up the work successfully in trial runs, but on the actual day, only functioning to about half way, leaving the piece mostly intact. Sure it's a bit questionable to not think that Sotheby's, the world's largest art broker who caters to the ultra rich, couldn't have somehow been aware of the stunt prior to it occurring. Not taking the time to do a thorough inspection on the very unusually thick frame the artwork was in. But, who knows.Anything truly novel art will be a bid disconcerting and unsettling to the more conservative minded. It will rise up and break through multiple glass ceilings and the more it punches through, the more it will be discouraged. Yet, real leading edge creativity will be fiercely individualistic, challenge the status quo, not to mention be paradigm destroying. For every institution Banksy criticizes for suffering from extreme pretentious un-creative disease loves his artwork even more - because it's valuable to them monetarily. Which is the only language they know. And after the occurrence used it to their commercial advantage. The stunt gained not only massive attraction online but then also followed up by a press release from them, stating that Banksy was actually the first artist to create a final work of art live at auction. Not to mention the fact that the stunt made the painting more famous and thus valuable.Banksy's take on the semi successful stunt was that the urge to destroy is also creative. Which is also a Picasso quote. This has been seen many times with performance art or public stunt art, much of which also happens on the street and harkens back to the monks destroying their sand mandalas to highlight the ephemeral nature of life and reincarnations.After another work from Banksy, the ‘Devolved Parliament' painting, was sold, Banksy posted a quote from art critic Robert Hughes: “Art should make us feel more clearly and more intelligently. It should give us coherent sensations that we otherwise would not have had. But the price of a work of art is now part of its function, its new job is to sit on the wall and get more expensive. “Instead of being the common property of humankind the way many books are, art becomes the particular property of somebody who can afford it. Suppose that every worthwhile book in the world cost $1 million – imagine what a catastrophic effect on culture that would have.”We admire Banksy so much. Not just for his messaging, but consistency with his values over the years. Making folks think. Engaging them in discussion. Speaking through his art. High art, or art movements, with purpose and thus impact, are often started and created on the street - where everyone, not just those who can buy it, have access. No matter how known Banksy is, his work will have major elements that continue right where they started, perhaps on your soggy neighborhood street corner. He's not full of fake subversion and rebellion, and although he does a stunt or two, his main medium shows no sign of degrading. Since popularity does not equate to value, it's encouraging to see over the years, and he has been active for many years now, it's encouraging to see that although money and some ego of his name, sure now do apply, his free expression and continued creativity are leading edge. Culture jamming is a protest used by many anti-consumerist social movements to disrupt or subvert media culture and its mainstream cultural institutions, especially including advertising. It constantly works towards "exposing the methods of domination" of mass society. And Banksy has long shown that he is a master of it.———An Infinite Path podcast official URL http://www.aninfinitepath.comSpotify | iTunes | Overcast FM | Stitcher | Player FMElevate yourself with a membership to nilesheckman.com, purchasing our current extended episode archive or essay volumes, or sharing a proactive review on iTunes. Niles' work can be found elsewhere on YouTube, Vimeo, and Substack.Here's our affiliate link for Jambo Superfoods as well.

For this weeks episode Lunge Box and I are reviewing the 2010 film “Exit Through The Gift Shop”. Find out how we feel about this film as we drive through the streets of NYC on our morning commute. 

miniで話しましたが、先週はお休みさせていただきました。すみません。モチベーションが下がり気味の今日この頃です。 今回は、エピソード４でも取り上げたバンクシーの話。 エピソード４でも少し話してた、バングシーが監督をし、米アカデミー賞の長編ドキュメンタリー映画賞にもノミネートされた映画『EXIT THROUGH THE GIFT SHOP』。 そして、バンクシーが１ヶ月間ニューヨークに滞在して、毎日作品をどこかに発表するというプロジェクトを追いかけたドキュメンタリー映画『バンクシー・ダズ・ニューヨーク』。 この２つの映画を観たのでその感想と、愛知県にあるバンクシーの作品かも？という「バンクシーガードレール」を観てきました。 00:00 今回のテーマもバンクシー 27:56 Sax Is My Cardio / Kuzinmuzin 31:29 バンクシーガードレールを見てきました 51:32 Dance The Life / stillnoah 54:39 バンクシーの映画 1:21:17 ハッシュタグ紹介 1:34:14 エンディング https://podcasting.jp/mycupoftea/podcast/s3/ep6/

Today Spencer Chaplin talks to street artist Thierry Guetta who is also know as Mr. Brainwash. They talk about his film 'Exit Through The Gift Shop' and be unearthing whether or not Banksy created Mr. Brainwash, as well as understanding why Mr. Brainwash uses Charlie Chaplin in his art. 

This week, we make each other watch and discuss movies or shows that are new to some of us. Chris made Tyler watch See on AppleTV+ Tyler made Kate watch Exit Through the Gift Shop Kate made Chris watch Sorry to Bother You Subscribe: iTunes (https://podcasts.apple.com/us/podcast/the-geek-card-check/id1279475061) | Spotify (https://open.spotify.com/show/0ED7vkMhKwZeiOZd3fIHH0) Social: Facebook (https://www.facebook.com/GeekCardCheck/) | Twitter (https://twitter.com/geekcardcheck) | Instagram (https://www.instagram.com/geekcardcheck/)

This episode was recorded live from the lobby of the Empire Theater in Belleville during Downtown Doc Fest this past weekend.  We watched and talk about the street art doc Exit Through The Gift Shop directed by infamous street artist Banksy.

Como é que os organizadores escolhem quem vai trabalhar em seus eventos de dança? Quais são os critérios usados? Existem critérios? Ou será que é tudo só uma "panela" mesmo? E se eu quiser trabalhar nesses eventos? Tem como entrar nesse circuito? Como é que faz??? Bom... a partir de um questionamento de um colega ouvinte do Pé na Orelha, nossos anfitriões levantaram essa discussão e se lançaram mais uma vez à tarefa utópica de tentarem responder questões como essas todas aí acima. E mais uma vez, não conseguiram! Mas o papo levantou boas ideias que talvez possam lhe interessar. Confere lá! | @henriquehb | @tatisanchis | @casadadancatatisanchis | @renatoestevo | @pripfreitas | @wes_themab | Intensivão de Verão 2020 - http://www.sympla.com.br/casadadanca | Espetáculo Casa da Dança (14 e 15/12/19) - 11 3676-0089 | http://www.casadadanca.com.br | Underground Dance Masters: Final History of a Forgotten Era - Thomas Guzman-Sanchez | "Legion" na Netflix - https://www.netflix.com/br/title/80158285 | Exit Through The Gift Shop - https://www.youtube.com/watch?v=qVYYHDKhqHQ | Filme "O sol da meia-noite" (White Nights) 1985 - com ‎Mikhail Baryshnikov‎ | WhatsApp Pé na Orelha +5511984072938 | INTRODUÇÃO (0:00) | PAPO DE HOJE (08:54) | MERCHAN (1:19:33) | CALENDÁRIO (1:25:43) | VAI LÁ VÊ (1:31:45) | DIGALÁ (1:42:05) |

George spoke with Eric Steuer about one of his favorite docs, EXIT THROUGH THE GIFT SHOP (2010)The only film credited to Banksy, Exit Through The Gift Shop tells the story of Thierry Guetta, a self-taught street artist/documentarian who ends up becoming the subject of the film. It has to be seen to be believed, and even then there’s a lot that is unbelievable, as befits a prankster like Banksy. Is Thierry aka Mr. Brainwash real or a long con? We get into the theories and the comedy of the art world.Eric Steuer works with artists, media companies, technology developers, and cultural institutions on the use of Creative Commons licenses and CC-licensed content. Before joining CC, Eric was an editor for Wired magazine, where he is currently a correspondent, covering the intersection of technology and popular culture. As a musician he’s released a bunch of recordings and remixes, the most recent being the Dos Feeliz “Most Realest” EP(Plug Research) and Not The 1s “Your Man Is Garbage” single.Reddit AMA from someone who worked for Mr. Brainwash.Follow us on:Twitter: @supdocpodcastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.

Trivia Club's Pause + Play is the portable version of Toronto's Greatest Game Show hosted by Russel Harder (www.triviaclub.ca), a version of the live event that you are able to play at home with friends or on your own, especially if you aren't in Toronto. If you are in Toronto, you can find Trivia Club at Hitch (1216 Queen St East) every MONDAY, The Rec Room (255 Bremner Blvd) every TUESDAY, and at Farside (600 Gerrard St East) every 1st and 3rd WEDNESDAY of the month, beginning January 17th! Pause + Play is easy to find every FRIDAY, with the questions from that week’s trivia event, as part of the TRIVIA CLUB NETWORK of podcasts on SoundCloud & iTunes! +++ TABLE OF TIMESTAMPS PRE-SHOW News & Patreon (www.patreon.com/triviaclub) Thanks Golden VHS announcement (3:35) + ROUND ONE TRIVIA CLASSIC (5:05) Thank you to DJ Pyromania for the mash-up, Alfra Martini for the Kitten Cover, and Blue Panda for the Trivia Royale! TRIVIA ROYALE (9:40) ROYALE URL: https://www.youtube.com/watch?v=11aT7NwCAGI TRIVIA CLASSIC ANSWERS (10:43) + ROUND TWO (14:47) BOX OFFICE BULLSEYE (15:07) The movies behind each category, MATHS CAN BE FOUND AT THE BOTTOM OF THE DESCRIPTION THE MOTION PICTURES OF OPRAH WINFREY – a movie that Oprah has either acted in or helped produce is… 2014’s SELMA LADY BIRD – a movie with an avian-styled title, which also passes the Bechdel Test is… 2007’s HARRY POTTER AND THE ORDER OF THE PHOENIX FRANCES NAH – a movie in which Frances McDormand does not laugh is… 2012’s MOONRISE KINGDOM COUNTDOWN TAKEDOWN (16:47) GUESSES CAN BE FOUND AT THE BOTTOM OF THE DESCRIPTION SURVEY SAYS (18:08) SURVEY ANSWERS CAN BE FOUND AT THE BOTTOM OF THE DESCRIPTION + ROUND THREE TRI-PARDO (21:51) The first question chosen is worth TEN POINTS, the second question chosen is worth FIFTEEN POINTS, and the third question chosen is worth TWENTY POINTS! If you get these answers wrong then you lose those points, but if you get them correct then you win the points! After these trio of questions, mark yourself or your friends, before selecting one of the two final categories for the TRIVIA FINALE! For the Trivia Finale, you can wager up to as many points as you have, or as many as TWENTY POINTS if you have less then twenty points. ... and the categories are (23:03)... EXIT THROUGH THE GIFT SHOP (23:23) OLDE TIMEY (23:52) DISNEY (24:27) WELL PLAYED (24:53) ALL OR NOTHING (25:19) + POST-SHOW (26:00) Thank you once again for playing Pause + Play, and remember... it's not what you know, it's what you learn along the way! (28:17) !!! SPOILERS FOR ANSWERS BELOW, HIGHLIGHT TO REVEAL !!! BOX OFFICE MATHS THE MOTION PICTURES OF OPRAH WINFREY – a movie that Oprah has either acted in or helped produce 2014’s SELMA - $52, 076, 908 49.5 to 54.7 for 5 points 41.7 to 62.5 for 3 points 36.5 to 67.7 for 1 point LADY BIRD – a movie with an avian-styled title, which also passes the Bechdel Test 2007’s HARRY POTTER AND THE ORDER OF THE PHOENIX - $ 292, 004, 738 277.4 to 306.6 for 5 points 233.6 to 350.4 for 3 points 204.4 to 379.6 for 1 point FRANCES NAH – a movie in which Frances McDormand does not laugh 2012’s MOONRISE KINGDOM - $25, 392, 714 24.1 to 26.7 for 5 points 20.3 to 30.5 for 3 points 17.8 to 33.0 for 1 point COUNTDOWN TAKEDOWN Closest without going over: The M. Night Shaym-Aliens with… 1930! The over/under “average” guess is… 1957! SURVERY SAYS ANSWERS Survey Says Answer Not On The Board: (19:00) Survey Says Answer: BRUSH TEETH (19:20) Survey Says Answer: SHOWER (19:45) Survey Says Answer: EXERCISE (20:03) Survey Says Answer: FLOSS (20:24) Survey Says Answer: EAT (20:48)

O convidado da vez é o fotógrafo e filmmaker Giulio Meliani. Falamos sobre arte, estudos, carreira, fotografia e um monte de coisas legais como café.Encontre o Giuliohttps://www.instagram.com/giulio_meliani/http://joypersecond.com/https://www.facebook.com/joypersecondhttps://www.instagram.com/joypersecond/https://www.youtube.com/behindthejoy- - - - - - - - - - - - - - - PARTICIPANTESLuquinhazhttps://instagram.com/luquinhazGiulio Melianihttps://www.instagram.com/giulio_melianiNathttps://instagram.com/njurioli- - - - - - - - - - - - - - - LINKS CITADOS6 anos em 1 minutohttps://www.youtube.com/watch?v=hHavO808btIExit Through The Gift Shophttps://www.youtube.com/watch?v=oHJBdDSTbLwAbstract ( Platon ) - Netflixhttps://www.youtube.com/watch?v=lKOn4saO-tUBlack Mirror - Netflixhttps://www.youtube.com/watch?v=oH85obU350EMatt Millerhttps://www.instagram.com/mattxmiller/Our Blog of Lovehttp://ourblogoflove.com/Pura Caffeinahttps://www.instagram.com/puracaffeina/- - - - - - - - - - - - - - - APOIOLa Crafiteriahttps://www.instagram.com/lacrafiteria/- - - - - - - - - - - - - - - O BTS [ Behind The Scenes ] é um podcast de entrevista e bate-papo com criativos.Ouça também pelo feed em qualquer app de podcasthttp://feeds.feedburner.com/luquinhaz- - - - - - - - - - - - - - - Me encontre por aícontato@luquinhaz.comhttp://luquinhaz.comhttp://instagram.com/luquinhazhttp://youtube.com/luquinhazhttp://twitter.com/luquinhazhttp://facebook.com/luquinhazcomz

The week(s) Matt and Mark are still in full doc mode and review the Banksy film Exit Through The Gift Shop. A meta-documentary of sorts, Bansky deconstructs the art hype machine with the human graffiti equivalent Thierry Guetta, an OCD film maker turned street artist. A film so deftly wrought, the ability of the viewer to discover the edge of the hoax and the beginning of reality is seamless. Banksy sets fire to the trash heap of post-modern philosophical mental masturbation and lights his cigarette with it.Download: 242 Exit Through the Gift Shop

We just saw Exit Through The Gift Shop after years of being lied to about its premise. Also we get to the bottom of why the iHeartRadio Awards is somehow worse than the VMAs.

Today we're talking about Exit Through The Gift Shop. It's a neat little Documentary about an interesting guy by the name of Thierry Guetta, who followed Street Artists with a camera and ended up becoming a street artist himself followed by the camera he abandoned. There's not a lot of substance in terms of filmmaking, but the story telling is very well done and it's just a fun, interesting story. If you wanna check it out, it's available on Netflix. (remember to thank the friend that pays for your account.) Cheers! If you want the Video Version to this podcast The link is below

The guys welcome in affable bassist Ethan Glazer, a former child actor (Addams Family Values/Everybody Loves Raymond) who aspires to one day become a mattress tester. Ethan confesses his love for sequels, debates Matty on the pronunciation of "açaí" and "biopic," and justifies Ace Ventura's character development. PLUS: Alex finally saw Amélie - what did he think??? QUEUE CONTENDERS:QUEUE CONTENDERS: "Upstream Color" (2013), "Exit Through The Gift Shop" (2010), "Welcome To Me" (2014)

Phil sah STEVE JOBS und THE BUTLER, Lars sah EXIT THROUGH THE GIFT SHOP und REQUIEM FOR A DREAM. Und wir haben live gestreamt - seid halb-live dabei!

Over the last few years Chris King has earned himself a reputation as one of the most creative and incisive documentary editors in Britain, bagging two Academy Award nominations, two BAFTAs, and numerous other awards for projects like Senna, Exit Through The Gift Shop, Our Way and Welcome To Lagos. In a conversation with Sam Anthony from BBC Factual Commissioning, Chris will share his unique take on storytelling, illustrated with numerous clips, as well as despatches from some of the most creative cutting rooms in the country

On today's Satellite Sisters, Julie and Liz provide some World Cup insights, which will be totally out of date by the time you listen to this. Plus, having nothing at all to do with international sport, Liz has a bone to pick with France and would like to thank Spain and Germany.  There are not many weeks in which she has to flee across an international border in the middle of the night.  This was one of those weeks.  Keep it on the DL.   Julie has two news stories about CEOs:  Marissa Meyer of Yahoo and Mary Barra of GM.  Matt Lauer, we would suggest that you should be totally ashamed of yourself but we struck you from our list of Satellite Misters so many years ago that your insulting question did't even surprise us.   We also have discussion of plane movies: comedies, dramas and documentaries that you'd probably not see in real life but make for good airborne entertainment.  Liz saw one this week.  It's an unusual documentary about street art and artists like Banksy that she enjoyed on a night flight.  It's called Exit Through The Gift Shop. You might want to give it a try even if you are not airborne.   Plus. Liz supplies Julie some totally rejectable and possibly terrible  advice for her crafting dilemma.  Don't forget the special audible deal for Satellite Sisters right now.  Go to www.audiblepodcast.com/sisters and get a free audiobook download.       

In the ninth episode of the Real Movies Podcast, Jon and Rob discuss the 2009 documentary THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA.Next week: EXIT THROUGH THE GIFT SHOP

In the tenth episode of the REAL MOVIES PODCAST, Jon and Rob discuss the 2010 documentary EXIT THROUGH THE GIFT SHOP.Next week: THE ART OF THE STEAL

The story of how an eccentric French shop keeper and amateur film maker attempted to locate and befriend Banksy gets hashed to bit as we review 2010's Exit Through The Gift Shop. We also begin our documentary fest with Orsen Welles glorious performance in his essay documentary from 1973 F For Fake. Then to continue the theme we give you are top 5 films that question or challenge art. Boo ya.

Casper er syg i bærret. Eller er han? Svaret får du i denne nederdrægtige 39. film-podcast fra Filmnørdens Hjørne, der søler dig ind i Grindhouse-film, for Casper skal til psykolog, i form af Jesper, der giver den som Dr. Grindhouse. Vi skal nemlig prøve at finde svaret på, hvorfor nogle mennesker griner højt når de ser en ti meter høj spøgelses-robot-samurai med en Gatling-gun, mens andre absolut ikke gør det. Det er naturligvis langt fra det eneste film-guf vi kaster i nakken på dig, for vi anmelder også et væld af film. Mao's sidste danser, Exit Through The Gift Shop, Thor, The Warrior's Way, Hobo With A Shotgun og Sucker Punch bliver vredet igennem anmelder-møllen, med vidt forskellige resultater. Vi ser også frem til et par kommende film, har en spand nyheder og så er har vi noget der absolut intet har noget med noget at gøre... men det kan du altid høre mere om i podcasten. Som sædvanligt er der derfor ikke andet tilbage at sige end... God fornøjelse!

Andy Mirsky is joined by Brooke Jimenez, a student at Georgetown Law, to discuss the rise of street art and how its recently increased visibility in mainstream culture has led to new cases involving copyright infringement. Topics include defining street art and exploring what liability issues artists may face today.

Andy Mirsky is joined by Brooke Jimenez, a student at Georgetown Law, to discuss the rise of street art and how its recently increased visibility in mainstream culture has led to new cases involving copyright infringement. Topics include defining street art and exploring what liability issues artists may face today.

Zum NarrenTalk No. 48 begrüßen euch René (Alucard), Andreas (daemonicus), Wolfgang (wolfman) und Stefan (StS). Trailer Wir unterhalten uns über die Trailer zu Bad Teacher, Detention und Apollo 18. Last Seen Andreas bespricht Exit Through The Gift Shop, Frozen und Eclipse. The Sorcerer’s Apprentice (aka...

Zum NarrenTalk No. 48 begrüßen euch René (Alucard), Andreas (daemonicus), Wolfgang (wolfman) und Stefan (StS). Trailer Wir unterhalten uns über die Trailer zu Bad Teacher, Detention und Apollo 18. Last Seen Andreas bespricht Exit Through The Gift Shop, Frozen und Eclipse. The Sorcerer’s Apprentice (aka...

Movie Meltdown - Episode 112 This new session of The Caffeinated Movie Geek also features a return to our documentary series...The Really Real World. This week we discuss in-depth the Oscar-nominated film, Exit Through The Gift Shop. And along the way, we question the very nature of art, film, hype, money and reality itself. Pretty deep thoughts for a few geeks drinking coffee. Plus while trying to figure out who Banksy is we discuss…size and placement, the sane way to celebrate the new year, empirical, going dumb and ugly, The Wal-Mart Movie Project, Orson Welles is so f-ing cool, Scott Pilgrim, The Blair Witch Project, Madonna, go big or go home, why do you turn into Bob Saget?, the cable series, props to Rob Reiner, Michael C. Hall, recasting John Malkovich, logical Latin, you sift the detritus, F for Fake, is it Michael Cera Syndrome or Andy Dick Syndrome?, a male Tina Fey, being permentantly attached to Tura Satana, dysfunctional Mom and Pop stores, most people are dumb, three thumbs up, not getting jazz, Claw on Inspector Gadget, Six Feet Under, The Doogie and Willow Show, Playboy’s Women of Wal-Mart, Lady GaGa, meeting a gigalo, The Trial, that dated 70’s Show, the lowest form of drama, Tim Burton is Aerosmith, placing value on art and Transformers don't procreate! Spoiler Alert: OBEY…Just go watch Exit Through the Gift Shop. “Is it an Andy Kaufman trick that he just played on everyone?”

It’s that time! Crack open a cold one and listen to us ramble on some more about True Grit, what we got for christmas, Internships, Film Students and the documentary Exit Through The Gift Shop.

Welcome to another edition of Subject:CINEMA! This week, it's another installment of our continuing Directors' Chair series, spotlighting some of the works of the great masters. This week, an actor, a magician, a director, and most importantly, a genius - just ask him! The legendary Orson Welles! Plus, a look back at the career of Dino De Laurentiis; a PNR Calendar update; a Theatre Of Pain installment featuring a new cult classic from the land of Kiwi; a 2010 Catchup review of EXIT THROUGH THE GIFT SHOP, and a debate about a recent comment by actor Harrison Ford about the character that made him a star!  Don't forget to stop by our main websites on Popcorn N Roses and Subject:CINEMA for a few little show note bonuses...we've got tons of 'em this week! Thanks to ALL of you who take the time to listen to Subject:CINEMA. Now, if we can just get those of you out there to WRITE or CALL once in a while...that would be AWESOME! Email us at subjectcinema@popcornnroses.com or call us TOLL FREE at 1-889-214-9311!   Subject:CINEMA is brought to you by: eMusic Now with  over TEN MILLION choices for great tunes - and by visiting http://emusic.com/cinema , you will get 35 FREE DOWNLOADS during your 14 day trial! Check it out today! CCS.COM The ULTIMATE source for all the best prices on skateboarding and snowboarding clothes and equipment! All the top name brands - Volcom, Burton, Vans, DC, and all the rest - we've got 'em all right here! And look at what ELSE we've got for you: savings codes! AFCINEMA - Free shipping on orders $30+ AFSUBCIN - 15% off orders $75 or more + Free Shipping Online Only; Some Exclusions May Apply Check out all our great deals in one central spot, right here at MevioCoupons.Com *** E-mail us at subjectcinema@popcornnroses.com Want to take S: C With you? Now you can - SC is now Mobile via iPhone! Check us out today - all the latest S:C podcasts plus EXCLUSIVE features coming soon! Call us with your comments! 1-888-214-9311 TOLL FREE in the US and Canada! Wanna hear us anywhere? Now you CAN! Subject:CINEMA Mobile for iPhone is now here! Get it at iTunes NOW! We hope you'll spread the word about Subject:CINEMA to your friends - we love having all the listeners we can get! And Thanks For Listening!  

Mike, John, and Adam egress the theater to discussions of the emperor having no clothes, their Malley's legacy, the art industry vs. comic book speculators, and more fury towards The Mist/Dead Snow type endings.If you have a comment or question you can write us at theaftershowpodcast@gmail.com or call and leave a voicemail message at (206) 984-1298.  Thanks for listening.EXIT THROUGH THE GIFT SHOP imdb Page: http://www.imdb.com/title/tt1587707/

Cam and Tom on Predators, The Last Airbender, Jonah Hex, The Karate Kid, Exit Through The Gift Shop, The Social Network, Green Hornet, Red and From Paris With Love.