Podcasts about Jeffrey Tate

Sanfte Klänge und weiche Beats, verwoben mit ätherischen Klavierüberleitungen: Philipp bereitet dich auf deine Reise in den Schlaf vor. Dazu gibt es in dieser Ausgabe noch ein paar Naturgeräusche, die dich endgültig zur Ruhe lassen kommen sollen. Diese Musikstücke hörst Du in dieser Folge: Jess Gillam Ensemble – "Emerald and Stone" // Dominik Eulberg & Hannes Kretzer – "Lichtung" // Jeffrey Tate & London Symphony Orchestra – "Sospiri, Op. 70" // Agnes Obel – "Dorian" // David Arnold & Nicholas Dodd– "City of Lovers" // Den Podcast "Interpretationssache - Der Musikpodcast" von SR Kultur findest Du hier: https://www.ardaudiothek.de/sendung/interpretationssache-der-musikpodcast/12626637/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

durée : 01:28:39 - Jeffrey Tate, un chef d'orchestre rigoureux et enthousiaste - par : Aurélie Moreau - Jeffrey Tate sur certains aspects de la direction d'orchestre : « La concentration, la faculté de transmettre l'inexprimable ne s'apprennent pas. C'est une question de dispositions et d'expérience ». Aujourd'hui : Strauss, Haydn, Wagner, Mozart…

SynopsisOh, to have been in Vienna on today's date in 1785! Wolfgang Mozart had just finished a new piano concerto a week earlier and quite likely performed it himself for the first time as an intermission feature at a performance of the oratorio Ester, by Karl Ditters von Dittersdorf, conducted by Antonio Salieri.Now wouldn't that have made for a good scene in the movie Amadeus?Fast forward 11 years for another memorable concert at the Theater an der Wien, when on today's date in 1806, it was Beethoven's turn to premiere one of his new concertos in Emanuel Schikaneder's Viennese theater. Alongside works of Mozart, Méhul, Cherubini and Handel, Beethoven's Violin Concerto was introduced to the world, with Franz Clement as the soloist.Beethoven's friend Czerny recalled that Clement's performance was greeted with “noisy bravos.”But a contemporary Viennese music critic wrote: “While there are beautiful things in the concerto … the endless repetition of some commonplace passages could prove fatiguing.” The reviewer's final assessment? “If Beethoven pursues his present path, it will go ill with him and the public alike.”Music Played in Today's ProgramWolfgang Mozart (1756-1791) Piano Concerto No. 22; Mitsuko Uchida, piano; English Chamber Orchestra; Jeffrey Tate, cond. Philips 420 187Wolfgang Mozart (1756-1791) Magic Flute Overture; Zurich Opera House Orchestra; Nikolaus Harnoncourt, cond. Teldec 95523Ludwig van Beethoven (1770-1827) Violin Concerto; Anne-Sophie Mutter, violin; New York Philharmonic; Kurt Masur, cond. DG 471 349

In this episode, we look at the soundtrack of the 2009 mini-series of Jane Austen's Emma, written by Samuel Sim. We look at how the main theme tells Emma's journey and how it changes for her love story with Mr. Knightley. We compare the use of the cello for Mr. Knightley and Mr. Elton, look at how the clarinet is used for Emma just as it was in the 1996 movie, and the variety of themes and styles to tell the story and reflect the characters, including the use of electronics for memories. Music included in podcast: "Piano Concerto No. 26 in D, K 537 "Coronation": 1. Allegro" - Mitsuko Uchido - Mozart: Piano Concertos, music by Wolfgang Amadeus Mozart, performed by English Chamber Orchestra, Jeffrey Tate & Mitsuko Uchido, 1988 "Emma Woodhouse was born" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Emma Main Titles" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prelude" - Six Evolutions - Bach: Cello Suites, music by Johann Sebastian Bach, performed by Yo-Yo Ma, 2018 "Knightley's Walk" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Love Story" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Last Dance" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Blind Endeavors" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Without Suspicion" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Seaside" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Dolls" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Expansion Project" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Playing Harriet" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Cello Sonata in C minor, G. 2: III. Allegro" - Boccherini Cello Sonatas, music by Luigi Boccherini, performed by Jesper Christensen, Gaetano Nasillo, Alessandro Ciccolini & Marco Vitali, 2012 "Superior Men" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Mr. Elton" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Violin Sonata in A minor, Op. 27, No. 2: 1. Prelude "Obsession"" - Bach and Beyond Part 1, music by Eugene Ysaye, performed by Jennifer Koh, 2012 "Walk of Shame" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The World has Left Us Behind" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Rescued by the Gypsies" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Secrets" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Danse Macabre, Op. 40" - Saint-Saens: Danse Macabre, music by Camille Saint-Saens, performed by Philharmonia Orchestra & Charles Dutoit, 1981 "Arrival of Little Knightleys" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "It's Snowing and Heavily" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Biscuits Darling" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "A Ball" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Town Square" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Ship's Cook" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Bluebells of Scotland" - Raised on Songs and Stories, music by Dora Jordan, performed by John McDermott, 2015 "Piano Sonata No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio" - Beethoven: Favorite Piano Sonatas, music by Ludwig van Beethoven, performed by Vladimir Ashkenazy, 1997 "World of Soundtracks" - title music by Edith Mudge, graphics by Lindsey Bergsma

Synopsis The 1985 Salzburg Festival boasted a quite unusual premiere: a 17th century Venetian opera by the Italian Baroque composer Claudio Monteverdi entitled “Il Ritorno d'Ulisse in Patria,” or “The Return of Ulysses to his Homeland,” as arranged and orchestrated by the contemporary German composer Hans Werner Henze. The surviving music for Monteverdi's opera does not exist in what we now call “full score.” Monteverdi wrote down a bare 5-part accompaniment to the vocal lines of his opera, without indicating what specific instruments he meant to play those notes. This means for any modern performance someone needs to make those decisions. For their 1985 summer season, the Salzburg Festival commissioned Henze to prepare a new orchestration of Monteverdi's “Return of Ulysses” 245 years after its first performance in Venice back in 1640. The music critics, in the main, were complimentary after Henze's version premiered in Salzburg, noting that his scoring somehow managed to sound both ancient and modern at the same time. Even though we'll never know EXACTLY how the opera sounded when Monteverdi heard it back in 1640, thanks to modern technology, that 1985 Salzburg performance can be sampled in both audio and video recordings. Music Played in Today's Program Claudio Monteverdi (1567-1643) arr. Hans Werner Henze — Ulysses' Homecoming (soloists; Vienna Radio Symphony; Jeffrey Tate, cond.) Orfeo 528 003

无论是家有琴童，寄予厚望，还是成人业余学音乐，只图一乐，在这条路上都有很多困难艰辛，也会有很多让人啼笑皆非的事情。本期节目邀请线上教育品牌「提琴时代」的两位主创来聊聊他们多年来在音乐培训教育方面所经历的人和事，探讨在学习音乐之路上扮演各自角色的人们应该如何看待兴趣，苦练和天才诸因素的关联。 嘉宾： 施佳斌，「提琴时代」系列课程创始人 严逸澄，上海音乐学院青年教师 主持： 顾超（微信公众号：天方乐谈Intermezzo，新浪微博：@天方乐谈超人） [00:06][音乐]莫扎特第20钢琴协奏曲（K.466）片段（Jeffrey Tate/英国室内乐团） [06:36]小提琴是起步最难的乐器 [07:09]每个学习弦乐的孩子都憧憬钢琴 [08:45]钢琴家永远过剩，不同乐器就业差别大 [13:19]小提琴家的演奏生命更短，但乐趣无穷 [15:58]媒体专业背景，却决定去考中提琴研究生，走上专业道路 [18:37]演奏教学视频的出发点和优势 [21:47]喜欢音乐和学琴练琴并非完全一致 [33:53]聪明的重要性 [38:10][音乐]巴赫d小调创意曲（BWV775）（Glenn Gould） [39:18]乐理分析能力并不是必须的，但是乐理会帮助祛魅 [41:57]古典音乐现在已经外延到了生活各个角落 [44:20]打破边界，去拥抱受众，去拥抱多样性 [51:50][音乐]巴塞罗那（Freddie Mercury & Montserrat Caballé） 【logo设计】五颜六色的大亮哥 【剪辑混音】马若晨 【节目运营】Alika 【制作总监】王若弛 【收听方式】 推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《天方乐谈》，也可通过网易云音乐、喜马拉雅FM、蜻蜓FM和荔枝FM收听。 【本节目由JustPod出品】

无论是家有琴童，寄予厚望，还是成人业余学音乐，只图一乐，在这条路上都有很多困难艰辛，也会有很多让人啼笑皆非的事情。本期节目邀请线上教育品牌「提琴时代」的两位主创来聊聊他们多年来在音乐培训教育方面所经历的人和事，探讨在学习音乐之路上扮演各自角色的人们应该如何看待兴趣，苦练和天才诸因素的关联。 嘉宾： 施佳斌，「提琴时代」系列课程创始人 严逸澄，上海音乐学院青年教师 主持： 顾超（微信公众号：天方乐谈Intermezzo，新浪微博：@天方乐谈超人） [00:06][音乐]莫扎特第20钢琴协奏曲（K.466）片段（Jeffrey Tate/英国室内乐团） [06:36]小提琴是起步最难的乐器 [07:09]每个学习弦乐的孩子都憧憬钢琴 [08:45]钢琴家永远过剩，不同乐器就业差别大 [13:19]小提琴家的演奏生命更短，但乐趣无穷 [15:58]媒体专业背景，却决定去考中提琴研究生，走上专业道路 [18:37]演奏教学视频的出发点和优势 [21:47]喜欢音乐和学琴练琴并非完全一致 [33:53]聪明的重要性 [38:10][音乐]巴赫d小调创意曲（BWV775）（Glenn Gould） [39:18]乐理分析能力并不是必须的，但是乐理会帮助祛魅 [41:57]古典音乐现在已经外延到了生活各个角落 [44:20]打破边界，去拥抱受众，去拥抱多样性 [51:50][音乐]巴塞罗那（Freddie Mercury & Montserrat Caballé） 【logo设计】五颜六色的大亮哥 【剪辑混音】马若晨 【节目运营】Alika 【制作总监】王若弛 【收听方式】 推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《天方乐谈》，也可通过网易云音乐、喜马拉雅FM、蜻蜓FM和荔枝FM收听。 【本节目由JustPod出品】

durée : 00:58:41 - Musicienne exigeante et sensible, la pianiste Mitsuko Uchida - par : Aurélie Moreau - "A mes yeux, Uchida est une véritable révélation. Rien ne semble échapper à sa sensibilité intuitive. En outre, sa technique est absolument sans faille, et sa musicalité profonde y puise un soutien total", confiait le chef d'orchestre Jeffrey Tate dans une interview au magazine "Luister". - réalisé par : Louise Loubrieu

durée : 00:16:28 - Disques de légende du vendredi 28 août 2020 - La soprano américaine Kiri Te Kanawa enregistre en 1983 pour Decca cette légendaire version des Chants d'Auvergne de Joseph Canteloube, avec l'Orchestre de chambre anglais et Jeffrey Tate à la direction.

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Átundi þáttur: Leiknir kaflar úr píanókonsertum Mozarts, sem hann samdi á árunum 1785 og 1786 og þykja meðal merkustu verka hans í þessari grein: 1. þáttur úr píanókonsert nr. 20 í d-moll (Jan Lisiecki, Bæverska útvarpshljómsveitin, Christian Zacharias, stj.); 2. og 3. þáttur úr píanókonsert nr. 23 í A-dúr og nr. 24 í c-moll (Mitsuko Uchida, Enska kammerhljómsveitin, Jeffrey Tate, stj.).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Þriðji þáttur: Fiðlukonsert nr. 5 í A-dúr K. 219, 2. kafli (Andrew Manze, The English Concert); Píanókonsert nr. 9 í Es-dúr K. 271, 1. og 2. kafli (Mitsuko Uchida, Enska kammersveitin, Jeffrey Tate, stj.)

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Sjöundi þáttur: Leiknir kaflar úr píanókonsertum Mozarts, sem hann samdi á árunum 1785 og 1786 og þykja meðal merkustu verka hans í þessari grein: 1. þáttur úr píanókonsert nr. 20 í d-moll (Jan Lisiecki, Bæverska útvarpshljómsveitin, Christian Zacharias, stj.); 2. og 3. þáttur úr píanókonsert nr. 23 í A-dúr og nr. 24 í c-moll (Mitsuko Uchida, Enska kammerhljómsveitin, Jeffrey Tate, stj.).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Þriðji þáttur: Fiðlukonsert nr. 5 í A-dúr K. 219, 2. kafli (Andrew Manze, The English Concert); Píanókonsert nr. 9 í Es-dúr K. 271, 1. og 2. kafli (Mitsuko Uchida, Enska kammersveitin, Jeffrey Tate, stj.)

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Sjöundi þáttur: Leiknir kaflar úr píanókonsertum Mozarts, sem hann samdi á árunum 1785 og 1786 og þykja meðal merkustu verka hans í þessari grein: 1. þáttur úr píanókonsert nr. 20 í d-moll (Jan Lisiecki, Bæverska útvarpshljómsveitin, Christian Zacharias, stj.); 2. og 3. þáttur úr píanókonsert nr. 23 í A-dúr og nr. 24 í c-moll (Mitsuko Uchida, Enska kammerhljómsveitin, Jeffrey Tate, stj.).

Meistaraverk Mozarts eru tíu systurþættir þáttaraðarinnar Mozart: Misskilinn snillingur sem er í umsjón Árna Heimis Ingólfssonar og má finna í þessari hlaðvarpsröð. Átundi þáttur: Leiknir kaflar úr píanókonsertum Mozarts, sem hann samdi á árunum 1785 og 1786 og þykja meðal merkustu verka hans í þessari grein: 1. þáttur úr píanókonsert nr. 20 í d-moll (Jan Lisiecki, Bæverska útvarpshljómsveitin, Christian Zacharias, stj.); 2. og 3. þáttur úr píanókonsert nr. 23 í A-dúr og nr. 24 í c-moll (Mitsuko Uchida, Enska kammerhljómsveitin, Jeffrey Tate, stj.).

durée : 01:58:48 - Relax ! du mardi 12 novembre 2019 - par : Lionel Esparza - Portrait du chef britannique Jeffrey Tate dans Relax! ce mardi. On écoute aussi les derniers disques du ténor Benjamin Bernheim et de la pianiste Beatrice Rana. Et notre disque de légende est un enregistrement des Quatres pièces sacrées de Verdi par le Philharmonique de Berlin et Riccardo Muti. - réalisé par : Antoine Courtin

In this episode, we're talking with Jay Evans, the principal trombonist of the Alabama Symphony Orchestra. We talk about the Grand Teton Music Festival, training for an triathlon event, what setting personal records in his musical practice, and much more. I hope you enjoy the episode!Mastering engineer - Brandon JochumJay Evans is currently Principal Trombonist of the Alabama Symphony Orchestra, a position he has held since October, 2000. As soloist, Jay has performed in numerous concerts including Jim Pugh's Concerto for Trombone and Nino Rota's Concerto for Trombone and Orchestra. He was also featured in a memorable concert with Olivia Newton-John and the ASO, performing on the Australian Aboriginal instrument, the Didgeridoo.Spending his early years in Iowa, Jay's parents were tremendously supportive of his music studies. His father, a former tuba player, would humbly quote "...and I modestly took my place as the only and only bass, and I oompahed up and down the square" in reference to his being the only tubist of the Mason City High School band, inspiring Meredith Willson, while visiting, to include these lyrics in his musical, "The Music Man."Jay received a Bachelor of Music degree at Morningside College in Sioux City, Iowa, while holding the position of Principal Trombone of the South Dakota Symphony Orchestra. He later received a Master of Music degree from North Texas State University, during which time he performed with the Dallas Cowboys Band. He later moved to New York City to perform monthly with the National Orchestral Association in Carnegie Hall, and frequently performed with the Metropolitan Opera, New York Philharmonic, American Symphony, New York City Opera National Company, the Springfield (MA) Symphony and Miss Saigon on Broadway.As a Fellow in Trombone at the Tanglewood Music Center, Jay performed with notable conductors Leonard Bernstein, Seiji Ozawa and Jeffrey Tate. He was also a participant at the Spoleto Festival Due dei Monde in Spoleto, Italy, and Charleston, SC. Jay toured extensively throughout North America, Japan and Australia with the broadway production of, The Music of Andrew Lloyd Webber in Concert, starring Michael Crawford and Sarah Brightman. And as a member of the highly acclaimed, 'Dallas Brass', Jay performed throughout the United States. Special appearances included solos with the New York Pops with Skitch Henderson in Carnegie Hall, the Philadelphia Pops with Peter Nero and the Cincinnati Pops with Erich Kunzel conducting.Before settling in Alabama, Jay held positions with The Lyric Opera of Chicago and the Grant Park Orchestra. He still returns regularly to perform with Chicago's Music of the Baroque, and spends summers as a member of the Grand Teton Music Festival.Jay Evans is currently a Low Brass Instructor at the Alabama School of Fine Arts, the University of Montevallo, and UAB, and maintains an active private teaching studio. He is a Shires Instruments Artist/Clinician. Support the show (https://thatsnotspit.com/support/)

"A Spiritual Shift to Universal Truths," host Adrianne Murchison interviews Jeffrey Tate, of Atlanta, on his relationship with God. Tate was raised in a traditional religious faith, but a seminal moment in early adulthood changed everything.  Don't forget to subscribe to the show. 

„Naujienų pulse“: BBC uždaro garsiąją Maida Vale studiją, kurioje per 84 metus įrašus atliko ir gyvai koncertavo daugybė atlikėjų nuo BBC Singers iki The Beatles ir Beyoncé; muzikinę bendruomenę papiktino nevyriausybinės organizacijos „Third Sector“ tinklapyje paskelbti duomenys, kad ilgametis Londono karališkojo „Covent Garden“ teatro muzikos direktorius Antonio Pappano uždirba daugiau nei dvigubai mažiau nei teatro direktorius; praėjus daugiau nei metams po britų dirigento Jeffrey Tate‘o mirties atsisveikinta su jo pelenais – jie išbarstyti Venecijoje į kanalą nuo Marios Callas tiltelio. Toliau Bachą skambins Daumantas Kirilauskas, o paskutinį pusvalandį klausysimės nuostabių vokalizų.

„Naujienų pulse“: BBC uždaro garsiąją Maida Vale studiją, kurioje per 84 metus įrašus atliko ir gyvai koncertavo daugybė atlikėjų nuo BBC Singers iki The Beatles ir Beyoncé; muzikinę bendruomenę papiktino nevyriausybinės organizacijos „Third Sector“ tinklapyje paskelbti duomenys, kad ilgametis Londono karališkojo „Covent Garden“ teatro muzikos direktorius Antonio Pappano uždirba daugiau nei dvigubai mažiau nei teatro direktorius; praėjus daugiau nei metams po britų dirigento Jeffrey Tate‘o mirties atsisveikinta su jo pelenais – jie išbarstyti Venecijoje į kanalą nuo Marios Callas tiltelio. Toliau Bachą skambins Daumantas Kirilauskas, o paskutinį pusvalandį klausysimės nuostabių vokalizų.

„Naujienų pulse“: nacionalinė vargonininkų asociacija kviečia stabtelėti ir įsiklausyti į Vilniaus arkikatedros bazilikos vargonų skambesį! Nuo birželio 8 d. iki pat rugsėjo ketvirtadieniais rengiamas vidudienio vargonų muzikos koncertų ciklas “Vox organi Cathedralis” („Katedros vargonų balsas“). Filmų „Nuostabus protas“ ir „Da Vinčio kodas“ režisierius Ronas Howardas rengiasi statyti biografinį filmą apie Lucianą Pavarottį. Vokiečių smuikininkė Anne-Sophie Mutter pažymi sceninės veiklos 40-metį. Birželio 4-ąją šventinį koncertą ji surengė Zalcburgo Sekminių festivalyje.Maždaug po pusvalandžio studijoje sulauksime viešnios – kompozitorės Justės Janulytės. Birželio 7 d. „Vilniaus festivalio“ koncerte skambės jos naujas, festivalio užsakytas kūrinys „Vidurnakčio saulė“, kurį atlikti kartu su LNSO, diriguojamu Modesto Pitrėno, iš Italijos atvyks garsus violončelės virtuozas Mario Brunnello.Paskutinį pusvalandį paskirsime birželio 2 d. išėjusiam britų dirigentui Jeffrey Tate. Širdies smūgis jį ištiko repetuojant su orkestru „Accademia Carrara“ Bergame, Italijos Šiaurėje. Sirgdamas sunkia įgimta stuburo liga „spina bifida“ arba įskilusio stuburo liga, jis kęsdamas fizinius skausmus sugebėjo padaryti stulbinamą dirigento karjerą, trukusią 4 dešimtmečius.

I programmet diskuterar panelen bl. a. Teodor Currentzis tolkning av Våroffer och Strauss opera Arabella med svenska sopranen Agneta Eichenholz som Zdenka. Dessutom möter Sofia Nyblom Renée Fleming. I panelen Bengt Forsberg, Britt Marie Aruhn och Evabritt Selén som tillsammans med programledaren Johan Korssell betygsätter följande skivor:MOZART-ARIOR Ur bl a Idomeneo, Figaros bröllop och Don Juan Dorothea Röschmann, sopran Sveriges Radios symfoniorkester Daniel Harding, dirigent Sony 88875061262 RICHARD STRAUSS Arabella Jacquelyn Wagner, Agneta Eichenholz m.fl. Nederländska filharmonin Marc Albrecht, dirigent Challenge Classics CC 72686IGOR STRAVINSKY Våroffer MusicAeterna Teodor Currentzis, dirigent Sony 88875127902ENTARTETE MUSIK Verk av bl.a. Dressel, Schulhoff och Hindemith Duo Disecheis: David Brutti, altsaxofon och Filippo Farinelli, piano Brilliant Classics 94874 Sofia möter Renée Fleming Sofia Nyblom mötte sångerskan då hon gästade Stockholms konserthus i februari, där hon framträdde i Anders Hillborgs The Strand Settings samt Samuel Barbers Knoxville: Summer of 1915 tillsammans med Kungliga filharmonikerna allt under Sakari Oramo.Andra i programmet nämnda eller rekommenderade inspelningar: Stravinskys Våroffer med Mariinskij-teaterns orkester under ledning av Valerij Gergiev på skivmärke Philips; Bostons symfoniorkester ledd av Michael Tilson Thomas på DG; San Franciscos symfoniorkester under Tilson Thomas på RCA samt med Berlins filharmoniker dirigerad av Bernard Haitink utgiven på Decca. Strauss Arabella med Renée Fleming i titelrollen tillsammans med Dresdens statskapell under Christian Thielemann en DVD på Unitel Classica; Kiri Te Kanawa och Covent Garden-operans orkester ledda av Jeffrey Tate på Decca samt med Lisa Della Casa som Arabella med Wiens filharmoniker allt under Georg Solti på Decca. Johan sveper över en alldeles nyutkommen utgåva av Bachs Johannespassionen med solister, RIAs kammarkör och Akademin för tidig musik, Berlin under ledning av René Jacobs på skivmärket Harmonia Mundi.

A guide to Wagner's opera The Flying Dutchman featuring the voices of Wagner expert Nicholas Baragwanath, singers Bryn Terfel and Anja Kampe, director Tim Albery and conductor Jeffrey Tate.

Conductor Jeffrey Tate talks candidly to Christopher Cook about his exciting and varied career within some of the world's greatest opera houses and on the concert platform. He discusses his approach to Wagner and recalls working with masters such as Herbert von Karajan, Carlos Kleiber, Pierre Boulez and Georg Solti.

The castaway in this week's Desert Island Discs is Jeffrey Tate, principal conductor of the English Chamber Orchestra and the Royal Opera House, and chief guest conductor of the Geneva Opera. Until the age of 27, his chosen profession was medicine, but once a fully-qualified doctor, he switched his career to become one of the most sought-after conductors of his time - both in Britain and abroad. This is an achievement impressive enough in itself, but doubly so given that since childhood he has suffered from a condition which has resulted in curvature of the spine and a paralysed left leg, which means that, for the most part, he conducts sitting on a high stool.[Taken from the original programme material for this archive edition of Desert Island Discs] Sue Lawley will be talking to Jeffrey Tate about his transition from medicine to a stunning musical career and the problems he has overcome to achieve such extraordinary success.Favourite track: I'll Be Seeing You by Billie Holiday Book: The collected works by Jane Austen Luxury: Nativity painting from the National Gallery

The castaway in this week's Desert Island Discs is Jeffrey Tate, principal conductor of the English Chamber Orchestra and the Royal Opera House, and chief guest conductor of the Geneva Opera. Until the age of 27, his chosen profession was medicine, but once a fully-qualified doctor, he switched his career to become one of the most sought-after conductors of his time - both in Britain and abroad. This is an achievement impressive enough in itself, but doubly so given that since childhood he has suffered from a condition which has resulted in curvature of the spine and a paralysed left leg, which means that, for the most part, he conducts sitting on a high stool. [Taken from the original programme material for this archive edition of Desert Island Discs] Sue Lawley will be talking to Jeffrey Tate about his transition from medicine to a stunning musical career and the problems he has overcome to achieve such extraordinary success. Favourite track: I'll Be Seeing You by Billie Holiday Book: The collected works by Jane Austen Luxury: Nativity painting from the National Gallery