Podcasts about Propellerheads

Tónlist frá útsendingarlogg 2025-05-20 STJÓRNIN - Þegar Sólin Skín. Bubbi Morthens - Brotin Loforð. PROPELLERHEADS & SHIRLEY BASSEY - History Repeating. Juanes - La camisa negra (album version). BRITNEY SPEARS - Toxic. Bee Gees - Tragedy. Ásdís - Touch Me. LADY GAGA & BEYONCÉ - Telephone. FINE YOUNG CANNIBALS - She Drives Me Crazy. Svenni Þór, Regína Ósk Óskarsdóttir - Hjá þér- kynning plata vikunnar 2024 18. vika. Svenni Þór, Regína Ósk Óskarsdóttir - Hjá þér. JOHNNY CASH - I Walk The Line. Dr. Dre, Snoop Dogg - The Next Episode (Explicit). JAIN - Makeba. Lorde - What Was That. The Smiths - Some Girls Are Bigger Than Others. Bngr Boy, GusGus, Tatjana, Unnsteinn Manuel Stefánsson - Partýið er þú og ég. OutKast - B.O.B.. NÝDÖNSK - Frelsið. ÍRAFÁR - Ég Sjálf. Doechii - Anxiety. Laddi, Hljómsveit mannanna - 19 gráður. SUGABABES - Overload. Birgir - Fleiri daga. LOVIN´ SPOONFUL - Summer In The City. Jungle - Back On 74. FRIÐRIK DÓR - Al-Thani. Mary Mary - Shackles (Praise you). Páll Óskar Hjálmtýsson, Benni Hemm Hemm - Allt í lagi. COLDPLAY & BUENA VISTA SOCIAL CLUB - Clocks. Una Torfadóttir - Í löngu máli. Retro Stefson - Velvakandasveinn. SÁLIN HANS JÓNS MÍNS - Þig Bara Þig. GDRN - Þú sagðir. Tómas Tómasson, Stuðmenn - Á Spáni. Bjarni Arason - Geri það með þér. THE EMOTIONS - Best Of My Love. Annie - Chewing Gum (Radio Edit). Harris, Thurston - Little bitty pretty one. BILLY PRESTON - Nothing From Nothing. KYLIE MINOGUE - Padam Padam. Svenni Þór, Regína Ósk Óskarsdóttir - Dreymir - kynning plata vikunnar 2024 18. vika. Svenni Þór, Regína Ósk Óskarsdóttir - Dreymir. DOLLY PARTON - Jolene. WHITNEY HOUSTON - Higher Love (ft. Kygo). La Roux - Bulletproof. OF MONSTERS & MEN - Little Talks.

Afmælisdagur Vigdísar Finnbogadóttur, frumflutningur á nýju lagiu frá Daða Frey. Amor Vincit Omnia á plötu vikunnar. Lagalisti: GDRN - Þú sagðir. BAGGALÚTUR - Vigdís Finnbogadóttir. DAVID BOWIE - Modern Love. Dacus, Lucy - Ankles. PROPELLERHEADS & SHIRLEY BASSEY - History Repeating. Amor Vincit Omnia - Eina. KENNY LOGGINS - Footloose. UNUN - Lög Unga Fólsins. TAME IMPALA - No Choice. Suede - Beautiful ones. Young, Lola - Conceited. EYJÓLFUR KRISTJÁNSSON - Norðurljós. PRINS PÓLÓ - Bragðarefur. CeaseTone - Only Getting Started. MACY GRAY - I Try. Bridges, Leon - Laredo. TODMOBILE - Tryllt. Ásdís - Touch Me. MARK RONSON feat. ALEX GREENWALD - Just. BJÖRGVIN HALLDÓRSSON - Dagar Og Nætur. Daði Freyr Pétursson - I don't wanna talk. JAIN - Makeba. MIRIAM MAKEBA - Pata Pata. Combs, Luke - Fast car. Womack, Bobby - Across 110th street. Retro Stefson - Velvakandasveinn. RAKEL OG KÁRI - I don't know who you are. XXX ROTTWEILER HUNDAR - Negla. Haim hljómsveit - Relationships. Vinir vors og blóma - Frjáls. Self Esteem - If Not Now, It's Soon. My Morning Jacket - Time Waited. ENSÍMI - Atari. JÓNAS SIG - Hamingjan er hér. HJALTALÍN - Love from 99. JóiPé & Króli - Í átt að tunglinu. Amor Vincit Omnia - Do You. Empire of the sun - Walking On A Dream. ROSE ROYCE - Car Wash. Þórhallur Sigurðsson, Edda Björgvinsdóttir - Vesturbæjarlaugin. AZEALIA BANKS - 212. Mono Town - The Wolf. Shaboozey - A Bar Song (Tipsy). GNARLS BARKELY - Going On. FAT BOY SLIM - Praise You. NÝDÖNSK & SVANHILDUR JAKOBSDÓTTIR - Á sama tíma að ári.

In this episode, sound-designer Eddie Bazil looks at ways of enhancing a variety of individual tracks and full mixes using plug-ins that are designed to achieve the retro warmth and cohesion of tapes and valves.Chapters00:00 - Introduction01:32 - What Is Harmonic Distortion02:32 - Advances In Music Production Quality04:47 - The Introduction Of CD05:59 - Triodes And Pentodes Vacuum Tubes06:47 - Analysing Harmonic Content07:56 - Example 1: TR-808 Sub Bass10:35 - Example 2: Affecting A Whole Mix*12:39 - Example 3: Adding Saturation15:07 - The Benefits Of Tape17:26 - Example 4: Applying Tape Effects To A Bassline*20:59 - Example 5: Adding Tape To Beats23:47 - Example 6: Enhancing A Piano Track26:56 - Summary* Demonstration track ‘Puppet' (Examples 2 and 4), written, performed and recorded by John Walden. Vocals sung by Yvonne McKeown.#voxengospan #SummitAudio #T-RackS #Kraftur #Aphex #SSLEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Siggi Gunnars stýrði Popplandi dagsins. Hann fjallaði um Söngvakeppnina 2025, spilaði nýja tónlist, tók á móti póstkortum og opnaði fyrir símann. Þá gerðu þau Arnar Eggert og Andrea Jónsdóttir upp plötu vikunnar, Ég á móti mér með Izleifi. Spiluð lög: 12.40 til 14.00 Friðrik Dór Jónsson - Aftur ung (Dansaðu við mig). GÓSS - Eitt Lag Enn. BRIMKLÓ - Eitt Lag Enn. PROPELLERHEADS & SHIRLEY BASSEY - History Repeating. Ezra Collective & Olivia Dean - No Ones Watching Me. Olivia Dean - Dive. THE KINKS - Sunny Afternoon. Lola Young - Messy. FUN & JANELLE MONÁE - We Are Young. Bía - Norðurljós. EYJÓLFUR KRISTJÁNSSON - Norðurljós. Maggie Rogers- In The Living Room. *Umfjöllun um Plötu vikunnar* Izleifur - Andvaka. Coldplay - ALL MY LOVE. 14.00 til 16.00 Árný Margrét - Day Old Thoughts. Bill Withers - Lovely Day. Ágúst - Eins og þú. ÍRAFÁR - Fáum Aldrei Nóg. Morgan Wallen - Love Somebody. SAM FENDER - Getting started. Þorvaldur Halldórsson - Á sjó. LEONARD COHEN - Suzanne. Lady Gaga & Bruno Mars - Die With A Smile. Birnir - Spurningar (ft. Páll Óskar). Isadóra Bjarkardóttir Barney - Stærra. Snorri Helgason - Borgartún. BIRGO - Ég flýg í storminn. Regína Ósk - Þér Við Hlið. Gracie Abrams - That's So True. NOAH AND THE WHALE - L.I.F.E.G.O.E.S.O.N.. Spacestation - Í draumalandinu. Retro Stefson - Kimba. Rogers, Maggie - Don't Forget Me.

Hoy continuamos en La Gran Travesía con el repaso a los 500 temas más destacados de la década de los 90, con el programa número 38. Seguimos con el recorrido por el año 1997, con los puestos que van desde el 30 al 20 y donde podréis escuchar a The Cure, JSBX, Natalie Imbruglia, David Bowie, Days of the New, Propellerheads, Smashing Pumpkins, James... Aquí os dejamos la lista con los anteriores programas de la década de los 90 https://www.ivoox.com/500-mejores-canciones-90_bk_list_9987185_1.html Y aquí tenéis la lista con los 500 temas más destacados de la década de los 80. https://www.ivoox.com/500-mejores-canciones-80_bk_list_5787084_1.html Ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas. ✨ El libro ya está a la venta en la editorial NPQ Editores https://npqeditores.com/producto/la-gran-travesia-del-rock/ Escucha los podcast aquí https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

For musicians and producers that struggle to finish tracks, Eddie Bazil explains the benefits of creating musical snippets and gives us some examples as to how we can tap into different moods, use sound design techniques to create something unique that becomes a useable addition to our musical catalogues and create pieces that stand the test of time.“Snippets and the creating of, serve to strengthen sound ideas, hone mixing and production skills, help to understand timing and flow, act as a testbed for song structuring ideas and are the playground for testing and mastering all manner of plug-ins”.Chapters00:00 - Introduction00:19 - What Is A Snippet?01:53 - The Benefits Of Creating Snippets04:26 - Planning Your Snippets06:07 - Sound Design06:53 - Example 1: Phased Pad17:33 - Example 2: Happy, Mood-Lifting 22:01 - Example 3: Drama And Tension#SoundtoysPhaseMistress #FabFilterTimeless2 #EventideBlackhole #SteinbergGrooveagent #GforceimpOSCar3 #WavesOvoxVocoder #SteinbergHalionTrip #RobPapenAlbino #Kontakt #NIMaschine2 #AirHybrid3Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts Get a print or digital subscription to Sound On Sound magazine.

Depeche Mode - Enjoy The Silence Muse - Undisclosed Desires Dua Lipa - Houdini Lenny Kravitz - The Chamber Massive Attack - Unfinished Sympathy David Bowie - Let's Dance The Weeknd - Dancing In The Flames Bruno Mars - Treasure Hozier - Too Sweat Fleetwood Mac - Everywhere Sophie Ellis Bextor - Murder On The Dancefloor Madonna - Into The Groove Propellerheads Feat. Miss Shirley Bassey - History Repeating (Knee Length Remix) Supergrass - Alright Airmods - Under The Sun Pink - Irrelevant Fools Garden - Lemon Tree

Matt and Briggs create ultimate music playlists around a theme. This time we created the Ultimate Fight Montage Songs of the 1990s.   Follow us on: Twitter: https://twitter.com/UPwithMB YouTube: https://www.youtube.com/channel/UCJWoLCPwdFdf9gjRQBd6Xsg TikTok: https://www.tiktok.com/@upwithmb   Matt's Music on Spotify: https://open.spotify.com/artist/4xxrTMyeailrpFvLXiyhDs?si=3cjpYTywT9GaRyjFV57EJQ

link Трек-лист: 01. Propellerheads — Take California 02. Foals — What Went Down 03. Pet Shop Boys — I Don't Know What You Want But I Cant't Give It Anymore 04. Urban Symphony — Rändajad 05. Mhelyssa, Би-2 — Sigo Adelante 06. Serj Tankian — Sky Is Over 07. Red Hot Chili Peppers — Dark … Продолжить чтение Lofstrom loop 378 (21.06.2024)

Eddie Bazil gives us more pointers on constructing beats, incorporating useful tools such as Drum Replacement Software and pre-constructed Loops, then adding enhancements using timing, pitch and other processing tips.Chapters00:00 - Introduction00:33 - Drum Replacement Software01:41 - Example 1: Using Hit'n'Mix RipX DAW 05:41 - Example 2: Making Loops Your Own11:36 - Example 3: Enhancing A Kick With Pitch And Timing Track credit for example 1: Ice Box featuring Omarion, produced by Timbaland - https://en.wikipedia.org/wiki/Ice_Box_(song)Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/

In the first of a two-part series, Eddie Bazil explains how some simple adjustments in your DAW will help you to achieve more bounce in your drum beats, by adding syncopation, swing and dynamism.Chapters00:00 - Introduction00:20 - A Quick History Of Beat Production01:07 - Early Programmable Drum Machines04:33 - Defining A Good Beat05:15 - Example 1: Shifting The Snare To Drive A Beat07:55 - Example 2: Altering Dynamics And Note Durations10:51 - Example 3: Adding Urgency With A Backbeat 12:37 - Example 4: Creating Swing With The Hi-Hats Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/

So much good stuff…  From better and worse James Bonds (Connery versus Moore, the right and wrong Brosnhan… Brosnan…  Brosnahan…. Remington Steele, and the “other” Bonds) to Lotus Esprit (and which one) versus DB5, DB7, 750, and AMX versus Javelin, the Gearhead Consultancy promises to ricochet off the point.  Bond guns.  Bond villains.  Octopussy versus A View to a Kill.  Pussy Galore versus Verper Lynn.  Add to that a celebration of crappy guns, like an A5 Remington 1911 that shoots itself, a break-action Rossi that only shoots on safe, and Jim's Thumper, a personal pocket five-round .44 Special super-snub that'll deafen the bad guy whether or not the round hits anyone. Also, Bond tunes ala ska band (what?):  Skatellites, Roland Alfonso, McCartney, G n' R, Duran Duran and the Propellerheads.  Also also, very nice sips from FH Beerworks, Living the Dream and Epic Brewing.

So much good stuff…  From better and worse James Bonds (Connery versus Moore, the right and wrong Brosnhan… Brosnan…  Brosnahan…. Remington Steele, and the “other” Bonds) to Lotus Esprit (and which one) versus DB5, DB7, 750, and AMX versus Javelin, the Gearhead Consultancy promises to ricochet off the point.  Bond guns.  Bond villains.  Octopussy versus A View to a Kill.  Pussy Galore versus Verper Lynn.  Add to that a celebration of crappy guns, like an A5 Remington 1911 that shoots itself, a break-action Rossi that only shoots on safe, and Jim's Thumper, a personal pocket five-round .44 Special super-snub that'll deafen the bad guy whether or not the round hits anyone. Also, Bond tunes ala ska band (what?):  Skatellites, Roland Alfonso, McCartney, G n' R, Duran Duran and the Propellerheads.  Also also, very nice sips from FH Beerworks, Living the Dream and Epic Brewing.

Another one of those episodes where Matt pretends to know anything about electronic music. Some fun ones here though, all classics of that late-90s shooting star genre Big Beat, which is blessedly straightforward in name. Chemical Brothers make it on the Spin list with Dig Your Own Hole, and Matt talks Fatboy Slim's You've Come a Long Way, Baby and Propellerheads' Decksanddrumsandrockandroll as progenitors and exemplum of the Big Beat sound and era.

Somuchworktodo…. Sorry about the untimely uploads, but the Gearhead Consultancy's plate doth overfloweth.  Now, about some good talk:  What happens when a thunderstorm bombs the garage, and what's the deal when your meat has been froen instead of hitting the ‘fridge fresh?  4Runner trans mounts (and squishy torque specs), stupid Jeepers winning stupid prizes (or horse-tranqed beggars - hey, it's not MY wedding), secret Pioneer head units, JKs with V8s, electric Jeeps with rebates, new cars suffering a case of the old elbows, stolen design cues, and tie-downs and ratchet straps (because if it's on the side of the road, it's not on your load). Also, Home Depot versus Harbor Freight, half-digested Citroens, Zach's elk summer sausage, and Electric Wizard, Living Color, Propellerheads and Electronic Excursions in High-Fi.

Somuchworktodo…. Sorry about the untimely uploads, but the Gearhead Consultancy's plate doth overfloweth.  Now, about some good talk:  What happens when a thunderstorm bombs the garage, and what's the deal when your meat has been froen instead of hitting the ‘fridge fresh?  4Runner trans mounts (and squishy torque specs), stupid Jeepers winning stupid prizes (or horse-tranqed beggars - hey, it's not MY wedding), secret Pioneer head units, JKs with V8s, electric Jeeps with rebates, new cars suffering a case of the old elbows, stolen design cues, and tie-downs and ratchet straps (because if it's on the side of the road, it's not on your load). Also, Home Depot versus Harbor Freight, half-digested Citroens, Zach's elk summer sausage, and Electric Wizard, Living Color, Propellerheads and Electronic Excursions in High-Fi.

Propellerheads Feat. Miss Shirley Bassey - History Repeating (Knee Length Remix) Soft Cell - Tainted Love OMD - Enola Gay B Movie - Nowhere Girl A Flock Of seagulls - I Ran Ultravox - Dancing With Tears In My Eyes The Offspring - Original Prankster Bruce Springsteen - Dancing In The Dark Twisted Sister - We're Not Gonna Get It Supergrass - Alright The Knack - My Sharona Green Day - Holiday Simply Red - Sunrise Toto - Africa (DMC Remix) Seal - Crazy All Saints - Pure Shores George Michael - Fastlove Matt Simons - Catch And Release (Deepend remix)

Eddie Bazil dives into some of his favourite plug-ins and gives us a series of examples on how to use these tools creatively for designing unique and interesting beats, sequences and mixes. Chapters00:00 - Introduction00:21 - What Makes A Tool Creative?03:25 - Example 1: A Cinematic Piano Effect07:03 - Example 2: Creating A More Dynamic Beat10:19 - Example 3: Sequencer-Based Multi Effects On A Drum Beat13:26 - Example 4: Reshaping A Musical Sequence 21:21 - Example 5: A Sound Design Exercise Credits‘Puppet' track written, performed and recorded by John WaldenVocals by Yvonne McKeownEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/https://theaudioproductionhub.pivotshare.com/

#207 Mantendo as expectativas baixas para não decepcionar o sedento público, que nunca foi alvo - até pelo contrário, moreno alvissareiro, queimado de sol. Getúlio Adler, Breno Bocalluva e Gianni Bravo oferecem banquete, boca livre, open bar, para chegados e diletantes no endereço acima, duração de 126 minutos de pura travessura. Presença confirmada de Tito Rosemberg nas carrapetas e DJ ApoiaBoia soltando um Curtis Mayfield com Here but I'm Gone, Propellerheads com History Repeating (feat. Shirley Bassey) e Alan Vega, Alex Chilton e Ben Vaughn com Fly Away. O Borogodó não tem hora para acabar. --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

Esse é o AutoRadio Podcast. Radio Auto #13 - Instrumental Powered by Wisdomtech http://www.wisdomtech.com.br

Eddie Bazil demystifies Compression and Expansion with a detailed explanation of their uses and with a range of practical examples using plug-ins. Chapters00:00 - Introduction00:22 - Compressors And Expanders Explained01:33 - Compressor Behavioural Types02:40 - Common Compressor Topologies06:06 - Example 1: Boz Digital Manic Compressor On Drums10:26 - Example 2: FabFilter Pro MB On A Synth Line13:28 - Example 3: PreSonus Studio One Expander On A Drum Beat15:26 - Example 4: A Drum Beat Using Different Topologies20:24 - Example 5: Using Sidechaining On Reverb 23:28 - Example 6: FabFilter Pro MB On A Vocal Line27:16 - Example 7: Sidechain Compression And Expansion To Create Texture And MotionCreditsExample 6 - The song and the poem are both called Everyone Sang. The poem was by Sigfried Sassoon and was set to music and performed by Anne Gregson.www.annegregson.co.ukRecorded at www.mrpunch.infoEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/https://theaudioproductionhub.pivotshare.com/

El derribo de un globo espía chino por parte de un caza estadounidense en aguas del Atlántico ha generado una nueva crisis diplomática entre Estados Unidos y China. China califica la acción militar como una "reacción excesiva", mientras que Estados Unidos afirma que se trataba de un artefacto de espionaje. Además, el derribo ha generado una nueva discusión política dentro de EE. UU. ya que demócratas y republicanos tienen opiniones diferentes sobre cómo se manejó el incidente. Se espera que el presidente Biden aborde el tema en su discurso sobre el Estado de la Unión. La Marina estadounidense está buscando los restos del globo derribado en aguas frente a Carolina del Sur. Resumen: El monitoreo de tecnología militar: Uno de los aspectos más importantes a tener en cuenta en esta disputa tecnológica es el monitoreo y control de tecnologías militares. Estados Unidos y China están compitiendo por mantener ventajas tecnológicas y una mayor capacidad de defensa. La importancia de la investigación y desarrollo: La investigación y desarrollo en tecnología militar es un aspecto clave para ambos países. Se invierten grandes sumas de dinero en el desarrollo de tecnologías avanzadas que permitan a cada uno tener una ventaja en el terreno de la seguridad. La disputa comercial: La competencia entre Estados Unidos y China en el ámbito de la tecnología militar está directamente relacionada con la disputa comercial entre ambos países. Las tecnologías militares desarrolladas pueden tener importantes aplicaciones comerciales, por lo que la competencia por adquirir dichas tecnologías es intensa. El rol de la cooperación internacional: La cooperación internacional es fundamental para regular y limitar el uso de tecnologías militares. Sin embargo, a menudo, los intereses nacionales prevalece sobre las obligaciones internacionales, y cada país trabaja para proteger sus intereses en este ámbito. La relación bilateral entre ambos países: La tecnología militar es un aspecto importante en las relaciones bilaterales entre Estados Unidos y China. La tensión entre ambos países en este ámbito puede afectar la relación global entre ambas naciones y tener implicaciones en otros ámbitos como el comercial y diplomático. Un libro, una película, un tema musical que trate de espionajes o espías. Libro: "El espía que surgió del frío" de John Le Carré Película: "El agente 007 contra el Dr. No" Tema musical: "Spybreak!" de Propellerheads (featured en la película "The Matrix") Do the same for tecnológía militar. Libro: "The Pentagon's Brain: An Uncensored History of DARPA, America's Top-Secret Military Research Agency" de Annie Jacobsen Película: "War Games" (1983) Tema musical: "Eye in the Sky" by Alan Parsons Project Do the same for relaciones internacionales. Libro: "Diplomacy" de Henry Kissinger Película: "The Day After" Tema musical: "World in Union" de Shirley Bassey (tema de la Copa del Mundo de Rugby de 1991 que se convirtió en un himno para la unidad mundial) Do the same for Seguridad Nacional. Libro: "Seguridad Nacional en América Latina" de Philip J. Chicola Película: "The Interpreter" (El Intérprete) Tema musical: "The Spies" de David Bowie Do the same for Programas Secretos de Inteligencia Libro: "The Puzzle Palace: A Report on NSA, America's Most Secret Agency" por James Bamford Película: "The Good Shepherd" (2006) Tema Musical: "Spooks" de Radiohead

Susie takes on David in the week's first PopMaster Podcast with Ken Bruce.

Ed Sheeran - Castle On The Hill Maneskin - Beggin Yeah Yeah Yeahs - Heads Will Roll Indochine - Alice & June The Hives - Hate To Say I Told You So Beck - Sexx Laws Dermot Kennedy - Kiss Me Michael Jackson Feat. Justin Timberlake - Love Never Felt So Good (Sunshine Remix) Asaf Avidan & The Mojos - One Day/Reckoning Song Mr Probz - Waves (Robin Schulz Remix) Purple Disco Machine - Dopamine Madonna - Music Propellerheads Feat. Miss Shirley Bassey - History Repeating (Knee Length Remix) The Weeknd - Less Than Zero Pink - Irrelevant The Ting Tings - That's Not My Name

Big Beat (Биг-Бит) ещё один из ломанных стилей созданный в 90-е годы. Основные характеристики: мощный среднетемповый бит «жирная» бас-партия, искаженный брейкбит, психоделические синтезаторные вставки и семплы из джаза, хард-рока и брит-попа 60-х годов. Родоначальниками и лидерами биг-бита считаются The Prodigy, The Crystal Method, The Chemical Brothers, Fatboy Slim и Propellerheads. Название данного стиля совпадает с обозначением одного из ранних направлений поп-музыки (предшествовавшего становлению собственно рока), однако путать их не следует. «Современный» биг-бит ещё иногда именуют химическим битом — по названию песни Chemical Brothers («chemical beats»). В 1995-96 году биг-бит в основном концентрировался вокруг двух британских лейблов — брайтонского «Skint» и лондонского «Wall Of Sound». Наиболее известные артисты, творившие в данном направлении — Fatboy Slim, The Prodigy, Bentley Rhythm Ace, Lo-Fidelity Allstars, Propellerheads, Wiseguys, французский проект Les Rythmes Digitales и др. В Америке биг-бит тоже стал популярен, найдя пристанище на лейбле «City of Angels Records» (Crystal Method - «американский ответ» Chemical Brothers, а также Uberzone, Lunatic Calm, Front BC). Стиль: Big Beat Год: 1996-1999

Bear Claw Billie will say and do an awful lot of things for money! On today's episode of Fix My Carcast, they have to figure out where all of the samples in the Propellerheads song "Bigger?" come from (thanks, Anonymous 4!) in the style of a children's TV show!Never heard the song? Check it out here: https://youtu.be/B3Cki4btJZcSubmit topics for the podcast (attached to your donation) at the show's GoFundMe: https://www.gofundme.com/f/fixable-auto-donate-3000Vote on episode gimmicks (and access bonus episodes & behind-the-scenes content) by signing up for Billie's Patreon: https://www.patreon.com/bearclawbillieIf you're already signed up, you can find the next episode's poll right here:https://www.patreon.com/posts/fmc-ep-40-poll-72727516Get FMC shirts, mugs, and other merch over on Billie's TeePublic: https://www.teepublic.com/t-shirt/33636950-fix-my-carcastContact Bear Claw Billie thusly!bearclawbillie@gmail.comtwitter.com/bearclawbillieinstagram.com/bearclawbillie

Here I talk about a recent Jelie interview (of Kickback Couture YouTube channel). I happened across this Reason Studios episode recently and it is about 1 year old by one of my favorite Black, LGBTQ+, female producers. I am so inspired by young aged millennial and Gen Z entrepreneurs, especially LGBTQ+ and gender representative talent. Check out some links: JELIE (main site): https://jelie303.com/home JELIE'S IG: @jelie303 JELIE'S YOUTUBE REASON STUDIOS AND OTHER PRODUCTION TUTORIALS: https://youtu.be/7ZtacsfPKCI JELIE'S YOUTUBE MUSIC VIDEOS: https://www.youtube.com/c/jelie303 JELIE'S MUSIC PRODUCTS: https://kickbackcouture.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Chapters00:00 - Introduction00:56 - The First Filters02:23 - Modern Filters04:37 - Example 1: Filtering A Triangle Wave Into A Sine Wave06:15 - Example 2: Using Self-Oscillating Filters To Generate Tuned And Tracked Tones07:27 - Example 3: Adding Movement To A Sub Bass11:44 - Example 4: Filtering A Drum Beat 14:45 - Example 5: Using Resonant Filters On Beats 17:34 - Example 6: Creating Texture With Formant Filters Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/https://theaudioproductionhub.pivotshare.com/

Edición Limitada - 14 de Marzo del 2022. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Nick Cave and Warren Ellis, Amenra, Depeche Mode, Thom Yorke, Radiohead, Son Lux, Mitski, David Byrne, Belle and Sebastian, Aldous Harding, Placebo, Peter Doherty & Frédéric Lo, Florence + The Machine, Spiritualized, Pavement, The Black Keys, M!R!M, The Linda Lindas, Rolling Blackouts Coastal Fever, The Boo Radleys, Pixies, Automatic, Cold Gawd, bdrmm, Rammstein, Fantastic Negrito, Art d'Ecco, Propellerheads, Moderat, Jenny Hval, Everything Everything, James Krivchenia, The Smile, Mall Grab, Oliver Sim, Bodega, Wolfgang Flür, Night Sins, Rue Oberkampf, Tourist y Sven Väth.

Como viene siendo costumbre, salvo alguna que otra licencia, a principio de mes toca popurrí, es decir, programa en dos partes con debate más recomendaciones. Para divagar hoy tenemos un tema que ha cambiado una barbaridad en los últimos años y es que el modo de dar los primeros pasos, abrirse camino y quedarse en un mercado como el del cómic español no tiene nada que ver hoy con el de la era preinternet. Para darle vueltas al porqué y el cómo de este camino dedicamos toda la primera mitad del programa, pero tranquilos, que para la segunda parte os guardamos un buen puñado de recomendaciones fresquitas para todos los gustos. Sabed, oh-yentes, que entre los años del hundimiento de Atlantis y sus brillantes ciudades, tragadas por los océanos, y los años del nacimiento de los hijos de Aryas, hubo una edad no soñada donde podía escucharse el podcast 235 de ELHDT. Selección musical: 🎶 History Repeating, de Propellerheads & Shirley Bassey 🎶Mi tierra, de Gloria Estefan 🎶Real Cool World, de David Bowie

Music Tech Pioneers: Propellerhead : ReCycle to Reason ! Hosted by Vin Curigliano of AAVIM Technology, I am joined by guest co-host Pete Brown of Microsoft and special guest Ernst Nathorst-Böös, founder of Reason Studios, formerly known as Propellerhead Software. We discuss Ernst history with music and computer technology , his previous involvement in MI and early experiences within the emerging Music Tech arena, which lead to the founding of the company that brought you Reason. We cover the early years with the successive releases of Recycle, ReBirth and Reason , each individually changing the game at their respective points, and the cult like status that the software achieved with artist, producers and the general Music Tech community. We explore the company's unique approach to keeping the coding closed and in house, and for the longest time not expanding to supporting 3rd party plugin formats, instead developing their own with Rack Extensions , while also developing formats like .rex and ReWire which were widely adopted though out the industry. We also discuss the community involvement and cover the shifting landscape of forums and social media regards how companies are communicating and staying connected with their end users. We also share some thoughts on the current state of Music Tech, and much more. Host & Guest Links : AAVIM Technology : www.aavimt.com.au DAWbench : www.dawbench.com Microsoft : www.microsoft.com Pete Brown : https://twitter.com/Pete_Brown Reason Studio : https://www.reasonstudios.com/ VO : Andrew Peters : www.andrewpetersvo.com Music Themes : Original DAWbench VI Theme Music composed by Rob John : Independent Music Productions : http://www.indmusicprods.com DAWbench Radio Show ReMix by Erin McKimm : www.erinmckimm.com All Rights Reserved : © AAVIMT 2022

Hace 25 años, en 1997, empezaba a triunfar por todo Reino Unido un estilo llamado Big Beat. Hoy recordamos en esta primera parte del especial de La Gran Travesía sus orígenes, el club Big Beat Boutique y toda la explosión de la música electrónica con Chemical Brothers, Propellerheads, Fatboy Slim, Apollo 4 40... y cómo la música electrónica empezaría a filtrarse entre las grietas del pop y del rock alternativo. Y recordad que si os gusta el programa podéis apoyarnos por el precio de una cerveza al mes y acceder además a todo el contenido extra desde iVoox con más de 500 programas en exclusiva!! Muchas gracias a todos los mecenas por vuestro apoyo. Lourdes Pilar, José Diego, Dora, Raf, Suibne, Dani, Miguel Ángel Torres, Santi Oliva, familia Pignatelli, Jesús Miguel, Leticia, Sementalex, Azimut, Zimmy, Enrique FG, Sergio Castillo, Elliot SF, Aida, Mati, Redneckman, Guillermo Gutiérrez, Daniel A, Raúl Andrés, Luis Miguel Crespo, Gonzalo Fernández, Tole, Álvaro Oliva, Vlado 74, Toni Sureda, Luis Benedicto, Luis Palo, Álvaro Pérez, Karlos Martínez, Vicente DC, Marcos Paris, Angel Hernández, Quijovi, Milo Stone, Luisa, Antomadrid, Edgar Cuevas, Okave 16, Victor Vosgos y a los colaboradores anónimos. Muchas gracias a todos!!

Its a bumper episode for Two for None for our last episode of the Aussie summer. Heidi, Pat, Chris, Tom Hawkey and Alex Spinks give in-depth analysis on the Womens Ashes Series, Jai and Chris Goodrick wrap the SA v IND series in South Africa and Pat and Chris disect the JL dismissal. Its a massive episode of TFN!   Credits: History Repeating by Propellerheads 1998 Dreamworks records, Simply the best by Tina Turner 1991 Capitol records,  Fox Spots coverage of the 2021/22 ashes, Remember me is by Blueboy  Altra Moda 1997 and Tame Impala Modular 2010 we are the champions queen 1977 Elektra records finally The Terminator Theme Written by Brad Fiedel of Terminator Genisys 2015. All clips and music used in conjunction with APRA AMCOS online mini licence OL-2028 Hey make sure you check us out on Facebook and you can email us at gingersnapsydney@gmail.com especially if you'd like to be our west indies or Bangladesh correspondent!

Retour des inédits ! Meilleurs vœux !La version longue consacrée à l'unique album du duo Big Beat anglais. Un point sur le classique "The Champ" et les prémices de l'épisode dédié à James Bond...

Chapters00:00 - Introduction00:30 - A Short History Of The Vocoder02:15 - How Vocoders Work03:28 - Example 1: Processing Drum Beats and Pads 07:31 - Example 2: Adding Texture To Drums And Bass 10:41 - Example 3: Creating Rhythmic Bass Textures 13:30 - Example 4: Creating The Borg 16:00 - Example 5: Modulating Sounds Using A Beat 21:20 - Example 6: Adding Delay To Create Motion 25:46 - EndingEddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer,  plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge.https://eddiebazil.co.uk/https://samplecraze.com/https://theaudioproductionhub.pivotshare.com/

Je n'ai toujours pas vu "Spectre", ni "No Time To Die" d'ailleurs... Il est bien le dernier ? Les références plus ou moins explicites à la franchise James Bond. De la simple citation à la reprise, en passant par le sample, évidemment. Cet épisode est la suite logique de celui de la semaine dernière dédié aux Propellerheads, n'hésitez pas à y jeter une oreille !

Mais que sont-ils devenus ?? Un album objet de culte sorti en 1998. Malgré le succès rencontré, aucune nouvelle (ou presque) du duo Big Beat depuis, aussi grand cinéphile. L'étude des samples/connexions du disque (avec un petit arrêt sur le morceau "The Champ") va aussi permettre une transition facile vers l'épisode de la semaine prochaine.

Music chat - El Carpe goes clubbing with the Lords of Acid from LUST LP and Propellerheads from decksanddrumsandrockandroll - ... Eric gives us - occassional swelling.   El Carpe throws out a weak attempt at doing a TV Theme Song quiz !  Seemed like a good idea at the time.   Eric got them all right.       Then there that brief chat on the "new normal?" post covid.   Better yet, Doctor Sanjay Carpe and Doctor Eric McGraw try to fix all of our good pal Jill's woes... and of course we fail miserably - and that's all sorts of fun.   Join in the fun - and as always Pour Me Another Brother !

Fredrik snackar med gänget bakom Robotic bean - Niklas Backlund(utveckling), Erik Söderberg (grafik), och Anders Ljung (det tråkiga). Robotic beans skapar plugins för ljudbearbetning, till exempel oerhört stiliga Hand clap studio. Vi snackar bland annat om hur Robotic bean kom till, om ljudprograms fascinerande estetik. Om hur utseendet påverkar hur det upplevs låta, och om hur ett genomtänkt utseende kan tvinga en att komma fram till något som också fungerar bättre och är lättare att använda. Vi diskuterar vad plugins är skrivna i, supportens glädje och börda, vad som är lätt och svårt med att skriva plugins, och charmen i genomtänkta produkter som gör en sak riktigt bra. Fredrik blir sugen på att designa mer unika gränssnitt. Och nog borde det finnas mer att göra kring bra verktyg för att få poddar att låta bättre? Ett stort tack till Cloudnet som sponsrar vår VPS! Har du kommentarer, frågor eller tips? Vi är @kodsnack, @tobiashieta, @oferlund, och @bjoreman på Twitter, har en sida på Facebook och epostas på info@kodsnack.se om du vill skriva längre. Vi läser allt som skickas. Gillar du Kodsnack får du hemskt gärna recensera oss i iTunes! Du kan också stödja podden genom att ge oss en kaffe (eller två!) på Ko-fi, eller handla något i vår butik. Länkar Robotic bean Anders Niklas Erik Resonans EC-1 Propellerhead software Reason MIDI Stegsequencer Hand clap studio VST AU AAX Atlantis-studion Skeuomorfism Ekssperimental sounds Fostex LLVM-bitcode Magnus Lidström Microtonic Sonic charge JUCE Reasons rackextensionformat Eurorack Mutable instruments Mutable instruments öppna kod Delicious generation Garageband Ableton Hindenburg Audacity Adobe audition Karthago För övrigt anser jag att Karthago bör förstöras Titlar En synkbugg i MIDI En gemensam plugin Fria satelliter Anders gör de tråkiga sakerna Det vi jobbat mest med - handklapp En handklappsapparat Någon som behöver lite handklapp Den bästa handklappen som går att få Gamla instrument är bättre än nya Stark placeboeffekt Ljud är inte så tungt Våra egna kunder Vi är syntare allihop Kul och mysigt Rattar och reglage-känsla

If there was a way to play music on this program without getting copyright violated, I'd open today's show with "History Repeating" by the Propellerheads featuring Shirley Bassey. I fear that we are witnessing the rise of fascism exactly as it played out in Europe in the last century- and many times before. Some of us are even narrating the the steady slide into an authoritarian dictatorship as the bad guys are plotting to continue their coup and finish what they started in 2020 by stealing the elections in 2022 and 2024. And we sit here watching it happen, powerless to do anything to stop their momentum. This is the perfect time to call on a historian to see how off the mark I am, or not. Harvey J. Kaye returns to the show today. I'll also ask him about the 1-2 punch of op-ed pieces in the NY Times and WaPo written by Republicans, vowing to be one-issue voters.. they'll vote only for Democrats until the threat of Trump and his sycophants is really over.

EPISODE #212-- Today Cruz and James delve into the class late 90's action flick, The Matrix. It's a really good movie, darnit! We also talk about There Will Be Blood and Mikey and Nicky. Donate to the cause at Patreon.com/Quality. Follow James on Twitter @kislingtwits and on Instagram @kislingwhatsit or on gildedterror.blogspot.com. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. The outro music is "Spybreak! by Propellerheads. #Cyberpunk #SciFi #Future #KungFu #KeanuReeves #ActionMovie #1999 #90sFilm

We hear about Robbie's 80's Caribbean cruise, then we talk Colin Benders 12 hour modular jam, Propellerheads melody and hooks - leads to Ty telling us bout his recent BBC series score and the panel talk composition, then its Eventide's structural effect Fission andBetterTouchTool for latest Macbooks. Notes - thanks to Marc the Darc

Guest Parker Gyokeres is the owner of Propellerheads, an FAA Part 107 licensed business providing aerial photography and medium/heavy lift cinematography, thermal imaging, NDVI multispectral and 3F photogrammetry. Parker is an award-winning U.S. Air Force photojournalist, a freelance author, UAV subject matter expert and photographer. He serves as a member of the board of directors for the Professional Society of Drone Journalists, and he advises national clients on the design, operation, and deployment of advanced aerial systems for use by photographers, surveyors, cinematographers, and military contractors. Topics InterDrone InterDrone 2016, the International Drone Conference and Exposition, was held September 7-9, 2016 in Las Vegas. They had 3,500 attendees from 54 countries, with 155 exhibitors and speakers. Parker tells us how this year's event was very different from last year's. DJI Mavic Pro DJI's new Mavic Pro has folding arms and is smaller than the Phantom. Sensors handle obstacle avoidance, tracking of the subject, autonomous landing, and indoor stability. The camera shoots 4K video at 30 fps and full 1080p HD at 96 fps. The Mavic handles live video streaming and even employs gesture control. Parker attended the DJI announcement and tells us all about it. Lessons from a Shoot At a shoot, Parker's drone had a little “encounter” with a barge on the river. The story is humorous but it also contains some good lessons for drone operators.

Hello, welcome to episode 28 of The Bitcoin Game. I'm Rob Mitchell. When I scheduled an interview with CoinCube CEO Robert Allen, I felt pretty skeptical. My gut told me a cloud-based Bitcoin-trading-bot would be something like a cloud-mining Ponzi-scheme on steroids. I wondered, would this interview be my first exposé? Would my "gotcha" questions be too difficult for Robert to field? Listen to find out! 7/19/16 UPDATE: For the sake of being informative, the gains in my CoinCube-traded account to date are about 50% of the gains had I simply bought and hold Bitcoin in this account. CoinCube's Wave algorithm attempts to avoid bear markets by selling BTC, but my sense is it frequently misses price spikes this way. So, this first experimentation with a Bitcoin trading bot has been a disappontment so far. Of course, past performance is never a guarantee of future results (or everyone would be rich). MAGIC WORD Stay tuned for the magic word in this episode, and submit it to your LTB Network account to claim a share of this week's distribution of LTBCoin. Listeners have one week from the release date to claim the magic word credit. The magic word for this episode must be submitted by 3:00 p.m. Pacific time on October 29, 2015. SPONSOR While much of Bitcoiners' time is spent in the world of digital assets, sometimes it's nice to own a physical representation of the virtual things you care about. For just the price of a cup of coffee or two (at Starbucks), you can own your own Classic Bitcoin Keychain or the new Bitcoin Fork Pen. http://bkeychain.com http://bitcoinforks.com SHOW LINKS CoinCube http://coincube.io CoinCube Performance History Chart https://coincube.io/performance Gold Rehypothecation (article) http://www.zerohedge.com/news/2015-04-24/rehypothecation-gold-and-why-it-matters Naked Shorting (Naked Short Selling) https://en.wikipedia.org/wiki/Naked_short_selling Trend Following https://en.wikipedia.org/wiki/Trend_following Moving Average https://en.wikipedia.org/wiki/Moving_average Whipsaw Effect http://www.investopedia.com/terms/w/whipsaw.asp Efficient-Market Hypothesis https://en.wikipedia.org/wiki/Efficient-market_hypothesis Edward Thorp https://en.wikipedia.org/wiki/Edward_O._Thorp Market Maker https://en.wikipedia.org/wiki/Market_maker Fooled By Randomness, by Nassim Nicholas Taleb http://amzn.to/1Mc9suV Monte Carlo Simulator https://en.wikipedia.org/wiki/Monte_Carlo_method MUSIC All the music in this episode of The Bitcoin Game was created by me! If you're curious, the music was created in GarageBand (by Apple), Animoog (by Moog Music), and Figure (by Propellerhead). Please contact me if you'd like more info about any music you hear on the podcast. STAY IN TOUCH https://Twitter.com/TheBTCGame http://TheBitcoinGame.com Rob@TheBitcoinGame.com Thanks for listening! Bitcoin tip address: 1G8HDg5EsPQpamKYS2bDya9Riv9xv1nVo5 The Bitcoin Game box art was created from an illustration by Rock Barcellos.

Hello, welcome to episode 25 of The Bitcoin Game, I'm Rob Mitchell. If I were to meet Marco Streng on the street, I'd never guess he hands-on controls perhaps the largest amount of hashing power in the world. Marco is the CEO and cofounder of Genesis mining, a company that mines for profit, and also offers cloud mining. I met Marco back at the State Of Digital Money conference in Los Angeles earlier this year, as he was one of the speakers. I've always been skeptical about cloud mining. At worst, you're simply putting money into a ponzi scheme. At best, you have to trust that even a legit company doesn't get hacked, go broke, or have another issue that can beset any company. Yet Marco was able to restore my trust that there are legitimate companies providing cloud-mining services. Of course, there's always the unknown variables of future price and future difficulty, which can render a net loss, to even the best-laid cloud-mining plans. Stepping back from profitability concerns, cloud-mining services enable smaller players to help secure the network. So I think anyone who supports the security of Bitcoin can see the benefit of legitimate cloud-mining services, which reduces the friction for eager miners to contribute hash power to the network. TWITTER GIVEAWAY I will be posting a question or two about the podcast on Twitter. First to tweet back the correct answer will win either a Bitcoin Keychain or the brand-new Bitcoin Fork Pen (both pictured below). So follow me at this URL: https://twitter.com/theBTCgame Order the brand new Bitcoin Fork Pen and the well-known Bitcoin Keychain together, for only $12 (includes shipping within USA). http://BitcoinForks.com/deal MAGIC WORD Listen for the magic word, and submit it to your LetsTalkBitcoin.com account to claim a share of this week's distribution of LTBcoin. Listeners now have a full week from the release date to claim a magic word. The magic word for this episode must be submitted by 5am Pacific Time on September 17, 2015. SHOW LINKS Genesis Mining https://www.genesis-mining.com New York's BitLicense http://www.dfs.ny.gov/legal/regulations/adoptions/dfsp200t.pdf BitcoinXT https://bitcoinxt.software/#sec-hardfork SideChains White Paper https://blockstream.com/sidechains.pdf Lightning Network https://lightning.network BIP-100 https://github.com/jgarzik/bip100/blob/master/bip-0100.mediawiki#Abstract BIP-101 https://github.com/bitcoin/bips/blob/master/bip-0101.mediawiki#Abstract BIP-102 https://github.com/jgarzik/bips/blob/2015_2mb_blocksize/bip-0102.mediawiki#Abstract Bitcoin Wisdom - Mining Calculator https://bitcoinwisdom.com/bitcoin/calculator Bitcoin Wisdom - Difficulty https://bitcoinwisdom.com/bitcoin/difficulty Bitcoin Magazine - Possible $500,000 Bitcoin Cloud Mining Ponzi Scheme Uncoveredhttps://bitcoinmagazine.com/20702/exclusive-possible-500000-bitcoin-cloud-mining-ponzi-scheme-uncovered Life Inside A Bitcoin Mine (streaming video from Genesis Mining's Iceland facility) http://www.lifeinsideabitcoinmine.com Here's a YouTube video of Marco's presentation at the The State Of Digital Money 2015: https://www.youtube.com/watch?v=oAXtTftPTkI The videographer who captured this content works relentlessly on the front lines, recording cryptocurrency and P2P content from all over the country. Check out all his videos at https://www.youtube.com/channel/UCxfh-2aOR5hZUjxJLQ2CIHw/feed?activity_view=3. MUSIC All the music in this episode of The Bitcoin Game was created by me! If you're curious, the music was created in GarageBand (by Apple), Animoog (by Moog Music), and Figure (by Propellerhead). Please contact me if you'd like more info about any music you hear on the podcast. STAY IN TOUCH https://Twitter.com/TheBTCGame http://TheBitcoinGame.com Email me at Rob at TheBitcoinGame.com Thanks for listening! Bitcoin tip address: 1G8HDg5EsPQpamKYS2bDya9Riv9xv1nVo5 The Bitcoin Game box artwork created from an illustration by Rock Barcellos.

  Hello, welcome to episode 24 of The Bitcoin Game, I'm Rob Mitchell. Earlier this month I got to speak with Andrew Lee from Purse, a company that allows people to use Bitcoin to buy stuff on Amazon, and at pretty large discounts. My own first thought about Purse was that it was some strange company trying to shoehorn its way between Bitcoiners and Amazon. But after talking to Andrew, I now see Purse as a company that is helping to spread the use and adoption of Bitcoin throughout the world. There's a lot more to Purse than I realized! Hope you enjoy this interview. TWITTER GIVEAWAY I will be posting a question or two about the podcast on Twitter. First to tweet back the correct answer will win either a Bitcoin Keychain or the brand new Bitcoin Fork Pen (both pictured below). So follow me at this URL: https://twitter.com/theBTCgame MAGIC WORD Listen for the magic word, and submit it to your LetsTalkBitcoin.com account to claim a share of this week's distribution of LTBcoin. Listeners now have a full week from the release date to claim a magic word. The magic word for this episode must be submitted by 5am Pacific Time on September 2, 2015. SHOW LINKS Purse https://purse.io LG http://www.lg.com Mad Bitcoins http://www.madbitcoins.com Stripe https://stripe.com Lids http://www.lids.com Merrill Lynch https://www.ml.com Dwolla https://www.dwolla.com Mt. Gox https://en.wikipedia.org/wiki/Mt._Gox Amazon http://www.amazon.com Plug & Play http://plugandplaytechcenter.com Andreas Antonopoulos https://en.wikipedia.org/wiki/Andreas_Antonopoulos Blog post on Purse's new Non-Custodial Multisig Wallet https://blog.purse.io/new-multisignature-wallets-to-improve-security-and-privacy Coinbase https://www.coinbase.com Amazon Mechanical Turk https://www.mturk.com Roger Ver http://rogerver.com Reddit Discussion about Purse Pros & Cons https://www.reddit.com/r/Bitcoin/comments/3f36s5 MUSIC All the music in this episode of The Bitcoin Game was created by me! If you're curious, the music was created in GarageBand (by Apple), Animoog (by Moog Music), and Figure (by Propellerhead). Please contact me if you'd like more info about any music you hear on the podcast. STAY IN TOUCH https://Twitter.com/TheBTCGame http://TheBitcoinGame.com Email me at Rob at TheBitcoinGame.com Thanks for listening! Bitcoin tip address: 1G8HDg5EsPQpamKYS2bDya9Riv9xv1nVo5 The Bitcoin Game box artwork created from an illustration by Rock Barcellos.

Hello, welcome to episode 23 of The Bitcoin Game, I'm Rob Mitchell. I decided to experiment with buying Bitcoin a new way; I bought shares of the Bitcoin Investment Trust. The trust is the first, and I believe the only current way a U.S. citizen can add an investment in Bitcoin to a recognized retirement account. You can buy shares of the Bitcoin Investment Trust with symbol GBTC using a standard brokerage account, just like buying a stock or ETF. You could argue that one doesn't actually own Bitcoin with these shares, since a third party holds the private keys, and there are inherent risks — just ask Patrick Byrne. But the fund, and this episode, are likely skewed slightly towards people interested in investing in Bitcoin for the long term, using an investing platform they are already familiar with, while shielding themselves from the learning curve still required to hold Bitcoin securely. In today's episode I speak with Michael Sonnenshein, director of Sales & Business Development for Grayscale, one of several companies founded by Barry Silbert. Based on Grayscale's first quarter financials, the total number of Bitcoin Investment Trust shares sold was approximately 1.41 million, which has a value of over $37 million dollars (at the current rate of $265/Bitcoin). Potential fund buyers need to make sure they understand the risks associated with Bitcoin, investing in Bitcoin using a fund, as well as the fees and premiums that are associated with buying this fund. Would you ever buy shares of the Bitcoin Investment Trust, or recommend it? Please let me know your thoughts by commenting below! 7/19/16 Update: For anyone who bought GBTC (Bitcoin Investment Trust) back when this episode aired, the gains have substantially surpassed a 100% investment in Bitcoin. I will go on a limb and say this is because the demand for GBTC has been a lot greater than the supply (probably due to mainstream and retirement investors wanting Bitcoin exposure). So the market price of GBTC is way above the net asset value of the Bitcoin that the trust holds. With two new Bitcoin ETFs expected in coming months/years, it's possible that new Bitcoin investment vehicles will cool off the demand for GBTC, so I'm not sure if buying GBTC on the open market is wise at current values. However, if you're a "qualified investor" who is up for a large initial investment and year waiting period, you can buy GBTC at par with the current price of Bitcoin, so that may be a smarter investment (if you believe in Bitcoin, and don't think we'll have a financial/societal "reset" before then). Of course, anything could happen to Bitcoin and/or GBTC. And be very aware, I'm definitely not an investment advisor, this is just my amateur read of the situation. MAGIC WORD Listen for the magic word, and submit it to your LetsTalkBitcoin.com account to claim a share of this week's distribution of LTBcoin. Listeners now have a full week from the release date to claim a magic word. The magic word for this episode must be submitted by 1:00 pm Pacific Time on August 21, 2015. SHOW LINKS Keynote 2015 http://www.keynote2015.com Patrick Byrne on "owning" stock, via Reason http://reason.com/archives/2015/04/09/patrick-byrne/4 Bitcoin Investment Trust http://grayscale.co/bitcoin-investment-trust Michael Sonnenshein's Twitter https://twitter.com/sonnenshein Barry Silbert's Twitter https://twitter.com/barrysilbert DCG (Digital Currency Group) http://dcg.co Genesis (Over The Counter Bitcoin Trading) http://genesistrading.com Grayscale http://grayscale.co Xapo https://xapo.com Bitcoin Investment Trust (GBTC) Price Chart http://www.nasdaq.com/symbol/gbtc/stock-chart What's an Accredited Investor? https://en.wikipedia.org/wiki/Accredited_investor SPONSOR Bitcoin Keychains by Bkeychain You've seen these keychains on dozens and dozens of websites, it's about time you had one of your own! These substantial metal keychains make great conversation starters, and they also make great gifts to or from Bitcoiners. You can find a list of online retailers at Bkeychain.com, and several support Bitcoin so much, they don't even accept fiat currency. So what are you waiting for? http://Bkeychain.com MUSIC All music in this episode was created by me, or with friends and family. Ganesh Painting Company is the name of one of the jam bands I feature live recordings of regularly. Some of the musicians you're hearing are Mike Coleman, Rick Marshal, Steve Lunn and Mark Denham. Some music loops you hear were created using Animoog (by Moog Music) and Figure (by Propellerhead). Please contact me if you want more info about any music you hear on the podcast. STAY IN TOUCH https://Twitter.com/TheBTCGame http://TheBitcoinGame.com Email me at Rob at TheBitcoinGame.com Thanks for listening! Bitcoin tip address: 1G8HDg5EsPQpamKYS2bDya9Riv9xv1nVo5 The Bitcoin Game box artwork created from an illustration by Rock Barcellos.

@wearelektron @bestservicenews @JosephErnest @propellerheadsSW

Guest Parker Gyokeres owns Propellerheads Aerial Photography and produces professional aerial videos. We talk about that business in general, and in particular about the video of a recent wedding that is getting attention from the press and the FAA. This story offers UAS regulatory issues, safety of flight issues, and even some good old fashioned politics. These are the facts: Sean Maloney, a Democratic member of Congress from upstate New York was married June 21, 2014. A video of the wedding was produced by Propellerheads Aerial Photography. The FAA is investigating and says shooting the video from a hexacopter was illegal. It turns out Mr. Malony is a member of the House Transportation and Infrastructure Committee, which oversees the FAA. Mr. Maloney's Republican challenger Nan Hayworth says, "It is a blatant conflict of interest to be sitting on a committee while being investigated by an agency it oversees." Parker explains the steps he took before the event to obtain clearance and permission from the property owner and event security. Parker is an experienced sUAS pilot and the mission was flown safely. He feels that “you can't break a law that doesn't exist,” but also that UAS pilots have a responsibility to get proper training and fly safely. Parker also has some very insightful comments on drone journalism. In addition to being the owner of Propellerheads Aerial Photography, Parker Gyokeres is an award winning active duty U.S. Air Force Photojournalist and the current Chief of Public Affairs for the 621st Contingency Response Wing, Joint Base Mcguire-Dix-Lakehurst, N.J. He is a freelance author, a UAV builder/pilot and photographer represented by Legion Photo, and serves as the Secretary of the Professional Society of Drone Journalists. Parker joined the U.S. Air Force in 1992 as an F-16 and F-15 weapons system technician before cross-training to become a public affairs photojournalist in 2006.  He has 22 years of worldwide expeditionary experience, that include three deployments to Afghanistan and one to Iraq. As a remote control pilot and builder, Parker has extensive experience with the design, construction, and operation of both multicopters and fixed-wing aircraft. He also advocates and educates about the safe, responsible use of small UAVs for aerial photography at speaking and training events nationwide.