Podcasts about ostgut

Deadbeat is one of the foremost exponents of dub-influenced electronic music. A Canadian living in Berlin for more than 15 years, he has vast experience of making music, performing, and forging a path through the steep mountains of the North American and European electronic scenes. We talk about the development of the rave scene in the 90s, the birth of the Mutek Festival in Montreal, Berghain from its beginning as Ostgut, and many other fascinating areas. Join us in the https://discord.com/invite/98423K8gap (Hotflush Discord Server) Listen to all the music discussed on the show via the https://open.spotify.com/playlist/6gs2nOUls8kP3UmMVPWhL3?si=00ba0908e4c14c4f (Not A Diving Podcast Spotify playlist) For more links and other info visit https://scubaofficial.io (the official Scuba website) Follow Scuba: https://twitter.com/scubaofficial (twitter) https://instagram.com/scubaofficial (instagram) http://scubaofficial.bandcamp.com/ (bandcamp) http://spoti.fi/scuba (spotify) https://music.apple.com/us/artist/scuba/220276686 (apple music) https://www.beatport.com/artist/scuba/1550 (beatport)

Terminal V Podcast 036 - Naty Seres Playing regularly at a club such as Berghain is one thing but to be inducted into a collective of artists such as Ostgut is quite another. That is exactly what Naty Seres has just accomplished. Naty's productions combine a great many influences that have seen projects such as Atmophile Electronics and Never Not Now now all add to the unique sound palette she has at her disposal. So, without further ado we introduce the next generation of Ostgut and a true star in the making... Full interview with Naty Seres - www.terminalv.co.uk/terminal-v-podcast-036-naty-seres ----------------------------- >>> FOLLOW US >>> Soundcloud - @terminalvfest Tracklist... Object Blue - (time to) WORK Disx3 - Stigma Ø - Phase - Obscura (B-Line Enhanced Version) Casseopaya - Carma In An Ocean Of Joy (DJ Misjah Remix) User - 06 B2 The Advent - Recreations ( Danilo Vigorito Remix ) Backdraft - R U Ready (Part 2) The Chronics - From the Start (Hermeth Remix) Mall Grab - Reconnaissance StacEmp - On Da Block Clouds - Arkhangelsk Nightmare Two Sided Agency - Controlled Cycle Seraj - Envy Junk Project - Volume III UFO95 - 2am Bjarki & Kuldaboli - Karmageddon (deepfake mix) ----------------------------- >>> FOLLOW US >>> Soundcloud - @terminalvfest Facebook - www.facebook.com/terminalvfest/ Instagram - www.instagram.com/terminalvfest/ Twitter - twitter.com/TerminalVFest -------------------------- Upcoming Terminal V events - www.terminalv.co.uk/events

SVEN MARQUARDT exudes stoic creativity, describing Berghain as a 'place of diversity, freedom, and anarchy,' SVEN delves into the historical context of Berlin's notorious club scene alongside his lifelong passion for photography. Having grown up within the GDR, SVEN delves into the deep inspirations that drive him: from hearing Freddie Mercury's voice for the first time to the static beauty of silence on one of his shoots. Impossible to mistake the iconoclastic power of Berlin nightlife as THE countercultural institution of the past two decades, he reiterates the importance of spaces where true expression can thrive into the crack of dawn. Aside from his infamy as being the world's most recognizable Bouncer, MARQUARDT's love of music, film, and fashion are integral to understanding the full spectrum of his personality, combined with a refined taste of all the latter you won't want to miss.

It is 1995 and a young musician named DJ Ma.D is playing at Club Im Park, a former punk club in Fürstenwalde. Four years into the future this musician would become a resident at OstGut and later be known to the world as @marceldettmann It is a thrilling honor for us to reintroduce you to this pioneering idea of Techno music from one of our most influential icons. Enjoy this absolute rarity!

With Music by: Deadbeat meets the Mole, Emeka Ogboh, Masha Qrella, Mouse on Mars, PeterLicht

Mit Musik von: Deadbeat meets the Mole, Emeka Ogboh, Masha Qrella, Mouse on Mars, PeterLicht

Mit Musik von: Deadbeat meets the Mole, Emeka Ogboh, Masha Qrella, Mouse on Mars, PeterLicht

Weekly Podcast Guest Mix from Reset Robot1. Oliver Deutschmann - Moment [Hotflush]2. Viers - Protocol [Figure]3. DVS1 - Ecks [Ostgut]4. Jeroen Search - Clarity [Dynamic Reflection]5. Marcel Fengler - 6 In A row [Ostgut]6. Truncate - Wave 1 [Truncate]7. DJ Bone - Black Pattern [LF RMX]8. Bound - Bloodletting (TWR72 Remix) [Seance]9. Roberto - Perisphinctes (Rolando Remix) [Fossil]10. Heiko Laux & Diego Hostettler - Chicen Understood (Truncate Remix) [ Kanzleramt]11. Woo York - Phantom [Soma Records]12. Planetary Assault Systems - Flat Tire [Mote Evolver]13. Rødhåd - Kinder Der Ringwelt (Donato Dozzy Remix) [Dystopian]14. Damon Wild and Advanced Human - Eternal Loneliness [Dynamic Reflection]15. Damin Wild - Constant Search

This is a mix by Barker, Berlin-based music producer, that was featured on our last podcast: Sam Barker and David Pearce on Art, Paradise Engineering, and Existential Hope (With Guest Mix). We hope that you'll find inspiration and well-being in this soundscape. You can find the page for this podcast here: https://futureoflife.org/2020/06/24/sam-barker-and-david-pearce-on-art-paradise-engineering-and-existential-hope-featuring-a-guest-mix/ Tracklist: Delta Rain Dance - 1 John Beltran - A Different Dream Rrose - Horizon Alexandroid - lvpt3 Datassette - Drizzle Fort Conrad Sprenger - Opening JakoJako - Wavetable#1 Barker & David Goldberg - #3 Barker & Baumecker - Organik (Intro) Anthony Linell - Fractal Vision Ametsub - Skydroppin’ LadyfishMewark - Comfortable JakoJako & Barker - [unreleased] Where to follow Sam Barker : Soundcloud: @voltek Twitter: twitter.com/samvoltek Instagram: www.instagram.com/samvoltek/ Website: www.voltek-labs.net/ Bandcamp: sambarker.bandcamp.com/ Where to follow Sam's label, Ostgut Ton: Soundcloud: @ostgutton-official Facebook: www.facebook.com/Ostgut.Ton.OFFICIAL/ Twitter: twitter.com/ostgutton Instagram: www.instagram.com/ostgut_ton/ Bandcamp: ostgut.bandcamp.com/ This podcast is possible because of the support of listeners like you. If you found this conversation to be meaningful or valuable, consider supporting it directly by donating at futureoflife.org/donate. Contributions like yours make these conversations possible.

Sam Barker, a Berlin-based music producer, and David Pearce, philosopher and author of The Hedonistic Imperative, join us on a special episode of the FLI Podcast to spread some existential hope. Sam is the author of euphoric sound landscapes inspired by the writings of David Pearce, largely exemplified in his latest album — aptly named "Utility." Sam's artistic excellence, motivated by blissful visions of the future, and David's philosophical and technological writings on the potential for the biological domestication of heaven are a perfect match made for the fusion of artistic, moral, and intellectual excellence. This podcast explores what significance Sam found in David's work, how it informed his music production, and Sam and David's optimistic visions of the future; it also features a guest mix by Sam and plenty of musical content. Topics discussed in this episode include: -The relationship between Sam's music and David's writing -Existential hope -Ideas from the Hedonistic Imperative -Sam's albums -The future of art and music You can find the page for this podcast here: https://futureoflife.org/2020/06/24/sam-barker-and-david-pearce-on-art-paradise-engineering-and-existential-hope-featuring-a-guest-mix/ You can find the mix with no interview portion of the podcast here: https://soundcloud.com/futureoflife/barker-hedonic-recalibration-mix Where to follow Sam Barker : Soundcloud: https://soundcloud.com/voltek Twitter: https://twitter.com/samvoltek Instagram: https://www.instagram.com/samvoltek/ Website: https://www.voltek-labs.net/ Bandcamp: https://sambarker.bandcamp.com/ Where to follow Sam's label, Ostgut Ton:  Soundcloud: https://soundcloud.com/ostgutton-official Facebook: https://www.facebook.com/Ostgut.Ton.OFFICIAL/ Twitter: https://twitter.com/ostgutton Instagram: https://www.instagram.com/ostgut_ton/ Bandcamp: https://ostgut.bandcamp.com/ Timestamps:  0:00 Intro 5:40 The inspiration around Sam's music 17:38 Barker - Maximum Utility 20:03 David and Sam on their work 23:45 Do any of the tracks evoke specific visions or hopes? 24:40 Barker - Die-Hards Of The Darwinian Order 28:15 Barker - Paradise Engineering 31:20 Barker - Hedonic Treadmill 33:05 The future and evolution of art 54:03 David on how good the future can be 58:36 Guest mix by Barker Tracklist: Delta Rain Dance – 1 John Beltran – A Different Dream Rrose – Horizon Alexandroid – lvpt3 Datassette – Drizzle Fort Conrad Sprenger – Opening JakoJako – Wavetable#1 Barker & David Goldberg – #3 Barker & Baumecker – Organik (Intro) Anthony Linell – Fractal Vision Ametsub – Skydroppin’ LadyfishMewark – Comfortable JakoJako & Barker – [unreleased] This podcast is possible because of the support of listeners like you. If you found this conversation to be meaningful or valuable, consider supporting it directly by donating at futureoflife.org/donate. Contributions like yours make these conversations possible.

We're back with episode 24! Recorded in early April 2020, this episode welcomes DJ and producer Luke Slater. @Luke-Slater has been DJing since the late 1980s, and by the 90s, his many aliases had become household names thanks to important releases on labels like Peacefrog, and Nova Mute. By 2009, Luke had joined Ostgut Ton, continuing to tour relentlessly and produce music with seemingly boundless energy — a quality with which he continues to approach his work today. His stamina is endless, and in order to keep up with the continuing love and demand for his music, it has to be. In this episode, our discussion focuses on longevity as a DJ, his mix for Ostgut's 15th anniversary, and the drive that keeps him going. ++ Music: Luke Slater - "O-Ton Reassembled 3" (From his Berghain Fünfzehn mix for Ostgut Ton) More info here: https://www.berghain.berlin/en/shop/releases/berghain-fuenfzehn-luke-slater/ Audio treatment by Airlock Mastering & Audio

An original pillar of the Berlin electronic music scene, having played for the Ostgut (now Berghain) and Sage clubs, DJ Jauche aka Oliver Marquardt is renown for an evocative multi-genre vinyl sets that's seen him in high demand across the city's leading clubs for the last two decades.  Starting with original rave-style party ‘Jauchomatic', which he launched with his brother Sven Marquardt, (best know as the ‘Iron Man' selector and photographer of the Berghain Club) and which is still held annually in Berlin to this day, with his status confirmed by inclusions in the ‘Klang der Familie' book about the early days of techno music as well as appearing in the documentaries ‘Deutsche Welle' and Arte TV's ‘Tanz auf dem Todesstreifen'.  No slouch when it comes to producing too his first Jack Flash release, a cover of 'Love is in the Air' lit up the legendary Love Parade and since then Jauche has notched up releases on Jay Haze's label Roots/Tunning Spork and his own Appeal Musique and current, Flaneurecordings including the sold-out 'Kaskadeur' and recent ‘We All Need' releases.  Continually evolving as an artist Jauche has produced the album '15 Neue DAF Lieder' for electronic giants, DAF, remixed Frankie Bones and fellow Berliner Marusha with new reworks to come for Enliven and Anna Cavazos. Jauche will be bringing all his knowledge & skills to Egg London this Saturday for Berlin Berlin Pride special showcase!

@dirtydoering - LOST IN MUSIC https://www.facebook.com/dirtydoering/ If all went according to plan you wouldn’t be the least interested in this text. Indeed the story of young Velten who leaves his hometown in the Black Forest to find an orderly apprenticeship in Berlin and who grows up over time – such a story wouldn’t be very gripping. Fortunately there is a club in Berlin that is called „Ostgut“ and people like Velten who like to make irrational decisions from time to time. The outcome is foreseeable: instead of sitting in the subway on his way to work, on a Monday morning, Velten much rather joins his pals in his run down flat for an after hour. Luckily these pals not only share their passion for sheer endless nights, but also start to organise eventseries, open bars or turn a rundown Berlin backyard into a club. This is exactly the path that turned Velten within a short period of time into a DJ, producer and finally KATERMUKKE label boss DIRTY DOERING. In the beginning it’s more about beer and liquor. Velten trades the office-desk for the bar counter and lends the prospective Berlin Techno-celebrities a hand on their way to delirium. The fact that he regularly provides them with his own DJ-Mix tapes comes in quite handily. Back then his sets are inspired by the same staggering hedonistic vibe, that lures more and more people into the small bar between Holzmarkt street and the bank of the Spree: Bar 25 is slowly making waves. Here, they’ve been waiting for someone like Velten. Eventually DIRTY DOERING becomes an essential part of BAR 25. The guy behind the counter turns into a resident DJ, the queue in front of the club is getting longer and longer and friends become family. Outside of Berlin DIRTY DOERING is in everyone’s ears by 2010 the latest: With „I Would“ and the fitting video, full of colourful, out of time moving people, he not only reflects the sound but primarily the lifestyle of BAR 25, to the point where the whole world wants to dance with him on the shores of the Spree river. Since then a lot has happened: DJ Bookings from New York to Tokyo, BAR 25 has been shut down and reopened and meanwhile DIRTY DOERING has burnt down all dance floors with every new release or remix he has released. Eventually the BAR 25 era came to an end and the Kater-era started. Naturally it was Velten, who had the idea of founding the appending label KATERMUKKE. He’s been releasing music on the label ever since – no less colourful and varied than his DJ Sets. Whether it’s deep or impellent, weirdly enchanted or crystal clear – DIRTY DOERING and KATERMUKKE don’t tie themselves down but still know where the journey should go: Onwards, escaping daily routines, straight ahead into this insanely liberating feeling, where the beat means everything and the thought of the morning after counts for nothing. LOST IN MUSIC.

.defaultbox Podcast 002 - aem.aze Our second podcast comes from our buddy aem.aze. Vinyl only. Find the full tracklist on our website defaultbox.de/podcast or facebook.com/defaultbox iTunes: https://itunes.apple.com/de/podcast/.defaultbox-podcast/id1114718315 Listen and enjoy. -- Lost in Music - grown up as a child of the 90's near Berlin, "aem.aze" was stamped by the influences of the east Berlin techno scene. Radio shows like "Fritz Rave Satellite" or "Crazy Clubradio" (4-years E-Werk) and the Berlin club music of Tresor and Ostgut, gave him his first directions. Through all these influences he developed a truth passion for magnetic sounds. He started with his first gig in 1998 in Marusha's Fritz Radio-Show "Rave-Satellite". This was followed by a 3-years residency in "K2" in Preschen. We can finally say that he played on more than 100 gigs like the Summer Spirit Festival and the Somewhere Festival in Copenhagen. His music could be described as a warm and harmonic interaction between past, present and future. With his very own style he always creates special and individual sounds. Through all his passion for music, he also found himself as a producer. He is a passionated collector of old synthesizer, drumcomputers and effect processors with which he finally keeps on working. He actually just had one release (on Cliqueria Music Copenhagen), but this was surely not the last one! More info: https://www.facebook.com/aemaze-172856476100285/ https://soundcloud.com/aemaze

A vinyl connoisseur who is living a somewhat techno fairytale. Andre Galluzzi’s career is on the verge of legendary status. Galluzzi’s DJ story started at 14 years of age. Over a quarter of a century later and the man in question is still performing week in week out and now recognised in the top echelon of house and techno artists. Running his own label, ARAS, which is the main outlet for his musical productions alsongside Dana Ruh and Matthew Dekay, the label enables the release of creativeness within Andre’s being whilst also shouldering the responsibility of pushing Galuzzi’s signature sound to the punters. Always known for being A DJ first and foremost, his productions have established a reputation as someone who is at the forefront of his craft with his passion for the dance music world evident in everything that he creates or curates.  As a producer, organic is the best way to describe Galluzzi’s style. Old school in nature, he has always trucked along vinyl records to his gigs since the start and the way he creates his music draws constant parallels. Live instruments and vocals are always included as nothing artificial will suffice. Heavily associated with the creative melting pot that is, he was former resident at the legendary Tresor, before moving on to Ostgut, the previous club of the infamous Berghain. With releases on Cocoon, Ostgut Ton and Cadenza, it’s safe to say Andre has done it all. We were privileged to have the man himself down recently for Circus, we caught up with him after to see what lies ahead. ----------------------------- Your set was recorded at Circus alongside Andrea Oliva and Yousef. You played 5am - 7am, how was your set?  I realy like Egg, fantastic soundsystem, nice people that know how to party hard but one thing I have to say - 2 hours play is a bit to short for me haha. For those that don’t know you used to be former resident at both Berlin’s Tresor and Osgut before it became the infamous Berghain. Techno on the whole has undergone a huge resurgence recently, what do you attribute this to?  To be honestly,I think techno and all the other genres are always there. Of course you have some periods where focus turns. It can be house today ,minimal ,electro or techno tomorrow. But it became a industry as well and clubs got an essential influence. If you run a techno club very sucessfully, hot for the moment, techno would be the weapon. Obviously having spent a fair bit of your career in Berlin you are well placed to see how the city has transformed over the last 2 decades. What do you think it is about Berlin that attracts so many DJs within house and techno? Well Berlin is a very open minded city. I always feel free in Berlin. You do what you want, You look like you want or be who you want. Berlin doesn’t judge today. I think it’s caused by its own heavy history, this place was attractive to many creatives. This found a seldom mix of art & nightlife. You’ve recently released your debut album ‘Alcatraz’. Having been a producer for so many years was it a conscious decision to wait this long to release this project? I did two albums with Paul Brtitsh on our former label Taksi in the ’90. Since then I wanted to do a further by myself. I was just always very focused on DJ’ ing, I’m now finding a perfect balance to handle both. Thing is, the more that you play, the more you know exactly what elements you want to hear on the turntables. So you became part of the development of music automatically. I promise, you will not have to wait further years for the next album ha! What were you trying to achieve with this album? I wanted to produce an album which is close to my DJ set´s. With tunes for all different moments you have in a night. warm up, the middle part, prime time and the trippy moments in the morning. My inspiration to every single track was that you play all of them haha. You play on vinyl during your sets. Would you say the art of Djing has been lost in recent years due to the amount of equipment readily available and the way people can get their music out there? What attracts you to playing on this form? I just love my vinyl. The sound, the touch ,seeing the covers. People asking for the tracks so you pass them the cover. I show records weekly at the shop where you meet a mass of colleagues and friends. This is pure communication. More, they are my instruments and after my gigs I have to clean them. This brings you in a very warm realationship with your music. You also run your own label ARAS, what were your original intentions for the label and what have you got planned? The idea for ARAS started in 2010 when I decided to produce an independent sound. If you produce for external labels, your meet the expectations of others. This leads to a mix in your own composition. I did some very nice pieces with DANA RUH and various artist releases as well. To place Alcatraz on ARAS is just a consequence of a long dream which finally comes true. And the upcoming tune is already in progress. And finally, anything else you’d like to shout about?  Well you see producing became essential to me. Indeed I did a further release alongside GUIDO SCHNEIDER called “Mario“ on COCOON Rec. Should be out this month (FEB 2015). A further massive techno release on a Berlin label will follow by summer. For next Circus and all Egg London events click here

From Paradise Garage to Berghain, the seasoned DJ tells his story.

From Paradise Garage to Berghain, the seasoned DJ tells his story.

Tracklist: 1. Alberto Ruiz - Celula (original mix) - Florida music 2. Uto Karem & Ramiro Lopez (original mix) - Agile rec 3. Solee - Offsprings (Hollen remix) - Yoshitoshi rec 4. Sasha Carassi - Hungexpo (original mix) - Bedrock rec 5. Luigi Madonna - Halakne (original mix) - Unrilis rec 6. Yellowheads - Submerged (original mix) - Alleanza rec 7. Louie Corrales - Xerxes (original mix) - Transmit rec 8. Sasha Carassi - Phorme (original mix) - Phobiq rec 9. LowKey & Kardinal - Vesperine (original mix) - Alleanza rec 10.Audiomatiques - A Line (original mix) - Loose rec 11.Frankyeffe - Heady (LowKey & Kardinal remix) - Riot rec 12.Frankyeffe - Yes or not (Manic brothers remix) - Driving Forces rec 13.NHB & MiniCoolBoyz - Acrylic V2 (original mix) - Loose rec 14.Drumcomplex & Roel salemink - Apocalyse 9 (LowKey & Kardinal remix) - Renesanz rec 15.Answer code request - The 4th verdict (original mix) - Ostgut ton rec 16.Tom hades - Juices (LowKey & Kardinal remix) - Among rec

Bei Renzky!, unserem Künstler von Podcast 03, weiss man nicht so recht, wo man anfangen soll: Als ehemaliger Fussballbundesligaspieler, Körperteil-Topmodel, Kunstsammler, Privatier, Herausgeber des Tagesspiegels bis 2001 und MdB stand er beruflich immer unter enormem Druck. Nachdem er 2002 alles hinwarf, um Prinzessin zu werden, schlug er sich mit Nebenjobs durch´s Leben, es seien nur einige genannt: Gründungsmitglied des CCC, Türsteher im Ostgut, Wohnwagenhotelbetreiber in der Holzmarktstr. 25, Ideengeber für Soundcloud und Facebook, der Mann hinter Kim Schmitz sowie Schaufensterdekorateur bei Ikea. Sein Name ist Synonym für erstklassigen Geschmack, Hedonismus und BATMAN. Musik ist nur so ´ne Nebensache, nach eigener Angabe - eher unwichtig, aber auch in dem Bereich weltklasse. Das ist kein Geheimnis… Seine Hobbies sind Radfahren, mit dem Kuckucksclan um die Häuser ziehen, Bäume umarmen, das Aufdecken von Verschwörungen und um seine Feinde zu verwirren, geht er im Superman-Kostüm auf nächtliche Streifzüge. Zur Zeit ist er dabei die NSA davon zu überzeugen zum Wohl aller Amerikaner die Geschichte von Forrest Gump anhand von Tatsachen und Augenzeugenberichten aus seinem Leben umschreiben zu lassen. ----------------------------------- mixed by: https://soundcloud.com/renzky
 iTunes Podcast: http://bit.ly/Podtogo3 (PC, Mac, iPhone & iPad)
 ----------------------------------- http://www.facebook.com/RenzkyTwentyone
 http://www.facebook.com/OAtogo 
----------------------------------- Stewart Walker - Fragile Chemistry (Tuane Remix)
 Matt John - Olga Dancekowski
 DJ Koze - I want to sleep 
D´Julz - Just so you know (2000&One Remix) 
Guido Schneider vs. Andre Galuzzi - Albertino 
Nathan Fake - The Sky was Pink (Holden Remix)
 Oni Ayhun - OAR003-B

Giorgio Gigli / Tempo (Original Mix) [Prologue] Tim Xavier / Stars Galaxies [LTD-400] Akiko Kiyama / Erasers Talk [Nervmusic] Kyoko Kamichika / Untitled Track [Promo] Jimmy Edgar / Black Neon Dance Floor [Items & Things] Masahiro Suzuki / Spiral 2.7 [Concepto Hipnotico] Conrad Rogers / Stampede (Alec Troniq Remix) [Tigereye Recordings] Planetary Assault Systems / Hold It (Deuce Remix) [Ostgut Ton] BMB / In Another Country [Liberation Technologies] SP-X / The Escape [Komisch Records] Masahiro Suzuki / The Outer Limits [Promo] Out Of The Way / Weird Feelings [Concepto Hipnotico] Remy Maurin, Pierre Delort / Pump In Iron [Frequenza] Mikael Jonasson / Benefit Of The Doubt [Drumcode] Dan Kubo / Emotions [Guava] Synkro / Spirals [Apollo Records]

The famed Berghain selector goes deep.

The famed Berghain selector goes deep.

Sinclair Rhemrev presents Format-E broadcast #30 featuring new upfront music from Marcel Fengler, Steve Mulder, Marco Bailey and Tom hades released on Ostgut Ton, KD Music and Toolroom. The guestmix this week is from Red Square Live with a studio recording from Studio 80, Amsterdam. In 2012 his massive start in just 3 months with releases on Stolent Moments, dZb Records, Flatlife Records, Ambizi Records, Dead Famous Records and Turning Wheel Records predicts a bright future for this talented artist. With a strong feel for atmosphere, his tracks will take you on a trip into the deep, warm and groovy techno world of Red Square. soundcloud.com/redsquare facebook.com/redsquarelive twitter.com/redsquarelive Once again, thank you for listening and the support. Bookings: sinclairrhemrev@hotmail.com soundcloud.com/sinclairrhemrev sacebook: sinclairrhemrev twitter.com/sinclairrhemrev

Next up on the podcast we have a beautiful mix of house and techno, and for those of you who attended Koala in February (2011) it is a chance to re-live the experience of Lee Jones DJ set, recorded live from that very night. Enjoy! Lee Jones Facebook fan page: http://on.fb.me/gru3yP Lee Jones on Beatport: http://bit.ly/fu5qiP

Recorded live at The Bunker in Brooklyn on September 26, 2008. Shed is a producer and DJ from Berlin recently released his debut album on Ostgut. He also runs the Soloaction label, is a resident DJ at Berghain, and works at Hardwax. This was his first appearance in North America.

Diffusé le 06/10/2006 sur electrOne. Ralala 2 mois de silence.... mais un farfouillage de son intense pendant cet été pour vous faire découvrir les dernières pépites de musiques électroniques. En bref c'est la rentrée dans Up2date, et pour cette nouvelle saison on attaque la selecta sur les chapeaux de roues!Au programme, en première heure, nous irons faire un large tour vers Manchester avec Working for a Nuclear City, Barry Adamson, Andy Stott pour des productions tantôt techno, electro et rock, on fera aussi un passage du côté de chez Warp et NinjaTune avec les nouveaux albums de Bonobo et Clark... + une session retrospective avec Osunlade, et la découverte d'une petite bombe afroBeat : Sygaire !Ecouter la première heure : Playlist : Bonobo - The fever (Days To Come / Ninja Tune)Nomumbah - Tudo Que Voce Podia Ser (Cinco Anos Despues / Soul Jazz Rec )Sygaire - Deux Mille Deux (Deux Mille Deux & Oh-Ba-Ju-Li EP / Sonar Kollectiv) Dr Who Dat ? - Beat Rock (Beat Journey /Lex Rec) Working for nuclear free city - Troubled son (WFNFC / Melodic) Barry Adamson - Look no further (The Long Way Back Again / Central control) Clark - Herzog (Body Riddle / Warp Rec)Milanese - Mr Ion (Extend ep / Planet Mu) Andy Stott - Edyocat (Mercyless / Modern Love)Cassy - extrait de Panorama Bar 01 (Ostgut) + en 2e heure : Tweek a sélectionné pour vous, le mix de Martin Solveig sorti sur DefectedS'abonner au podcast de l'émission : Up2date sur Ipod :