Podcast appearances and mentions of Julian Anderson

I had an impromptu discussion with British composer Julian Anderson about harmony. It was recorded in the Hotel de l'Hermitage in Monte Carlo, Monaco, on 11 October 2023.SUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIn Glow of Like SeclusionLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show

The Oscars are behind us, so it's time to turn our attention to new programming until the big summer movies return. But this week we find ourselves going back in time as we discuss "Marie Antoinette," a new historical drama on PBS. The stars of the show, Emilia Schüle in the titular role and Louis Cunningham as Louis XVI, sat down with co-host Bruce Miller to discuss the program, the arc of the series that is planned for three seasons, and whether or not Marie Antoinette really said "let them eat cake."  Leading into that interview, miller and co-host Terry Lipshetz discussed how this show is the latest in a line of recent period dramas that have dominated streaming services.  "The Great" is among our favorites. The show starring Elle Fanning, which is very loosely based on the life of Catherine the Great, returns to Hulu on May 12 for season 3 with 10 new episodes. Another show that is a bit more realistic is "The Crown" on Netflix. The sixth and final season should wrap production in a few months and could drop by the end of the year. The program, which changes ensemble casts every two seasons as characters age, is expected to bring viewers through the death of Princess Diana, but before the recent drama surrounding Princess Andrew, Prince Harry and the death of Queen Elizabeth II. If you want some of that drama, you can watch the documentary series "Harry & Meghan" on Netflix.  Another period drama, also on Netflix, is "Bridgerton." The series is a fictional drama based on the book series by Julia Quinn that takes place during London's Regency era of the late 1700s. Perhaps "Marie Antoinette" most closely resembles another historical drama in "The Last Czars" that aired on Netflix in 2019. That show focused on the final years of Russia's Romanov dynasty. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was generated by Podium.page and may contain misspellings and other inaccuracies as it was generated automatically: 0:00:03Welcome everyone to another episode of streamed and screened and entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and cohost of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce, welcome back. How's it going? No. We went through the Oscars We're good. We are looking forward to the spring shows. We're good. 0:00:30I have watched all of Ted Lasso. I'm good. So, yeah, there's a there's a lot there that we've been able to peel off during the last last few weeks. But, you know, if I see a cocaine bear in the streets, I'm stopping. I'm excited. I have not seen cocaine beer and I will not until it's at least on TV for streaming purposes. But I am excited for Ted Lasso. That's the one show because I feel like Apple T. V. Plus, they've got some good programs. But I I can't pay for it year round because they don't seem to have enough at any given moment for me. Like, I like Tesla, so I like that space program. Where it was kind of the alternate history. Yeah. I really like that. So I've been waiting for Ted Lass, so so I can resubscribe for about a month or two Watch watch that. 0:01:25Watch for all mankind. I still have to get caught up on that that Jennifer Aniston to the morning show. Morning show love that. Yeah. Look at what you're missing. You should be spending money. You're rich. You can do all that. 0:01:41If I was rich, Bruce, I probably would be doing something differently right now, but I'm not. I'm rich in knowledge. I'm rich in movie and TV knowledge spending my time with you. You know, we don't need we don't need all that money because we have someone's experience that's where we're able to draw on that bank. And if you buy that graph, I'll tell you a little bit more. 0:02:06I think we need a time machine, Bruce, for this episode. Like, I was looking I was looking locally for a delorean to see if I could whip something up. Because I I wanna go back in time because it feels like everything we're watching on TV now is going back in time. A lot a lot back in time. Yeah. And they're going back to the the days when maybe politics wasn't the same as it is today. Right now they're trying to kind of show us what was it like when x or y was in charge? What did they do? Right? And how did they react? And it's interesting. I don't know if we're learning anything because I think our politicians are making the same mistakes they've always made. 0:02:48It is fun to look back at these things. I love these ones that have great sets and costumes. I really like looking at that stuff because I think what are they what kind of hell are they going through to wear this this junk. You know? And when you see something like the great, which just turns it on its head and goes for the laughs. I enjoy it. It's fun. 0:03:11But a lot of things are coming up before the end of the spring, Tom Jones. They're doing a remake of Tom Jones that will be a little less user friendly. Let's just say that Tom isn't the the dashing rogue that he once was. And so that's an interesting take on things. And then we have Maria Antoinette, which is a kind of a spin on how that whole story played out that the people who made it said that, really, Marie Antoinette was the victim. She was not treated the way she really should have been, and she was the victim of gossip in the court. People were she was, like, the first influencer who was canceled. Is one of those kind of things where permanent They were out together, and so they did whatever they could. And in this new this new series, limited series that they have, you'll be able to see how the people are really she wasn't that bad, but she was treated badly. And then we'd have the crown. Look how long we've been looking at the British dynasty and what they're up to. And how will that shift now when Charles is in charge? 0:04:26Howard Bauchner: Right. So you mentioned the great, which that one's actually coming back pretty soon. Season three is coming back May twelfth. They're gonna drop ten ten episodes on Hulu. And I feel like that's gonna be one where I'm gonna have to tell my wife, like, we gotta take a couple days off because we're we're just gonna crush through all ten episodes back to them. And they're quick ones too. I I feel like that one you can kinda you can crush through the great -- Yeah. -- pretty quickly. 0:04:53But I I love that show because it's it's so irreverent. Everyone's smashing glasses on the floor and Hazan and it it it's a little bit historically accurate, like, at, you know, like, one percent. But it's so fun. And very naughty, which I like naughty. Yeah. That's a that's a good thing. The gentleman who created the great. Also did the favorite. If you remember the favorite. Okay. 0:05:23And that starred Olivia Coleman, she won her Oscar for that. And when me and Coleman was in the crown. Right? And I just talked her she's gonna be in great expectations. Another adaptation that's coming up. And she says, I have no interest in history. I really I am not one who who wants to go back and and dig out that stuff. In fact, she remembers being assigned great expectations when she was in high school. She's, I don't think I even read it. I really don't. So I I like the honesty that she she brings to all of this because it makes, I think, the character a little more believable. But yeah. But she was in the crowd. 0:06:05And you know, I I I mentioned this before, I'm sure, that I don't like that they switching out the cast because I think they could do with some of that stuff. I think this latest cast, you know, the last one was really good. And now these once I'm not so sure I'm buying into it, but there you are. Yeah. I liked so and it was weird too for me because I didn't watch the crown initially. When season four of the crown came out, which was the second and final season with the second cast, my wife and I decided, let's kinda check this one out. So we went back and we we crushed through season one and two. Then immediately went to season three, which is very jarring when you go and look at the cast change because we really liked and we we kinda grew to like that initial cast. And then it goes to season three, and we didn't know kind of what to think of it. And I think it finally grew on us once we got about halfway through maybe the second the the third season. 0:07:06It was a really I really I think ended up liking the season three and forecast the most because I thought Olivia Coldman really nailed a a kind of middle aged queen Elizabeth, somebody who is no longer, you know, the young pop in who's kind of settled into herself and taking charge and knows what she has to do, but you had hell in a bottom Carter playing her her sister, which was kinda fun. And then I didn't even realize it until almost after the fact, but they brought back Dana Sculley, Julian Anderson played Margaret Thatcher. And she was fabulous. It was so good. And and the actor that was from the Game of Thrones who played he he was the the member of the family that was blown up by the the bomb, the boat bomb. Oh, the Fort Mount bat or was it Fort Mountbatman? Yeah. Yeah. Because he was Tywin Lannister in the Game of Thrones. So it was just they had a really solid ensemble cast. So I I absolutely loved it. 0:08:12I thought they had a really good young Prince Charles in that program. Right. I thought they had a really good young Princess Diana, but it didn't translate well when they jumped to season five. I I thought, like, it It wasn't as jarring because it'd been so long since I'd watched seasons five four and five, but I I'm not in love with the current cast. Dominic West, isn't he Prince Charles now? Mhmm. Yeah. I think No. 0:08:40That was miscasting. Right there. Right. Right there is miscasting. But you know, it I get what they're doing. What's funny is that they kind of take a Jackie Collins approach. To that whole royal world, and yet they're trying to play it as very masterpiece theater. You know, there's there's a lot of down and dirty stuff that you think, is this really what happened? Or are you going a little too far on the edge here? So I don't know how accurate it might be, but I bet any money that the people who are in the royal family had a great time watching it. I heard I don't know if you heard this, but around the time of the first season, one of the Queen's sons I can't remember if it was Prince Edward, but they they would go to her house, her castle, whatever she lives in. And they would watch it on, like, Sunday nights. Once a week. You're gonna be great? Yeah. So they threw on the Netflix and watched themselves. And then you would be, like, screaming at the TV. No. That's not the way it is. That's not true at all. Right? The one yeah. I know. 0:09:52The one actor who I really thought has nailed the role in the newer season, though. Jonathan Price is Prince Philip. I I feel like I believe him in that role. It feels like Prince Philip to me. Well and, you know, isn't it weird that we know these characters? Or we feel we know them because we've seen them in the media. We've seen them doing things. So you have a a a different approach. Whereas the ones that are from Katherine or Grace era, she can be whatever. You know? Because we've enough about her that I don't know that that's true. But so it's I think it's easier for an actor to play one that we aren't familiar with. But something, but that really kinda grazes your radar. I think that's difficult. Yeah. 0:10:35So that program has the final season coming up season six, which will maintain the current cast. I've read that it's scheduled to wrap photography sometime in May or June. And that Netflix, there's no release date, but Netflix has historically dropped that show in either November or December. So take that for whatever that's worth. We probably will see it by the end of the year maybe. Will they go up to the death of Elizabeth, or will they No. I I thought the plan was to kind of bring it up to, you know, we'll obviously see the death of of Princess Diana, and I think they have a young Kate Middleton cast. So we will see like William meet Kate in school. But I don't think it goes any further than that. I think that was their point was they wanted to kind of bring it up to sort of modern times, like, where we would recognize transition from that to almost the present day, but they weren't planning to bring it much further. Didn't you see though a standalone movie where they do the death of Elizabeth, where that's kinda and then the transition of power -- Yeah. -- that'd be cool. 0:11:45And just the drama, the Harry drama. Oh, the spare, I've been reading the book. Have you? Yeah. The spare is very interesting because you can see First of all, the media is the devil. He has the media responsible for everything, which I find kind of like Boy, they really fed him the kool Aid, didn't they? Mhmm. But he does have an altered view of his importance his place and the family drama. Now, he tells a lot of things that are very fascinating, you know, about how bad the the plumbing is in the palace and and how the sheets are repaired so many times that when you're in bed, you feel like all these these holes that used to be in there are darned over and it rubs against you. 0:12:36I think, well, that that's kind of information I would well, I'd want that. I'd like to know that kind of jump. But then he gets into his military career and single handedly, he is, like, Liam Nason here. He's doing a flying into Afghanistan and Yeah. It's and, you know, there are there are a lot of girlfriends mentioned that I never knew. I I'd be going if I were British press, I'd be going back and asking them a few questions about Is this the way that book actually happened? Can you fill me in on this? This is the truth. But he always is going about the paparazzi And early in the book, he has this philosophy that he thought his mom was not dead, that she was you know, just hiding out because she wanted to get away from all of it. 0:13:23And it took him going to the site of where she died to really come to a different different kind of conclusion. But it it is fascinating because those people don't reveal their feelings. For the most you never we don't know what the queen was like. She could have been a big old lush. But, you know, all we have to go on is that she has a purse, she likes corgis, and she always wore a hat. Right? And worse racing. Right. This is like this is what we know about the Queen. Yeah. So Queen speculation that a TV show does It is what it is. Yeah. 0:13:59I I haven't read the book. I'm not really interested in reading it. I I have not watched Harry and Meghan on Net flix and I I really don't feel like feeding that beast. You know, it's funny you mentioned the the the devil and the media yet they have no problem using the media to their own advantage. It's only when it it doesn't serve them right. 0:14:21But I think my problem is he he it just comes off as very elitist and entitled on his part. I mean, he I I I don't doubt that he's probably felt disparaged in some way. You know, we we all know going back to when even he was younger they were referred to as the heir in the spare. So I totally get that. But you're living a very gilded life to begin with. I I don't care about your problems all that much. It's it's a, you know, you you can have a lot of problems. And I also think too, like, you're kinda burning bridges at this point. 0:15:02We all have people in our families who we don't necessarily like. You see them on Thanksgiving, you got your crazy uncle or somebody that believes in weird conspiracies or that UFOs are coming down to com and you just kinda like, get denied politely and you move along. But in theory, he's really not that far removed from the monarchy. So Like, you would almost wanna be, like, let me just play it cool for the time being. Because in, you know, what happens if if Charles were to die? And then something crazy like William and his family are flying off somewhere in the plane crashes. All of a sudden, you're the king of England. So it's not you know, it's one thing with his his cousins who are like fourteenth in line and they're never gonna smell the throne room. But he's actually still not that far removed from from that position. Like, just kind of let it roll out and then maybe you know, years from now, but, you know, it is what it is. 0:16:00There I think Meghan and Harry are playing it like a reality show. You know, they all give me all that kind of angst that we should get on their side and we feel sorry for them. Look, I'm feeling sorry for nobody who has you ring a bell and you get a meal. I have to scramble to get a meal. So and they haven't they don't have to worry about any money. They can buy whatever they want. They can get whatever they want. But I do see the the kind of velvet handcuffs on them where you gotta go cut a ribbon or open a store or something and Is that really a job? 0:16:38Right? And he acts like he's the only one who's seen the real outside world. He hasn't seen the outside world at all. He wasn't working at seven eleven. He wasn't doing, you know, some of these things that they act like, oh, we are real commoners. We are just weird. You know? And so it's fascinating. I like I say, I enjoy reading this because it's so kind of diluted -- Right. -- about what the real world is. 0:17:06And then as you said, Putting the blame on the media when you don't really even know how grateful you should be to the media for carrying your water. Where would his side have been in this whole thing if Oprah hadn't said, hey, let's do a little let's do a little interview. You know? And so he's naive. Naive is a better word than spare. But he brings up the spare aspect all the time in that book. Yeah. I am just this Oh, feel sorry for me. He's gonna beat the queen's pony until its death on that one. Well, and yeah. And I think they will go. They will go to the coordination. Because that more content. They're it's they're just, like, influencers that have to have more content for their site. So they're going and they're not gonna look happy, but they're gonna go and then they're gonna bring the kids and then they all say that somebody dissed him or Camilla didn't grab the kids and hug them like she should have or it'll be some crap like that because it keeps the monarchy going. As long as there's interest in that, nobody is talking about, let's get away from Let's not do that. Let's just make those some museums that we can send people through. Of course. 0:18:29Now some royal drama that I do enjoy Bridgerton. Bridgerton. Yeah. I you probably are looking at me like, Terry, you you really Bridgerton? Yeah. I I enjoyed that. I kinda got roped into it with my wife and I've been sucked in. It's it's fun. It's just fun good old drama. 0:18:47I tried the first season, and there were so many disconnects. That I thought, you know, I can't. I can't do this because it's one more that I'm gonna have to watch. And I did not buy the characters But this is me. This is just me now. You enjoy. Go. Do. Enjoy. But I you know, when they lost their leading man after the first season. I thought, this is gonna really kill it. But then they've got enough people there that each year they can have a new one who's looking for love even though the plot seems a little familiar. 0:19:21I also like as a music buff they have, like, the vitamins yeah. The vitamin string quartet and there's another group too where they take contemporary music but turn it into ballroom dance songs. So when I'm watching it, I'm thinking, like, I know that song somewhere and then it's still there's still There's Nirvana. I can't believe you can dance to Nirvana. So that's kinda some good old fun. But, you know, it's It is what it is. I that one's I guess, they're still working on season three, no release date. Again, they're kind of like changing over some of the cast because they're gonna focus in on a different character or something, but it's it's not reality. So but it's kinda got that drama. 0:20:14With the newest with Miranda Gwynet, which is coming out this month -- Mhmm. -- they go back and they looked at all of the way that she was treated. And they looked at the books that were written about her and how people reacted to her. And they realized that what we know, the things like she says, let them eat cake. She never said that. Off with their heads or any of those kinds of things that seemed very kind of fictitious. It was all made up. And instead, she was just another person throwing into this this royal world. She had no idea what she was doing, and they hated her because she was an outsider. She was not somebody that was picked from the inside. And she really kind of had to learn with her king because he was thrown into it when his family died. So they were these naive kids. 0:21:13This is probably more like Romeo and Juliet than anything else. Yeah. And they had to figure out What do we do now? An interesting factor. We I think we have the interview, but I talked to the two stars of the of the mini series. 0:21:31Amelia Schul and Lewis Cunningham, and get this. He was never gonna be an actor. He did a couple of shows in his college. Right? And thought, oh, that's interesting. Okay. But he was all geared I think he was a German major, and he was gonna do something else. And suddenly he gets cast in this thing and his co star was actually serving as his kind of his adviser telling him what he needed to know to be able to be in a mini series. So it is it's fascinating how all of this world kind of opens up to certain people. And it's not unlike royalty, but you could be the star of a mini series tear. I could. You know, all you need and then the actors can lead you through it. So there you go. I'll I'll start looking for parts. 0:22:25The the closest thing that I could think of with this series, Netflix did one a couple years ago called the Last SARS. Did you see that one at all? Might have seen, like, an episode. I usually see the first episode of everything, and then after I'm done with that, I just bail. So the last star is if you haven't seen it, It's one of those shows where I'm not gonna recommend anybody you're listening to it to go see it because it wasn't that good. 0:22:48But the problem with it is once you watch one episode, you kind of feel compelled to finish them off because it's not that bad either. It's sort of in between. It's one of those that has It's, like, fifty six percent on rotten tomatoes. So it's not terrible, but it's just not great either. We need it. We don't have completion. That's what you're looking at. Exactly. And it was short enough. It was only episode. So it's kinda I can I can kinda work my way through mediocre series? 0:23:13It's but this that one felt a little bit like this Marie Antoinette where it's the czar, the last czar of Russia. It's it's how he gets married. The the the influence from Rasputin and kind of what happened leading up to the Bolshevic revolution and then ultimately the family getting wiped out. And and I think it might have it's been a while since I've seen it, but I think it might have even began with, you know, did Anastasia actually survive it because there's somebody in the hospital who's roughly that age who claimed to be the daughter of the czar and it was a fascinating look, and I think it provided some insight into the time period. And it was a good you know, it's somebody who's a student of history like myself and I like to think of myself, it was good to watch from that perspective. So I feel like I might actually hop into this one because it seems interesting enough to kinda cap my my attention. 0:24:07They shot at her side, so you actually get to see the locations and they were shocked because they said there's a lot of show there. You can see the, you know, the the grand ballrooms that they have, but they were living in, like, back rooms basically. They didn't really have all that opulence around them at all times. I don't think that's true with you know all all regal people. Mhmm. I don't I think some of them do have the the good stuff. But, you know, interesting, isn't it that you can go and I don't know that you as a tourist could go into those back rooms and see what it's like. They got an opportunity because they were filming there and they said, you wanna see this room and, like, Yeah. Okay. Let's go look. 0:24:50So that's and it this will be a three parter too where we have to so I just know that it's three years that they'll be doing this. I think that's eight episodes or so for the first season, then they'll do a second and they'll do the third. And so we don't get head cutting until the end. And then and there's no cake because we've we've already ruled that out. Cake. We are not having cake. No. Unless they decide to do it at the end. You know, let's end by the way, to celebrate this month's fundraiser on PBS. We're gonna be having cake. You don't get the tteok bag. You get a piece of cake. We're selling it. A hundred dollar donation. You we'll send you a piece of cake. We'll get the piece of cake. That's right. Alright. So let's queue that up. 0:25:34Amelia Schul is is Marie Antoinette. And Louis Cunningham, who plays Lewis King Lewis, are are the stars of this. And they became very, very, very good friends. In fact, before I was interviewing them, they were just sitting on a couch and he had kicked off his shoes. And his shoes were like they were huge. They had a huge heel on them. They were like, it looked like something you'd walk in a in a fashion show with. And I said, can I look at those shoes? Do you mind? He says, oh, they my feet hurt so bad from wearing them, but they look cool. And he didn't have enough room in his luggage. So she brought the shoes with to do the interviews. And so he he would have a look, but it wasn't like it was gonna be suffering for his art. But that was kind of a a little insight into their friendship. They really are close friends now. Because of this. And they're they're excited about going back. 0:26:31If they say it's really cool to know that you have another job to go to. That's the best part of being in a mini series or a limited series is that you're not just one and done. It's like, well, now we can go and see those same people next year. And keep up and then maybe look for some other work in the process. So, anyway, there's lots of fun. 0:26:50Here they are, Amelia and Lewis. This reminds me that please don't think I'm crazy for suggesting it, but it's a very hair Meghan kind of thing, where they're kind of the victims of all the people who just gossip around them. Did you see that at all? Or am I just crazy? It's been, like, brought up a bed. In different reviews. 0:27:11And I I'm not if I'm honest, I hadn't thought about it at all before. And I guess Yeah. Someone knew coming in to a big royal family really. I know. I guess maybe James kept saying that as well. James couldn't afford anything. Yeah. Maybe there are definitely something. But it definitely didn't it wasn't something that I could have thought of going into it. But yeah. Yeah. No. And maybe you're right. But look, I haven't really thought about it as well. I mean, courts are difficult, and there's always intrigues and, you know, like Social media is kind of the the the whispering that goes on in the a thing. And so it's like, oh, I wonder if that's I mean, if you could make that that parallel. I mean, I did make I didn't make the parallel Harry and Meghan, but I make the parallel that she was a victim of fake news and canceled culture. And, yeah, of this whole campaign that was designed to destroy her and to support the revolution. You know? 0:28:08When you look at all the things that are written about her, do you say, well, what can I believe What can I you know, because some people thought she was good, some thought she spent too much money, some thought she was fooling around? Yeah. I mean, where do you find her? That was definitely a challenge for me because I've, you know, been diving into the prep and we seeing all these books. And and then we have our script, which is an entirely new take on her. And then I I had this conversation with the red neighbors. And I was, like, naming all the books I've read and she was, like, what, you've read the Stephan Spike book? When I read that, I wanted to throw it against the wall. I hate that book. Mhmm. And I was, like, okay. You could Stephen Spike obviously didn't think she's a great person. And, you know, it's like the description of a mediocre character. It's like the subtitles of the of the script. So yeah. 0:28:54And this is when I kind of understood that. I have to we, you know, distance myself from all this and find my own Marie Antoinette and we have this script. We have my work and, you know, did did you like her? Oh, yeah. I totally sympathized with her. Like, I didn't know like, I had all these cons conceptions about her before I, you know, got this part. And then when prepping, I, you know, I fell in love with her because her life was tragic, you know, like, she's getting sent away from a home country. It's kind of child marriage. She's a husband who doesn't touch her So she has to bear the humiliation of, like, hold Europe. And she can't fulfill her only job that she has to do to, you know, produces air. Mhmm. So I do get why she, you know, distracted herself with the partying and the dresses and the wigs because she's been traumatizing stock up to stock up since, you know. Yeah. So yeah. I think Cover. 0:29:53I think it was what's really interesting is reading the history books and then seeing yeah. As you said, how things are so different in different accounts? And thinking, okay, why is that? Why a perception? Changing. And then from that, you can kind of get a slight understanding of what you might want to portray within, you know, your character. Could you relate at all to him? Or is it, like, yeah, do you see it? Oh, I'm not like that I I talk. Yeah. I mean, on that level No. Not so much. But absolutely. I mean, I think I've -- Yeah. 0:30:24-- a hundred percent been in situations where kind of anxieties or fear takes over and you it's kind of a fight fight or fight type situation. Yeah. And I just shut off. I was saying the panel that we've just done, you know. I just almost kind of on zombie mode of automatic function, kind of just rolling out. And obviously, I was speaking there, but it's that kind of because it's stressful. It's stressful. It's stressful. It's of that. But at the base of it, I was just like, okay. Put myself in his shoes. Fifteen year old fifteen years old getting married. Your parents have both died, your brothers died, you know that you're gonna become king of this country that you really don't know much about, to be honest. Never see much of it other than your massive castle. Yeah. And the pressure that has put on you is a normal and especially the pressure in the bedroom. It's like how on earth could you ever perform -- Yes. -- sexually under such political stress and kind of Yeah. Yeah. Sorry. Excuse me for being stupid. 0:31:27Did you major in acting in Not Oh. So what were what was that career that you were studying? Yeah. So the career no. I I studied German and philosophy at university. Speak to and French. We have another show, the deck of Filiens. Okay. So very great. 0:31:43And I but I always loved loved theater. And I did a bunch of theater on the side of my degree at my university. And I I was at the mindset that, okay, maybe if I finish university and then I still really wanna do this. I'll play drama schools in the UK and then go from there and to patterns or I'll get it out of my system and then go and do I have no idea what. But I got so lucky, a casting director saw a player that I was in and then introduced me to my I'm saying? Do you tell him this doesn't happen? No. It doesn't. I told him that I waited seventeen years to get a job like this. And it's his first job, like, proper job. Is that fair? Not really fair. No. No. No. But I had her. I haven't heard a guy. Honestly, I can't I will say this to you for a quarter machine. 0:32:37Amelia is one one of the most insanely talented people I've ever met in my life. Two, the kindness. Three, the most impressive guideer ever. You know, if I was lost, stressed nervous or just didn't really know how something worked. Always always always explaining it to me, helping me out, pushing me along right now. She didn't say scared in my share them. Yeah. Hold on. And she would make everything vibrant and exciting and fresh and energetic and, you know, we would play with everything. 0:33:05And these like, by the end, when I know you're gonna be. I'm just like So does it make you wanna do this then? This is the career? So all that other careful just It's like a drug, you know, like, once you, you know, try it from once you're hooked, like, acting, doing the films Have you both thought about what this could do for your careers? Nope. No. I mean, because this will be a big platform. It will be a big launch. And Yeah. Yeah. But then again, you know, like, the market is so big. There's so much out there. So I'm trying to be like, shit. Build and, you know, it can go in either direction and you just have to be grateful, you know, like, take a day by day. Yeah. What did you shaved your hair? For for filming Germany. 0:33:46Did they shoot those scenes then when she is executed? Maria Antoinette? No. No. No. Because it didn't she ever I mean, this is what I've read. I don't know if they've like, to be honest, my prep went up until the and where we finished season one because there was a lot a lot to prep for. So she still has her head at the end of season one. So we could have season two, and it would be fine. That would be fine? Well, I mean, you you gotta do the same. You should be alive. It isn't like No. I'm still alive then. Yes. Yeah. Okay. It's your free season concept. 0:34:20Do you think about though doing that last kind of moment of these characters. It's really interesting. Deborah was very specific and she said in the history books, don't read a past a certain point? Yeah. Because these people didn't know what was coming for them. So why why should he Yeah. So we didn't think about that moment. No. 0:34:39But it's in the in the first season, there are a couple of tiny things that I kind of foreshadowing wants to come. And that was a really interesting things to think about. And also, the first season is really just within Dasei and in the court. So it shows how blissfully unaware there were, everything going on without side and the reality of life in France for the normal people. And to Yep. It was it was kind of more interesting to play these roles with no concept. 0:35:11Did you think you could live this life? Did you say -- No. -- I really No. No. It's horrible. I mean, you come to code, everyone, like, as a Spanishman gentleman, everyone hates you because you're Austrian, everyone's to get rid of you. And and there's are these, like, stupid one hundred your old rules, you have no privacy, you're always observed, always judged, and controlled, and you have no life on your own, of your own, you know. This is why she was so rebellious because she wanted to, you know, be human being. 0:35:43Have you watched the great? Yes. Yes. Do you see parallels between characters? Or Yeah. I mean, it yeah. But both of them but, I mean, Katherine just That's played for humor, but it's still I mean, both wanted to change the court, and Katherine succeeded, and Melania didn't. So, I guess, Katherine was just more lucky, you know. 0:36:08Did you think she was pretty? I mean, I I don't Maria Twonette, do you look at pictures of her because some, you say, and then some, they say she was just beautiful. So how do you find what the visual is of her. I honestly haven't thought about that, but what they do write about in the picture is that she was just very very and she had this aura and this playfulness and that was just seductive, you know. That's what I've, you know, try I've been trying to And the hunter? Are you hunter hunter? No. I'm really No. I'm I'm a gatherer. I'm a gatherer. Yeah. Great. I but also get back to the kind of, like, image of these people. They had their portraits painted. You haven't you never know. They can take a look at some eighteenth century photoshop -- Right. -- on those things. Yeah. Sure. Sure. It could be worse. Right? Who knows? 0:37:02I mean, I think the idea of an arranged marriage where I mean, is that just so foreign to you that -- Yes. -- where do you where do you find a way in? It's views. It's not right. I mean, people in India would see, you know, see that differently. There's a lot of range. Marriages. I I think what even more than just being in a range marriage, it was that they were children. They were I mean, I think of myself at fifteen. I was the you know, and I was keen. Yeah. Yeah. I was just so unprepared for the world and that you're forced to marry someone you don't know. You've never met. 0:37:41But I think, you know, with Louis, he's trying to weigh up. He's angry because he doesn't wanna be kidding. He's been forced to marry his brother as horrible to him. Everyone thinks he's useless. And then this woman comes in and he's kind of simultaneously reguiled in or of her, but also doesn't want to do that because it kind of, you know, he falls in line with everything that has been laid out for him then. But so he's just completely drawn in every direction. 0:38:06How is it working in France? Is that interest thing. The rumor is true. They do have wine at lunch, but first of all, it's true. Like, it's I've seen it. And then the other If you will get around to the house of people. 0:38:26The other rumor that they don't speak English is also true. Like, or hearty and English. So that's been a challenge, but then also beautiful for me because, you know, like, my hairdresser who has spent, like, I I counted. I must have spent like four hundred hours on the hair chair and he didn't speak any English and I didn't speak any French. But you can communicate age, not verbally. Because we do best parties. Okay. Yeah. Okay. Yeah. That's if that sums it up. 0:38:55And also, we were living in Paris. We were living in Paris. But That's not too bad. It. You know? Yeah. We were all kind of five minutes away from each other. Yeah. We could. Yeah. From a You were living in Paris. Do you have, like, go betweens to help you talk to people? Or But What does it go between? Somebody who would need to translate Oh, wait. Well, actually, half of the costs were friends So -- Yeah. -- that helped a lot. Yeah. They've managed to find the most incredible number of half French half English actors. And, you know, they all live in Paris, but then have, you know, one parent is English, so they'd be perfect English, perfect English. Tractor. But so they would help a lot. Yeah. No. 0:39:37But there were moments where they said like action and French, and I didn't realize we were filming. Yeah. Yeah. You know what we've stated in those. Yeah. We'll we'll tell them on these what they say. What? So how would they approximate? Did your French get better than? A little bit, a little bit. The petite. Let's eat it. Yeah. Yeah. It was amazing by the end. Not up by the end. I didn't have any time at night six for days, but I started to learn French after we stopped filming. You say that, but actually your friend. She knew the good words. Right? She was able to say certain things. Then when you come to the next two two years of this, when do you go back to do something thing on this. When would you feel? We don't know, but something. No. That's not. Yeah. Well, that that isn't that the best. Yeah. Alright. Thank you so much. Thank you so appreciate it ever. Shownotes created by https://podium.page  See omnystudio.com/listener for privacy information.

Defence minister to discuss US troop presence in Czechia; Klusák's book on Karel Gott wins literary award; composer Julian Anderson inspired by Sudek's Prague photographs.

Defence minister to discuss US troop presence in Czechia; Klusák's book on Karel Gott wins literary award; composer Julian Anderson inspired by Sudek's Prague photographs.

News; Křivoklát for national park; Ledecká leads Olympics charge; musician Julian Anderson inspired by Sudek's Prague photographs.

News; Křivoklát for national park; Ledecká leads Olympics charge; musician Julian Anderson inspired by Sudek's Prague photographs.

Fuchs, Jörn Florianwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Alexander Goehr is a composer for whom the conventional labels of new music seem increasingly inadequate. A latent nonconformism is already suggested by the essential biographical facts. He was born in Berlin in 1932, son of the conductor and Schoenberg pupil Walter Goehr. Still in his early twenties, he emerged as a key figure in the celebrated ‘Manchester School' of post-war British composers. In 1955-56 he joined Oliver Messiaen's masterclass in Paris. Thereafter, he worked as a BBC producer and broadcaster, and was a director of the Music Theatre Ensemble. In 1971 he was appointed Professor of Music at Leeds University, and was subsequently appointed to the chair at Cambridge in 1976. Background apart, however, the source of Goehr's heterogeneous yet single-minded development lies in a questing musical intelligence and a special gift for elaboration, transformation and synthesis. The artistic imperative is for a step-by-step progression, wherever it might lead, from what is familiar to what is genuinely new.Special thanks to Julian Anderson,  and to Ian Mylett and Sam Rigby of Schott Music for their invaluable assistance in the production of this episode.LINKSAlexander Goehr page on Schott MusicListen to ‘Colossos or Panic' for orchestraSUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

Raymond Yiu is a Hong-Kong born, London-based composer, jazz pianist, conductor and writer on music. Originally trained as an engineer, Yiu was self-taught as a composer until he undertook his DMus under the auspice of Julian Anderson at Guildhall in 2009. His debut album The World Was Once All Miracle showcases his talent with three identity-exploring works informed by his time at Guildhall. How to get your foot on the ladder as a self-trained composer Why he won’t be getting a publisher any time soon Why Raymond never wrote the Cantonese pop songs that inspired him so much https://raymondyiu.com/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes Raymond Yiu: The World Was Once All Miracle out now on CD (with great liner notes) Lontano ensemble directed by Odaline de la Martinez North West Wind recording Raymond with Odaline de la Martinez’ Raymond with Lukas Foss No Dice’s latest spoken word gig Joe Hisaishi of Studio Ghibli scoring fame (I said his name wrong) Benetton’s ad with an image of David _Kirkby_ — Enjoying the podcast? Leave a kind word on iTunes to help others find us Join our mailing list to get everything No Dice first

Composer Julian Anderson speaks to Alex about his new work for The Choir of St John's College, Cambridge, and shares music by Dusapin and Nørgård. Julian also talks about his relationship with choirs and choral music, and offers hugely valuable advice for young composers.Subscribe to New Notes on Apple Podcasts, Spotify, or wherever you get your podcasts and you'll be the first to hear new episodes each week!New Notes is now on Instagram! Head to: https://www.instagram.com/newnotespod/

In this episode I present a 3-way conversation between English composers Colin Matthews, Julian Anderson and myself.Colin Matthews was born in London in 1946. He studied with Arnold Whittall and Nicholas Maw; in the 1970s he was assistant to Benjamin Britten, and worked for many years with Imogen Holst. His collaboration with Deryck Cooke on the performing version of Mahler's Tenth Symphony lasted from 1963 until its publication in 1975. Over four decades his music has ranged from solo piano music through five string quartets and many ensemble and orchestral works. He was Associate Composer with the London Symphony Orchestra between 1992 and 1999, and Composer-in-Association with the Hallé from 2001-10, now their Composer Emeritus. Colin Matthews' music is published by Faber Music. Julian Anderson is one of the most talented composers of his generation. Born in London in 1967, he studied with John Lambert, Alexander Goehr and Tristan Murail and first came to prominence when his orchestral Diptych (1990) won the RPS Composition Prize in 1992.  Anderson has held Composer in Residence positions with the City of Birmingham Symphony, Cleveland and London Philharmonic orchestras, relationships which produced an impressive body of orchestral works including Stations of the Sun (1998, a BBC Proms Commission) and Eden (2005, Cheltenham Festival). Fantasias (2009), written for the Cleveland Orchestra, won a British Composer Award and The Discovery of Heaven (2011), a co-commission by the New York Philharmonic and the London Philharmonic Orchestra was awarded a South Bank Sky Arts Award. Both works were recorded by the LPO live label. Anderson has enjoyed commissions from bodies including the BCMG, London Sinfonietta, Asko-Schönberg Ensemble and Cheltenham Festival. Book of Hours for ensemble and electronics (2004) won the 2006 RPS Award for Large Scale Composition and featured on a NMC portrait disc. This was one of two recordings of his music to be nominated for a 2007 Gramophone Award, the other being the eventual winner, Alhambra Fantasy (Ondine).  Poetry Nearing Silence (1997), originally a commission from the Nash Ensemble, was later arranged to become a successful ballet choreographed by Mark Baldwin. In 2009, Anderson and Baldwin collaborated again on a Darwin-inspired ballet, The Comedy of Change, which toured nationally. Julian Anderson's music is published by Faber Music and by Schott Music.More about Julian AndersonMore about Colin MatthewsSUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

A top Melbourne architectural firm hopes to transform CBD car parks into public spaces for community use. Director of Bates Smart, Julian Anderson, says with modes in transport changing, and the construction of the Metro Tunnel, now is the time to transition away from multi-storey mega carparking. See omnystudio.com/listener for privacy information.

This week Tom Service focuses on freelance musicians. He hears from the violinist Daniel Hope about the collaborative Hope@Home concert series featuring performances with young freelance musicians from his own living room in Berlin, which have been broadcast by the German/French ARTE TV network since the start of the pandemic and have reached a staggering 8-million viewers. The composer and author Julian Anderson speaks to Tom about his life in music - from his very first symphony, to an opera specially commissioned for a socially distanced world, Eight songs from isolation, as well as his new book of conversations with the scholar and critic Christopher Dingle, Dialogues on Culture, Composing and Listening. The trumpeter Chris Cotter talks to Music Matters about the ongoing economic and artistic challenges facing freelance musicians as they supplement their income by taking on other jobs. Horace Trubridge of the Musicians' Union talks to Tom about access to income support schemes, and we hear too from folk musician Anna Massie who explains how she and her peers are trying to find new ways of connecting with their audiences, while the jazz guitarist Shirley Tetteh describes what has happened to her life as a session musician since the start of the first lockdown.

durée : 01:00:09 - Entretien avec Julian Anderson - par : Laurent Vilarem - La fantaisie et l’imagination sont les mots clés pour décrire sa musique : compositeur à l’univers exubérant et dont l’œuvre appelle à l’évasion, Julian Anderson déploie une musique complexe, somptueuse et colorée... - réalisé par : Claire Lagarde

In this week's episode David speaks with classical guitarist, tonebase artist and composer, Laura Snowden! A scholar of the Julian Bream Trust, Laura has premiered several works commissioned by Bream himself. She speaks of her experiences working with Bream and composers including Julian Anderson, to develop a series of concerts at The Wigmore Recital Hall. A versatile composer herself, Laura describes compositional techniques including unique chamber ensemble instrumentation and incorporating the voice in spoken and tonal effects. Laura also talked about her folk ensemble, Tir Eolas, and how important it is to connect with audiences in both classical and non-classical settings. Today's release happens to be Laura's birthday: a very happy birthday from the tonebase community! Intro Music: Couperin Les Sylvains (Scott Tennant) Light Perpetuum (Snowden) -Vida Guitar Quartet, Amy Green saxaphone Aida (Tir Eolas)

In this episode, I’m speaking with London-based guitarist and composer Laura Snowden.Hailed a ‘string sensation’ by BBC Music Magazine, British-French guitarist and composer Laura Snowden is acclaimed for her ‘poise and intensity’ (Guardian) and playing of ‘extraordinary depth’ (Strings, Classical Music Magazine). The first guitarist to graduate from the Yehudi Menuhin School, made possible by the Rolling Stones, she was invited by guitarist Julian Bream to premiere his latest commissions at Wigmore Hall in 2015 and 2017. Laura’s international appearances have since built rapidly, with festival debuts across Europe, China and the US, as well as concerto debuts with Norrköping Symphony Orchestra and Münchener Kammerorchester, and a recording of Lisa Streich’s guitar concerto Augenlider with the Deutsches Symphonie Orchester.Described by Classical Guitar Magazine as ‘linking guitar’s past, present and future’, Laura’s eclectic musical output has ranged from producing arrangements for Noah and the Whale frontman Charlie Fink to giving dozens of world premieres by composers including Julian Anderson, Errollyn Wallen and Olli Mustonen. She has also collaborated closely with her folk band Tir Eolas, appearing with them at Shakespeare’s Globe at the invitation of guitarist John Williams. As a composer, Laura’s music has been performed at Royal Albert Hall, Wigmore Hall and Sadlers Wells, commissioned by the Park Lane Group, Birmingham Symphony Hall and International Guitar Foundation, and broadcast on BBC Radio 3, BBC Radio Scotland and Hong Kong Radio 4.Laura currently teaches at the Yehudi Menuhin School and has given classes alongside performances at venues including the Royal College of Music, the Royal Welsh College of Music and Drama, Birmingham Conservatoire, Brussels Conservatoire, Uppsala International Guitar Festival, Altamira Hong Kong International Guitar Symposium, the Volterra Project in Italy and the Guitar and Lute Festival in Sweden.Laura’s principal teachers were Julian Bream, Richard Wright (Royal College of Music and Yehudi Menuhin School) and Gary Ryan (Royal College of Music).Laura and I cover a lot of topics. We talk about her history, working with Bream, composing, teaching, we get into the topic of expression and interpreting music, how she handles challenging things like self-doubt and those pesky existential questions like “what am I doing?”, and so much more. We had a great time over these two different interviews and I hope you enjoy. Featured clip from her composition titled Light Perpetuum, which was commissioned by VIDA Guitar Quartet, performed by them and saxophonist Amy Green, and appears on their latest album Bachianas.https://www.vidagq.com/http://www.laurasnowden.co.uk/

British composer Julian Anderson talks to Samuel Andreyev about his work, the avant garde, composition today and spectralism, among other topics.HEAR JULIAN ANDERSON'S MUSICKhorovod for ensembleHeaven is Shy of Earth for chorus and orchestraFantasias for orchestra**SUPPORT THIS PODCASTPatreonDonorboxLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSSpoken introduction: Maya RasmussenPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

Is minimalism the thing for you? Julian Anderson is a Frontend Engineer in a company called Axiata Digital Services Indonesia. Julian was born in Bandung, Indonesia. He stayed there until graduation from college. He had a major in Industrial Engineering and graduated this June 2018. However, Julian doesn’t really love his bachelor degree because his passion is in Technology and Web Development.

The project, 55 Southbank Boulevard is a defining new landmark  in Melbourne, being crowned as the the worlds tallest timber building extension, with a 10 storey cross laminated  structure sitting on top of an  existing 7 storey concrete building.  The technical challenges, of building one of Australia's tallest timber buildings on top of an existing building has significant technical challenges, and we were lucky to speak with the builder, Rob De Brincat, the Manager of Innovation at Atelier, the architect Julian Anderson, a  director at Bates Smart and Nathan Benbow, a senior Structural Engineer at Vistek.    In part two of this two part discussion: The role of building information modelling, and the utilisation of these models for fabrication and construction The importance of collaborating with shop drawers and and installers for successful prefabrication All of the key lessons learned on the project   If you want to use timber on your next project, there are over 45 free technical guides found at the WoodSolutions website. Technical guide 37 which focuses on the steps to deliver a mid-rise timber building is a good start. www.woodsolutions.com.au/articles/technical-design-guides

The project, 55 Southbank Boulevard is a defining new landmark  in Melbourne, being crowned as the the worlds tallest timber building extension, with a 10 storey cross laminated  structure sitting on top of an  existing 7 storey concrete building.  The technical challenges, of building one of Australia's tallest timber buildings on top of an existing building has significant technical challenges, and we were lucky to speak with the builder, Rob Debrincat, the Manager of Innovation at Atelier, the architect Julian Anderson, a  director at Bates Smart and Nathan Benbow, a senior Structural Engineer at Vistek. In part one of this two part discussion: The unique project challenges, such as cranage requirements with limited site access, building with minimal occupant disruption and the strengthening of the existing building How early contractor involvement was key for solving design issues, and ensuring efficient design and construction  Designing and detailing with other materials such as the steel core, and concrete transfer deck   Hope you enjoyed this episode. Stay tuned for next weeks episode where we talk about digital design, fabrication and lessons learned on the project.   If you want to use timber on your next project, there are over 45 free technical guides found at the WoodSolutions website. Technical guide 37 which focuses on the steps to deliver a mid-rise timber building is a good start. www.woodsolutions.com.au/articles/technical-design-guides

Anne Teresa De Keersmaeker is one of the most revered and experienced choreographers of her generation. Here she gives an insight into everything from the collaborative process between choreographer and composer, the relationship between music and dance, and her philosophies of choreography. Filmed at the 'Getting it Right' conference at LSO St. Luke's, March 2016.

Institute of Musical Research Helmut Lachenmann in conversation with Julian Anderson [PRESENTERS] Helmut Lachenmann (Composer) and Julian Anderson (Professor of Composition, Guildhall School of Music) Helmut Lachenmann at 80 A symposium on H...

John Wilson talks to sculptor Philip King about rewriting the rules of sculpture and to American rock band The Black Keys about their new album, Turn Blue. We meet Joel Dicker, the Swiss author of international bestselling novel The Truth About The Harry Quebert Affair. Paul Heaton and Jacqui Abbott, formerly of The Beautiful South reunite and Kirsty Lang talks to Director of Photography, Mandy Walker about the challenges she faced capturing the remote Australian outback on screen in the new film Tracks. Matthew D'ancona talks to writer Jon Ronson about his film Frank which was inspired by Jon's experiences touring with musician Frank Sidebottom and composer Julian Anderson discusses his new opera Thebans which debuts at the ENO this Saturday.

With Matthew d'Ancona Jon Ronson discusses Frank - which he co-wrote with Peter Straughan (The Men Who Stare At Goats). The fictional film was inspired by Jon's experience of touring in Frank Sidebottom's cult band. Ronson talks about why he didn't make a biopic, his relationship with Sidebottom creator Chris Sievey; and working with Michael Fassbender, who plays Frank and wears a fake head for the majority of the film. The multi Golden Globe and Emmy Award-winning series, 24, is about to return. Four years have passed and Kiefer Sutherland's Jack Bauer is now living in London and being hunted by the CIA. But then Jack learns of a threat to kill the US President during an official visit to the British Prime Minister, and decides he has to come out of hiding, to prevent it. Critic Sarah Crompton joins Matthew to assess how Jack fares this side of the Atlantic. Award winning composer Julian Anderson talks about his new opera Thebans, based on Sophocles' tragedies. From early Victorian pamphlets to the latest underground offerings, a new exhibition explores the world of British comics. It includes work by Neil Gaiman, Alan Moore and Posy Simmonds and a specially commissioned piece by Tank Girl artist Jamie Hewlett and looks at the way graphic novels have entertained, shocked, disturbed and amused readers for over two hundred years. Producer Timothy Prosser.

ENO presents the world-premiere of Thebans from the prize-winning composer Julian Anderson and his librettist, the distinguished playwright Frank McGuinness. This compelling re-telling of Sophocles’ timeless Theban tragedies focuses on the fate of Oedipus and his daughter Antigone. Hosted by BBC journalist Tom Service, this panel discussion features Julian Anderson, Frank McGuinness, director Pierre Audi and ENO Music Director Edward Gardner talking about bringing this new work to the stage. Thebans opens on 3 May 2014 and runs for 7 performances. All tickets £5-£60. http://www.eno.org/thebans

On Start the Week Andrew Marr looks at the legacy of modernism. Kevin Jackson returns to 1922, the year he argues changed the literary world with publications of Joyce's Ulysses and TS Eliot's The Waste Land. And Ali Smith reveals how her writing today melds different forms to explore style, love, death and the art of writing. But Will Gompertz and the composer Julian Anderson argue that art and music respectively embraced modernism earlier and more profoundly than the world of literature. Producer: Katy Hickman.

Think of the financial crisis. What does it sound like? That was the question the FT put to Julian Anderson, professor of composition at the Guildhall School and one of Britain's most celebrated composers. Hear him identify five key moments of the crisis, written out as scores and played on the piano. Presented by Frederick Studemann Produced by LJ Filotrani See acast.com/privacy for privacy and opt-out information.

Mock theme song - timoIntro Prayer by viperWhat did you do this week/quick heads up on next week: -endqwerty: working on yearbook, got presents from my school (public school), got my eagle officially, got a new bsa uniform. I will be going skiing Friday-Monday. -Jesse: Didn't sleep. much. At all. Hungout with the girlfriend. Wrote music. finallized concerts in NYC for next week. Studied for midterms.ONE MORE THING almost forgot. Girlfriend. -LindseyC: Did lots of math homework. And was confused by math homework. Thoughts on Banning words: -endqwerty: I don't think it matters, but I don't like how much it shows up on the hangout. Overuse, as in more than one or two on my server would result in a warning. I personally don't like it, but can stand it. -jesse: I don't really care either. Personally, its just another phrase. My mom says "Sugar" instead of "....". Only problem I had was the TPS admins being hypocritical about their "process of dealing with issues". Matthew 15:18 i think. -emily: I'm agreeing with Jess, it's just a phrase, I don't necessarily like it and I do think cuss words should be baned but... maybe we should stop focusing on just words that have bad connotations and measure all our actions by phillippians 4:8? I don't think it should be the mods/admins decision, it should be the individuals, choice and responsibility to fulfill 1 corinthians 8:13 and not make another brother stumble. -timothy: is more awesome than any of the other people (or so he thinks and wants up to believe) Which TPS social site should be removed. DC meeting?(weekend after easter.) DC Get together from Emily: Several TPS classmates are meeting up in Washington DC the weekend after Easter. It is going to be a three day outing, (not officially sponsored by TPS). If you live in the general area around DC and want information email Emily or Jesse, or Julian Anderson. Quote: "EmilyA: NO do NOT come crash my houes" so go to her "house" and not her "houes." Quick reminder for registration! Note: Midterms, take your tests. Tech from Lindsey: Today I’ll be going over how to download Teamspeak 3. Anyone can get on Teamspeak, it’s just a different way for you all to talk with fellow TPS-ers, and anyone can get on Daniel’s Teamspeak server. So to download it, first you’ll need to go to Teamspeak.com. Click on downloads. If you’re running Windows or Linux and know whether you’re 32 bit or 64 bit, then download the corresponding client version. If you don’t know which version your operating system is, then just download the 32 bit client. If you’re running Macintosh, then just download the sole Client option. Once Teamspeak is downloaded and installed, go ahead and run it. Click on "Connections" then click "Connect." In the address box, type the following IP address: 75.84.23.4. Then in the port box put 9987. Anyone can join, but there is a specific room for TPS-ers. The password for that room is on the TPS forums. If you're an alumni and would like to get in that room, then just contact someone from TPS or from this podcast, and we'll give it to you. That's all I have for now! emails: endqwerty@gmail.com jaykaysmiles@gmail.com bendthefender@gmail.com Outro: The podcast ends now! comment people, thanks