Podcasts about fujifilm x t3

Initially released fall 2018, the Fujifilm X-T3 marks the successor to the highly popular X-T2 and represents Fujifilm's next-generation APS-C camera. It aims to fill the gaps in capabilities created by the predecessor, most notably removing the limitations in performance caused when used without the external battery grip. https://photographypx.com/fujifilm-x-t3-review/ Video https://youtu.be/ohm0YAHEo2U Lightroom Presets https://bit.ly/mobilelightroompresets  

I miei contatti li trovate qui: ▶ https://ddmfotografia.carrd.co/

Hello my friends, in today's video we cover the highlights and do a brief overview of the Fujifilm X-T3 camera. We discuss its main headlining features, how it's positioned in their lineup, and how it stacks up to the competition. https://photographypx.com/fujifilm-x-t3-review/

Hello my friends, in today's video we cover the highlights and do a brief overview of the Fujifilm X-T3 camera. We discuss its main headlining features, how it's positioned in their lineup, and how it stacks up to the competition. https://photographypx.com/fujifilm-x-t3-review/

Ya está el primer "Ola K Ase" de 2020 para empezar el año con alegría y buen humor. Un año, por cierto, que ha empezado muy fuerte con varios anuncios importantes y sorpresas varias. Y un año en el que todo parece indicar que seguiremos trabajando y generando contenido por encima de nuestras limitadas posibilidades. Pero en nuestra ajetreada vida siempre habrá un hueco para resolver -o al menos intentarlo- todas las dudas existenciales de nuestros queridísimos photolarianos, que son los verdaderos protagonistas de este proyecto. En serio, os queremos más que en 2019 y menos que en 2021. En este programa trataremos todos estos temas de enorme trascendencia y vital importancia: Sugerencia (2:31) Rumores sobre Nikon (6:39) ¿Porqué no habláis de carretes? (7:55) ¿Hay mucha diferencia entre el Samyang 35 mm f2.8 y el Zeiss? (10:20) Otra sugerencia (12:48) ¿Vale la pena la Canon EOS 5D Mark IV hoy? (14:18) Recomendación de cámara para vlogging (17:26) ¿Se puede cambiar la bayoneta de un Sigma Art para Nikon a montura L? (21:30) Busco una mirrorless no Sony por menos de 1500 euros (27:00) Fabricada en China, Malasia o Japón, ¿es importante? (28:13) ¿Que sabéis de una futura Nikon Z5? (31:51) ¿Nikon D750 o D610? (34:28) Busco un ordenador para Lightroom y vídeo (36:10) ¿Sony A6600 o Fujifilm X-T3? (41:05) Adaptadores para objetivos Pentax, ¿Existen? (44:35) ¿Réflex o mirrorless? ¿APS-C o full frame? (47:47) ¿Funciona el Eye AF de Sony con los peces? (51:16) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos! ▶ También puedes ayudarnos haciendo tus compras de Amazon desde este link (enlace afiliado) https://amzn.to/2EEceMf ▶ Nuestro equipo (enlaces afiliados)Panasonic Lumix GH5: https://amzn.to/2wuFVs0 · Panasonic Lumix G80: https://amzn.to/2T7oJDN Lumix G 12-35 f2.8: https://amzn.to/2wtPlDX Lumix G 14-60 mm f2.8-4: https://amzn.to/2PdN9rQ Sony A7 III: https://amzn.to/2ofGqCi Micrófonos Saramonic VMICLINK5: https://amzn.to/2T4Trxt Mochila Vanguard Veo Discover 42: https://amzn.to/2NvozT1 Trípode Vanguard Veo 2 265CB: https://amzn.to/31nnKSV Trípode Manfrotto Pixi: https://amzn.to/2yBKsdx Apple MacBook Air: https://amzn.to/2M6BBcP  Dell XPS 15: https://amzn.to/2LXXsmo Web: https://www.photolari.com Facebook: https://www.facebook.com/PhotolariMag Instagram: https://www.instagram.com/photolari/ Twitter: https://twitter.com/Photolari

Por si os aburrís durante las largas y tediosas comidas familiares o necesitáis compañía para superar digestiones pesadas y resacas varias, aquí tenéis más de una hora de preguntas, respuestas, divagaciones, chascarrillos y humor fotográfico. Y encima gratis. Y con nuestro mejores deseos para estos días de fiestas y para el nuevo año que empieza en breve, os dejamos con el índice de todos los temas que hemos tratado en este especial navideño de vuestro consultorio favorito: Algo mejor que una Olympus E-M10 para deportes (7:25) ¿A cuántos fotogramas por segundo hay que grabar? (11:47) Quiero renovar mi Nikon D200 (15:04) ¿Merece la pena cambiar mi Sony A6000 por alguna de las nuevas de la serie? (18:00) Para un safari, ¿Teleobjetivo Zuiko 300 mm f4 Pro o Sony RX10 IV? (20:00) ¿Sony G 24-70 mm f2.8 o Tamron? (22:48) ¿Existe algún ojo de pez nativo para la Sony A7? (25:04) Para Sony full frame que es mejor, ¿Rokinon o Tamron? (27:32) Problemas con el adaptador Sigma MC-11 (30:07) Objetivo para sustituir el zoom de kit de la Nikon D5600 (34:03) ¿Ha muerto Olympus? ¿Porqué no sale Emma? (36:15) Cambiar mi Pentax K5 por una Olympus (40:23) Cual rinde mejor a ISOs altas, ¿Un APS-C con poca resolución o un sensor full frame con mucha? (44:20) ¿Conocéis alguna web para comprar objetivos de segunda mano? (47:30) ¿Qué os parecen las cámaras Blackmagic? (50:11) ¿Qué tal rinden los objetivos 7Artisans? (52:01) Adaptadores para Fujifilm X (53:42) ¿Fujifilm X-T3 o Canon EOS RP? (55:10) ¿Blackmagic Pocket Cinema Camera 6K o Canon C200 o C300 Mark II? (56:42) Recomendación de gimbal y micrófono (59:01) ¿Qué tiene Olympus que no tenga Panasonic? (1:01:20) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos!

Tras superar un mes de octubre lleno de novedades y viajes, el gran oráculo de la diosa llama vuelve a abrir sus puertas para atender a todas vuestras inquietudes fotográficas. En este capítulo número 54 de vuestro consultorio favorito abordamos todas estas preguntas: Objetivo luminoso y macro para Sony A6400 (3:50) ¿Que ventajas tiene el cabezal redondo del flash Godox V1? (5:21) ¿Debería cambiar de una Fujifilm X-T3 a una Panasonic GH5 para eludir la limitación del tiempo de grabación de vídeo? (7:36) ¿Qué tal el kit de la Olympus E-M10 III con el Zuiko 12-200 mm f3.5-6.3? (11:42) Busco un 30 o 40 mm para Micro Cuatro Tercios (14:33) Cambio Nikon D810 a la Z6 (15:59) ¿Merece la pena cambiar de una Olympus E-M10 III a una Panasonic G9? (20:20) ¿Sony A7R IV, Fuji GSX 50S o lumix S1R? (23:20) Recomendación de objetivos para Nikon D700 (26:40) ¿Nos vendéis vuestro logo? (30:05) ¿Qué os parece la Canon EOS 90D? (32:39) ¿Merece la pena un adaptador de Fujifilm X a Canon EF? ¿Y la Fujifilm X-E3? (35:19) ¿Qué pasará con las Nikon Z y las tarjetas CF Express? (39:24) ¿Necesito sensor full frame para fotografiar estrellas? (43:31) Respuesta oficial (46:30) ¿Fujifilm X-T3 o Sony A6600? (48:05) Cual es mejor para fotos de pájaros, ¿Sony A9 II o A7R IV? (51:47) Vengo de una Canon EOS 6D, ¿Me compro la EOS R o me paso a Sony A7 III? (54:13) Problemas con adaptador de Canon M a rosca de 52 mm (55:16) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos!

Links: See the images and read the full Fuji conclusion here. https://brentbergherm.com/shooting-xt3/ Announcements. My Oregon coast workshop is coming up, just a few days away now. If you have been on the fence about this I encourage you to jump in and allow me to challenge you and encourage you in your growth as a photographer. David duChemin said in the last episode that the print “is a powerful evaluative tool.” In fact, I’m going to turn it over to him once again. And I invite you to come out to the Oregon Coast with me and take the plunge into the world of shooting the beautiful coast and getting excellent prints from those images right there onsite as we dive deep into printing your photography. Topic:  There’s actually a few topics today. I’ll start out by wrapping up the story about my Fujifilm experiment, Mark Morris joins us with a drone safety concern and then I end the show with a listener chiming in on the love of photography. Here we go. I wrote a blog post about my experience trying to switch to the Fujifilm X-T3 camera. The shooting experience was so wonderful. And I’ve talked about it a bit here on this podcast as well as on the Master Photography Podcast too. It’s time to wrap this up.  In short, I sent the camera back. Please do read the post on my website, the link is in the show notes. The reason I sent it back is both complex and simple at the same time. It really hurts to send it back because I just loved shooting it so much. It was amazing. But I couldn’t get over a few details with regards to the types of images the camera struggled with. Most notably the sand image that not even the Fujifilm processing in camera could make look like sand, and an edge issue when shooting silhouetted objects. The processing in multiple programs just didn’t come out right so I lost faith in my ability to achieve my creative vision in post-production. I owe many thanks to Ibarionex Perello, Dan Bailey and David duChemin for coming on the show and talking with me about creativity and shooting Fujifilm cameras. But in the end it just wasn’t for me. For my photography, the ultimate purpose of a quality image is to make a gallery quality print out of it. I did a lot of printing comparing results from my Canon camera and the Fuji camera, and then I did a lot of further printing with just the Fuji files. I got a lot of very good and excellent prints. But a few subjects had too many challenges and I just can’t get passed it. Dan Bailey was also suggesting that I skip the raw processing and go with the in-camera JPG files. I tried that and on the flower subject I photographed in open shade the results were stunning. I literally took the file from camera, resized it, applied minimal output sharpening and it was excellent. However, I did the same with the raw image, also using the Fujifilm color profile, and it was even better, not by much, maybe 2%, but still, it was better. So I think I’ll keep my flexibility of the raw processing for now. But, when you’re in a pinch it’s good to know that usually you’ll have such awesome quality images coming out of the camera’s JPG processor. I also shot some star trails with the camera. My technique is to take multiple images over a period of time and blend them in Photoshop. I should have shot JPG for this process because in the raw as I switched from image to image the stars were not white. They were very distinctly blue, red or green, and they changed color depending on which frame you were looking at. This, of course, represents the rendering pixels but for the stars to not be recognized as white, it would just look too psychedelic. My Milky Way shot came out really great. But the star trails, not so much. The main reason behind sending it back is that I know my shooting experience would be affected by these issues. Most scenes turned out really well with this camera. But a few scenes just didn’t work out. I don’t want to be out there shooting and thinking to myself “I can’t shoot this silhouetted tree because I know I’ll be unhappy with the edges.” Silhouettes is something I do somewhat frequently. And many times certainly with my Canon it messes up, but it’s more of a lens or dynamic range issue where I can overcome it with multiple exposures. But when you have a very rough edge that can’t be overcome I just had to call the whole camera into question.  In my tests I found that Luminar processed the images really well. Unfortunately, about five days after I sent the camera back they announced Luminar Flex, a Lightroom plugin that brings the Luminar processing engine to the Lightroom Classic workflow. This may have been what I needed to make it work. I’d be willing to use a plugin like this for those odd times where Lightroom just doesn’t do the file justice. But I was under the pressure of a return deadline and I needed to make a decision sooner rather than later.  As I look to the future I’m disappointed that I’ll not be able to lighten my load anytime soon. I’ll still lug the Canon around and shoot great images with it. I’ll keep my eye on what Sony just announced with the new Alpha camera, and we’ll see what Canon comes up with next and then there’s Sigma with the L-mount alliance and the cameras they’ll be producing. There’s so many good things on the horizon but let’s face it, it’s hard to be patient. I’ll do my best though J This next section is an interview I had with Mark Morris regarding drone safety, so let’s head on over to that now. I’m really grateful to Mark for coming on the show and telling us about this issue. If anyone else has a story like this please let me know and maybe we can talk about it too. And finally, we have a listener submitted section. I asked for some submissions a while back and the theme was simply, “for the love of photography.” I was hoping to get several folks to record something with the voice memo app on their phone or anything like that and that would allow me to turn it over to them for a bit. I got a few submissions in the facebook group but only one voice memo app. Let’s talk about a few of these images and then I’ll turn it over to Gary who submitted an image. Next is Gary Aidekman and his story behind this alpenglow image of a volcano on the Kamchatka Peninsula, Russia.  Thanks so much Gary. You’ve given me an idea to record a show all about the images we can shoot while serving others. I’ve done quite a bit of that over the years and I have a chance to maybe head to India this December on a similar outing with a non-profit group. 

Links mentioned in this episode: https://davidduchemin.com https://craftandvision.com http://mycontactsheet.com https://brentbergherm.com/course-info Book mentioned in this episode: Art and fear https://www.amazon.com/Art-Fear-Observations-Rewards-Artmaking/dp/0961454733/ref=sr_1_2?keywords=art+and+fear&qid=1563289912&s=gateway&sr=8-2 I have another very special guest with me today. His name is David duChemin and I’ve been following his work for pretty much as long as I can remember. David, Welcome to the show! Topic:  Tell us a brief history of your career as a photographer. You recently sent out an email to those on your list and I’d like to use that to start our conversation. The first one talks about your rules for photography. In it you talk about: Constraints I teach design and photography at a university, so I love this one. When my students don’t like an assignment I give them the “excuse that this is their “design challenge” i.e. constraints. Tell us about some of the recent constraints you put yourself under and how that has affected your creativity. Trust your gut Help us understand how this works out for you Sounds like your bottom line is these ideals help you make images that are truly your own.  When should a photographer be taking these steps of constraints and trusting their gut. From the very beginning? After some experience? You then mentioned another comment, “Creativity is a work ethic more than it is a talent.”             Wow, I want to put this in all my syllabi at the university…  Help us understand the meaning behind this though. I think in one sense we get caught up with the notion that “I’m not as creative as so and so…” and what not. It seems that what you’re getting at here is that this comparison misses the mark. So… “creativity is a work ethic more than it is a talent.” Let’s unpack this a little bit more. One last thing before we wrap it up, I recently switched to Fujifilm X-T3 and I love the change in the shooting experience. But I’m struggling a bit with getting my vision executed in post-production. You made that switch a little while ago, what changes in post-production did you experience, in any, or do you have any advice for someone like myself? My biggest problem is a subject I shot on the Oregon Coast. A backlit sand dune. The results didn’t even look like sand. And it’s all about the processing for sure, but it’s really thrown me off a bit and I’m trying to do a good job to test things out and see if I can make it work for me. I’ve talked with Ibarionex Perello and Dan Bailey and now yourself, all Fujifilm shooters, and you’re all, and many others, are producing great work with it. I’ve just hit a bump in the road and I’m trying to overcome it… Where can people find you online? Tell me about your online courses, and where can listeners go to sign up for them? https://davidduchemin.com https://craftandvision.com http://mycontactsheet.com

Aunque el cuerpo nos pide a gritos un parón después de un año de locos -incluido este frenético mes de julio-, no podíamos irnos unos días sin antes atender vuestras dudas fotográficas y existenciales en un nuevo "Ola K Ase, Photolari", el consultorio favorito de las llamas (y alpacas y las vicuñas). Por eso nos hemos venido al chiringuito Vai Moana, en la playa del Bogatell de Barcelona, para esta edición veraniega en la que intentamos responder el típico aluvión de preguntas que van desde el clásico "qué cámara me compro" hasta reflexiones metafísicas propias del mismísimo Fontcuberta. Este es el índice de contenidos del capítulo de hoy: - Pasar de Micro Cuatro Tercios a Full Frame (5:41) - Para vídeo, ¿Fujifilm X-T3 o Panasonic GH5? (8:08) - Busco ópticas fijas para Olympus (11:26) - ¿Me compro el Canon 70-200mm f2.8 EF o espero a la versión RF? (17:32) - ¿Canon EOS RP, Sony A6400 o Panasonic Lumix GX9? (20:12) - Busco algo como la Olympus E-M10 Mark III pero con objetivo fijo (23:46) - Macro bueno, bonito (y barato) para Sony A7 III (26:16) - ¿Merece la pena cambiar una Canon EOS 6D Mark II por una RP? (28:35) - Quiero más cafés y menos cacharreo (29:23) - ¿Nikon D500 o Z6? (32:16) - ¿Alguna recomendación de caja de luz para foto de producto? (34:23) - Reflexión a lo Fontcuberta: no salgo en las fotos, no existo (38:38) - Invertir en objetivo profesional para Olympus o cambio de sistema (42:15) - Recomendación de trípode de bolsillo (44:05) - Cámara pequeña para fotografía de calle (47:00) - ¿Ricoh GR III o Olympus Pen F con un 17mm? (49:10) - Recomendación de cámara "bridge" avanzada (53:03) - ¿Puede compararse una cámara compacta avanzada con una réflex Full Frame? (56:44) Y con esto damos por inauguradas oficialmente las vacaciones en Photolari. Pero tranquilos que durante todo el mes de agosto seguiréis teniendo vuestra dosis de noticias y vídeos, aunque a un ritmo más tranquilo

Recently, Jeff was the event photographer for the CreativePro Week 2019 conference in Seattle, a task that requires a different approach to making photos. You've probably been asked to shoot some type of event, so we talk a little about specific gear to deal with low-light situations and catching candid shots in a crowded setting. Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-47-jeff-event)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) CreativePro Week (https://creativeproweek.com/) CreativePro Week 2019 Daily Highlights photo album at Facebook (https://www.facebook.com/pg/CreativeProWeek/photos/?tab=album&album_id=892884417720574) (Photos by Jeff) CreativePro Week Instagram Account (https://www.instagram.com/creativeproweek/) Luma Loop straps (https://luma-labs.com/products/loop) Fujifilm X-T3 body (https://amzn.to/2FxO2Jv) Fujifilm Fujinon XF50-140mm F/2.8 R LM OIS WR (https://amzn.to/2xdAvCl) Fujifilm Fujinon XF16-55mm F/2.8 R LM WR (https://amzn.to/2X2eCFo) Our Snapshots: Jeff: BorrowLenses.com (https://www.talkable.com/x/pDyB6Q) [Use this affiliate link to get $30 off a rental; new customers, minimum purchase of $119] Kirk: Flotato (https://flotato.com) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed, you’re automatically entered. If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.

When you think of portrait photography, do you envision tails and fur? This week, we talk to Norah Levine about her book Pet Photography: The Secrets to Creating Authentic Pet Portraits, and how to take great photos of four-legged (or winged) family members. Sponsor Masters of Photography, online masterclasses with the greatest photographers in the world. Get 5% off any course with the code PHOTOACTIVE. https://mastersof.photography (https://mastersof.photography/ref/27/?campaign=PhotoActive) Guest: Norah Levine: Instagram (https://www.instagram.com/norahlevine/), website (https://www.norahlevinephotography.com), Flickr (https://www.flickr.com/photos/norahlevine/) Pet Photography: The Secrets to Creating Authentic Pet Portraits (https://amzn.to/328CeqG) Giveaway: We’re giving away a copy of Norah’s book, Pet Photography: The Secrets to Creating Authentic Pet Portraits, to a PhotoActive listener! To be eligible, simply subscribe to our newsletter that we use to announce new episodes: the form is at the bottom of every PhotoActive page (https://photoactive.co/). If you’ve already subscribed, you’re automatically entered. Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-46-norah-levine)) Episode 35: Martin Parr Shot My Portrait (https://www.photoactive.co/home/episode-35-parr) Episode 39: Tripods with Mason Marsh (https://www.photoactive.co/home/episode-39-tripods) Episode 43: Autofocus with Rishi Sanyal (https://www.photoactive.co/home/episode-43-autofocus) Fujifilm X-T3 5%-off for UK customers (https://fujifilm.mention-me.com/m/ol/mw0ds-kirk-mcelhearn) Our Snapshots: Jeff: Peak Design Travel Tripod (https://traveltripod.kckb.st/4969858c) Kirk: Fujifilm X-T3 (https://amzn.to/2xsfUKH) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed, you’re automatically entered. If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.

In this episode of the For the Joy of Photography podcast, I talk about how I'd like to do gear reviews but I'm so bad at it, it's embarrassing. With that in mind, I talk about the Fujifilm X-T3, Fujifilm 100-400mm F4.5-5.6 Lens, Fujifilm 1.4x Teleconverter that B&H Photo loaned me for my review.I follow that up by talking briefly about the update by DxO of the Nik Collection and I finish the podcast talking about the importance of photo projects.A new episode is recorded (almost) every week. You can watch new episodes here:https://onlinephotographytraining.com/category/podcast/for-the-joy-of-photography/Websites discussed in the order presented:B&H Links:X-T3: https://bhpho.to/2ImfJWp100-400mm Lens w/1.4x Teleconverter: https://bhpho.to/2IlZ19yNik: https://nikcollection.dxo.com/My Forest Lawn Cemetery Project:https://youtu.be/j1gazv8d544You can watch the episode above or listen to it at your favorite site or on your favorite appiTunes - CLICK HEREGoogle Play - CLICK HEREStitcher - CLICK HERESpotify - CLICK HEREPodcasts. com - CLICK HEREOr you can search for it on you favorite podcast app!

In this episode of the For the Joy of Photography podcast, I talk about how I'd like to do gear reviews but I'm so bad at it, it's embarrassing. With that in mind, I talk about the Fujifilm X-T3, Fujifilm 100-400mm F4.5-5.6 Lens, Fujifilm 1.4x Teleconverter that B&H Photo loaned me for my review.I follow that up by talking briefly about the update by DxO of the Nik Collection and I finish the podcast talking about the importance of photo projects.A new episode is recorded (almost) every week. You can watch new episodes here:https://onlinephotographytraining.com/category/podcast/for-the-joy-of-photography/Websites discussed in the order presented:B&H Links:X-T3: https://bhpho.to/2ImfJWp100-400mm Lens w/1.4x Teleconverter: https://bhpho.to/2IlZ19yNik: https://nikcollection.dxo.com/My Forest Lawn Cemetery Project:https://youtu.be/j1gazv8d544You can watch the episode above or listen to it at your favorite site or on your favorite appiTunes - CLICK HEREGoogle Play - CLICK HEREStitcher - CLICK HERESpotify - CLICK HEREPodcasts. com - CLICK HEREOr you can search for it on you favorite podcast app!

This week we chat about business, shooting alone, street law plus San Francisco wedding and portrait photographer Reggie Ballasteros talks about his move from the Nikon D750 to FujiFilm X-T3, how it's changed his photography and why he made the swap. http://reggiebphotography.com/ Presets: http://reggiebphotography.com/fujifilm-preset https://www.simplr.us/ https://www.nealejames.com/ https://www.kevinmullinsphotography.co.uk/

Links talked about in this episode: https://brentbergherm.com/course-info/ https://brentbergherm.com/workshops/ww-print/ Time to talk about two pieces of gear. The iPad Pro and a mobile workflow opportunity that it provides, and the Sony a6400. Let’s talk about the 6400 first. I took it with me to my conference in April 2019 to San Francisco. I was there for a web design conference, but I landed at about noon on Sunday and went straight for Cataract falls in the Marin Headlands area. Took only this camera Was concerned about leaving the Canon kit behind. This is a very capable camera, but I’m just so used to my Canon and three lenses. Took a small bag that went into my computer bag. Took two batteries and my normal ThinkTank photo pixel pocket secure with my cards. It charges via USB plugged straight into the camera. Let’s look at a few Specs of the camera. Sony E mount, crop sensor  24MP ISO to 32,000, extendable to 102,400 Electronic Front Curtain Shutter to 1/4000thsec. Silent shutter, is completely silent Tons of video options, all the way up to 4K and full HD at 60fps I’ve yet to do any video with this camera. 425 Phase Detect AF sensors 425 Contrast Detection Areas Viewfinder resolution almost 2.4MP Monitor resolution 921,600 dot Tilting screen (up and down, flips up but not flippy screen. Rather annoying that it is hard to operate with an arca swiss plate attached) USB 2 micro b for charging L Weight: 14.22 oz, 403g (with battery and memory card) All in all, not a bad camera for less than $900. Quite respectable in fact.  There’s a few things I couldn’t get used to, or couldn’t yet figure out. Screen resolution is too low.  Hand keeps turning off screen when I reach toward the camera, the sensor for the viewfinder senses the hand, turns off screen. Kind of annoying. I know I can switch it to be only the rear screen or the viewfinder. I don’t want that. I want a sensor that actually senses it’s on a tripod and that when something approaches it it should leave the screen on. Then, when I have it in one hand or both hands, and that sensor is tripped, it should then go back and forth between EVF and the screen. But I like it when I want to use the viewfinder. Viewfinder is too low resolution as well. The AF system is good, but I couldn’t intuitively figure out how to change it so I can manually select which AF spot I want. I had to rely on the ability to touch the screen to override the camera’s auto selection of AF points. But when using the viewfinder, I was out of luck. Probably just my inexperience, and my being used to the Canon system. But it should be more intuitive to make that selection. On my 5D4, it’s a quick flick of the joystick item. Comparisons to the Canon 5D4 In one sense it’s rather unfair to make a comparison because these are two totally different cameras. But that too is my point. I’ll be looking at image quality soon, so that ultimately tells the whole story, but for now, let’s look at the physical differences.  I use a Pro Media Gear L bracket with my 5D4, it makes this package a massive beast to behold. But I do like it and it has worked well for me. But I’m very much interested in a smaller kit. I want to travel more and take more pictures, and I do know that the girth of the camera does cause me to not get it out sometimes. I bought the Sony with the 18-135 lens. Together they weigh 25.72 oz or 1.6 pounds. Not bad. The Canon with the 24-70 I shoot weighs in at about 48 oz. or 3 pounds. That’s nearly twice the weight. The Sony is rated with the battery, the Canon is not. Add the battery and my L bracket and I’m saving half the weight when going with the Sony. Image Quality: I just completed working on several images in LR. Before I get too far into this I gotta say one thing, This is not a direct comparison of the same exact scenes between the Canon and the Sony.  I did not take my Canon so I only had the Sony to shoot and think about on this trip. Thoughts: Golden Gate Bridge at night: Came out very well. I shot mostly in the 100, 200 and 400 ISO range and I let the shutter speed go on up to 10 seconds or so. I did a lot of experimenting so I’m just going off of the two that made it to my keepers file thus far.  I’m really impressed with the flexibility of these files. I can push them up in LR easily about ½ stop more than my Canon with the same amount of noise build up. Past 400 though and it starts to fall apart in my opinion. And by “fall apart” I really mean that you can see the noise, it’s still very well controlled, but it’s certainly there. Pretty much on par with the Canon. This is impressive given that the Pixel area of the Sony is 15.13 µm²and the Canon is 28.73 µm² Story behind shooting these images Woke up at about 4:30 a.m. Drove to the Marin Headlands area, specifically, to the Battery Spencer overlook. Arrived way before sunrise. Had the place to myself.  Looked at a few options for framing. Decided to largely hang out a bit to the left of the battery area so I could have a slightly better angle on the bridge and the city behind it. Got plenty of shots with it pitch black. However,  my favorite shot is the ones where just a bit of blue is starting to come through.  Reds of the bridge are not feeling all that “original” or natural. Not sure if this is a lighting issue, a Sony issue or something else. I was able to manipulate the colors in post to get them pretty good, but to begin with they were awful. I’ve never had this problem with my Canon. Initially, however, I’ll chalk this up to just loads of experience with the Canon, and preconceived expectations. As the sun continued to rise it looked promising. I wanted to catch the harsh light on the bridge with the city behind. But the fog rolled in on the horizon. It remained mostly clear where I was, but over the main land area it got a bit thick.  So I went over to the edge of the ridge and shot the sun coming through the clouds. It was quite good actually. Very pleased with how those came out. I was able to frame up Alcatraz with a large ship, and with the sun poking through the clouds and reflecting off the water, it was rather sweet. I then got back on the main road and headed down towards Point Bonita Lighthouse. There were signs posted saying it’s only open for a few hours on Sunday afternoon, but I had no idea they’d close a tunnel that is the only access to the area and you can’t even see it from the trail. I was a bit disappointed.  I then drove to the Battery Alexander Parking lot and walked to the beach that leads to Bird Island. It was all right, but nothing too exciting. I just shot a few wet sand texture and pattern studies.  One afternoon I walked downtown after the conference and I got on top of a parking garage and shot an old fashioned street car. I zoomed in and framed it up tight, the curvy lines, windows and the pattern of the road made for a striking composition. I really like the guy in the back window. You can see his face and that’s the only major human element in the shot. And then finally, I got the sailboat with the ridge behind it. I like the simplicity of this shot. Waterfall shots. Actually, before I shot the bridge and downtown I went to Cataract falls a bit further north. It was an excellent hike. But it was also the first time shooting with this camera in CA. I had shot it a bit before with two listeners who met me in Clarkston, WA, and we went to Hell’s canyon and did a bit in the Palouse area. Anyway, I got a few images that worked, but I was really spending too much time getting used to the camera, most of what I got wasn’t worth much. But it was still a valuable experience. Really the only true keeper is a B&W vertical panoramic with a log crossing over the top portion of the frame and the water flowing into a small pool area with rocks surrounding it. The files held up really well to how far I have to push them when doing a shot like this. B&W helps too, but still, it’s a good quality image. Lens quality The 18-135 is a quality lens. I was almost surprised at how good it is. I could easily trust most of my shots to this lens. I tried it with severe backlighting, side lighting and some of my favorite types of subjects, and they were rendered quite well.  I’m not done testing, and my opinion may change, but so far so good. I did not do quality tests at various focal lengths, I’m just speaking candidly from what I was able to see from these initial images. Can I actually do it, make the switch? It’s hard to make the switch just now. I think the lower res screens and EVF bothered me too much. I need something like the EOS-R with a higher resolution viewfinder and flippy screen. The FujiFilm X-T3 has a much higher resolution EVF at 3.69mp, but the rear screen is only barely a few more pixels at 1.04mp. The canon EOS R has the same resolution EVF as the FujiFilm but it has a 2.1MP rear flippy screen. So if I’m looking for the best experience in shooting, and I did notice the lower res rear screen was annoying, then the Canon EOS R still has a bit of a nod.  The Panasonic has a whopping 5.7MP EVF and the same 2.1MP rear screen as the EOS R.  This is why I’m still officially waiting to declare which direction I’ll be going with my shooting. Canon has predicted a drop in camera sales and we’re seeing that now with the latest reports coming out in the last couple months. Is it any wonder? There’s lots of good equipment out there, but when you have a 5D4 already, not much is really pulling me one way or the other. Things are to incremental at this point to make me want to pull out the plastic an make it happen with a new body. Video capabilities. I’ve yet to shoot video on the Sony. Though I just got the ThinkTank Photo PhotoCross 15 in the mail today. I’ll be doing a YouTube video on that soon and then I’ll be able to talk about this camera and it’s video capabilities. iPad Use I’d love to be able to use my iPad Pro 2 as an exclusive platform for when out on a trip and I think I’m getting close to saying that is becoming more and more feasible for me. Download images to camera roll. Then import into LR mobile. Rather annoying. iOS 13 supposed to fix this issue, allowing us to import directly into 3rdparty apps such as LR mobile. I look forward to that.  Then I have to wait for LR to upload the images to the cloud and then wait for LR on the computer to download them. If you thought importing images into LR was slow, just do this. However, it would be rather worth it for me if I can do this because I’d be able to leave the computer at home if I needed or wanted to.  Still waiting for full PS on the iPad. Once that happens things are going to get very interesting.  However, with the changes in pricing Adobe has started “testing” even I’m tempted to find another solution even though I get the creative cloud through work. And the price they give educational institutions… it’ll be hard for us to justify moving away from adobe anytime soon, but that doesn’t mean I can’t personally make a switch. Time will tell. The Jury is still out on that one. Closing Remarks Finally, some information you’ve been waiting for on Denver. I’m going to do a one-day print workshop on July 28. I’m working with a local camera club for hosting it but the best part is that they said that I can easily invite my listeners to join in on the fun as well. We don’t need to keep it exclusive. Club members will get a small discount but otherwise it’ll be open to you folks as well.  I don’t have everything figured out just yet, but you can check out the FB group for an announcement and those of you who have contacted me personally, I’ll be reaching out to you once I have the details all worked out. I have another workshop for you as well. It’s based here in Walla Walla. We’ll plan to get up to the Palouse as well, but it’s all about shooting, processing and printing. We’ll spend five days going through the whole process from start to finish. And you’ll return home with some great images and new skills. If you’re interested in pushing your image making to new heights this workshop is for you. It happens June 17-21 of this year. Check out all the details on the website, https://brentbergherm.com/workshops/ww-print The Walla Walla workshop does include access to the online course as well. So you’ll get access to over 8 hours of learning and inspiration for taking your images off the screen and into the real world. We’ll talk about working with labs too, so you don’t need your own printer to make this a valuable experience. And quickly, a quick shout out to all those who have purchased the online course. It’s been out almost a month now and I’m thrilled to see the progress many folks are making. I get the stats of video downloads and such and I’m loving the opportunity to help so many folks who have decided to take the plunge. I’m about to announce my first group session that’s associated with the course, so those of you enrolled, watch for that in your email. I’m talking to David, Bill, Steven, Hank, Dino, Gary, Jeremy, Brian, Steve and the others. Thank you so much. I really appreciate it. So if you’re ready to take that next step head on over to the website and sign up today! In the next few episodes I’ll be talking with the host of the longest running photography podcast, Chris Marquardt. I’m also bringing on Mary Malinconico to talk about selecting workshops and participating in other photo outings. Jeff and I recently talked a bit about workshops and how to select them on the Master Photography Podcast, but with Mary we’ll go quite a bit deeper. I’ve also got three people interested in talking with me about the book Making Photographs by Ibarionex Perello. So that episode will be exciting and it’ll happen in early July. Thank you so much for listening. I hope you have a fantastic day, whatever you’re doing and until next time, happy shooting!

This week on Shoot the Breeze, strap in and brace yourself for another hour of me talking to myself about photography (and black holes). After a close encounter with a mirrorless camera earlier in the week, I try to get my head around the tidal wave of mirrorless technology that threatens to make my D850 obsolete by next Tuesday. I also sing the praises of the FujiFilm X-T3 mirrorless camera, explain why Lightroom presets are a waste of time and money, tip my hat to the geniuses that photographed a black hole, and tell you everything you need to know to photograph the moon. For more information about the Event Horizon Telescope and the stunning black hole photograph, check out this article from Inverse by the excellent Peter Hess. And for Andy Mumford's spirited review of the Fujifilm X-T3 you need look no further than HERE. Here are some awesome images from the Fujifilm X-T3, shot by the incomparable Martin Howard... If none of that floats your boat, head over to my website and tell me what you want to talk about. Thanks for listening and for being a cool person.  

El año ha empezado como acabó el anterior, metidos de lleno en una vorágine de presentaciones, viajes y movidas varias que nos impide ser todo lo regulares que quisiéramos con el "Ola K Ase". Pero aquí estamos de nuevo para intentar resolver vuestras dudas existenciales y fotográficas con sabiduría, sentido del humor y mala leche a partes iguales. Nos complace comprobar que cada vez más lectores se animan a enviarnos regalitos y cosas de comer, lo que nos acerca a nuestro sueño de convertir este espacio en algo parecido a un Sálvame Deluxe de la fotografía. Y sin más preámbulos os dejamos con el índice temporal de todos los temas que hemos tratado en este programa. Un índice por cierto que sólo usan los cobardes, los Photolarianos de verdad se tragan el vídeo entero. Es broma. Regalos de los lectores, canal de Telegram y auto-promociones varias (1:26) Cámara full frame con muchas exigencias (10:40) ¿Cambio de Fujifilm APS-C a Nikon Z6? (15:05) ¿Qué tal la DJI Osmo Pocket? (17:38) La mejor cámara APS-C con estabilizador en el cuerpo (20:55) Busco duplicador para mi Tokina 70-200 mm f4 (24:43) ¿Vale la pena pasar de Sony A6000 a la nueva A6400? (28:30) ¿Cual es el factor de recorte de los sensores de una pulgada? (32:32) ¿Es la Canon 5D Mark II mejor que la MArk IV? (38:11) ¿Compro ópticas para mi Lumix G80 o lo vendo todo y compro una Sony A7S II? (42:06) Voy de safari ¿Compro un tele de montura E o una Nikon P900? (46:06) Pedimos perdón a un lector enfadado (49:38) ¿Donde están los vídeo de Quesabesde? (52:32) Para naturaleza, ¿Sony A7 III o Fujifilm X-T3? (54:48) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos! 

Parliamo dei problemi di youtube, Fujifilm X-T3 e l'ultima tendenza del design degli smartphone

The Fujifilm X-T3 is a powerhouse mirrorless camera featuring up to 30 frames per second burst rate shooting and internal 10-bit video at 4:2:0. Get your's at B&H https://goo.gl/RdUHZm Amazon https://amzn.to/2Smstjz Fujifilm released the X-T3 this year as the successor to the popular X-T2. This is a massive upgrade for both stills and video. The X-T2 was a fantastic camera, but had some limitations in terms of power management. You really did need to purchase the battery grip to enable faster burst rate shooting as well as video recording time and overall performance. The grip allowed the camera to use 3 batteries at once. The Fujifilm X-T3 represents an optimized rethinking of the X-T2. In addition to the brand new, back-side illuminated X-Trans 4 sensor and X Processor, the firmware in the camera has been redesigned as well and you actually get more features than the X-T2 and you can access everything to its fullest potential without having to use the optional battery grip. For shooting stills, the camera now features burst-rate speeds up to 30 fps (with electronic shutter). Autofocus also got a major upgrade with phase detection AF points added across the entire frame. Video is now 10-bit and will record at 4:2:0 internal or 4:2:2 external via the HDMI port. The camera will shoot in f-log as well adding a tremendous amount of flexibility in post production color grading. Future firmware updates will include a HLG (hybrid log gamma) profile as well. And the best part - the Fujifilm X-T3 is actually cheaper than the X-T2 was when it was released. This is an affordable powerhouse of a camera and the best to date in the Fujifilm ecosystem. Fujifilm X-T3 features: • 26 megapixel APS-C X-Trans BSI CMOS 4 Sensor • X-Processor 4 with Quad CPU • 1080p and 4k UHD video up to 60p • F-log gamma and 10-bit Output • 2.16 million phase-detection autofocus points • 0.75x 3.69 million dot OLED viewfinder • 3 inch, 1.04 million dot, tilting LCD touchscreen • Extended ISO 80-51200 • Burst rate shooting speeds up to 30 frams per second Check out my other videos: • Fujifilm X-T100 :: The New Best Deal In Photography https://www.youtube.com/watch?v=nV9u5JVSKdo • The Fujifilm X-E3 is INCREDIBLE https://www.youtube.com/watch?v=VjCjp-6lhcA • Fujifilm nailed this… https://www.youtube.com/watch?v=jlje4uLW7og • Fujifilm X-T2 :: Brilliant Design https://www.youtube.com/watch?v=jlje4uLW7og • My Favorite Fujifilm Lenses https://www.youtube.com/watch?v=u3K9IBcHYK4 Music is from Epidemic Sound. If you need music for your videos, Epidemic is simply the best in the business. Check them out here: https://goo.gl/v5wWKr On my channel you will find videos about photography, cinematography, post processing tutorials for Capture One, Lightroom and Photoshop, photo assignments that YOU can participate in, the Artist Series and of course me vlogging about my personal life. The Artist Series is an ongoing set of videos I produce as documentaries on living photographers. I am extremely passionate about photography and video and my goal in making these videos is to share my passion and enthusiasm with you! Don’t forget to subscribe and make sure to hit the like button and share this video if you enjoyed it! * Fujifilm were kind enough to loan me the X-T3 for review. No financial compensation was made and the opinions here are my own. Ted Forbes The Art of Photography 2830 S. Hulen, Studio 133 Fort Worth, TX 76109 US of A

Egyszer csak odaült az asztalunkhoz és ha már ott volt akkor beszélgettünk vele: Orbán Domonkos akivel a fotós létről beszélgettünk jellemzően. Bence táskát vett a szebbik felének. Aztán belemerültünk a témába és Doma elővette: Fujifilm X-T3 ő az új szerelme ami miatt otthagyta a Canon rendszerét na meg persze az egészsége miatt. Ágival háborúztak, hogy ki legyen a fotós mert fotósként fotóst találni az esküvőre az a kihívás és nem a záridő megválasztása. Gergő megörült, hogy az Instax printer akcióban van, viszket is neki. Neked milyen színű van avagy fontos-e fényképezőgép színe? Doma beszlengült: a Fuji játékváltó lett neki és próbál leszokni az esküvői fotózásról. Első élmények: fókuszálás vagy de becsülettel és középre! Vallási kérdések a MILC-ek világában a Sony vs. Fujifilm. Antenna elmondja miért döntött a Fujifilm X100T mellett. Miután megbeszéltük a Fuji témakört következzen Doma önéletrajba melyben nem csak az az érdekes, hogy fotós hanem hogy Zeneakadémiát végzett és mindeféle szuper kórusban énekel. A kreatív alkotás is munka, sokszor nagyon kemény és ehhez kell profinak lenni. Doma egyetlen táskával tud melóba járni, sőt ez a táska lényegében a mindennapi táskája. Minden fotós félelme a gyorsan merülő akkumulátorok de szerencsére már profi szinten se kell rettegni a MILC akksi időtől. Amit Doma a fotósiskolában tanult: látásmód és szemlélet. A kontrasztok inspirációja a fotózásban. Az analóg fotózás újra kézben Mamiya filmes szerkezet amire meglepően igény is van rá a piacon. Most is megállapítottuk, hogy a legjobb fényképezőgép ami mindig ott van nálad, fotós is ha úgy van akkor iPhone-al fotóz. Mit csinál a fotós munka közben, főleg aki embereket szeret fotózni és mitől lesz jó egy kép. Egy szuper ötlet az ifjú pároknak esküvőre: avagy csináltassál magadról paravánt. Mit lógassál és mivel BlackRapid és Peak Design megoldások a fényképezőgép akasztására. Majd megtudjuk mi az a portré és mi a riport fotó. Doma szívcsakrája: London ahol nem csak fotózni szokott hanem feltöltődni. Nyüzsgő nagyváros könyebbé teszi-e a fotós életét mert több az inger és mindig van téma. Backup fontossága: Google Drive szinkron a félelmetes szám: 18 terra GDPR mindenütt Szolgáltatás a fotózás mellé: nem csak lefotóznak hanem gondozzák is az adataidat és ha úgy van akkor újra megveheted mert vigyáznak rá. Esküvői tapasztalatok: a húslevesre is rá lehet unni. Ha meghívnál minket egy kávéra: Patreon támogatás

Mit der Fuji X-T3 hat Fujifilm auf der Photokina eine mega interessante Kamera vorgestellt. In vielen Testberichten und Videos wird sie als die "beste APS-C Kamera" 2018 bezeichnet und soll für Fotos wie Filmen gleichermassen perfekt geeignet sein. Ursprünglich komme ich aus dem Canon Lager, habe mir aber mit Fuji ein zweites System aufgebaut, das extrem klein, leicht und leistungsstark ist. Von der XT3 bin ich extrem geflasht und überlege ernsthaft mir die Kamera zuzulegen. Natürlich muss dafür einiges an Canon und Fuji Ausrüstung gehen... In dieser "Laber"Episode teile ich mit Dir meine Gründe für einen möglichen Neukauf und freue mich riesig über Dein Feedback! Unterstütze mich bei meiner Entscheidung oder beschütze mich eventell vor einem Fehlkauf :-) Viel Spass beim Zuhören! Dominik *********************************************************************** Abonniere meinen Youtubekanal: https://www.youtube.com/channel/UC2RMjdJPFVGOmAMEI9On_6w ******************************************************************** Mein Fotografie Blog: http://blendezwo.de *********************************************************************** Show Notes: - https://blendezwo.de/canon-r-nikon-z7-z6-fujifilm-x-t3-meine-gedanken-zu-den-neuen-kameras/ - https://blendezwo.de/test-der-fujifilm-x-t1-meine-erfahrungen/ Viel Spass mit dieser Podcastfolge "Fujifilm X-T3 und mein Haben-Wollen-Gefühl"

ÉPISODE #131 – SONY RX100, FUJIFILM X-T3 ET PIXEL 3 Cette semaine, on parle de la gamme Sony RX100, du Fujifilm X-T3, d’un objectif éphémère et on fait la critique du Pixel 3 de Google

Cette semaine, on parle de la gamme Sony RX100, du Fujifilm X-T3, d’un objectif éphémère et on fait la critique du Pixel 3 de Google   Au menu de ce 131e épisode d’Objectif Numérique: 01:00 – Photo récente: Les trois comparses partagent sur les projets photo qu’ils font entre deux épisodes afin de vous donner envie de... Émission en baladodiffusion/podcast sur la photographie. Pour débutants et gens plus expérimentés! Visitez notre site pour consulter articles, tests et critiques, conseils photo et notes. Fait au Québec!

It's taken until episode 8, but Dave and Mark have finally made it to the pub for a chat about photography! This week we're actually coming to you from inside a bank vault in a former post office-turned pub. There's no particular theme this week, but we meander around a range of issues, from working in colour vs black and white, to upcoming photography exhibitions in London. We also spend a while discussing photographers' G.A.S. - gear acquisition syndrome, i.e. the constant need to upgrade equipment. When do you really need to buy new gear? What new feature will genuinely improve your work or earning potential? Mark is tempted by the technology of the Light L16 camera. Is this £1850 multi-lens compact camera the future of photography? Dave discusses his recent attack of GAS, and the Fujifilm X-T3 that resulted from it, and also admits to a slight camera bag addiction. (Mark's everyday camera backpack the Lowepro Hatchback, and David's latest acquisition in the endless quest for the perfect camera bag: the Crumpler Pearler plus the Peak Design Slide strap.) The V&A museum's new Photography Centre has just opened, and we'll be visiting it very soon. The opening exhibition is  Collecting Photography: From Daguerreotype to Digital, which explores photography as a way of ‘collecting the world’, from the medium’s invention in the 19th century to the present day. The Fashion & Textile Museum was founded by designer Zandra Rhodes. Two photography exhibitions have just opened there that we'll be reviewing shortly: Night and Day - 1930s Fashion and Photographs and Cecil Beaton: Thirty from the 30s. Podcast music credit: Extraordinaire by DJ Quads.

On this week’s episode of the B&H Photography Podcast, we get the old band back together for one more gig. Joining us are Explora writers and podcast veterans Todd Vorenkamp and Shawn Steiner. They are not on the show just because we like them so much, but also because they are experts on camera gear and have written up most of the camera news from photokina 2018. In addition, we welcome Dana Glidden, the B&H social media manager, to join us. Glidden attended this year’s camera trade fair, which was held from September 26-29, 2018, in Cologne, Germany. We start the episode with Glidden, who provides an overview of the biggest, and perhaps most important camera expo on the planet, and then we go to Steiner and Vorenkamp to fill us in on the most impressive of the cameras, lenses, and other gear announced at this year’s show. Although announced before photokina, the Canon EOS R and the Nikon Z6 and Z7 mirrorless full-frame cameras were still the biggest draw at the convention. The Zeiss ZX1 Digital Camera, the Fujifilm X-T3 and the Panasonic Lumix S1 and S1R also received their share of attention, as did the new medium format Fujifilm GFX 50R Mirrorless Camera. If it wasn’t already clear that high-end mirrorless cameras were in full display this year, a new silver Leica CL Mirrorless Digital Camera was also announced. Many lenses were also unveiled at photokina 2018, including the Zeiss Batis 40mm f/2 lens, the Sigma 40mm f/1.4 DG HSM Art lens, the Voigtländer NOKTON 50mm f/1.2, as well as several lenses for the new Nikon and Canon full-frame mirrorless systems. Other products discussed on the show are the DJI Mavic 2 Pro, the GoPro Hero 7, the Profoto B10 Off-Camera Flash and the Gitzo Mini Traveler tripod. Join us for this comprehensive overview of the latest cameras and photography gear from this year’s photokina trade fair.    Guests: Dana Glidden, Shawn Steiner, Todd Vorenkamp

Mit der Canon R, der Nikon Z7 und Z6, sowie der Fujifilm X-T3 sind wenige Wochen vor der Photokina 2018 drei lang ersehnte Kameras auf den Markt gekommen, die für viel Aufsehen und emotionale Diskussionen sorgen. In dieser Episode teile ich meine Gedanken mit Dir zur Canon R im Vergleich mit der Nikon Z7 und Z6 und warum ich mir wahrscheinlich die Fujifilm X-T3 kaufen werden. Viel Spass beim Zuhören. ******************************************************************** Shownotes: - Abonniere meinen Youtubekanal: www.youtube.com/channel/UC2RMjdJPFVGOmAMEI9On_6w - Mein Fotografie Blog: www.blendezwo.de - https://blendezwo.de/episode-7-unscharfe-bilder-tipps-scharfe-fotos/ - https://blendezwo.de/unscharfe-fotos-tipps-scharfe-bilder/ - https://blendezwo.de/optimale-sensorgroesse-aps-c-vollformat-oder-micro-four-thirds/

Schlafende Riesen erheben sich und zeigen der Welt was sie können. Wir werfen einen Blick auf die Neuvorstellungen Canon EOS R, Nikon Z6 & Z7 und die Fujifilm X-T3.

There is an enormously missed opportunity in the world of photography today. We have more technology than ever before and we don't do very much with it. This week we saw 3 major announcements, the Nikon Z7 and Z6, the Canon EOS R and the Fujifilm X-T3. In the history of photography I've never seen a marketing blitzkrieg like we've seen over the last few weeks. And the funny thing is people respond not by making amazing things, but by fighting on the internet. Canon invites us to be part of the revolution. Lets look at some actual revolutionary moments in photography. Music is from Epidemic Sound. If you need music for your videos, Epidemic is simply the best in the business. Check them out here: https://goo.gl/v5wWKr

Episode 296 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Zuma Press Editor-at-Large, Jim Colton In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener:Zuma Press Editor-at-Large, Jim Colton, opens the show. Thanks Jim! Sponsors: - Get 20% off at MeFOTO.com with offer code PetaPixel20- Get 20% off at XRitePhoto.com with offer code PetaPixel20- Get 14 days FREE then 25% off your fist year of Format at: Format/PetaPixel - More at LensShark.com/deals. Stories: Canon finally unveils its full-frame mirrorless system with the EOS R. Did they best Nikon? (#) Four new RF lenses for that Canon EOS R, three adapters and a flash. (#) Tamron unveils its 15-30mm f/2.8 Di VC USD G2. (#) Fujifilm ups its game with the X-T3. (#) Nikon's D3500 builds on its predecessor with more modern looks and shaves weight. (#) Outtakes My other podcast with Brian Matiash, the No Name Photo Show. Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

Fuji has announced the Fujifilm X-T3, their latest X-Mount, APS-C flagship camera. They have absolutely nailed it. This camera looks incredible. The X-T3 features not only a new sensor, the Fujifilm X-Trans 4, but also the new X-Processor 4 which is both more powerful and more energy efficient. They've designed this new sensor with 425 phase-detection autofocus points that cover the entire frame. They've also delivered a mirrorless camera that shoots 4k/60p video at 10bit. New Features: • Low illuminance limit of PDAF is now -3EV from -1EV • New Sports Finder Mode – features blackout-free, high-speed continuous shooting (30fps crop electronic shutter, 11 fps mechanical shutter) • New Pre-shooting function, starts recording when you press the shutter half way (up to 20 frames pre, 20 frames actual, total of 40 frames to play with) • Standard ISO: 160 to 12800 • EVF – 0.5 type organic finder – 3.69 million dots – 0.75x • LCD screen – 3.0, 1.04 million dots • 3 way tilt screen (no forward facing) • touch panel • 4k / 60p • 4:2:0 10 bit video in camera • 4:2:2 10 bit HDMI output • Hybrid Log Gamma by firmware update in 2018 • Simultaneous film simulation/f-log output by firmware in 2018 Music is from Epidemic Sound. If you need music for your videos, Epidemic is simply the best in the business. Check them out here: https://goo.gl/v5wWKr

I recently bought the Fujifilm X-E3 after trying out both the Fujifilm X-T3 and the Fujifilm X-Pro2. While I really liked the two top end models, the X-E3 offered the same image quality in a smaller package. And its priced well under $1000. This month the rumored Fujifilm X-H1 will likely be announced as another top of the line so it should be interesting to see what it offers. Get your DEEPER PIXELS shirt here! https://aop.threadless.com/ Music from Epidemic Sound: https://goo.gl/v5wWKr This video is sponsored by Squarespace Visit http://squarespace.com/aop for a free trial and use offer code AOP on checkout to save 10% on your order