Podcast appearances and mentions of Jack Flash

It's May-hem on So Many Sequels! In this updates episode, we kick off our month of disaster movies and preview what's to come (hello, Dante's Peak). Garrett, David, and Josh catch up on what they've been watching—including David's surprisingly positive review of Marvel's Thunderbolts, Garrett's deep dive into ‘80s spy flicks like Jumpin' Jack Flash, and Josh's random but relevant discovery of Canadian Bacon.Plus, we rant about the Oscars finally requiring voters to watch the dang movies, celebrate the IMAX return of Sinners, and react to the trailer for Now You See Me 3. Spoiler light, fun-heavy, and full of movie-club vibes.Subscribe & leave us a review!somanysequels.com[00:00] It's May‑hem on So Many Sequels—welcome to Disaster Movie Month! Bonus points for any “mayday” shout‑outs.[02:30] David gives his take on Marvel's Thunderbolts.[08:00] Josh dives into the wild political satire Canadian Bacon.[13:00] Garrett revisits '80s spy thrills with Jumpin' Jack Flash.[17:00] A quick look at Steven Soderbergh's Black Bag.[18:00] We rant about the Oscars' new viewing rule and celebrate the IMAX return of Sinners.[24:00] Trailer breakdown: Now You See Me 3.[28:30] Box Office roundup and wrap‑up.

Hosts Jim DeRogatis and Greg Kot speak with author David Rowell about his new book, The Endless Refrain: Memory, Nostalgia, and the Threat to New Music. The hosts also review the new albums by Bartees Strange and Sasami.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Bartees Strange, "Sober," Horror, 4AD, 2025Bartees Strange, "Wants Needs," Horror, 4AD, 2025Bartees Strange, "Baltimore," Horror, 4AD, 2025Bartees Strange, "17," Horror, 4AD, 2025Bartees Strange, "Doomsday Buttercup," Horror, 4AD, 2025Sasami, "Slugger," Blood On the Silver Screen, Domino, 2025Sasami, "Love Makes You Do Crazy Things," Blood On the Silver Screen, Domino, 2025Sasami, "The Seed," Blood On the Silver Screen, Domino, 2025Sasami, "I'll Be Gone," Blood On the Silver Screen, Domino, 2025Tom Petty, "You Don't Know How it Feels," Wildflowers, Warner, 1994Kajagoogoo, "Too Shy," White Feathers, EMI, 1983Journey, "Lights," Infinity, Columbia, 1978The Rolling Stones, "Jumpin' Jack Flash," Single, Decca, 1968Neil Young, "Tonight's the Night," Tonight's the Night, Reprise, 1975Hüsker Dü, "Sorry Somehow," Candy Apple Grey, Warner, 1986Men at Work, "Down Under," Business as Usual, Columbia, 1981The Selecter, "On My Radio," On My Radio (Single), 2 Tone, 1979See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Whoopbruary is here! We're dedicating a whole month to the incomparable Whoopi Goldberg, spotlighting a trio of films she made after her powerhouse performance in The Color Purple—plus one extra for good measure. Kicking things off is Jumpin' Jack Flash (1986), the high-energy spy comedy directed by Penny Marshall. Whoopi stars as Terry Doolittle, a quick-witted computer technician who unwittingly stumbles into international espionage when she makes contact with a British spy. With a script originally penned by David H. Franzoni, Whoopi's signature charm is on full display.Ian Brownell joins this month's co-host, Razzie-nominated writer Kevin Lehane, for a fun discussion of where and how this fits into Whoopi's filmography.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Whoopbruary is here! We're dedicating a whole month to the incomparable Whoopi Goldberg, spotlighting a trio of films she made after her powerhouse performance in The Color Purple—plus one extra for good measure. Kicking things off is Jumpin' Jack Flash (1986), the high-energy spy comedy directed by Penny Marshall. Whoopi stars as Terry Doolittle, a quick-witted computer technician who unwittingly stumbles into international espionage when she makes contact with a British spy. With a script originally penned by David H. Franzoni, Whoopi's signature charm is on full display.Ian Brownell joins this month's co-host, Razzie-nominated writer Kevin Lehane, for a fun discussion of where and how this fits into Whoopi's filmography.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Playlist: Scott MacLeod - Straight AheadAirbag - Tear it downTumbletown - Time for JoyPeter Frampton - The Lodger/Jumpin' Jack FlashBigelf - Money, It's Pure Evil/The Evils Of Rock & Roll (Far East Family Band - River of SoulVecteur K - A l'abri des imagesMostly Autumn, Mostly Autumn - Procession/Viking FuneralBernd Noske - The Bull's EscapeAurora Project - Human GatewayMaat Lander - Sylph's BreathTony Kaye - Let's RollDemon Thor - Written in The Sky

durée : 00:21:04 - Le Feuilleton - D'un voyage au Maroc et de ses conséquences, puis de l'invention de Jumpin' Jack Flash.

This week, hosts Jim DeRogatis and Greg Kot take another trip to the Desert Island Jukebox. They hear from past guests like Mary J. Blige, The Melvins, Lucy Dacus and more about the songs they can't live without.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Adia Victoria, "Magnolia Blues," A Southern Gothic, Atlantic, 2021Fiona Apple, "Every Single Night," The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do, Epic, 2012Lucy Dacus, "VBS," Home Video, Matador, 2021Molly Drake, "I Remember," The Tide's Magnificence: Songs and Poems of Molly Drake , Bryter, 2018Nick Drake, "Pink Moon," Pink Moon, Island, 1972Nick Drake, "Road," Pink Moon, Island, 1972The Mountain Goats, "No Children," Tallahassee, 4AD, 2002Dionne Warwick, "I'll Never Love This Way Again," Dionne, Arista, 1979Nightwish, "FantasMic," Wishmaster, Spinefarm, 2000The Mountain Goats, "This Year," The Sunset Tree, 4AD, 2005The Melvins, "Honey Bucket," Houdini, Atlantic, 1993Judy Garland, "You Go To My Head," Judy at Carnegie Hall, Capitol, 1961The Rolling Stones, "Jumpin' Jack Flash," Jumpin Jack Flash (Single), Decca, 1968Jimi Hendrix Experience, "If 6 Was 9," Axis: Bold As Love , Track, 1967Wayne and Garth, "Wayne's World Theme," Wayne's World (Music From The Motion Picture), Reprise, 1992Tony Scott, "Za-Zen (Meditation)," Music For Zen Meditation, Verve, 1964Norman Greenbaum, "Spirit in the Sky," Spirit in the Sky, Reprise, 1969Iron and Wine, "Call It Dreaming," Beast Epic, Sub Pop, 2017Van Morrison, "Come Here My Love," Veedon Fleece, Warner Bros., 1974Vic Mensa, "We Could Be Free (feat Ty Dolla Sign)," The Autobiography, Roc Nation, 2017Stevie Wonder, "For Once In My Life," For Once In My Life, Tamla, 1968Jay-Z, "Smile," 444, Roc Nation, 2017Stevie Wonder, "Love's In Need of Love Today," Songs in the Key of Life, Tamla, 1976Mary J. Blige, "I'm Going Down (Live)," The Tour, MCA, 1998Stevie Wonder, "As," Songs in the Key Of Life, Tamla, 1976Stevie Wonder, "Pastime Paradise," Songs in the Key Of Life, Tamla, 1976Stevie Wonder, "I Wish," Songs in the Key Of Life, Tamla, 1976Sam Cooke, "A Change Is Gonna Come," Ain't That Good News, RCA Victor, 1964Television, "Marquee Moon," Marquee Moon, Elektra, 1977Tears For Fears, "Head Over Heels," Songs from the Big Chair, Mercury, 1985Wolf Alice , "Lisbon," My Love Is Cool, Dirty Hit, 2015Buffalo Springfield, "For What It's Worth," For What It's Worth (Single), Atco, 1966The Who, "Baba O'Riley," Who's Next, Decca, 1971Miles Davis, "Blue in Green," Kind of Blue, Columbia, 1959The Beatles, "Tomorrow Never Knows (Mono)," Revolver , Capitol, 1966MC5, "Kick Out the Jams," Kick Out the Jams, Elektra, 1969See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

  On this episode of BUZZ, we have a conversation with Dr. Jack Ringer, who shares his journey in dentistry and the importance of mentorship and community through Spear Education. He emphasizes the importance of in-person continuing education, the fulfillment derived from AACD Accreditation, and the value of providing a remarkable patient experience.     To learn more about Dr. Ringer's cosmetic dentistry practice in Anaheim Hills, CA, please visit:   https://dentalcosmetics.com/     Show Produced by Dentainment 
https://dentainment.com/ 
 Dentainment is a Digital Creative Marketing Agency, providing services to the Dental Community such as:
Logo Design, 
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Search Engine Optimization, 
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, Google AdWords Management, 
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and more.   Discover the power of AI, video, social media, and more in ‘Best Dental Marketing,' the ultimate guide for Dental professionals looking to transform their marketing efforts and drive new patient growth. Learn more about Best Dental Marketing Here: https://bestdentalmarketing.com/   Sponsored by Waymark We're making it radically simple for your Dental Practice to make your own commercials. Our premium video templates and easy-to-use editing tools mean that TV-quality videos are now accessible to anyone with an internet connection. To learn more, please visit: https://www.waymark.com/dental

This week we have NEW Rock and Roll music that DESERVES to be heard from Paralandra, Keel, Rich Kid Express, Mikh Makh, Mr. Big, Mojo Aces, Babylon A.D., and Billy Morrison, plus out standing music from Tattoo, Jackyl, Mr. Big, Damon Johnson(Happy Birthday Damon!), Shadow & The Thrill, and the Mitch Perry Group! Turn it up!Songlist:Tattoo - BallbreakerJackyl - Back Off BrotherParalandra - Give Me A ReasonKeel - Moving TargetRich Kid Express - King Of SpadesMikh Makh - Intellectual DoomMr. Big - Right Outta HereMr. Big - Hold Your Head UpMojo Aces - In The MiddleBabylon A.D. - White Hot BulletBilly Morrison - Crack CocaineDamon Johnson - Down On MeShadow & The Thrill - Ready To RollMitch Perry Group - Jumpin' Jack Flash

"Celebrating July 4th with Grateful Dead Memories and Rolling Stones Reverence"Larry Mishkin highlights a memorable Grateful Dead concert from July 1984 at Pine Knob Music Theater in Clarkston, Michigan, which holds special significance for Larry and his friends who attended the University of Michigan. He reflects on how attending this concert was a fitting farewell for his crew as they wrapped up their college years.The show begins with the Grateful Dead's lively rendition of "Iko Iko," a song with a rich history and a favorite of Larry's. He shares his experiences of following the Dead's tour in 1984, which included several memorable concerts. He discusses the band's performance of "Little Red Rooster," a blues classic by Willie Dixon, and how it sometimes felt like a letdown after high-energy openers but ultimately captivated the audience with its jam session.Larry then shifts to music news, discussing the origins of the song "Cover of the Rolling Stone" by Dr. Hook and the Medicine Show, written by Shel Silverstein. He highlights Silverstein's diverse contributions to music and literature, including his work with Johnny Cash and Dr. Hook.The episode transitions to Larry's recent experience at a Rolling Stones concert at Soldier Field in Chicago. He recounts the thrill of seeing the Stones live, especially with Mick Jagger's energetic performance and the band's enduring musical prowess. The setlist included classics like "Start Me Up," "Wild Horses," "Sympathy for the Devil," "Gimme Shelter," and "Jumpin' Jack Flash." Larry praises the band's longevity and urges listeners to seize any opportunity to see the Rolling Stones live.  In more music news, Larry introduces Daniel Donato, a rising star in the Cosmic Country genre, who recently performed at the Chop Shop in Chicago. He expresses his admiration for Donato's music, hinting at a promising future for the young artist. July 1, 1984Pine Knob Music TheaterClarkston, MI (Detroit)Grateful Dead Live at Pine Knob Music Theatre on 1984-07-01 : Free Download, Borrow, and Streaming : Internet Archive The last night in Ann Arbor, what better way to say goodbye after 4 amazing years than go to a “hometown” Dead show.  Our whole crew was there, Harold's birthday, great seats in the pavilion and a memorable show.  Always memorable when they start out like this:  INTRO:                                 Iko Iko                                                Track #1                                                0:10 – 1:36  SHOW No. 1:                    Little Red Rooster                                                Track #2                                                5:00 – 6:48 MUSIC NEWS: Stones reviewDaniel Donato reviewNeil Young cancels remainder of summer tour dates due to illnessWillie Nelson sitting out Outlaw Music Festivals – our rock idols are getting old (see Stones!) SHOW No. 2:                    Might As Well                                                Track # 8                                                1:07 – 2:45 SHOW No. 3:                    I Need A Miracle                                                Track # 16                                                1:47 – 3:17MJ NEWS: IRS Advises Marijuana Businesses That They Still Can't Take Federal Tax Deductions Due To 280E Until Rescheduling Is Finalized2.      Maryland Governor Launches Marijuana Workforce Development Program Focused On People Criminalized Over Cannabis3.    Marijuana Rescheduling Won't Affect Drug Testing For Truckers, Transportation Secretary Buttigieg Say4.    House committee votes to include intoxicating hemp ban in draft Farm Bill SHOW No. 4:                    Bertha                                                Track # 17                                                3:24 – 5:00OUTRO:                               It's All Over Now Baby Blue                                                Track #19                                                5:10 – 6:33 .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Selección musical de Diego RJ, director de El Sótano. MESSER CHUPS “Wicked game”FATBOY “I won’t share you”PIERRE OMER’S SWING REVUE “Just one Kiss”SAMMY THE HILLBILLY BEATNICK “A hard day’s night”THE DAHLMANNS “A thing about you”THE MIDNIGHT CALLERS “Jumpin’ Jack Flash”LISA MYCHOLS and SUPER 8 “Baba O’Riley”DOCTOR EXPLOSIÓN “Soy un truhan , soy un señor”PAT TODD AND THE RANKOUTSIDERS “Tower of song”JAKE LABOTZ “Mystery train”THE CABRIANS “Ace of spades”JANCEE PORNIK CASINO “Demolición”ZACK KEIM “Here comes your man"THE ROUTES “Ever fallen in love”JD McPHERSON “White light, white heat”AUTOMATIC “New sensations”Escuchar audio

Cocinamos una selección de clásicos en versiones de bandas y discos actuales.(Ilustración del podcast; D. Clinton Thompson)Playlist;(sintonía) D. CLINTON THOMPSON “You really got me” (The Kinks)FATBOY “Right now” (Herby Mann, Mel Torme)PAT TODD and THE RANKOUTSIDERS “Tower of song” (Leonard Cohen)ZACK KEIM “Here comes your man” (Pixies)THE DAHLMANNS “A thing about you” (Tom Petty and the Heartbreakers)PAUL COLLINS “Tell me” (The Rolling Stones)MIDNIGHT CALLERS “Jumpin’ Jack Flash” (The Rolling Stones)LYSA MICHOLS and SUPER 8 “Baba O’Riley” (The Who)JD McPHERSON “White light, white heat” (The Velvet Underground)MAXIM LUDWIG and ANGEL OLSEN “I can’t stand it” (Lou Reed)DIAMOND DOGS “Hey hey hey hey” (Little Richard)MARCEL BONTEMPI “The witch” (The Sonics)THE CABRIANS “Ace of spades” (Motörhead)THE JANCEE PORNIK CASINO “Somebody to love” (Jefferson Airplane)LUNA “Starman” (Bowie)FIFTY FOOT COMBO and REVEREND BEATMAN “Alligator wine” (Screamin’ Jay Hawkins)Escuchar audio

It's been a minute since That Aged Well has had the pleasure of watching Whoopi Goldberg…so long, in fact, that Paul and Erika almost forgot what a movie star she is! Luckily, Penny Marshall didn't forget and cast her in the 1986 spy romp Jumpin' Jack Flash. Your hosts are here to not only take you through this movie, but also offer recommendations for all the other movies that are based on Rolling Stones songs…there are way more than you think.You can follow That Aged Well on Twitter (@ThatAgedWellPod), Instagram (@ThatAgedWell), Threads (@ThatAgedWell), and Spoutible (@ThatAgedWell)! SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

Jerry Seinfeld says the "extreme Left" has killed comedy in America. No laughing allowed in the Leftist Gulag. We explain why nothing is funny for authoritarian fanatics. Too bad, for them! Meanwhile, experts say the daily "shower" has become a "performative" ritual which has no actual health benefits. What? Host describes his sundry performances in the shower, with bootleg recordings of mostly Italian Opera. Tutorials on personal hygiene. Notes on the "cold shower" concept of Wim Hof. Plus, sampling 25 of the ways they're trying to destroy America. Additional Kristi Noem and her dogs. Reprise of the NY construction worker's clear message for Joe Biden. Ouch! Leo Strauss on "Persecution and the Art of Writing." Debating competing versions of "Jumpin' Jack Flash." With Great Listener Calls.See omnystudio.com/listener for privacy information.

The Dames chat about the directorial work of the very underrated Penny Marshall, focusing on Jumpin' Jack Flash, Big, and A League of Their Own. Just remember: there's no crying in baseball (except there is).

Every crack of the bat tells a story, and few can weave those tales like Jack Wilson, the revered Pirates' shortstop who slides into our latest episode. We're camped out at LeCom Park, the site of countless memories for Jack, and now the stage for a fascinating trip down the basepaths of baseball history. From the familial bonds entrenched in Pennsylvania soil to the echoes of Fantasy Camp laughter, Jack's narrative is as rich in passion as the sport itself. We also cheer on as he recounts the pride of watching his son Jacob step up to the plate as a first-round pick.But this isn't just a trip down memory lane; it's a masterclass in the makings of a pro athlete. Jack swaps his cleats for a moment to share the pivotal switch from soccer prodigy to baseball prospect, tracing the thread from stomping the grassy pitches of Las Verges to stitching together a career on the diamond. The camaraderie of the game, the mentors who shape destiny, and the undeniable spirit of community service—Jack paints every inning of his journey with the vivid hues of hard work and heartfelt dedication. His stories are a testament to the indelible impact of sports on life, both on and off the field.Now, for the grittier side of glory—navigating trades, battling injuries, and the relentless pursuit of excellence. Jack doesn't hold back in sharing the tumultuous tales of misdiagnosis and the silent struggle through pain, offering a raw glimpse into the life of a major leaguer. From the euphoric rush of a home run to the grueling road to recovery, his experience is a powerful reminder of the resilience needed to stay in the game. Join us as we unpack these chapters, each a storied lesson in overcoming adversity, and discover what it truly takes to keep swinging for the fences.THANK YOU FOR LISTENING!!!!www.holdmycutter.com

Twisty, engaging, & filled with colorful performances, the Soviet paranoia of the Cold War '80s fueled the plotlines of so many first-rate films that New York Times bestselling author Ace Atkins & I vividly remember from the Reagan/Bush era. And with the next two books that Atkins is set to release revolving around spies &/or the '80s, it's the perfect time to revisit a quartet of spy-centric releases, including THE FALCON AND THE SNOWMAN, TARGET, JUMPIN' JACK FLASH, & NO WAY OUT in this inquisitive & nostalgic episode. Touching on several other films along the way & offering great insights into the evolution of both the spy genre & the way that attitudes shifted in audiences & Hollywood from the '60s through the '80s, Atkins fans, Gen Xers, & film lovers will find much to dig into in this sparkling conversation. Ace's Bio: Ace Atkins is an award-winning, New York Times bestselling author who started his writing career as a crime-beat reporter in Florida. Don't Let the Devil Ride is his thirtieth novel. His previous novels include eleven books in the Quinn Colson series and multiple true-crime novels based on infamous crooks and killers. In 2010, he was chosen by Robert B. Parker's family to continue the iconic Spenser series, adding ten novels to the franchise. He lives in Oxford, Mississippi with his family. (From AceAtkins.com) Originally Posted on Patreon (3/8/24) here: https://www.patreon.com/posts/99999786 Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop

This week, Millie and Danielle discuss JUMPIN' JACK FLASH (1986) and BURGLAR (1987), the shock of Bobcat Goldthwait's real voice, and dream apartment accessories. To see a full ISWYD movie list, check out our Letterboxd here: https://letterboxd.com/isawwhatyoudid/films/diary/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Music of this Rolling Stones experience called Crossfire Hurricane feature their covering of Honky Tonk Woman, Jumpin' Jack Flash and Tumblin' Dice

At the game I sat next to a true Twins fan named Alex who gave me the lowdown on various players and yelled the right things — “Looked good to me!” at the ump who'd called a strike a ball and “Good eye!” at a Twin who let Ball 3 go by and “Throw him the meatball!” at the opposition pitcher who had an 0-2 count on a Twins batter.It was a big pleasure, the proximity to genuine fandom. I'm old and out of touch. I paid $45 for a Twins cap: in my mind, it should've been $5. The Kramarczuk's bratwurst stand doesn't take cash, only credit cards. I don't get it. What country is this? But I bought one, with kraut and mustard, and it was good as ever. I'm not used to the raucous music blaring every half-inning though it thrilled the row of girls ahead of us who stood up, hips shaking, arms waving. I come from the era of intense silence. I may be the only person in the ballpark who remembers the fall day in 1969 when Rod Carew got on base with a double, took a big lead, stole third, and the fans sat transfixed in silence, knowing he might do it, wishing he'd do it, praying, and then he did it — he took a daring lead off third and dashed home and slid under the tag and we jumped up and yelled, “YES!” We didn't need the Stones' “Jumpin' Jack Flash” to rouse us, the feat of stealing home was enough. I can still see it in my mind, his perfect timing, the headlong slide. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

Does Whoopi make us laugh or are we making Whoopi? Welcome to the Movies to Watch Before You Die Podcast with Gab and Dylan! Look up the movie here - https://www.imdb.com/title/tt0091306/ Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie 00:00 Welcome 00:43 What's it about? 11:42 Opinion Time 22:57 Let's get to the facts 35:51 Mail Time 50:21 Verdicts We're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpods Who are we: A former actress and video editor but more than anything we're movie fans like you. Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies! You can also send us a voice message at anchor.fm/moviestowatch Thanks to Scott Interrante for the music in our intro! Thanks to Brian Maneely for our artwork! Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, and Catch Me If You Can --- Send in a voice message: https://podcasters.spotify.com/pod/show/moviestowatch/message

Hi ha riffs de guitarra tan collonuts, que no en tenen prou d'existir en una sola can

Hi ha riffs de guitarra tan collonuts, que no en tenen prou d'existir en una sola can

Hi ha riffs de guitarra tan collonuts, que no en tenen prou d'existir en una sola can

Label: Rolling Stones 19100Year: 1971Condition: M-Price: $20.00This is one of the greatest of the Stones two-sided monster hits. Well, the B side didn't actually chart, but it's so great it really should have. Presumably, radio just wasn't ready to play a song called "Bitch" yet... though they were prepared by 1975 when Elton John hit the Top 10 with "The Bitch Is Back." OK, trivia time again... "Brown Sugar" was one of eight #1 U.S. singles by the Stones. The group also had eight chart-toppers in their native England, though over there they garnered all of those hits during the 1960s. Here is the list of the Stones' #1 U.S. singles: (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Ruby Tuesday (1967) Honky Tonk Women (1969) Brown Sugar (1971) Angie (1973), and Miss You (1978) For comparison's sake, here are their #1 U.K. hits. You'll notice that the group gained monster popularity about a year earlier than they did in the U.S., same as the Beatles. It's All Over Now (1964) Little Red Rooster (1964) The Last Time (1964) (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Jumpin' Jack Flash (1968) Honky Tonk Women (1969) Note: This copy comes in a vintage Atlantic/Atco Records factory sleeve. This copy has a drillhole, not shown in the scan.

Podcast for a deep examination into the career and life choices of Whoopi Goldberg. Hangin' Ten continues with film #2! Aside from talking about which men are the most attractive, the hosts look back at Jack Nicholson and rank his best and worst films. Which one ranks 29th (out of 62)? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in November 2023. References may feel confusing and/or dated unusually quickly. 'Jumpin Jack Flash' is available DVD (maybe VHS?): https://www.amazon.com/Jumpin-Jack-Flash-Whoopi-Goldberg/dp/B00BLN4V6E/ref=sr_1_3?crid=3TQIDRP747NNO&keywords=jack+flash&qid=1697500677&s=movies-tv&sprefix=jack+flash%2Cmovies-tv%2C141&sr=1-3 Music from "A Wounded Spy" by Vylent and "Jumping' Jack Flash" by Ananda Shankar Artwork from BJ West   quixotic, united, skeyhill, vekeman, whoopi, goldberg, jumpin, jumping, jack, flash, rolling, stones, lovitz, kane, hartman, spy, belushi, nicholson, letterboxd

Tim is the founder/head honcho machinist at Small Batch Motorcycle Parts - he is a one man workhorse specializing in old Harleys and problem solving their parts into reality ~ these are the sounds pumping through the workshop speakers when its goTime... this mix rules. Thanks heaps Tim If you ever need any motorbike parts or fab work done get in touch with him and prepare to get your mind blown by his world of knowledge and pin point attention to detail and service. https://smallbatchparts.com/ https://instagram.com/smallbatchparts?igshid=MzRlODBiNWFlZA== TRACKLISTING Long Way Back from Hell by Danzig Wild in the Streets by Circle Jerks The Chase Is Better Than the Catch by Motörhead Jailbreak by AC/DC Lust For Life by Iggy Pop Attitude by The Misfits Jumpin' Jack Flash by The Rolling Stones Life During Wartime by Talking Heads Just to Satisfy You by Waylon Jennings & Willie Nelson Lookin' Out My Back Door by Creedence Clearwater Revival Cocaine by Heidecker & Wood Crawshay by Cymande Girl, Lately Things Have Been Changing by The Beautiful Girls Grandpa Was a Carpenter by John Prine PLEASE SUPPORT MUSIC & THE ARTISTS CREATING IT, THE RECORD LABLES WHO PUT IT OUT IN THE WORLD & THE RECORD STORES WHO STOCK AND SELL THE MUSIC ~~ Buy records, purchase concert tickets, wear merchandise & support the bands who soundtrack your life. I make no monetary amount from this recording or podcast episodes. ALL music rights belong to their rightful respected owners. I make these mixes for pure enjoyment and to rid terrible music from this world one playlist at a time. If your music is on this podcast, firstly thank you. All music has been purchased either on vinyl or in digital format. If you would like it taken down please contact us ASAP and we will do so immediately without question. We mean no harm or bad intentions. U V

You're a hot-blooded teenage boy on the verge of graduation and prom. Your application to flight school has been rejected. Your fighter ace dad is facing the gallows in a non-existent outlaw nation for the crime of being American. It's up to Doug Masters and Col. Chappy Sinclair (yes, those are really their names) to hatch a PLAN. Just not before Doug races a Cessna against a dirt bike. Jumpin' Jack Flash, this has GOT to be an 80s movie. Col. Ted Masters (seriously, these names though) is being held captive in a rouge state that's run by Snidely Whiplash or Tony Shalhoub. Your favorite podcasters simply cannot decide. Regardless, it's time to crank up the tunes and jack an F-16, because it's the Fall of the 80s on Hindsight is Horrifying!#1980s #80smovies #airforce #f16 Hosted on Acast. See acast.com/privacy for more information.

Join us as we cover one of Whoopi Goldberg's lesser known flicks where she pairs up with Penny Marshall who sits in the director's chair for the first time. We talk about incredible 90's gender non conforming fashion, very loose rules at the highest level of government agencies, and how this whole movie couldn't have happened without access to the internet and yet, the World Wide Web hadn't even been invented yet.

durée : 00:21:04 - Le Feuilleton - D'un voyage au Maroc et de ses conséquences, puis de l'invention de Jumpin' Jack Flash.

This month we are talking to author and podcaster Lani Rich about the Whoopi Goldberg vehicle Jumpin' Jack Flash.  Sean Persaud @seanpersaudmd on Twitter/instagram Sinead Persaud: @sineadpersuade on Instagram and @sineadpersaud on Twitter Lani Rich: https://twitter.com/lanidianerich Join Shipwrecked Comedy on Patreon for bonus episodes, behind-the-scenes info, and a fun nerdy community. https://www.patreon.com/ShipwreckedComedy Theme song by: Dylan Glatthorn Artwork by: Nick Lang

In this episode, we are joined by my great friend, Alex Mihalopoulos, to discuss the Rolling Stones' iconic "Jumpin' Jack Flash" in celebration of the 55th anniversary of its release.Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

In this bonus episode, Sarah shares her experience seeing Jumpin' Jack Flash in a movie as it was meant to be seen -- in a theater on 35 mm film! For a transcript of this episode, visit our ⁠website⁠. Sources for this episode: Jumpin' Jack Flash, "B-Sides," Nitehawk Cinema Our theme music is "Rue Severine" by Blue Dot Sessions

This week, we continue with the Martha Coolidge lovefest with her one truly awful movie, Joy of Sex. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Last week, we talked about Martha Coolidge and her 1983 comedy Valley Girl, which celebrated the fortieth anniversary of its release this past Saturday. Today, we're going to continue talking about Martha Coolidge's 1980s movies with her follow up effort, Joy of Sex. And, as always, before we get to the main story, there's some back story to the story we need to visit first. In 1972, British scientist Alex Comfort published the titillatingly titled The Joy of Sex. If you know the book, you know it's just a bunch of artful drawings of a man and a woman performing various sexual acts, a “how to” manual for the curious and adventurous. Set up to mimic cooking books like Joy of Cooking, Joy of Sex covered the gamut of sexual acts, and would spend more than a year on the New York Times bestseller list, including three months at the top of the list. It wasn't the kind of book anyone could possibly conceive a major Hollywood studio might ever be interested in making into a movie.  And you'd be right. Sort of.  When a producer named Tom Moore bought the movie rights to the book in 1975, for $100,000 and 20% of the film's profit, Moore really only wanted the title, because he thought a movie called “Joy of Sex” would be a highly commercial prospect to the millions of people who had purchased the book over the years, especially since porn chic was still kind of “in” at the time. In 1976, Moore would team with Paramount Pictures to further develop the project. They would hire British comedian, actor and writer Dudley Moore to structure the movie as a series of short vignettes not unlike Woody Allen's Everything You Wanted to Know About Sex But We're Afraid to Ask. Moore was more interested in writing a single story, about someone not unlike himself in his early 40s coming to grips with being sexually hung up during the era of free love. Moore and the studio could not come to an agreement over the direction of the story, and Moore would, maybe not so ironically, sign on the play a character not unlike himself, in his early 40s, coming to grips with being sexually hung up during the era of free love, in Blake Edwards' 10. Still wanting to pursue the idea of the movie as a series of short vignettes not unlike Woody Allen's Everything You Wanted to Know About Sex But We're Afraid to Ask, Paramount next approached the British comedy troupe Monty Python to work on it, since that's basically what they did for 45 episodes of their BBC show between 1969 and 1974. But since they had just found success with their first movie, Monty Python and the Holy Grail, they decided to concentrate their efforts on their next movie project. In 1978, Paramount hired actor and comedian Charles Grodin to write the script, telling him it could literally be about anything. Grodin, one of the stealthiest funny people to ever walk the Earth, had written a movie before, an adaptation of the Gerald A. Browne novel 11 Harrowhouse, but he found himself unable to think of anything, finding the ability to write anything he wanted as long as it could somehow be tied to the title to be an albatross around his neck. When Grodin finally turned in a script a few months later, Paramount was horrified to discover he had written a movie about a screenwriter who was having trouble writing a Hollywood movie based on a sex manual. The studio passed and released Grodin from his contract. In 1985, Grodin was able to get that screenplay made into a movie called Movers and Shakers, but despite having a cast that included Grodin, Walter Matthew, Gilda Radner, Bill Macy, and Vincent Gardenia, as well as cameos from Steve Martin and Penny Marshall, the film bombed badly. After the success of The Blues Brothers, John Belushi was hired to star in Joy of Sex, to be directed by Penny Marshall in what was supposed to be her directing debut, produced by Matty Simmons, the publisher of National Lampoon who was looking for another potential hit film to put its name on after their success with Animal House, from a script written by National Lampoon writer John Hughes, which would have been his first produced screenplay. Hughes' screenplay still would be structured as a series of short vignettes not unlike Woody Allen's Everything You Wanted to Know About Sex But We're Afraid to Ask, but Belushi would pass away before filming could begin. Penny Marshall would make her directing debut four years later with the Whoopi Goldberg movie Jumpin' Jack Flash, while Hughes' first produced screenplay, National Lampoon's Class Reunion, would actually begin production four weeks before Belushi died. Belushi kept getting the production start date for Joy of Sex pushed back because of he was working on a screenplay for a movie he really wanted to make, a diamond smuggling caper called Noble Rot, which Paramount had agreed to make if Belushi would make Joy of Sex first. After that, Paramount would hire the unlikely team of screenwriting teacher Syd Field and shock jock Don Imus to try their hand at it, before going back to Hughes, who at one point turned in a draft that was 148 pages long. After the success of Porky's around this time, Paramount would have the script rewritten again, this time by The Outsiders' screenwriter Kathleen Rowell, trying to make it into a raunchy comedy. Amy Heckerling, the director of Fast Times, was approached to direct, but she would turn it down because she didn't want to get pigeonholed as a raunchy sex comedy director. The studio needed to get the film in production by the end of May 1983, or the rights to the book and the title would revert back to its author. After Valley Girl started to get some good buzz just before release, Paramount would approach Coolidge to direct. Although the budget for the film would only be around $5m, Coolidge would earn far more than the $5,000 she made for Valley Girl. So even if she wasn't too thrilled with the script, it was good money. Maybe she should have waited. The film would begin production in Los Angeles and Santa Monica beginning on May 31st, 1983, literally the day before the movie rights would have reverted back to the author, and Coolidge would only be given twenty-six days to film it. It also didn't help that the production was working under Paramount's television division, and the producer, Frank Konigsberg, had never produced a feature film before. This final version of the script she would be working with, credited to Kathleen Rowell and first-time screenwriter, J.J. Salter, would be the nineteenth draft written over the course of eight years, and wouldn't quite be the raunchfest Paramount was hoping for, but they were literally out of time. To try and make things as comfortable for herself as possible, Coolidge would hire a number of actors and crew members from Valley Girl, and tried to shoot the film, as straight as possible, even with the studio's request for lots of gratuitous nudity. Michelle Meyrink, one of Julie's valley girl friends in Coolidge's previous film, would star as Leslie, a high school senior who tries to lose her virginity when she mistakenly believes she only has six weeks to live, alongside her Valley Girl co-stars Cameron Dye, Colleen Camp and Heidi Holicker. Also on board would be Ernie Hudson, who would go straight from making this film into making Ghostbusters, and Christopher Lloyd, who was still a couple years away from starring as Doc Brown, as Leslie's dad, a coach at her school. Coolidge's saving grace was that, despite the pressure to have scenes of nubile young co-eds running naked down the school halls for no good reason, the core of the story was about two teenagers who, while trying to learn about sex, would discover and fall in love with each other. Paramount would set the film for an April 13th, 1984 release, even before Coolidge turned in her first cut of the film. But when she did, that's when the proverbial poop hit the proverbial fan. Coolidge made the movie she wanted to make, a sweet love story, even with some scenes of gratuitous and unnecessary nudity. Which is not the movie Paramount wanted, even if it was the script they approved. Her relationship with the studio further soured when the first test screening of the film turned out to be a disaster, especially with teenage girls and women, who loved the love story at the center of the film but hated the completely gratuitous and unnecessary nudity. Coolidge would be fired off the film, the television and film departments at Paramount would get into vicious finger pointing arguments about who was to blame for this mess and how they were going to fix it, and Matty Simmons would pay Paramount $250,000 to have National Lampoon's name removed from the film, claiming the film did not represent what the magazine had originally signed up for. Paramount would cancel the April 1984 release date, while hiring two new editors to try and salvage the mess they felt they were given. The Directors Guild offered to allow Coolidge to take her name off the film and have it credited to Alan Smithee, but she would decide to leave her name on it. Even if the film bombed, it was another directing credit to her name, which could still help her get future jobs. When the new editors finished their work on the film, they had whittled down Coolidge's original version that ran 115 minutes into a barely cohesive 93 minute mess, and the studio decided to release the film on August 3rd. In the 80s, the entire month of August was pretty much considered a dumping ground for movies, as families were often eschewing going to the movies for their last moments of summer fun before the kids had to go back to school. Opening on 804 screens, Joy of Sex would open in ninth place, grossing an anemic $1.9m in its first three days. Ghostbusters, in its ninth week of release, was still in first place with $6.5m, and it would also get outgrossed by Gremlins, Indiana Jones and the Temple of Doom and The Karate Kid, all three having been released in May or June. After a second weekend where the film would lose nearly 20% of its theatres and 55% of its first week audience, Paramount would stop tracking the film. It's final reported ticket sales total would be just $3.69m. Because I am cursed with the ability to remember the most mundane things from nearly forty years ago while being unable to remember where I left a screwdriver yesterday, I still remember seeing Joy of Sex. It was on the #1 screen at the Skyview Drive-in in Santa Cruz. It was the A-title, playing a double bill with Cheech and Chong Still Smokin', which had not done very well when it had been released the previous May. My friends and I would head out to the theatre, Dick and some friends piled in his Impala, me and some friends in my AMC Pacer, with lawn chairs and frosty beverages in the trunks, ready to completely rip apart this film we heard was really bad. And rip it apart we did. I think there were maybe ten cars on our side of the drive-in, plenty of room for a bunch of drunken teenagers to be far away from everyone else and be obnoxious jerks. In 1984, we didn't have the internet. We didn't have easy access to the industry newspapers where we may have heard about all the troubles with the production. We just knew the film stunk something foul, and we had one of our most fun evenings at the movies destroying it in our own inimitable way. Not that I was going to give the movie another chance. It stunk. There's just no two ways about it, but I am now more forgiving of Martha Coolidge now that I know just how impossible a situation she was put in. Ironically, the debacle that was Joy of Sex would be part of the reason I so enjoyed Coolidge's next film, 1985's Real Genius so much, because Joy of Sex was still fresher in my mind than Valley Girl. But we'll talk more about Real Genius on our next episode. Thank you for joining us. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Joy of Sex. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

Helen and Gavin chat about Succession, 80 for Brady, and Dungeons & Dragons: Honor Among Thieves, and it's Week 72 from the list of Rolling Stone's 500 Best Songs Ever, numbers 145 to 141; Ms Jackson by Outkast, Jumpin' Jack Flash by The Rolling Stones, London Calling by The Clash, He Stopped Loving Her Today by George Jones, and Maggie May by Rod Stewart.

David and Antony discuss Michelle Yeoh's Oscar win, the 70th anniversary Fleming controversy, the first 007GB Club meet up, 40th anniversaries of Octopussy and Never Say Never Again, bumping into Aaron Taylor-Johnson (and THAT Calvin Klein photoshoot!), seeing Bond alumni in Jumpin' Jack Flash. This month's cocktail (which they make live) is a new one: the Wai Lin, which is one of the cocktails featured in the 2023 LTQ UNICEF fundraiser, Donate Another Day.

“No Win Scenario“ As the Titan sinks deeper into the gravity well, only the inginuity that comes with a full head of hair and a grease monkey from Chicago can save the crew the from a no win scenario. In this episode of The Artificial Tango, hosts C Bryan Jones and Matthew Rushing continue our week-by-week examination of Star Trek: Picard Season 3 with Part 4, “No Win Scenario.” We discuss more parallels with the Original Series films, how the story turns death into a fighting chance to live, makes our heroes better versions of themselves, and ask just what is up with the Changelings and Vadic's hand. Chapters Intro (00:00:00) Picard, Jack, and the Hair (00:01:23) Redeeming Beverly (00:5:39) Strength in Simplicity (00:10:19) Earning the F-Bomb (00:14:06) Resurrecting Riker (00:18:29) Beverly Saves the Day (00:29:35) Shaw and Sisko (00:32:42) The Left Hand of Vadic (00:39:51) Jumpin' Jack Flash … with Changelings! (00:45:09) It's Supposed to Be Fun (00:56:12) Big Ship, Four Rooms (00:58:11) Worf and Raffi, Interrupted (01:03:23) Final Thoughts and Ratings (01:08:24) Closing (01:10:57) Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Cornelia Reutner (Associate Producer)

John, Hallie, and Sarah discuss 1986's Jumpin' Jack Flash, starring Whoopi Goldberg and everyone you loved from SNL in the 80s. Is it a spy thriller? Is it a workplace comedy? Will you fall in love with a computer chat screen? There's one thing we're sure of--it's a gas, gas, gas. For a transcript of this episode, visit our ⁠website⁠. Sources for this episode: AFI|Catalog - Jumpin' Jack FlashThe Devil and Sam Kinison by David Handelman for Rolling Stone, February 23, 1989. Behind The Scenes of Jumpin' Jack Flash Movie (1986), Fast-Rewind. Penny Marshall Chose The Dog's Life of Directing with ‘Jumpin' Jack Flash' by Brad Gullickson for Film School Rejects, December 19, 2018. From the Archives: Penny Marshall on making the leap to directing with ‘Jumpin' Jack Flash': ‘I was scared stiff' by Nancy Mills for Los Angeles Times, October, 28, 1986. Our theme music is "Rue Severine" by Blue Dot Sessions. Further listening/watching: Set Me Free by The Pointer Sisters, RCA Records (1986) Rescue Me by Fontella Bass, Chess Records (1965) MOVIECLIPS courtesy of Rotten Tomatoes.

“No Win Scenario“ As the Titan sinks deeper into the gravity well, only the inginuity that comes with a full head of hair and a grease monkey from Chicago can save the crew the from a no win scenario. In this episode of The Artificial Tango, hosts C Bryan Jones and Matthew Rushing continue our week-by-week examination of Star Trek: Picard Season 3 with Part 4, “No Win Scenario.” We discuss more parallels with the Original Series films, how the story turns death into a fighting chance to live, makes our heroes better versions of themselves, and ask just what is up with the Changelings and Vadic's hand. Chapters Intro (00:00:00) Picard, Jack, and the Hair (00:01:23) Redeeming Beverly (00:5:39) Strength in Simplicity (00:10:19) Earning the F-Bomb (00:14:06) Resurrecting Riker (00:18:29) Beverly Saves the Day (00:29:35) Shaw and Sisko (00:32:42) The Left Hand of Vadic (00:39:51) Jumpin' Jack Flash … with Changelings! (00:45:09) It's Supposed to Be Fun (00:56:12) Big Ship, Four Rooms (00:58:11) Worf and Raffi, Interrupted (01:03:23) Final Thoughts and Ratings (01:08:24) Closing (01:10:57) Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Cornelia Reutner (Associate Producer)

In this episode of Media Monsters, Nick sits down with filmmaker John Paul Jones to discuss The Apple. A 1980 musical from Menahem Golan that is proudly one of the worst movies ever made and one of the most fun to watch. Nick and JP discuss not only the film but their short film remake entitled Bibi, currently in production. We cover all of the movie's insanity from the costumes and props to the set design and song. Nick also mistakenly combines Breakin' 2: Electric Boogaloo and Jumpin' Jack Flash. Intro and Outro The Apple Written by George Clinton Performed by Chris Lyric and John Paul Jones

Jack Hughes is a superstar!Hosted By Sam Woohttps://pucksandpitchforks.comhttps://www.LetsGoDevils.comRATE, REVIEW, AND SUBSCRIBE: Apple Podcasts - https://podcasts.apple.com/us/podcast/lets-go-devils-podcast/id1371371669 #NJDevils #NHL #LetsGoDevils #LGD #Devils #NewJersey #NCAA #AHL

In this episode we welcome the delightful Kid Congo Powers, all the way from his home in Tucson, and ask him to talk about his former lives in the Gun Club, the Cramps and the Bad Seeds — as detailed in the riveting new memoir Some New Kind of Kick.The man born Brian Tristan looks back to his teen fanboy years from Frank Zappa to the New York Dolls, plus his memories of the L.A. glitter scene at Rodney's English Disco. He describes how it felt — as a gay Mexican American — to be a misfit among mainly white misfits on the punk scenes in L.A. and New York. He also explains how the Gun Club was conceived after he met Jeffrey Lee Pierce while queuing for a 1979 Pere Ubu show at the Whisky. We hear how Kid was then headhunted by the Cramps' Lux and Ivy, and what it was like to be part of their ghoulish B-movie aesthetic. We similarly learn how he was recruited (and "cast") as one of Nick Cave's drug-addled Bad Seeds in mid-'80s Berlin.From the decline and premature death of Jeffrey Lee Pierce — via Kid's own eventual long-term sobriety — we shift into the rarefied and erudite world of Brian Eno, an iconic glam influence on the young Brian Tristan. Clips from Mark Sinker's 1992 audio interview with pop's resident egghead are heard, leading in turn to discussion of Eno's collaborations with Robert Fripp and Toby Amies' remarkable new King Crimson documentary.Mark talks us through pieces about the Stones' 'Jumpin' Jack Flash' (1968), classic-blues septuagenarian Victoria Spivey(1975), the Police (1979) and Joe Bataan & Arthur Baker (1996) after which Jasper concludes the episode with quotes from pieces on bodyguard-to-the-stars Michael Francis (2003) and the "rise and rise" of Pharrell Williams (2015).Many thanks to special guest Kid Congo Powers; Some New Kind of Kick is available this week in all good bookshops. For more Kid, follow him on Twitter and Instagram@kidcongopowers.Pieces discussed: The Cramps, The Gun Club, Art Laboe, Brian Eno audio, Robert Fripp, The Stones, Arthur Baker, 'Jumpin' Jack Flash', Victoria Spivey, The Police, The Cramps live, Joey Ramone, Kiss and Cher's minder, Pharrell Williams and Jon Hopkins.

In this episode we welcome the delightful Kid Congo Powers, all the way from his home in Tucson, and ask him to talk about his former lives in the Gun Club, the Cramps and the Bad Seeds — as detailed in the riveting new memoir Some New Kind of Kick.The man born Brian Tristan looks back to his teen fanboy years from Frank Zappa to the New York Dolls, plus his memories of the L.A. glitter scene at Rodney's English Disco. He describes how it felt — as a gay Mexican American — to be a misfit among mainly white misfits on the punk scenes in L.A. and New York. He also explains how the Gun Club was conceived after he met Jeffrey Lee Pierce while queuing for a 1979 Pere Ubu show at the Whisky. We hear how Kid was then headhunted by the Cramps' Lux and Ivy, and what it was like to be part of their ghoulish B-movie aesthetic. We similarly learn how he was recruited (and "cast") as one of Nick Cave's drug-addled Bad Seeds in mid-'80s Berlin.From the decline and premature death of Jeffrey Lee Pierce — via Kid's own eventual long-term sobriety — we shift into the rarefied and erudite world of Brian Eno, an iconic glam influence on the young Brian Tristan. Clips from Mark Sinker's 1992 audio interview with pop's resident egghead are heard, leading in turn to discussion of Eno's collaborations with Robert Fripp and Toby Amies' remarkable new King Crimson documentary.Mark talks us through pieces about the Stones' 'Jumpin' Jack Flash' (1968), classic-blues septuagenarian Victoria Spivey (1975), the Police (1979) and Joe Bataan & Arthur Baker (1996) after which Jasper concludes the episode with quotes from pieces on bodyguard-to-the-stars Michael Francis (2003) and the "rise and rise" of Pharrell Williams (2015).Many thanks to special guest Kid Congo Powers; Some New Kind of Kick is available this week in all good bookshops. For more Kid, follow him on Twitter and Instagram @kidcongopowers.Pieces discussed: The Cramps, The Gun Club, Art Laboe, Brian Eno audio, Robert Fripp, The Stones, Arthur Baker, 'Jumpin' Jack Flash', Victoria Spivey, The Police, The Cramps live, Joey Ramone, Kiss and Cher's minder, Pharrell Williams and Jon Hopkins.

When you're an under cover operative in a tough spot, who do you reach out to for help? James Bond? Ethan Hunt? Elon Musk? NOPE. In Penny Marshall's directorial debut, it's Whoopi Goldberg to the rescue for a British spy who just wants to get home. Meet Terry Doolittle (Goldberg), professional smartass and computer genius, also known as a bank chat specialist. Terry stumbles into the world of espionage when English spy, code name Jumpin' Jack Flash, reaches out to her with cryptic communications over her faulty bank computer. Jack puts Terry's feeble feminine brain to the test with coded messages alluding to the Rolling Stones; Terry does some dancing, cracks the code, acquires a frying pan, and illicit undercover activities commence. Jumpin' Jack Flash is a Whoopi Goldberg vehicle that goes off road with ridiculous disguises, villainous treachery, & plenty of wise cracks. The British are coming, and Jim Belushi is armed with a tow truck and truth serum. But will Whoopi win the day and the middle-aged man? Smack your malfunctioning monitor and find out in this slapstick 80s romp. See acast.com/privacy for privacy and opt-out information.

#45-41Intro/Outro: Can't Take My Eyes Off Of You by The Four Seasons45. I Wanna Be Your Dog by The Stooges *44. Born To Be Wild by Steppenwolf43. She Loves You by The Beatles *42. Jumpin' Jack Flash by The Rolling Stones41. A Whiter Shade of Pale by Procol Harum *Vote on your favorite song from today's episodeVote on your favorite song from Week 2* - Previously played on the podcast

"Knock, knock"! Jeff welcomes Scott Hoffman back for a special bonus episode of our limited 1986 series to discuss spy comedy, Jumpin' Jack Flash. Sam Kinison as a charming British spy? Computers with online chat in 1986? Whoopie's early stand-up, saavy computer tech, interesting remake ideas, and Penny Marshall in her directorial debut are among the things discussed before we "end trans".

Game and Adventure Path by Paizo Publishing- www.paizo.com Background music provided by Tabletop Audio - http://tabletopaudio.com Theme music by Angelo Di Loreto - https://angelodiloreto.com/ Visit us at www.thecrackeddiepodcast.com or email us at show@thecrackeddiepodcast.com Please consider supporting us on Patreon! https://www.patreon.com/crackeddiepodcast Grab a shirt to support the cast https://www.redbubble.com/people/CrackedDie/shop Ask us a question for a future episode: https://forms.gle/83xmbYCnwAjeVA5y9