Podcast appearances and mentions of Carlos Kleiber

durée : 01:29:23 - En pistes ! du jeudi 13 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - De belles découvertes ce matin : le rare "Christus" (un vaste oratorio de Franz Liszt), des trésors baroques par l'ensemble Il Sogno barocco, et des archives de grands concerts signés Carlos Kleiber ou Daniel Barenboim

durée : 01:29:23 - En pistes ! du jeudi 13 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - De belles découvertes ce matin : le rare "Christus" (un vaste oratorio de Franz Liszt), des trésors baroques par l'ensemble Il Sogno barocco, et des archives de grands concerts signés Carlos Kleiber ou Daniel Barenboim

durée : 00:14:22 - Disques de légende du vendredi 27 décembre 2024 - Carlos Kleiber avait déjà dirigé le concert du nouvel an de 1989, avec un succès énorme et une réussite musicale comme cet évènement n'en donne pas toujours. Pour lui, il n'y a pas de musique qui ne mérite d'être défendue, comme si la vie des musiciens en dépendait...

durée : 01:28:45 - Chefs champagne (5/5) : Carlos Kleiber - par : Lionel Esparza - Toute la semaine de Noël, Relax s'arrête sur 5 chefs d'orchestre exceptionnels par leur énergie et leurs répertoires, afin d'accompagner cette période de fêtes. Des chefs champagne ! Aujourd'hui : Carlos Kleiber - réalisé par : Antoine Courtin

durée : 00:14:22 - Disques de légende du vendredi 27 décembre 2024 - Carlos Kleiber avait déjà dirigé le concert du nouvel an de 1989, avec un succès énorme et une réussite musicale comme cet évènement n'en donne pas toujours. Pour lui, il n'y a pas de musique qui ne mérite d'être défendue, comme si la vie des musiciens en dépendait...

durée : 01:28:45 - Chefs champagne (5/5) : Carlos Kleiber - par : Lionel Esparza - Toute la semaine de Noël, Relax s'arrête sur 5 chefs d'orchestre exceptionnels par leur énergie et leurs répertoires, afin d'accompagner cette période de fêtes. Des chefs champagne ! Aujourd'hui : Carlos Kleiber - réalisé par : Antoine Courtin

Kleiber i la Setena. Molts s

Johannes Brahms (1833-1897)Sinfonia n. 4 in mi minore per orchestra, op. 98 1.       Allegro non troppo (mi minore)2.       Andante moderato (mi maggiore)3.       Allegro giocoso (do maggiore)4.       Allegro energico e passionato (mi minore)Wiener PhilharmonikerCarlos Kleiber, director

[REPLAY] “Didn't I say Japan is fly?”—David LettermanFeaturing, in order of appearance: Mo Amer, Michelle Wolf, David LettermanContains music by Wiener Philharmoniker (Symphony No.7 in A Major, Op. 92), conducted by Carlos Kleiber.Recorded in Ohio, Summer 2020. Originally published in June of 2021.Executive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi Wilbur, and Miles HodgesProduced by Noah Gersh and Jamie Schefman for SALTProduction Manager: Liz LeMayRecording Engineer: Federico LopezRecording Engineer: Adrián Bruque for NPNDAssistant Editors: Danny Carissimi and Noah Kowalski Senior Sound Designer: Russell TopalTranscription Supervisor: Sam BeasleyMixer: Jordan GalvanPodcast Artwork: Rachel EckStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Kyle Ranson-Walsh, Sina Sadighi, Mark Silverstein, and Carla Sims.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2021 by Pilot Boy Productions, Inc., all rights reserved.

Vor 20 Jahren ist Carlos Kleiber gestorben, einer der umjubelten Dirigenten seiner Generation, der sich rar und immer rarer gemacht hat, um schließlich ganz zu verstummen. Das Publikum war vernarrt in seine energetischen, hoch explosiven Interpretationen – und wir versuchen im Musiksalon nachzuspüren, was diesen Künstler so besonders gemacht hat.

Über diese Begegnung kann ich nur in Superlativen sprechen. Dieses Jahr beging sie, man mag es ob der jugendlichen Ausstrahlung kaum glauben, ihren 90. Geburtstag: die Wiener Kammersängerin Olivera Miljaković. Das immerzu singende Mädchen Olivera, welches im Obstgarten ihrer serbischen Heimat ihre erste Bühne fand, ließ sich trotz der Schrecken des Krieges ihre Lebensfreude und stete Neugier nicht nehmen. Nach Studien in Italien und ersten professionellen Schritten am Nationaltheater in Belgrad kam sie schließlich nach Wien, wo sie eine glänzende Karriere an der Staatsoper hinlegte und wo sie auch heute noch lebt, als wichtige Zeitzeugin einer glänzenden Ära. Mit allen legendären Sängern des Wiener Mozartensembles stand sie auf der Bühne, egal ob Elisabeth Schwarzkopf, Irmgard Seefried oder Erich Kunz. Dirigenten wie Karl Böhm, Josef Krips, Carlos Kleiber oder Herbert von Karajan schätzten die Kunst der anmutigen Serbin, die schon bald eine internationale Tätigkeit aufnehmen konnte und bei Festspielen und Aufführungen in aller Welt gefragt war. Bis heute ist sie eine Wiener Institution, gibt ihr Wissen an neugierige Musiker weiter und wird nicht müde, sich für Künstler und Benachteiligte mit letzter Kraft einzusetzen. Überhaupt es ist ihre Spiritualität und die Frage nach dem Sinn des Lebens, welche ihr in schwierigen Situationen Kraft geben. Doch über allem steht die Liebe und Dankbarkeit: "Ich bin dankbar für das Glück". Diese Episode ist mehr als nur ein Portrait oder reine Biografie, denn sie gibt tiefe Einblicke in eine Seele, und berichtet uneitel von den schönsten und auch dunkelsten Momenten einer Sängerin, Frau, Mutter und Gattin: Die serbische Sopranistin Olivera Miljaković.

Interview mit einer Persönlichkeit des Düsseldorfer Musiklebens. Das Gespräch führt Dr. Frederike Möller, Pianistin und Festivalmacherin. Interviewgast ist diesmal Martin Fratz. Der gebürtige Düsseldorfer Martin Fratz ist Orchesterdirigent, Chorleiter, Pianist, Organist, Arrangeur, Hochschuldozent und Konzertmoderator. Seine Studien in Köln, Stuttgart und Hannover hat er „mit Auszeichnung“ abgeschlossen. Im Lauf seiner Karriere dirigierte er an der Deutschen Oper am Rhein mehr als 800 Vorstellungen aller Genres und leitete daneben an die 50 Konzerte mit den Düsseldorfer Symphonikern. Als Pianist ist Fratz ein Allrounder und spielt neben Klassik für sein Leben gerne Jazz, Soul und Salonmusik. Seit 20 Jahren unterrichtet er Partiturspiel und Liedbegleitung an der Folkwang Universität der Künste in Essen. Warum er in seiner Freizeit außer Mozart und Beethoven auch sehr gerne Miles Davis oder Earth Wind and Fire hört und wieso Carlos Kleiber und Claudio Abbado zu seinen „Dirigier-Göttern“ zählen, verrät Martin Fratz im Interview mit Frederike Möller.

Johannes Brahms (1833-1897) - Sinfonia n. 4 in mi minore per orchestra, op. 98Allegro non troppo (mi minore)Andante moderato (mi maggiore)Allegro giocoso (do maggiore)Allegro energico e passionato (mi minore) Wiener PhilharmonikerCarlos Kleiber, conductorMore info: https://www.flaminioonline.it/Guide/Brahms/Brahms-Sinfonia4.html

Richard Strauss (1864-1949) - Ein Heldenleben, Op.40 (00:00) 1. Der Held - Lebhaf bewegt(03:57) 2. Des Helden Widersacher - Etwas langsamer(06:50) 3. Des Helden Gefahrtin - Erstes Zeitmas(14:00) 4. Thema der Siegesgewisheit - Masig langsam(17:25) 5. Des Helden Walstatt - Lebhaft(18:58) 6. Kriegsfanfaren - Festes Zeitmas(25:19) 7. Des Helden Friedenswerke - Etwas breit(33:00) 8. Entsagung - LangsamVienna Philharmonic OrchestraCarlos Kleiber, conductor

Schweeger, Elisabethwww.deutschlandfunkkultur.de, Rang 1

“Didn't I say Japan is fly?”—David LettermanFeaturing, in order of appearance: Mo Amer, Michelle Wolf, David LettermanContains music by Wiener Philharmoniker (Symphony No.7 in A Major, Op. 92), conducted by Carlos Kleiber.Recorded in Ohio, Summer 2020. Originally published in June of 2021.Executive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi Wilbur, and Miles HodgesProduced by Noah Gersh and Jamie Schefman for SALTProduction Manager: Liz LeMayRecording Engineer: Federico LopezRecording Engineer: Adrián Bruque for NPNDAssistant Editors: Danny Carissimi and Noah Kowalski Senior Sound Designer: Russell TopalTranscription Supervisor: Sam BeasleyMixer: Jordan GalvanPodcast Artwork: Rachel EckStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Kyle Ranson-Walsh, Sina Sadighi, Mark Silverstein, and Carla Sims.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2021 by Pilot Boy Productions, Inc., all rights reserved.

Aquesta setmana ens proposem repassar la vida de 5 grans figures de la direcci

Seine Karriere begann der Österreicher bei den Wiener Philharmonikern. Für seinen Traum, in diesem Orchester zu spielen, wechselte der Geiger zur Bratsche. Wie er dann ans Dirigentenpult kam und warum ihn die Sinfonien von Mahler, Beethoven aber auch die Lieder von Schubert so faszinieren und was es mit dem traditionellen Zitherspiel auf sich hat, verrät Manfred Honeck hier exklusiv. (Wdh. vom 11.07.21)

durée : 01:58:15 - Les 500 ans de l'Orchestre d'État bavarois - par : Christian Merlin - L'un des plus anciens orchestres allemands, celui de l'Opéra de Munich, peut se targuer d'avoir créé "Tristan et Isolde" de Richard Wagner et, de Bruno Walter à Kirill Petrenko en passant par Carlos Kleiber, d'avoir attiré les plus grands chefs. - réalisé par : Marie Grout

durée : 00:28:19 - Les 500 ans de l'Orchestre d'État bavarois (4/4) : De Mehta à Jurowski - par : Christian Merlin - L'un des plus anciens orchestres allemands, celui de l'Opéra de Munich, peut se targuer d'avoir créé "Tristan et Isolde" de Richard Wagner et, de Bruno Walter à Kirill Petrenko en passant par Carlos Kleiber, d'avoir attiré les plus grands chefs. - réalisé par : Marie Grout

durée : 00:28:16 - Les 500 ans de l'Orchestre d'État bavarois (3/4) : Les années Sawallisch - par : Christian Merlin - L'un des plus anciens orchestres allemands, celui de l'Opéra de Munich, peut se targuer d'avoir créé "Tristan et Isolde" de Richard Wagner et, de Bruno Walter à Kirill Petrenko en passant par Carlos Kleiber, d'avoir attiré les plus grands chefs - réalisé par : Marie Grout

durée : 00:28:22 - Les 500 ans de l'Orchestre d'État bavarois (2/4) : De Knappertsbusch à Keilberth - par : Christian Merlin - L'un des plus anciens orchestres allemands, celui de l'Opéra de Munich, peut se targuer d'avoir créé "Tristan et Isolde" de Richard Wagner et, de Bruno Walter à Kirill Petrenko en passant par Carlos Kleiber, d'avoir attiré les plus grands chefs. - réalisé par : Marie Grout

durée : 00:28:39 - Les 500 ans de l'Orchestre d'État bavarois (1/4) : Des créations pour l'éternité - par : Christian Merlin - L'un des plus anciens orchestres allemands, celui de l'Opéra de Munich, peut se targuer d'avoir créé "Tristan et Isolde" de Richard Wagner et, de Bruno Walter à Kirill Petrenko en passant par Carlos Kleiber, d'avoir attiré les plus grands chefs. - réalisé par : Marie Grout

Un Día Como Hoy 3 de Julio: Acontece: 1985: en Estados Unidos se estrena la película Back to the Future, uno de los filmes más exitosos en la historia del cine. Nace: 1854: Leoš Janáček, compositor checo (f. 1928). 1883: Franz Kafka, escritor checo (f. 1924). 1930: Carlos Kleiber, director de orquesta y músico alemán (f. 2004). Fallece: 1971: Jim Morrison, cantante estadounidense, de la banda The Doors (n. 1943). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

In 2023, the Verbier Festival celebrates its 30th anniversary. The man behind classical music's most coveted festival speaks to Gramophone Editor in Chief James Jolly about his relationship with classical music, the journey that led him to create the Verbier Festival, the relationship between genius and character, and some of his most memorable encounters with legendary musical figures like Carlos Kleiber. Presented with the generous support of Madame Aline Foriel-Destezet.

Los directores de orquesta son algunos de los rostros más reconocidos del mundo de la música clásica, y uno de los elementos esenciales de la interpretación musical. En anteriores episodios de esta serie, hablamos del magnífico maestro japonés Seiji Ozawa, y en el programa de hoy nos centramos en el que es, para muchos, el mejor director de la Historia de la Música. Carlos Kleiber parecía destinado desde el principio a convertirse en un nombre relevante dentro de la música por su genealogía familiar, pero curiosamente tuvo que enfrentarse a su padre, el legendario Erick Kleiber, para perseguir su sueño de dedicarse a la dirección. Un director impresionante y una personalidad carismática hicieron de él uno de los músicos más recordados del siglo XX y hoy, en este podcast, os contamos su historia.

Andrés Amorós habla hoy en su serie dedicada a grandes directores de orquesta de

Segunda parte de nuestro viaje musical por esta gozosa ópera de Richard Strauss. Abrimos con le entrega de la rosa de plata y el maravilloso dúo subsiguiente. Octavian actúa como emisario y portador en representación del Barón Ochs. Sophie recibe el presente. Los dos jóvenes se quedan prendados el uno del otro. Escuchamos la versión dirigida por Carlos Kleiber en la Staatsoper de Baviera a Lucia Popp y Brigitte Fassbaender. Seguimos con la escena de conjunto del primer acto con el ápice del aria del tenor italiano. En el foso, Karajan. El tenor es Nicolai Gedda. Crhistian Thielemann al frente de La Filarmónica de Munich nos ofrece a continuación los Preludios del tercer y del primer acto, por ese orden. Enlazamos con una nueva versión del famoso Trío Mariscala, Octavian y Sophie, en este caso la gobernada, en la Ópera de Viena, por Hans Knappertsbusch, con las voces de Maria Reining, Sena Jurinac y Hilde Gueden. Por último, el final de la ópera con Popp y Fasabaender. Escuchar audio

Synopsis On this date in 1813, Beethoven's Seventh Symphony was played for the first time in Vienna. The occasion was a benefit concert in honor of the Austrian and Bavarian soldiers who had died fighting Napoleon, with the concert's proceeds donated to their widows and orphans. At its first rehearsal, some of the musicians found the part writing of the new work intimidating. A friend of Beethoven's who sat in on rehearsals later recalled: "the violin players refused to play a passage and rebuked [Beethoven] for writing difficulties that were incapable of performance. But Beethoven begged the gentlemen to take the parts home with them. If they were to practice it at home it would surely go. The next day the passage went excellently, and the gentlemen themselves seemed to rejoice that they had given Beethoven such pleasure." The slow movement of Beethoven's Symphony so pleased the Viennese audience at its premiere that it had to be encored. On today's date in 1980, a private tragedy also prompted music. On December 8th that year, ex-Beatle John Lennon was shot and killed outside his apartment in New York City. American composer Aaron Jay Kernis was then a student at the Manhattan School of Music, living not far from where Lennon was slain. The death moved Kernis to reshape elements of Lennon's song "Imagine" into an altogether new work for cello and piano titled "Meditation (in memory of John Lennon)." Music Played in Today's Program Ludwig van Beethoven (1770-1827) Symphony No. 7 Vienna Philharmonic; Carlos Kleiber, conductor. DG 447 400 Aaron Jay Kernis (b. 1960) Meditation (in memory of John Lennon) Eberli Ensemble Phoenix 142

Terror, excitement and delight - all there in handfuls as Carl Maria von Weber takes us into the depths of the forest for a folk tale of magic, sorcery,  love, good and evil. One of my long time favourites and a brave new world for German opera in Der Fresichütz ("The Free-shooter"). Are you brave enough to go down to the woods today? Listening time, c20mins (podcast 9', music 10') Performances here on Youtube, Spotify, Amazon and Apple Music with the Dresden Staatskapelle conducted by Carlos Kleiber. If you like it, you can buy it as a high quality download here.    I don't generally like hacking big chunks from an opera, but the Wolf's Glen scene is quite something and worth a listen on its own. It's 15 or so minutes: Caspar goes down to the glen, summons Samiel (some sort of satanic spirit) and makes the deal for the bullets. Max comes to join him - he's fearful and plagued by a vision of Agathe, Caspar somehow convinces him to stay and the seven bullets are forged in the magic fire amid increasing terror and desperation. It's all in German, but the only words you need to know are the numbers 1-7 (eins, zwei, drei, vier, fünf, sechs, sieben) and help - hilf! Spotify or Youtube links here. There's a hyper-real movie version which is quite gruesome and almost manages to do Weber's requested special effects justice.   What do you think? Let me know with an easy voicemail or comment at Cacophonyonline.com, Facebook or Twitter.   If you'd like to support Cacophony there are easy, great, ways: - share this episode with someone you know - share the 100 second trailer - send us a little something or make a regular payment at ko-fi.com - subscribe/ review and keep listening!   Thanks for listening!  

Worden er vaak geheimen mee in het graf meegenomen? De detectives posten bij kerkhof Sint Barbara, een landelijk stukje Amsterdam tussen de kantoorgebouwen. Wat zoal aan bod komt. Waarom wilde Hans zijn moeder niet in het familiegraf van de Aarsmannen? Worden in adellijke kringen meer moorden gepleegd dan je denkt? Wat is magischer: een doodgewone rozenbottelstruik of een zwevende Skoda? En een slagroomtaart voor de Triodosbank, namens de gedupeerde certificaathouders. -GPS   52.39165, 4.86325 -Richard Wagner, Tristan & Isolde, ‘Lausch, Geliebter!', Margaret Price, Staatskapelle Dresden olv Carlos Kleiber, 1982 -Derren Brown Demonstrates How Faith Healers Work -Richard Wagner, Tristan & Isolde, ‘Mild und leise wie er lächelt', Margaret Price, Staatskapelle Dresden olv Carlos Kleiber, 1982

On this month's Interplay, a most wonderful Conversation in Music with the uniquely gifted conductor Alexander Soddy. We met whilst he was in New York to conduct at The Met in the remarkable Anthony Minghella production of Puccini's Madama Butterfly. Soddy is a rarity - a musician who can bend a phrase in a dramatic setting with total musicality. Comparisons have been made in the press to Carlos Kleiber, and they are warranted, but Alexander Soddy is surely one of those special artists who puts his all into everything he does. He is an original. www.michaelshapiro.com

延續上週主題，第七號交響曲的第一樂章來到了發展部與再現部。 貝多芬是謙卑又驕傲的人，他既理解人類莫不過是卑微的滄海一粟，卻同時持著無比堅韌與驕傲的信念，因為這樣的信念，他的音樂也因此傳遞了無邊無際的壯闊、自由，在時代的汰換下歷久彌新。 本集主打曲 Beethoven Symphonie No.7 mov. 1 Wiener Philharmoniker, Carlos Kleiber, 1976

貝多芬是多麼謙卑又驕傲，聽著他用最簡單又最不簡單的音樂素材，從最基本的上下行音階、長音與短音，以及神來一筆的主題節奏，他既理解人類莫不過是卑微的滄海一粟，也驕傲的信奉-唯有心中的信仰，才能擁有無邊無際的壯大與自由。 本集主打曲 Beethoven Symphonie No.7 mov. 1 Wiener Philharmoniker, Carlos Kleiber, 1976 ＊贊助Bonjour 古典不古典-支持音樂家持續創作，打開最細微靈敏的藝術之耳 每月定額隨喜 https://p.ecpay.com.tw/7F68A73 單次隨喜贊助 https://p.ecpay.com.tw/4F34B4C

durée : 01:58:40 - Au coeur de l'orchestre - par : Christian Merlin - Ils s'appellent Erich et Carlos Kleiber, Arvid et Mariss Jansons, Armin et Philippe Jordan, sans parler des Järvi : pour beaucoup, l'apprentissage de la direction d'orchestre est affaire de famille ! - réalisé par : Marie Grout

來了來了，我們從山坡上輕輕地爬下來了 歷經上週差點以為節目要收攤的烏龍，本週再度驚爆何老師昏倒的送醫驚魂記，以及一起聊聊貝多芬第七號交響曲的四個樂章的主題節奏 Beethoven Symphonie No.7 Wiener Philharmoniker, Carlos Kleiber, 1976

durée : 00:58:32 - Carlos Kleiber, chef de génie - par : Aurélie Moreau - Carlos Kleiber est un chef d'orchestre dont les interprétations ont marqué musiciens et mélomanes, aussi bien pour la musique symphonique que pour l'opéra. Rare sur scène, ses enregistrements sont autant de réussites.

Iniciamos una nueva serie en la que se estudiará la fructífera colaboración entre los dos insignes artistas, compositor y libretista. Iremos marcando ese contacto y acompañándolo de música alusiva. En esta primera entrega escuchamos una selección de los valses de El caballero de la rosa dirigidos por el propio Strauss, el final del segundo acto de esa ópera en la imponente voz de Emanuel List, un Ochs extraordinario, el monólogo del Compositor del Prólogo de Ariadna en Naxos por Irmgard Seefried con dirección de Karajan. Luego el maravilloso dúo de Arabella y Zdenka de Arabella con Lisa della Casa e Hilde Gueden bajo la batuta de Solti, el monólogo de Elektra por Astrid Varnay, también con Karajan y, como postre, el Trío de El caballero dirigido por Carlos Kleiber en Munich en 1973 con las voces de Claire Watson, Brigitte Fassbaender y Lucia Popp. Escuchar audio

Synopsis The Viennese are notorious for the passion with which they can despise composers one moment – and lionize them the next. Here, for example, is one music critic's reaction to the 1886 Viennese premiere of the Symphony No. 4 by Johannes Brahms: “Conspicuous is the crab-like progress in the output of Brahms. It has, to be sure, never reached beyond the level of mediocrity, but such nothingness, emptiness, and hypocrisy as prevails throughout this symphony has not appeared in any previous work of Brahms so alarmingly. The art of composing without ideas has decidedly found in Brahms its worthiest representative. Just like the good Lord, Herr Brahms is a master at making something from nothing.” And yet, 11 years later, on today's date in 1897, when this same symphony was performed again in Vienna, each movement was greeted by prolonged cheers from the audience. Not only had the Viennese come to admire the music, but they knew the now-beloved Herr Brahms was dying. And so, when the gaunt and sickly composer attended a matinee performance of his 4th symphony at the Vienna Philharmonic's Golden Hall, the audience took the opportunity to acknowledge him and his music for the very last time. Music Played in Today's Program Johannes Brahms (1833 - 1897) — Symphony No 4 in e (Vienna Philharmonic; Carlos Kleiber, cond.) DG 457 706

Having met Han-Na Chang in October 2021, I knew she would be perfect for the podcast and I was proved correct - what a bubbly character and a really open and honest person! I discovered how a potential "typo" helped change her life forever, we talked about how to fix ensemble problems "in the moment" and what surprising "move" often works best, and we get very geeky about Carlos Kleiber! If you would like to find out more about the world of conducting and conductors, why not subscribe at https://www.patreon.com/amiconthepodium, and for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. If you listen via Apple podcasts, please do leave a rating and review - it really helps the podcast get noticed and attract more listeners. If you want to get involved on social media, you can via Facebook (https://www.facebook.com/amiconthepodium) or Twitter (@amiconthepodium). This interview was recorded on 31st January 2022 via Zoom.

Johannes Brahms (1833-1897)-Sinfonia n. 4 in mi minore per orchestra, op. 981.Allegro non troppo (mi minore)2.Andante moderato (mi maggiore)3.Allegro giocoso (do maggiore)4.Allegro energico e passionato (mi minore)Wiener PhilharmonikerCarlos Kleiber, direttore

durée : 01:58:09 - La fabrique des chefs 3/8 : chef de père en fils - par : Christian Merlin - Ils s'appellent Erich et Carlos Kleiber, Arvid et Mariss Jansons, Armin et Philippe Jordan, sans parler des Järvi : pour beaucoup, l'apprentissage de la direction d'orchestre est affaire de famille ! - réalisé par : Jean-Claude Mullet

Jess Gillam and composer Jacob Mühlrad share the music they love. Jacob introduces us to the music of Sven-David Sandström and a glistening re-mix of Josin by Kiasmos. We have some passionate tango performed by Nicola Benedetti and friends, a landscape of sound from John Cage and Missy Mizzoli tells the story of Isabelle Eberhardt. Plus some early Mahler, unfinished Schubert AND a meeting of musical magic with Chris Thile and Brad Meldhau. Playlist: Carlos Gardel - Por Una Cabeza (Arr. John Lenehan) - Nicola Benedetti (violin), Ksenija Sidorova (accordion), Leonard Elschenbroich (cello), Leonard Elschenbroich (piano), Alexander Sitkovesky (violin) John Cage – In a landscape (Alexei Lubimov - piano Chris Thile, Brad Meldhau - Tabhair dom do Lamh Mahler – Piano Quartet in A minor - Gidon Kremer (violin), Veronika Hagen (viola), Clemens Hagen (cello), Oleg Maisenberg (piano) Missy Mizzoli – Song From the Uproar: Overture - Abigail Fischer (mezzo), NOW Ensemble, Steven Osgood Josin – Company (Kiasmos Remix) Sven-David Sandström - Agnus Die - Swedish Radio Choir, Peter Dijkstra Schubert - Symphony no. 8 (D.759) in B minor "Unfinished", 1: Allegro moderato - Vienna Philharmonic Orchestra, Carlos Kleiber

John Holt is Professor of Trumpet at the University of North Texas. Holt is also principal trumpet with the Dallas Opera Orchestra, a position he has held since 1989. Holt was the recipient of the 2016 UNT Creative Impact Award. This award highlights “a full-time University faculty member whose publications, performances, or exhibitions in the literary or creative arts have had the greatest societal impact”. The consummate musical artist, Holt has appeared as a soloist with orchestras throughout the United States and Europe. He has two opera excerpt books published by Harold Gore Publishing, “Trumpet Excerpts From Italian Operas” in 2018 and “Trumpet Excerpts From European Operas”  in 2020.  His CD recording “Facets 4” released by the International Trumpet Guild in 2016, was Holt's eighth solo CD recording. His seven previous solo recordings, all on the Crystal Records label, have received unanimous critical acclaim by industry publications Fanfare, American Record Guide, Instrumentalist, Gramophone and the International Trumpet Guild.  Born in Dallas, TX, Holt began studying trumpet at the age of 12 with Richard Giangiulio, former Principal Trumpet of the Dallas Symphony. He continued his studies at the University of Miami with Gilbert D. Johnson, former Principal Trumpet of the Philadelphia Orchestra. At age 22, Holt performed as Co-Principal Trumpet of the Philharmonic Orchestra of Ft. Lauderdale, under the direction of Emerson Buckley. At age 24, Holt became Principal Trumpet of the Orchestra del Maggio Musicale Fiorentino in Florence, Italy, Zubin Mehta, music director. While in Italy, Holt had the great privilege of playing under some of the world's most renowned conductors including Luciano Berio, Georges Prétre, James Conlon, Gerd Albrecht, Carlos Kleiber, Krzysztof Penderecki, Riccordo Chailly and Carlo Maria Giulini. At the invitation of artistic director and conductor Nicola Rescigno, Holt became Principal Trumpet of the Dallas Opera Orchestra in 1989. He received distinguished opera service awards in 1999, 2004, 2009, 2014 and 2019. Holt's orchestral discography includes numerous recordings with the Dallas Symphony Orchestra, Fort Worth Symphony Orchestra, The Dallas Opera Orchestra and The Voices of Change. In this interview with Prof. Holt, you'll discover: -How freak diving injury led to greater awareness as a trumpeter...01:15 -What opportunities for trumpeters exist now that didn't exist in the 70's...07:20 -The higher you go up the pyramid, the less competition there will be...11:45 -How trumpet is like a turtle...15:55 -How to know a student is ready to progress to the next level...19:30 -How Gil Johnson transformed American orchestral playing...28:20 Credits: Trumpet Dynamics: The Story of the Trumpet, In the Words of Those Who Play It Host: James Newcomb Guest: John Holt Opening music: "Folklore" by https://bigbigtrain.com (Big Big Train) Closing music: "Creepin' With Clark" written and performed by Mike Vax Audio editing by: Show notes prepared by:

durée : 01:58:38 - Au coeur de l'orchestre - par : Christian Merlin - Cet été, Christian Merlin vous propose de réécouter quelques émissions sélectionnées d' "Au coeur de l'orchestre". Aujourd'hui, rediffusion de l'émission du 29 décembre 2019 sur Carlos Kleiber. - réalisé par : Marie Grout

A very honest and candid chat with a lovely person - Sian Edwards and I discussed so many topics from her successful conducting and teaching career. I discovered how Neeme Järvi shaped her early career, why she still has a piece of broken chair in her study and I got to hear an amazing story about Carlos Kleiber that I had never heard before!

在这期节目中，我们探讨了以下这些内容：暴躁有钱的贝多芬，跟你的想象有何不同？贝多芬和古典音乐如何被双双“神化”？为什么电影都喜欢用贝多芬作背景音乐？贝多芬很早就意识到自己是个伟大的作曲家？贝多芬已经被过度使用了吗？这是好事还是坏事？……本 期 嘉 宾马光辉 影迷，杂志书《今天，听什么贝多芬》主编伯樵 影评人，乐评人yanqin 学电影的音乐人、写作者江峰 比较一般的一般导演，非常业余的业余乐迷路德维希·凡·贝多芬 （Ludwig van Beethoven， 1770年12月16日—1827年3月26日），出生于神圣罗马帝国-科隆选侯国的波恩，维也纳古典乐派代表人物之一，欧洲古典主义时期作曲家。贝多芬一生创作题材广泛，重要作品包括9部交响曲、1部歌剧、32首钢琴奏鸣曲、5首钢琴协奏曲、多首管弦乐序曲及小提琴、大提琴奏鸣曲等。因其对古典音乐的重大贡献，对奏鸣曲式和交响曲套曲结构的发展和创新，而被后世尊称为“乐圣”、“交响乐之王” 。附：播客中播放或提及的贝多芬音乐Piano Sonata No. 30 in E Major, Op. 109 - III. Gesangvoll, mit innigster Empfindung - Andante molto cantabile ed espressivo，演奏：Igor LevitSymphony No. 5 in C Minor, Op. 67 - I. Allegro con brio，指挥：Carlos Kleiber，乐团：Wiener PhilharmonikerString Quartet No. 6 in B-Flat Major, Op. 18 No. 6: I. Allegro con brio，演奏：Alban Berg QuartettGrosse fuge in B-Flat Major, Op. 133，演奏：Alban Berg QuartettSymphony No. 7 in A Major, Op. 92 - II. Allegretto，指挥：Kirill Petrenko，乐团：Berliner PhilharmonikerString Quartet No. 15 in A Minor, Op. 132: III. "Heiliger Dankgesang eines Genesenen an die Gottheit, in der Lydischen Tonart". Molto adagio – Andante，演奏：Alban Berg QuartettSymphony No. 9 in D Minor, Op. 125 - II. Molto vivace – Presto，指挥：Kirill Petrenko，乐团：Berliner PhilharmonikerSymphony No. 9 in D Minor, Op. 125 - IV. Finale，指挥：Kirill Petrenko，乐团：Berliner PhilharmonikerString Quartet No. 7 in F Major, Op. 59 No. 1 "Razumovsky" - I. Allegro，演奏：Alban Berg QuartettPiano Sonata No. 30 in E Major, Op. 109 - III. Gesangvoll, mit innigster Empfindung - Andante molto cantabile ed espressivo，演奏：Igor Levit

Carlos Kleiber chose the work as one of his few specialties.

Carlos Kleiber chose the work as one of his few specialties.

Kirsty Young's castaway this week is the soprano, Dame Felicity Lott. She is one of Britain's best known and best loved singers and has given performances in opera houses the world over under the batons of such notable conductors as Bernard Haitink, Carlos Kleiber and Georg Solti.As a child, she had always loved singing, but was, she says, a shy, gawky girl who didn't have sharp enough elbows to get to the top. She tried her hand at teaching, but found she was so crippled with nerves that she had to abandon the idea. By good fortune she was delivered to a singing teacher who spotted her talent and gave her encouragement. It was exactly what she needed - she has enjoyed a career spanning more than 30 years and over that time has won a large and loyal army of fans.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Moonlight Music - the prelude to the final scene of Capriccio by Richard Strauss Book: Les Miserables by Victor Hugo Luxury: Lots of champagne and pistachio nuts.