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2 episodes with in a gadda da vida
2 episodes with in a gadda da vida
2 episodes with in a gadda da vida
2 episodes with in a gadda da vida
Aquesta setmana magdalenera al Males Vibracions deixem tot sol al Rubén a la vila del pingüí. Andreu i Òscar fan el seu descans. Rubén li fa cas a Batiste, cosa raríssima!!!. Hem deixat a una banda les novetats i l’agenda, centrant-nos en cançons en format vinil. Més que variat, coses estranyes fins passar per alguna edició de Sanremo. Llistat: Mr Acker Bilk And His Paramount Jazz Band – Mañana Pasado Mañana; Alexis Korner’s All Stars Blues Incorporated – Stormy Monday; Iron Butterfly – In-A-Gadda-Da-Vida; Los Brincos – I Try To Find; Los Brincos - Mundo, Demonio y Carne; Los Gritos – Te vendo un trozo de sol; Los Mitos – Es muy fácil; Gigliola Cinquetti – Sei un bravo ragazzo; Lilly Bonato – Tu piangi per niente; Shocking Blue – Roll Engine Roll; Domenico Modugno – Nel blu dipinto di blu; Zager & Evans – In The Year 2525; Trio – Lady-O-Lady; Rigor Mortis – Vete al infierno; ZZ Top – Got Me Under Pressure; Stray – Come On Over; Crow – Slow Down.
Départ de cette émission en l'an de grâce 1968, aux États-Unis où il n'y pas qu'un milliardaire despote mais aussi de sacrés bons musiciens, par exemple à l'époque IRON BUTTERFLY et leur 2ème album "In-A-Gadda Da Vida". On ne parlait pas alors de rock "progressif" mais les californiens ont quand même bien préparé la voie ! Pour rester sur le même continent, les canadiens de RUSH, l'une des formations de rock des plus stables dans la durée jusqu'à la disparition de leur regretté batteur et parolier, ici en 1996 avec un extrait de "Test For Echo". En France, j'ai fait une belle découverte : EDENYA. Joli projet du multi-instrumentiste Marco en 2010, associé à des chanteuses et chanteurs qui se sont succédés depuis. Le dernier album "Another Place" paru en 2023 a donc été ma porte d'entrée dans l'univers de Marco ! La formation se produira cet été au Festival Crescendo, l'occasion d'ailleurs de les écouter avec leur nouvelle chanteuse Ingrid Denis déjà entendue dans cette émission au sein du groupe OSCIL, groupe qui avait marqué très positivement votre serviteur !
Song quality is rarely measured in runtime; as long as it “hits”, there’s no need to wear out your welcome. Like for every “In-A-Gadda-Da-Vida” there’s a “Song 2” or a “Disciples”, right? Because when you’ve done everything you need to do to make a tune total, and as long as a quick dose of dopamine […] The post J Halp: “You Let Me Down” appeared first on KUT & KUTX Studios -- Podcasts.
Greetings! This week's program presents a potpourri of musical stylings ranging from William Bolcom's piano rags arranged for string quartet to the new release from New York prog rockers, Izz, to Iron Butterfly's "In A Gadda Da Vida". Eclectic programming? Sure. What else is new? Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter-like x-thing: https://x.com/envpusher1 6-22-24 PTE Playlist Three Rags: I. Poltergeist / II. Graceful Ghost / III. Incineratorag - Altius Quartet / composer: William Bolcom - Dress Code - Navona Records (2017) https://www.navonarecords.com/catalog/nv6078/ Rhythms for Computer and Percussion: Rhythms / Songs Without Words / Birdbath / Au Revoir - Joel Chabade - Emergence - Intelligent Arts (2024) https://joelchadabe.bandcamp.com/album/emergence Pulsations - Denman Maroney Quartet - The Air-Conditioned Nightmare - Neuma (2024) https://denmanfmaroney.bandcamp.com/album/the-air-conditioned-nightmare-2 Cer și Pământ - Somngreu - Pământ - digital release (2021) https://somngreu.bandcamp.com/album/p-m-nt cloud forty-nine - karen vogt - diary#5 - Sonic Dialogue (2024) https://sonic-dialogue.bandcamp.com/album/diary-5 Hypersleep - Postmodern Machine - Hypersleep - digital release (2021) https://postmodernmachine.bandcamp.com/album/hypersleep Shinseki Soundboi - Cathode Ray Tube - Imperfect Vessel - Condition Human (2024) https://conditionhuman.bandcamp.com/album/imperfect-vessel Afterlife Theme Park - Cymbalic Encounters - Eclipsis - digital release (2024) https://cymbalicencounters.bandcamp.com/album/eclipsis Collapse The Wave - IZZ - Collapse The Wave - Izzmusic (2024) https://izzmusic.bandcamp.com/album/collapse-the-wave Improv 2/ Drum Solo/ In-A-Gadda-Davinci- Scott McGill: guitar / Michael Manring: bass / Vic Stevens: drums - What We Do Too - Free Electric Sound (2006) In-A-Gadda-Da-Vida - Iron Butterfly - In-A-Gadda-Da-Vida - Rhino (1968/1995)
Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike. Grateful DeadJune 3, 1976 (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show: Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later. Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus. INTRO: Might As Well Track #1 1:15 – 2:50 “Take that ride again” Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976. It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music. The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America. Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends. Later made into a movie Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped) during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin. Here, it is played as the show opener. Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune. Played 111 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW 19 times that year Last: March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91 SHOW No. 1: Lazy Lightning Track #6 0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number. Unfortunately, dropped from the repertoire in 1984. I got to hear it three or four times. A fun number. Played: also played 111 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA MUSIC NEWS – Intro music: In A Gadda Da Vida: IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo. Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along. The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78. He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71. Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show. SHOW No. 2: Supplication Track #7 2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played: 111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3: Dancin In the Streets Track #11 0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration. A really fun concert tune. The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst: July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69. Legendary cultivator who created the best strain of marijuana I ever smoked. We just called it Blake weed and put it up against any other strain, anywhere, any time. Folks would say they had the best weed until I let them smoke some of the Blake weed. They never failed to concede. Eccentric, temperamental, hospitable, mentor and good friend. And self titled “best joint roller in the worlds.” Was one of my Bulls season ticket partners during the Jordan era. Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke. With four of us in the room, he would have 3 joints circulating at all times. With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself. Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI. They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them. Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2. Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3. CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4. Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill SHOW No. 4: Samson and Delilah Track #12 0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .” Played: 365 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOWLast: July 9, 1995 at Soldier Field OUTRO: The Wheel Track #22 2:48 – 4:30 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations. “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s. “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972. “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music. Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set. Here it is the encore which is more of a rarity. Played 259 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW Last: May 25, 1995 at Memorial Stadium, Seattle, WA .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Jess Hookers joins us in the studio this fine Tuesday morning! On today's show we talk about In-A-Gadda-Da-Vida, Josh's clown aunt, and Japanese Cat Island! Enjoy every segment of today's BOB & TOM Show. Join Tom Griswold, Chick McGee, Kristi Lee, Josh Arnold, Pat Godwin, and Willie Griswold for a blend of comedy, talk, news, and sports. Avoid the commercials and get the full show without ads through B&T VIP. Subscribe now at BobandTom.com/VIP. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Doug Ingle, fondateur, chanteur et organiste du groupe de psych rock classique Iron Butterfly, est décédé à l'âge de 78 ans, dernier membre survivant de la formation classique du groupe. Charlie Colin, le bassiste fondateur du groupe Train, qui a participé à la chanson "Drops of Jupiter" est décédé à l'âge de 58 ans. Les Black Keys ont rompu le silence après avoir annulé la totalité de la prochaine tournée nord-américaine, promettant aux fans une "expérience plus excitante et intime" que les grandes salles prévues. Très beau moment pour les personnes présentes au concert de Pearl Jam au BottleRock de Napa Valley ce samedi 25 mai, l'acteur Bradley Cooper a rejoint le groupe pour interpréter le titre "Maybe It's Time" qu'il chante dans le film ‘'A Star is Born''. Sting, le guitariste/ collaborateur de longue date Dominic Miller et le batteur Chris Maas, sont montés sur la scène de Dresde, en Allemagne, samedi soir, pour donner le coup d'envoi de la tournée "Sting 3.0", livrant un set de tubes et de morceaux moins connus, dont du Police. Le célèbre batteur de Dream Theater, Mike Portnoy a relevé le défi d'apprendre à jouer une chanson de Tool, qui, selon lui, fait passer "Dream Theater pour Weezer". Mots-Clés : tube, 1968 , In-A-Gadda-Da-Vida, coécrit, hard rock, heavy metal, sœur, mort, Variety, douche, maison, ami, Bruxelles, Belgique, fan, week-end, série, date, septembre, Twitter, X, décision, tickets vendus, interpréter, rôle, Jackson Maine, country , déclin, proie , problème, alcool, Eddie Vedder, chanteur, attitude, scénique, images, filmé, trio, forme, acolytes , Europe , passage, Beach Festival, Nieuwpoort, nord, américain, en septembre, Portnoy, prog metal, Boston, absence, défi, chaîne, YouTube, Drumeo, Pneumo, album, Fear Inoculum, 2019, percussionniste, maîtriser. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
For those who haven't heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we’re looking at the career of Marvin Gaye from 1963 through 1970, as well as his duet partners Mary Wells, Kim Weston, and Tammi Terrell, whose tragically short life comes with a great many content warnings. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode, on “In-A-Gadda-Da-Vida” by Iron Butterfly And if you just can’t get enough of me talking, I’ve also guested this week, with Tilt and Gary from The Sitcom Club, on our friend Tyler’s podcast Goon Pod, talking about the 1974 film Man About The House. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)
Hoy el Mata-Rolas ataca una cación de 1968 de Iron Butterfly "In-A-Gadda-Da-Vida" y su version tropical a cargo de Fiebre Amarilla "Está Cara La Vida"
I always thought In-A-Gadda-Da-Vida was kind of a heavy metal joke. I had no idea that Iron Butterfly were so influential in the rock world and so many artists credit them with giving them inspiration. I also had no idea that Taylor Kramer, the bassist was a high school drop out who went on to be an engineer for the Departmet of Defense and was an originator of facial recognition technology (IN THE 1990's!) to help find missing children and adults. Hear his very twisty story here.
Whether it was from an 80s horror movie, a Simpsons joke, or your dad's record collection, you have undoubtedly heard the psychedelic sounds of Iron Butterfly's 17-minute-long opus “In-A-Gadda-Da-Vida”. This week, we're joined by Joey Ritter to discuss extended drum solos, wild conspiracies, and the bizarre career of these hard rock pioneers that sold over 30 million copies of their landmark album. If you like the show, be sure to rate, review, and subscribe. Email us at onehitthunderpodcast@gmail.com. Also, follow us on our social media: Twitter: @1hitthunderpod Instagram: onehitthunderpodcast Wanna create your own podcast? Contact us at We Know Podcasting for more information. Visit Punchline: A Band Called Punchline | Pittsburgh, PA for Punchline tour dates, news, and merch. Sign up for more One Hit Thunder on our Patreon One Hit Thunder | Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices
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Im Erscheinungsjahr 1968 war das Album ein echter Flop — mittlerweile ist es das meistverkaufte Kinks-Album überhaupt. Bekannt wurden sie durch Single-Hits wie "You Really Got Me" oder "Sunny Afternoon". Auf ihrem Album "The Kinks Are the Village Green Preservation Society" sind zwar keine großen Hits, dafür umso mehr spannende Kompositionen. Die Kinks gehen deutlich weg von ihrem Image als Single-Hit Komponisten hin zu dramaturgisch denkenden Songstrukturen. Im Erscheinungsjahr selbst war das Album ein echter Flop — mittlerweile ist es das meistverkaufte Kinks-Album überhaupt. Ray Davies hat das in seinem britischen Humor schön auf den Punkt gebracht: "The Kinks Are the Village Green Preservation Society" is the most successful flop of all time." Zeitreise zurück in die wilden 60er Uns erwartet eine kleine Zeitreise zurück in die wilden Sixties. Für die Welt war 1968 ein Jahr des Umbruchs und des Aufbruchs durch die Revolution. Der 68er Soundtrack kommt beispielsweise von Jimi Hendrix "Electric Ladyland", dem weißen Album der Beatles, "Beggars Banquet" von den Rolling Stones oder "In-A-Gadda-Da-Vida" von Iron Butterfly. Bei den Kinks geht es — ganz anders als zu der Zeit üblich — um das einfache Leben auf dem Land im Norden von London und die britische Kultur. Es geht zurück aufs Dorf in "The Kinks Are the Village Green Preservation Society". Die Kinks selbst nehmen dabei die Rolle des Vereins zur Erhaltung des Dorfplatzes ein. Von dem Album selbst gibt es mehrere Ausgaben, wir beziehen uns auf die britische Variante mit 15 Songtiteln. Ursprünglich gab es noch weitere Songs für das Album, da es zunächst als Doppelalbum geplant war. Einige davon finden sich auf dem 1973 erschienenen Folgealbum "The Great Lost Kinks". Auftrittsverbot in den USA Die Kinks haben versucht, in den USA Fuß zu fassen, bis sie einen offiziellen Auftrittsberbot von der Musikergewerkschaft in den USA erhielten. Es soll Schlägereien auf der Bühne gegeben haben und sie sollen sich insgesamt danebenbenommen haben. Die Kinks waren jung und wild. Durch das erlangte Konzertverbot von 1965 bis 1969 entging ihnen die Chance, die Bands wie beispielsweise The Who bekommen haben, auf Woodstock 69 zu spielen und somit auch ein großes Karriere-Sprungbrett. Durch dieses "Verbannen" wurden sie ein Stück weit vom amerikanischen Musikmarkt abgeschnitten. Produktion von "The Kinks Are the Village Green Preservation Society" Ray Davies fing infolgedessen an, sich auf England konzentrieren und Songs mit Blick auf die englische Kultur und Gesellschaft zu schreiben. In dieser Zeit entstand auch der Song "Village Green", der später auf dem Album einen Platz findet. 1967/68 beginnen dann die Aufnahmen zum Album selbst, immer mal wieder unterbrochen durch kleine Tourneen innerhalb Europas. Letztlich haben sie zwei Jahre gebraucht, um das Album aufzunehmen. "The Kinks Are the Village Green Preservation Society" ist ein Konzeptalbum und dieses Konzept stammt von Ray Davies. Es geht um das Leben auf dem Land, es geht um Heimat und um Freundschaft. "Das Album zeigt einfach sehr gut, was für ein hervorragender Songschreiber Ray Davies ist. Diese Texte, die sind britisch, die sind witzig, die sind bissig, das ist einfach ziemlich gut." (SWR1 Musikredakteur Benjamin Brendebach) Ein Meilenstein der Musikgeschichte In diesem Meilenstein wird darüber gesprochen, was es mit Walter auf sich hat, dem Schulfreund von Ray Davies, wie verrückt Annabella wirklich ist und wie wichtig so eine Dorfgemeinschaft sein kann. Außerdem geht es darum, warum das Album 1968 ein totaler Flop war und wie es im Rahmen von Popmusik und Bands wie Blair und Oasis ein echtes Revival erleben durfte, mehr noch — wie es jetzt über 50 Jahre nach Erscheinen des Albums zu dem meistverkauften Kinks-Album überhaupt geworden ist. __________ Über diese Songs vom Album "The Kinks Are the Village Green Preservation Society" wird im Podcast gesprochen (03:52) – "Animal Farm"(04:29) – "Sitting by the Riverside"(20:30) – "Village Green"(26:40) – "The Village Green Preservation Society"(30:27) – "Monica"(34:21) – "Wicked Annabella"(37:34) – "Walter"(42:43) – "Picture Book" __________ Über diese Songs wird außerdem im Podcast gesprochen (01:32) – "You Really Got Me" von The Kinks(01:39) – "Sunny Afternoon" von The Kinks(18:50) – "Penny Lane" von The Beatles(45:23) – "Warning" von Green Day(45:55) – "Don't Look Back in Anger" von Oasis __________ Shownotes Doku zu The Kinks – "The Kinks Are the Village Green Preservation Society": https://www.youtube.com/watch?v=Z-ragx6CtTI Auftrittsverbot in den USA: https://www.youtube.com/watch?v=oup7NCcfb10 YouTube-Channel von The Kinks: https://www.youtube.com/@TheKinksMusic __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de
In today's episode, we ventured into the sinister world of "Grady's Tree," a story penned by the master of horror himself, Scary Jerry. Known for his spine-chilling tales on "Darkside of the Nerd" and "Demented Darkness," Scary Jerry's narrative prowess once again proved its spine-tingling might.As the tale unfolded, we were enveloped by the haunting melodies of "The Sound of Silence" by Simon and Garfunkel and the iconic "In-A-Gadda-Da-Vida" by Iron Butterfly, setting the perfect ambiance for this chilling journey.To round off this eerie experience, we left you with "The Legend of the Wooly Swamp" by Charlie Daniels, a song that echoes the sense of foreboding and mystique that lingers in the air long after the story ends.But remember, the Halloween special is far from over, and more hair-raising tales await. Stay tuned, stay curious, and most importantly, stay spooky.Support the showYe olde march shop https://www.aohpmerch.com/s/shopDemented Darkness https://open.spotify.com/show/2ausD083OiTmVycCKpapQ8Dark Side of the Nerd https://open.spotify.com/show/6cwN3N3iifSVbddNRsXRTuFoxhound43 https://rumble.com/user/Foxhound43
Welcome to The Old Dog Pack Show — the world's premier podcast regarding the mind, body, soul, and money of the middle-aged man. In Episode 92, In-A-Gadda-Da-Vida by Iron Butterfly faces off against Mondern English's Melt Wit You for the title for the best one hit wonder. Our heroes talk John Travolta movies, Olivia Newton John, Christopher Columbus, Ponce DeLeon, and Craig's special alone time with Vasco De Gama. Finally, Dr. Rees opens up the kimono regarding therapy and therapists. If you would like to do us a big favor, go on over to Apple Podcasts or Spotify and leave a 5 star rating and/or a short review. We may not deserve it yet, but we will one of these days. Click ‘subscribe' while you're there. We'd also appreciate if you would share us with a friend. You can also check us out at olddogpack.com, where you can sign up for The Old Dog Pack newsletter. It may not be great, but it don't cost nothing.
Ende der 60er neigte sich auch die Hippiebewegung seiner blumigen Endzeit zu und wich dem Siegeszug des Heavy Metal, der gerade dabei war zu entstehen. Und irgendwo dazwischen platzierten sich "Iron Butterfly". Im Juni 1968 veröffentlichten Iron Butterfly mit ihrem Album "In-A-Gadda-Da-Vida" zum einen ihr zweites Album überhaupt und auch das zweite Album im Jahr 1968. Mit mehr als 30 Millionen verkauften Einheiten ist es bis heute das meistverkaufte Album der Band. Vermutlich auch größtenteils wegen der B-Seite der Platte, auf der sich der 17-minütige Megahit der Band breitmacht: "In-A-Gadda-Da-Vida". Immer wieder kann man im Netz auch nachlesen, dass "In-A-Gadda-Da-Vida" der Vorbereiter des Heavy Metals ist. Das kann man sehr unterschiedlich betrachten. Was ähnlich zum Heavy Metal ist, sind die sehr präsenten verzerrten Gitarrensounds zum Beispiel. Textlich und inhaltlich sind Iron Butterfly allerdings weit entfernt von den düsteren, kriegerischen und fantasy-lastigen Songtexten. SWR1-Musikredakteur Stephan Fahrig reichen diese Parallelen aber nicht, um Iron Butterfly den Status der Metal-Wegbereiter zu verleihen! "In-A-Gadda-Da-Vida" ist der bekannteste Song der Band Iron Butterfly und das der Song zu dem wurde, was er heute ist, verdanken wir, wenn man den Geschichten der Band glauben darf, einem intensiven Rotwein Unfall. Als Sänger Daryll DeLoach den Text schrieb und aufgenommen hatte, waren wohl schon einige Gläser Rotwein die Kehle hinunter gestürzt worden, sodass das Sprachvermögen des Sängers etwas in Mitleidenschaft gezogen wurde. Eigentlich sollte der Songtitel lauten "In the Garden of Eden", Schlagzeuger Ron Bushy verstand auf der Aufnahme von DeLoach aber nur "In-A-Gadda-Da-Vida". Die Band einigte sich kurzerhand darauf, dass es doch eine gute Idee sei, den Songtitel bei diesem kryptischen Kauderwelsch zu belassen, da es auch irgendwas mystisches an sich hatte. In der Ursprungsfassung des Songs, der übrigens schon vor dem ersten Album der Band geschrieben wurde, hatte der Song aber auch nicht die epischen Ausmaße von über 17 Minuten, sondern war knackig-kurze ein bis zwei Minuten lang. Dass wir "In-A-Gadda-Da-Vida" heute so genießen können, das haben wir vor allem der Geistesgegenwärtigkeit eines Tontechnikers zu verdanken. Denn eigentlich hören wir bei dem Song nur einen Soundcheck. Die Band stand im Tonstudio und wollte neue Songs aufnehmen. Weil die Techniker aber erst mal alle Einstellungen machen mussten, jammte die Band einfach eine ganze Weile zu dem kurzen Stück "In-A-Gadda-Da-Vida". Damit nichts von der Kreativität verloren geht, hat der Tontechniker aber vorsichtshalber die Bänder mitlaufen lassen. Im Anschluss daran hörte die Band sich die Aufnahme an und war von dem Vibe der Aufnahme so angetan, dass der Song den kompletten Platz auf der B-Seite bekommen hat. __________ Über diese Songs vom Album “In-A-Gadda-Da-Vida” wird im Podcast gesprochen 15:46 Mins – “Most Anything You Want” 28:08 Mins – “Are You Happy?” 40:11 Mins – “In-A-Gadda-Da-Vida” __________ Über diese Songs wird außerdem im Podcast gesprochen 23:18 Mins – “Love Her Madly” von The Doors 1:04:18 Mins – “In-A-Gadda-Da-Vida” von The Incredible Bongo Band 1:05:48 Mins – “Hip Hop is Dead” von Nas 1:05:19 Mins – “Thieves Theme” von Nas 1:11:46 Mins – “The End” von The Beatles 1:15:00 Mins – "Gadda Da Vida" von Boney M __________ Shownotes: Der Metal Stammbaum mit den US-Urvätern von Butterfly: https://steemit.com/metaltree/@dwinblood/metal-genealogy-family-tree-evolution-beginning-of-a-series-of-posts-metal-tree-1 Die komplette Geschichte von Iron Butterfly: http://brunoceriotti.weebly.com/iron-butterfly.html In-A-Gadda-Da-Vida in der Version von Sina Doering auf ihrem Youtube-Kanal “Sina Drums”: https://www.youtube.com/watch?v=xyF5A7BFnqw __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de
Stuart Sax shares the following about himself: “My love for broadcast radio began when I was growing up in Chicagoland. One of my favorite radio hosts was Harry Porterfield, who did a regular feature about people in the city. This short segment stayed with me as I grew up and, after realizing a career in live theater was not my calling, I studied broadcasting at Indiana University in the mid-60s. While in college, I was an integral part of the I.U. Student Radio Network. Those were the days of spinning records live and reading the news and lists of where to attend protest rallies. My favorite disc at the time was the extended version of “In-A-Gadda-Da-Vida” by Iron Butterfly because it ran about 10 minutes. This allowed me enough time to get to the bathroom and back or to take a quick nap. I played that tune at least once every two hours! After college, my radio career was put on hold because I had to report for military duty. While serving in Vietnam, I set up a “pirate” radio station in my battalion to play music, deliver the news and read letters from the troops. If this sounds familiar, it's because I was doing what Adrian Cronauer did, only Cronauer was immortalized in the movie "Good Morning, Vietnam" starring Robin Williams. Upon returning home, my broadcasting dreams took a backseat to a career in the women's fashion retail arena, which was my family‘s business. That was until I retired and moved to Frisco, Texas, to be close to my grandson. Here I met Mark Wariner, the station owner and producer of KVGI radio. I approached Wariner to offer my services to write and record commercials; instead, Wariner, hearing my baritone voice, asked if I would be interested in hosting my own program. Having waited for more than 50 years for an offer like that, I jumped at the chance and said that I would like to do a show called "Someone You Should Know." I then started a second show "Something To Talk About." Later, I brought in DFW Networking Diva Christine Deane as my new producer and I added the new talk shows “Trash Talk” with humorist Brandon Novara and “Opposite Saxes” with my wife Lauren. Who knew that you could have this much fun in retirement??” https://www.stuartsax.com/ Contact Kendra Rinaldi to be a guest or for coaching: https://www.griefgratitudeandthegrayinbetween.com
Where else will you hear a full 17 minutes of In-A-Gadda-Da-Vida live on the radio airwaves? After those rockin' minutes, Jonathan plays a selection of 2017's Rock and Roll Hall of Fame inductees including ELO, Journey, and Pearl Jam.
There were two bands that made a significant commercial breakthrough in the late 1960's, one from the west coast and the other from the east coast. Iron Butterfly came from the Los Angeles area and quickly ascended to success with their second album, "In-A-Gadda-Da-Vida". The album was the most successful in Atlantic Records history (pre-Led Zeppelin). The band became an influence on up-and-coming hard rock/heavy metal groups. The Blues Magoos came from The Bronx in New York. Their sound was gritty and also melodic and very psychedelic-induced. They had a Top 10 hit that gave them national exposure and they have been featured prominently in many garage rock compilations. They became an influence on Garage rock, Indie and New Wave bands in successive years. These are two bands that made an immediate impact on the nation's consciousness.Feel free to make a donation to the show through PayPal at sonictyme@yahoo.com If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Also Other Items of Interest:Kathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/
Part 2! Me and Jack are still talking about A&E series God or the Girl! This time we discuss the sinister presence one old Italian priest can have, the importance of setting realistic goals, generational fears, and modern Catholic culture. Intro is Floods by Jars of Clay, interstitial is Aequilibrium by Andrey Vinogradov, and Outro is In-A-Gadda-Da-Vida by Iron Butterfly
Hoy tenemos en nuestras manos, su segundo álbum de estudio In-A-Gadda-Da-Vida, publicado el 18 de junio de 1968. La banda se formó en 1966 en San Diego, siendo sus miembros originales Doug Ingle (Organo y voz), Ron Bushy (Bateria), Jerry Penrod (Bajo), Darryl DeLoach (Guitarra) y Danny Weis (Guitarra). Están encuadrados en los géneros de rock psicodélico, rock acido y hard rock. Tuvieron su apogeo a finales de los años 60, pero la banda ha reaparecido varias veces con diversos miembros, pero no tienen nuevas grabaciones desde 1975. En 1968 lanzan su primer disco Heavy, tras su grabación todos sus miembros dejan la banda a excepción de Doug Ingle y Ron Bushy. Este álbum debut se publicó el 22 de enero de 1968, habiéndose grabado en octubre del año anterior. Varias de las canciones que componen el álbum son simples y se basan extensamente en los riffs de apertura. El 14 de junio de 1968 salió al mercado el segundo trabajo de la banda, In-A-Gadda-Da-Vida, en este trabajo todas las canciones están compuestas por Doug Ingle a excepción de Termination, escrita por Erik Brann y Lee Dorman. Los miembros que formaban la banda en este álbum son, su fundador Doug Ingle (órgano, teclados, piano y voces), Erik Brann (Guitarra, violín y voces), Lee Dorman (Bajo) y Ron Bushy (Batería y percusión). Obtuvo un premio RIIA de platino, siendo el primer álbum en obtenerlo. La canción incluye un memorable riff de guitarra y bajo, sosteniéndolo durante más o menos toda la duración del tema. El riff sirve como base para los largos solos de órgano y guitarra, que son interrumpidos a la mitad por un largo solo de batería, uno de los primeros solos en una grabación de rock y probablemente uno de los más famosos de este género. Como curiosidad comentar que el guitarrista Erik Brann que grabó este tema y la totalidad del disco contaba solamente 17 años. In a gadda da vida, como hemos comentado ocupa toda la cara B del álbum homónimo. Iron Butterfly cuando la grabaron en el estudio estaban algo ebrios o drogados, por lo que se dejaron llevar por la atmosfera reinante, así el tema se alargó con largos solos de guitarra, órgano y batería. A los ejecutivos de Atco Records, sello de Atlantic su discográfica, no les hizo demasiada gracia la duración del tema, por lo que decidieron cortarlo a apenas 3 minutos para que pudiera sonar en las radios. En 1969, y como preámbulo a la aparición del siguiente trabajo Ball, apareció el single con dicha canción acortada y con Soul experience en la cara B, canción incluida en el álbum.
Will In a gadda da-vida break Nicks brain? We also listen to the beautiful Patience by Tame Impala. Our independent artist is Selfish Sons and the song Hard enough. Theme song: by Braden Mutch: www.instagram.com/braden_mutch/www.facebook.com/bradenmutchmusicClosing track by Selfish Sons: Hard EnoughYouTube: www.youtube.com/watch?v=A5fFr5ip__MSpotify: https://open.spotify.com/artist/5Fqu2dYwt7GFleLcxCEYKEInstagram: www.instagram.com/selfishsons/?hl=enSpotify playlist: https://open.spotify.com/playlist/4BWn1zZb6nMgWTcDb6oACdInstagram: https://www.instagram.com/justhitplaypodcast/Facebook: https://www.facebook.com/JusthitplaypodcastEmail: justhitplay7300@gmail.com
The struggle is real in the world of artists but it is not necessarily negative. Struggle can lead to a gentle curve in the road, a major breakthrough in an artist's style, or even a new way of doing business. In this episode, Val and Armin will discuss their personal challenges, frustrations, and yes, struggles in their own art practice. The goal is to embrace the struggle and let the journey through it lead to art-making sessions that are effortlessly in the zone or in the flow. Val, ever the optimist, feels that struggle can be thought of as perseverance and necessary for growth while Armin is a bit more angst driven in the discussion. They bounce ideas off of one another and in the end there is more in common than not which is the hallmark of great conversation. This two part series will focus on creating artwork in part one and part two will deal with the struggle of selling art. Part two will air on Tuesday, December 21, 2021. Check out our sponsor Golden Apple Studio and Art Residency. Located in Down East Maine, Director Shelley Stevens invites artists to apply for the 2022 Residency Summer Season. Just a few vacancies and partial scholarships are available. http://www.goldenapplestudio.com/art-residency Armin references In-A-Gadda-Da-Vida. Here is more about that song by Iron Butterfly. https://en.wikipedia.org/wiki/In-A-Gadda-Da-Vida Interesting article on the struggle of creating art for social media posts by Christine Nishiyama of Might-Could blog. https://might-could.com/essays/social-media-for-artists-make-art-for-you-not-likes/ Definition of being in the Flow: https://en.wikipedia.org/wiki/Flow_(psychology) Armin's website: www.arminmersmann.com Valerie's website: www.valerieallenart.com Facebook page for Art Ladders: The Creative Climb: https://www.facebook.com/artladderswitharminandvalerie
Welcome to our Halloween Spooky Spectacular!!!!! The guys delve into this scary season by touching on the horror of Mark Zuckerberg, and his inhuman approach at relatability as he introduced "Meta" to the world. How the robots of Boston Dynamics are being adapted for military use (who saw that coming?). They also delve into their favorite scary movies and what makes them work (and what doesn't). You may notice they delve repeatedly into some bonus content too hot for regular radio. If you're curios let us know, and we'll put it up on Patreon! All this and a special bonus DOUBLE song of the week: "Spooks" by Louis Armstrong and "In-A-Gadda-Da-Vida" by Iron Butterfly. Tune in!
On a Thirsty Thursday from Ken's Not So Secret Speakeasy the guys chat about the Tampa Bay Buccaneers at Philadelphia Eagles and Ross points out he knows what the word "copious" means. Chris then hates on Thursday Night Football and the death of great college games on Thursdays, they talk all sports on tonight, Kyrie Irving being a pain in the ass and In-A-Gadda-Da-Vida in Chris' Quick Hits, which turns into a Long Hit. The guys also talk drinking at taprooms, controversy in Saved by the Bell, they give out the BetRivers parlay and some hot WNBA takes. Then during Ross' Roulette we take a look at the odds of candidates as the next Las Vegas Raiders head coach.
Episode 55 Drum Machines: A Recorded History, Part 2: Digital Drum Machines Playlist Linn Drum Gary Numan, “My Brothers Time” from Dance (1981 Beggar's Banquet). Early use of the Linn LM-1 by John Webb on this track. Note the sound of the claves, played by Numan but not digital. Bass, Saxophone, Mick Karn; Linn LM-1 drum machine, John Webb; Piano, Claves, Gary Numan. 4:37 Rajie, “ストーミー・ナイト (Stormy Night)” from Acoustic Moon (Sony 1981). Early recognition in Japan of the original Linn LM-1 drum machine. Rajie, vocals; Guitar, Mikihiko Matsumiya; Bass, Tsugutoshi Goto ; Chorus, Hiroshi Koide, Raji ; Composed By, Akira Inoue ; Drums, Tatsuo Hayashi ; Electric Guitar-Tsuyoshi Kon; Flute, Motoya Hamaguchi ; Lyrics By, Etsuko Kisugi ; Percussion, Motoya Hamaguchi ; Prophet-10, Linn LM-1, Electric Piano, Akira Inoue. Early Linn Drum Computer. 5:08 Herbie Hancock, “The Twilight Clone” from Magic Windows (1981 Columbia). If you want to study the latest in emerging electronic music instruments, just listen to the many albums by Herbie Hancock throughout the 1970s and 1980s. He was an early adopter of the Linn LM-1, heard here and played by Hancock. Bass, Louis Johnson; Linn LM-1 Drum Machine, Herbie Hancock; Ghanian Drums, Moody Perry III; Ghanian Drums, Bells, Kwasi Dzidzornu, Kwawu Ladzekpo; Lead Guitar, Adrian Belew; Percussion, Paulinho Da Costa; Rhythm Guitar, George Johnson; Written by, A. Belew, H. Hancock. 8:16 Don Henley, “The Boys of Summer” Linn Drum demo version (excerpt) (1984 private). Guitar and Linndrum, Mike Campbell; Synthesizer, Steve Porcaro; Synthesizer, Guitar, Danny Kortchmar. Bass, Larry Klein; vocals, lyrics, Don Henley. The instrumental part of the song came first and was put together by Tom Petty bandmate Mike Campbell who had just purchased a LinnDrum machine which was a more affordable model than the original LM-1 released in 1980. Campbell put together a rhythm track and played some guitar. Tom Petty wasn't interested in the song at that time, so it went to Henley, who wrote the lyrics. This demo was close to the final version. The final mix of the song also included some human drumming, as did live performances where a human drummer tried to replicate the sound of the original Linndrum. 0:42 Jean Michel Jarre, “Zoolookologie” from Zoolook (1984 Disques Dreyfus). A fascinating exploration of samples both of voice and drums. This is the later version of the Linn Linndrum machine, just before the introduction of the Linn 9000. There is pure joy in this track as Jarre uses the Linndrum to create many unexpected sounds and atypical rhythms. Bass, Marcus Miller; Composer, Producer, Ethnic Vocals Processing, Keyboards, Electronics, Jean-Michel Jarre; Drums, Yogi Horton; Daniel Lazerus; Guitar Ira Siegel; Guitar, Effects, Adrian Belew; Keyboards, Frederic Rousseau. 4:13 David Van Tieghem, “In-A-Gadda-Da-Vida” from In-A-Gadda-Da-Vida (1986 Wide Angle). Drummer and percussionist Van Tieghem created this version of the Iron Butterfly song using electronic drums (Octapads) and digital drums. Engineer, Programmed By Fairlight Programming Assistance, Eric Liljestrand; Guitar, Larry Saltzman; Vocals, Synthesizer Digital, Analog, Percussion Acoustic, Electronic, Mixed By, Producer, David Van Tieghem; Written-By, Doug Ingle. Basically a one-person performance aside from guitarist Saltzman. Van Tieghem was using both hand played electronic drums (the Octapads) plus some digital drum machines. 5:36 Suzanne Ciani, “Mosaic” from Neverland (1988 Private Music). Composed, Arranged, Performed, Produced by Suzanne Ciani. Among the many electronic instruments used by Ciani were keyboards made by Yamaha, Roland, and Bode (vocoder). For drum programming, she turned to the Linn 9000. This track has some decidedly simple, yet complex rhythms using the Linn 9000 that are truly nuanced and more jazz like. The care with which she programmed this track is in contrast to the typical drum machine beats you hear on records. Ciani also used a Roland TR-707 on this album, which you may also detect on this track. 4:37 Oberheim DMX Todd McKinney, “Kimberlite” from The Sound Of The System (1982 Oberheim). This 7-inch demo disc includes music created by Todd McKinney and Daniel Soger, two Oberheim employees. “Kimberlite” was composed and performed by McKinney using the DMX Programmable Digital Drum Machine, the DSX Digital Polyphonic Sequencer, and the OB-Xa Polyphonic Synthesizer. 2:28 Tangerine Dream, “Poland” from Poland (The Warsaw Concert) (1984 Jive Electro). You can hear the Bohn Digital Drums in the first half of the song and the Oberheim DMX in the second half. But that's a bit of a guess. Dr. Böhm DIGITAL DRUMS was a rhythm machine made in Germany from 1982-83, also known as ''the German Linndrum.'' Composed, performed, and produced by Tangerine Dream. Jupiter 8, PPG Wave 2.3 Waveterm, Minimoog, Korg Monopoly, Sequenced by EEH CM 4 Digital Sequencer, Bohm Digital Drums, Roland Tr 808 Drums, Roland SDE 3000 Delay, MXR 01 Digital Reverb, MXR Digital Delay, Johannes Schmoelling; Prophet 5, Prophet 600, Prophet 1, E-mu Custom Programmable Synth, Moog Custom Programmable Modular Synth, MTI Synergy, Sequenced by the PE Polyrhythmic Sequencer, Compulab Digital Sequencer, Syntec Custom Digital Drum Computer, Electronic Drums Simmons Drum Modules, Effects Quantec Room Simulator, Roland SDE 3000, Electronics Hill Multi-mixer, Chris Franke; Yamaha DX 7, Yamaha YP 30, Jupiter 8, Jupiter 6, Prophet 5, PPG Wave 2.2, Sequenced By Pe Polyrhythmic Sequencer, EEH Cm 4 Digital Sequencer, PE Custom Trigger Selector, DMX Oberheim Digital Drum machine, Edgar Froese. 8:43 Herbie Hancock, “Earth Beat” from Future Shock (1983 Columbia). In addition to the DMX, this track includes evidence that Garfield Electronics Dr. Click Rhythm Controller was a much-needed rhythm device for wrangling the otherwise incompatible signals prior to the introduction of MIDI a few years later. Craig Anderton wrote the following about Doctor Click in an article in Keyboard from 1983: "Doctor Click is not a keyboard instrument, not a drum machine, and not a signal processor: What it does is synchronize and interface these three families of devices together. Not only can it interface to existing sync tracks, it can build up click tracks from incomplete click tracks, and even create sync and/or click tracks which are referenced to a live musician." Hancock masters Dr. Click on this album. Fairlight CMI, Yamaha GS-1, Yamaha CE-20, Dr. Click Rhythm Controller, Herbie Hancock; DMX Drum Machine, Synare Electronic Drums, Memory Moog Programming, Michael Beinhorn; Bass, Bill Laswell; Bata, Daniel Ponce; Turntables – Grandmixer D. ST. 5:09 Herbie Hancock, “Hardrock” from Sound System (1984 Columbia). The sound of the Oberheim DMX digital drum machine as used by Herbie Hancock. This album was his follow-up to the album Future Shock on the DMX made a famous appearance in the song Rockit, which was unusually a top-selling hit for Hancock. The DMX is played here by non-other than Bill Laswell. Note that Simmons electronic drums are also being played on this track by Anton Fier, but I think you can tell the difference. Bass, Drum Machine DMX, Tape, Bill Laswell; Bata, Daniel Ponce; Simmons electronic drums, Sound Plates, Cuica, Anton Fier; Guitar, Henry Kaiser, Nicky Skopelitis; Fairlight CMI Programming, Will Alexander; Fairlight CMI, Rhodes Chroma, Apple IIe, Yamaha DX7, Emu 4060 Digital Keyboard, Herbie Hancock; Synthesizer (XMD), Rob Stevens; Turntables, D. St; Written-By, B. Laswell, D. Showard, Herbie Hancock. 6:10 Davy DMX, “Bonus Beats” from One For The Treble (Fresh) (1984 Tuff City). Davy DMX when he first met the Oberhheim DMX digital sampling drum machine. He is also known as David Franklin Reeves, Jr. Here is a bonus track of only drum machine and turntable. 1:47 Davy DMX, “One For The Treble (Fresh) (Instrumental)” from One For The Treble (Fresh) (1984 Tuff City). Davy DMX when he first met the Oberheim DMX digital sampling drum machine. Another track from that same 12-inch. 7:31 Movement MCS Drum Computer John Foxx, “Pater Noster” from The Garden (Virgin 1981). This album was produced after Foxx left Ultravox. It is another example of the MCS Drum Computer. This track only features Foxx on synthesizers, voice, drum programming, and a manually struck Tom Tom. 2:30 Roland El Escuadrón Del Ritmo, “Las Cucarachas” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). I discovered this wonderful collection of Mexican synth-pop tracks, some never before heard, and immediately dug-out a track using a drum machine. This track is from 1982. In this case, the drum machine is the Roland Compu-Rhythm CR-78, which was a transitional analog device with analog drum sounds and digital control for programming patterns. 3:44 Nahtabisk, “La Dama De Probeta” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). Another hidden gem from Mexico. This track is from 1984 and features the Roland drumTR-606 Drumatix. The TR-606 featured PCM-encoded sounds of real drums. This small device, that ran on batteries, helped define the sound of early techno. 3:20 E-mu Joe Mansfield, “Drumulator (Instrumental)” from Drumulator (2014 Get On Down). This is a track featuring the sounds of the E-mu Drumulator that was sold from 1983 to 1985. It had twelve, 8-bit sampled sounds of real drums and at about $1000 was more affordable that drum machines like the Linndrum and Oberheim DMX. It was created on the heels of the sample synthesizers they made under the Emulator name. It also had a relatively short life so few recordings from the time were made. This demo is an example of what could be done with the Drumulator and Herbie Hancock took a liking to it prior to switching to the Oberheim DMX. 2:02 Richard Souther, “Uncharted Waters” from Innermission (1986 Meadowlark Records). Music and realization by Richard Souther. Includes synthesizers from Roland, PPG, Sequential Circuits, and Casio. He also used both the Linn 9000 and E-mu SP-12 drum machines, which are both heard on this track. You can clearly hear the Linn 900 and its distinctive snare and bass sounds, while the E-mu, which was built around the circuits in the company's popular keyboard samplers, provided some of the more unusual, even exotic, percussion sounds. 3:23 Alesis Slant, “Sheep” and “Ducks” from Hive (1989 These Records). This amazing group, although short-lived, was a British experiment in rock with noise elements that included Cris Cheek, Philip Jeck, Sianed Jones, and Osian Tam. Cross used an Alesis HR-16, which is showcased in the second of two tracks, “Ducks.” I think that is probably the same drum machine in the first track, “Sheep” so I thought this represented some good contrast in the way that the sound could be treated. This had 49 digital samples of drums that could be programmed in real-time by playing the velocity sensitive drum buttons. Double Bass Julia Doyle; Guitar, Cabasa, Engineer, Co-producer Maciek Hrybowicz; Keyboards, Accordion, Synthesizer DX7; Piano, Clarinet, Voice, Marimba, Goblet Drum Darabouka, Tambourine, Bells Agogo Bells, Sampler Cassette Samples, Flute Souffara, Rattle Seed Pod Rattles, Performer Emax, Alesis HR-16, Breath Rhythms, Face Slap, Mixed By, Co-producer Cris Cheek; Turntables, Radio Philip Jeck; Violin, Piano, Vocals, Organ, Fife, Viol Viola Da Gamba, Harmonium, Claves, Performer Emax, Breath Rhythms, Mixed By, Co-producer Sianed Jones; Voice Osian Tam. 4:31 Closing, Linn LinnDrum Mikel Rouse, “Quorum part 2” from Quorum (1984 Club Soda Music). It was inevitable that a composer would create an extended piece of music using only the Linn Linndrum. Mikel Rouse was that person. Listen to the hypnotic patterns of this work. From the composer's notes: “Quorom is a piece for LinnDrum machine (or 18 percussion players) in 9 parts running approximately 1 hour and 45 minutes in length. Though the sequence of parts 1 through 9 must be maintained, the parts may be divided into sections, or run continuously. Themes are produced through the synchronization of the 3 generators, 3-5-8, and their complimentary factors yield counterthemes. Power series are then applied to produce harmonic contrasts from the original themes. Thematic material is developed through multiple variation techniques (circular permutations, accents through superimposition of an additional component, natural growth through the summation series). I decided to undertake the programming myself and, with the aid of Jim Bergman, successfully completed the programming in about 5 hours. I would like to stress that all programming was done through the step-by-step process provided in the operator's manual for construction “songs” from “patterns”. No special treatments or extensions (including cassette interfaces) were required.” Such was the versatility of the Linn Linndrum. 11:16 Background Sounds Volti, “Corazón” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). Mexican electro-pop group. This track is from 1986 and features unknown drum programming. vocals, synthesizer, Lyndell Brookhouse; bass, synthesizers, drum programming percussion, Eddie Rubello; Backing Vocals, Katie Taylor; Congas, Edgar Herrera; Piano, Vincent Kenis; Timbales, Pedro Ortiz. 3:45. Adams and Fleisner, tracks “a1, a2, b1, b2, b3” from Modern Digital Recorded Drumcomputer Rhythm Tracks (1983 Break Records). I think this track of library digital drum samples from the Netherlands was made with the Drum Computer MCS II (or Percussion Computer) from Movement Computer Systems, a rare British made-drum machine circa 1983. It had an integrated CRT monitor and had an orange (or black) case. It used 8-bit samples of drums and featured 14 voices and programmable patterns. Opening: Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations. There are dozens of drum machines that dot the history of electronic music. For an encyclopedic list of almost every drum machines ever made, and there were dozens of variations and models up until around 1985, check-out the excellent books by Alex Graham, a UK-based drum machine collector and specialist.
Following the release of the novel “Red Dragon” in 1981 by author Thomas Harris, a film adaptation was put in the works just a few years later with Dino De Laurentiis serving as producer. The search started for a director capable of adapting the material and David Lynch was initially offered the job but he ultimately turned it down. That's when Michael Mann stepped into the role after he had found massive success as a showrunner on the hit series “Miami Vice.” Mann didn't change a lot from the original book, although he definitely added his signature touch when it came to the visuals and the cinematography including the colorful lighting throughout the film. William Peterson eventually landed the lead role as retired FBI profiler Will Graham and a British actor named Brian Cox was cast as the serial killer named Hannibal Lecktor. The title of the film was eventually changed from “Red Dragon” because De Laurentiis had just experienced a flop with the movie “Year of the Dragon” and he didn't want this adaptation to be confused for some sort of martial arts spectacle. When the film was released, critics were not kind with one reviewer calling the movie a “chic, well cast wasteland” but eventually years later, Mann's work gained a cult classic status among cinephiles. In the latest episode of Rewind of the Living Dead, we're going to talk into our tape recorders while listening to “In-A-Gadda-Da-Vida” as we look back on the 1986 film “Manhunter”…
Bret and David enter a chili cook-off, listen to “In-A-Gadda-Da-Vida,” wear other people's faces, shroud…Read the postEpisode 153: Chop Top & Crop Tops
Eric finds himself with a new instrument in his home, so the Hersey boys talk instruments and music for a while, including: How the piano came to be at his house What instruments our family members can play What the boys wish they knew how to play Todd issues the "In-A-Gadda-Da-Vida" challenge to the listeners Connect with the TodCast! (and send your Iron Butterfly covers too) Check out our website at: https://todcastpodcast.com/ On Twitter: @CastTod and/or @EricHersey On FaceBook: https://www.facebook.com/todcastpodcast/ Send us your ideas via the website or email! Find out what Eric has been up to in the world of websites and SEO at erichersey.com --- Send in a voice message: https://anchor.fm/todd8/message
It's All About The [Iconic Rock] Bass (Part 4) This episode of #ITWWSS takes another dive into the deep end of a guitar shaped pool, where reaching the bottom, we find some of Rock N' Roll's greatest recordings. All the bass players in this show have great skill, soul and their own distinct sound and style. I started playing cello at eight years old. Later in the elementary school orchestra. I wanted to play the upright bass, but I was too small to carry it. I picked up the guitar next. By the time I went to high school in 1967, the Summer Of Love had just taken place. The British Invasion was a few years in. The Doors and Jefferson Airplane just played at a local high school's football field. I'd begun playing guitar in middle school bands, made up of friends. I was playing clarinet in the school orchestra. The Byrds, Monkees, Seeds, Love, Buffalo Springfield, Doors and others were all performing all around L.A. I didn't know at the time that many of those soon to be legends lived about 15 to 20 minutes away, in Laurel Canyon. At about 16 I bought a used Gibson SG Bass, at Saul Betnums Music. Within a day or two, one of the few working high school bands I knew needed to replace their sick bass player, Ed Elowe for a Halloween dance, at a local park. The highly talented Steve Elowe walked me through as many of their songs as possible, including In A Gadda Da Vida, by the Iron Butterfly. I somehow got through the gig, got paid, and became a professional musician. (LOL) As I've been putting together this series of (radio show type) podcasts, the hardest part is choosing what to leave out. There are countless performances by many more bass players that I could ever fit in, plus all the greats I haven't heard of, yet. Part 5 is coming together nicely and I'll do my best to publish it during Black Music Month. It will be the last podcast in the series, but not even close to the last time I'll feature great bassists. I play the bass on all of my original and cover songs. I've only owned three basses in my life. The Gibson bass was traded in towards a new Fender Telecaster. I didn't by another bass until 1994. After the Northridge Earthquake, lots of retail stores had millions of dollars worth of damaged goods. I bought a new Fender Precision Bass that had fallen off the wall and had a gouge in it. As you can imagine, it was sold at a bargain price. I kept it for several years and used it on a few demos, but ended up selling it to a friend in Reno, Nevada. I bought another Fender bass last year, but this time went for a Jazz Bass. I love it to death! Bass is in my bones and DNA. I hope you love it even half as much and enjoy listening to my shows. Perhaps, you'll be inspired to pick up a bass and send me something you've recorded? I'll definitely listen and possibly include it in a podcast. @stewstrauss on Instagram and Twitter In this show you'll hear music from… Jethro Tull, Yes, Queen, Fleetwood Mac, The Beatles, Cream, Free, The Who, The Clash, Rush, Muse, U2, and Joe Walsh. A heavily British slanted show, no doubt. I came of age during the British Invasion and was heavily influenced by the music that followed. Bassists include… Glen Cornick, Chris Squire, John Deacon, John McVie, Paul McCartney, Jack Bruce, Andy Fraser, John Entwhistle, Paul Simonon, Geddy Lee, Chris Woltenholme, Adam Clayton, and George “Chocolate” Perry. Thanks for your continued support and patronage! Happy Listening!!!
It's All About The [Iconic Rock] Bass! (Part 4) This episode of #ITWWSS takes another dive into the deep end of a bass guitar shaped pool, where reaching the bottom, we find some of Rock N' Roll's greatest recordings. All the bass players in this show have great skill, soul and their own distinct sound and style. I started playing cello at eight years old. Later in the elementary school orchestra. I wanted to play the upright bass, but I was too small to carry it. I picked up the guitar next. By the time I went to high school in 1967, the Summer Of Love had just taken place. The British Invasion was a few years in. The Doors and Jefferson Airplane just played at a local high school's football field. I'd begun playing guitar in middle school bands, made up of friends. I was playing clarinet in the school orchestra. The Byrds, Monkees, Seeds, Love, Buffalo Springfield, Doors and others were all performing all around L.A. I didn't know at the time that many of those soon to be legends lived about 15 to 20 minutes away, in Laurel Canyon. At about 16 I bought a used Gibson SG Bass, at Saul Betnums Music. Within a day or two, one of the few working high school bands I knew needed to replace their sick bass player, Ed Elowe for a Halloween dance, at a local park. The highly talented Steve Elowe walked me through as many of their songs as possible, including In A Gadda Da Vida, by the Iron Butterfly. I somehow got through the gig, got paid, and became a professional musician. (LOL) As I've been putting together this series of (radio show type) podcasts, the hardest part is choosing what to leave out. There are countless performances by many more bass players that I could ever fit in, plus all the greats I haven't heard of, yet. Part 5 is coming together nicely and I'll do my best to publish it during Black Music Month. It will be the last podcast in the series, but not even close to the last time I'll feature great bassists. I play the bass on all of my original and cover songs. I've only owned three basses in my life. The Gibson bass was traded in towards a new Fender Telecaster. I didn't by another bass until 1994. After the Northridge Earthquake, lots of retail stores had millions of dollars worth of damaged goods. I bought a new Fender Precision Bass that had fallen off the wall and had a gouge in it. As you can imagine, it was sold at a bargain price. I kept it for several years and used it on a few demos, but ended up selling it to a friend in Reno, Nevada. I bought another Fender bass last year, but this time went for a Jazz Bass. I love it to death! Bass is in my bones and DNA. I hope you love it even half as much and enjoy listening to my shows. Perhaps, you'll be inspired to pick up a bass and send me something you've recorded? I'll definitely listen and possibly include it in a podcast. @stewstrauss on Instagram and Twitter In this show you'll hear music from… Jethro Tull, Yes, Queen, Fleetwood Mac, The Beatles, Cream, Free, The Who, The Clash, Rush, Muse, U2, and Joe Walsh. A heavily British slanted show, no doubt. I came of age during the British Invasion and was heavily influenced by the music that followed. Bassists include… Glen Cornick, Chris Squire, John Deacon, John McVie, Paul McCartney, Jack Bruce, Andy Fraser, John Entwhistle, Paul Simonon, Geddy Lee, Chris Woltenholme, Adam Clayton, and George “Chocolate” Perry. Thanks for your continued support and patronage! Happy Listening!!! --- Support this podcast: https://anchor.fm/stewart-strauss/support
Corría el año del mayo francés, 1968, donde la psicodelia empezaba a languidecer lentamente para entrar en un rock híbrido entre protesta y distorsión. Es en este marco que la banda proto-heavy Iron Butterfly lanzó un tema llamado a convertirse en un clásico por derecho propio: In A-Gadda-Da-Vida. Les contamos su historia.
Brian tackles the tale of Iron Butterfly and their replacement bass player, Phillip Taylor Kramer - a rocker turned scientist who quit showing up. This episode is sponsored by Away Travel: PODGO.CO/AWAY SHOW NOTES: https://www.wikiwand.com/en/Philip_Taylor_Kramer The WaPo long read from 1995: https://www.washingtonpost.com/archive/lifestyle/1996/10/06/far-out/e7bfbaa7-8f9a-4cec-88dc-45d6d2d03f3d/ The Unsolved Mysteries episode - https://www.youtube.com/watch?v=7_amjG-naxU The 1999 story: https://www.latimes.com/archives/la-xpm-1999-may-31-me-42784-story.html https://ultimateclassicrock.com/iron-butterfly-philip-taylor-kramer-found-dead/
Options Boot Camp 103: In-A-Gadda-Da-Vida of Iron Butterflies On this episode, Mark and Dan explore the crazy (but definitely not cowardly) world of Iron Butterflies. What are they? Why would you want to trade them (or not trade them)? Plus they explore your VIX outlook and answer your questions about Gamma Scalping.
Options Boot Camp 103: In-A-Gadda-Da-Vida of Iron Butterflies On this episode, Mark and Dan explore the crazy (but definitely not cowardly) world of Iron Butterflies. What are they? Why would you want to trade them (or not trade them)? Plus they explore your $VIX outlook and answer your questions about Gamma Scalping.
If your life was a song, what would it sound like? Would anyone listen? Would they want to share it with their friends? Like our guest Joe Espinosa said "Our music is what we do and our lyrics are what we say" When it comes to life, I want my music and my lyrics to both be phenomenal. I want people to enjoy being around me. I want my life to put out such a melody that people just can't help but smile. The songs we use in this episode are the theme from "Speak Softly, Love" (The Godfather Theme Song) by David Davidson, "Gilligan's Island", "Purple Haze" by Jimmy Hendrix, "Walk Like An Egyptian" by The Bangles, "In A Gadda Da Vida" by Iron Butterfly, "Margaritaville" by Jimmy Buffet and "Don't Tell Me" by Sweet Comfort Band. We don't own the rights to any. Contact us Email; Podcast@HappyLife.Studio Voicemail; (425) 200-HAYS (4297) Webpage; www.HappyLife.lol Facebook; www.Facebook.com/HappyLifeStudios Instagram; www.Instagram.com/HappyLife_Studios Twitter; www.Twitter.com/HappyLifStudios YouTube; www.YouTube.com/StevoHays If you would like to help us spread the Happy www.PayPal.me/StevoHays
This talk was given on September 22, 2019 at the Keeping the Covenant Conference held at the College of Idaho, in Caldwell, Idaho. Transcript That was lovely. I contrast that with Bart Simpson sneaking in the In-A-Gadda-Da-Vida soundtrack for the church lady to play that resulted in near collapse. I want to thank the organizers […] The post The Book of Mormon Holds the Covenant Pattern for the Full Restoration appeared first on Restoration Archives Blog.
Deze aflevering schiet alle kanten op met als hoogtepunt (of dieptepunt...) In A Gadda Da Vida van Iron Butterfly. Dat draai ik één keer, en voortaan nooit meer....
? - Johnny's Theme (?) "Johnny's Theme" began life as "Toot Sweet", a pop instrumental composed in 1959 by Paul Anka and recorded by Tutti's Trumpets. It was released on Disney's Buena Vista label as the B-side to The Camarata Strings' single "Lost In a Fog". "Tutti" Camarata, who was Annette Funicello's producer at the time, asked Anka to write some songs for Funicello's first album to follow her work on The Mickey Mouse Club. Anka added lyrics to "Toot Sweet" and published them under the title "It's Really Love", and the song was released as part of Annette Sings Anka. He recorded his own version of "It's Really Love" that same year for the French film Faibles Femmes; it was released on seven-inch EPs in France, Italy and Spain. Gilbert Neal - Havin' My Baby (2016) The Bluejeans - Sandfly (1969) Formerly The Swinging Blue Jeans. Dave Dee - Swingy (1971) Dean Martin - You're The Best Thing That Ever Happened To Me (1973) Bobby Vee - Electric Trains And You (1969) The White Album didn't have much of an effect on Bobby Vee. Fredi - Muukalainen (1973) "Starman" in Finnish. Fredi - Rakkaustarina (1971) "Where Do I Begin - Theme From Love Story" in Finnish. Fredi - Onhan Päivä Vielä Huomennakin (1968) "Let's Live For Today" in Finnish. Paul Anka - Jubilation (1972) Paul Anka's "Hey Jude". Really more like Paul Anka's "In-A-Gadda-Da-Vida". Paul Anka - Why Are You Leaning On Me Sir (1970) Mike Melvoin's daughter is Wendy of "Wendy and Lisa" fame. Paul Anka - Happy (1969) Music Motor - Happy (1970) Gilbert Neal - My Way (2016) Lainie Kazan - Feeling Good (1966) I say Jean DuShon but it's Lainie Kazan. (?) Leave My Black Woman Alone (?) You have to listen to this. Go to 1 hour, 1 minute, 30 seconds. (?) Happy Together (?) In Vietnamese Dolly Parton and Porter Wagoner - Mendy (1971) The Rebels - Creeque Alley (1968) Otis Redding and The Pinetoppers - Shout Bamalama From Wikipedia: A member of Pat T. Cake and the Mighty Panthers, Redding toured the Southern United States on the Chitlin' Circuit, a string of venues that were hospitable to African-American entertainers during the era of racial segregation, which lasted into the early 1960s. Johnny Jenkins left the band to become the featured artist with the Pinetoppers. Around this time, Redding met Phil Walden, the future founder of the recording company Phil Walden and Associates, and later Bobby Smith, who ran the small label Confederate Records. He signed with Confederate and recorded his second single, "Shout Bamalama" (a rewrite of "Gamma Lamma") and "Fat Girl", together with his band Otis and the Shooters. ? - Groupie (?) Dan Lewis and Gilbert Neal - Cat Scratch Fever (1983?) The Norman Luboff Choir - I Just Want To Make Love To You (1965) The Brooklyn Bridge - Down By The River (1970) Up With People - John David Sebastian Smith (1970) Sam Samudio - 15 Degrees Capricorn ASC (1971) Ayatollah Let 'Em Go (?) (song-poem) The Four Preps - More Money For You And Me (1962) The Pace-Setters - Push On Jesse Jackson (1971) The Mighty Flea - Ode To Billy Joe (1968) C W McCall - Roses For Mama (1978)
Today in history: Michael Jordan leads the Bulls to their 6th championship. TWA Flight 847 hijacked. The Iron Butterfly single "In-A-Gadda-Da-Vida" released. German troops entered Paris during World War II.
This week, Matt brings in one of the many iterations of Psychedelic rock band Iron Butterfly. The crew discusses their breakthrough containing and named after their biggest hit, “In-A-Gadda-Da-Vida”. What did the guys think of this 60’s rock staple? Hit play and find out!P.S.: WHO IS LUKE?!Follow along with us on Spotify.Audio Intro: Jahzzar - I Saw You On TVVideo Intro: Lame Drivers - Frozen EggOutro: Matthew Walton - I'll See You In My Dreams
It's time for another Strong Songs listener Q&A, as Kirk goes into the mailbag to answer your most burning musical questions. How does Devo make 11/8 time sound so smooth? What makes one song sound like a train, while another one sounds like a pack of horses? Why does the turnaround of Janelle Monáe's "Make Me Feel" sound so odd? What kinds of effects did Michael Brecker use on his saxophone? How does AC/DC's Angus Young rock the intro to "Thunderstruck" so hard? Those questions and many more... on this ep. FEATURED ON THIS EPISODE: "Me, Myself, I" by Joan Armatrading from Joan Armatrading, 1980 “Blockhead” by Devo from Dusty Now for the Future, 1979 “Funky Sea, Funky Dew” by Michael and Randy Brecker from Heavy Metal Be-Bop, 1978 “We Built This City” by Starship from Knee Deep in the Hoopla, 1985 “In-A-Gadda-Da-Vida” by Iron Butterfly from In-A-Gadda-Da-Vida, 1978 “Thunderstruck” by AC/DC from The Razors Edge, 1990 “Where The Streets Have No Name” by U2 from The Joshua Tree, 1987 “Make Me Feel” by Janelle Monáe from Dirty Computer, 2018 “Wheel In The Sky” by Journey from Infinity, 1978 “Last Train Home” by Pat Metheney from Still Life (Talking), 1987 “Graceland” by Paul Simon from Graceland, 1086 “Cissy Strut” by The Meters from The Meters, 1960 “In Case You Don’t Live Forever” by Ben Platt from Sing To Me Instead, 2019 “Joy Spring” by Clifford Brown from Clifford Brown & Max Roach, 1954 “Ghost Catching” and “Professor Elvin Gadd” by Chad York and Darren Radtke from Luigi’s Mansion 3, 2019 Reference to Ezra Klein's recent podcast episode about "Social Solidarity" Reference to the incredible Reply/All episode "The Case of the Missing Hit" Note: An earlier version of this episode incorrectly stated that Ben Platt wrote Dear Evan Hansen, which was in fact written by Justin Paul and Benj Pasek, with book by Steven Levenson. Platt starred as Evan Hansen in the original cast. OUTRO SOLOIST: Kyle Molitor Kyle is a Portland-based trombonist who plays in all sorts of bands, and the dude can really get it done. Find him on Instagram @tbonemolitor and find his upcoming shows on his website: https://klmolitor.wixsite.com/tbone 'GRAM BY 'GRAM If you're interested in occasional music and Portland-related photos and videos, as well as listening recommendations and teases for upcoming Strong Songs episodes, follow Kirk on Instagram @kirk_hamilton. https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://tinyletter.com/KirkHamilton STRONG PLAYLISTS You can find playlists containing every Strong Song as well as all of Kirk's weekly music picks from his other podcast, Kotaku Splitscreen, on both Spotify and Apple Music. You can also find a new playlist Kirk specifically designed for listening while staying home and not spreading viruses on Spotify, Apple Music, and Google Play (thanks Thomas for making that last one) SUPPORT STRONG SONGS ON PATREON! Thank you to all of Strong Songs's Patreon patrons; you rule. If you want to support Kirk making this show, do so here: https://Patreon.com/StrongSongs APRIL 2020 WHOLE-NOTE PATRONS AccessViolation andrew walters CALEB ROTACH Chad Barnard Clint Johnson Craig J Covell Dan Apczynski Dave Florey Glenn Jared Norris Mark Schechter Merlin Mann R Watson Ryan Torvik Viki Dun APRIL 2020 HALF-NOTE PATRONS AJ Schuster Albukitty Alex Singer Alexander Polson Amanda Furlotti Andre Bremer Andrew Baker Andrew Lee Arjun Sharma Bill Thornton brant Phillip Brett Douville Brian Amoebas Brooke Wilford Chas Lednicky Chris Brown Christer Lindqvist Cyrus N. White Darryl Stewart Dave King David Stroud DuncannLL Earl Lozada Eero Wahlstedt Elliot Jay O'Neill Emily Williams FlSHBONES Forrest Chang Gavin Doig Gerry Nelson Jacob Dye Jaehoon Jeong James Johnson Jeffrey Olson Jenifer Carr Jennifer Bush Jeremy Dawson John and Sharon Stenglein Jon O’Keefe joujou Juan Carlos Montemayor Elosua Judith Stansfield Jules Bailey Justin Liew Justin McElroy Kate Albury Kevin Morrell Kevin Pennyfeather Leigh Sales Mark Steen Markus Koester Matt Betzel Matt Gaskell Max Schechter Melanie Stivers Michael Blackwell michael bochner Miriam Juskowicz Mueller Nate from Kalamazoo Nicholas Schechter Richard Toller Robbie Ferrero Robert Paul Sam Fenn samuel gardner Shane DeLeon SP Tanner Morton Tom Clewer Tom Lauer Toni Isaacson Wayne Marsh
Fantasy Football Party with Anthony Maggio, Bo Mitchell & John Tuvey
If there’s one thing the Fantasy Football Party podcast is known for, it’s the show’s staunch support of the morals and principles that guide this great land, such as honesty and integrity and freedom of speech. If there’s two things the Fantasy Football Party podcast is known for, it’s all that stuff above and brilliant, insightful fantasy football analysis delivered in an engaging, witty manner over tasty adult beverages. But lets focus on that first part for just a second. What if, during the course of events of a podcast, someone with questionably legitimate authority deleted from the record important conversations. Not “Watergate tapes” important or even “Ukrainian quid pro quo” important; more like “Kenny Stills is a great play WHEN Will Fuller gets hurt” or “Now that I’m done being Sticky let’s dive into a Belching Beaver” important. (Narrator: In other words, not very important at all.) Okay, we’ll leave the political correctness for the wonks and pundits. Well, except for tres Futbol Fiesta Fantasia amigos’ staunch refusal to identify the Washington football squad by its racist moniker. While protests rage on in the halls of justice, your duly elected fantasy football representatives shared their personal regrets, dug deeply into all the relevant news, and even provided actionable intel during the “Whatever” segment 2V usually treats like the drum solo in “In-A-Gadda-Da-Vida”. Plus Magsh address the troublesome prospect of underage tabasco consumption; Bo presented so many reasons to watch “Monday Night Football” that Jason Witten retired to go back in the booth; and 2V basked in the glow of Marvin Jones’ four-score outing while educating the masses as to the wonder that is Cloyce Box. No matter which side of the aisle you sit on, you’ll want to stay there as the rumbling bullet train that is the Fantasy Football Party podcast thunders through. Next stop: Week 8. ***** Follow the show on Twitter @TheFFParty and its co-hosts @MplsMaggio, @Bo_Mitchell, and @jtuvey Support your local show sponsors! Use the code FFParty to get a seven-day free trial of rake-free DFS at FantasyDraft Play like a champion today in the Hooters $350K Main Event GPP at Fantasy Draft: https://www.fantasydraft.com/contest/1482315/?r=ffparty&m=ffparty_2019-nfl-week-8&utm_source=ffparty&utm_medium=podcast At FantasyLabs, the code 10OFF saves you $10 on a trial membership at the site all the FF Party-goers turn to to help set their DFS lineups. At JL Beers, just tell Jake or AJ that Bo will pay for your beer. Even if it’s not a Premium.
With its endless, droning minor-key riff and mumbled vocals, "In-A-Gadda-Da-Vida" is arguably the most notorious song of the acid rock era
KEITH BUCKLEY, author and lead singer of Every Time I Die joins us for 2016's Dater's Handbook and: Giambis ... REO Speedwagon ... They shoot Go-Go's, don't they? ... Rick Derringer, BOC and Nas memories ... The Duchess of Sussex Meghan Markle ... Royal wedding/Hallmark crossover ... Food snitching: UNFORGIVABLE ... Artistic Hallmark ... Mindwarped by Lifetime ... The Duchess does ALL her own stunts ... Meghan Markle is good ... Jarred by emotional realness ... The Expositional Challenge ... Dr. Susie ... Cocktail dresses, winter rain ... G-rated racy ... "Negging" funny-guys ... Pigtail pulling and desire without sex ... Lifetime: Nothing Is Safe ... Nerf tension ... Never get upset ... Spot The Angel: Wedding children, romcom atheism and David Duke's sister ... Eat Your Heart Out: Dinner in Oz, snitches get stitches, Keith would NOT marry the Duchess of Sussex, PASTRIES, authentic Bennigan's, thankless wings ... Good sports! ... Duane Laimbeer redux ... Meet your own Shmoiz ... Allergic and Unaware of It ... 100% subordinate failure rate ... The Devner Broncos ... Hallmark Expanded Universe: Christian postal detectives vs. yoga pants ... Overdetermined: Lampshading Uber Alles vs. Handbook formatting vs. Dater's Handbook thinking, Meet 'n' greet bullshit ... "He's A Killer 4" ... Wine Clown George: Too stuffy for middle management, kinda My Fair Lady, still kinda Keith's boy ... The Swagony of Defeat: Free lampshading with Prime ... Hallmark Bechdel Test: No, absolutely not ... Partner Chat: Cocktail dress, toddler party; Canadian brother; a family divide on embracing linear sincerity ... Rating: 5 stars ... Goodbye to Keith ... Leftovers: Real athletico ... Hal-9000's dinner suite ... Chekhov's Chicken Wing ... John Galt and the Affordable Atlas Shrugged ... Kristoffer Polaha's rescuing wryness ... Pants Spumone ... Jive-ass putt-putt ... "George's uptightness" duel ... MUSIC: "Fuck You If You Don't Like Christmas," from Crudbump, by Drew Fairweather • "If U Want It," from Cyber-Vision, by Drew Fairweather • "Don't Fear the Reaper" by Blue Oyster Cult • "In A Gadda Da Vida," by Iron Butterfly • "Take It on the Run," by REO Speedwagon • "Third and Wrong" by Chris Collingwood of Look Park and Fountains of Wayne. • ESPN NFL Primetime Theme #3 • GET KEITH'S NEW BOOK HERE.
I'm sitting here in my big, manly, black leather poppa chair in my living room ...and it's so comfortable. Not at all like the hard chairs and harsh fluorescent lights I remember from when I was doing the all night shows at WBZ and WNEW and WNBC. There were good things and bad things about being on the air all night. One of the bad things was there weren't many people listening, but one of the good things was that the people who were listening were really listening. It wasn't just some kind of background noise like daytime radio tends to be. And I remember that I had my own way of dealing with problems in those days. When the little voice in my head said, "You're going to regret saying this in the morning," I always said it anyway. Because I figured nobody could give me a hard time in the morning if I just slept late the next day. I felt that was one way to be a problem solver. No regrets. And I could sleep any time I had the time in those days...actually in those nights. Even while I was on the air. Sometimes much to the dismay of the tech on duty at the control board at about 3AM, I even took a quickie nap while a long song like Arlo Guthrie's "Alice's Restaurant" or Iron Butterfly's "In A Gadda Da Vida" was playing. In those days...actually in those over nights...sleep was never a problem. Sleep was my little personal friend. I used to tell people, "The reason your eyes water when you yawn when you're awake, is that you miss your friendly little bed, and that makes you sad."
Jazz musician Tony Miceli (vibraphone), together with Paul Jōst (vocals) and Kevin MacConnell (acoustic bass), combine to form The Jōst Project. Catch Tony’s conversation with Kathleen Greene of the Barnes about the upcoming performance for First Friday at the Barnes, featuring selections from the group’s ever-expanding repertoire including rock/pop classics such as Iron Butterfly’s “In-A-Gadda-Da-Vida,” Redd Stewart and Pee Wee King’s “Tennessee Waltz,” and the Beatles’ “Come Together.” Tune in to learn more!
In episode #2 we discuss Lawrence Kasdan's classic "The Big Chill." The death of one of their own reunites seven former college friends for a weekend of memories, music, sorrow and love. Starring Tom Berenger, Glenn Close, Jeff Goldblum, William Hurt and Kevin Kline. SHOWNOTES The Big Chill - Criterion Collection The Big Chill - Soundtrack on vinyl More Songs from The Big Chill on vinyl Joy to The World by Three Dog Night Bookends by Simon & Garfunkel America by Simon & Garfunkel Saginaw, Michigan (NOT an island) I Heard it Through The Grapevine by Marvin Gaye Life As A House - starring Kevin Kline and Hayden Christensen You Can’t Always Get What You Want by The Rolling Stones Simpsons episode #132 “Bart Sells his Soul” where Bart tricks the church organist into playing In-A-Gadda-Da-Vida by Iron Butterfly When A Man Loves A Woman by Percy Sledge Jeff Goldblum starred in both The Fly and Jurassic Park (sans glasses) Blood Diamond starring Leonardo DiCaprio Rutledge Fellowship at the University of Michigan The Raiders March - theme from Raiders of the Lost Ark Death at a Funeral - starring Matthew Macfadyen Lawless Heart - starring Bill Nighy This is Where I Leave You - starring Jason Bateman and Tina Fey Almost Famous - starring Billy Crudup and Kate Hudson Dreyer’s Ice Cream is REAL! High Waisted Men’s Pants by Historical Emporium
Young-Holt Unlimited, Light My Fire, Just A Melody Claude Denjean, Lay Lady Lay, Moog! Claude Denjean And The Moog Synthesizer Stardrive With Robert Mason, Strawberry Fields Forever, Intergalactic Trot Hugo Montenegro, You Are The Sunshine Of My Life, Hugo In Wonder-Land R.H. Fiction, Fantaisie (Version Instrumentale), Fantaisie Trio Obektiv, Keep Your Eye On The Sparrow, Non Stop Dancing Uranium, Eleanor Rigby, Eleanor Rigby Mike Mareen, Cecelia, Cecelia Zinthetyzër, Green Onions, Green Onions Round One, Theme From Rocky (Gonna Fly Now - Eye Of The Tiger) (Rival Mix), Theme From Rocky (Disco Mix) Risco Connection, Ain't No Stopping Us Now, Hustle ! Blood Sisters, Ring My Bell, Hustle ! Fun Boy Three, Our Lips Are Sealed (Remixed Version), Our Lips Our Sealed (Special Remix Version) First Patrol, Nightmare (Freddie's Mix), Nightmare (Freddie's Mix) Soichi Terada & Shinichiro Yokota, Got To Be Real, Got To Be Real Bo Boss, Tequila, Tequila Main Line, Somebody's Watching Me (Remixed Disco Version), Somebody's Watching Me Control D, Vision In The Mirror, Vision In The Mirror David Van Tieghem, In-A-Gadda-Da-Vida, In-A-Gadda-Da-Vida Robey, One Night In Bangkok, Robey Polyphonic Size, Mother's Little Helper, Nouvelle Vague Presents New Wave [disc 1] Koichi Oki, Spinning Wheel, Yamaha Superstar! Doctor Pablo & The Dub Syndicate, Dr. Who?, North Of The River Thames Zeus B. Held, The Fool On The Hill, Zeus' Amusement Karel Fialka, People Are Strange, Nouvelle Vague Presents New Wave [disc 2] A Certain Ratio, Shack Up, Shack Up The Slits, I Heard It Through The Grapevine, Nouvelle Vague Presents New Wave [disc 2] Marianne Ascher, These Boots Are Made For Walking, These Boots Are Made For Walkin' The Chequers, Get Up Stand Up, Check Us Out
On this date in 1942, the first gold record was awarded to Glenn Miller and his Orchestra. Here are some things you may not have known about certification of record sales. The record given to Miller was from his record company, RCA Victor, to celebrate the sales of 1.2 million copies of the single “Chattanooga Choo Choo.” Other gold records awarded by companies were to Elvis Presley in 1956 after selling 1 million copies of his single “Don’t Be Cruel.” A year later RCA Victor game Harry Belafonte a gold record for selling 1 million copies of his album “Calypso.” These awards were not official, however. The Recording Industry of America introduced its gold record program for singles and albums in 1958. The official program required a record to sell at lease $1 million in retail sales. The sales numbers were restricted to U.S.-based labels and did not include exports. The first RIAA-certified gold single was “Catch a Falling Star” by Perry Como. The first album to hit gold was the soundtrack from “Oklahoma!” In 1976, the certification changed to add the platinum record for sales of 1 million or more copies. The gold record level was changed to 500,000 copies. The first platinum single was Johnnie Taylor’s “Disco Lady,” while the first album was “In-A-Gadda-Da-Vida” by Iron Butterfly. In 1999, the Diamond certification was introduced for records that have sold more than 10 million copies. According to the RIAA, the first record to be certified Diamond was “Can’t Slow Down” by Lionel Richie. Our question: What is the second-best selling album in the United States behind “Thriller” by Michael Jackson? Today is unofficially Umbrella Day, National Cream Cheese Brownie Day, and National Flannel Day. It’s the birthday of actor Lon Chaney Jr., who was born in 1902; film director Alexander Payne, who is 56; and actress Elizabeth Banks, who is 43. Because our topic happened before 1960, we’ll spin the wheel to pick a year at random. This week in 1970, the top song in the U.S. was “Thank You (Fallettin Me Be Mice Elf Agin)” by Sly and the Family Stone. The No. 1 movie was “MASH,” while the novel “The French Lieutenant’s Woman” by John Fowles topped the New York Times Bestsellers list. Links Follow us on Twitter, Facebook or our website. Also, if you’re enjoying the show, please consider supporting it through Patreon.com Please rate the show on iTunes by clicking here. Subscribe on iOS: http://apple.co/1H2paH9 Subscribe on Android: http://bit.ly/2bQnk3m Sources https://en.wikipedia.org/wiki/Music_recording_sales_certification https://en.wikipedia.org/wiki/List_of_best-selling_albums_in_the_United_States https://www.riaa.com/gold-platinum/?tab_active=top_tallies&ttt=DA&col=certified_units https://www.checkiday.com/02/10/2017 http://www.biography.com/people/groups/born-on-february-10 http://www.bobborst.com/popculture/numberonesongs/?chart=us&m=2&d=9&y=1960&o= https://en.wikipedia.org/wiki/List_of_1970_box_office_number-one_films_in_the_United_States https://en.wikipedia.org/wiki/The_New_York_Times_Fiction_Best_Sellers_of_1970
1967 年在洛杉矶成立的 Iron Butterfly 乐队是重金属乐队的雏形，原始阵容为 Doug Ingle（风琴兼主唱，生于 1947 年 9 月 9 日）、Ron Bushy（鼓手，生于 1941 年 9 月 23 日）、Lee Dorman（贝司手，生于 1945 年 9 月 19 日）和 Eric Braunn（吉他手，生于 1950 年 8 月 10 日），另一位吉他手 Danny Weiss 在录完乐队的第一张专辑《Heavy》后，就离开了乐队。 1968 年专辑《Heavy》出版后，他们在美国主要城市进行了一个多月的巡回演出。该乐队激烈的节奏部分，超重的演唱风格使当时的乐迷大开眼界，所到之处受到了歌迷狂热的欢迎，舆论界和唱片工业都认为他们是潜在的超级巨星。他们的第 2 张专辑《In - A - Gadda - Da - Vida》的成功是前所未有的，其中一首 17 分钟长的同名曲成为重金属音乐的第 1 首经典作品。直到今天，该专辑仍是 Atlantic 唱片公司最伟大的摇滚专辑——也许也是该公司销量最大的唱片之一。因为到 1993 年时，该专辑已经令人不可思议地卖掉了 2500 万张。
1967 年在洛杉矶成立的 Iron Butterfly 乐队是重金属乐队的雏形，原始阵容为 Doug Ingle（风琴兼主唱，生于 1947 年 9 月 9 日）、Ron Bushy（鼓手，生于 1941 年 9 月 23 日）、Lee Dorman（贝司手，生于 1945 年 9 月 19 日）和 Eric Braunn（吉他手，生于 1950 年 8 月 10 日），另一位吉他手 Danny Weiss 在录完乐队的第一张专辑《Heavy》后，就离开了乐队。 1968 年专辑《Heavy》出版后，他们在美国主要城市进行了一个多月的巡回演出。该乐队激烈的节奏部分，超重的演唱风格使当时的乐迷大开眼界，所到之处受到了歌迷狂热的欢迎，舆论界和唱片工业都认为他们是潜在的超级巨星。他们的第 2 张专辑《In - A - Gadda - Da - Vida》的成功是前所未有的，其中一首 17 分钟长的同名曲成为重金属音乐的第 1 首经典作品。直到今天，该专辑仍是 Atlantic 唱片公司最伟大的摇滚专辑——也许也是该公司销量最大的唱片之一。因为到 1993 年时，该专辑已经令人不可思议地卖掉了 2500 万张。
Dan and Vicky look at the 1969 musical Paint Your Wagon starring Lee Marvin, Clint Eastwood, Jean Seberg and Ray Walston. To adapt his own Broadway show for the big screen, producer and lyricist Alan Jay Lerner chose writer Paddy Chayefsky and composer Andre Previn. They changed the source material considerably and scored 10 million dollars from Paramount to bring their nearly three hour version to the screen. Fraught with production problems, the film, shot almost entirely on real sets built in the rugged Oregon mountains, went 10 million dollars over budget and ushered in the beginning of the end for the movie musical. In addition to their thoughts on this bloated, plot heavy epic and it's legacy, Dan and Vicky talk about what they've seen lately. Vicky, of course, outwatches Dan with the Italian series Gomorrah, the horror films The Black Cat, The Sender, Phenomena, The Funhouse and Torso, and the 1969 James Garner starring Marlowe. Dan gives his reflections on Stranger Things and the new film Don't Breathe. They also nearly come to blows over the slasher Humongous -- guess who likes it and who doesn't. They also touch on the negatives and positives of big box stores (?), the impact of In A Gadda Da Vida and the great songs of October 1969. Hit the trail with Hot Date 36 and your guaranteed to strike gold. Listen and leave us some feedback
Covers! Covers! Covers! -=-=-=-=-=-=-=-=-=-=-=-=-=--= John Keating, Lucy In The Sky With Diamonds, Space Experience 2 Polyphonic Size, Mother's Little Helper, Nouvelle Vague Presents New Wave [disc 1] Slingshot Featuring Kathy Kosins, You Shook Me All Night Long (Instrumental Mix), You Shook Me All Night Long Valérie, A Whiter Shade Of Pale, A Whiter Shade Of Pale Inspired, The Bare Necessities, The Bare Necessities / It's A Small World John Cleffer Band, Happy 60's, Happy 60's Rosebud, Have A Cigar, Discoballs Planet Earth, Doctor Who (From The BBC TV Series), Planet Earth Snakefinger, The Model, Nouvelle Vague Presents New Wave [disc 1] The Twins Plus Him, Turn The Beat Around, Turn The Beat Around Marx & Spencer, Stay (Dub Mix), Stay The Cover Band, Medley (Relax, Somebody's Watching Me, It's My Life), Relax / Big In Japan Telex, Rock Around The Clock, Looking For Saint Tropez Zeus B. Held, The Fool On The Hill, Zeus' Amusement Saxophone, Souvenir, Souvenir Hot Butter, Mah-Na, Mah-Na, More Hot Butter Duffo, Walk On The Wild Side, (Take A) Walk On The Wild Side Christian Death, Sex Dwarf, Pornographic Messiah The Stranglers, Walk On By, Nouvelle Vague Presents New Wave [disc 1] Gian Piero Reverberi, Stairway To Heaven, Stairway To Heaven Sven Perner, High Tension (Whole Lotta Love), Sounds Funky - Pop Brass Background Naomi Akimoto, Com Rain Or Come Shine (Sukebe Bias-Slice), Summer Champion / Come Rain Or Come Shine Sandy Kerr, (I'm) Billy Jean, (I'm) Billy Jean Robey, One Night In Bangkok, Robey Material, For A Few Dollars More, Deconstruction - The Celluloid Recordings [disc 1] Pink Project, Disco Project, Disco Project David Van Tieghem, In-A-Gadda-Da-Vida, In-A-Gadda-Da-Vida Kristina Karali, We Live For Love, We Live For Love Chilly, For Your Love, For Your Love Local Boy, Thriller Medley With Owner Of A Lonely Heart, Thriller Medley With Owner Of A Lonely Heart Boris Midney, The Imperial March (Darth Vader's Theme), Music From The Empire Strikes Back Walter Murphy, Themes From Raiders Of The Lost Ark, Themes From E.T. The Extra Terrestrial And More Future World Orchestra, Theme From E.T., Theme From E.T. John Keating, I Feel The Earth Move, Space Experience Yuji Ohno, CHiPs, CHiPs Tino, Starsky & Hutch, Starsky & Hutch Manny Delgado, Kung Fu Chino, Las 10 Calientes De Manny Delgado The Enoch Light Singers, I Say A Little Prayer, 12 Smash Hits Apollo 100, Lady Madonna, Apollo 100 Dick Bakker Orchestra, We're All Alone, Beauty Of Nature
Mike opens the show with a fantastic resource located here: http://RecordProduction.com In this unique and comprehensive music production web site, you may watch over 100 leading record producers talking on camera about their work and take 80 exclusive behind the scenes video tours around some of the world's top recording studios. The Stupid Knob: Mike shares a short story demonstrating one of the most unique iPod accessories we've every heard of. Kids, don't try this at home! Spotlight: PSN correspondent and 5-time Emmy winner John Davidson is back for Part #2 of the series The Tech And Art Of Surround Mixing. This week John discusses the proper method for calibrating your listening space. Gear Review: Big Al reviews Trilogy, a virtual bass instrument from Eric Persing at Spectrasonics. The web site: http://Spectrasonics.net If you're not a bass player, you always run across the need to lay down a quality bass track, often with some kind of sampler. Trilogy is a Virtual Bass Module plug-in, 3 gigabyte core library with a powerful, yet easy to use interface and synth engine for manipulating the sounds. Windows and Mac, VST, AU and RTAS. Almost 1,000 patches in these categories: Acoustic Stand Up Bass - Mic'd and direct Martin Acoustic Bass Guitar Electric Bass - Fingered, Picked, Fretless, Slap, Muted Synth Several audio examples are presented demonstrating the True Staccato feature that is the power behind the stunning realism of this plugin. Big Al's Review Recommendation: It's the best in class and is going to be hard to beat any time soon, short of hiring a real session bassist. He gives Spectrasonics Trilogy 5 out of 5 VU meters! Answer To Last Week's Trivia Question: Q: In 1968, Iron Butterfly released the classic 17-minute long In-A-Gadda-Da-Vida. In-A-Gadda-Da-Vida is actually a corrupted version of the song's original name. What was it? A: In The Garden Of Eden This week we received two correct answers from listeners! Congratulations and props to Grae Smart and Ronnie Marler, host of the Virtual Song Cast Podcast. Extra background facts: Is considered to be the song that ushered in the era of acid rock. Takes up the entire second side of the original record. The version edited and released as a single omits (among other things) Ron Bushy's drum solo and leaves roughly three minutes of music. Peaking at #4, the song spent 140 weeks on the Billboard 200 chart. This Week's Trivia Question: Q: Who played keyboards on Stevie Nicks' song Stand Back under the alias Alexander Nevermind? E-mail us your answer! See you next week! Tags: music recording studio emmy spectrasonics eric persing plugins iron butterfly bass guitar stevie nicks surround sound
Mike opens the show with a great online resource located at: http://StudioExpresso.com Viewer Mail: Lane Sumner contacted us to share one of killer tips on getting good guitar tone in the studio. It involves recording direct using a Line 6 Pod while having a live amp in the room at the same time. The kicker is that there's no mic on the amp, or any other connection for that matter! This is indeed a KILLER TIP! Celebrity Interview: This week's interview is with Mike Bolan himself. This is Part #2 of the Cabo Project, which follows the life of a song from its composition through its final mastering. Revenge Of The Mariachis! This week, mariachi-style trumpets are added by world-class horn player Mike Lenke. He's a true recording professional and unsung hero of the music biz. He started his career in the military and then later toured with Ringling Brothers Circus, Lionel Hampton, Buddy Rich and Maynard Ferguson. For three and a half years he was also an integral part of the very last Ray Charles tour. Here's a link to download the entire song with all of the trumpet parts: Download Christmas In Cabo with trumpets Feature Story: This is the first feature of our new PSN Correspondent and 5-time Emmy winner, Mr. John Davidson. This is Part #1 in his series, The Tech And Art Of Surround Mixing. This week John details the appropriate hardware setup for monitoring surround sound both in the studio and as a home user. Answer To Last Week's Trivia Question: Q: Who was the famous keyboard player (who had his own 1983 top forty hit at #23) brought in to enhance Foreigner's sound on the very popular Foreigner 4 album? A: Thomas Dolby Q: Double Bonus Points Question: What was his own top forty hit? A: She Blinded Me With Science This Week's Trivia Question: Q: In 1968, Iron Butterfly released the classic 17-minute long In-A-Gadda-Da-Vida. In-A-Gadda-Da-Vida is actually a corrupted version of the song's original name. What was it? E-mail us your answer! See you next week! Tags: music recording studio emmy guitar trumpet plugins iron butterfly cabo thomas dolby surround sound
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