Podcasts about The New York Pops

The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.”  On television, her work includes appearances on “The Gilded Age” (HBO),  “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.”   She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is Joshua Rosenblum, author of Closer than Ever — The Unique Six-Decade Songwriting Partnership of Richard Maltby, Jr. and David Shire. This terrific new book chronicles the sixty-six-year (and counting) partnership of two of the most gifted songwriters of our time, giving full behind-the-scenes accounts of their musicals interspersed with deep-dive analyses of standout individual numbers. Among the well-known Broadway figures who feature prominently in the Maltby/Shire story are Stephen Sondheim, Hal Prince, Michael Stewart, Francis Ford Coppola, Susan Stroman, John Weidman, Charles Strouse, Garth Drabinsky, Jason Robert Brown, and Jonathan Tunick. Using his experiences as a Broadway conductor, music journalist, and professor of musical theater composition, as well as his long-term personal and professional acquaintance with both Maltby and Shire, Joshua Rosenblum is uniquely suited to chronicle their lives, careers, and creative output. The songwriters, both of whom are engaging and articulate in describing what they do, are quoted liberally throughout the book in exclusive interviews, creating the impression that one is spending time with two inspiring creative artists who happen to be great company.   Joshua Rosenblum teaches Composing for Musical Theater at Yale University and Conducting at New York University. As a composer/lyricist, he wrote the scores to the off-Broadway musicals Fermat's Last Tango, Bush is Bad, and Einstein's Dreams (four Drama Desk Nominations). He has conducted fourteen Broadway and off-Broadway shows and has performed as pianist with the New York Pops at Carnegie Hall, the City Center Encores! Orchestra, and the American Symphony. A longtime contributor of reviews and features to Opera News, Rosenblum is a summa cum laude graduate of Yale College and holds a master's degree in Piano from the Yale School of Music. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as John Schroeder. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of Broadway Drumming 101, I sit down with Jonathan Haas, a percussion legend who revolutionized the timpani and built an extraordinary career performing with major orchestras, rock bands, and jazz icons. We talk about what it really takes to make it on Broadway—the hard work, the unexpected breaks, and the reality of starting at the bottom. Jonathan shares real-world advice and stories from his career, giving you a no-nonsense look at the industry. If you're serious about breaking into Broadway or curious about what it takes to succeed as a musician, you have to listen to this episode!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

For the Founders Day edition of our True and Constant Podcast, hosts Emma Oremus (St. Louis) and Lex Stewart (Ohio) welcome star of stage and screen Kelli O'Hara (Oklahoma City)!   Kelli has earned her place as one of Broadway's leading ladies, with a career that includes 12 Broadway productions and eight Tony Award nominations. She won the 2015 Tony Award for best leading actress in a musical for her role as Anna Leonowens in “The King and I.” Beyond Broadway, Kelli is also an Emmy, SAG, Olivier and Grammy-nominated actress.   When she's not on stage, you can catch Kelli's Emmy-nominated performance in the acclaimed web series “The Accidental Wolf” on Topic or see her in her current role as Aurora Fane in HBO's hit series “The Gilded Age,” for which she received a SAG Ensemble Award nomination. Kelli has also appeared in several recurring television roles, including Showtime's “Masters of Sex,” “13 Reasons Why,” “Blue Bloods” and “All My Children.” Her additional film and television credits include “All the Bright Places,” “Peter Pan Live!,” “Sex & the City 2,” Martin Scorsese's “The Key to Reserva,” “The Good Fight,” “Numb3rs” and “The Independents.”   In 2015, Kelli made history as the first artist to successfully transition from Broadway to opera with her Metropolitan Opera debut in Lehár's “The Merry Widow” alongside Renée Fleming. She returned in 2018 as Despina in Mozart's “Così Fan Tutte” and was last seen at The Metropolitan Opera in the world premiere of Kevin Puts' “The Hours,” performing as Laura Brown. Her concerts have earned international acclaim, from Carnegie Hall to Tokyo, and she frequently appears on PBS live telecasts, The Kennedy Center Honors, and in performances with The New York Philharmonic and The New York Pops. Her solo albums, “Always” and “Wonder in the World,” are available on Ghostlight Records.   We're thrilled to celebrate our sister Kelli's achievements on this special Founders Day edition of The True and Constant Podcast — don't miss it!

This season on my podcast, Baring It All with Call Me Adam, I am highlighting My Entertainment Idols.Today, I am going back in time and Behind-The-Curtain to bring you this blast from the past, my 2010 interview with then 3-time Tony nominated Broadway Actress Kelli O'Hara.Now, here's a little Behind-The-Curtain Story….In 2010, I got to attend the opening night of Kelli O'Hara's one-woman show Beyond The Ingenue at Michael Feinstein's cabaret club, Feinstein's at the Regency on the Upper East Side in NYC.In addition to seeing the concert, I got to interview Kelli live, at the VIP after party. When you listen to this episode, I hope you feel all the excitement that I felt, and was swirling around me, while talking to Kelli at that opening night party.When this interview took place, I did not have a podcast, so I had to transcribe the interview into print format. Now I do have a podcast, and I am so excited to share this interview with you.In this interview, Kelli is Baring It All with Call Me Adam about:Who inspired her to become a performerThe Best Advice she has receivedA Strange or Unusual Talent she hasFavorite way to stay in shapeSo much moreTo read the interview, and see a photo of me & Kelli, click here!Special Thanks:Dan Fortune, Fortune CreativeTheme Song by Bobby CroninPodcast Logo by Liam O'DonnellEdited by Adam RothenbergUnderscore Intro Music by CutiqueConnect with Me:Website: www.callmeadam.comFacebook: @CallMeAdamNYCInstagram: @CallMeAdamNYCMore on Kelli O'Hara:Kelli O'Hara has unequivocally established herself as one of Broadway's great leading ladies. She recently starred in the Tony Award-winning revival of South Pacific at Lincoln Center, enrapturing audiences and critics alike with her soulful and complex interpretation of Nellie Forbush, and garnering a third Tony nomination.A native of Oklahoma, Kelli received a degree in opera, and, after winning the State Metropolitan Opera Competition, moved to New York and enrolled in the Lee Strasberg Institute.She made her Broadway debut in Jekyll & Hyde and followed it with Sondheim's Follies, Sweet Smell of Success opposite John Lithgow, and Dracula. In 2003 Kelli committed to a production of The Light in the Piazza at Seattle's Intiman Theatre. The show landed on Broadway in 2005 and earned Kelli her first Tony and Drama Desk Award nominations. She moved from one huge critical and commercial success to another when she joined Harry Connick on Broadway in the 2006 Tony award-winning production of The Pajama Game, for which Kelli received Tony, Drama Desk, and Outer Critics Award nominations. Kelli has worked regionally and Off Broadway in Sunday in the Park with George at Reprise, My Life With Albertine at Playwright's Horizons, and Beauty at the La Jolla Playhouse.In addition to her critically acclaimed performance as Eliza Doolittle in the New York Philharmonic production of My Fair Lady, Kelli has performed a solo concert at Carnegie Hall with the New York Pops conducted by Rob Fisher. She has sung at Carnegie Hall with Barbara...

This recording from April 11, 2024. Signum MA student Timothy Francis will present his thesis “Administrative Art as Genre in Kafka, Tooker, and Ravn” and respond to questions from the audience in an interactive Thesis Theater. The discussion will be facilitated by Timothy's thesis supervisor, Dr. Gabriel Schenk. Abstract This thesis explores bureaucracy through the works of three artists working in different media: prose, visual art, and bureaucracy itself as a medium. Rooted in an understanding of what constitutes bureaucracy and administration and previous works on the subject, it seeks to explore what might constitute bureaucratic art and what the aims of such an art might be. Building upon existing literature and prior artistic explorations of bureaucracy and their analyses, this thesis aims to understand bureaucratic art and unravel its significance and potential impacts. The works are considered individually and collectively, offering multifaceted insights from different perspectives. By navigating the labyrinth of bureaucratic structures and creative interpretation, this thesis endeavors to shed light on the intersections between bureaucracy and artistry, ultimately paving the way for a deeper appreciation and comprehension of administrative or bureaucratic art. About the Presenter Timothy Francis is a recovering bureaucrat, former public accountant in tax law, and sometimes musician who applies his collaborative and creative lenses outside of the public sector and has been Composer-in-Residence at the Banff Centre for the Arts developing and exploring creative collaborative frameworks for performers, lyricists, and composers. His compositions have been performed worldwide including at the Bregenzer Festspiele by the Vienna Symphony, Carnegie Hall by the New York Pops and the Berlin Film Festival. At Signum University, as a Language and Literature Master's student, his focus has been on discovering works old and new, and exploring various critical lenses, approaches, and their applications. Highlights include the opportunity to read ancient texts in their original language, and focus on areas of interest including semiotics, translation, and adaptation. About Signum Thesis Theaters Each of our master's students writes a thesis at the end of their degree program, exploring a topic of their choice. The Thesis Theater is their opportunity to present their research to a general audience, and answer questions. All are welcome to attend! Registration is open for the Summer 2024 semester! Classes begin Monday, April 29th. To view our upcoming courses: https://signumuniversity.org/degree-p.... Learn about Signum University's mission, leadership and more: https://signumuniversity.org/about/. Want to enjoy Signum's educational offerings? Start here! https://signumuniversity.org/non-degr....

Daisy Prince's directing work includes the Original Off-Broadway production of The Last Five Years and the Original Off-Broadway production of Songs for a New World, both by Jason Robert Brown; It's Only Life: The Songs of John Bucchino at Rubicon Theatre (Los Angeles Ovation Award and Independent Award, Best Direction) also at Theatre Row for SPF and American Songbook at Lincoln Center; Jessica Molaskey's Pentimento with John Pizzarelli, Christine Ebersole, and Frank McCourt at The 92 Street Y. Daisy's concert staging includes Jason Robert Brown and Stephen Sondheim at Town Hall 50th SubCulture Residency Concert June 2019, NYSF Public Theater, PUBLIC SINGS!, Jazz at Lincoln Center's American Songbook Lance Horne: First Things Last, Lyrics and Lyricists at 92nd St. Y, The Genius of Autism, Zankel Hall at Carnegie Hall, and Tom Kitt: An Evening at Stella Del Mare at Joe's Pub. As a performer, Daisy's credits include Merrily We Roll Along (Meg, Original Broadway Cast), Follies in Concert (Young Phyllis, Lincoln Center); Pal Joey (Linda English, Encores! City Center), Michael John LaChiusa's The Petrified Prince (Elise, NYSF Public Theater), and featured performer with The New York Pops at Carnegie Hall. Her recordings include all the above and Grateful: The Songs of John Bucchino. In addition, she co-produced three plays with Bonnie Metzgar and Thalia Field as House Frau, inc. at BACA downtown. Daisy is a graduate of Brown University, has spent 20 years teaching as part of the New York City faculty of Syracuse University's The Tepper Semester, and is a proud member of the SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lou Burno has worked as a professional bass player since the early 1960s, playing with both commercial and jazz groups. He performed with jazz legends John Mehegan, Dill Jones, Zoot Sims, Carmen Leggio, Toots Thielmans, and Bucky Pizzarelli, among others. He attended the Manhattan School of Music where he received both BMus and MMus degrees. After his training at Manhattan, he was a member of the Buffalo Philharmonic Orchestra for four seasons, and then moved to Vienna, Austria to study with Ludwig Streicher at the Vienna Hochschule für Musik. On returning to NYC in the late 1970s, he became a free-lance player, concentrating on both Broadway and concert work. Since his return he's been a member of the Brooklyn Philharmonic, American Symphony Orchestra, and the New York Pops. Among the many Broadway shows he's performed on are “A Funny Thing Happened on the Way to the Forum,” “End of the Rainbow,” and “Guys and Dolls.” Lou has also performed on the soundtracks to many major Hollywood films. He worked in Elaine Stritch's band for eleven years on her one-woman Broadway show, “Elaine Stritch at Liberty,” and her night club appearances at the Carlyle Hotel. He appears in the 2012 documentary film about her, entitled “Shoot Me.” Check out www.thebridgeportjazztrio.com

Peter Filichia, James Marino and Michael Portantiere talk about The Connector @ The Newman Mills Theater at the Robert W. Wilson MCC Theater Space, A Chorus Line @ Argyle Theatre, Munich Medea: Happy Family @ The Women’s Project, The New York Pops – Jazz, Love, and Gershwin: A Century of read more The post This Week on Broadway for February 11, 2024: The Connector @ MCC appeared first on BroadwayRadio.

Broadway star, actress, and singer/songwriter @lauraosnes joins us on the show to talk new music, her upcoming documentary with Backlight Productions, and more. About Laura: LAURA OSNES is a two-time Tony Award nominee for her poignant performances on Broadway in Rodgers & Hammerstein's Cinderella (Drama Desk Award) and Bonnie & Clyde. Other Broadway credits include leading roles in Bandstand, Anything Goes, South Pacific, and Grease, where she won the role of Sandy on NBC's reality talent competition, “You're The One That I Want” at the age of 21. She has starred in five Hallmark original movies: In The Key Of Love, A Homecoming For The Holidays, One Royal Holiday, Raise A Glass To Love, and Christmas in Tahoe, as well as A Dash Of Christmas on Great American Family. She appeared on TV in Fosse/Verdon (F/X), Dynasty (CW), Elementary (CBS), Six By Sondheim (HBO), Live From Lincoln Center: Bernstein On Broadway (PBS), A Capitol Fourth (PBS), Sondheim: The Birthday Concert (PBS), and the Kennedy Center Honors (CBS) salutes to Barbara Cook (2011), Dustin Hoffman (2012), and Dick Van Dyke (2021). Other New York/regional credits include The Scarlet Pimpernel and Crazy For You (Manhattan Concert Productions), The Threepenny Opera (Drama Desk nomination; Atlantic Theater Company); City Center Encores! productions of The Band Wagon, Randy Newman's Faust, and Pipe Dream; The Sound of Music (Carnegie Hall); On The Town (Boston Pops); Carousel (Lyric Opera of Chicago); Broadway: Three Generations (Kennedy Center). In addition to co-creating/producing/touring with Disney Princess - The Concert, she has performed with Michael Feinstein, the New York Philharmonic, The New York Pops, The Mormon Tabernacle Choir, The Boston Pops, and The National Symphony Orchestra, appearing in such venues as Carnegie Hall, The Café Carlyle, Lincoln Center, and The Smith Center in Las Vegas. She can be heard on several original cast recordings, her two solo albums, and on her debut EP of original music "On The Other Side." A recent transfer to Nashville, TN, Laura is currently producing a documentary series with her husband Nathan Johnson, and planning to release new music in 2024! Follow The Libby O Show: Facebook, Twitter, and Instagram: @thelibbyoshow www.thelibbyoshow.com

Valisia LeKae stars as LaVern Baker in Rock & Roll Man. The hit musical is playing at New World Stages. Valisia was nominated for Tony and Grammy Awards playing Diana Ross in Motown: The Musical. Some of her other Broadway and off-Broadway credits include Three Penny Opera, 110 in the Shade, Ragtime, Book of Mormon, Superhero and Almost Heaven: The John Denver Musical. On TV Valisia has been seen in The Marvelous Mrs. Maisel, FBI: Most Wanted, The Blacklist, and Blue Bloods. On March 15 Valisia will be making her Carnegie Hall debut in the show Hittsville: Celebrating Motown with the New York Pops. This episode was recorded August 10, 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

[REBROADCAST FROM April 24, 2023] Legendary singer Barry Manilow speaks about a one-night show at Carnegie Hall this past Spring celebrating the fortieth anniversary of the New York Pops, and his own career. Manilow was honored by various artists, including pop singers and Broadway balladeers.

It is exciting to speak to another musician with whom I have more in common that usual. not only are we both alumni of both Interlochen Arts Academy and New England Conservatory of Music but I find in his music a similar attraction to musical language and style.  This episode is one that I crafted out of our initial audio discussion, trying to incorporate into the episode many examples of Jim Stephenson's prodigious production.  As always my reasoning is many layered.  I want to introduce Stephenson's music to the widest possible audience of course but I also wanted to hear in his own words how he sees music, for example how deeply it is rooted in his many years as a working and professional trumpeter, and how what he composes is unafraid to connect with and touch the listener.  Luckily for me he is a most articulate guest on where contemporary classical music is today as well as its history.  I hope you enjoy this one as much as we enjoyed being able to take the time to get inside the music. Links to Jim's Beautiful Music  Website: https://composerjim.com/composer/ Instagram: https://www.instagram.com/composerjim/?hl=en Works: https://composerjim.com/works/ https://www.cedillerecords.org/artists/james-m-stephenson/ Media, Reviews : https://composerjim.com/about/media-kit/ More about Jim Leading American orchestras, instrumentalists, and wind ensembles around the world have performed the music of Chicago based composer James M. Stephenson, both to critical acclaim and the delight of audiences.  The Boston Herald raved about “straightforward, unabashedly beautiful sounds,” suggesting “Stephenson deserves to be heard again and again!” A formal sense of melody and tonality characterize his works, each embedded in a contemporary soundscape. These qualities, coupled with the composer's keen ability to write to each occasion, have led to a steady stream of commissions and ongoing projects. James M. Stephenson came late to his full-time composing career, having first earned a degree from the New England Conservatory in trumpet performance, and then going on to perform for 17 seasons in the Naples Philharmonic in Florida. The composer is largely self-taught and presents a musical voice that is truly individual. Colleagues and friends encouraged his earliest efforts and enthusiasm followed from all directions. As his catalog grew, so did his reputation. That catalog now boasts concertos and sonatas for nearly every instrument, earning him the moniker “The Concerto King” from Chicago Symphony clarinetist John Yeh. With such prolific output, Stephenson's music is well represented in recordings. Nearly all of his solo brass works (over 50) have been professionally recorded, and in total, his extensive catalog for all instruments can be heard on over 30 CDs. James Stephenson is also a highly sought-after arranger and conductor, rounding out his constantly busy schedule. His arrangements have been  performed/recorded/broadcast by virtually every major orchestra in the country, including the Boston Pops, Cincinnati Pops, New York Pops, and more. Jim originally hails from the Greater Chicago area, as does his wife Sally. In 2007 the couple, along with their four children, returned to the region to pursue the life they now share.be heard on over 30 CDs. James Stephenson is also a highly sought-after arranger and conductor, rounding out his constantly busy schedule. Jim originally hails from the Greater Chicago area, as does his wife Sally. In 2007 the couple, along with their four children, returned to the region to pursue the life they now share. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mitch-hampton/message Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

Legendary singer Barry Manilow joins to speak about the upcoming one-night show at Carnegie Hall celebrating the fortieth anniversary of the New York Pops. Manilow will be honored by various artists including pop singers and Broadway balladeers.

Trumpeter/composer/arranger/bandleader/educator Tony Kadleck is one of the most sought-after trumpet players on the New York City scene, and has been for some time. He moved to NYC in 1986, following his studies at the New England Conservatory–and a stint in the trumpet section of The Buddy Rich Big Band–and his phone has been ringing ever since. For good reason; at every turn, Kadleck puts the music first, and more than takes care of business. He graduated from the Manhattan School of Music in 1989 and quickly hit the road with the likes of Frank Sinatra, Barbara Streisand, Blood Sweat & Tears, and others. Eventually, Kadleck was in such high demand locally, for studio and stage work, that touring took a back seat. He played on countless jingles, scores for TV and film, and worked with the cream of the crop, including Luther Vandross, Michael Jackson, Elton John, Celine Dion, Stevie Wonder, Ella Fitzgerald, Issac Hayes, and most recently Steely Dan, Tony Bennett/Lady Gaga, Santana, Weezer, Steve Tyrell, and many, many others. In addition to an on-going abundance of freelance sideman work with NYC's A-list artists, Kadleck is currently a member of many organizations, including the New York Pops, John Pizzarelli's “Swing Seven”, the Maria Schneider Orchestra, John Fedchock's NY Big Band, and can currently be heard on Broadway in the band for “MJ”.     To say that Kadleck is a rare bird is a major understatement. Possessing the expertise, musical acumen, phrasing, range, chops, and the desire to handle gigs as diverse as the New York Pops and The Who (for example) with straight-ahead professionalism and excellence is not common. His prowess now bears fruit on his own project, Sides (to be released on Marshall Gilkes' Alternate Side Records on February 10, 2023), which follows up his previous big band album, Around The Horn, and his debut as a leader, Extended Outlook. 

Peter Filichia, James Marino, and Michael Portantiere talk about Pictures From Home, 33rd Annual Kleban Prize for Musical Theatre, Lucy @ Minetta Lane Theatre, Heather Headley @ Carnegie Hall with The New York Pops, Othello @ New Place Players, Melissa Errico @ Birdland, and Burt Bacharach “This Week on Broadway” read more The post This Week on Broadway for February 12, 2023: Pictures From Home appeared first on BroadwayRadio.

Diana Byer This week Ivy Slater, host of Her Success Story, chats with her guest, Diana Byer. The two talk about the lessons and life skills that New York Theatre Ballet School offers, why she is such an advocate for the arts, and the impact they have seen in all of their students. In this episode, we discuss: Diana's background and her journey from performer to businesswoman and advocate for the arts How a 3-month project turned into a 44-year career What compelled the scholarship program, LIFT, to begin What makes this more than a dance class Lessons and life skills New York Theatre Ballet School offers How they navigated through the pandemic The impact Diana has seen in the students What surprises she has found along the way How the idea for the LIFT movie started and when it will release Diana's vision for the future and how she hopes to relieve the problem of homelessness in communities everywhere Diana Byer is the founder and Artistic Director Emerita of New York Theatre Ballet (NYTB) and Director of New York Theatre Ballet School. A former professional dancer, she was a long-time pupil and colleague of Margaret Craske, who was Director of Ballet Instruction at New York Theatre Ballet School until her retirement. Byer is a répétiteur for The Antony Tudor Trust, a member of the Board of Directors of the Dance Notation Bureau and the Clive and Valerie Barnes Foundation, an Education Ambassador for The New York Pops. She has also served on the Dance Portal Advisory Board of The Children's Museum of Manhattan. She has staged the ballets of Antony Tudor for American Ballet Theatre (ABT) and The Hartt School, and the ballets of Agnes de Mille for the Alabama Ballet and ABT. She also coached the principals for the Columbia Pictures film, Center Stage. In 1988, Ms. Byer founded NYTB's community LIFT program, providing dance classes, scholarships, and services to homeless and at-risk New York City children. (She has received the Helen Wieselberg Award from the National Arts Club and a Humanitarian Hero recognition from Good Housekeeping Magazine for her ongoing work with LIFT.) A feature-length film, documenting Byer's journey of LIFT was featured at the 2022 Tribeca Festival. Website: https://nytb.org/Facebook: https://www.facebook.com/NYTheatreBallet/ Twitter: https://twitter.com/NYTheatreBallet Vimeo: https://vimeo.com/user5961657 YouTube: https://www.youtube.com/user/TheNYTB Instagram: https://www.instagram.com/nytheatreballet/

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Javier Diaz is a percussionist, educator, and composer active in New York City. Javier regularly plays with the American Symphony Orchestra, chamber music groups, and Latin Jazz/Afro-Cuban folkloric groups in the New York area. He has performed with the Los Angeles Philharmonic, the Metropolitan Opera Orchestra, New York Chamber Symphony, New Jersey Symphony, New York Pops, New York Perspectives Ensemble, John Adams' Zankel Hall New Music Band, and the Hilliard Ensemble. He has been the principal percussionist in the Broadway productions of Guys and Dolls, Phil Collins' Tarzan, The Wiz, Women on the Verge of a Nervous Breakdown, Rocky, Ain't Too Proud: The Life and Times of The Temptations, Gloria Estefan's On Your Feet!, and Once on This Island.Javier's studio credits include Steven Spielberg's West Side Story, Lin Manuel Miranda's In The Heights, ECM's Tituli (with the Hilliard Ensemble) by Stephen Hartke, two albums with David Sanborn, including Time and the River (produced by Marcus Miller), award-winning films such as Tango Flush and Jesus Camp, and many TV and radio commercials. As an Afro-Cuban/Pop percussion specialist, Javier has appeared with: Sean Kingston, Diana Ross, Gladys Knight, Chaka Khan, Patty La Belle, Lázaro Galarraga's Afro-Cuban All Stars, percussionists Angel Luís Figueroa, Cándido Camero, Román Díaz, Pedro Martínez, The Pan-American Jazz Band, The Ethnix, Anette Aguilar's Latin Jazz Group, Marta Topferova, Edmar Castañeda, Tribal Sage World Music duo project with multi-percussionist Roger Squitero, World Percussion group Kalunga, and the New York World Music Institute. An active educator,Javier has taught concert percussion at El Sistema de Orquestas Juveniles e Infantiles de Venezuela, the University of Connecticut, Rutgers University, Queens College (CUNY), New York University, and at his private teaching studio in New York City and New Jersey. He has also taught Afro-Cuban percussion seminars, classes, and clinics at the Peabody Institute, University of Southern California, Percussion Artists Workshops Los Angeles/New York, Los Angeles School District, The Juilliard School, Rutgers University, Queens College, New York University, Boston Conservatory, University of Minnesota, and Mannes School of Music in New York City.Mr. Diaz currently teaches the Afro-Latin percussion survey at the Juilliard School and directs the Afro-Cuban Percussion Ensemble at Rutgers University. His most recent book on Afro-Cuban percussion, The Afro-Cuban Handbook, has become an instant classic of the percussion literature. As a composer, Javier has written chamber music, solo pieces, orchestral works, and electronic music.He has been commissioned by the Aspen Music Festival, New York University, and the University of Southern California. An alumnus of El Sistema de Orquestas Juveniles e Infantiles de Venezuela and the Aspen Music Festival, Javier holds a BM from the University of Southern California, a MM from The Juilliard School, and a DMA from The Graduate Center (City University of New York).Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

You name it, Michelle Elkin has done it. She has had her hand in almost all facets of the industry - TV, film, theatre, education, all of it. She lives and breathes it. We chat about: how to stay grounded through the up's and down's of the industryher favorite way to cast dancersthe differences in creating for film vs. stageand oh so much more!Michelle on InstagramMichelle Elkin has served as Choreographer most recently for an episode of Young Sheldon (season 6, airing this Fall) and is currently in rehearsals for “13 the Musical”.  Other Credits include Sutton Foster and Jonathon Groff Live At Lincoln Center for PBS, the tv series Younger, an episode of The Marvelous Mrs. Maisel and Young Sheldon with Jason Alexander and David Hasselhoff. She was seen on Netflix as a co star in Gilmore Girls “Winter”. She also choreographed the TV show Me and My Grandma with Rhea Perlman, as well as a Southwest Airlines web spot. Select Theater credits include a Regional Production of Something Rotten, The Goodbye Girl (MTG), Broadway To The Rescue (Montalban Theater), Hunchback Of Notre Dame (Broadway World Awards Nominee) Sister Act The musical (Broadway World Awards Nominee, Scenie Award), a piece for the NSO Pops Opening at Kennedy Center and  “Children Of Eden” (Broadway World Awards Nominee). She also created musical numbers featuring Sutton Foster and special guest Joshua Henry for the National Symphony Orchestra at Kennedy Center, the New York Pops at Carnegie Hall and the Houston Symphony at Jones Hall. She has also lent her choreographic talents to the hit ABC Family show, Baby Daddy, a TNT pilot titled “Dawn” directed by Sam Raimi as well as a production of Little Shop Of Horrors in Tampa, FL, the feature films Wild Hogs and What Just Happened, as well as Emmy award winning television shows, Boston Legal, Weeds, Lifetime's reality show “Your Mama Don't Dance”, Warren The Ape on MTV, Marvin, Marvin on Nickelodeon, as well as the tap sequences in ABC Family's Bunheads. She made her professional debut at the age of 8 in the movie musical “Annie”. Since then, she continued to work in numerous film, television, commercial, and theater projects as a dancer and assistant choreographer such as Bunheads, Boston Legal, Joan Of Arcadia, Boston Public, Ally McBeal, Charmed, American Idol, the tv series Fame LA, 3rd Rock from the Sun, That 70's Show, Tracey Takes On, The Country Bears, Batman and Robin, Austin Powers I-III, A Time For Dancing, and Elizabethtown. She was the Associate Choreographer for the films, Semi-Pro, Tropic Thunder, 10 Things I Hate About You, Cinderelmo, Looney Tunes: Back In Action, 13 Going on 30, Starsky and Hutch, tv series Viva Laughlin, Dancing With The Stars, the musical, Sister Act at Pasadena Playhouse, as well as the 58th Emmy Awards with Conan O' Brien, the 63rd Emmy Awards with Jane Lynch and 81st Academy Awards with Hugh Jackman. Michelle was also the Associate Choreographer of the Broadway show, Wonderland at the Marriott Marquis Theater.Hey y'all! I'm the voice behind the DC:U pod and MNTR MGMT. After 15 years in the industry as a choreographer, dancer, producer, educator and more, I'm now working closely with dance artists on professional development, business skills and digital enhancement. Curious? join the mntrU Crew or book a 1:1 sesh.Connect with me on Insta @mntr.mgmt

THIS WEEK'S TOPIC:Join us and learn what emotional intelligence (EQ) is and how it can work on a go-to-market team. As well as how to identify talent and pursue equitable hiring, and motiving folx in a remote-first culture; all while keeping numbers central to your success.We will also discuss:Leading a sales team (or any team) in a pandemic is challenging; how do we thrive together?How digital comms norms continue to evolve but human connection and trust remain central to lasting relationshipsTHIS WEEK'S GUEST:Elizabeth Ritzcovan, also known as Liz, has been the Chief Revenue Officer at Hustle since 2021. Ms. Ritzcovan is responsible for the overall leadership of Hustle's Go-To-Market organization, including sales, market development, sales operations, client services, and marketing. She has served as Global Chief Revenue Officer of Namogoo, Foursquare, Bazaarvoice, Sizmek, and Parade Media Group. Prior to that, she served as a Vice President at Yahoo! and Time. She has 20 years of print, digital media, and software sales experience with industry-leading organizations. She started her career in print media, where she held a number of roles with Conde Nast Publications, Miller Publishing, and H & H Publishing. Active in the New York community and industry, she serves as a Strategic Advisor to DigiFSi, a start-up for digital coupon solutions. She serves on the board of the New York Pops and also as an Executive Member of the Advertising Women of New York.Support the show

Big Hats, Big Voice, True Shine Season three, From Heartache to the Art of Healing, features “triple threat” actor, singer, dancer (and so much more) Gabrielle Lee, in conversation with podcast host and life, loss and grief master therapist Bernadette Winters Bell, LMSW PLLC about how the art of theatre brings healing to audiences and performers alike. Gabrielle Lee, Theater Graduate, Eugene O'Neill Theater Center Performance Scholar recipient, is at home in Orchestra/Big Band/Cabaret performance, theater, TV, film, popular music, American Songbook; commercial, print and hat modeling. New Year 2022, Gabrielle made her NY Feinstein's 54Below debut with her original solo show, A Tin Pan Alley Black History Celebration which acknowledges and celebrates the legacy of African American contributors of the Tin Pan Alley American Songbook Era. Gabrielle was recently seen in film festivals around the country in the HBO Max nominated dramatic short 27 Candles starring the amazing Michael Potts. Her most recent Guest Star roles include Bull, God Friended Me and FBI. Gabrielle has made previous co-star appearances on Madam Secretary, The Affair, Difficult People, The Good Wife, Law & Order and the film- Twelve. Gabrielle has performed title roles in theater companies around the country -she most recently reprised the role of Ada “Bricktop” Smith in Bricktop: Legend of the Jazz Age once again. Prior to that she performed the role of Mrs. Dickson in Lynn Nottage's warm, heart wrenching drama, Intimate Apparel. Other roles/theaters include: Broadway at Music Circus, Meadowbrook Theater, Wang Theater, The Fabulous Fox, The Greek Theater, Riverside Theater, Crossroads Theater, Shubert Theater(s), Paper Mill Playhouse, Gretna Theater and more. The productions have been as varied as the locations: All Night Strut, (Broadway World Winner), Once On This Island, Ain't Misbehavin, Little Shop of Horrors, Smokey Joe's Café, Blackbirds of Broadway, Dreamgirls, Showboat, Man of La Mancha and more. Gabrielle portrayed the legendary Doyenne of Paris Cafe' Society -Ada Bricktop Smith in the World Premier of Bricktop: Legend of the Jazz Age which debuted at the National Black Theater Festival's 30th Anniversary. Gabrielle has worked as a backing vocalist and made special appearances with: Natalie Cole, Steely Dan, Marvin Hamlish and friends, Michael Bolton and Harry Belafonte. Gabrielle leads backing vocals for Harry Belafonte's birthday celebration concerts, with the Harry Belafonte Alumni Band; most recently at New York's Town Hall Theater and the legendary Apollo Theater -backing such R&B Artists as Common, Sheila E., Usher, Aloe Blacc, Alice Smith, Angelique Kidjo, Sweet Honey in the Rock among others. She is a thriving solo Guest Artist globally, recurring in such countries as Switzerland, France, Holland, Germany, Asia and more. In the U.S. she has appeared as a guest vocalist with notable orchestras including the New York Pops, Cab Calloway and Ray Charles Orchestras. Extending life beyond the mainstage Gabrielle focuses on leading benefit performances and campaigns in service to communities around the world, with the Barry Levitt Foundation in Jazz Cabaret, Broadway Runners with Broadway Cares, Sing For Your Seniors (SFYF),Mentorship with CRU, entertaining troops and veterans, and happy to be an International Ambassador granting wishes with Make-A-Wish Foundation Int'l. Gabrielle co-established the educational scholarship fund “RiseHaiti” that provides books, learning materials, and college tuition to graduating Seniors at ICCV School in Port Au Prince, Haiti. Gabrielle provides virtual book reads with Scholastic Inc. and is an active supporter of NABU -a fantastic organization that provides access to literacy Globally. Learn more at https://www.gabriellelee.com/

Drawing on the concepts presented in Matt's book, Hooks: Lessons on Performance, Business, and Life from a Working Musician, Stuart Malina  joins Matt to discusshis role in creating Movin' Out and a reflection on the show 20 years later,multiple strategies for masterful performance,utilizing and discerning opinions,and maintaining a balanced perspective professionally and personally.In a wide variety of concerts, from masterworks and grand opera to pops, Stuart Malina's ease on the podium, engaging personality, and insightful interpretations have thrilled audiences and helped break down the barriers between performer and listener.This year marks Stuart's 22nd season as Music Director and conductor of the Harrisburg Symphony Orchestra. In June 2022, he was named Music Director of the Greenwich Symphony Orchestra in Greenwich, CT, where he will begin conducting concerts in September of 2023. Throughout his career, he has conducted and directed multiple orchestras around the world. His Carnegie Hall debut was in 2007, where he conducted the New York Pops in an all-Gershwin tribute, including Rhapsody in Blue, which he conducted from the keyboard.He's also an accomplished pianist; Stuart has impressive credits as a soloist and chamber musician. He has performed concertos in Harrisburg, Greensboro, Charleston, New York, and Chautauqua, most often conducting from the keyboard. As a composer and arranger, he has created dozens of orchestral works, ranging from entire pops shows to works for symphony orchestra. His most recent composition, Common Fanfare for an Uncommon Orchestra, received its world premiere by the Harrisburg Symphony Orchestra in September 2017.Stuart's activities also extend to Broadway. In 2003, he won the Tony award for orchestration with Billy Joel for the musical Movin' Out. He acted in Terrence McNally's Tony Award-winning play Master Class, opposite Zoe Caldwell and Audra MacDonald, at the Kennedy Center in Washington, DC. He has also served as associate conductor of the national touring company of West Side Story and as conductor of the Charleston production of Porgy and Bess. In May 2020, Stuart received an honorary doctorate from Lebanon Valley College. He has received the Joanne Rogers Award for contribution to the artistic life of Pennsylvania, the Jump Street Spectrum Award, the Lebanon Valley College's 2012 Founders Day, the Award for Distinguished Service to the Arts from Theater Harrisburg, and Leadership Harrisburg's Platinum Award for Servant Leadership.Stuart holds degrees from Harvard University, the Yale School of Music, and the Curtis Institute of Music, where he studied conducting with Otto-Werner Mueller. He studied piano with Drora and Baruch Arnon and with Keiko Sato.  He resides in Harrisburg, Pennsylvania, with his wife, Marty. They are the proud parents of two children, Sara and Zev.  Stuartmalina.comMatt Wilson gained national exposure as the "Piano Man" in the First National Tour of the Billy Joel and Twyla Tharp's Tony-award-winning musical Movin' Out. In 2005, the Texas State Senate honored Matt with a resolution for his achievements in Fine Arts, and he was accepted to the 2016 - 2018 Texas Commission on the Arts Touring Roster. Matt continues to tour with his band, headlining numerous public, private, and social events of all sizes. In 2021, Matt released his first book, Hooks: Lessons on Performance, Business, and Life from a Working Musician, available on Amazon and iBooks.Support the show

Ever think that your neighbor is so annoying that you might cast them as a villain in your next novel? Well, Joanne Lessner has. She is a polymath who has been singing, writing, acting and performing since college. Is she the most famous? No. Has she made it to Broadway? Well, yes, but most of her career has not been there. Has she built a family and a body of art that she is immensely and justifiably proud of? Absolutely. Take a listen. Here is a link to Joanne's website: http://joannesydneylessner.com/ Here is her bio: Joanne Sydney Lessner is a writer, singer, and actor. Joanne's debut novel Pandora's Bottle was inspired by the true story of the world's most expensive bottle of wine and named one of the top five books of 2010 by Paperback Dolls. She has written four novels featuring aspiring actress and amateur sleuth Isobel Spice: The Temporary Detective (BloodWrites Award for Best New Mystery), Bad Publicity, And Justice for Some, and Offed Stage Left. “The Ghosts' High Noon,” an Isobel Spice short story, is available on this site as a free download. Joanne has written the book and lyrics to several musicals with her husband, composer/conductor Joshua Rosenblum, including the cult hit Fermat's Last Tango, which received its Off-Broadway premiere at the York Theatre Company. The original cast recording became a bestseller, and the DVD has been screened at festivals from New Jersey to New Zealand. The Teatro da Trindade in Lisbon, Portugal, presented the European premiere and subsequently gave the world premiere of their next musical, Einstein's Dreams, based on the celebrated novel by Alan Lightman. Their musical Garbo and Me was presented in concert at the York Theatre Company and the historic Paramount Theatre in Rutland, Vermont, while their adaptation of Wilkie Collins's The Haunted Hotel was unveiled at the Signature Theatre Company in Arlington, Virginia. Their musical revue Love is Not a Science was presented at London's Royal Central School of Speech and Drama, where they will return with a musical based on Edna Ferber and George S. Kaufman's classic play, Stage Door. Joanne's play, Critical Mass, received its New York premiere at the Lion Theatre on Theatre Row as winner of the Heiress Productions Playwriting Competition. She is also a regular contributing writer to Opera News. A remarkably versatile performer, Joanne has appeared on Broadway in Cyrano: The Musical, and in other New York City venues in roles as varied as Charlotte in A Little Night Music, Juliet in Romeo and Juliet, Susanna in Le Nozze di Figaro, and Cis in the cabaret version of William Bolcom's Casino Paradise, which the New York Times named “one of the year's ten best events in classical music.” She has performed in concert as a soloist with New York City Opera Vox, New York Festival of Song, The New York Pops at Carnegie Hall, Lincoln Center's American Songbook, and the Harrisburg and Albany Symphonies. Joanne has also played ten principal Gilbert and Sullivan roles with the award-winning Blue Hill Troupe, including Julia Jellicoe in The Grand Duke, for which she was honored as Best Female Performer at the International Gilbert and Sullivan Festival in Buxton, England. Joanne holds a BA in music, summa cum laude, from Yale University

Paul Oakley Stovall - Clear, Porchlight Music Theatre Loraine Edwalds & Midge Stocker - Artemis Singers Steven Reineke - Music Director of New York Pops at Carnegie Hall conducting Kelli O'Hara Sings Broadway at Chicago Symphony Orchestra Mikael Burke (director) - About Face Theatre - The Magnolia Ballet

Thank you for reading Broadway Drumming 101. This post is public, so feel free to share it.Born in Manhattan and raised in Hastings-on-Hudson, NY, Clint de Ganon was six years old when he started drum lessons. Clint studied drumset with many great teachers in high school, including the great Sonny Igo and Gary Chester.After moving to NYC, Clint met bassist Gordon Edwards at a jam session at Mikell's. Gordon introduced Clint to Cornell Dupree. This meeting led to many opportunities to perform and record with an incredible list of artists; Cissy Houston, Brooke Benton, Jon Tropea, The Manhattan Transfer, The Fab Faux, Lloyd Price, Bob James, Chuck Loeb, Michael Franks, Will Lee, Hiram Bullock, Blood, Sweat, & Tears, Stuff, Tom Scott, Liza Minnelli, Phoebe Snow, Tony Conniff, Christopher Cross, The Blues Brothers, Take 6, Renée Fleming, Paula Cole, Donovan, Elvis Costello, Dionne Warwick, Jimmy Buffet and the great Billy Preston.Clint enjoys guesting every season with the New York Pops at Carnegie Hall and occasionally with the Houston Symphony. He has performed with dozens of orchestras over the years, including the Boston Pops, the National Symphony, the LA Phil, the Baltimore Symphony, the Colorado Symphony, and many others.For several seasons now, Clint has played drums for the Marvelous Mrs. Maisel. He was recently cast to be on-camera, where he can be seen in several episodes of the show's fifth & final season. Other TV and movie appearances include Halston, Letterman, The View, Good Morning America, My Crazy Ex-GF, & Saturday Night Live.Clint was recently honored to be the drummer on the new Stephen Spielberg remake of “West Side Story and made a brief appearance in the movie too!Clint held the drum chair for 13 Broadway musicals; “Beautiful,” “Hairspray,” “Catch Me If You Can,” “Bonnie & Clyde,” “Footloose,” “Jesus Christ Superstar,” “Rocky Horror Live,” and many others. He originated the drum books for 9 of these shows and played drums on the movie “Hairspray” and the tv show “Hairspray Live.”Clint proudly endorses Yamaha Drums, Zildjian Cymbals, Promark Drumsticks, & Attack drum heads.To continue producing the high-quality podcasts you're listening to, publishing engaging newsletter content, and posting YouTube videos, and we would appreciate any financial contributions you can make. At this time, we have no advertisers, and we'd like to keep it that way. Our staff is small but growing. We can only produce this show with listener contributions from people like you!There are a couple of ways you can do that:You can sign up to be a monthly or annual subscriber here:Contribute through PayPal at PayPal.Me/broadwaydrumming101Donate with Venmo: @broadwaydrumming101Or help keep us caffeinated by buying us a cup of coffee (or a week's worth) at buymeacoffee.com/BD101We appreciate any support you can give!Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Born in Manhattan and raised in Hastings-on-Hudson, NY, Clint de Ganon was six years old when he started drum lessons. Clint studied drumset with many great teachers in high school, including the great Sonny Igo and Gary Chester. After moving to NYC, Clint met bassist Gordon Edwards at a jam session at Mikell's. Gordon introduced Clint to Cornell Dupree. This meeting led to many opportunities to perform and record with an incredible list of artists; Cissy Houston, Brooke Benton, Jon Tropea, The Manhattan Transfer, The Fab Faux, Lloyd Price, Bob James, Chuck Loeb, Michael Franks, Will Lee, Hiram Bullock, Blood, Sweat, & Tears, Stuff, Tom Scott, Liza Minnelli, Phoebe Snow, Tony Conniff, Christopher Cross, The Blues Brothers, Take 6, Renée Fleming, Paula Cole, Donovan, Elvis Costello, Dionne Warwick, Jimmy Buffet and the great Billy Preston. Clint enjoys guesting every season with the New York Pops at Carnegie Hall and occasionally with the Houston Symphony. He has performed with dozens of orchestras over the years, including the Boston Pops, the National Symphony, the LA Phil, the Baltimore Symphony, the Colorado Symphony, and many others.For several seasons now, Clint has played drums for the Marvelous Mrs. Maisel. He was recently cast to be on-camera, where he can be seen in several episodes of the show's fifth & final season. Other TV and movie appearances include Halston, Letterman, The View, Good Morning America, My Crazy Ex-GF, & Saturday Night Live.Clint was recently honored to be the drummer on the new Stephen Spielberg remake of “West Side Story and made a brief appearance in the actual movie too! Clint held the drum chair for 13 Broadway musicals; “Beautiful,” “Hairspray,” “Catch Me If You Can,” “Bonnie & Clyde,” “Footloose,” “Jesus Christ Superstar,” “Rocky Horror Live,” and many others. He originated the drum books for 9 of these shows and played drums on the movie “Hairspray” and the tv show “Hairspray Live.”Clint proudly endorses Yamaha Drums, Zildjian Cymbals, Promark Drumsticks, & Attack drum heads.To continue the high-quality content flowing into your email inbox, we would appreciate any financial contributions you can make. If you'd like to become a voluntarily paid subscriber, click this red button and sign up to be a monthly or annual subscriber – or, if you are feeling super generous, be a Founding Member:You can also contribute ANY amount you wish by using these methods.* Buy me a cup of coffee (or a week's worth) by clicking here.* Check: send a simple email to broadwaydrumming101@substack.com and ask where you can send that glorious piece of paper.• PayPal. PayPal.Me/broadwaydrumming101• Venmo: @broadwaydrumming101I appreciate your support!Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Eric Jordan Young is an accomplished Producer, Director, Choreographer, Entertainer, Playwright and Songwriter. He has appeared on Broadway in Ragtime ('98 and '09 revival), Chicago, Seussical, and The Look of Love, as well as Off-Broadway, in national tours and for various regional theatres. Eric has also performed with several Symphonies throughout the country and the New York Pops at Carnegie Hall. His solo album Once In A Lifetime, was produced by his company EnJoY! Productions and his one-man musical Sammy & Me is the winner of the ArtVoice and Salt Awards. Eric served as the Resident Director of Baz (Venetian/Palazzo) and loves working as a Creative Director for original projects including Renegades at Caesars Palace and Drag Supper Club.  Eric is currently the Associate Director for the Norwegian Cruise Line production of Footloose and the recent production of Rock of Ages in Hollywood, CA.

Megan Hilty is a Tony Award nominated actress and singer who may be best known for her portrayal of Glinda in Wicked. Other credits include Broadway's 9 to 5: The Musical as Doralee Rhodes and Noises Off as Brooke Ashton (which also earned her Tony Award and Drama Desk Award nominations), as well as Annie Get Your Gun and Gentlemen Prefer Blondes at New York City Center. She became a worldwide triple threat known as Ivy Lynn on NBC's musical drama Smash, with other television credits including Girlfriends' Guide To Divorce, The Good Wife, BrainDead, Sean Saves the World, Louie, Desperate Housewives, and Ugly Betty among many others. Megan has performed across the globe to sold out houses, including concerts with the New York Pops at Carnegie Hall, the National Symphony Orchestra at the Kennedy Center and the New York Philharmonic at Lincoln Center. She's recorded three albums of her own and is now making her 54/Below debut with a six show series running from November 2-7th.  Growing up outside Seattle, Washington, Megan was an avid singer and a veteran performer within her local community theater. She chats with us about what first drew her to theater as a child, and what keeps her coming back to the stage even with a successful film and tv career. While in LA with Wicked, Megan recalls realizing the need to diversify her career, and shares how she began her journey into the TV and film world. She reflects on the heartbreak of closing 9 to 5: The Musical, and speaks candidly about leaving NYC, pounding the pavement in LA, and finding herself in an audition room for Smash. Megan also gives us an inside look at her upcoming 54 Below debut, which she calls “a huge pinch me moment”.  In this episode, we talk about:  Almost going the opera singer route  Being inspired by Bernadette Peters' career Landing Wicked in NYC right out of college  The reality of the harsh comparisons and criticisms actresses endure  Performing with Brian Stokes Mitchell  Connect with Megan: Get tix to her 54/Below event IG: @meganhilty Twitter: @meganhilty Subscribe to the 54/Below Podcast: bpn.fm/54below Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

For Video Edition, Please Click and Subscribe Here: https://youtu.be/XDCWQMtU1_8 DAVIS GAINES performed the title role in Andrew Lloyd Webber's The Phantom of the Opera over 2,000 times, during his run on Broadway, in Los Angeles, (where he remains LA's longest-running Phantom), and in San Francisco, (where he received the Bay Area Critics' Award for Best Actor). Subsequently, he was chosen by Hal Prince and Lloyd Webber to play the leading role in the World Premiere of Whistle Down the Wind. Other Broadway and National Tour credits include Raoul in The Phantom of the Opera, Cornelius Hackl in Hello, Dolly! (with Carol Channing), Camelot (with Richard Burton) and The Best Little Whorehouse in Texas (with Alexis Smith). Gaines' Off-Broadway appearances include Des McAnuff's The Death of Von Richthofen as Witnessed from Earth, the Maury Yeston/Larry Gelbart musical One Two Three Four Five, Stephen Sondheim's Assassins, She Loves Me and Forbidden Broadway. He made his New York City Opera debut in The New Moon and appeared in the concert versions of Parade, Sitting Pretty, The Cat and the Fiddle, Pippin and the Encores production of The Boys from Syracuse. Additionally, Gaines has sung for six U.S. Presidents and with every major symphony orchestra in North America, including the New York Pops at Carnegie Hall and the Hollywood Bowl Orchestra at the Hollywood Bowl. He has performed in cabaret in New York at ‘Feinstein's at Loews Regency' and ‘Rainbow and Stars', Hollywood's ‘Cinegrill' and San Francisco's ‘Plush Room'. Gaines currently resides in Los Angeles and is a frequent singer of our National Anthem for the Los Angeles Lakers, Clippers, Kings and Dodgers. www.facebook.com/DavisGainesActor

I hope to be around at 93, but to accomplish what Marilyn Maye has done in her time on earth, you must be an incredibly dedicated human. Listen to her talk about her remarkable career and what she has planned for Provincetown at The Art House this season. "MARK CORTALE & BROADWAY @ THE ART HOUSE are proud to present the legendary MARILYN MAYE with BILLY STRITCH at the piano for 10 shows only. Marilyn Maye is a highly praised singer, actress, director, arranger, educator, Grammy-nominated recording artist and a musical treasure. Her entire life has been committed to the art of song and performance. The award-winning Ms. Maye appeared 76 times on The Tonight Show Starring Johnny Carson, the record for a singer. Perhaps the simplest Marilyn Maye accolade came after one of her show-stopping appearances on The Tonight Show when, turning to his audience of millions, Johnny Carson said, And that, young singers, is the way its done. Marilyn began her professional singing career by winning a 13-week appearance on radio station WIBW, Topeka, Kansas, at age 9. She has been committed her entire life to the art of song and performance. During her eleven-year engagement at the Colony in Kansas City, she was discovered by Steve Allen, who was the first to present her various times to a national television audience. The Steve Allen performances led her to an RCA recording contract. Her RCA recordings consist of seven albums and 34 singles, including the first hit recordings of Cabaret and Step to the Rear. Her album with full orchestra, The Lamp is Low, is considered a classic. Her place in American music history was assured when the Arts Council of the Smithsonian Institution selected one of her recordings, Too Late Now, for the Smithsonian-produced album of the 110 Best American Compositions of the Twentieth Century. Her many symphony concert appearances around the United States include the Florida Symphony, The Philly Pops, The Phoenix Symphony, The Kansas City Symphony, The Omaha Symphony, and in June, 2015, The Pasadena Symphony, Michael Feinstein conducting. Her two appearances with the New York Pops at Carnegie Hall for tributes to Stephen Sondheim and Frank Loesser received show-stopping applause and rave reviews." --- Support this podcast: https://podcasters.spotify.com/pod/show/stephanie7502/support

Since his Carnegie Hall debut with Skitch Henderson and the New York Pops, Trumpeter and Conductor Byron Stripling has become a Pops orchestra favorite, soloing with Boston Pops, National Symphony, Pittsburgh Symphony, Cincinnati Pops, Seattle Symphony, Baltimore Symphony, Dallas Symphony, to name a few. He has been a featured soloist at the Hollywood Bowl and on the PBS television special, "Evening at Pops," with conductors John Williams and Keith Lockhart. Currently, he serves as artistic director and conductor of the highly acclaimed Columbus Jazz Orchestra. On Saturday afternoon, July 17 at 2:30 p.m. he will be conducting the Tanglewood Family Concert - "American Melodies" - with members of the Boston Symphony Orchestra. It is a family-friendly journey through the early songs that defined America, from folk songs to spirituals, gospel to jazz.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/TOJgXjLxMPE https://www.maestrodar.com DAVID ANDREWS ROGERS Music Director/Conductor David Andrews Rogers - frequently known as DAR - is currently Music Director and Conductor for the World tour of The Phantom of the Opera. That production opened in early 2019 in Manila, Philippines; and although now on a brief pandemic-hiatus, they are scheduled to reopen this summer in Shanghai, followed by a year of performances throughout Mainland China. He was also Music Director and Conductor for the Broadway first national tour of An American in Paris, Andrew Lloyd Webber’s production of The Wizard of Oz, Topol’s farewell tour of Fiddler on the Roof, as well as the Broadway national tours of Chicago, Cats, Show Boat, and Les Misérables. DAR’s additional conducting credits include the New York Pops at Carnegie Hall, New York’s Lincoln Center, and Harlem’s legendary Apollo Theatre. He has conducted and/or written orchestrations for Broadway stars and pop artists including Harvey Fierstein, Patti LuPone, Joel Grey, Sutton Foster, Kristin Chenoweth, Nell Carter, Sheena Easton, Olivia Newton-John, Theodore Bikel, Florence Henderson, Len Cariou, Sandy Duncan, and over 10 years, as Music Director and Conductor for 80s pop star Debbie Gibson. His other credits include symphony pops concerts, recordings, and numerous readings of new musicals, as well as over 150 productions in US regional theatre, including Washington DC’s Ford’s Theatre, Sacramento Music Circus, Casa Manana in Fort Worth, Texas, Westchester Broadway Theatre, and over 50 hit productions at his favorite summer theatre home, Oklahoma City’s Lyric Theatre.

I was thrilled when my good friend and musical colleague from my Music for People days asked me to be on her wonderful Sounds of Healing Podcast. We decided to create a 'soulversation' for both of our podcasts as we dove into The Sounds of Mindful Living from the Heart which I have renamed Soundful Living from the Heart for our Musitations podcast episode 9! A particularly special, heartfelt part of this particularly soulversation is our sharing about our beloved teacher, friend, mentor and colleague Grammy winning cellist David Darling who passed away earlier this year. Here is a little more about Karen's amazing work and background: Dr. Olson uses her sound healing method to help people find peace, freedom and the power to live their dreams. She has established herself as an authority in emotional and physical wellbeing. Her education, training and personal experience is the subject of her award-winning book, SoundPath: Using the Power of Sound and Silence for Health, Harmony and Happiness Karen draws upon a rich background of degrees, certifications, strong faith and many gifts to be able to hold a space for Divinely guided energetic answers for her clients. She is a multi-award-winning, Billboard-topping musician and composer, best-selling author, international speaker, and bio-energetic practitioner. Dr. Olson has advanced degrees from Juilliard, Yale, and NYU. She is a violist with eight CDs, has been on the top-10 of four Billboard charts and has won multiple awards. She is a member of The New York Pops with regular appearances at Carnegie Hall. She has shared the stage with superstars Frank Sinatra, Tony Bennett, Liza Minelli, Roger Daltry of The Who, Sarah McLachlan and many many more. Her recent music video featuring Deepak Chopra and Michel Pascal is used to help give prisoners a sense of peace and is part of a program at the United Nations. Dr. Olson was also featured in the UN's Global Bwell/BKind Challenge. Experience her music and programs so you can receive deep peace and answers for a path to freedom, peace, improved health and happiness. You can find our more about her at her website: https://www.karenolson.com/

Jenifer Lewis is an American original. Listen and be inspired by her love of life, overcoming personal challenges to become a major star in the world of comedy, television, movies, animation and Broadway. In this episode, Jenifer Lewis (star of ABC-TV's hit series, Blackish) shares with Sonny.. The moment, as a 5-year-old she knew what she wanted to do for the rest of her life How she has overcome the challenge of being bipolar Excerpts from her forthcoming book, "Walking in My Joy," the story of "what happened to that woman who said, 'I dong want to be depressed anymore!'" Why she believes that money doesn't make life easy The call she got from "Blackish" producer, Kenya Barris, to star in her new ABC spin-off series, "Oldish" What makes her want to get up every morning Her beautiful secret of life Show page: https://SonnyRadio.com/show About Jenifer Lewis Jenifer Lewis considers herself 25 percent show business and 75 percent activist. She has successfully combined her art with her passion for social justice throughout a career spanning more than 500 appearances in film and television, a best-selling memoir, and numerous critically acclaimed one-woman shows. Dubbed a “national treasure” by TVGuide.com, Jenifer currently stars on the Emmy-nominated hit show “Black-ish” as the outspoken grandmother “Ruby.” Critics have hailed Jenifer's memoir, The Mother of Black Hollywood, as “riveting,” “audacious,” and “honest.” The audiobook version, narrated by Jenifer, reached number one on Amazon. Jenifer is a social media sensation. Her viral hits include a string of political songs, including “All Hands on Deck! Get Your Knee off My Neck!”; “Get Your Ass Out and Vote!”; “Flint Ain't Fixed”; “Our Children Shouldn't Have to Run from Bullets”; and “In These Streets” with Brandy and Roz Ryan. Jenifer delivered legendary performances as Tina Turner's mother in “What's Love Got to Do With It” and in “The Preacher's Wife” as the mother of Whitney Houston's character. Jenifer starred opposite Matt Damon in Clint Eastwood's “Hereafter” and for director Tyler Perry, Jenifer created unforgettable characters in “Madea's Family Reunion” and “Meet the Browns.” In the movie “Castaway,” Jenifer portrayed Tom Hanks' boss. In animated films, Jenifer's unique voice is adored by Disney fans in roles such as Flo in the “Cars” series and as Mama Odie in “The Princess and the Frog.” In her newest Disney role, Jenifer is the voice of Professor Granville in the “Big Hero 6” television series. Jenifer's TV roles have ranged from regular appearances as Aunt Helen on “The Fresh Prince of Bel-Air” to guest star roles on “Friends,” “Murphy Brown,” and “Girlfriends.” For six seasons, Jenifer portrayed Lana Hawkins on Lifetime's hit series “Strong Medicine.” Jenifer has enjoyed a wide-ranging and varied career in music and theater. She has performed in four Broadway shows, including “Hairspray,” in the role of Motormouth Mabel. At Carnegie Hall she received an electrifying standing ovation singing with the New York Pops orchestra. Last year Jenifer took the stage at Lincoln Center for its American Songbook series. All told, Jenifer has presented more than 200 concerts, performing in 48 states and five continents. Jenifer holds an honorary doctorate from her alma mater, Webster University in St. Louis. --jeniferlewis.com--  

Join Katie and Jill as they discuss everything currently happening in NYC theatres. Come hang out with us! https://twitter.com/thoughtsshared_ https://www.instagram.com/thoughtssharedpodcast/ Katie https://www.instagram.com/completekatie/ https://www.tiktok.com/@katiefornia Jill https://www.instagram.com/itsjillhayes/ https://www.tiktok.com/@itsjillhayes

Max von Essen is a Tony, Drama Desk and Grammy nominated singer and actor best known for his role as Henri in the award winning production of An American in Paris on Broadway. Most recently, he completed a year long run in the Broadway production of Anastasia and then toured the country in Lincoln Center Theater's revival of Falsettos. Other Broadway credits include Evita, the revivals of Les Miz and Jesus Christ Superstar, Dance of the Vampires, and the closing company of the original Les Miz. Additional New York credits include Yours Unfaithfully, Death Takes a Holiday, The Jerry Springer Opera, Hello Again, Finian's Rainbow and The Fantasticks. Tours include Xanadu, West Side Story and Chicago. TV & Film include Law & Order: SVU, Elementary, Boardwalk Empire, The Good Wife, Royal Pains, Gossip Girl, Seven Lovers, Sex and the City 2, and the webseries Submissions Only. Max's concert work has brought him all across the country and Canada, including The Kennedy Center, Birdland Jazz Club and a recent solo debut at Carnegie Hall with the New York Pops. Recordings include An American in Paris, Evita, Death Takes a Holiday, Finian's Rainbow, Love Songs of Andrew Lloyd Weber, and his debut solo album, Call Me Old Fashioned: The Broadway Standard, now available on iTunes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hosts John Devlin and Enrico Lopez-Yañez discuss pops programming, conducting and mission in the 4/4. Then, UpBeat welcomes guest Steven Reineke, Music Director of the New York Pops, and Principal Pops Conductor of the National Symphony Orchestra, the Houston Symphony and Toronto Symphony Orchestra. Maestro Reineke discusses his path to the podium, the skills needed for pops conducting, and the impact that pops programming can have on your community.

Ashley Brown (IG:@ashleybrown9) TW:@ashleybrown9)(FB: @AshleyBrownonline)(ashleybrownonline.com) originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.   Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.   Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.

Ashley Brown (IG:@ashleybrown9) TW:@ashleybrown9)(FB: @AshleyBrownonline)(ashleybrownonline.com) originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.   Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.   Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.

Frank Vignola, and Anita Camarella & Davide Facchini talk about their guitar lessons available on TrueFire, perform, and answer questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Frank:Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world's top musicians, including Ringo Starr, Madonna, Donald Fagen, Wynton Marsalis, Tommy Emmanuel, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his "Five Most Admired Guitarists List" for the Wall Street Journal. Vignola's jaw dropping technique explains why the New York Times deemed him "one of the brightest stars of the guitar".Frank Vignola has become one of the most popular and sought after guitarists on the international music scene. His dynamic genre-spanning music has brought him to 14 countries on three continents - and still growing - performing in some of the worlds most illustrious venues, including the Sydney Opera House in Australia, Carnegie Hall, The Palace of Fine Arts in San Francisco, New Yorks Lincoln Center and the worlds oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.Vignola has also dedicated the last 25 years of his professional career to teaching jazz guitar starting with his assignment to found a jazz guitar department at Arizona State University in the years 1996/97. In the years following, he wrote over 20 books for Mel Bay Publications. In 2007, Vignola recorded his first course for Truefire.com, "Vamps, Jams and Improv". Since then, he has recorded over 30 courses and together, they have developed an online jazz studio which houses over 1000 unique teaching videos based on subscribers questions and requests. The Frank Vignola "Jazz Studio" channel is also home to the unique "Jazz Song Learning System", a 6 part song learning system. Currently, Vignola dedicates most of his professional time to online teaching many students of all levels.About Anita & Davide:The Duo was founded in 2000: two exceptional musicians coming from different musical directions (Anita Camarella from early music and jazz and Davide Facchini from rock and blues) but united by their common passion and curiosity for different musical languages.Over the last 18 years Anita Camarella and Davide Facchini have been committed to researching, analysing and working-out songs from the Italian Swing era of the 30s and 40s: unforgettable lyrics and music telling of typical Italian life-experiences and anecdotes of that time.Their passion for this music culminated in two recordings: Quei motivetti che ci piaccion tanto! (2002) and their new album La famiglia canterina (2013) that was honored with the LadyLake Indie Music Awards Best Album 2013 U.S.A.Their music reflects the influences of swing and jazz, as well as their own fresh and original guitar and a-capella compositions.This talented couple can already look back on many years of international concerts, including prestigious festivals and exhibitions in Italy, Europe, United States and Russia their aim being to share and make known to the world this important aspect of Italian cultural history.Radio stations in United States, Canada, Australia, New Zealand, South Africa, Argentina, Brazil, Tunisia, Portugal, France, Switzerland, Hungary, Bosnia & Herzegovina, Croatia and Italy have broadcasted their music.Anita Camarella and Davide Facchini have performed in some of the most important and renowned concert halls (e.g. Nashvilles Ryman Auditorium), alongside some of the most famous artists on the international guitar scene (Tommy Emmanuel, Paul Franklin, Stephen Bennett, Muriel Anderson, Carl Verheyen, Thom Bresh, Buster B. Jones, and many others).

On this episode of Baring It All with Call Me Adam, on the Broadway Podcast Network, I chat with three-time Grammy Nominee Ryan Shaw. In addition to his original music, Ryan is known throughout the Broadway community for his portrayals of Stevie Wonder in Motown: The Musical, being the soul of Michael Jackson in Thriller Live in London's West End, and most recently as "Judas" in the Lyric Opera of Chicago's U.S. premiere of the critically acclaimed London/Regent’s Park’s production of Jesus Christ Superstar. Ryan is getting ready to release his NEW album, Imagining Marvin, featuring Marvin Gaye hits alongside five of Ryan’s original songs. Imagining Marvin will be released by Broadway Records, on Friday, November 27, 2020. Order it here! In this interview we discuss: What it is like to portray music icons Stevie Wonder and Michael Jackson His new album Imagining Marvin Working with the legendary Valerie Simpson Rapid Fire questions End with Ryan "Baring It All" with something he's never talked about before Connect with Ryan: https://www.ryanshaw.com Facebook Twitter Instagram YouTube Like What You Hear? Join my Patreon Family for advanced notice of interviews & exclusive behind-the-scene perks Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ)  Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY)  Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Ryan: Ryan Shaw is a three-time GRAMMY-nominated artist. He recently appeared as Judas at the Lyric Opera of Chicago in the U.S. premiere of the critically acclaimed London/Regent’s Park’s production of Jesus Christ Superstar, which won the Olivier for Best Musical Revival. He starred as the original Stevie Wonder in Motown: The Musical on Broadway, and on London’s West End as the Soul of Michael Jackson in Thriller Live. As a recording artist, Shaw has released three solo GRAMMY-nominated projects to date: 2008’s THIS IS RYAN SHAW, 2011’s IT GETS BETTER, and 2014’s REAL LOVE. He has toured the world and shared the stage with such artists as Van Halen, Bonnie Raitt, Joss Stone, John Legend, B.B. King, Bruce Hornsby and Jill Scott, to name a few. On television, Ryan has been a guest artist on The Ellen DeGeneres Show, Ellen’s Really Big Show, Last Call with Carson Daly, and The Martha Stewart Show. His music has been featured in television on FOX’s So You Think You Can Dance and ABC’s Dancing with The Stars, Grey’s Anatomy, and Lincoln Heights, as well as in films My Blueberry Nights and Bride Wars and the Sex and the City soundtrack. As a concert soloist, Shaw made his Radio City Music Hall debut at the Dream Concert benefit to build the Martin Luther King, Jr. Memorial in Washington, D.C. His Carnegie Hall appearances include Elton John and Bernie Taupin Tribute, A Celebration of The African American Cultural Legacy, curated by Jessye Norman, and a recent Nat King Cole centennial concert with the New York Pops. His concert schedule also includes Nat King Cole at 100 with the National Symphony Orchestra at The Kennedy Center, and A Tribute to the Queen of Soul: Aretha Franklin with numerous major orchestras throughout North America. Shaw continues to be a return featured special guest with the Houston Symphony, as well as performing with the Chicago Symphony, Cleveland Orchestra, Philly Pops, Seattle Symphony, Utah Symphony, Colorado Symphony, Arkansas Symphony, Tucson Symphony, Utah Symphony, St. Louis Symphony, Orlando Philharmonic, Helena Symphony, Mississippi Symphony, Anchorage Symphony, Calgary Philharmonic and numerous others. Learn more about your ad choices. Visit megaphone.fm/adchoices

October 3, 2020 I am excited to welcome drummer, composer and band leader Sherrie Maricle to the podcast! I've long been a fan of her drumming, music and music-business acumen.  Today's chat begins with her early years begrudgingly playing a metal clarinet in the school band and comes full circle when we discuss the jazz institution that she's captained for nearly three swingin' decades, The DIVA Jazz Orchestra!  From the drum set Sherrie leads The DIVA Jazz Orchestra, her quintet FIVE PLAY and co-leads the 3D Jazz Trio. From Carnegie Hall, she performs with The New York Pops and from celebrated stages everywhere, she is music director and drummer for Broadway star Maurice Hines. Sherrie is also a busy freelance performer and a published composer/arranger.    

Frank Vignola talks about his Jazz Soloing Fakebook guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Frank:Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world's top musicians, including Ringo Starr, Madonna, Donald Fagen, Wynton Marsalis, Tommy Emmanuel, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his "Five Most Admired Guitarists List" for the Wall Street Journal. Vignola's jaw dropping technique explains why the New York Times deemed him "one of the brightest stars of the guitar".Frank Vignola has become one of the most popular and sought after guitarists on the international music scene. His dynamic genre-spanning music has brought him to 14 countries on three continents - and still growing - performing in some of the worlds most illustrious venues, including the Sydney Opera House in Australia, Carnegie Hall, The Palace of Fine Arts in San Francisco, New Yorks Lincoln Center and the worlds oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.Vignola has also dedicated the last 25 years of his professional career to teaching jazz guitar starting with his assignment to found a jazz guitar department at Arizona State University in the years 1996/97. In the years following, he wrote over 20 books for Mel Bay Publications. In 2007, Vignola recorded his first course for Truefire.com, "Vamps, Jams and Improv". Since then, he has recorded over 30 courses and together, they have developed an online jazz studio which houses over 1000 unique teaching videos based on subscribers questions and requests. The Frank Vignola "Jazz Studio" channel is also home to the unique "Jazz Song Learning System", a 6 part song learning system. Currently, Vignola dedicates most of his professional time to online teaching many students of all levels.

Frank Vignola talks about his jazz guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Frank:Frank Vignola is one of the most extraordinary guitarists performing before the public today. His stunning virtuosity has made him the guitarist of choice for many of the world's top musicians, including Ringo Starr, Madonna, Donald Fagen, Wynton Marsalis, Tommy Emmanuel, the Boston Pops, the New York Pops, and guitar legend Les Paul, who named Vignola to his "Five Most Admired Guitarists List" for the Wall Street Journal. Vignola's jaw dropping technique explains why the New York Times deemed him "one of the brightest stars of the guitar".Frank Vignola has become one of the most popular and sought after guitarists on the international music scene. His dynamic genre-spanning music has brought him to 14 countries on three continents - and still growing - performing in some of the worlds most illustrious venues, including the Sydney Opera House in Australia, Carnegie Hall, The Palace of Fine Arts in San Francisco, New Yorks Lincoln Center and the worlds oldest indoor concert hall, Teatro Olimpico in Vicenza, Italy.Vignola has also dedicated the last 25 years of his professional career to teaching jazz guitar starting with his assignment to found a jazz guitar department at Arizona State University in the years 1996/97. In the years following, he wrote over 20 books for Mel Bay Publications. In 2007, Vignola recorded his first course for Truefire.com, "Vamps, Jams and Improv". Since then, he has recorded over 30 courses and together, they have developed an online jazz studio which houses over 1000 unique teaching videos based on subscribers questions and requests. The Frank Vignola "Jazz Studio" channel is also home to the unique "Jazz Song Learning System", a 6 part song learning system. Currently, Vignola dedicates most of his professional time to online teaching many students of all levels.

Welcome to the miniseries, The Producer's Perspective LIVE! From The Pandemic. Inspired by my podcast and check-ins with friends, I started The Producer’s Perspective LIVE! I started going live every night at 8pm with a superstar TheaterMaker to check in with them and see how they were doing and how this pandemic has affected them.  Many shared how they’ve been keeping those creative juices flowing, sharing many fun memories, raising money and awareness for The Actors Fund and other charitable organizations needing our support. We even started sharing ‘something to make you smile’ by featuring a new music video one of you in the community produced, directed, wrote, performed in! In this episode, Tony Award-winning Actor Sierra Boggess joins the livestream! We caught up and talked about what it's like to sing/warm up in her apartment every day (with neighbors!!), what her cats think of her being home every day, how she stays creative . . . and whose voice in the industry does Sierra admire the most (besides Barbra!!). Watch the replay of this episode: https://youtu.be/Fnobqlk296Q Follow me on Instagram: www.instagram.com/kendavenportbway Catch the next livestream LIVE: www.theproducersperspective.com/live About Sierra Boggess: Sierra Boggess is an Olivier nominated actress, best known world-wide not only for re-inventing the coveted role of ‘Christine Daae’ in Lord Andrew Lloyd Webber’s The Phantom of the Opera, but for Lord Webber himself going on record to say that “she’s the best, the best Christine certainly.” Boggess portrayed the role in the Broadway, West End, and the televised 25th Anniversary concert productions of Phantom. Sierra made her Broadway debut as Ariel in Disney’s The Little Mermaid, receiving Drama Desk and Drama League Nominations, as well as the Broadway.com Audience Award for Favorite Female Breakthrough Performance. Her additional Broadway credits include Master Class, It Shoulda Been You, The Phantom of The Opera, and School of Rock. Boggess’ Off-Broadway credits include Love, Loss, and What I Wore and Music in the Air, alongside Kristin Chenoweth, for New York City Center’s Encores! Series. In the West End, Boggess has appeared as Fantine in Les Miserables and originated the role of Christine Daae in Love Never Dies, the critically acclaimed sequel to The Phantom of the Opera, receiving an Olivier Award Nomination for her performance. Sierra's concert appearances include multiple engagements with BBC Proms at Royal Albert Hall, Lincoln Center’s American Songbook Series The Lyrics of David Zippel, The New York Pops at Carnegie Hall, Broadway By The Year at Town Hall, Guys and Dolls at Carnegie Hall opposite Patrick Wilson, Megan Mullally and Nathan Lane, and The Secret Garden at Lincoln Center. www.sierraboggess.com   The Producer's Perspective LIVE! and this podcast episode was produced by Mary Elizabeth Dina. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anthony Nunziata is the New York City-based, internationally-acclaimed singer and songwriter who brings his soulful voice to classic jazz, pop standards and his original music. Anthony has performed over 400 concerts over the past few years headlining major performing arts centers, theaters, symphony concert halls and private events across the country and around the world. The Brooklyn-born, classically trained singer is hailed by Broadwayworld as “an explosion of love and entertainment.” Anthony recently co-headlined Carnegie Hall for two sold-out concerts with the New York Pops Symphony Orchestra. Anthony recently appeared in the Netflix film "The Last Laugh" opposite Chevy Chase and Richard Dreyfuss. Anthony's original songs include co-write collaborations with Victoria Shaw (No. 1 hits for Garth Brooks, Lady Antebellum) Jim Brickman (21 No. 1 Albums) Jeff Franzel (Josh Groban, Justin Timberlake, Taylor Dayne), Tom Kimmel (Linda Ronstadt, Johnny Cash, Art Garfunkel) Maria Christensen (Celine Dion, Jennifer Lopez), and Nina Ossoff and Porter Carroll Jr. (Daughtry, Patti Austin, The Temptations). His original pop song "The Gift Is You" - which he wrote honoring his mother's battle with breast cancer (she is now cancer-free) - is currently being used as an anthem for The Susan G. Komen Foundation. His music is featured on his upcoming solo album released in the Fall 2019 which will coincide with his concert tour. Anthony has brought his fresh take on classic & contemporary songs as well as his movie-bound original tunes across the United States and around the world to performing arts centers, theaters and private events, as well as intimate jazz clubs and symphony concerts with orchestras such as the New York Pops, Detroit Symphony, Cleveland Pops, Colorado Symphony, Lancaster Symphony, Annapolis Symphony, Plymouth Symphony, Cape Cod Symphony, Toledo Symphony, Edmonton Symphony Orchestra and more. He has performed at private events across the United States and recently in England, Spain, Italy and Singapore. In his 2019-2020 concert tour Anthony brings his soulful and lyrical tenor voice to the greatest love songs ever written. He and his Grammy-winning musicians re-imagine “Unchained Melody,” “Can't Take My Eyes Off Of You,” “Can't Help Falling In Love With You,” “When I Fall In Love,” “The Prayer,” “O Sole Mio,” “Somewhere,” originals including “Will You Be My Everyday?” and many more. Anthony studied music, acting and directing at Boston College, and trained in improv comedy at the famed Upright Citizens Brigade in New York City. Featured on Good Morning America and The Rachael Ray Show, Anthony is most proud of his "ARTS MATTER!" Educational Outreach Initiative and Master Class Workshops that educate and inspire students to fearlessly pursue their passions. Anthony is an avid tennis player, a two-time jr. National Platform Tennis Champion, and can cook up a delicious chicken parmesan. Artist website: www.AnthonyNunziata.com. On this episode, Anthony returns to The One Way Ticket Show where he's Steven's first Weekend Special guest! Anthony shares tunes off his "The Love Album" and talks about his music and more.  Anthony is just one of the dynamic personalities featured on The One Way Ticket Show,  where Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-Horta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Fashion Expert, Tim Gunn; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Playwright, David Henry Hwang; Journalist-Humorist-Actor, Mo Rocca; SkyBridge Capital Founder & Co-Managing Partner, Anthony Scaramucci; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals and more.

On this week's episode, Jennifer, Jamie, and Rob sit down with one of the American theatre's greatest leading men: Norm Lewis. A veteran of twelve Broadway shows, Norm talks about his versatile career, the controversy around “Porgy and Bess”, making history in “The Phantom of the Opera”, and his latest concert with The New York Pops. Before Norm joins the group, they discuss BCEFA's annual Flea Market and, at the end of the episode, Rob gives more background on the history of color-conscious casting in “The Phantom of the Opera”. This Week's Music: Chita Rivera singing, “I've Got Plenty of Nothing”, Norm Lewis singing, “I've Got Plenty of Nothing”, “The Music of the Night”, and “Bring Him Home”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com  Jamie Du Mont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Jennifer Simard Twitter: @SimardJennifer  Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard DeRosa received a Grammy nomination for Best Instrumental Composition in 2015 for his big band composition “Neil”. He is a tenured full professor and Director of Jazz Composition and Arranging at the University of North Texas. Mr. DeRosa’s most recent project was Joey Alexander with Strings where he served as conductor and arranger. The concerts premiered at Jazz at Lincoln Center in October 2018. Since 2012 he has conducted and arranged music for the West Deutsche Rundfunk (WDR) Big Band in Cologne, Germany, and served as its chief conductor from 2014 – 2016. Amongst those projects, Mr. DeRosa arranged and conducted the music of featured legendary jazz bassist Ron Carter on the CD recording My Personal Songbook (2015) and the CD Rediscovered Ellington (2017) that features Garry Dial and Dick Oatts. Together they created unique and modern arrangements of rare and unheard tunes by the Duke. Other projects with world-renowned artists with Patti Austin, Kurt Elling, Joshua Redman, Stefon Harris, the New York Voices, Richie Beirach and Gregor Huebner, Marvin Stamm and Bill Mays, Ola Onabulé, and Warren Vaché. Since 2001, Mr. DeRosa has arranged and conducted music for Wynton Marsalis and the Jazz at Lincoln Center Orchestra featuring Renée Fleming, Norah Jones, Willie Nelson, Annie Ross, Abbey Lincoln, and Toots Thielemans among others. In 2005 he was a featured arranger for the Wynton With Strings concert. In November 2013, DeRosa contributed eight arrangements for Stephen Sondheim’s A Bed and a Chair: A New York Love Affair starring Bernadette Peters and premiered by the Jazz at Lincoln Center Orchestra. His most recent project for the JLCO was Bernstein at 100. Other commissioned arrangements have been recorded by the Mel Lewis, Gerry Mulligan, and Glenn Miller big bands, vocalist Susannah McCorkle, rising trumpet star Dominick Farinacci and acclaimed solo violinist Anne Akiko Meyers. Commissioned arrangements for orchestra include the Kansas City Symphony, the Houston Symphony Orchestra, the Cleveland Orchestra, the New York Pops, the Portland Maine Pops, the Czech National Symphony, the Metropole Orchestra, and the Swedish Television and Radio Orchestra. His publications for public school jazz ensembles are available through Alfred Music (Belwin Jazz), Smart Chart Music, J.W. Pepper, Barnhouse Music, while several of his works for professional bands are available through Sierra Music. Mr. DeRosa remains active as an adjudicator and clinician for school programs and music festivals. Thanks for listening and keep thriving! Mastering The One-Person Business Course: bit.ly/MasteringTheOnePersonBusiness Show notes: www.SpenserLiszt.com/blog/TMP39 4 Simple Steps to Save an Emergency Fund (FREE PDF Download): www.SpenserLiszt.com/EmergencyFund Join the Thriving Musicians closed Facebook group: www.Facebook.com/groups/ThrivingMusician Email questions, comments or nominate a Thriving Musician to spenser@spenserliszt.com Follow Spenser online: Facebook: www.Facebook.com/SpenserLiszt Twitter: www.Twitter.com/SpenserLiszt Instagram: www.Instagram.com/SpenserLiszt

In this episode, we're talking with Jay Evans, the principal trombonist of the Alabama Symphony Orchestra. We talk about the Grand Teton Music Festival, training for an triathlon event, what setting personal records in his musical practice, and much more. I hope you enjoy the episode!Mastering engineer - Brandon JochumJay Evans is currently Principal Trombonist of the Alabama Symphony Orchestra, a position he has held since October, 2000. As soloist, Jay has performed in numerous concerts including Jim Pugh's Concerto for Trombone and Nino Rota's Concerto for Trombone and Orchestra. He was also featured in a memorable concert with Olivia Newton-John and the ASO, performing on the Australian Aboriginal instrument, the Didgeridoo.Spending his early years in Iowa, Jay's parents were tremendously supportive of his music studies. His father, a former tuba player, would humbly quote "...and I modestly took my place as the only and only bass, and I oompahed up and down the square" in reference to his being the only tubist of the Mason City High School band, inspiring Meredith Willson, while visiting, to include these lyrics in his musical, "The Music Man."Jay received a Bachelor of Music degree at Morningside College in Sioux City, Iowa, while holding the position of Principal Trombone of the South Dakota Symphony Orchestra. He later received a Master of Music degree from North Texas State University, during which time he performed with the Dallas Cowboys Band. He later moved to New York City to perform monthly with the National Orchestral Association in Carnegie Hall, and frequently performed with the Metropolitan Opera, New York Philharmonic, American Symphony, New York City Opera National Company, the Springfield (MA) Symphony and Miss Saigon on Broadway.As a Fellow in Trombone at the Tanglewood Music Center, Jay performed with notable conductors Leonard Bernstein, Seiji Ozawa and Jeffrey Tate. He was also a participant at the Spoleto Festival Due dei Monde in Spoleto, Italy, and Charleston, SC. Jay toured extensively throughout North America, Japan and Australia with the broadway production of, The Music of Andrew Lloyd Webber in Concert, starring Michael Crawford and Sarah Brightman. And as a member of the highly acclaimed, 'Dallas Brass', Jay performed throughout the United States. Special appearances included solos with the New York Pops with Skitch Henderson in Carnegie Hall, the Philadelphia Pops with Peter Nero and the Cincinnati Pops with Erich Kunzel conducting.Before settling in Alabama, Jay held positions with The Lyric Opera of Chicago and the Grant Park Orchestra. He still returns regularly to perform with Chicago's Music of the Baroque, and spends summers as a member of the Grand Teton Music Festival.Jay Evans is currently a Low Brass Instructor at the Alabama School of Fine Arts, the University of Montevallo, and UAB, and maintains an active private teaching studio. He is a Shires Instruments Artist/Clinician. Support the show (https://thatsnotspit.com/support/)