Podcasts about spectrasonics

Buckle up and join us as we embark on an electrifying journey into the world of sound with Artemiy Pavlov! Artemiy, a highly sought-after sound designer and the genius behind the innovative music software company, Sinevibes, takes us through his remarkable progression from a synth enthusiast to providing his expertise to industry-leading brands like Spectrasonics, KORG, Native Instruments, and Roland, and finally creating music software. We dive deep into the world of audio plugins, exploring both simple and complex software, as well as KORG's unique hardware hosting platform.Listen to us on all our platforms.www.audiblegenius.com/podcastOur coursesBuilding Blocks: www.audiblegenius.com/buildingblocksSyntorial: www.syntorial.comOur Social NetworksFacebook: www.facebook.com/AudibleGeniusInstagram: www.instagram.com/audiblegenius/TikTok: www.tiktok.com/@audiblegenius

Episode 85 Rain Music   Playlist Dean Evenson, “Thunder Intro” from Forest Rain (1993 Soundings of the Planet). 0:28 Ulrich Schnauss, “Molfsee” from Far Away Trains Passing By (2002 City Centre Offices). Written and produced by German artists Ulrich Schnauss. Schnauss is also a current member of Tangerine Dream, joining in 2014 and working with a renewed lineup since the death of original TG member Edgar Frose in 2015. 8:07 Ana Roxanne, “It's A Rainy Day On The Cosmic Shore” from ~ ~ ~ (2019 Leaving Records). Limited edition cassette release. Ana Roxanne is an intersex Southeast Asian musician born and raised in the Bay area. Some low-fi and hi-fi rain sounds and synthesis. 5:03 Paul Beaver and Bernard Krause, “Ragnarök” from Ragnarök (1969 Limelight). The duo's first album of electronic music following the release of their Nonesuch Guide to Electronic Music (1968). They feature the Moog Modular synthesizer throughout and use it to synthesize the sounds of rain and thunder on this track. 3:22 Dean Evenson, “Thunder Streams” from Forest Rain (1993 Soundings of the Planet). Everson has been producing soothing electronic and flute sounds for many years, this example is from 1993 and includes rain and thunder effects. Native and silver flutes, keyboards, Dean Evenson; harp, Dudley Evenson; cello, Jonathan Kramer; guitar, Tim McHugh; percussion, Stuart Glasser. 6:20 Mystic Moods Orchestra, introductory sounds of the storm and the sea from One Stormy Night (1966 Phillips). 0:52 Steve Birchall, “Summer Memories” from Reality Gates (1973 Poseidon Electronic Music Studio). An obscure and interesting album of privately produced electronic music from the early 1970s. Billed as "electronic meditations by Steve Birchall." Equipment used was a potpourri of systems, effects, and an EMS VCS-3 synthesizer: Ampex mm 1000 16 track recorder; DBX noise reduction; Spectrasonics console; Studer A-80 recorder; Eventide Clockworks Instant Phaser; Cooper Time Cube; EMT reverb; Neumann VMS 70-SX68 computerized lathe; EMS VCS-3 (Putney) synthesizer. 10:49 Agostino Nirodh Fortini (Nirodh), “Aquatic Round” from Suoni Immaginari (2020 Black Sweat Records). Italian artist and release. Composed, recorded, and produced by Agostino Nirodh Fortini. 2:52 Mystic Moods Orchestra, “A Dream" from One Stormy Night (1966 Phillips). In the mid-sixties, recording engineer and sound recordist Brad Miller had the brilliant idea of combining the recorded sounds of nature with sweeping, orchestral renditions of popular music. This was a series of albums intended as background mood music for couples. The subtitle on the cover of One Stormy Night is “Whoever you are, you hold in your heart the memory of…One Stormy Night.” On the back cover, it says, “A spectacular thunderstorm, the sound of rain and romantic music combine to create One Stormy Night. The Mystic Moods Orchestra has many releases in to the early 1970s, at least two of which utilized the Moog Modular synthesizer. This album, however, is pure field recordings creatively combined with music. 4:16 Sanford Ponder, “Frontier” from Etosha - Private Music In The Land Of Dry Water (1985 Private Music). Arranged, produced, written, Fairlight CMI Synthesizer, Yamaha DX-7 Synthesizer, Roland GR-707 Synthesizer, Sanford Ponder; piano, Clyde Criner. 9:37 D. Emmanuel, “Rain Forest Music” from Rain Forest Music (1981 North Star Productions). Private recording of electronic and acoustical music with field recording sound effects. Composed, arranged, performed, recorded by, Yairi Acoustical Guitar, Effects, 3 Sequential Circuits Pro-One Synthesizers, Crumar organ, J. D. Emmanuel. Recorded at Emmanuel's studio in Houston. Tropical birds were recorded at Houston Zoo Tropical Bird Aviary. “Rain and surf, gifts from Mother Nature. This music can be used for deep relaxation, meditation and as background for massage and counseling.” 22:00 Thom Holmes, thunder record skip from a Mystic Moods Orchestra album. 0:55 Hans-Joachim Roedelius, “Regenmacher” from Durch Die Wüste (Through the Desert) (1978 Sky Records). Percussion, Bass, Keyboards, Hans-Joachim Roedelius; Synthesizer (Synthesizermelodie), Möbius; EMS Synthi, Percussion, Konrad Plank. Recorded and mixed with Konrad Plank in his studio in May 1976, small changes made in January 1978 prior to release. A German electronic composer and member of Cluster in this first solo album transitions to a period of acoustic music, but there are synths being used on this track. 6:36 Thom Holmes, rolling, distant thunder, field recording. 0:59 Yavomag, Rubikdice & Chilx, “Tokyo Rain” from The Ronin EP (2022 Yavomag, Rubikdice & Chilx). House music with a rainy vibe. 2:23 Thom Holmes, crack of thunder field recording.0:52 Dean Elliott And His Orchestra, “Rain” from Zounds! What Sounds! (1962 Capitol). A funny relic from the days when mixing sounds effects into music was a fresh idea. Very cleverly edited by Phil Kaye; Producer, John Palladino. 2:49 Thom Holmes, “Rain Drone” an alternate version and test for a track I later released called Requiem for the Rain (2016 not released). In this piece, I started with the sound of rainfall that I recorded and then processed it using the synthesizer component of MetaSynth to transform the raindrops and downpour into drones and harmonic points. All of the sounds in this work are derived from processing the sound of rain. 12:29 Thom Holmes, thunder, field recording. 1:15 Hans Zimmer and Benjamin Wallfisch, “Rain” from Blade Runner 2049 (Original Motion Picture Soundtrack)(2017 Epic). Cello, Simone Vitucci, Vocals, Tristan Schulze; Guitar, Owen Gurry; exotic instruments, Chas Smith; Musical Assistance, Cynthia Park; Soundtrack Album Produced By, Ashley Culp, Kayla Morrison, Michael Hodges; Synth Programming, Hans Zimmer; Sampling Team, Raul Vega; Digital Instruments Design, Mark Wherry; Synth Design, Howard Scarr; Vocals, Avi Kaplan. 2:26 Opening and closing messages voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my blog for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Musically, @GLASYS is the most talented person I have ever met. So incredibly excited to have him on to talk about his musical background, MIDI Art, video game memories, and much more. GLASYS (Gil Assayas) is a pianist, synthesist, producer and vocalist who melds many genres and influences including Electronic Music, Alternative Rock, Jazz, Classical and Video Game Music. Since relocating to the US a few years ago, GLASYS has been endorsed by major gear manufacturers such as Nord Keyboards, 64 Audio, Sequential and Spectrasonics, has developed a large social media presence with millions of video views, has been featured on the GRAMMY's website, and has had his song 'The Pressure' played at a Portland Trailblazers NBA game. Recently, he was discovered by Hip-Hop giant T-Pain on reddit and the two are now collaborating. GLASYS is also currently touring and collaborating with legendary musician and producer Todd Rundgren. For the last few years GLASYS has been developing a unique left hand technique that allows him to play both the bass and drum parts simultaneously on a custom built MIDI controller. He often incorporates this technique in his live arrangements on his YouTube channel. More recently, his live MIDI art videos have gone viral on TikTok. GLASYS released his debut EP 'The Pressure' in 2016 and his first full length album ‘Defective Humanity' (which was successfully crowd-funded on Kickstarter) in 2019. Click here to stream/download the album. "HO. LY. SH*T! I've never seen anything like this in my life. Man. PM me if you wanna work together, bro. This is amazing!" - T-Pain. Connect with GLASYS: Facebook: www.facebook.com/GLASYSmusic YouTube: www.youtube.com/c/GLASYS Instagram: www.instagram.com/GLASYSmusic Twitter: www.twitter.com/GLASYSmusic TikTok: www.tiktok.com/@gil.assayas Bandcamp: GLASYS.bandcamp.com Spotify: https://spoti.fi/2XJsHHv Want to record conversations like this, check out RIVERSIDE.FM: https://tinyurl.com/3u2ace4y

Scott Frankfurt Studio is a state-of-the-art recording studio with an innovative workflow and instantly welcoming atmosphere. Located in the Los Angeles community of Woodland Hills, SFS has provided world-class, full-service recording, mixing, mastering and sound design services to top-notch artists for over 25 years.Owner and founder Scott Frankfurt has enjoyed a diversified career as drummer, songwriter, synthesist, producer and recording artist. He also served as VP of Design at Spectrasonics for 13 years, which required audio precision at the highest level. Scott's background has driven the design details of the studio—which combines the soul of a classic recording outfit with the accuracy of an audio lab.SFS serves a diverse clientele—from up-and-coming indie bands to the biggest names in music, film and TV. The studio offers an innovative hybrid audio path, giving artists the choice of working ‘in the box' in the digital domain for convenience and collaboration or in the high-resolution analog world with ultra-high headroom and virtually unlimited tone choices during mixdown.But it's more than just a studio with great sound. Studio co-founder Sharon Frankfurt and SFS staff believe every recording session should be an outstanding hospitality experience. Enjoy fresh pastries & fruit, and sip hand-crafted cappuccinos in the private studio garden!https://www.scottfrankfurtstudio.com/https://www.instagram.com/scottfrankfurtstudio/?hl=en@thecareermusician@nomadsplace

Scott Frankfurt Studio is a state-of-the-art recording studio with an innovative workflow and instantly welcoming atmosphere. Located in the Los Angeles community of Woodland Hills, SFS has provided world-class, full-service recording, mixing, mastering and sound design services to top-notch artists for over 25 years. Owner and founder Scott Frankfurt has enjoyed a diversified career as drummer, songwriter, synthesist, producer and recording artist. He also served as VP of Design at Spectrasonics for 13 years, which required audio precision at the highest level. Scott's background has driven the design details of the studio—which combines the soul of a classic recording outfit with the accuracy of an audio lab. SFS serves a diverse clientele—from up-and-coming indie bands to the biggest names in music, film and TV. The studio offers an innovative hybrid audio path, giving artists the choice of working ‘in the box' in the digital domain for convenience and collaboration or in the high-resolution analog world with ultra-high headroom and virtually unlimited tone choices during mixdown. But it's more than just a studio with great sound. Studio co-founder Sharon Frankfurt and SFS staff believe every recording session should be an outstanding hospitality experience. Enjoy fresh pastries & fruit, and sip hand-crafted cappuccinos in the private studio garden! https://www.scottfrankfurtstudio.com/ https://www.instagram.com/scottfrankfurtstudio/?hl=en @thecareermusician @nomadsplace

Cette semaine, dans la Matinale, Red Led nous parle du nouveau gros pédalier looper de Boss, le RC-600, des nouvelles extensions pour Omnipshere chez Spectrasonics, d'une Fender issue du Custom Shop inspirée par un violon Stradivarius, et d'un plugin pour faire un effet de trémolo à la Billie Eilish.

Au chapitre des questions hyper intéressantes, celle qui nous est parvenue aujourd'hui a le mérite de générer des discussions endiablées, et l'on découvre enfin que Horine est en réalité un conformiste assumé. Arturia Matrixbrute Noir Edition : https://www.arturia.com/products/hardware-synths/matrixbrute-noir/overview Arturia FX Collection 2 : https://www.arturia.com/products/software-effects/fx-collection/overview#fr Modal Electronics Cobalt 8 : https://www.modalelectronics.com/cobalt-series/ Elektron Digitakt : https://www.elektron.se/products/digitakt/ Plugins Spectrasonics sur Apple Silicon : https://www.spectrasonics.net/news/news-content.php?id=125 Apogee Duet 3 : https://apogeedigital.com/products/duet 00:00 Intro 01:08 Début de l'émission 06:25 AskSondiers (Accorder son kick) 30:08 AskSondiers (Température et micro) 41:00 Arturia MatrixBrute Noir 43:33 Arturia FX Collection 2 59:00 Modal Electronics Colbalt 8 fimrmware update 01:02:20 Elektron Digitakt 1.30 Update 01:07:10 Spectrasonics optimisé pour Apple Silicon 01:09:25 Apogee Duet 3 --- SOUTENEZ NOUS ---- Offrez nous un café, ça nous met la patate ! https://tipeee.com/les-sondiers​​ Rejoignez nous sur Discord : https://lessondiers.com/discord Pour vos besoins en matériel, vous pouvez passer par notre lien affilié chez Michenaud, un super magasin pas cher, sérieux et sympa : https://lessondiers.com/michenaud ​ ​Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com​​ ​ Suivez nous sur Twitch : https://www.twitch.tv/lessondiers ​Twitter : https://twitter.com/lessondiers​​ ​Instagram : https://instagram.com/lessondiers​​ ​Facebook : https://facebook.com/lessondiers​​ YouTube : https://youtube.com/lessondiersFR​

We chat about the tremendously featureful new version of Audacity, zplane's two-dimensional plugin that might help someone somewhere somehow, new news from Spectrasonics, and a wee bit more.

Music Producers, in this episode of The Curtiss King Podcast we unpacked alot. First, we discussed my reaction to the Spectrasonics interview with Eric Persing. Second, we talked about expectations Producers should establish when they begin their content creation journey on YouTube, Instagram, TikTok, etc. Lastly we discussed the difference between making music to make money and making music that has the ability to make money. POWERED BY VOCHLEA DUBLER ►► http://getdubler.com/curtissking --- Support this podcast: https://anchor.fm/curtisskingpodcast/support

Music Producers, we had the opportunity to interview the founder of Spectrasonics (Omnisphere, Trillian, Keyscape) about their license and sample agreement (*Which They Updated BTW*). Thanks to your overwhelming response to my video that highlighted some grey area terminology for producers and sound designers, they reached out and are looking to provide us clarity and peace of mind. Eric Persing is the founder and creative director of Spectrasonics. He has produced dozens of the sampling industry's top selling titles and gone on to create the award-winning Omnisphere, Keyscape, Stylus RMX, Trilian, Atmosphere and Trilogy software virtual instruments. --- Support this podcast: https://anchor.fm/curtisskingpodcast/support

Scott Frankfurt is someone I admire deeply, and in the music business, he's done it all. If anyone is living my dream life right now, it's him! From decades of hit records to being the VP of Spectrasonics to winning Grammy's to working with some of the literal top musicians in the game, to say that Scott has "made it" is an understatement. And more importantly, he's a great human being and a true friend. I'm deeply humbled and honored that he sat down for a chat with me, and I know you're going to love this episode. (C) 2020 Aloa LLC, All Rights Reserved

Today, we're speaking with GLASYS. GLASYS (Gil Assayas) is a pianist, synthesist, producer and vocalist who delivers intricate virtuosic keyboard parts, electronic soundscapes and impassioned vocals in one package that combines his many influences including Electronic music, Alternative Rock, Jazz and Classical music. Since relocating to the US three years ago, GLASYS has been endorsed by major gear manufacturers such as Nord Keyboards, 64 Audio, Sequential and Spectrasonics, has developed a large social media presence with over two million total video views, has been featured on the GRAMMY's website, and has had his song 'The Pressure' played at a Portland Trailblazers NBA game. Recently, he was discovered by Hip-Hop giant T-Pain on reddit and the two are now collaborating. GLASYS is also currently touring and collaborating with legendary musician and producer Todd Rundgren. Watch these Videos: Resources: Find GLASYS here: Website | Facebook | Youtube | Instagram  Also check out the Grid Kids podcast and Adam Neely's New Horizons Music youtube channel  

Hoy en día la producción musical de cualquier género no se concibe sin el uso de loops y muestras de percusión que aporten originalidad y para ello te recomendamos Stylus RMX. Un instrumento virtual con ocho slots para combinar diferentes ritmos. Además nos da la …

Os enseñamos los plugins más adecuados en la creación de música de videojuegos.      El Omnisphere es uno de los plugins más potentes para la creación de texturas y ambientes. Si nos desplazamos a las opciones que nos ofrece el plugin, podemos darnos cuenta …

With his 10th album Remembrance: A Collection Of Cinematic Portraits, a #2 hit on the Billboard charts, composer and pianist Jim Wilson matches visual imagery to poignant melodies. In addition to his recording career, Jim is well known for bringing the piano into the 21St Century for artists like Paul McCartney, Elton John, and Billy Joel introducing new technologies.  Hear about Jim’s musical odyssey from Texas to Los Angeles, as he shares the inspiration for his luminous compositions.  

 Приветствую, друзья!!  Представляю свою очередную новинку). Решил добавить ещё один бонус-трек к моему уже законченному альбому "Another Realities" (2018). Работа немного мрачноватая, но, как говорится, на вкус и цвет....)) По традиции немного о Технических деталях трека: в композиции были задействованы и уже не раз использованные мной, можно сказать, полюбившиеся мне плагины. Это vst-синтезатор Zebra2 от немецкой компании U-he и vst-модуль Atmosphere от американской компании Spectrasonics, а также NEXUS-2, KONTAKT-6 и штатный vst-синтезатор FL Studio - Toxic Biohazard, и..."ВНИМАНИЕ!"...впервые на этом треке я обкатал новейшую версию любимого секвенсора, это FL STUDIO 20. Вот такая кухня)) Всем приятного прослушивания и отличного настроения!) Буду рад вашим отзывам).

Diego Stocco is a sound designer, instrument builder, and explorer of sounds. Diego is a master at finding music in places ordinary people do not hear it. As an imaginative craftsman, Diego has created a collection of instruments made from natural and found objects, and instrument parts. He uses his otherworldly creations to score films and trailers, design sounds for Spectrasonics, and create his own unique music. His work proves that there is still so much sound to explore in our world. I’ve wanted to chat with Diego for a long time now. In the world of sound designers, he is a superhero. What became immediately clear in our conversation was his passion for his work. Diego makes you want to find new sounds in new places. I’m amazed at how such a well-trained musician can see past what he calls “problems of preconceptions” and explore sound as if it was the first time he ever encountered it. Diego generously shared so much wisdom and insight about his work and sound in general. Listen on iTunes or Stitcher or Google Play Show Notes: Official website - Check out Diego’s body of work. BeHance - Explore more of Diego’s musical and sound design work. Albums - Some of Diego’s music, using his handmade instruments and natural sounds. Made of Sound - The latest audio/visual work, featuring music made with 17 custom instruments. Custom Built Orchestra - Diego’s orchestra of unusually unique instruments. Spectrasonics - Diego is one of the principal sound designer, working on Omnisphere and Stylus RMX. Ennio Morricone - The legendary composer. 3-D Ambisonic Microphones - CDM’s piece on the future of microphones. Thank you for listening. Please consider giving the Music Production Podcast a review on your favorite podcast provider. And don’t forget to visit my site AfroDJMac.com for music production tutorials, videos, and Ableton Live devices. Brian Funk AfroDJMac

Sound designer, Gold Record-selling musician and audio engineer James Bernard is addicted to sound. As a young video game junkie in the 1980ʼs, James was immediately drawn to the quirky blips and bleeps coming from the speakers. After completing a course in audio engineering, James became involved in the early rave scene in New York in the early 1990s. He went on to become both an electronic musician with releases on many well-respected labels in the USA and UK and a sound designer/product specialist for major music instrument manufacturers (Korg, Propellerhead) and is currently part of the team at Spectrasonics. His first release was the ambient album “Atmospherics” on the well respected UK label, Rising High Records in 1994 and is considered by many to be one of the classic ambient albums of itʼs time. James also produced many early trance tunes as “Influx” during the early 90s and later on shifted his sound to more of an Ambient/IDM/Acid vibe. Working with a combination of software, hardware and modular synths, James continues to shape his sound and incorporate all the different elements and styles of electronic music that have influenced him over the last 20 years. James also composes and releases ambient electronic music with his wife Cynthia as Awakened Souls and electronic indie vibes as Syntillas. For this podcast, James wanted to take listeners on a journey through many different peaks and valleys. This musical journey includes many unreleased works, incorporating modular and software compositions, vocal DSP treatments of Cynthiaʼs voice and also a guest appearance from his youngest daughter Mia on one of the vocal treatments. James has recently performed at the LA Modular On The Spot events and at many different electronic music events around the world, sharing the stage with artists such as Juan Atkins, DNTEL, Spacetime Continuum (Jonah Sharp) and many more. Links: https://jamesbernard.bandcamp.com https://soundcloud.com/james-bernard https://open.spotify.com/artist/6d20guq0wJ6Z4sQGucU85q? si=wRsYoq74SPmdKc6wzuNwwg https://awakenedsouls.bandcamp.com/releases https://soundcloud.com/syntillas

 Приветствую, друзья! Рад представить свою новую работу, продолжая фантастическую концепцию будущего альбома!) Как всегда я не мог ограничиться каким-то одним стилем, вообщем получилась довольно гармоничная смесь Synth-pop, Ambient и Spacesynth. Ну а как и что, вам судить)).Концепция трека такова, это история первооткрывателей дальнего космоса, которым в поисках нового дома для человечества придётся столкнуться с неизведанным, удастся ли им преодолеть все препядствия на своём нелёгком пути.... Вообщем, у каждого конечно будут свои ассоциации при прослушивании).По традиции краткая тех.справка: в композиции впервые был использован очень интересный vst-синтезатор IRIS-2 от американской компании iZotope, а также великолепный vst-плагин для создания фантастических атмосфер и текстур, это модуль ATMOSPHERE от знаменитой американской компании Spectrasonics.Всем приятного прослушивания и погружения в мир фантастических образов!) Буду рад вашим отзывам)).

 Приветствую, друзья! Возвращаюсь к своему основному проекту ALIEN. Как и в прошлом году треки будут ориентированы на лёгкое дарк направление, симбиоз фантастики и мистики). Этот год для меня вдвойне юбилейный, и думаю, будет насыщен интересными идеями, а я буду стараться их воплощать в жизнь)).Рад представить свою новую работу). Трек сделан в лучших традициях ранних DELERIUM. Кто знаком с этим замечательным коллективом из Ванкувера, думаю, сразу всё поймёт, ну а кто не знаком, мне кажется, тоже должно понравиться)). Как я уже написал, это лёгкое дарк направление с небольшим мистическим уклоном.Традиционно небольшая тех.справка для тех, кому интересно: в композиции впервые был использован очень классный vst-синтезатор Omnisphere от американской компании Spectrasonics, также были задействованы синтезаторы: Repro-1, Hive и Filterscape от немецкой компании U-he, и ещё были использованы vst-синтезаторы Absynth 5 и Massive от одной из лучших компаний-разработчиков, это нецкая компания Native Instruments.Всем приятного прослушивания и отличного настроение!)) Итак, погружение в мистически-фантастический мир) Буду рад вашим отзывам))).

Bob Wilson is a Grammy-nominated drummer, songwriter, and a founding member of the band SeaWind whose sound defined an era of jazz fusion in the 70’s-80’s.  They were also the precursor to the Jerry Hey Horns, who have set the bar for rhythm and horn section studio recording for generations.  Bob later toured with Billy & Franklin Graham for over 10 years and is currently a producer with the wildly successful music software company Spectrasonics, whose products Omnisphere, Stylus, Keyscape, and more are used every day by A-List music producers and film, tv, and, game composers. He’s got some wonderful stories and advice… here’s Bob Wilson.

Eric Persing founder of Spectrasonics was our guest for this 11 year anniversary show. topics included: 11 years of the AudioNowcast, what were some of the highs (Ken Scott, Producer for David Bowie and a Beatles engineer) and what were some of the lows (guitar show anyone?), how to break up with a client, eventually […]

In this Sonic TALK special, we talk to Eric Persing of Spectrasonics - legendary sound designer and synthesist whose career spans some of the major changes in synthesis and music technology

In this Sonic TALK special, we talk to Eric Persing of Spectrasonics - legendary sound designer and synthesist whose career spans some of the major changes in synthesis and music technology

We have a whole collection of electric toothbrushes that are all in different keys.” – Eric Persing A quote like that is what makes me love Eric Persing. Eric is the founder of Spectrasonics, a company specializing in developing World Class software ‘virtual instruments’ since 1994. He has produced dozens of the sampling industry’s top […]

Not much on the agenda this week apart from a bit of good old NAMM speculation and chit chat. We talk about the Moog Sub Phatty (07:57), Ableton Push will be on display for the time (18:00)Mark brings out his Yamaha EZ-EG MIDI guitar (27:59) and Gaz promises to eat his Monotron (maybe) when we talk of something new from Korg (32:03). Avid are also apparently cooking something up too (39:00),which leads to a discussion of working remotely and also off the grid - with a great working method from Gaz to jam freestyle using Cubase (49:47) . Dave has a hunch that Spectrasonics are up to something too

Not much on the agenda this week apart from a bit of good old NAMM speculation and chit chat. We talk about the Moog Sub Phatty (07:57), Ableton Push will be on display for the time (18:00)Mark brings out his Yamaha EZ-EG MIDI guitar (27:59) and Gaz promises to eat his Monotron (maybe) when we talk of something new from Korg (32:03). Avid are also apparently cooking something up too (39:00),which leads to a discussion of working remotely and also off the grid - with a great working method from Gaz to jam freestyle using Cubase (49:47) . Dave has a hunch that Spectrasonics are up to something too

News, a Spotlight segment, a Gear Review, Viewer Mail and we tweak the Stupid Knob! News: Pro Tools 7.4 Is Available Now! IntelliScore Ensemble 7.1 Spectrasonics Intel Mac Wrapper http://NaSoAlMo.org Edirol Leopard Compatability Supported Units: USB 2.0 Audio Devices: M-16DX, UA-101 USB 2.0 mode, UA-1000 USB 1.1 Audio Devices: M-100FX, PCR-1, PCR-A30, SC-D70, SD-90, UA-1EX, UA-3FX, UA-4FX, UA-5, UA-20, UA-25, UA-101 USB 1.1 mode, UA-700, UR-80 USB MIDI Devices: UM-1 Series, UM-2 Series, UM-3EX, UM-550, UM-880, PC-50, PC-300, PCR-300, PCR-500, PCR-800, PCR-M1, PCR-M30, PCR-M50, PCR-M80, PCR-30, PCR-50, PCR-80, SC-8820, SC-8850, SD-20, SD-80, SK-500 IK Multimedia StealthPlug Special Guitar At BerkleeMusic Zero G's Classic Disco Sample Library Spotlight: Al tries the Heil PR-40 again this week with some different positioning. Slau does a dynamic mic mini shoot out. Waves SSL Bundle is in the house! Gear Review: Spectrasonics Atmosphere Dream Synth Module - The World's Most Massive Synth! This is really a different type of virtual instrument that brings together a three gigabyte core library of more than one thousand unique sounds and layer elements. Atmosphere works as a native plug-in instrument in all major hosts like Logic, Digital Performer, Cubase, Nuendo and Pro-Tools. Atmosphere was designed from the ground up by Eric Persing, well known for his sound design of classic Roland synthesizers and award-winning sample libraries. List Of Gear Used To Create The Core Library Patch List Demos 3.7 gig core library offers vast array of textures to explore 1,000 patches by award-winning sound designer Eric Persing All NEW Sounds Powerful interface and synthesis capabilities Dynamic layering of sounds for over 1,000,000 mix combinations Easy to use... Built-in patch management system Fully programmable Total recall with your sequence Multimode resonant Filters for each layer, plus Master Filters Three envelopes per layer for Pitch, Filter and Amplitude Matrix-style modulation routing, four LFOs Powered by custom 32 bit UVI engine Cross platform plug-in compatibility $399 - Six CD-ROM set MAS, RTAS Mac and VST Mac/PC included (Audio Units for OSX and RTAS for Windows available from www.spectrasonics.net/updates/) Operates as a virtual instrument software plug-in in all major hosts like Logic, Digital Performer, Pro Tools, Cubase SX, Ableton LIVE, Nuendo, Fruity Loops, Acid Pro and many other VST hosts. Also works in Sonar 2.0 with a VST wrapper (not included). System recommendations: 512 MB RAM, 3.9 GB free hard disc space MAC: OS 9 or higher, 500 mHz G3 or better CPU, MAS, RTAS or VST 2.0 host PC: Windows 98 or higher, 600 mHz Pentium III or better CPU, sound card, VST 2.0 host or Pro Tools 6.1 or higher CPU load: MODERATE All Specifications to change without notice. All trademarks are the property of their respective holders. Viewer Mail: Andrew Brierly from the Home Recording Odyssey podcast has a potential scam alert regarding http://TalentAward.net Mike Schettler of Shortler Studios wrote in to share another major label "kiss off" from a major artist, Aretha Franklin. Gordon Brinton has launched http://ProAux.com, a gear auction site with ZERO selling fees. Want to try your hand at mixing some serious metal? Click Here! A video about abusing a Shure SM58 from Patrick Bonier: The Stupid Knob: How bad is you lifestyle when it freaks out Snoop Dog? Ask Amy Winehouse! Answer To Last Week's Trivia Question: Q: In 1941 Alan Lomax first recorded the artist McKinley Morganfield. What name do we better know him by today? A: Muddy Waters! This week's big winner is Jason Paul. He takes home a copy of Guitar And Drum Trainer courtesy of Ryan Smith over at GuitarAndDrumTrainer.com. Honorable mention goes out to Jon Julson, Jesse Osborne, Charles Wyatt, Bryan Daste of the Magic Closet Studio in Portland, Oregon, Dadooz, Nick Cicero, Kevin Manning, Jim Miles and Kevin Anderson. Great work everyone! See you next week! Related Tags: music recording studio home studio project studio mixing protools plugin frappr creative commons digidesign pro tools mix it like a record project studio network bob brooks unsung heroes of the music business elastic audio intelliscore ensemble spectrasonics atmosphere eric persing edirol ik multimedia stealthplug berkleemusic classic disco andrew brierly home recording odyssey mike schettler shortler studios gordon brinton proaux sm58 patrick bonier snoop dogg amy winehouse muddy waters mckinley morganfield bryan daste magic closet studio

Mike opens the show with a fantastic resource located here: http://RecordProduction.com In this unique and comprehensive music production web site, you may watch over 100 leading record producers talking on camera about their work and take 80 exclusive behind the scenes video tours around some of the world's top recording studios. The Stupid Knob: Mike shares a short story demonstrating one of the most unique iPod accessories we've every heard of. Kids, don't try this at home! Spotlight: PSN correspondent and 5-time Emmy winner John Davidson is back for Part #2 of the series The Tech And Art Of Surround Mixing. This week John discusses the proper method for calibrating your listening space. Gear Review: Big Al reviews Trilogy, a virtual bass instrument from Eric Persing at Spectrasonics. The web site: http://Spectrasonics.net If you're not a bass player, you always run across the need to lay down a quality bass track, often with some kind of sampler. Trilogy is a Virtual Bass Module plug-in, 3 gigabyte core library with a powerful, yet easy to use interface and synth engine for manipulating the sounds. Windows and Mac, VST, AU and RTAS. Almost 1,000 patches in these categories: Acoustic Stand Up Bass - Mic'd and direct Martin Acoustic Bass Guitar Electric Bass - Fingered, Picked, Fretless, Slap, Muted Synth Several audio examples are presented demonstrating the True Staccato feature that is the power behind the stunning realism of this plugin. Big Al's Review Recommendation: It's the best in class and is going to be hard to beat any time soon, short of hiring a real session bassist. He gives Spectrasonics Trilogy 5 out of 5 VU meters! Answer To Last Week's Trivia Question: Q: In 1968, Iron Butterfly released the classic 17-minute long In-A-Gadda-Da-Vida. In-A-Gadda-Da-Vida is actually a corrupted version of the song's original name. What was it? A: In The Garden Of Eden This week we received two correct answers from listeners! Congratulations and props to Grae Smart and Ronnie Marler, host of the Virtual Song Cast Podcast. Extra background facts: Is considered to be the song that ushered in the era of acid rock. Takes up the entire second side of the original record. The version edited and released as a single omits (among other things) Ron Bushy's drum solo and leaves roughly three minutes of music. Peaking at #4, the song spent 140 weeks on the Billboard 200 chart. This Week's Trivia Question: Q: Who played keyboards on Stevie Nicks' song Stand Back under the alias Alexander Nevermind? E-mail us your answer! See you next week! Tags: music recording studio emmy spectrasonics eric persing plugins iron butterfly bass guitar stevie nicks surround sound

Au chapitre des questions hyper intéressantes, celle qui nous est parvenue aujourd'hui a le mérite de générer des discussions endiablées, et l'on découvre enfin que Horine est en réalité un conformiste assumé. Arturia Matrixbrute Noir Edition : https://www.arturia.com/products/hardware-synths/matrixbrute-noir/overview Arturia FX Collection 2 : https://www.arturia.com/products/software-effects/fx-collection/overview#fr Modal Electronics Cobalt 8 : https://www.modalelectronics.com/cobalt-series/ Elektron Digitakt : https://www.elektron.se/products/digitakt/ Plugins Spectrasonics sur Apple Silicon : https://www.spectrasonics.net/news/news-content.php?id=125 Apogee Duet 3 : https://apogeedigital.com/products/duet 00:00 Intro 01:08 Début de l'émission 06:25 AskSondiers (Accorder son kick) 30:08 AskSondiers (Température et micro) 41:00 Arturia MatrixBrute Noir 43:33 Arturia FX Collection 2 59:00 Modal Electronics Colbalt 8 fimrmware update 01:02:20 Elektron Digitakt 1.30 Update 01:07:10 Spectrasonics optimisé pour Apple Silicon 01:09:25 Apogee Duet 3 --- SOUTENEZ NOUS ---- Offrez nous un café, ça nous met la patate ! https://tipeee.com/les-sondiers​​ Rejoignez nous sur Discord : https://lessondiers.com/discord Pour vos besoins en matériel, vous pouvez passer par notre lien affilié chez Michenaud, un super magasin pas cher, sérieux et sympa : https://lessondiers.com/michenaud ​ ​Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com​​ ​ Suivez nous sur Twitch : https://www.twitch.tv/lessondiers ​Twitter : https://twitter.com/lessondiers​​ ​Instagram : https://instagram.com/lessondiers​​ ​Facebook : https://facebook.com/lessondiers​​ YouTube : https://youtube.com/lessondiersFR​