Podcast appearances and mentions of ryan hey

As entrepreneurs, we have the ability to make a difference in the world and in those we serve by aligning our  In this episode of the #DoorGrowShow, property management growth expert Jason Hull sits down with Ryan Pineda, real estate investing expert and author of The Wealthy Way to talk about real estate, business, and faith. You'll Learn [01:34] Getting Started in Entrepreneurship [08:07] Faith and Business [17:16] Having Impact as a Business Owner [29:50] You are What You Consume [45:35] Don't Wait to do the Work Tweetables  ”There's no more efficient business model for positively changing the world than business.” “ When you start becoming process-driven more than results-driven, your life changes.” “ We should expect things to be hard and worth it.” “ You are what you consume in all areas of life.” Resources DoorGrow and Scale Mastermind DoorGrow Academy DoorGrow on YouTube DoorGrowClub DoorGrowLive TalkRoute Referral Link Transcript [00:00:00] Jason: There's so much wisdom in there and if you can at least just be willing to extract wisdom wherever you can find it, then you're not an idiot And so at least start there, everybody listening, just look for wisdom, be a seeker of wisdom and look for the things that are better and higher.  [00:00:16] Welcome DoorGrow property managers to the DoorGrow show. If you are a property management entrepreneur that wants to add doors, make a difference, increase revenue, help others, impact lives, and you are interested in growing in business and life, and you're open to doing things a bit differently, then you are a DoorGrow property manager. [00:00:34] DoorGrow property managers love the opportunities, daily variety, unique challenges and freedom that property management brings. Many in real estate think you're crazy for doing it. You think they're crazy for not because you realize that property management is the ultimate, high trust gateway to real estate deals, relationships, and residual income. [00:00:54] At DoorGrow, we are on a mission to transform property management business owners and their businesses. We want to transform the industry, eliminate the BS, build awareness, change perception, expand the market, and help the best property management entrepreneurs win. I'm your host, property management growth expert, Jason Hull, the founder and CEO of DoorGrow. [00:01:13] Now let's get into the show.  [00:01:17] So my guest today, I am honored to hang out with Ryan Pineda. Ryan, welcome to the show.  [00:01:22] Ryan: Hey, happy to be here. Good to see you.  [00:01:25] Jason: So Ryan, I'd love to kick things off by getting into your background of how you kind of got into this journey of entrepreneurship. But before we do that, your company's called Wealthy Investor, right? [00:01:36] Yep. And you've worked with a lot of real estate investors. My target audience listening to the show are usually the vehicle or the support mechanism for a lot of investors. I think the audience would be interested in hearing a little bit about how you got kind of started into entrepreneurism first of all, and then maybe how you got into real estate. [00:01:57] Ryan: Yeah, I'll give the quick story. You know, I never wanted to get into real estate or entrepreneurship. I was a baseball player growing up and that was all I wanted to do. I was grateful and thankful that I was able to actually do that. You know, I ended up getting drafted by the Oakland A's and got to play professional baseball for eight years. [00:02:15] But, I didn't get paid much in the minor leagues. I never made it to the bigs. I was making 1200 bucks a month. And so I had to make money elsewhere. And that's what led me in entrepreneurship. You know, I got my real estate license in 2010. Yep. And, you know, so I've been in the game for about 15 years now. [00:02:32] And, you know, I've seen a lot. You know, started as an agent and hated it. My mom was actually a property manager. I didn't tell you that. So, I watched her do that for a little bit while being an agent as well. So she was an agent herself, but you know, watching her, I had no desire to be an agent or do anything in real estate because when I got in in 2010, she had just lost everything. [00:02:53] You know, and she's like, you need to get like a safe job. You need to get something that has a salary and a pension. That was literally her advice. Well, and I was like, yeah, maybe, I don't know. Hopefully this baseball thing works out. But while I'm playing, I can't get that. So I'm going to have to do something. [00:03:11] So anyways, I become an agent. Hate it. Do it for a few years. Ended up getting into other weird things. I started flipping couches. I was a substitute teacher. I was just doing anything that could make a buck on the side. And then eventually that led to flipping houses in 2015. [00:03:27] And that was when I, for the first time, started to make some real money. And yeah, I mean, by my third year, I had made, you know, I became a millionaire after year three, flipping houses. And it was just like, wow, this is crazy. And since then I flipped, you know, I think almost 600, 700 homes. And. You know, I've bought rentals. [00:03:47] I own apartment buildings through our syndication. You know, we've coached people, like you said, with wealthy investor. We've coached thousands of students and held really big events. You know, I've started another subsidiary businesses for real estate investors. You know, we have a lead generation company called Lead Kitchen where we help them get leads for sellers. [00:04:05] We have, you know, I had a tax firm, you know, I've kind of done almost everything you can imagine in the real estate world, but  [00:04:10] Jason: Yeah, that's a lot. So I'm curious you said your mom was a property manager and she gave you the advice It was kind of like maybe steer clear of this stuff. [00:04:19] What does your mom think now about everything?  [00:04:22] Ryan: You know what? She's still always hyper cautious so, you know, I retired my parents in 2019 I bought him a house bought him all the cars and everything and my dad actually started working for me in 2018 as a project manager. So he would oversee a lot of our flips and even to this day, he still does it. [00:04:42] Not cause he has to, because he's just like, well, if you're going to, you know, pay for us, I might as well like earn it, you know, and he just wants to support and whatever. So, You know, my dad understands the game. My mom though, obviously she's seen the results, but she's still always hyper cautious. [00:04:57] And so, she doesn't think I need to get a job now, but she does think a lot of times the big risk I take, I shouldn't be taking.  [00:05:05] Jason: Yeah. Looking back, when do you see in hindsight that there were clues that you were maybe destined to be an entrepreneur? Maybe even doing baseball. [00:05:16] Ryan: Yeah. I look back in hindsight, even as a kid and I was always buying and selling and thinking about money. Like I started an eBay account when I was like 12 years old. I remember. You know, buying stuff and bidding on stuff and getting good deals on eBay. And then I remember I was selling Pokemon cards and Yu Gi Oh cards, you know, in middle school and stuff. [00:05:37] And it's just like, You know, the signs were always there. And then even I was always attracted to just making money myself. So like I was good at poker, you know, I won poker tournaments and I played online and I made money that way. And so in hindsight, it was always very clear. I was never going to have a job. [00:05:53] Really the only true job I ever had was playing baseball. And even then it's like, yeah, there's not really a way to be an entrepreneur. I mean, you kind of are you're in charge of your career and how well you want to do and like how well you want to train and. And so, yeah, even in that sense, baseball is kind of in that same vein. [00:06:12] Jason: Yeah. So I'm sure even to get as far as you got in baseball, there was a lot of drive involved and a lot of effort involved, even though there wasn't a lot of pay, it sounds like.  [00:06:25] Ryan: Yeah, I think yeah, for me, like, I had to learn how to like win, you know, at the end of the day, losing is not an option, right? [00:06:33] It's a zero sum game in sports. One person wins, one person loses, you know, for the pitcher to succeed, you must get out. And so, dude, I'm like, I'm going to just figure out how to win. I'm competitive. And so I think competitiveness has always fueled me. It's different in business now because I understand the games that we play. [00:06:52] It's like, you know, We both can have good podcasts. We both can win in business. You don't need to lose for me to win. But that doesn't mean I'm still not competitive.  [00:07:00] Jason: Sure. Yeah. I'm sure in the different industries that you have businesses that you focus on, you have competitors and you probably want to win. [00:07:09] Ryan: I don't want to lose.  [00:07:11] Jason: Right. I want to be the best. I think that's true of most entrepreneurs. There's this drive or, this bite to win. You know, I remember early on, I think some of my first clues as to that I might be an entrepreneur is I was into music. And I remember in college, I was going around door to door pre selling CDs so that I could fund doing an album. [00:07:31] And yet I still at the time was thinking I've got to get a degree to get some sort of job to rise the corporate ladder. And I had no clue that entrepreneurism was like a path at the time. So it's interesting and Entrepreneurism sort of found me In that I needed a way to not be doing a nine to five job to be able to take care of kids because I ended up as a single father right and divorced and like went through all this stuff. [00:07:57] And so I was like, all right, what can I do? And so I sometimes joke that my kids turned me into an entrepreneur. It was just what needed to be done, but there were always clues before, right? So you know, one of the things that you've talked about a lot, I've noticed on your social media, on podcasts is you're very faith forward. [00:08:15] Like you're very comfortable talking about your faith and like the things that kind of motivate you and drive you. And you're involved in some charitable sort of, you know, businesses or charitable entities or organizations as well. How does faith sort of play into all of this when it comes to business for you? [00:08:33] Ryan: Well, you know, I grew up in the church. So, you know, for those who don't know, I'm a Christian. And you know, I grew up in a baptist church and you know, faith was always a part of my life. And I felt like for the most part, I did things the way God wanted me to. You know, I didn't really rebel and go crazy in college, got married young. [00:08:51] You know, I've always tried to put God first and everything. And You know, I think in the last couple of years, God was just pushing me to get even more deep in faith and more bold and to really embrace the spiritual and supernatural side of faith because I was always a very theologically sound person. [00:09:11] And you know, I've read the Bible many times, and, you know, I spent a lot of time, like I said, in church and serving and other things, but you just realize in everything in life, especially with faith, that there's so little that you actually know, and you know, as I've grown in my faith, I've learned to hear from God better. [00:09:29] And tune out all the noise of everything else going out in life, right? I mean, there's so many distractions in life. There's your business, there's social media, there's your kids, your family, you know, the recession, the election, it's like distraction. I think that's Satan's biggest, yeah, that's Satan's biggest tool is to distract you from the truth. [00:09:49] And so the truth was God wanted me to get more bold and to really use my platform for him, not for me. And, you know, with that, I became convicted to just really go all in because I mean, one thing I guess people would notice about my career too, is like, there's no really lukewarmness, you know, when I go all in on something. [00:10:09] It's like, yo, if we're going to throw an event, it's going to be crazy. If we're going to start this, we're going on a blitz. And so I said, you know what, we need to start something for Christian entrepreneurs and Christian business people. And so, you know, I created Wealthy Kingdom last year and you know, we're a nonprofit and, you know, we have three goals. [00:10:27] Well, I shouldn't say three goals. The one goal, the mission is to bring the kingdom to the marketplace. And what I mean by that is so many entrepreneurs just think it's the church's job to, you know, go get people saved and to go disciple people. And it's like, yeah, you know, just invite them to church on Sunday. [00:10:44] It's like, no, our job, every Christian has this goal or mission. You know, Jesus tells us right before he left, he said that the mission here is you need to go make disciples of all nations. We all have that same mission. And it's like, it's not to make the most money. It's not to do the thing that you love. [00:11:05] Like, Jesus never said do the thing that you love. Like that's another big lie that, you know, people have been told.  [00:11:12] Jason: Jesus didn't even do what he loved necessarily. Like to a degree, he said, I don't even do my own will. Yeah. He does the will of him who sent me. Right. He's like, I'm not even doing my own will. [00:11:22] And so if that's a model, then maybe it's not about just selfishly doing our own will all the time.  [00:11:29] Ryan: Absolutely should not. Our will, as we grow should be more aligned with the father's will. And that's what sanctification is. So anyways, to, to long story short. God called us to go be disciples where we're at. [00:11:42] We don't like, we need to go make disciples of all nations right now. That's in our job, in our career, in our business, at an event, whatever. And so I took that to heart. So we started you know, looking at everything that we currently do. And we said, well, let's do it for the King. And so I said, all right, well, let's get a kingdom based community. [00:12:01] And so, you know, we started an online community because that's something we currently do in business. It's like, well, let's get one kingdom based. And so we have that it's completely free. Anyone can join it. Then I said, let's throw events. We throw a lot of events. Why are we not throwing kingdom events? [00:12:14] And so we started throwing big events for the kingdom. And in fact, in my secular events, I just started throwing worship services and pastors in the middle of the event without even telling anyone. Because I'm like, look, this might be the only time they ever hear the good news in their entire life. [00:12:31] And, you know, whatever they might like it, they might not like it, but I don't really care. They need to hear it. And so we started incorporating faith into our events. You know, and then the last thing was really just discipling the current believers because I'm all about the lost. I want to get the lost at the events. [00:12:50] With our content, with our community, but also too, what about the people who are already saved? Well, we need to disciple them and make them better. And so we started running Bible studies all across the country. And I think we're close to a hundred, actually across the world right now, that meet every single week in people's offices, in their homes. [00:13:07] And we all go through the same studies together in these Bible studies, across as a body. And it's really cool. So, yeah, we're trying to attack it from a lot of different angles.  [00:13:18] Jason: It's a lot to organize.  [00:13:20] Ryan: Oh, yeah. But here's the thing, right? It's weird because I just said, Hey, don't do your will. Do God's will. [00:13:26] Right. But on the same hand, God gave us all talents, abilities and different life experiences. And so, you know, he calls us to use those to do his will and it's like all right god gave me a lot of influence online. Why am I not making videos and content, you know helping people understand what that means? [00:13:47] God gave me the ability to throw massive events. We threw wealth con every quarter a thousand plus people every quarter for years. Why am I not throwing massive events for the kingdom? God gave me the ability to organize communities and groups and all these things. Why am I not organizing and using my administrative gifts to do that? And it's like it's all the same thing, and they're all the same gifts and they're all the same skill sets, but on one hand you're putting him first and on the other hand you're putting yourself first  [00:14:16] Jason: Yeah, I love the idea of you know positively impacting the world I think business a lot of people don't realize I think business really there's no more efficient business model for positively changing the world than business, right? [00:14:31] I don't think charities don't function as well like businesses. There's an exchange of value And if there's value like behind it and there's a mission and a purpose behind it Then even the team members the employees everybody Are more lit up and excited and so business is a very efficient business model and you know, one of my past mentors, Alex Charfen, and he would say something to the effect of like entrepreneurs are the people that have changed the world throughout history. [00:14:57] They're the people that kind of think differently. And you know, you mentioned the word disciple like several times and I love the scripture where it's like, how do you know who's a disciple, right? And it's by this shall men know, right? You're my disciple. If you have loved one towards another and I think you know this spreading this message of like sharing true principles Which I think is what makes scripture, right? [00:15:20] It's that there's true principles that can be applied to things that are useful and I think a really good business book will have maybe one key principle it teaches, but then you take a book like the bible and it's just full of lots of different instances of principles that these levers that you can apply to various situations in your life or in decision making. [00:15:39] And you know, that's always been sort of my purpose, I feel is to bring principles to people and to share principles of truth to others, because I feel like that's the easiest lever to impact people's mindset or change their lives is to bring some truth or light or some true principles that they can apply, especially if it's facilitating more love or more kindness. [00:16:01] And there's so many different things different principles that apply in business in order to figure things out like related hiring related to you know running an efficient business  [00:16:11] Ryan: How do you know like a non profit is a business right? I mean, it's a non profit.  [00:16:15] Jason: Yeah, it is. It is a business. Yeah. [00:16:17] Ryan: A church is a business technically based on its designation, Wealthy Kingdom is a business. [00:16:22] It's a nonprofit, right? I mean, in many cases, well, I shouldn't say this because every nonprofit's different, but like for me, I make literally nothing from it. You know, I do it out of a, you know, I just want to do it. Now we have employees, we have staff, we have marketing, we have event costs, we got to pay for all this stuff. [00:16:38] Right. And so we got to figure out, man, how do we use the resources we have in the best way possible? Well, it's the same thing we ask ourself every day in business. We have a limited amount of labor, a limited amount of capital, a limited amount of time. What do we do, you know, to make the most of it? So it's all the same. [00:16:57] And I think too, right, you don't even have to have a nonprofit for this to be the example, right? This is just simply the idea of stewardship. You know, God talks a lot about stewardship and it's like, well. I've given y'all different varying degrees of talent. I've put y'all in different places. Y'all are going to be judged accordingly based on how you used your talent. [00:17:16] And I think that, well, I know that 1, 000, and a lot of Christians don't realize this. A lot of Christians, so, for all the Christians on the show, this is going to hopefully convict you, okay? A lot of people think that when you get saved, that's the end of the journey. Yeah, when literally that is like they've arrived they're done. [00:17:39] You just started! Great! [00:17:41] Jason: Yeah.  [00:17:41] Ryan: Now guess what you your whole rest of your life now actually begins and so many people like, God tells us that hey, guess what? Once you're saved, you know, there's a new judgment now. Because before it was like, all right, what happens in eternity, right? You're going to be in heaven. [00:17:58] You're going to be in hell. That's like the salvation question, but then there's this next question about judgment and stewardship and what you did with what he gave you because Somebody like myself and you will be judged more harshly than other christians and people are like, what does that mean? [00:18:18] Well, it means that if he gave you more resource and he even says if you're a teacher and you cause other people to stumble, you are going to be judged significantly more harshly than others. And so I take that super serious because I'm like, all right, yeah, I'm saved. I'm not worried about that, but man, I better do everything in my power to be a great steward and to understand if I have influence and I'm teaching people, I know exactly what I'm saying. [00:18:44] Jason: Yeah, it's much like the Parable of the Talents, you know, the worst was like to try and bury it and hide it, hide the money. The person that did the best with the money that he trusted with the most money, like, made twice as much money, like, he increased it significantly, right?  [00:19:00] Ryan: And he was also given the person's talent that, who buried his talent. [00:19:04] Jason: Exactly. He's like, I'm going to take it away from you because you don't know how to use this or how to deal with it. And so I think there's a nice summation of business in that for us, like where much is given, much is required and yeah, I've got a little bit of an audience. [00:19:18] You've got a little bit of an audience as well, right? We've got these audiences and people are listening, people pay attention to what we're doing And you know, we have a ripple effect. And I have a ripple effect through my clients who have a ripple effect through all the families that they support, the investors, the team members that they have. And that's significant and to me, that's exciting. Like, that's what motivates me to do what I do. [00:19:43] That's inspiring. But yeah, I could see that some people would maybe it would convict them. Maybe they would feel maybe they feel a little ashamed if they thought about it, man, you know, the energy I'm putting out into the world and in the universe here, isn't the ripple that I really feel is the best ripple I could create. [00:19:59] Ryan: Well, the other part, too, is obviously we have ripples here on Earth, but, you know, there are ripples for eternity based on our decisions for the people we help and everything else, and, you know, the Bible talks about how, you know, you store up your treasures in heaven, and if you read, you know, a lot of Christians also don't know this, they think that Heaven is this place where everybody's equal and, you know, we're all in the same thing. [00:20:25] No, it's actually not like there's hierarchies in heaven there. Like it's clear when the disciples are talking to Jesus and they're like, man, dude, I want to sit on your right hand. He's like, you don't even know what you're asking for. And. you know, they're clearly trying to be in that inner circle after this too. [00:20:43] And, you know, you could read all about it. There's hierarchy with demons. There's hierarchy with angels. Hierarchy is going to be in heaven. It's already there. And it's like, you know, you got a lot of investors on this podcast who are like, Oh man, I got to invest for the future. I got to get my net worth here. [00:21:01] I got to get my cashflow here. I got to. And it's like, we're investing trying to build for the future of this life. And once you truly understand that this life is so short in the span of eternity, you start thinking very differently. And you're like, well, I would rather invest for eternity. And actually, we just read this book in our Wealthy Kingdom group. [00:21:21] It's called Driven by Eternity by John Bevere. It's a great, one of the most convicting books I've ever read. But, he goes, alright. He's like, I learned this in math. Anything divided by infinity is infinity. And it's like, eternity is infinity, right? But if you were to try and even just, finitely say it with our brains, let's just say the next 24 hours, we're going to dictate the next thousand years of your reward here on earth, right? [00:21:48] How you spent the next 24 hours would dictate what reward you got for the next thousand years. You'd be like, that's insane, right? That doesn't seem right. That, you know, this is going to be  [00:22:00] Jason: proportionately skewed. To this moment. Yeah, it's- [00:22:04] Ryan: that's not even close to infinity.  [00:22:07] Jason: Yeah.  [00:22:08] Ryan: We spend 100 years here on this earth thinking we have all this time. In the scheme of infinity, it's worse than way where it could be 24 hours to 10, 000 years to a million years, a billion years. It's still not infinity. And yeah, people just don't, they don't think about it because it's so hard to grasp. But it's like I wish and this is why god has you know kind of got me more vocal about it. [00:22:33] So we're talking about it now But it's like I want investors because I'm an investor right now, you know, like I'm always looking for the best investment I'm always looking for the best use of my time, but I want people to start thinking about man, Invest for eternity. That's way longer than this! Your retirement is way shorter than infinity and eternity. [00:22:54] Jason: Though, could Jesus be a house flipper in the eternities? Because he says in my father's house, there's many mansions, right? And he said, I'm going to prepare something for you guys. And so I think what you're talking about is maybe we should be paying a little less attention maybe to just our real estate assets and our investing here and maybe do some heavenly real estate investing. [00:23:17] Ryan: I'm being 1, 000, that's 1, 000 percent what I'm saying. And it's changed my mindset so much in the last year that I could care less about my net worth. I could care less about how many properties I own. I could care less about any of it. Because eternity is so much greater.  [00:23:36] Jason: So some people might be saying, Ryan, come on. [00:23:38] You're wealthy now. You run Wealthy Investor. You've got money. So it's easy for you to say that. What would you say to the naysayers?  [00:23:46] Ryan: I would say that I've had a certain level of contentness, no matter how much money I had. I made 1200 bucks my entire 20s a month. Okay. So like, I understand what it is to have nothing. [00:23:57] And you know, people always make an excuse, right? It's like, I got three kids and a wife, five, five and under, man, I got a special needs son. I spend a lot of time with my kids. And it's like, well, you know, that's cause you, everybody's default is that's cause you have money or this or that. [00:24:14] It's like, no, all these things were built with nothing. They were all built simultaneously. It wasn't that, oh, this came after that. It's like, no, they were all built in the same construct. So people just need to realize it's just an excuse. It's a cop out. Right. And the other part too, is it's just a fact of not trusting what the Bible says. [00:24:33] So if you're not Christian- [00:24:34] Jason: which essentially is just not trusting God,  [00:24:37] Ryan: Yeah, and if you're not Christian and you don't believe it, that's one thing. But if you are a Christian, you cannot say that you are a Christian and then claim that. It is a lie. And it's like, if you read Matthew 6:33, seek first his kingdom and his righteousness, then everything else will be added to you. [00:24:54] And so this is where it comes into play of like, if I'm seeking those eternal rewards, everything else will be added to me. Now, does that mean I'm going to be a hundred millionaire billionaire own all these prop-? No, but I do know I'm going to be just fine here on earth. Like, I don't have to worry about that. [00:25:11] Like I'll be taken care of. It'll be added to me. So I just trust that promise.  [00:25:17] Jason: Yeah. I think I've always just trusted, even when money was tight, I've always trusted in my ability to figure things out and that God's going to take care of me. I just, I bought  [00:25:27] Ryan: money's been tight for me many times after I've been rich. [00:25:30] Jason: Yeah. Yeah.  [00:25:31] Ryan: Like so many times every business owner every you know, Elon Musk, dude I mean the richest man in the world, right? This guy struggles with money like, you know Yeah, dude, he had to buy Twitter for 50 billion dollars he didn't have 50 billion dollars just laying around It was like the last hour to figure out how to go buy that thing. You know, they tell the story of how he invested all of his, like, 300 million he got from PayPal into Tesla and SpaceX and they were going to both go bankrupt and not make it. [00:26:01] Yeah. So, you know, I guess it all just is, like, it comes back to this idea that people think that there's a certain amount of wealth that prevents you from, you know, ever having to work again. And that's not true. It's just not true. Like, it can all be taken from you instantly.  [00:26:16] Jason: So, here's a thought I have that I think might convict, as you say, you know, Christians or just other people that claim to believe in God. [00:26:24] Is one thing I've noticed is you know, especially among, I guess, poor christians or people that have money issues is that I've noticed this action of cursing reality while claiming to love god. It's like oh well this sucks and this and they're kind of they're negative about everything showing up in reality and my favorite name for God in a lot of instances is reality because he says I am what is I am the truth he's the ultimate and reality always wins God always ultimately wins and I don't think it's fair for a christian to claim, I'm like so like faithful to god yet I'm going to curse my reality and complain about reality and complain about how everything is and complain about my family and my spouse and my job and the world and everything else. And there's such a difference I think in people that are at odds with reality which reality will always win. Reality doesn't lie reality is what is and those that are actually in alignment with reality, and align their will to god. [00:27:29] What do you think of that?  [00:27:30] Ryan: Yeah, I mean look god has been here way before us and here's another thing. I tell people I'm just like, all right, look, you know Even if you're not a Christian, right? I think majority of people believe there is something after this life. People believe there is, you know, some supernatural thing. [00:27:47] Most people would believe in the afterlife and whatever. And then, you know, almost everyone agrees there was nothing and then there was something right. And we would call this the creation of the world. But you know, my belief is, you know, It's based on the Bible, and the Bible tells us that there was a supernatural world well before this physical world you know, God talks about there was angels, there was all these things happening well before he created the earth, and the earth is going to pass away, and then, you know, You know, it's going to be back to how it was. [00:28:16] And you know, it's like, and you know, there's going to be a new heaven, new earth, all these things, but my point with that is God was always, that's just the best he has always been. He will always will be. He will always like he's past, present, future. He's just all present. And you know, The other part I struggle with a lot of Christians is they just don't understand the power that they have. [00:28:44] You know, they walk in weakness. And in reality, it's like, Do you realize, an axe, Jesus said or not an axe, but in the Gospels, and then it happened, an axe. He said, look it's good that I'm leaving you, because you're going to get something far better than just me being here with you physically. You're going to get the Helper, and then an axe, they receive the Holy Spirit, literally God living within them, inside of them. [00:29:08] And it's like, you have literally the same God that has always been here, that created you, that created this world living inside of you, and you're worried? What would you ever be worried about? You know, just think like back to just metaphors, you know, would you ever be worried if like, you know financially if you had just like all this money just with you at all times? [00:29:31] No, you wouldn't be worried financially. Would you be worried for your physical safety if you had the most elite killers as bodyguards around you at all times? No, you wouldn't be worried about your safety. You know, like, we have something so much better than all of those things, and we're worried. [00:29:46] We think we can't do things. We don't trust.  [00:29:50] Jason: So this is a good question. Let's bring this back to entrepreneurism. How can people, maybe they don't believe in God, maybe they, they do, but how do they bring themselves, do you feel, and how do you do this? How do you bring yourself in alignment with this greater power for those that maybe can just believe that or towards the universe or the God that created it? [00:30:12] How do we start to get ourselves in alignment? So we know we're on the right path.  [00:30:15] Ryan: Well, this doesn't apply to just God. But this is just everything in life, right? You are what you consume. So if I consume junk food and crap, then, you know, I'm going to be fat and my energy will suck and all those things, right? [00:30:30] Or like for another example, right? If I consume the news all day, 24 seven, right? I'm probably going to be a very skeptical, not trusting person. I'm going to have biases, all these things. Yeah. If I consume entrepreneur content all day and I watch all these guys I'm probably just going to be thinking about making money 24 seven, right? [00:30:48] You are what you consume in all areas of life and you know, you are the average of the five people you hang around with all of these things are a form of just what you consume And so if you want to become more like jesus you have to consume and get around people that are like Jesus. And so, you know, what does that look like? [00:31:05] Well, it looks like reading your Bible every day. It looks like praying every day. It looks like hanging around, you know, other Christians who are walking the walk. It looks like going to church on Sundays. It looks like listening to sermons, listening to worship music. You know, you just have to immerse yourself in it and consume it. And that's how you're going to become more aligned. It's crazy because like, I'll tell you this, and this could sound extreme to people, but it's like, you start to realize the rest of the things in the world that are deception, right? It's like, I used to not think rap music and things were like bad. [00:31:38] You know, I used to listen to gangster rap all the time, man. I love Tupac and all these guys. And then you start to just like, you know, they call me little Ryan. You know, you look, you listen to the lyrics, you know, from a different point of view and you're like, Oh my gosh, this is not good. This is crazy that I listened to this when I was a kid, I should not have been listening to this. [00:31:59] Right. Because you start to get convicted if you watch porn, it's like you're going to start looking at your wife a different way because you're just you're consuming the wrong things. Yeah. Yeah, and even little things start to convict you too. It's like, for the first time ever, we didn't celebrate Halloween this year. [00:32:15] Because I just became convicted that you know, its origins are demonic. And it's like, you just watch all of this stuff with it. And it's like, yeah, definitely none of this glorifies God. If it doesn't glorify God, why would I do it? You know? And it's like it glorifies demons and, you know, all of these dark things, it's like, that doesn't seem proper. [00:32:39] Jason: Yeah, like, you know, it's kind of that balance of how to be in the world, but not of the world, right? Like Jesus was hanging out with publicans and sinners and he was around people, but he also wasn't like just doing everything that they were doing. And so, yeah, I think that's an interesting concept. [00:32:53] I like, though, what you said about. And that wasn't even where my head was going, when I asked the question, but I love that you said like look at the people that you're choosing to be around. There's a consumption there and There's this book called the Dark Side of the Light Chasers it's by Debbie Ford and it's interesting because she talks about in it that we each have this golden side and we also have this dark side to us and the golden side Is the side of ourselves that we see reflected in others that we of the people that we look up to. And there's different people that kind of trigger that in us. [00:33:25] Some people, for example, like look at Donald Trump, very polarizing figure. Some people look at him and are very triggered and their dark side is triggered. They see a narcissist, they see all these negative attributes and then there's some that look at him and they're like, Oh, he's an entrepreneur or he's strong or he's masculine or whatever. [00:33:42] Right? And they look at the golden side. And I think what we see in other people and the people we choose to be around, we want to choose to be around people that we perceive as having a light. Somebody that has something that we want and attributes that we want to become more like. And I think choosing to do that, especially in choosing mentors, is important. [00:34:01] Because you're going to ultimately become a little bit more like them. And that doesn't mean every mentor that I choose is, like, ahead of me in every key area of life. But if they're at least in the area a little bit ahead of me in success in the area I'm getting coaching from then I'm going to absorb that but I'm careful not to take on everything else and to be discerning and to use discernment. [00:34:23] I think it's important like you said to be around people that you perceive as being a high caliber or people that you believe are moving towards greater light.  [00:34:33] Ryan: I agree with all of it.  [00:34:36] Jason: Love that. All right. So Ryan, what if somebody is listening to this and we talked a lot about like kind of faith, God, religion, stuff like this, and somebody who's like, okay, maybe I'm willing to entertain the idea that God exists. [00:34:54] Maybe Jesus is somebody I should like figure out, what would you say is a good first step for those people?  [00:35:02] Ryan: Well, you know, obviously like the Bible is the truth, right? That's God's revelation to us. And so a lot of people are like, well, I don't even know where to start with the Bible. I would say step one buy a study Bible. [00:35:13] So I would just go on Amazon. I would just, I would get an IV study Bible. It's very simple. So that way it has you know, just notes on the side for you to help you understand what it's saying and different questions. And so, you know, I have a study Bible right here. So this is, you know, maybe you can find this one on Amazon. [00:35:31] This is called the Quest Study Bible. Now, this Bible is like 15 years old. So maybe this one, they don't make this one anymore. But actually, I know they do make a version of it. It's not called the Quest Study Bible anymore, but just look at the NIV Study Bible. And I would start in Matthew. [00:35:44] That is the very beginning of the New Testament. I would just start in Matthew and read it all the way through. So, unlike other books where you start at the very beginning. You're going to start about two thirds of the way through in Matthew and just trust me, it'll make sense. So that would be step one. [00:35:58] Step two, I would say, you know, obviously you want to get plugged into a local church. That, that's a lot harder for somebody who doesn't know anything. So here's what I would advise is join us at Wealthy Kingdom. So it's wealthykingdom.Com. Everything's free. You can be a part of the community and you can get plugged into a Bible study with other entrepreneurs in your area or virtually. So that's going to be your best place to really build connections because you're going to also be around other people who understand the actual life that you live right now. And they're open. We have lots of non believers in our Bible studies who are there to learn, man. [00:36:34] They're like, look, I'm here to learn. I don't know. I don't believe. I don't even know what you believe, but I'm here to learn. And so we, we love those types of people. So I would, those would be the two steps I do because I don't know everybody here listening is listening to different things. So I don't know what local church you should go to or anything. [00:36:52] So come join us virtually. And then you're probably going to meet people in Wealthy Kingdom that are in your area, especially the local Bible study. And they're going to know what local church for you to go to.  [00:37:02] Jason: Got it. You know, this is maybe a controversial hot take of, mine But I feel like a lot of people get so caught up in trying even among christians or non christians trying to prove whether the bible and everything in it is factual history or not It's like facts and data. [00:37:19] They're trying to prove it and I think both sides miss sight of the most important elements, which is are there true principles that are applicable? Can you apply these things to your life? Are they useful tools? And I think that's the real measure of a principle, whether it's true or not, is you try it out. [00:37:38] You test this, try this on in your life and see if the fruit is good. See if it gives you positive results. Does it give you positive results to believe these things? Or does it cause, you know, does it take you in the opposite direction? Do you feel like you're moving towards something higher? Or is it taking you backwards? [00:37:57] Ryan: Yeah, there's biblical truth to that. You know, there was a reason Jesus performed miracles, you know, like a lot of people, a lot of people are like, well, why? Right? He could have just said all the things he said, hey, you know, don't steal. You know, follow the Ten Commandments. Love your neighbor. [00:38:13] Everybody can agree with those things. But it's like, yo. I'm going to make this person the lord of my life, which he was asking them to do, to believe that he's the son of God, to believe and give their entire life to him. It's like, well, dude, you better show me something else if you want me to commit to that degree. [00:38:31] And you know, that's why he performed signs and wonders to show them that, hey, look, I am the one. And You know, it's true, right? Like, that's why he did it. And that's why all of the disciples you know, were killed for preaching it well after he was gone, because they saw it, they believed, and they knew that the reward, you know, was going to be great eternally, right? [00:38:52] Look, Jesus says it to Doubting Thomas too, when he returns, right? A lot of the disciples believe, they're like, Oh dude, like he's back. And then Thomas is like, I ain't believing until I see him. Until I see the holes in his body. And so Jesus comes back and he's like, Look, Thomas, feel the hole, right? [00:39:08] Shows him the hole in his hands. And he's like, blessed are those who believe without seeing.  [00:39:12] Their faith is stronger, but still, it's all good that you needed to see to believe. Like, it's all good. And so. There are going to be people who listen to this and they're like, I believe all this makes sense. [00:39:26] And then there are going to be those who say no, I need to see the fruit. I need to see why I should believe. And in fact, I still believe miracles happen today. I've seen them with my own hands. I've prayed for miracles that cannot be explained other than they were miraculous. And you know, with that, it's like both happen. [00:39:43] Jason: I think that I think if we're really created in the image of God,. Then I think that is a clue that we might be a lot more powerful than we realize and you know there's even evidence that the placebo effect is getting stronger as time goes on. So like as they do drug testing and stuff like this drugs have to pass a certain test that they're stronger than placebo. The challenge is drugs are having a harder and harder time showing that they're stronger than placebo because the placebo effect is actually getting stronger. And I think that humanity worked our consciousness is raising a bit. [00:40:19] I think that people are realizing that we are creators, that we are more powerful than we give ourselves credit. And, you know, Jesus says, if you have faith, like a grain of a mustard seed, you could like move a mountain or something. Right. And so I think that I think there is something to, you know, this idea that we can create this positive future or alter our reality or alter things real time, like people's physical health or blessing people or different things. I do think that miracles can occur and there's evidence of it happening all the time. And I think in religion, see, I grew up Mormon. And I'm a very ultra conservative. [00:41:00] I was a Mormon missionary for two years and then eventually left it. I didn't even try alcohol until I was over 30. And I'm the only one in my family that, that left. I'm the black sheep and I'm the oldest of five boys. So, sorry mom, sorry dad.  [00:41:14] Ryan: I'm not happy with you.  [00:41:15] Jason: They still love me, but I think one of the things that I, and I'm grateful for all that I learned, like we, we did, I did a lot of religious study growing up and I was the one that just kept digging until I took my way out of it, I guess. [00:41:26] Ryan: Mormon apologetics is a tough thing to defend.  [00:41:30] Jason: Yeah. So I think you know, there's a lot of people think that they need to sell some sort of gospel or good news of, Jesus or the christian church by convincing people their life is going to suddenly be magical or better and that's not always true, and I don't think that's the whole point is that you don't magically make everything about your external circumstances in your life better, but I think being more in alignment with god and being more connected allows you this greater strength to weather what's happening. [00:42:02] I mean if you look at what happened to Peter or any of the apostles, like they suffered horrible deaths. I don't know that their life magically became more amazing because they followed Jesus, but they had that conviction and they knew truth. And I think in a lot of instances, becoming Christian or believing in Jesus or following his principles may make your life in some instances, more challenging, you know, maybe there's more fiery darts thrown at you by the adversary, for example, but I do believe that there's some sort of there's some sort of power and confidence that comes with knowing that your personal life and will is in alignment with God wants for you. [00:42:45] Like you're following that calling and that knowing within, and there's a strength that comes from that, that nobody else can shake. It doesn't matter like what your parents are saying to you. It doesn't matter what your spouse maybe is concerned about. It doesn't matter if you know, you're doing what is right, then you're willing to just let the consequences follow. [00:43:03] And that's different than just looking for this better life or a mansion here on earth instead of a mansion in heaven.  [00:43:10] Ryan: Yeah, and you know, Jesus said hey you got to pick up your cross and follow me. It's like picking up your cross literally means dying to your old self and giving your all to Jesus And you know somebody's like oh, but like I got to say bye and to my dad and I gotta bury and he's no. [00:43:27] No, this has nothing to do with your current family. This is about you and me You know, whether or not you're going to follow. And you know, I've met many Mormon, ex Mormons, Jews, Muslims, people who have given their life to Jesus. And you know, it's tough because there's so many family dynamics that go on to it. [00:43:46] And it's like, it ain't easy. And I feel for those people, cause that, that's very hard. But I also am a believer that, you know, through your faith and through, you know, those who make that commitment, they have the chance to impact their families. So much more and they can be sanctified through them. [00:44:02] Jason: Yeah, I mean I had a meeting with the mastermind this morning and we were talking about distractions And we were all these they're all men and we're all sharing like what's distracting us and what's holding us you know back from the things we should be doing and you know and I was thinking about you know, just how can I be a better father? [00:44:21] How can I be a better partner, a better spouse? How can it be a better business leader? And at the stage I'm at now, it's just more discipline. It's less distractions. And it's all like cutting out all of the fat and the little things that are so easily taking us. And that's kind of what you led us into here in the beginning. [00:44:39] You know, what do you, what would you say to those that are just, they're trying to run their business, they're dealing with a lot of distractions, which is common for entrepreneurs. We see shiny objects everywhere. How do they get focused and how they start, how did they start listening to that inner voice that connects them with the divine so they can start making the right moves? [00:45:00] Ryan: Well, I think it's very simple, right? You just make God the focus. You just have to trust that if you make him the focus. Everything else will fall into place. And then it goes back to Matthew 6, 33, seek first the kingdom and his righteousness and everything else will be added to you. And that's faith. [00:45:18] That's faith in a nutshell, because you'll be like, well, don't understand the fires that I have, Ryan. You don't understand the drama and the problems. My kids are doing this, my relationship with my wife sucks. Like I got to focus over there in order to fix. You know, well, before I can go worry about God. [00:45:35] I mean, that's like the biggest thing I hear all the time too. It's like, well, I. Once I get my life right, then I'll start going to church. I'm like, no, you can't get your life right. That's why Jesus paid the price, because you can't. It's the same funny thing I hear when people are like-  [00:45:49] Jason: it's like saying once I get abs, I'll stop eating candy bars. [00:45:53] Ryan: Yeah, well, I was going to use a health example too where I hear this actually from people because I was in sports for so long Hey, I'm going to get in shape first, then I'm going to go get a trainer and start you know, because I'm not ready to go train with them like, that's too hard. I got to like get in shape first and I'm like, dude. [00:46:09] No, that's why you need a trainer like no, And yeah, it's the same thing with faith. It's like if you follow god and you seek his ways I mean just like you've been saying from a practical standpoint. If you follow what the Bible says, your relationship with your wife will get better. Like, you're just going to be a better leader, you're going to serve her, you're going to be different. [00:46:27] Your relationship with your kids will get better. The relationship with your employees will get better. The way you act in business will be better. You know? And it doesn't mean that it's going to be easy. I didn't say it was going to be easy. I just said, it's going to get better. And you know, I've had, yeah. And I had, I've had so many difficult situations in business, you know, lost millions, investors pissed, customers pissed, lawsuits. [00:46:53] I've dealt with everything you could imagine in business. And guess what? Every time I've been able to get through it and it's because of my faith and I didn't know how I would get through it. I didn't know what the outcome would be. I didn't know how I would solve it. But I can tell you I slept pretty good throughout all of it because I just knew God would take care of it some way somehow. [00:47:16] Jason: You knew it would be figured out and you felt like you had somebody on your side that's pretty powerful.  [00:47:21] Ryan: I mean, God promises to be on my side.  [00:47:23] Jason: Yeah.  [00:47:24] Ryan: You know, Romans 8, 28 says that, you know, he works all things for my good, for those who believe.  [00:47:30] Jason: Even the tough stuff.  [00:47:32] Ryan: All things, not some things.  [00:47:34] Jason: Whom God loves, he chastens. Despise not the chastening of the Lord, right? So may not necessarily be easy, but yeah, it'll be worth it.  [00:47:41] Ryan: Don't expect anything to be easy.  [00:47:43] Jason: Right. I think we go into it, we should expect things to be hard and worth it. And I think when we're, it's kind of like the old stoic adage, you know, hard choices, easy life. [00:47:53] Easy choices, hard life. We all know people that they're focused on ease. They're focused on trying to have comfort They're focused on how do I how do I avoid doing stuff? I just want to relax. I just want my weekend I just want time and I think as i've grown into adulthood and you know focus more on stepping more into my masculinity. [00:48:13] I've realized that you know, nobody's coming to save us, except maybe Jesus, right? Nobody's coming to do it for us. There's a level of work that's expected and we need to get beyond always seeking comfort because comfort is a deceptive and alluring sort of drug and we need to be willing to put in the work put in the effort and focus and put in that discipline and then life gets a lot easier overall Like life gets a lot better overall when we're disciplined. Disciplined people don't cheat on their spouses. [00:48:47] Disciplined people like, you know, take care of their kids and spend time with them on the weekend. Disciplined people you know, focus and take care of their health so they have less health issues. They're putting their own oxygen mask on first, so to speak, so they can take care of others, right? [00:49:02] And that's it. That's discipline. And I think that's important. Well, Ryan we're about out of time. I really appreciate you coming on the show. This has been I think inspiring conversation. It's got my brain sort of running in a bunch of different directions thinking about, you know, how can I be better and how can I evolve as a human? [00:49:19] What would you like to say in your final words to those listening to this podcast and maybe how they can get in touch with you or your various businesses.  [00:49:30] Ryan: Yeah, I think you know, as far as getting in touch with me, that's easy. You can just go on social media, search Ryan Pineda, wherever. [00:49:37] So that part's easy. I would say the final thing to leave him with, I mean, we've talked a lot about faith and eternity and everything else. And that's usually the final thing I leave on podcasts because I don't depending on where the conversation goes, right? You know, I'll always draw it back to faith. [00:49:51] So I would just say that, man, I mean, like, look there's a common theme for what we're saying. It's like, life's going to be hard one way or the other, you know, you're going to go through tough times. You are going to have uncertainty. You're not going to know if things are going to work out or not the way that you're hoping. [00:50:08] You know, One thing I know for sure is, and this will apply for both ways, not just faith, but also business and faith. When you start becoming process driven more than results driven, your life changes. Because you're never going to be up and down with the result. You're always just trusting the process. [00:50:28] And so, you know, baseball, we had to learn this every day. It's like, I don't know who's pitching tomorrow. I don't know. Like, I just got to trust my routine, my process, and then I'm doing the right things every day. And if I follow that, I know I'm going to get the best result that I possibly can get. In the long run, and I think you were referencing that when it comes to, Hey, you know what? [00:50:46] Even if you don't believe these biblical principles are going to change your life, that's a form of trusting the process. And if you do, you know, you'll end up getting better results just overall, whether you believe or not, and you just follow that process. And then, you know, I would say even to take it a step further, it's like, man, if you trust that he is the creator of this world and he has promised to take care of you then that's a process to choose to have faith and trust that's the case, to trust that his plan is better than your plan. And it's not easy because we all want control. We all want certainty. That's, you know, that's our human nature. [00:51:21] That's why we're trying to get financially free. That's why we're trying to you know, get enough cash flow and I teach on these things like I get it. But there's a better plan. And you know, if you just trust the process every day of following him, he will make your path straight, you know? And so I've seen that in my own life. [00:51:42] I'll tell you this. I never thought I'd be a podcaster, an events guy, a social media guy. I never thought that was going to be the thing, but. I felt like God was calling me down that path, and here we are. And I don't know where he's going to call me the next 10 years. I don't have a 10 year plan. I don't have any of that, and I don't care. [00:51:59] All I'm trying to do is whatever God's calling me to do at this moment, and I want to be flexible to his will, and be very careful not to just insert my will. And that's it, right?  [00:52:10] Jason: Yeah, appreciate it. You know, appreciate you coming on the show. I think, I agree. I think you know, even if you, For some reason don't want to be christian you don't you don't you're opposed for some reason. [00:52:23] Some people are just like opposed to the bible, just look at the bible through the lens of what are the principles that have made this book one of the greatest books of all time? Why has it stood out? Why has it stood the test of time? Why do so many people look to it for wisdom and for insight? There's so much wisdom in there and if you can at least just be willing to extract wisdom wherever you can find it, then you're not an idiot And so at least start there, everybody listening, just look for wisdom, be a seeker of wisdom and look for the things that are better and higher. [00:52:53] And that's going to eventually lead you to better and higher things and help you to weather the storm. And you can tell Ryan has, you know, he has this confidence that comes from knowing it's not all reliant on him. He trusts that there's something greater than him that's going to give him a source of power or ideas or decision making or guide his paths and to not have that for those of you listening must be terrifying. It must feel a little bit scary to just not have nothing else above you to reach up to. And so there is a god. There's somebody reach up to, go ahead and test it out. [00:53:29] My way of aligning towards God is to sit, read things that I feel like lead me closer to something better and higher. That could be scripture, whatever, or to meditate on something, but then to think, how can I align my will with that? What is that voice inside? What is that calling telling me to do and take those actions and do it. [00:53:47] If you don't take those actions, listen to it, that voice will get quieter. But if you start to listen to that voice and take those actions, it's going to get more and more clear to the point where you have that confidence to go out and make decisions. So I think that's a good ending note here. [00:54:01] So Ryan this is a very different podcast episode than we've ever done here on the DoorGrow show. So there we go. I like it. The most impactful one though. I appreciate you inspiring us to get into faith and chat about that. All right. And And that'll be it for today's show until next time everybody to our mutual growth If you are struggling within your property management business to figure out how to figure out what you need to do next in your business operationally or how to add doors, reach out to us. We'd love to support you. Check us out at doorgrow. com and that's it. Bye everyone. [00:54:33] you just listened to the #DoorGrowShow. We are building a community of the savviest property management entrepreneurs on the planet in the DoorGrowClub. Join your fellow DoorGrow Hackers at doorgrowclub.com. Listen, everyone is doing the same stuff. SEO, PPC, pay-per-lead content, social direct mail, and they still struggle to grow!  [00:54:59] At DoorGrow, we solve your biggest challenge: getting deals and growing your business. Find out more at doorgrow.com. Find any show notes or links from today's episode on our blog doorgrow.com, and to get notified of future events and news subscribe to our newsletter at doorgrow.com/subscribe. Until next time, take what you learn and start DoorGrow Hacking your business and your life.

On this episode of Prep & Press, host Dave Hartman is joined by guests Ryan Hey and Jeremy Gresham to discuss the relationship between competitive… The post 378: How to interact with match sponsors: A shooter's guide first appeared on Prep and Press.

On this episode of Prep & Press, host Dave Hartman is joined by guests Ryan Hey and Jeremy Gresham to discuss the relationship between competitive shooting sports and the match sponsors who are largely manufacturers and retailers in the firearms industry. Not only do Jeremy and Ryan each work in the firearms industry at IWI and Kestrel Magnetospeed respectfully, they each have years of experience in sponsoring shooting and staffing matches in several disciplines.

Ryan: "Hey what do you think we should do for the description on the Mescaline episode?" Rayvyn: "Fuck, I don't know. That's a hard one."

Welcome back to our weekend Cabral HouseCall shows! This is where we answer our community's wellness, weight loss, and anti-aging questions to help people get back on track! Check out today's questions:    Anonymous: Hi. Thanks so much for taking our questions on your show. I love hearing other people get their answers and learning while I listen. I heard on a previous show that fine lines or wrinkles around the mouth area is not a result of aging but from other causes. I am only 47 and have recently (within the last two years) noticed a significant increase in vertical lines around both my upper and lower lips. Is this from nutrient deficiencies or something else? I did the big 5 labs, have been working with an Equilife IHP, and have been using your products now for 8 months. I was hoping the increased nutrition plus protocols I've completed (21 day detox, CBO, parasites, heavy metal) would have helped but the lines just keep getting more noticeable. Is there any way to get these to go away or can I only hope to keep them from getting worse? Thank you so much for your help!   Wendy: Hi Dr Stephen, can i ask if EMS training is beneficial for weight loss, especially for people over 45 years old? Doing lots of high intensity activities may not be suitable for people aged 45 and above.   Paloma: Thank you so much and your team for all your hard work every single day! I was wondering whether some PMS symptoms are normal or does it always indicate hormonal imbalances?   Paloma: Me again! I once asked you whether you thought cardio was necessary if I got my 10k steps every day + 4x a week resistance training with bands & free weights and you said it wasn't. I'm a 25 year old Vata so I don't like doing a lot of cardio because I lose muscle very easily. You've been speaking a lot about cardio recently so I'm wondering whether your answer would be different now? I don't have a lot of free time so to implement some jogging or biking would mean taking out 1 or 2 days of resistance training…   Tina: First off thank you and your team for all you do. I am a 53 years old. I did the big 5, the gut and bacteria test, and mold test. I am 12 weeks into my protocol working with an IHP level 2. I have done the 14 day functional detox. I am 8 weeks into the CBO protocol. I just finished the intestinal cleanse. I did a parasite cleanse and liver flush. My morning cortisol is very low and my evening cortisol is very high. Thyroid was a little high. I've been taking supplements to support my hormones and I have been doing the deep sleep protocol because I was experiencing really bad insomnia. I still continue to wake up at least four times a night. I'm very thirsty, I wake up startled, I wake up starving , and of course then I have to go to the bathroom because I have been drinking. I've been doing the deep sleep protocol, I've been wearing blue blockers before bed. I recently bought a lief device because my HRV is very very low. On average my number is 16. I also still have very bad Reynards. My fingertips go numb and purple. I also have this scab in my nose that clears up but then comes back quickly. TPOab is 32. Which is very very low. Any other suggestions on what I could be doing? Is my rain barrel that full? Do I need to keep doing functional detoxes? Could it be lyme? Thank you !!   Ryan: Hey doc Cabral. Wanted to ask a question regarding Graves' disease vs hashimotos. When testing thyroid antibodies, i recently heard Amy myers say TSH receptor antibodies is more telling of graves and the thyroid peroxidase and thyroglobulin markers are more telling for hashi's I wanted your thoughts on this, as I am testing these markers every few months in conjunction with near daily red light therapy exposure to thyroid. I did see a reduction in TPO antibodies from about 158 in November last year to 45 this past February. So it is cool to think that it may be lowered due to that exposure. I am a previous Graves patient. But will be looking to get the TSH receptor antibody test next time. Have you seen red light therapy work for these issues? Have you ever noticed any difference in testing those anti body markers for different patients? If TPO is lowering is that a sign that inflammation as a whole for the thyroid is lowering?   Thank you for tuning into today's Cabral HouseCall and be sure to check back tomorrow where we answer more of our community's questions!    - - - Show Notes and Resources: StephenCabral.com/2353 - - - Get a FREE Copy of Dr. Cabral's Book: The Rain Barrel Effect - - - Join the Community & Get Your Questions Answered: CabralSupportGroup.com - - - Dr. Cabral's Most Popular At-Home Lab Tests: > Complete Minerals & Metals Test (Test for mineral imbalances & heavy metal toxicity) - - - > Complete Candida, Metabolic & Vitamins Test (Test for 75 biomarkers including yeast & bacterial gut overgrowth, as well as vitamin levels) - - - > Complete Stress, Mood & Metabolism Test (Discover your complete thyroid, adrenal, hormone, vitamin D & insulin levels) - - - > Complete Food Sensitivity Test (Find out your hidden food sensitivities) - - - > Complete Omega-3 & Inflammation Test (Discover your levels of inflammation related to your omega-6 to omega-3 levels) - - - Get Your Question Answered On An Upcoming HouseCall: StephenCabral.com/askcabral - - - Would You Take 30 Seconds To Rate & Review The Cabral Concept? The best way to help me spread our mission of true natural health is to pass on the good word, and I read and appreciate every review!

Ryan Hey started shooting competitively in college. He became familiar with rifles early on in life and has since dove headfirst into the world of precision rifle shooting. Ryan shares his knowledge about PRS and NRL, the divisions in both, as well as the difference between the two. We talk about how Kestrel Ballistic weather meters are handy tools for riflemen as well as how to use the MagnetoSpeed chronograph to get the data you need for your Kestrel to compute your holds/dials. Ryan is a great resource for anyone looking to get into long range rifle shooting and I'm sure you'll see him on a range near you one day! His contact info is below: Rhey@magnetospeed.com Rhey@nkhome.com 610-447-1555 x221 Take a class with Ryan on the MagnetoSpeed Chronograph: https://kestrelballistics.com/classes Get all the info you need on your Kestrel Ballistics Weather meter: https://kestrelballistics.com/schoolhouse Be sure to subscribe to the Reticle Up Podcast wherever you get your podcasts from. Leave us a review online and be sure to follow us on social media! Follow the host at @3gunkenzie on Instagram, Facebook, and YouTube. --- Support this podcast: https://podcasters.spotify.com/pod/show/mckenzie-fitzpatrick/support

Jenn and Greg spend the evening just chatting shooting with some good shooting buddies! Turn in to hear the show!

It really is time to ditch that old optical chronograph. If you've wanted to get serious about your reloading or even want to know the most accurate data on your favorite factory loads than you need to learn about the MagnetoSpeed. I'm talking with Ryan Hey (not Hay) about his role with the company and his time in Army and PRS shooting.https://www.instagram.com/ryan__hey/https://magnetospeed.com/https://www.facebook.com/Magnetospeed/https://www.instagram.com/magnetospeed_llc/Want to be a guest or know someone who does, shoot me an email:Builds.Bullets.And.Brews@gmail.comInstagram: https://www.instagram.com/builds.bullets.brews/Facebook: https://www.facebook.com/Builds.Bullets.Brews/Twitter: https://twitter.com/BuildBulletBrewBuilds Bullets and Brews is part of the Rring Media Network.This is a production of High Hill Communications.

Welcome to Gun Funny, Episode 120. Today I’m going to chat with Ryan Hey who wears many hats. We’re going to talk about some crazy dogs and discuss the magneto speed chronograph. I’m your host, Ava Flanell. Welcome to the show everyone.

Jimmy and Mark are joined by Nick Laufenberg, Ryan Hey of Magnetospeed and Tony Palzkill of… Well, we can’t say what Tony does… To talk about the best way of going about reloading to find the absolute best ammo for their particular rifles. We got the stuff to physically reload a round of ammunition, but there’s a lot of strategy and testing that actually goes into making sure you’re loading the right round. Rarely does anyone toss together a perfect recipe for their exact rifle and application in reloading on the first try. Sure, you can always follow the factory recommended loads to get something that works, but that will almost surely leave room for further improvement. If you’re like us, you know you want to load the most precise, consistent and predictable rounds possible – These guys explain exactly how to get there and make that happen. As always, we want to hear your feedback! Let us know if there are any topics you'd like covered on the Vortex Nation podcast by asking us on any one of our social media platforms and using #VortexNationPodcast.

You're listening to Precision Rifle Media brought to you by Bison Tactical. Located in Boulder Colorado, Bison Tactical has all your top-of-the-line precision shooting equipment from Laser Range Finders to suppressors, and tripods to reloading equipment, Bison Tactical has what you need to increase your long range shooting performance all under one roof! Bison tactical has also started carrying Accuracy International, Desert Tech SRS-A1s, and Hard target interdiction rifles along with a variety of drop in replacement barrels for the Ruger Precision Rifle. Use promo code PRM18 for 5% off your next order! That’s bisontactical.com Durable, Reliable and Precise. I. New Magnetospeed products for 2019. 1. RiflleKuhl 2. T250 3.. U-Pod4. T1000 upgrades: target backer and interface app (also for T250) 5. Chronograph upgrades. V line and Sporter for 2020 and beyond. II. Shot Show 2019AR Companies pushing into bolt action rifles. 1. DD Delta V 2. LaRue TacticalAMP and autoloaderKestrel HUDVORTEX new reticlesWiebad at SHOT! GeoBallistics coming by MS boothTeludyne’s claim… HAHAHAHAHHAARCA, ARCA, ARCA. Chassiss there, new stocks here… McMillian, MDT, MPA, Magpul, etc… People want innovation, then bitch about how expensive new things are. III. Trend of company entitlement programs for shooters. A. effective or not?B. sending the right message? IV. PRS/NRL 2019 season outlook. A. matches and safetyB. New PRS leadershipV. The ARS!!!!VI. Closing rant. A. Sponsor bashing B. Shooter entitlement C. hypocrisy D. Crap marketing “influencers” E. The bunnies

On this week’s episode, Ryan Hey is on the PRC podcast to talk about the latest technology and companies pushing into the competition side of the precision rifle industry. Ryan is a veteran, competitive shooter, and works for Magneto Speed. This year he has 13 national precision rifle matches on his schedule. Learn more about Ryan, Magneto Speed’s target hit indicators, where technology is taking the precision rifle shooting, and how some big named companies are now just breaking into the commercial side of precision rifle industry. Index: 0:38 –Ryan Hey’s background in the precision rifle industry 3:39 – What Ryan is running this year 9:07 – Magneto Speed’s T1000 Target Hit Indicators 16:46 – Where technology is taking precision rifle shooting 28:35 – What other matches Ryan is attending this year? 31:40 – How Ryan prepares for a match #GetMyCardsDone 36:45 – Companies pushing into the competition side of precision rifle shooting 46:45 – Ryan’s favorite product he saw at NRA If you enjoyed this podcast, make sure to subscribe to us on Soundcloud or iTunes for more episodes and write us a review! Share this episode with anyone interested in all things Precision Rifle. Follow Us On: Website: http://precisionriflechannel.com Facebook: https://www.facebook.com/precisionriflechannel Instagram: https://www.instagram.com/precisionriflech/ Soundcloud: https://soundcloud.com/precisionriflechannel iTunes: https://itunes.apple.com/us/podcast/precision-rifle-channel-podcast/id1367259793?mt=2 For more info on Magneto Speed, visit https://magnetospeed.com/

https://precisionshooter.info/interview-with-ryan-hey/

This week Ryan Hey comes on to talk about Magnetospeed, SHOT Show, and whatever else comes to mind! Ryan is a great guy and a great shooter so get ready for him to drop some knowledge on y'all (He lives in Texas)!

My guest this week is professional audio engineer Ryan Monette. Ryan graduated from Berklee College of Music with a degree in Music Production & Engineering. For the last 4.5 years he's been the Post-Production Audio Engineer on staff at Elevation Church, in Charlotte, NC, where he mixes their global TV show, and has many other responsibilities (boom operator, field recorder, sound designer, audio editor, etc.). You may have heard some of his work, as he sound-designed and mixed the opener video for the Circles conference for the past two years. He even had his own podcast for a short while (TheQueuecast.com). I asked Ryan to come on the show to share his journey towards becoming a professional audio engineer (a job that I've always wanted), and to get him to share some tips for anyone interested in working in audio/video professionally. Highlights, Takeaways & Quick Wins: Think long term and dream big. If you want to do anything with audio, start by getting a cheap USB microphone. Take advantage of free online courses to learn more about audio engineering. Get started with whatever you have. Your mix may sound completely different in a different environment, so listen with different headphones/speakers in different locations. Master the basics and keep going back to them. If you're mixing a podcast, make sure your levels are consistent. When mixing, always use a reference track. Show Notes Aaron: You graduated from Berklee College of Music with a degree in music production and engineering. For the last five years, you've been the post production audio engineer for Elevation Church in Charlotte, North Carolina. You have a lot of jobs there: boom operator, field recorder, sound designer, audio editor, and you mix their global TV show. Do you mix that live? Ryan: Not necessarily. We can get into that later. There's a process for that. Aaron: Some of the creative people here might have heard of some of your work. You sound designed and mixed the opening videos for the past two years of Circles Conference, which I was at. Have you been there for the past two years? Ryan: I haven't been personally, no. I have wanted to go. I love it from afar, and I want to go in person. Aaron: I wanted you to come on this show because when I first got started, I had dreams of being a professional audio engineer. I thought, “How cool would it be to work in audio and get paid for it? That'd be awesome!” I fell backwards into it by doing podcast editing as a hobby first, then for money, then I met Sean McCabe and ended up working for him full time. I edit podcasts and help out with a ton of other stuff. I asked you to come on the show to share your advice for anyone who's interested in working in audio/video professionally, and to talk about how you got there yourself. So tell me a little bit about how you got into audio. When did you first realize that this was something you wanted to do? Ryan's Journey to Becoming a Professional Audio Engineer Ryan: I love listening to your podcast, Aaron, and what I love about it is I feel like you and I have a lot of similarities in our backgrounds. You're a musician, a drummer, and I'm also a musician. I play several things. My primary instrument is bass, but along with that, I started on piano. I picked up bass, and with the bass I picked up guitar. I took some drum lessons here and there as well. I sing as well. I dabbled in a little bit of everything. I'm kind of a jack of all trades, master of none. I'm okay at a lot of things, but I'm not superb at one thing. Anyway, right around junior high or high school, I started playing the bass. I started playing in little bands here and there. When it came time for college, I had no clue what I wanted to do. All I knew was that I loved music. Aaron: Same here! Ryan: I was living in Las Vegas at the time, so I decided, well, everyone has to have that college experience, and I didn't want to go to college in the same city, so I decided that I needed that “being away from home” experience. I went to the University of Nevada, Reno. I took your basic, general classes, not knowing what I wanted to do. At this time, for my high school graduation, I had received a graduation present of a Macbook Pro. With that, of course, you get the wonderful iLife suite, including Garageband. As a musician, a whole new world was opened up to me. When I was in a band in high school, I was the gear head—I loved the PA and putting cables together. I was drawn to that. Once I had this Macbook Pro with Garageband and I had my bass and my guitar in my dorm, I was like, “I can create music!” I figured out how to work it and record myself. I bought a USB microphone, and that world was opened up. When I was there, I had a friend, and her brother went to this school where all they learned about was music. I was like, “Wait, you can do that? You can go to school for just music?” That's how I found out about Berklee School of Music. I applied, and you have to audition as well. I applied and auditioned, and the first time I tried, I actually didn't get into the music school I wanted to go to. Aaron: This sparks something in my mind. I feel like I might have read an article about Berklee or looked into it and thought, “No, they're really strict on who they accept, based on your performance.” That was intimidating to me at the time, because I never felt like I was that good of a drummer. Ryan: It was intimidating for me, too. Clearly, I wasn't up to par. Aaron: Yet you went for it. That's more than a lot of people would do. Ryan: Yeah. After I finished my first year at UNR, I moved back to Vegas and went to UNLV, the University of Nevada Las Vegas. I took all music classes, forgetting the general ed stuff you need to get a degree. I took all music classes—music theory, because I had never had actual music theory classes, so I thought I needed that. With that, there were some audio classes that I took as well. I was like, “Hey, I like this audio thing.” At the University of Nevada Las Vegas, I had my first exposure to a formal audio class, where I learned all the proper techniques. Later on that year, I applied and auditioned again for Berklee. I got accepted, and the next year, I moved to Boston and went to Berklee for about three and a half years. Then I graduated. When I went to Berklee, the only thing that drew me as a major was Music Production and Engineering. I naturally loved the gear side of things. I fell in love with recording. I was like, “This is what I want to do.” Aaron: You got to spend three and a half years there, studying and learning? Ryan: It is non-stop, 24/7, music, audio, and to be honest, I miss being in that environment so much. Aaron: That sounds fantastic. I always love setting aside time to take online classes, read books, and listen to interviews about audio. Think Long-Term Aaron: You were drawn to the audio engineering stuff, and then you graduated. Ryan: I can remember a specific time in my life, and I'm pretty sure it was my last semester at Berklee. They went by semesters instead of years. It was in one of my capstone classes. Our instructor asked us the typical, “Where do you see yourself in five years?” question. Aaron: I love that question now. I hated it when I was 22. ** Think long term and dream big** Aaron: Plan out where you want to be, because if you can envision it, then you can figure out how to get there. But you have to start by saying, “I want to do this thing someday.” For me, it was, “I want to do work from a laptop. How do I get there?” Now I'm there. So you were 22 and someone asked you, “Ryan, where do you want to be? Where do you see yourself in five years?” Ryan: At that moment, I was trying to figure that out, naturally, as you do when you're approaching the end of college. While I was at Berklee, I loved music. I loved recording music, but my absolute favorite class—they only had one of them, but it was the class I yearned for, that I wanted to take and put in all these extra hours for—was audio for visual media, audio for video. By far, that was my favorite class. The whole class, we were working toward our final project. You choose a five to seven minute clip from a well known movie, and all the audio is completely stripped. You have to recreate everything. That's all the dialogue, all the foley, all the ambient background, all the hard effects, and so on. You have to connect with a film scoring student there at Berklee, and they have to provide the score. I absolutely loved every aspect of that project and the process. When it came time to decide what I wanted to do with my life, it was between audio engineering at a recording studio, working at Disney as an Imagineer, or doing audio at a church. I have always been involved with church, playing on worship teams and whatnot, so I also saw myself doing audio for a church. Long story short, I was really privileged to dip my feet in all of those things after college. After I graduated, I moved back to Las Vegas. Eventually, I found an incredible recording studio, probably one of the top two recording studios in Las Vegas, and I landed an internship. First Audio Engineering Jobs Ryan: I say “internship” loosely, because your typical studio internship is all the stereotypical grunt work—taking out the trash, doing the coffee, and whatnot. I showed up, and they were like, “You went to Berklee? Berklee guys are cool. Here, hop in this session and help us out.” It was open to me, thrown at me, and next thing I knew, I was assisting on sessions with huge clients, I won't name drop. Aaron: You can drop a couple of names if you want. Ryan: I had a pretty fun time helping out with a session with the famous engineer Eddie Kramer, who is engineering for Carlos Santana. Aaron: Dang, man! That's awesome. Ryan: That was pretty incredible. But while I was there, I had this gut feeling inside of me saying, “This isn't it.” Aaron: It's fine, but it's not quite right? Ryan: I could see myself staying there and working my way up, but it didn't feel right. A few months after I realized that I didn't want to stay at the studio, I applied and was offered a job at Walt Disney World in Orlando, Florida. I packed my bags, moved to Orlando, and I was working as a stage technician at the Epcot park. There, they found out that I was an audio guy, so they pushed me toward the live audio side of things. I was mixing shows and bands at Epcot and what was at the time Downtown Disney, now Disney Springs, area. Same thing. Almost as soon as I got there, the same gut feeling came in. I was like, “This isn't it. I'm more of a studio engineer. I definitely don't want to do live stuff.” Although I love Disney, it just wasn't sitting right. I was only there three months before the next great opportunity came up, which is where I am right now. One of my friends told me about a job opening for this church in Charlotte, North Carolina, Elevation Church. I had actually been following them because of their podcast. At the time, I was kind of like, “I've got a job, whatever.” For some reason, I ended up on their website, looking at the job. I was reading, and I was like, “Wait a minute, they're looking for someone to do audio for video. That's what I really want to do!” On a whim, I threw out my resume. Next thing you know, I've been here going on five years. Aaron: Did you mention that you were a podcast listener when you sent in your resume? Ryan: Yeah. Aaron: The connections you can make through podcasting is really incredible. Ryan: It is. And I've been working there for 5 years now. How to Get Into Audio Engineering Aaron: I want to jump into what you do at your job at Elevation, but let's pause and do a section on what advice you would tell someone who's wanting to get started. I wrote a couple of things down here. I think it's hilarious that you got a Macbook and your first microphone was a USB microphone. Ryan: Which was the Blue Snowball, by the way. Aaron: That's the worst microphone! Ryan: I had no idea how to use it, either. If I find some of the earliest recordings I did, there are times I'm clipping to the max, square waves. Aaron: Probably bad mic technique, too. But hey; it got you started! If you want to do anything with audio, start by getting a cheap USB microphone. Any USB mics will work for getting started. I like the Blue Yeti, but it's like $100. The ATR-2100 is fine, too. You just have to get something that can record some audio and start playing with it. Start playing with Garageband. Start playing with the free programs. Learn how to enable recording on a track, how to set your input device to the microphone, how to set your output device to wherever your headphones are plugged into, whether that's your mic or your computer. It took me so long to figure that stuff out. I was like, “Why can't I hear the audio in my headphones? What is going on?” Ryan: Same here. Aaron: You have to set input and output, then you have to record enable or do the input monitoring, all that stuff. But start with the USB microphone. Take some basic classes. There are so many great online classes. If you don't have any money at all, if you're super broke like I was when I started, watch some free YouTube videos. Read a book. Ryan: If you go to Coursera.org, they're a website where you can pay to take online courses and get certifications and whatnot, but they also offer free online courses. They even offer free online courses from Berklee. I've seen a music production class there. I've taken a free online song writing class. Check out free online courses, because they can be a pool of incredible knowledge. I took a photography class on there. Coursera is a great place. They're great if you want to take free online courses. Aaron: There are places where you can learn all this stuff. You just have to invest some time. You really just have to start: Don't wait until you have $500 for an interface and $200 for some professional headphones and microphone. Whether you want to start a podcast, start recording audio for a video, or record and mix a demo for a band, start doing something. Stop spending all your time thinking about how you can't do anything because you don't have certain gear or you're not in the right place. You'll learn as you do, especially in audio. You're going to make a ton of mistakes. Ryan: That's how you learn, though! That's one of the most valuable things I've learned in life. You learn from your mistakes. Aaron: You don't really learn when everything goes well. Just Start Aaron: Any other advice you would give somebody, thinking back on how you got to where you are right now? Ryan: Honestly, you hit the nail on the head with “just start.” It's as simple and cliche as Nike, “Just do it.” There is always going to be the next latest craze, the gear, and we've all been susceptible to that. We say, “Oh, well, I could do this if I had X.” It starts with the drive and determination, wanting to do it. There's knowledge out there everywhere. You just have to dig for it. Chances are, you have at least something you can start with. Record something on your phone. Aaron: I have a friend who makes some awesome music on his iPhone. Ryan: Oh, totally. It's as simple as getting an adapter. You can plug your guitar or whatever into your phone. Aaron: Kids these days have it so easy! Ryan: You have Garageband on your phone. I remember when I was figuring this out in high school, and we actually had a four track tape recorder. That was my first start. Get started with whatever you have. Aaron: What kind of stuff do you do at the church? What's your day to day life like? Are you there every day, or is it just a couple of days a week? Ryan: Oh no, I'm definitely there every day. It has been a whirlwind for sure. In the past five years, I have probably played every audio role that there is to be played here. My main thing now is audio for broadcasts, pretty much anything that leaves the church. Our biggest output is the sermon, which goes to a lot of places. It also goes in the TV episode, which we talked about, which goes locally, nationally, and, I believe, globally as well. That's a lot of what I've done. We also create a lot of films, short films, for our worship experiences, anything you can imagine that's video and audio related. Audio post production, like we talk about. I'm constantly on video shoots using field recorders, the boom op, anything you can think of. Audio for video, I've done it. The Gear Ryan Uses Aaron: Let's talk about your gear a little bit. What kind of stuff are you using most in everyday life? I'll do a quick recap: I have the Shure Beta 87A Mic as my main podcasting microphone. It's attached to a Scarlett 18i20 USB Interface (update: I'm now using my Zoom H6 exclusively), which is plugged into a quadcore iMac that's a couple years old. Nothing super fancy, but I'm really happy with where I am. I remember wanting all this stuff back in 2011, thinking how awesome it would be to have it. I have a Zoom H6 portable recorder and a couple of SM58 microphones. I've been pairing down my gear collection because I'm planning on moving in the spring. What kind of stuff are you working with? I use Logic Pro X for editing, and then Izotope iZotope RX 5 for cleaning up background noise or fixing clipping. What about you? What's your day to day favorite gear? Ryan: We use a lot. There's a bunch of gear for field recording and then in my office, which is where I'm at right now. I'll start with my office. Right now, I'm talking into my personal mic, which is a Rode NT1A. It's very affordable. The Rode NT1A is a nice beginner mic which works and sounds great, and I use it for a lot of voiceover projects. Aaron: I like those mics. Ryan: I'm talking into that right now. We also use the Shure SM7B. We have a nice Neumann that we'll use for bigger projects. We like to use Universal Audio Interfaces, so I've got one of those. They're great. They're rock solid. You really can't beat them. At our main recording/editing audio work station, we use Pro Tools. That's very standard, and I've been using that for years and years. I use a lot of plugins. I use a lot of the Waves Plugins. I do use RX as well, and that's the bulk of it. I do a lot of processing, depending on the project. I have a really huge sound library for if I'm doing narrative pieces that involve sound design, sound effects. I have a great app called Audio Finder, which a lot of electronic musicians use to help them find sounds. I use it to help me find sounds. It's a nice way to catalogue sounds if you're a sound designer or anything like that. You can basically tag all these audio files with meta data, and you can search for sounds by their title. Or, if you type in a word in the search bar, it can pull up things based off the the metadata. If you have notes on something, it can find it. Audio Finder is a great way to find sounds. I have some other things in here. I have the Artist Mix Controller made by Avid. I use those if I'm automating stuff. I use those a lot, actually, when I'm mixing the sermons. I do a lot of automation for that. If I'm mixing a piece with a music bed or something, I like to automate the music by hand. It feels more natural, as opposed to clicking and making little dots. That's the bulk of it here in the office. All of our audio engineers have a nice pair of Focal monitors. I also have another set of monitors I built myself. When I mix TV episodes, I have an output routed to a TV here in my office so I can hear how it translates on TV speakers. Recording Audio for Video Ryan: On the front end of things, if we're doing shoots for videos, we use Sound Devices field recorders. We have three different models: the Sound Devices 788T 8 Channel Recorder, a 702 2 Channel Recorder, and then a 633 6 Channel Recorder. That last one is one of their newer models, which is great. Sound Devices are steep in price, but they are rock solid. One of the most trustworthy, well known field recorder brands on the market. That's what you'll see on pretty much every big budget shoot in some way. I do a lot of freelance on the side, which gives me the opportunity EPK shoots or BTS shoots for, recently, a show on HBO called Outcast. Aaron: Outcast? I've been seeing that (I watch Westworld). Ryan: I'm pretty sure it's the same writers or producers or something. I know it's the same writer as The Walking Dead. They shoot here in North Carolina, so with a local production company, we've done some interviews with some of the cast and crew. It's been really neat to be on set and see what they're using. It's cool to see how similar their world is to what we're doing day to day, just with more money and more resources. It's the same thing. Most of their audio guys have some sort of Sound Devices. A lot of them use the 788 as a backup recording rig, and they've got larger multitrack recorders as well, that are also made by Sound Devices. Sound Devices is a great brand. They're crazy expensive, but when you buy that, you know you've basically got it for life. Aaron: Yeah, I'm looking at the Sound Devices 788T SSD 8 Channel Portable Solid State Audio Recorder. It's almost $7,000. I love that! So fancy. Ryan: That SSD does have an internal hard drive. Ours has a hard drive as well, so it's great, because it has the internal hard drive, but you can also use CF cards. You can record on two different mediums. In case something runs out of space, you have it in two places. Aaron: This is super professional stuff. Ryan: Yeah. It is. It's top of the line. Aaron: Fantastic. For all the rest of you, just go with the Zoom H4N or the H6. Ryan: Hey, we do have a Zoom H4N, and we do use that every now and then. Before I came on staff, our first field recorder was the Zoom H4N. Aaron: If I could start over and go back to before I had any kind of interface at all, I think I would buy myself an H4N or an H6. Not only are they portable field recorders so you can walk around with them—they have little stereo condensor mics on them—but they work as audio interfaces, too. You can plug it into your computer with a USB cable and record straight to your computer if you do any kind of podcasting or stuff like that. It's good for the price. Otherwise, the little two channel interfaces are great. They're about $100 for a good one, but they aren't portable. You can't take them to a show or out to a video shoot the way you can an H4N or an H6 or something. Ryan: Speaking of Zoom, they've recently come into the more professional field recording market. About a year ago, they releases the F8, I believe, which is an 8 channel field recorder with 8 mic pres. It's $999 for something very comparable to a Sound Device. It's not quite as high-fidelity, but for anyone starting out, you're really not going to notice the difference. Mixing On Expensive Headphones or Monitors Aaron: I was going to ask you this earlier. You mentioned that you had Focal monitors. Did you listen to the episode I did a few episodes back where I talked about mixing on headphones (Episode 69: Do You Need Expensive Headphones to Mix a Podcast?)? Ryan: Yes, I did. Aaron: I mix on $10 Panasonics. What do you think about that? You can be totally honest with me. You can tell me that it's a stupid idea or that it's okay. Ryan: I agree to a certain extent. I agree that you should be listening to what you're making on whatever the majority of people are going to be listening to it on. For a lot of audio engineers mixing music, that's iPod earbuds, those standard earbuds you get. Something like that. When I mix TV, I have an output routed to a TV in my office, so I can hear it on TV speakers. I do also believe in mixing on something with some sort of higher fidelity type of monitoring environment, whether that's nicer speakers or nicer headphones. Naturally, you're going to hear things differently. The main thing to take away is how things translate. If you're listening to something on one source and you make it sound good there, that's great, but in a different environment, it may sound completely different. iPhone earbuds may not have the bass that a car stereo has. You want to hear how it translates from one thing to another. That's why it's good to at least listen to it on two different sources and not just narrow yourself down to one cruddy thing. That's good in theory, but again, the key takeaway is translation. Aaron: Maybe it's a little bit different for me and I can get away with it because of the consistency of the microphones and the recording environment set we use. Ryan: Yeah, totally. Aaron: I think if I was doing more stuff like you are, with videos and clients and all that kind of stuff, I would absolutely be using my higher fidelity headphones. Ryan: Very true. The bulk of your work is dialogue, podcasts. Aaron: Yeah, that's really it. Just dudes talking into a microphone. Ryan: Yeah. I have done a lot of work here where I'm working in a small studio, but a lot of my mixes have played in auditoriums and arenas. If you're working on projects like music or film that have different audio frequencies and spectrums, remember that sound will be perceived differently in different places. Aaron: How do you even test for that? Ryan: Here, I at least have a sense of how our auditorium sounds, so I've trained my ear to hear in advance and understand how it's going to translate. For something like when we did a live recording in the biggest arena here in Charlotte, we had a video opener piece. I was on point for mixing that, so basically, I had to work with tech and production to find a time after setup where I can bring my session, copy it onto a laptop, and play it through the PA. Then I can make any final mix tweaks there in the auditorium or the arena. I perfected it in my studio, and any small tweaks I was able to do in that actual environment. Granted, a lot of the times, we may not have that luxury. There are also great plugins you can buy that simulate different monitoring environments, like Sonarworks. If you have certain pairs of headphones, you can tell the program, “I have these headphones, now make my mix sound like it's coming through these headphones or these speakers,” so you can hear how it might translate. In that program, they have a final output like the Beats headphones. You can hear how it might sound on there, super bass heavy. Aaron: I hear they're getting better, but I still have never bought any Beats headphones. I probably should (just for testing purposes). Ryan: There are definitely programs out there to help you see how things translate to different monitors. On Location Gear Ryan: We were talking about the gear we use for on location recording. Sound Devices would be our main recorders. For our mics, we use Schoeps. It's a shotgun microphone, so it's a narrow polar pattern with good off axis rejection. Schoeps is a great brand. Again, you'll see this on professional movie sets. That's the mic we use. We have some Sennheiser shotguns as well, the ME66, we have a couple of those, which is more their entry shotgun mics. Recently, I rented some of the MKH416. Aaron: I would like one of those. The Sennheiser 416 is well known as the classic TV shotgun mic, right? Ryan: Exactly. I rented those out because I wanted to try it out for that reason. The Schoeps is very good and very well known on set as well, but so is the 416. I rented it to try it out. It's a trusted mic that a lot of people use for these professional things, and it doesn't really break the bank for what it is. Aaron: They're like $1,000, I think. Ryan: Yeah, and it sounded great. Aaron: The next mic I get is either going to be that or the Rode NTG 3. Ryan: I've heard a lot of great things about that. I haven't tried one myself. Aaron: That's the shotgun mics we shot my podcasting courses with. Ryan: Yeah, I know that Sean uses that for all of his videos. Aaron: I'm excited about getting to go work with those (I'm moving to San Antonio in March or April). Master the Basics Aaron: That's a pretty good run through of your gear. I'm sure you could keep going and discuss a lot more, but I don't think we need to go into that. It seems like you guys are at a super professional, high quality. You have made big investments in professional gear, which is fantastic. I encourage everyone to strive for that, to aim for that, but like we said earlier, use what you have right now. I don't have anything close to what you guys have, but I'm still doing my podcast. I'm doing the best I can with what I have. Ryan: It still sounds great. Aaron: Thanks! It's mostly just knowing how to set gain levels and not having a noisy room. It's crazy how far the basics will get you— everything else is just icing on the cake. I've been watching this video course called Zen and the Art of Work, which I really recommend to everybody. It's mindfulness training mixed with productivity training, which is such a great combination. In this course, he says, “So many of the masters continually revisit the basics.” Mastery is staying on a path. It's not reaching some final goal, it's more about being with the work and investing in getting better, but also revisiting the basics. He was talking about playing piano. He was like, “A lot of times, I just start by touching the keys, pressing the keys, and then doing basic scales over and over again.” It's true. When you get so good at the basics that you don't have to think about it, that's when you start to expand and get to that level where people say, “Wow, you're so good at that. How did you get so good?” You're like, “That was just doing the basics. It's not anything fancy.” It's so important to master the basics and keep going back to them. Learning More Aaron: What's next for you? How do you invest in yourself and improve? Or are you working so much that you always have more learning opportunities? Do you buy books or courses or follow any websites to learn more about this audio stuff? Ryan: Honestly? We had a shift at work to where my role has shifted to mainly just broadcasts. That has enabled me to have a little bit more flexibility and free time, so I've been doing a lot more freelance work. That's great, because it energizes me and keeps me engaged. It keeps me from routine. Routine is great. I love routine, that's very much my personality, but freelance work keeps things interesting. For me, it's all about where and how I can get inspired and constantly feeding that. It's about feeding my desire for creativity. We're all creatives. We like to create. We were designed to be creators, really. Everything I try to do is about how I can become a better creator and what I can create next. It's about finding things that inspire me, really. We touched lightly on a few of the resources that I like, things I've learned and places I've picked things up. If you're interested in audio for post production, there are a couple of great books by Ric Viers. I have two books by him that are really great. The first one is The Sound Effects Bible, and it's not just sound effects in there. He talks about everything from gear to microphones, basics, setting proper gains, compression, some mixing techniques, etc. He also has The Location Sound Bible. There are a lot of similarities, but there's also a lot of talk about gear, shotgun mics, lop mics, recorders, and then he also dives into some of the basics when it comes to mixing, proper gain staging, and so on. Those are a really great pool of knowledge in book form. There are a lot of other books out there, but I have found those two to be really helpful. Other than that, when it comes to audio for video, it's a very small, niche field. There isn't a crazy amount of stuff out there, like there might be for mixing music. For that, you've got tons. You've got Pensado's Place, all these people on YouTube putting out channels on mixing, mixing from home, mixing on a budget, etc. There's plenty of that. Aaron: Graham Cochrane and Joe Gilder are pretty awesome resources for anyone who wants to start a home studio. Ryan: YouTube can be a pool of knowledge for anything and everything, too. You have to dig a little bit and do some searching. On the inspiration side, for me, since I love audio for video, Sound Works Collection is a great place. They'll do mini videos interviewing the sound people that did sound for X movie. Whether it was the last Harry Potter or anything and everything, big budget films, they'll sit down with the recording people, the sound designers, the mixers… It's really cool, because they'll show footage of them doing stuff on location or the foley artists. It's cool to see their process. For me, that helps me stay inspired. It gives me ideas to do other things. They have a podcast as well, and that's great. The videos can be kind of short, maybe 10 minutes or so, but the podcast will go on at length, talking to the audio guys who have made sound for videos possible. It will also be music composers for movies as well. That's really great. I found that great not only as inspiration, but to know what and how audio professionals for big budget films get inside their minds, how they're thinking, and what their process looks like. It's neat to see stuff about sound engineers for big movies and realize that we're not so different. Dealing With a Broad Loudness Spectrum (Dynamics) Aaron: I have a nerdy question here. This is about normalizing and compression, I think. Aiya had asked, “I'm so torn about normalizing sound clips. If I'm working on a longer project in segments, would it be better to adjust my peaks manually for the sake of consistency? It's for a video project.” I'm hearing that there are differences in video volumes. How do you deal with that? Do you do compression? Do you do automation for the different parts? How do you deal with dynamics? Ryan: It depends on the project. I'll talk about how I would mix a sermon, because that's very dynamic. Our pastor will go from whispering, holding his handheld mic close to his stomach, to screaming, holding the microphone, cupping the capsule. Power and respect to him, because it creates a certain atmosphere, which has a powerful effect. That's what I'm dealing with on a weekly basis. That dynamic range is tremendous. Keep in mind, this is going to TV eventually. TV has very strict restrictions. It's not so much on level, but on perceived level. There's a difference between what you see meter and what you're hearing. I can talk at length about that, too. Aaron: Could you give us a super short version? I'm kind of aware of that, but since I just mix in Logic, I'm not sure how to measure it. Is there a way to measure it in Logic? Do you know? Is there a plugin you use? Ryan: I use a plugin from Waves. It's a loudness meter, and its just that. It has a lot of presets, so I'll use the TV standard preset. I'll use it for ATSE85, and I'll use it for a dialogue bus. They've also got one for a master bus. The standard right there is your average level around -24 dB LUFS, so that's full scale. If you have a classic meters, your peak would be zero, so that would average metering right around -10. At least for TV, I've got a hard limiter at -10 dB, to where nothing can go above that. The difference between levels on a meter vs. perceived loudness is the differences between what we hear and the actual energy. In our TV program, we'll have the sermon, but we'll also have a talking heads segments, which is dialogue and a music bed. We'll also go into segments where they'll go into worship from our live album, which had been mixed and mastered as an album. That thing is slammed. If you look at the wave form, it's a sausage. If I'm setting all that by the meters alone and they're all hitting -10, it may look right, but if I look at my loudness meter, that worship segment is going to be off the charts. There's so much more content in there. There's so much going on with all the different frequency ranges as opposed to a dialogue track, which is a narrow field in the frequency spectrum. That's the gist of it. When it comes to my technique for controlling dynamics, for something like mixing a sermon, if I'm going down my plugin chain, the first thing I naturally have is a high pass filter. I'm rolling off those unnecessary lows that are hogging energy. The next thing I'll do is use a compressor, and I'll set the attack to right in the middle, so not fast or slow, and I'll have the release time at fast. We don't want to hear it pumping, letting go. That's catching my peaks. It's not doing a crazy amount, but it kind of is. That's helping do a lot of the bulk compression. Before anything really hits the compressor, I will go through, and as I work my way through the mix, I will clip gain the wave form, so that, say, if he's whispering somewhere, I might keep that, depending on how I have my compressor set. Then, if we go up to a part where he's screaming and my wave form is huge, I will take that down and create those nodes, those dots in the wave form, and drag the actual clip volume down, that gain down. That way, it's not going into the compressor at this high gain level. It's hitting the compressor evenly as the rest of it would. That way, it's not driving the compressor crazy. Then I'll go through and do some EQ and DSing and whatnot. I might add some more compressors in there, just to grab some of those little things coming through. After that, it's subtle, just smoothing it out. Aaron: It is a little bit of both. If she has access to an audio editing program—I don't know what she's using for editing. If you can put a compressor on the track, do that. It's not exactly the same, but I did a YouTube video about how I process podcast vocals, and it's very similar. For podcast vocals, I start with a Logic noise removal plugin. Ryan: I actually have my noise suppressor, and I'll use that later on down in my signal chain. My way of thinking is that if I've got all this compression going on, the compression is narrowing that dynamic range, so it's bringing up that noise floor. I tend to do my noise suppression after the bulk of that compression, because the noise floor is higher and it's easier to work on a supressor. If that makes sense. Aaron: I've thought a lot about whether you should do the noise removal before or after you add a bunch of gain with a compressor or something, and I can't think of a good reason that it matters. You can take out the noise before you add a bunch of gain, or you can add a bunch of gain and take out the noise afterwards. Which is better? I don't know. Anyways, after the noise removal plugin, I put an EQ with a high pass filter, a peak compressor, an RMS or an average level compressor, and then a limiter. Ryan: Like I mentioned earlier, before I had my long-winded answer, it also depends on what it is you're mixing—whether it's music, or a podcast, or something for film. When it comes to dialogue for film, you want it to sound as natural as possible, but you also want to be able to hear if someone is whispering. When it comes to that, I'll still use a compressor, but it will be very, very light. If there's anything I need to do to meet loudness, that I will automate the volume on my dialogue bus. I'll bring that up. That way, it sounds a little bit more natural, instead of solely relying on a compressor to do all the work for you. Aaron: That makes sense. For podcasts, if I notice that there's a section where someone was talking much quieter, like if a guest backed away and talked like that for four or five minutes and then went back to the normal distance from the microphone, in Logic, I'll turn that into its own clip. I make a cut on either side of the quiet part, and then, in Logic, you can double click on it and change gain by hitting Control G. Then you can add 3, 4, or 5 dB to it. That works out pretty well. If it's every five seconds or I have to do it more than five or six times in an episode, I won't do the clip gain changes, I'll just use a compressor. Look at the overall audio file and see if there are long stretches where you can use automation to change the gain, or change the clip gain. Common Audio Mistakes Podcasters Make Ryan: You asked a question that I think would be good to talk about in regards to podcasting. You had asked, “What do you like about podcasts? What common mistakes do you hear people make?” Initially, I read this and thought, “I don't know,” but I spent some time thinking about it. This is great, because it piggybacks off the loudness thing. A lot of the mistakes that I hear when it comes to podcasts in regards to audio is the levels and loudness aspect. I'll listen to some podcasts that sound great, and I'll put on another podcast where the whole thing is super quiet. Then they start laughing, and it's really loud. There are some, like mine, where they have a music bed underneath the entire thing, and then sometimes the music bed is so quiet that you hardly know it's there. You're like, “What the heck is that noise in the background?” Sometimes, it's the opposite. Sometimes, the music bed is way too loud. That's a few of the things I've noticed. A lot of the fixes relate to what we just talked about. It helps to have knowledge of levels and perceived loudness. If you're mixing a podcast, make sure your levels are consistent. One of the biggest things I can recommend for anyone mixing anything, whether it's music, movies, a podcast, is the importance of having a reference track. Aaron: Yeah, I don't talk about that enough. Ryan: That is huge. Professional audio engineers who mix platinum records still do this. They will pull in a track from a different song that is mixed well and is mixed how they want theirs to sound, and they'll have it muted in their session. When they want to have a reference to listen to or train their ear, they'll un-mute it, and they'll go, “Oh, okay.” I'm sure you've done the same thing as me, where you'll be so involved in a mix, you're in it, and you think it sounds great, and then maybe you go away. You go home, sleep, and maybe you come back, and you open it up and you go, “Woah! What was I thinking!” You can get so involved in it that the blinders go up. You get tunnel vision, and you're not aware to some things. It's good to have a reference track or get an outsider's opinion on a mix. The main takeaway here is the reference track. That would help with anything, whether it's the timbre, how you're EQing, or the loudness. You pull in their track and it's far louder than yours, and you automatically know that you need to do something about it. Aaron: That's a great idea. You can kind of do this before or after. You go through and you edit your whole podcast, get everything set up the way you want, create an extra track, and then find a podcast that sounds really good—This American Life or pretty much anything by NPR—download an episode, drop it into your editing program, and play it, mute it, and see what the difference is. Maybe you need to add some gain with an adaptive limiter or with a compressor, or maybe you can tell that your track sounds way sharper or harsher. Are there are too many high frequencies or too much bass compared to your reference track? You can adjust those things. I'm so glad you mentioned that. I've never thought of that before, and that's such a good idea. Ryan: It's one of those things you don't think of much, but once you do it, you're like, “Oh my gosh!” It's really eye opening and really helpful. You can find Ryan online at ryanmonette.com, and follow him on Twitter @RyanMonette.

My guest this week is professional audio engineer Ryan Monette. Ryan graduated from Berklee College of Music with a degree in Music Production & Engineering. For the last 4.5 years he's been the Post-Production Audio Engineer on staff at Elevation Church, in Charlotte, NC, where he mixes their global TV show, and has many other responsibilities (boom operator, field recorder, sound designer, audio editor, etc.). You may have heard some of his work, as he sound-designed and mixed the opener video for the Circles conference for the past two years. He even had his own podcast for a short while (TheQueuecast.com). I asked Ryan to come on the show to share his journey towards becoming a professional audio engineer (a job that I've always wanted), and to get him to share some tips for anyone interested in working in audio/video professionally.Highlights, Takeaways & Quick Wins:Think long term and dream big.If you want to do anything with audio, start by getting a cheap USB microphone.Take advantage of free online courses to learn more about audio engineering.Get started with whatever you have.Your mix may sound completely different in a different environment, so listen with different headphones/speakers in different locations.Master the basics and keep going back to them.If you’re mixing a podcast, make sure your levels are consistent.When mixing, always use a reference track.Show NotesAaron: You graduated from Berklee College of Music with a degree in music production and engineering. For the last five years, you’ve been the post production audio engineer for Elevation Church in Charlotte, North Carolina. You have a lot of jobs there: boom operator, field recorder, sound designer, audio editor, and you mix their global TV show. Do you mix that live?Ryan: Not necessarily. We can get into that later. There’s a process for that.Aaron: Some of the creative people here might have heard of some of your work. You sound designed and mixed the opening videos for the past two years of Circles Conference, which I was at. Have you been there for the past two years?Ryan: I haven’t been personally, no. I have wanted to go. I love it from afar, and I want to go in person.Aaron: I wanted you to come on this show because when I first got started, I had dreams of being a professional audio engineer. I thought, “How cool would it be to work in audio and get paid for it? That’d be awesome!”I fell backwards into it by doing podcast editing as a hobby first, then for money, then I met Sean McCabe and ended up working for him full time. I edit podcasts and help out with a ton of other stuff. I asked you to come on the show to share your advice for anyone who’s interested in working in audio/video professionally, and to talk about how you got there yourself. So tell me a little bit about how you got into audio. When did you first realize that this was something you wanted to do?Ryan’s Journey to Becoming a Professional Audio EngineerRyan: I love listening to your podcast, Aaron, and what I love about it is I feel like you and I have a lot of similarities in our backgrounds. You’re a musician, a drummer, and I’m also a musician. I play several things. My primary instrument is bass, but along with that, I started on piano. I picked up bass, and with the bass I picked up guitar. I took some drum lessons here and there as well.I sing as well. I dabbled in a little bit of everything. I’m kind of a jack of all trades, master of none. I’m okay at a lot of things, but I’m not superb at one thing. Anyway, right around junior high or high school, I started playing the bass. I started playing in little bands here and there. When it came time for college, I had no clue what I wanted to do. All I knew was that I loved music.Aaron: Same here!Ryan: I was living in Las Vegas at the time, so I decided, well, everyone has to have that college experience, and I didn’t want to go to college in the same city, so I decided that I needed that “being away from home” experience. I went to the University of Nevada, Reno. I took your basic, general classes, not knowing what I wanted to do. At this time, for my high school graduation, I had received a graduation present of a Macbook Pro.With that, of course, you get the wonderful iLife suite, including Garageband. As a musician, a whole new world was opened up to me. When I was in a band in high school, I was the gear head—I loved the PA and putting cables together.I was drawn to that. Once I had this Macbook Pro with Garageband and I had my bass and my guitar in my dorm, I was like, “I can create music!” I figured out how to work it and record myself. I bought a USB microphone, and that world was opened up. When I was there, I had a friend, and her brother went to this school where all they learned about was music. I was like, “Wait, you can do that? You can go to school for just music?”That’s how I found out about Berklee School of Music. I applied, and you have to audition as well. I applied and auditioned, and the first time I tried, I actually didn’t get into the music school I wanted to go to.Aaron: This sparks something in my mind. I feel like I might have read an article about Berklee or looked into it and thought, “No, they’re really strict on who they accept, based on your performance.” That was intimidating to me at the time, because I never felt like I was that good of a drummer.Ryan: It was intimidating for me, too. Clearly, I wasn’t up to par.Aaron: Yet you went for it. That’s more than a lot of people would do.Ryan: Yeah. After I finished my first year at UNR, I moved back to Vegas and went to UNLV, the University of Nevada Las Vegas. I took all music classes, forgetting the general ed stuff you need to get a degree. I took all music classes—music theory, because I had never had actual music theory classes, so I thought I needed that. With that, there were some audio classes that I took as well. I was like, “Hey, I like this audio thing.”At the University of Nevada Las Vegas, I had my first exposure to a formal audio class, where I learned all the proper techniques. Later on that year, I applied and auditioned again for Berklee. I got accepted, and the next year, I moved to Boston and went to Berklee for about three and a half years. Then I graduated. When I went to Berklee, the only thing that drew me as a major was Music Production and Engineering. I naturally loved the gear side of things. I fell in love with recording. I was like, “This is what I want to do.”Aaron: You got to spend three and a half years there, studying and learning?Ryan: It is non-stop, 24/7, music, audio, and to be honest, I miss being in that environment so much.Aaron: That sounds fantastic. I always love setting aside time to take online classes, read books, and listen to interviews about audio.Think Long-TermAaron: You were drawn to the audio engineering stuff, and then you graduated.Ryan: I can remember a specific time in my life, and I’m pretty sure it was my last semester at Berklee. They went by semesters instead of years. It was in one of my capstone classes. Our instructor asked us the typical, “Where do you see yourself in five years?” question.Aaron: I love that question now. I hated it when I was 22.** Think long term and dream big**Aaron: Plan out where you want to be, because if you can envision it, then you can figure out how to get there. But you have to start by saying, “I want to do this thing someday.” For me, it was, “I want to do work from a laptop. How do I get there?” Now I’m there. So you were 22 and someone asked you, “Ryan, where do you want to be? Where do you see yourself in five years?”Ryan: At that moment, I was trying to figure that out, naturally, as you do when you’re approaching the end of college. While I was at Berklee, I loved music. I loved recording music, but my absolute favorite class—they only had one of them, but it was the class I yearned for, that I wanted to take and put in all these extra hours for—was audio for visual media, audio for video.By far, that was my favorite class. The whole class, we were working toward our final project. You choose a five to seven minute clip from a well known movie, and all the audio is completely stripped. You have to recreate everything. That’s all the dialogue, all the foley, all the ambient background, all the hard effects, and so on. You have to connect with a film scoring student there at Berklee, and they have to provide the score. I absolutely loved every aspect of that project and the process. When it came time to decide what I wanted to do with my life, it was between audio engineering at a recording studio, working at Disney as an Imagineer, or doing audio at a church.I have always been involved with church, playing on worship teams and whatnot, so I also saw myself doing audio for a church. Long story short, I was really privileged to dip my feet in all of those things after college. After I graduated, I moved back to Las Vegas. Eventually, I found an incredible recording studio, probably one of the top two recording studios in Las Vegas, and I landed an internship.First Audio Engineering JobsRyan: I say “internship” loosely, because your typical studio internship is all the stereotypical grunt work—taking out the trash, doing the coffee, and whatnot. I showed up, and they were like, “You went to Berklee? Berklee guys are cool. Here, hop in this session and help us out.” It was open to me, thrown at me, and next thing I knew, I was assisting on sessions with huge clients, I won’t name drop.Aaron: You can drop a couple of names if you want.Ryan: I had a pretty fun time helping out with a session with the famous engineer Eddie Kramer, who is engineering for Carlos Santana.Aaron: Dang, man! That’s awesome.Ryan: That was pretty incredible. But while I was there, I had this gut feeling inside of me saying, “This isn’t it.”Aaron: It’s fine, but it’s not quite right?Ryan: I could see myself staying there and working my way up, but it didn’t feel right. A few months after I realized that I didn’t want to stay at the studio, I applied and was offered a job at Walt Disney World in Orlando, Florida.I packed my bags, moved to Orlando, and I was working as a stage technician at the Epcot park. There, they found out that I was an audio guy, so they pushed me toward the live audio side of things. I was mixing shows and bands at Epcot and what was at the time Downtown Disney, now Disney Springs, area. Same thing. Almost as soon as I got there, the same gut feeling came in.I was like, “This isn’t it. I’m more of a studio engineer. I definitely don’t want to do live stuff.” Although I love Disney, it just wasn’t sitting right. I was only there three months before the next great opportunity came up, which is where I am right now. One of my friends told me about a job opening for this church in Charlotte, North Carolina, Elevation Church. I had actually been following them because of their podcast.At the time, I was kind of like, “I’ve got a job, whatever.” For some reason, I ended up on their website, looking at the job. I was reading, and I was like, “Wait a minute, they’re looking for someone to do audio for video. That’s what I really want to do!” On a whim, I threw out my resume. Next thing you know, I’ve been here going on five years.Aaron: Did you mention that you were a podcast listener when you sent in your resume?Ryan: Yeah.Aaron: The connections you can make through podcasting is really incredible.Ryan: It is. And I’ve been working there for 5 years now.How to Get Into Audio EngineeringAaron: I want to jump into what you do at your job at Elevation, but let’s pause and do a section on what advice you would tell someone who’s wanting to get started. I wrote a couple of things down here. I think it’s hilarious that you got a Macbook and your first microphone was a USB microphone.Ryan: Which was the Blue Snowball, by the way.Aaron: That’s the worst microphone!Ryan: I had no idea how to use it, either. If I find some of the earliest recordings I did, there are times I’m clipping to the max, square waves.Aaron: Probably bad mic technique, too. But hey; it got you started!If you want to do anything with audio, start by getting a cheap USB microphone.Any USB mics will work for getting started. I like the Blue Yeti, but it’s like $100. The ATR-2100 is fine, too. You just have to get something that can record some audio and start playing with it.Start playing with Garageband. Start playing with the free programs. Learn how to enable recording on a track, how to set your input device to the microphone, how to set your output device to wherever your headphones are plugged into, whether that’s your mic or your computer. It took me so long to figure that stuff out. I was like, “Why can’t I hear the audio in my headphones? What is going on?”Ryan: Same here.Aaron: You have to set input and output, then you have to record enable or do the input monitoring, all that stuff. But start with the USB microphone. Take some basic classes. There are so many great online classes. If you don’t have any money at all, if you’re super broke like I was when I started, watch some free YouTube videos. Read a book.Ryan: If you go to Coursera.org, they’re a website where you can pay to take online courses and get certifications and whatnot, but they also offer free online courses. They even offer free online courses from Berklee. I’ve seen a music production class there. I’ve taken a free online song writing class.Check out free online courses, because they can be a pool of incredible knowledge.I took a photography class on there. Coursera is a great place. They’re great if you want to take free online courses.Aaron: There are places where you can learn all this stuff. You just have to invest some time. You really just have to start: Don’t wait until you have $500 for an interface and $200 for some professional headphones and microphone. Whether you want to start a podcast, start recording audio for a video, or record and mix a demo for a band, start doing something.Stop spending all your time thinking about how you can’t do anything because you don’t have certain gear or you’re not in the right place. You’ll learn as you do, especially in audio. You’re going to make a ton of mistakes.Ryan: That’s how you learn, though! That’s one of the most valuable things I’ve learned in life. You learn from your mistakes.Aaron: You don’t really learn when everything goes well.Just StartAaron: Any other advice you would give somebody, thinking back on how you got to where you are right now?Ryan: Honestly, you hit the nail on the head with “just start.” It’s as simple and cliche as Nike, “Just do it.” There is always going to be the next latest craze, the gear, and we’ve all been susceptible to that. We say, “Oh, well, I could do this if I had X.” It starts with the drive and determination, wanting to do it. There’s knowledge out there everywhere. You just have to dig for it.Chances are, you have at least something you can start with. Record something on your phone.Aaron: I have a friend who makes some awesome music on his iPhone.Ryan: Oh, totally. It’s as simple as getting an adapter. You can plug your guitar or whatever into your phone.Aaron: Kids these days have it so easy!Ryan: You have Garageband on your phone. I remember when I was figuring this out in high school, and we actually had a four track tape recorder. That was my first start. Get started with whatever you have.Aaron: What kind of stuff do you do at the church? What’s your day to day life like? Are you there every day, or is it just a couple of days a week?Ryan: Oh no, I’m definitely there every day. It has been a whirlwind for sure. In the past five years, I have probably played every audio role that there is to be played here. My main thing now is audio for broadcasts, pretty much anything that leaves the church. Our biggest output is the sermon, which goes to a lot of places.It also goes in the TV episode, which we talked about, which goes locally, nationally, and, I believe, globally as well. That’s a lot of what I’ve done. We also create a lot of films, short films, for our worship experiences, anything you can imagine that’s video and audio related. Audio post production, like we talk about. I’m constantly on video shoots using field recorders, the boom op, anything you can think of. Audio for video, I’ve done it.The Gear Ryan UsesAaron: Let’s talk about your gear a little bit. What kind of stuff are you using most in everyday life? I’ll do a quick recap: I have the Shure Beta 87A Mic as my main podcasting microphone. It’s attached to a Scarlett 18i20 USB Interface (update: I’m now using my Zoom H6 exclusively), which is plugged into a quadcore iMac that’s a couple years old.Nothing super fancy, but I’m really happy with where I am. I remember wanting all this stuff back in 2011, thinking how awesome it would be to have it. I have a Zoom H6 portable recorder and a couple of SM58 microphones. I’ve been pairing down my gear collection because I’m planning on moving in the spring.What kind of stuff are you working with? I use Logic Pro X for editing, and then Izotope iZotope RX 5 for cleaning up background noise or fixing clipping. What about you? What’s your day to day favorite gear?Ryan: We use a lot. There’s a bunch of gear for field recording and then in my office, which is where I’m at right now. I’ll start with my office. Right now, I’m talking into my personal mic, which is a Rode NT1A. It’s very affordable.The Rode NT1A is a nice beginner mic which works and sounds great, and I use it for a lot of voiceover projects.Aaron: I like those mics.Ryan: I’m talking into that right now. We also use the Shure SM7B. We have a nice Neumann that we’ll use for bigger projects. We like to use Universal Audio Interfaces, so I’ve got one of those. They’re great. They’re rock solid. You really can’t beat them.At our main recording/editing audio work station, we use Pro Tools. That’s very standard, and I’ve been using that for years and years. I use a lot of plugins. I use a lot of the Waves Plugins. I do use RX as well, and that’s the bulk of it. I do a lot of processing, depending on the project.I have a really huge sound library for if I’m doing narrative pieces that involve sound design, sound effects. I have a great app called Audio Finder, which a lot of electronic musicians use to help them find sounds. I use it to help me find sounds. It’s a nice way to catalogue sounds if you’re a sound designer or anything like that.You can basically tag all these audio files with meta data, and you can search for sounds by their title. Or, if you type in a word in the search bar, it can pull up things based off the the metadata. If you have notes on something, it can find it. Audio Finder is a great way to find sounds.I have some other things in here. I have the Artist Mix Controller made by Avid. I use those if I’m automating stuff. I use those a lot, actually, when I’m mixing the sermons. I do a lot of automation for that. If I’m mixing a piece with a music bed or something, I like to automate the music by hand.It feels more natural, as opposed to clicking and making little dots. That’s the bulk of it here in the office. All of our audio engineers have a nice pair of Focal monitors. I also have another set of monitors I built myself. When I mix TV episodes, I have an output routed to a TV here in my office so I can hear how it translates on TV speakers.Recording Audio for VideoRyan: On the front end of things, if we’re doing shoots for videos, we use Sound Devices field recorders. We have three different models: the Sound Devices 788T 8 Channel Recorder, a 702 2 Channel Recorder, and then a 633 6 Channel Recorder. That last one is one of their newer models, which is great.Sound Devices are steep in price, but they are rock solid.One of the most trustworthy, well known field recorder brands on the market. That’s what you’ll see on pretty much every big budget shoot in some way. I do a lot of freelance on the side, which gives me the opportunity EPK shoots or BTS shoots for, recently, a show on HBO called Outcast.Aaron: Outcast? I’ve been seeing that (I watch Westworld).Ryan: I’m pretty sure it’s the same writers or producers or something. I know it’s the same writer as The Walking Dead. They shoot here in North Carolina, so with a local production company, we’ve done some interviews with some of the cast and crew. It’s been really neat to be on set and see what they’re using. It’s cool to see how similar their world is to what we’re doing day to day, just with more money and more resources.It’s the same thing. Most of their audio guys have some sort of Sound Devices. A lot of them use the 788 as a backup recording rig, and they’ve got larger multitrack recorders as well, that are also made by Sound Devices. Sound Devices is a great brand. They’re crazy expensive, but when you buy that, you know you’ve basically got it for life.Aaron: Yeah, I’m looking at the Sound Devices 788T SSD 8 Channel Portable Solid State Audio Recorder. It’s almost $7,000. I love that! So fancy.Ryan: That SSD does have an internal hard drive. Ours has a hard drive as well, so it’s great, because it has the internal hard drive, but you can also use CF cards. You can record on two different mediums. In case something runs out of space, you have it in two places.Aaron: This is super professional stuff.Ryan: Yeah. It is. It’s top of the line.Aaron: Fantastic. For all the rest of you, just go with the Zoom H4N or the H6.Ryan: Hey, we do have a Zoom H4N, and we do use that every now and then. Before I came on staff, our first field recorder was the Zoom H4N.Aaron: If I could start over and go back to before I had any kind of interface at all, I think I would buy myself an H4N or an H6. Not only are they portable field recorders so you can walk around with them—they have little stereo condensor mics on them—but they work as audio interfaces, too. You can plug it into your computer with a USB cable and record straight to your computer if you do any kind of podcasting or stuff like that.It’s good for the price. Otherwise, the little two channel interfaces are great. They’re about $100 for a good one, but they aren’t portable. You can’t take them to a show or out to a video shoot the way you can an H4N or an H6 or something.Ryan: Speaking of Zoom, they’ve recently come into the more professional field recording market. About a year ago, they releases the F8, I believe, which is an 8 channel field recorder with 8 mic pres. It’s $999 for something very comparable to a Sound Device. It’s not quite as high-fidelity, but for anyone starting out, you’re really not going to notice the difference.Mixing On Expensive Headphones or MonitorsAaron: I was going to ask you this earlier. You mentioned that you had Focal monitors. Did you listen to the episode I did a few episodes back where I talked about mixing on headphones (Episode 69: Do You Need Expensive Headphones to Mix a Podcast?)?Ryan: Yes, I did.Aaron: I mix on $10 Panasonics. What do you think about that? You can be totally honest with me. You can tell me that it’s a stupid idea or that it’s okay.Ryan: I agree to a certain extent. I agree that you should be listening to what you’re making on whatever the majority of people are going to be listening to it on. For a lot of audio engineers mixing music, that’s iPod earbuds, those standard earbuds you get. Something like that. When I mix TV, I have an output routed to a TV in my office, so I can hear it on TV speakers.I do also believe in mixing on something with some sort of higher fidelity type of monitoring environment, whether that’s nicer speakers or nicer headphones. Naturally, you’re going to hear things differently. The main thing to take away is how things translate.If you’re listening to something on one source and you make it sound good there, that’s great, but in a different environment, it may sound completely different.iPhone earbuds may not have the bass that a car stereo has. You want to hear how it translates from one thing to another. That’s why it’s good to at least listen to it on two different sources and not just narrow yourself down to one cruddy thing. That’s good in theory, but again, the key takeaway is translation.Aaron: Maybe it’s a little bit different for me and I can get away with it because of the consistency of the microphones and the recording environment set we use.Ryan: Yeah, totally.Aaron: I think if I was doing more stuff like you are, with videos and clients and all that kind of stuff, I would absolutely be using my higher fidelity headphones.Ryan: Very true. The bulk of your work is dialogue, podcasts.Aaron: Yeah, that’s really it. Just dudes talking into a microphone.Ryan: Yeah. I have done a lot of work here where I’m working in a small studio, but a lot of my mixes have played in auditoriums and arenas.If you’re working on projects like music or film that have different audio frequencies and spectrums, remember that sound will be perceived differently in different places.Aaron: How do you even test for that?Ryan: Here, I at least have a sense of how our auditorium sounds, so I’ve trained my ear to hear in advance and understand how it’s going to translate. For something like when we did a live recording in the biggest arena here in Charlotte, we had a video opener piece. I was on point for mixing that, so basically, I had to work with tech and production to find a time after setup where I can bring my session, copy it onto a laptop, and play it through the PA.Then I can make any final mix tweaks there in the auditorium or the arena. I perfected it in my studio, and any small tweaks I was able to do in that actual environment. Granted, a lot of the times, we may not have that luxury. There are also great plugins you can buy that simulate different monitoring environments, like Sonarworks.If you have certain pairs of headphones, you can tell the program, “I have these headphones, now make my mix sound like it’s coming through these headphones or these speakers,” so you can hear how it might translate. In that program, they have a final output like the Beats headphones. You can hear how it might sound on there, super bass heavy.Aaron: I hear they’re getting better, but I still have never bought any Beats headphones. I probably should (just for testing purposes).Ryan: There are definitely programs out there to help you see how things translate to different monitors.On Location GearRyan: We were talking about the gear we use for on location recording. Sound Devices would be our main recorders. For our mics, we use Schoeps. It’s a shotgun microphone, so it’s a narrow polar pattern with good off axis rejection. Schoeps is a great brand. Again, you’ll see this on professional movie sets.That’s the mic we use. We have some Sennheiser shotguns as well, the ME66, we have a couple of those, which is more their entry shotgun mics. Recently, I rented some of the MKH416.Aaron: I would like one of those. The Sennheiser 416 is well known as the classic TV shotgun mic, right?Ryan: Exactly. I rented those out because I wanted to try it out for that reason. The Schoeps is very good and very well known on set as well, but so is the 416. I rented it to try it out. It’s a trusted mic that a lot of people use for these professional things, and it doesn’t really break the bank for what it is.Aaron: They’re like $1,000, I think.Ryan: Yeah, and it sounded great.Aaron: The next mic I get is either going to be that or the Rode NTG 3.Ryan: I’ve heard a lot of great things about that. I haven’t tried one myself.Aaron: That’s the shotgun mics we shot my podcasting courses with.Ryan: Yeah, I know that Sean uses that for all of his videos.Aaron: I’m excited about getting to go work with those (I’m moving to San Antonio in March or April).Master the BasicsAaron: That’s a pretty good run through of your gear. I’m sure you could keep going and discuss a lot more, but I don’t think we need to go into that. It seems like you guys are at a super professional, high quality. You have made big investments in professional gear, which is fantastic. I encourage everyone to strive for that, to aim for that, but like we said earlier, use what you have right now. I don’t have anything close to what you guys have, but I’m still doing my podcast. I’m doing the best I can with what I have.Ryan: It still sounds great.Aaron: Thanks! It’s mostly just knowing how to set gain levels and not having a noisy room. It’s crazy how far the basics will get you— everything else is just icing on the cake.I’ve been watching this video course called Zen and the Art of Work, which I really recommend to everybody. It’s mindfulness training mixed with productivity training, which is such a great combination.In this course, he says, “So many of the masters continually revisit the basics.” Mastery is staying on a path. It’s not reaching some final goal, it’s more about being with the work and investing in getting better, but also revisiting the basics. He was talking about playing piano. He was like, “A lot of times, I just start by touching the keys, pressing the keys, and then doing basic scales over and over again.”It’s true. When you get so good at the basics that you don’t have to think about it, that’s when you start to expand and get to that level where people say, “Wow, you’re so good at that. How did you get so good?” You’re like, “That was just doing the basics. It’s not anything fancy.”It’s so important to master the basics and keep going back to them.Learning MoreAaron: What’s next for you? How do you invest in yourself and improve? Or are you working so much that you always have more learning opportunities? Do you buy books or courses or follow any websites to learn more about this audio stuff?Ryan: Honestly? We had a shift at work to where my role has shifted to mainly just broadcasts. That has enabled me to have a little bit more flexibility and free time, so I’ve been doing a lot more freelance work. That’s great, because it energizes me and keeps me engaged. It keeps me from routine. Routine is great.I love routine, that’s very much my personality, but freelance work keeps things interesting.For me, it’s all about where and how I can get inspired and constantly feeding that. It’s about feeding my desire for creativity. We’re all creatives. We like to create. We were designed to be creators, really. Everything I try to do is about how I can become a better creator and what I can create next. It’s about finding things that inspire me, really. We touched lightly on a few of the resources that I like, things I’ve learned and places I’ve picked things up.If you’re interested in audio for post production, there are a couple of great books by Ric Viers. I have two books by him that are really great. The first one is The Sound Effects Bible, and it’s not just sound effects in there. He talks about everything from gear to microphones, basics, setting proper gains, compression, some mixing techniques, etc. He also has The Location Sound Bible.There are a lot of similarities, but there’s also a lot of talk about gear, shotgun mics, lop mics, recorders, and then he also dives into some of the basics when it comes to mixing, proper gain staging, and so on. Those are a really great pool of knowledge in book form. There are a lot of other books out there, but I have found those two to be really helpful.Other than that, when it comes to audio for video, it’s a very small, niche field. There isn’t a crazy amount of stuff out there, like there might be for mixing music. For that, you’ve got tons. You’ve got Pensado’s Place, all these people on YouTube putting out channels on mixing, mixing from home, mixing on a budget, etc. There’s plenty of that.Aaron: Graham Cochrane and Joe Gilder are pretty awesome resources for anyone who wants to start a home studio.Ryan: YouTube can be a pool of knowledge for anything and everything, too. You have to dig a little bit and do some searching. On the inspiration side, for me, since I love audio for video, Sound Works Collection is a great place. They’ll do mini videos interviewing the sound people that did sound for X movie. Whether it was the last Harry Potter or anything and everything, big budget films, they’ll sit down with the recording people, the sound designers, the mixers…It’s really cool, because they’ll show footage of them doing stuff on location or the foley artists. It’s cool to see their process. For me, that helps me stay inspired. It gives me ideas to do other things. They have a podcast as well, and that’s great. The videos can be kind of short, maybe 10 minutes or so, but the podcast will go on at length, talking to the audio guys who have made sound for videos possible.It will also be music composers for movies as well. That’s really great. I found that great not only as inspiration, but to know what and how audio professionals for big budget films get inside their minds, how they’re thinking, and what their process looks like.It’s neat to see stuff about sound engineers for big movies and realize that we’re not so different.Dealing With a Broad Loudness Spectrum (Dynamics)Aaron: I have a nerdy question here. This is about normalizing and compression, I think. Aiya had asked, “I’m so torn about normalizing sound clips. If I’m working on a longer project in segments, would it be better to adjust my peaks manually for the sake of consistency? It’s for a video project.” I’m hearing that there are differences in video volumes. How do you deal with that? Do you do compression? Do you do automation for the different parts? How do you deal with dynamics?Ryan: It depends on the project. I’ll talk about how I would mix a sermon, because that’s very dynamic. Our pastor will go from whispering, holding his handheld mic close to his stomach, to screaming, holding the microphone, cupping the capsule. Power and respect to him, because it creates a certain atmosphere, which has a powerful effect. That’s what I’m dealing with on a weekly basis.That dynamic range is tremendous. Keep in mind, this is going to TV eventually. TV has very strict restrictions. It’s not so much on level, but on perceived level. There’s a difference between what you see meter and what you’re hearing. I can talk at length about that, too.Aaron: Could you give us a super short version? I’m kind of aware of that, but since I just mix in Logic, I’m not sure how to measure it. Is there a way to measure it in Logic? Do you know? Is there a plugin you use?Ryan: I use a plugin from Waves. It’s a loudness meter, and its just that. It has a lot of presets, so I’ll use the TV standard preset. I’ll use it for ATSE85, and I’ll use it for a dialogue bus. They’ve also got one for a master bus. The standard right there is your average level around -24 dB LUFS, so that’s full scale. If you have a classic meters, your peak would be zero, so that would average metering right around -10. At least for TV, I’ve got a hard limiter at -10 dB, to where nothing can go above that.The difference between levels on a meter vs. perceived loudness is the differences between what we hear and the actual energy.In our TV program, we’ll have the sermon, but we’ll also have a talking heads segments, which is dialogue and a music bed. We’ll also go into segments where they’ll go into worship from our live album, which had been mixed and mastered as an album. That thing is slammed. If you look at the wave form, it’s a sausage. If I’m setting all that by the meters alone and they’re all hitting -10, it may look right, but if I look at my loudness meter, that worship segment is going to be off the charts.There’s so much more content in there. There’s so much going on with all the different frequency ranges as opposed to a dialogue track, which is a narrow field in the frequency spectrum. That’s the gist of it. When it comes to my technique for controlling dynamics, for something like mixing a sermon, if I’m going down my plugin chain, the first thing I naturally have is a high pass filter. I’m rolling off those unnecessary lows that are hogging energy.The next thing I’ll do is use a compressor, and I’ll set the attack to right in the middle, so not fast or slow, and I’ll have the release time at fast. We don’t want to hear it pumping, letting go. That’s catching my peaks. It’s not doing a crazy amount, but it kind of is. That’s helping do a lot of the bulk compression. Before anything really hits the compressor, I will go through, and as I work my way through the mix, I will clip gain the wave form, so that, say, if he’s whispering somewhere, I might keep that, depending on how I have my compressor set.Then, if we go up to a part where he’s screaming and my wave form is huge, I will take that down and create those nodes, those dots in the wave form, and drag the actual clip volume down, that gain down. That way, it’s not going into the compressor at this high gain level. It’s hitting the compressor evenly as the rest of it would. That way, it’s not driving the compressor crazy. Then I’ll go through and do some EQ and DSing and whatnot. I might add some more compressors in there, just to grab some of those little things coming through. After that, it’s subtle, just smoothing it out.Aaron: It is a little bit of both. If she has access to an audio editing program—I don’t know what she’s using for editing. If you can put a compressor on the track, do that. It’s not exactly the same, but I did a YouTube video about how I process podcast vocals, and it’s very similar. For podcast vocals, I start with a Logic noise removal plugin.Ryan: I actually have my noise suppressor, and I’ll use that later on down in my signal chain. My way of thinking is that if I’ve got all this compression going on, the compression is narrowing that dynamic range, so it’s bringing up that noise floor. I tend to do my noise suppression after the bulk of that compression, because the noise floor is higher and it’s easier to work on a supressor. If that makes sense.Aaron: I’ve thought a lot about whether you should do the noise removal before or after you add a bunch of gain with a compressor or something, and I can’t think of a good reason that it matters. You can take out the noise before you add a bunch of gain, or you can add a bunch of gain and take out the noise afterwards. Which is better? I don’t know. Anyways, after the noise removal plugin, I put an EQ with a high pass filter, a peak compressor, an RMS or an average level compressor, and then a limiter.Ryan: Like I mentioned earlier, before I had my long-winded answer, it also depends on what it is you’re mixing—whether it’s music, or a podcast, or something for film.When it comes to dialogue for film, you want it to sound as natural as possible, but you also want to be able to hear if someone is whispering.When it comes to that, I’ll still use a compressor, but it will be very, very light. If there’s anything I need to do to meet loudness, that I will automate the volume on my dialogue bus. I’ll bring that up. That way, it sounds a little bit more natural, instead of solely relying on a compressor to do all the work for you.Aaron: That makes sense. For podcasts, if I notice that there’s a section where someone was talking much quieter, like if a guest backed away and talked like that for four or five minutes and then went back to the normal distance from the microphone, in Logic, I’ll turn that into its own clip. I make a cut on either side of the quiet part, and then, in Logic, you can double click on it and change gain by hitting Control G. Then you can add 3, 4, or 5 dB to it.That works out pretty well. If it’s every five seconds or I have to do it more than five or six times in an episode, I won’t do the clip gain changes, I’ll just use a compressor.Look at the overall audio file and see if there are long stretches where you can use automation to change the gain, or change the clip gain.Common Audio Mistakes Podcasters MakeRyan: You asked a question that I think would be good to talk about in regards to podcasting. You had asked, “What do you like about podcasts? What common mistakes do you hear people make?” Initially, I read this and thought, “I don’t know,” but I spent some time thinking about it. This is great, because it piggybacks off the loudness thing.A lot of the mistakes that I hear when it comes to podcasts in regards to audio is the levels and loudness aspect. I’ll listen to some podcasts that sound great, and I’ll put on another podcast where the whole thing is super quiet. Then they start laughing, and it’s really loud. There are some, like mine, where they have a music bed underneath the entire thing, and then sometimes the music bed is so quiet that you hardly know it’s there.You’re like, “What the heck is that noise in the background?” Sometimes, it’s the opposite. Sometimes, the music bed is way too loud. That’s a few of the things I’ve noticed. A lot of the fixes relate to what we just talked about. It helps to have knowledge of levels and perceived loudness.If you’re mixing a podcast, make sure your levels are consistent.One of the biggest things I can recommend for anyone mixing anything, whether it’s music, movies, a podcast, is the importance of having a reference track.Aaron: Yeah, I don’t talk about that enough.Ryan: That is huge. Professional audio engineers who mix platinum records still do this. They will pull in a track from a different song that is mixed well and is mixed how they want theirs to sound, and they’ll have it muted in their session. When they want to have a reference to listen to or train their ear, they’ll un-mute it, and they’ll go, “Oh, okay.”I’m sure you’ve done the same thing as me, where you’ll be so involved in a mix, you’re in it, and you think it sounds great, and then maybe you go away. You go home, sleep, and maybe you come back, and you open it up and you go, “Woah! What was I thinking!” You can get so involved in it that the blinders go up. You get tunnel vision, and you’re not aware to some things.It’s good to have a reference track or get an outsider’s opinion on a mix.The main takeaway here is the reference track. That would help with anything, whether it’s the timbre, how you’re EQing, or the loudness. You pull in their track and it’s far louder than yours, and you automatically know that you need to do something about it.Aaron: That’s a great idea. You can kind of do this before or after. You go through and you edit your whole podcast, get everything set up the way you want, create an extra track, and then find a podcast that sounds really good—This American Life or pretty much anything by NPR—download an episode, drop it into your editing program, and play it, mute it, and see what the difference is. Maybe you need to add some gain with an adaptive limiter or with a compressor, or maybe you can tell that your track sounds way sharper or harsher.Are there are too many high frequencies or too much bass compared to your reference track? You can adjust those things. I’m so glad you mentioned that. I’ve never thought of that before, and that’s such a good idea.Ryan: It’s one of those things you don’t think of much, but once you do it, you’re like, “Oh my gosh!” It’s really eye opening and really helpful.You can find Ryan online at ryanmonette.com, and follow him on Twitter @RyanMonette.

Heyang: Now, Let's talk about a boy's topic I suppose. A recent report shows that among adults, men are buying more toys than women. Why is that? So, what are we talking about here? The toys are like transformer stuff…those kind of toys, right?Niu Honglin: Yea, it is like every kind of toys involved. Oh no, not every. The transformer of course, the robot…or maybe what is boys and men favorite? And also some men and, let say, not in big cities, it shows up that teddy bears are the most popular in second, third and fourth in some cities. So, yes, teddy bears. But I like to assume that they are buying that for their girlfriends or something. Ryan: Hey guys, it is pronounced "Trans-form-er" okay? It's Optimums Prime. Come on guys! I am sorry for all the male listeners out there. They just don't understand guys. Well first of all, I think it is obvious that there is plenty of data to show that basically, when we are buying teddy bears, it is not for us, it is for our special lady.Niu Honglin: Apparently? Really apparently? Ryan: I think so, but definitely, definitely the transformers are for us. But, basically, you know 65 percent of toy buyers are between, in the survey, are between 23 to 35 years of age. And so, it is bringing up a lot of questions for the older guys why are they buying toys. You know what? I went to the comic con and I looked at all these really cool toys, but I could have appreciated the artistic-ness in them, and it brought back this nostalgic feeling. So I think a lot of guys buy this stuff to remember their childhood. Not necessarily, they go home and play in the living room, with their transformers. Heyang: Okay…really?Ryan: Yeah! Come on!Niu Honglin: It is okay. It is nice to see a little boy inside of a man, manly man. It is fine. And I am all for it. You should have a hobby. It is like, it better than smoking or drinking. You are just collecting toys. Heyang: Yeah! Have a hobby, like play tennis. And not get some toys when you are in your 30s. Do you know what that kind of scene looks like in other ladies' eyes?Ryan: Is it? I mean. So, you say it is better than reference smoking okay. Another thing that is better. But, if you went on a second, third date, you are going to watch a movie at your new found boyfriend's house, and you just see action figures everywhere, wouldn't that scare you to pieces? I mean it is just a little weird when it is like a dramatic thing. But I do want to say that probably most these guys are buying it for nostalgic reasons. So ladies, don't hate!Heyang: But why is it that, I mean nostalgia is a common feeling shared by all human beings, but girls don't buy toys. Why is it that men are buying those stuff? Ryan: Are you kidding me? I feel like girls definitely do buy toys. I mean I feel like Hello Kitty is huge. It is huge maybe in Korea, and a lot of places in Asia.Niu Honglin: Um…let say that we like them. It is okay if we need something that they are in shape of a Hello Kitty. It is okay to buy those, but we don't collect them. Well, at least, I don't collect them. And also, I am okay with it cuz it is nicer and easier to pick a gift.Ryan: Also you are going to make fun of guys for our toys. I just want to say on behalf of all our guys that why do you guys have so many shoes? Heyang: Because we need to wear it! But we don't need to play with it and you are playing with your toys when you are in your 30. And you have a whole group or cabinet of action figures? Yes, I understand those are collectables and they are like merchandise. And in some cases, they can actually become a sort of investment. But that is a mystery to me. How come, still you know guys…can we just simply say that boys will be boys forever? And I don't like that line at all because it sounds like an excuse! You are listening to Roundtable!

This week’s show we talk with Ryan Hay about everything! For full show notes visit our website!

This week’s show we talk with Ryan Hay about everything! For full show notes visit our website!