Podcasts about shure sm58

There's usually a “gear segment” the lads do on the podcast where they'll review of gear, test it out & give some sort of a conclusion at the end.Well on this episode of the It's All Music Podcast the lads got an old but working Shure SM58 mic-the industry standard microphone and put it through a series of rigorous tests.Does it still work at the end?Well you'll just have to listen to find out!Loads of chats, craic and music throughout as usual.From Carey, Henny & Quirky @ IT'S ALL MUSIC - THANKS FOR LISTENING Hosted on Acast. See acast.com/privacy for more information.

Audio/Video:  https://www.geeksrising.com/shows/bsp426 Support: http://podcastage.com/support   Topics discussed: The Shure SM57 and Shure SM58 increasing in price and why I think this has happened, sharing my thoughts on the Aston Apex, and explaining that Sound Speeds was not criticizing me for doing tests.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Aston Apex: https://sweetwater.sjv.io/apex Universal Audio x8:  https://sweetwater.sjv.io/uax8   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:24 - Shure Increasing Their Prices China Tariff: https://www.federalregister.gov/documents/2025/04/28/2025-07325/notice-of-implementation-of-additional-duties-on-products-of-the-peoples-republic-of-china-pursuant Mexico Tariff: https://www.whitehouse.gov/fact-sheets/2025/04/fact-sheet-president-donald-j-trump-declares-national-emergency-to-increase-our-competitive-edge-protect-our-sovereignty-and-strengthen-our-national-and-economic-security/#:~:text=For%20Canada%20and%20Mexico%2C%20the,will%20see%20a%2010%25%20tariff USMCA Goods: https://ustr.gov/trade-agreements/free-trade-agreements/united-states-mexico-canada-agreement 11:26 - WIBT: Aston Apex 15:30 - WYHTS: Correcting V-Tuber's Audio 16:52 - WYHTS: Sound Speeds Wasn't Attacking Me. 19:20 - Value for Value (Movie Podcasts & Microphone Self Noise) 27:20 - Conclusion

I'm pleased to interview one of our Biz Book Pub Hub Partners. Our Hub Partners are experts who support entrepreneurs along their author journey.  Today's guest is a seasoned voiceover coach, audiobook narrator, and technologist dedicated to helping authors bring their books to life in audio format. With nearly 50 years of experience in broadcasting, voice work, and on-camera acting, he understands the nuances of performance, production, and the power of storytelling through sound. As the creator of Narrate Your Own Book, he specializes in teaching authors how to narrate their own audiobooks with confidence and professionalism. His comprehensive program goes beyond basic recording techniques, offering training in performance, technical skills, and industry standards, ensuring authors produce high-quality audiobooks they can be proud of. Through his award-winning VOHeroes training program, he has coached thousands of students, guiding them through the art, science, and business of audiobook narration. His mission is to equip authors with the skills and tools they need to transform their written words into engaging audio experiences that meet professional standards on platforms like Audible's ACX. Please join me in welcoming David H. Lawrence XVII.  In this episode, we discuss the following: Empowering Authors: Learn how David is giving power back to authors by teaching them to narrate their own audiobooks, transforming written words into engaging audio experiences. Audiobook Revolution: Understand the growing demand for audiobooks and why authors should consider this medium from the get-go to reach wider audiences and enhance their brand. Tailored Training: Explore David's comprehensive program that equips authors with the skills to produce professional standard audiobooks, providing support in performance as well as technical skills. Audience Connection: Uncover the value of authenticity and why, for many authors, narrating their own work can create a deeper connection with their audience, meeting them with true voice and passion. Links LinkedIn, Instagram, and YouTube. www.narrateyourownbook.com Biz Book Pub Hub Premier Partner Books mentioned in this episode: “Don't Just Hit Publish: Launch Your Book An Entrepreneur's Guide to Reviews and Revenue” by Robbie Samuels “Break Out of Boredom: Low-Tech Solutions for Highly Engaging Zoom Events” by Robbie Samuels “Small List, Big Results: Launch an Offer No Matter the Size of Your Email List” by Robbie Samuels “Croissants vs Bagels: Strategic, Effective, and Inclusive Networking at Conferences” by Robbie Samuels Other Resources Listen to my episode with Elissa D. Hecker and her Biz Book Pub Hub Partner Profile. Learn more about Audible ACX. Learn more about Speechify. Learn more about Grammarly. Learn more about Audacity. Learn more about Headliner. Learn more about Audio Cupcake. Check out the Audio Technica AT2040 microphone.  Check out the Shure SM58 microphone.  Robbie's Resources Schedule a complimentary book launch brainstorming session: www.BookLaunchBrainstorm.com.  Find all the archived podcast episodes, plus an invitation to free virtual networking events for writers and authors, AND Hub Partners ready to help entrepreneurs become successful authors: www.BizBookPubHub.com Join the waitlist for the next Kindle Cross-Promotion Campaign for business authors: www.BizKindlePromo.com Subscribing (or following) and leaving a rating and review wherever you are listening helps this podcast be discovered.  Biz Book Pub Hub features interviews with experts who help entrepreneurs become successful authors and author panels discussing the ROI of publishing a business book.   Tune in for frank conversations about the ups and downs of the author journey. Find out what common mistakes you can avoid and what resources you can use to ensure your effort leads to business growth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Monique on the Mic, we explore the surprising benefits of recording your singing. Join me, Monique B. Thomas, as I share how self-recording can bridge the gap between perception and reality in your vocal technique. Whether you're a beginner or an experienced singer, recording allows for immediate feedback and insight into areas needing improvement. Learn from my experiences with artists like Damien, who transitioned from songwriter to singer through diligent practice and recording. Plus, I'll cover essential tips for setting up a home studio and using DAWs like GarageBand and Audacity. Don't miss this chance to elevate your vocal game!RESOURCES:Low cost studio set up : The idea is just to get started. This will not give you studio quality, but it will allow you to get used to recording your voice quickly. Don't forget to use garage band (Mac) or Audacity (pc). There are other DAW's as well. 1 Shure SM58 mic - roughly 110€xlr cable - roughly 20€Scarlett Focusrite solo Audio Interface - This connects your mic to your computer - roughly 90€ - 120€headphone, you can use any pair you have that plugs in via mini jack or get a better one for around 100€.If need be, you can use a cheaper mic. Just keep in mind the idea is to get used to recording quickly. Obviously, the better the equipment the better you will sound. The cheapest version and also the lowest quality will be using your phone. Don't over think this. Start where you are and buy better equipment little by little and on a need basis, unless money is not an issue. For a more upscale home studio version or just different options , you'll find plenty of videos on Youtube. Just type, "Home Studio setup". I hope this is helpful. Happy recordingIf you are enjoying the podcast, I think you'll enjoy my Mic Masters Newsletter. Get weekly insights, mindset changes, useable information and so much more for professional and aspiring singers. Join today. For more information on how to work with me, send inquiries to : info@moniquebthomas.com

Video:  https://www.geeksrising.com/shows/bsp407 Support: http://podcastage.com/support Topics discussed: YouTube's comment auto replies have gotten WILD, advocating going to vote, comparing the Shure 565 to the Shure SM58, demoing the Peluso P414, discuss doing more mic grab bag podcasts and how off the cuff episodes do well, share why I don't sell gear I review, share my thoughts on whether phantom power can damage mics, and share my weekly recommendation for SAW. Subscribe to the full audio podcast at http://www.bandrewsays.com Gear Used This Episode (Affiliate Links):Peluso P414: it's somewhere Universal Audio x8: https://sweetwater.sjv.io/uax8 As an affiliate I earn from qualifying purchases.  Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord 00:00 - Intro 00:24 - YouTube's Auto Comment Replies are WILD! 04:17 - Go Vote 04:53 - Shure 565 vs. Shure SM58 09:31 - WIBT: Peluso P414 13:01 - WYHTS: Do More Mic Grab Bag Podcasts 15:12 - WYHTS: Why I Don't Sell Gear I've Reviewed 20:34 - Value for Value Henrique's Channel: https://www.youtube.com/@IncrediblyHandsome/videos 25:46 - Ask Bandrew 26:42 - Email 1 27:30 - Does Phantom Power Damage Mics? 31:43 - WWA: Saw (2004) 36:13 - Conclusion

The premise of tonight's theme is how we position ourselves for the client before we even meet them. With the advent of social media, people will know they are going to meet you and will check you out. That wasn't possible before, but it certainly is now. So, how do we put ourselves in the best light, in the best position before we meet the buyer or the client? That's what I'll be looking at tonight. A bit about Dale Carnegie: we're a very well-established company, 112 years old, originating in New York, and we've been in Japan for 61 years. We have 200 offices around the world and are quite well known. These are our locations, so wherever you're coming from, we're probably there. We have eight million graduates and 100,000 in Japan. Warren Buffett is a graduate, as is Chuck Norris, one of my favourites, and the current president of Shiseido, Uotani san, is also a graduate. These books are very well known: How to Win Friends and Influence People, Hito Wo Ugokasu, How to Stop Worrying and Start Living, Michi Wa Hirakeru, all very well-known books. They sell well. Dale Carnegie's book, How to Win Friends and Influence People, is consistently in the top ten business books in every language every year around the world. In the publishing industry, they say there are two massive long-sellers: one is the Bible, and the second one is Dale Carnegie's book, which is just incredible but true. So it does very well. My theme here is that in business, know, like, and trust are some fundamentals. People have to know you to do business with you. They have to like you, generally speaking. While we might do business with people we don't like, it's not our preference, and they have to trust us. Now, I'm not going to deal with like and trust tonight. That's too much, but I'll deal particularly with getting to know you, and we'll look at that. So, how do I build credibility before I meet the buyer? How do I establish that remotely? That's what we'll be looking at. In 2010, I was scared of social media. I wasn't on any social media at all, and these are the themes I was worried about. It was an unknown thing to me. I didn't understand it. I thought, oh, my identity will be stolen. They're going to hack my credit card. Trolls will hammer me if I post something. I was scared. At that time, social media was fairly limited. LinkedIn was the longest-running, but it was really a recruiting site for people posting their resumes. Facebook was mainly in America. Twitter was only four years old by that time, and Instagram was only one year old. It was all very new, and I was scared of it. Then something happened. I met Jeffrey Gitomer, an American, a very famous author on sales, and an interesting character. He attended our Dale Carnegie International Convention in San Diego, which, by the way, is a beautiful place. I was very impressed by San Diego. He said to the convention delegates, all Dale Carnegie people, "How many people are on Twitter?" Nobody was on Twitter. Trust me, nobody. At that stage, he had 30,000 followers on Twitter, and he basically said to us, "You are all idiots." He didn't say that directly, but that was the message. "You should get onto social media." I thought, well, okay, he's probably right. I should check this out. So that's where I started. I also got into a thing called content marketing. I had never heard this expression before, and there was a very good podcast with Joe Pulizzi and Robert Rose called This Old Marketing, which was really pioneering and promoting the whole concept of content marketing. I started listening to these guys and learning about content marketing, which was a revolutionary idea at the time: you put your best stuff out there for nothing. At that time, people were protecting their IP, hiding their details, their data. But they said, no, you put it out there. That was not a typical idea at that time. So I was studying that. Today, I have 27,680 followers on LinkedIn and 3,383 articles and blogs published on LinkedIn. On Facebook, I have 4,200 friends. I'm not really big into Facebook, to be honest. On Instagram, I have 536 followers. I only started Instagram recently. On Twitter, I don't have many followers. I've never quite come to grips with Twitter myself. I post on it but never look at it, basically. As mentioned by Jeff, we started YouTube in 2013 and called it Tokyo Japan Dale Carnegie TV. Now, we have 1,920 subscribers. It has taken a long time to get over 1,000 and close to 2,000. Very hard work. We have 2,500 videos on YouTube, which is a lot. And of course, we're a training company, so we have lots of content in the areas we cover. Another big influence on me was Grant Cardone, another American, a very famous hardcore sales guy, very successful. He makes this point: we are all invisible. I was talking about know, like, trust. But if you're invisible, how do you build a business? People don't know you, and that's what he's on about. People don't know you. You have to make a big effort to get out there and be known. So I took that on board and said, okay, I have to become more visible. I have to work on that. Social media is one of the big content marketing delivery mechanisms. We're trying to get attention. Where is the attention on social media? Are we where the buyer's attention is found on social media? Are we where they're looking on social media? In Japan, YouTube kills everything with 102 million. Next is Line, of course. X, formerly known as Twitter. Instagram, Facebook, TikTok, Pinterest, and LinkedIn. LinkedIn has very low numbers, just three million. But if you're in the expat community, it would be an incredibly high proportion of people on LinkedIn. My personal main target is expat leaders because I have all these Japanese working for them who need training. If I can get to the expat leader, maybe I can get the whole company. So that's one of my targets. Yes, it's true. Facebook is basically Japanese. The comment was that Facebook is like LinkedIn for Japanese, and very true. I post all my stuff on Facebook. I post on all these things except for Pinterest. I don't do Pinterest, and I can't work out how to use Line. If I could work it out, I'd probably do something there, but I haven't yet. We are trying to dominate our niches as a training company. This gets tricky because we have three main curriculum areas: leadership, presentation, and sales. If we were only doing leadership, that would be one level of content we need to produce. But we're not just doing leadership, so we have to produce a lot of content to compete with others who specialise in leadership. We have to produce a lot of content to compete with people who specialise in presentations and the same for sales. So we are tripling what would be a normal company's requirement, which is why we're pumping out so much content. What about AI? You might think, "No problem, AI will produce this presentation for tonight." In thirty seconds, you've got it. How easy is this? AI will write some posts for LinkedIn, and bingo, out comes the content. We are redundant as content creators because AI will do it all for us. Well, maybe. Your rivals might be using it. Maybe you're using it. But how can we differentiate our content? Here are some ideas. First of all, it doesn't know your stories. It hasn't been able to scrape those. Your personal stories are only known to you. You have a hundred percent control of that. When you write LinkedIn posts, AI tends to be a bit generic in the way it creates content. You look at the outputs, and they all have a similar style. But if you write as you speak, in the vernacular, that's very much you. Very authentic, very individual, and with your own point of view. AI will scrape all of the world's viewpoints on a topic, but you have your own individual viewpoint. That's unique. You must become highly skilled in presenting. You can get the best content from AI, but you still have to stand up here and deliver it. AI might do this online with an avatar, but in the real world, no. It can't do it. Have your own personal style, which is hard to duplicate. Some of my differentiation approaches include using my title, Dr. Greg Story. I have a PhD, and I use that distinctly because I'm in the training business. You'd rather be taught by Dr. Story than someone with just a basic degree, right? So I use that as a differentiator through my education as branding. I use a lot of alliteration when I write: "super sushi service." It's alliteration. I use that style for my writing and use words in unexpected ways, normal words but in slightly unexpected ways. When you're reading, it feels a bit different because it's me. Others won't do it. AI certainly won't do it. I try to use unusual words to differentiate and have a style that's recognisable. I hope that when you see my stuff, you'll say, "Oh, that's written by Greg Story" as opposed to anyone else. I also try to include personal stories to connect with my audience and make the content relatable and memorable. So, AI is a tool we can use, but to truly stand out and make our content unique, we have to infuse it with our personal touch, experiences, and style. That's something AI can't replicate.   Again, to differentiate, to have a style that's recognizable. I hope that when you see my stuff, you'll say, oh, that's written by Greg's story as opposed to it could bewritten by anybody. And then try to include personal storiesto connect with my Now, I I avoided that. And I broadcast, as Jeff said, video. I broadcast audio. And then, what's your message? And then, you can have a story with a lesson, a parable, something that you've learned. Something happened. You've learned a lesson from that and you share that lesson. So these are some typical storytelling themes we can use when we're putting together our content. But I finally broke through as a presenter. I started sharing my personal information. I found I could connect with people in a way I wasn't able to connect so well before. But we have these self limiting beliefs. The point is we've got to get over those. If we're going to project ourselves into the market and be credible with clients before we meet them, they've got to know us. We've got to get out there.So let's work on that. But we've got some self limiting beliefs. For example, I had a meeting with the president. I had a meeting with Suzuki Taro, the president. I hate being recorded on camera. I'm an introvert. I knew where to hit certain words and phrases, key ideas,and bring my energy to that point in the sentence. Very hard for AI to know how to do that. So these are things that differentiate. I think the name Story, someone can correct me here, but it's actually originally a Scandinavian name. I try to make the client the hero. I try to use my own cadence, my own rhythm. When I'm highlighting key ideas and phrases, which again, it's going to be very hard for AI to replicate that because it's my definition. For example, I've recorded one of my books,Japan Sales Mastery, whichn just about killed me, I've got to tell you. I can't believe how hard narrating your own damn book is. I used to be scared of the camera, but I've managed to get over that and I am an introvert, actually. So this is very taxing for me tonight to have all these people in the room with me. I'll have to go home later and lay down for quite along time to recover. I'm a very private person, Jeff. I don't share much. If you look publicly online, you find very little about me personally.You will find a lot of stuff about presentations, leadership, sales, not a lot about Greg's story. I'm not beautiful enough or handsome enough to appear on video. I'm not photogenic at all. I always look terrible in photographs. I'm not photogenic. I'm the guide. I've got a very raspy voice from ten million kiais in the karate dojo, actually. In this room, we put a green screen set over there. We set up the camera here and I will record myself on green screen video. Include the names. Even if you have a code name for someone, include the names. It automatically sent to my YouTube channel with the audio podcast and also, the podcast video goes to YouTube. It was and I didn't do anymore after that. It's exhausted me. But someone else could narrate it. But I wrote it, so I knew where to put the emphasis. It wasn't planned. It's out there about a very small amount. Much better. There's got to be a context. Something'shappening in the background. Something's going on. What is it? Bring out that background. My Saturday mornings are writing every week. Saturday morning, I write. I write one on presentations, one on sales, one on leadership. My voice sounds terrible. Now I'm not handsome. So I can multipurpose my one piece of content very, very effectively. So I start, in my case, always with a blog text. So include the people in the story. So my copywriting structure looks like this. So that text gets turned into podcast audio. So this is multipurposing of content. So we have different stories. We have the warning story, we can writeabout that. Bad things are coming. So we're going tell some stories. Now, someone said to me tonight, oh, your name's Story. That's handy if you're gonna be in the storytelling business. So, we need, I believe, to master video and audio and text in this modern age. So, who are we according to what does Google say about you? Who are you when you look up Google? Story, which got anglicized in the great Viking invasion of England, I believe in the eighth century. So there we go. That audio will go to the podcast and will go to a place called Libsyn, Liberated Syndication, which hosts podcasts on Apple Podcasts.  It's got a huge list of different podcasts they get my content out to. That's what all those little green arrows mean. But it also turns up on my YouTube channel as audio. The opportunity cost of no action because in a lot of cases, people think no action means no cost. That's not true. The plan, let's get rid of the villain. Let's fix thatproblem. The villain, client's problem. Then I'll record those for my podcast. Then, this is important. Then, we have the narrative arc. There'll be certain characters in the story. There'll be some conflict, some problem, or a big opportunity. What is that? Set the context with the opportunity. Then there's gonna be a resolution. Could be good, could be bad, but there'll be a resolution one way or another. There's a teleprompter behind here and I'll be reading theteleprompter of what I've written and I'll take that text and I'll turn it into video. There's an opportunity cost there. And then finally, the solution, the happy outcome. We talk about that. We can have the success story, hey, we did well. We can have a humorous story, something amusing. We can have a branding story, talking about your company and how great you're doing and how you're helping save the world, etcetera. What's the learning? What's the thing you want to get across to people? So that's an arc in the narrative. When you're writing a story, you're putting stuff together to think about. What do you find? Yahoo, Bing, ChatGPT, YouTube, Amazon. If you search yourself on these items, what does it tell us about you? Who are you? I'm possibly going to be your client. I want to know about you. This is where I'm going to look. This is where I'll go. And what will I find? Now, a lot of Americans have said to me that they can't use Facebook for business because there are a lot of embarrassing frat house photographs of them in very compromising positions, drinking very exotic-looking drinks with umbrellas in them, in very bad locations with very dodgy people. So they are excluded. But I said I was terrified of social media. I came late to the party. What you'll see on these mediums is me in business all the time. You're not going to see me casual very often. I control it. So if you look up Greg Story, there are seventy-one entries on Google, forty-four on YouTube, ninety-one on Bing. I stopped at page ten. Chat GPT, one entry. I did a presentation last December for the American Chamber Sales Committee. At that time, I wasn't even existing on Chat GPT. So finally, I made it. I'm there. And it's actually correct. It wasn't hallucinating. I'm actually there. And then YouTube, there are fifty entries. I stopped at fifty. There's a lot more. And then Amazon, one entry. What's going on here? I've got, well, seven books already published, and the eighth one is with Amazon right now. So Amazon's search engine is not very good. So anyway, I don't know how that works. So what has been useful for me to become known and credible with my potential buyers? LinkedIn is my main medium for business, and this is what my front page looks like. You see lots of me in action. I'm running a soft skills training company. So what am I doing? I'm teaching or I'm speaking, naturally. And then, here I am. My name is not Dr Greg Story. The name in LinkedIn is Dr Greg Story, franchise owner, master trainer, executive coach, leadership sales, presentations, Tokyo, Japan. That is what's in my name bracket on LinkedIn, not just Dr Greg Story. And then, it talks about global master trainer, executive coach, three-time best-selling author, global business expert, leadership, sales, presentations and communication president. There's a lot of propaganda about me on that one page, and then you have all of my postings would come after that. Massive numbers. In this case, on LinkedIn, three thousand three hundred and fifty of them. And then, as I said, twenty-seven thousand six hundred and eighty followers. Post impressions, seven thousand thirty-two in the last seven days. In the last ninety days, seven hundred and sixty-four people looked at my profile. Eight hundred and seventeen people searched for me. How many people are searching for you? You go to your LinkedIn, have a look at your number. How many people are searching for you? When I see that number's high, I'm happy. It says that what I'm doing is working. They're searching for me. I'm trying to find them, of course, but they're looking for me. I may not know who they are, but I'm giving them what I want them to find. I'm packaging it up. I'm saying, this is me. I'm credible. I can do everything on leadership, everything on sales and presentations. I've got it. That's what I'm saying. So Roberto DeVito was the editor of the American Chamber Journal, and I used to submit articles to the journal. I made a big mistake. When I first submitted them, I thought, you've got Dale Carnegie on the wall over there. I thought, well, Dale Carnegie, he's the icon. I can't compete with the icon. So I never put my name and photograph with the articles, only my name. Until one day, I was at an event. I gave someone my card. “Are you the guy that writes those articles in the American Chamber Journal?”,  I said, yes. I realised, you idiot. You should have put your own face and name, so people could recognise both instead of just the name. Trust me, my face and name is on everything I can find now, to catch up. But I met, actually, I bumped into Roberto across the road in front of the Ark Hills building one day just by accident. I'm having a quick chat, because he's editing my articles. I'm putting them up there. He said, “Greg, why don't you start a podcast?” Here's my response. “What's a podcast?”. I'd sort of heard of it. In the 1990s, there were podcasts, and they sort of disappeared, and they came back in the mid-2000s, right? 2013. So and I thought, wow, a podcast. Okay. So I'll take that on board. So this was a re-creation, but this would have been me back in 2013, 2014 actually, with this exact mic recording my podcast. I had zero idea. I was clueless. I didn't even think about the mic, you know. I didn't know the quality. But now, for the techy people here, and I'm sure there's a lot of techy people here. I use a Shure SM58 microphone. I use a Zoom H6 handy recorder, which actually is recording this presentation right now. I use Adobe Audition for the editing, and I use Libsyn to host my Apple podcasts. So that's some of the tech. Now, I'm not going to discuss what we do for the videos because there's a lot of lighting and camera and stuff for that, but we have a lot of gear for all that stuff. So I'm better organised now. So what did I learn about podcasting? First of all, don't be an idiot like me. Spend the money and get a good quality microphone. Straight up. Don't muck around. Get the right gear. Find a platform which can upload your content to multiple areas like Libsyn. You need something like that. If you're gonna do interviews, the guest provides the IP. Jeff has been a guest on my podcast, Japan's top Business Interviews, and he provided all the IP. But if you're doing it yourself, then you need to have content. And I have a lot of content, as I'll talk about in a minute, because I can do that because we're in the business of doing training. So we know about leadership, presentations, sales, communication. And you got to be like clockwork. We say weekly. It's got to be weekly. You can't miss. And if you're going to do it, commit to it. There are so many podcasts that fail within the first ten episodes and they quit. Don't be one of those people. If you're going to commit to it, keep going with it. Don't worry about the numbers. Keep going with it. You'll eventually get the numbers you want. So, this is my first podcast, August the second, 2014. Every Thursday, Leadership Japan Series. This is where I started. So now, we've got nearly seventy-four thousand five hundred ninety-nine downloads. Five hundred and fifty-nine episodes weekly. Now, in 2016, I'm following this content marketing. The guru says, niche down. Right. But, get ready to ride the tiger's back. Because what I thought was, okay, niche down, I am going to break them out. The Leadership Japan series had content about sales. It had content about presenting. I know, I'll break them out and separate them. I'll niche down. “How hard could that be”,  I said to myself. Well, once you jump on to the tiger's back, as soon as you jump off, you get eaten. So you have got to be careful what you do here. So I started with one and then I presented this one. This is November third, 2016. Every Tuesday, this has twenty-three thousand nine hundred and fifty-two downloads. We're up to episode three eighty-five on this one. And then I did this one, which was the Sales Japan series. It's every Wednesday, three thirty-one thousand three hundred and sixty-seven downloads, three hundred and eighty-five episodes. But the work to produce these additional two was much bigger than I expected. But remember, we are a training company. We are doing all of these areas, so we have to have content in each of these areas to compete with companies who only do sales, only do leadership, only do presentations. So we just triple our workload immediately and we're prepared for that. Now, in 2018, Google said, we are going to now do voice-based search as well as text, and I believed them. And I thought, bingo. Because how many blogs were there in the world in 2018? Major, major, major number of blogs around the world. How can you compete with so many millions of people producing billions of people producing blogs? And I thought, ah, audio. I have a lot of audio. Maybe I can win in the audio market. It's hard to win in the text market. So I know, I know, I got a great idea “Why don't I create more audio?”, I said to myself and try and dominate that voice-based search. Well, guess what? You Google Greg Story, you're not going find much in the vocal department from Google. Thank you very much. Where's my voice-based search, Google? Still not there. So anyway, but I didn't know that. I believed them. So I was inspired by, some people might remember the show, Tokyo on Fire from Tim Langley. It was a very good program on politics. So, yeah, I was inspired by this. I said, “you know what? I'm going do video”. So this is how I got started. The first one, my weekly podcast. So December 28th, 2018, I started doing my weekly podcast, and then I converted it into a video and put it on YouTube. So now we've got nine hundred and ninety-three videos, nine hundred and twenty-four subscribers, not a big number, nine hundred ninety-five episodes weekly. So if you look at this, I'm doing six podcasts a week, fifty-two weeks a year. I'm doing three videos a week, fifty-two weeks a year. It's a machine. I've got a machine behind me. It wasn't there when I started. I was terrified of social media. My colleagues, who were twenty years younger than me, had social media. I said, yeah, it's a fad. I was wrong. I was wrong. Now, I don't have twenty years to play catch up, so I have to run hard. And these are some of the lessons I learnt from all this. So first, don't be afraid of social media. Second, repurpose content. So once I created all this, I realised the power of having all this content. So I turned it into books, as Jeff mentioned. These were the four books that were done. These three were audiobooks and Kindle. This is the latest one, done on audiobooks and Kindle. It's a lot of work, but you can turn it into other things. So what I did was, I took the content from the podcast. The podcasts are turned into transcriptions. The transcriptions are turned into books. And I've done, as I said, seven books like that. This is an example of repurposing the content. Take the content and put it everywhere. Don't be afraid of social media. It is a gold mine. Don't worry about the numbers. Don't worry if you have no viewers, no followers. Keep producing, because people will start to come to you. But be like clockwork. Every week, deliver. Don't be afraid to get on social media. Don't be afraid to put your face out there. And, very importantly, get a high-quality microphone. It makes all the difference.  Then, I wrote this one, Japan Presentations Mastery because we teach presentations and we want to get more business. So, we wrote this and then we did Anata Mo Purezen No Tatsujin. We translated it, so we have a Japanese version. I rewrite the books for a Japanese audience. I write it for a foreign audience first, for the expats, the CEO, who's going to buy training, and then I rewrite it for a Japanese audience. Then I wrote this book. Stop Wasting Money On Training. I think that's a bit counterintuitive for a training company.Subtitle, “how to get the best results from your training budget in Japan” because I realized you couldn't find any books on on how to pick a training company. We are experts in training. So I wrote a book, a neutral book. It's not a propaganda piece for Dale Carnegie. If you read it, it's not like that at all. It's very, very neutral,very objective, but it talks about the things you need to think about. When I go to see the client, I've got two books.This is one of them. Now, theres presentation and sales and very shortly leadership and I give them both. Do I care if they read them? No. This says, we are expertson training. That's enough for credibility. Okay? This is my new book. I say, we're waiting for Amazon to give us the thumbs up. Could be tonight. Could be tomorrow morning. It's that close. I have never seen any books in English about leading in Japan written by foreigners. If you can find one, let me know. I couldn't find any. I believe this is the first book ever written on this topic. And the target audience are expat CEOs who are leading here to help them because these are the people who pay for our training, who have the decision making power or at least get me in front of the HR team to try and convince them to take us on as a training company. So very, very fresh. Very, very fresh. And I call it your complete leadership toolkit and it is a very complete book. So now, I have soon to be eight books, right? Coming up will be eight books. Then, I will rewrite that leadership book for a Japanese audience and we'll translate that. That'll be number nine. So everyone's heard of Gary Vaynerchuk, I presume. He's a legend. He's an amazing business person, incredible entrepreneur. He took reality TV, combined it with motivation, and he combined it with education. And he has another trading name as Gary Vee. He had a guy following him around, video him all day long, which they cut up and brought out. He's unbelievable volume producer. But Gary Vee or Gary Vaynerchuk has thirty people working in team Gary, chopping all this stuff up. He's a legend. He says, I heard this recently, you have got to post twelve times aday. I'm like, “that's ridiculous”. How could you do that? Well, guess what? I'm posting twelve times a day. I counted them up. The blog goes to LinkedIn. It automatically goes to Facebook and Twitter. Now, purists would say,you're a very bad boy, Greg. You should be recrafting that for Facebook and you should be recrafting that for Twitter instead of sending in the same stuff. Hey. Do I have that sort of time? No. I've got three areas, presentation, sales, and leadership to cover. I'm busy. So I just flick a switch and bingo. It's there. Done. I upload something I'll talk about in a moment called Fare Bella Figura. I'll talk about that shortly. It goes to, to LinkedIn and I share it also to Facebook, Twitter, TikTok, Instagram. I upload video shorts to LinkedIn, then they get switched over to TikTok, threads, and Instagram, which is actually twelve a day. So I'm actually doing what Gary Vaynerchuk said to do. I thought it was impossible, but I'm actually doing it. Amazed me. So we need a mindset shift here. We need to be agnostic about the funnel that brings the client to us. But we got a brace for trouble. We're doing something new. We should try it anyway. And if it doesn't work, well, you know, retreat if you have to and don't say no for the buyer in terms of trying something new. And if it works, go all in and ignore the critics and hammer it. So this is something that I was thinking about. There are some fundamental business truths. People judge us when they first meet us based on our bodylanguage, how we're standing, how we move. The second thing they judge us on is how we're dressed. They look us up and down. They're checking us out. They're making judgments. We haven't even opened our mouth yet, but they're making judgments, first impressions about us. So we have to control that first impression and we mustbecome more knowledgeable about image control in business. So I had some innovation considerations. I found people often complimented me about the way I'm dressed. I thought, can I drive that as a differentiator against my competitors in the training industry? Can I take that and drive it harder? I didn't see any businessmen blogging about what they wear except for people who are in the clothing business.They got their own boutiques or whatever. I didn't see any business people blogging about men's clothing. So I needed to execute though in a very light low touch manner, because I'm pretty busy and I have to have the guts, right, to court trolls, mockery, derision, abuse and hatred by putting myself out there and I was scared to do it. I thought, you know, if I put out what I'm wearing, man, I'm going get hammered by these people. Well, I'm just going to be abused all day long. So I took a deep breath. I said, okay, I'll go for it. Here's my premise and every one of my blog starts like this. I run my own soft skills training franchise business here in Tokyo. And many years ago, I decided to dress for success. Each day, I consult my schedule and that day's work content drives my sartorial choices. Before I head out the door every day, I check myself in the mirror and ask, do I look like one of the most professional people in my industry? That's the premise, okay? Then, this comes up. This is the Fare Bella Figura.  In Italian, it means make a good impression. I use Italian because I think it's pretty cool. Sounds better. Fare Bella Fugira. Sounds pretty good in Italian,bright? So, master your first impressions. Be a sharp dressed man. Now, which is the band we know about being a sharp dressed man? ZZ Top. You know that song, Be a Sharp Dressed Man. I thought, that's pretty cool. I'll use that. So I put in Be A Sharp Dressed Man. Now, this is what they get. I put in very detailed comment on what I'm wearing. You can see all the stuff on LinkedIn. This is just what I'm showing you. It's like wallpaper. And I have a photograph of me. But guess what's in the background? Nineteen twelve. Dale Carnegie. I'm taking it right here. So, I'm promoting the company and the longevity of the company at the same time I'm promoting what I'm wearing. Right? So, I'm getting double value there. So, now, here's the distressing part. Here's the results. My handcrafted, really carefully written blogs, which I work really hard on every Saturday morning and come up with these eight hundred thousand word pieces, I get two hundred impressions on LinkedIn. The first Fare Bella Figura,  when I put up, sixteenhundred impressions. I felt like crying.I couldn't believe it. Like, just show me in a suit and I get sixteen hundred. I'm writing all this stuff on leadership and presentation and sales and I get two hundred. And it continues to outrank my other blogs. Still. So, at the end of my blogs, there's a sales funnel. There are three lead magnets and then the description about my podcasts and my books and about me and all the propaganda is there. Guess what? On the end of all these posst, that same propaganda is there.It's there. It's a funnel to get people to come to our websitethrough these lead magnets. So here's some takeaways. Observe trends. I've noticed, and this audience is not very good representation of that, but suits are coming back for men. Suits are coming back for men. Ties are going to come back for men. Shoes, serious shoes, not sneakers. It's coming. Check me in five years to see if I'm right. But I feel it'smoving in that direction. I might be an early mover maybe in this trend. I don't know. I don't know. I might be totally wrong. Let's see. There's a gap in the market. No men are putting themselves out there talking about what they wear every work day. I only do it five days a week. I only do Monday to Friday when I'm at work. Right? So what's my point of view and experience here? Got to embrace that, some new ways to engage an audience.   How do I differentiate myself from my rivals? Try something new and stop if it doesn't work. So these are some ideas for you on how to control your image, your message, your content to hook into the client's mindset before they meet you. So you're crafting their expectations about who you are and what they can do with you before you even meet them. Now, I don't know everything about digital marketing. This is only what I've done myself and I'm sure there are many things I can improve which I don't even know about. So if you see something tonight and you say, what are you doing, you idiot? You should be using this and you should be doing that and don't you know about this? Tell me, because I'm still educating myself about this stuff. I'm a boomer, but in here, I'm still nineteen. So with that, I'd like to invite you, who has the first question? Thank you.  

Dans cet épisode bonus, je vous raconte ma propre expérience de producteur de podcast pour la prise de son en reportage. Je vous explique mon choix de micro sans fil... un peu particulier. -------------Quand on travaille dans l'audiovisuel, on est obligé de mettre les "mains dans le cambouis" et de tester toutes sortes de choses pour travailler, surtout quand on est geek. Tout au long de ma carrière à la radio, j'ai cherché le meilleur moyen de réaliser des enregistrements audio de qualité de manière pratique et simple, quitte à sortir des sentiers battus. Aujourd'hui, pour le podcast Monde Numérique, pour les prises de son en extérieur, j'ai opté pour l'iPhone car cela permet à la fois un enregistrement audio de qualité, une captation vidéo et des fonctions de transmission et de montage. Pour le dernier salon CES de Las Vegas, après plusieurs tests, j'avais opté pour un micro Shure SM58 (micro de chant classique), relié à mon smartphone par câble USB-C à l'aide d'un adaptateur XLR-USB Shure MVX2U. C'était vraiment bien, mais encore un peu compliqué à manipuler en raison du câble reliant le micro au smartphone. De retour en France, j'ai voulu tester le tout nouveau double micro sans fil DJI Mic 2, destiné aux "vlogueurs". Celui-ci se compose d'un récepteur USB-C ou Lightning, qui se branche sur le smartphone, et de deux micros HF à réduction de bruit. L'ensemble est livré dans une boite qui fait aussi office de chargeur. C'est un super produit. L'autonomie peut aller jusqu'à 15h et la portée jusqu'à plus de 100 mètres. Malheureusement, je trouve que la qualité de prise de son n'est pas assez bonne pour faire du podcast, car pour de l'audio seul on aime avoir un son chaud et rond. J'ai donc bricolé un truc : j'ai relié mon micro Shure SM58 à l'un des petits émetteurs DJI (grâce à l'entrée mini-jack), afin de profiter de la connectivité sans fil. Ça marche plutôt bien ! Il reste seulement la question de la connectique qui pour l'instant n'est pas terrible, avec un câble XLR-mini-jack enroulé à la base du micro. Du coup, j'ai commandé un raccord sans câble, d'une seule pièce, qui devrait me permettre d'avoir un système plus ergonomique. Voilà, vous savez tout.

I have seen Larry Roberts from Red Hat Media do presentations on Chat GPT multiple times, and when Jim let me know he was out this week, I saw it as an opportunity to bring Larry in have Larry Co-Host. He is also the co-host of the show Branded. The "Cherry on top" was School of Podcasting member Craig Vanslyke from the Live Well and Flourish show (who teaches Information Systems at Louisiana Tech University) Check out Larry's slides. JOIN THE SCHOOL OF PODCASTING Join the School of Podcasting worry-free using the coupon code " coach " and save 20%. Your podcast will have you sounding confident, sound great (buying the best equipment for your budget), and have you syndicated all over the globe. There is a 30-day worry-free money-back guarantee Go to https://www.schoolofpodcasting.com/coach Sponsor: PodcastBranding.co If you need podcast artwork, lead agents or a full website, podcastbranding.co has you covered. Mark is a podcaster in addition to being an award-winning artist. He designed the cover art for the School of Podcasting, Podcast Rodeo Show, and Ask the Podcast Coach. Find Mark at  podcastbranding.co Mugshot: Based on a True Story Podcast Ever wonder how much of those "Based on a true story" movies are real? Find out at www.basedonatruestorypodcast.com  Timeline and Topics: 00:03:25 Enter Lary Roberts  00:04:46 Prompt Engineer 00:05:00 Before Your Prompt 00:06:46 Opting Out For Security 00:08:52 Are Robots Taking Over? 00:11:15 Chat GPT Templates? 00:12:22 Does GPT Replace Other Tools? 00:14:34 Dr. Craig VanSlyke Joins 00:15:51 Larry's Podcast 00:16:03 Chat GPT As a Ranker 00:17:44 Bard Likes Craig's Show 00:18:22 Chat GPT Teaches You Chat GPT 00:20:18 What Does an error Look Like on Chat GPT 00:21:31 AI As a Consultant 00:22:20 Chat GPT and Show Notes 00:23:44 Larry's Squirrel Book 00:25:31 Is GPT Limit to 2021? 00:28:33 Thoughtspace.ai 00:31:07 MIdjourney vs Dolle 00:35:42 Can It Pull Out Websites? 00:36:53 I Craig Teaching this in College? 00:37:48 Should I Know Them All? 00:39:32 Bing and Bard 00:39:44 Favorite Plugins 00:42:36 Thanks For Your Support 00:44:43 Links to Prompts 00:45:18 The Coolest GPT Output You've Seen 00:47:39 The Story of the Red Hat 00:50:36 Where Do You Start? 00:51:24 AI Is Not New 00:53:20 An AI Musician 00:54:09 The Writer's Strike 00:56:11 Ecam Live Thoughts? 00:59:40 Podmic vs SM7B Vs SM7DB 01:01:56 RE320 - Do You Like the Way You Sound 01:03:04 Bes Travel Micorphone 01:04:16 MMMmm Barrrr.. 01:04:39 ATR2100X USBC Mentioned In This Episode Check out Larry's slides. Red Hat Media www.redhatmedia.io  Live Well and Flourish www.livewellandflourish.com  Podpage www.trypodpage.com Home Gadget Geeks www.homegadgetgeelks.com  The School of Podcasting www.schoolofpodcasting.com/coach  Become an Awesome Supporter www.askthepodcastcoach.com/awesome  Chat GPT https://chat.openai.com/  Bard https://bard.google.com/ Claud https://claude.ai/login Otter https://supportthisshow.com/otter Castmagic https://supportthisshow.com/castmagic  Capsho https://supportthisshow.com/capsho  Podmatch https://supportthisshow.com/podmatch  Rode Podmic https://supportthisshow.com/podmicusb SM7B https://supportthisshow.com/sm7b RE320 Microphone  https://supportthisshow.com/re320 Thoughtspace www.Thoughtspace.ai Shure SM7DB https://supportthisshow.com/sm7db  Shure SM58 https://amzn.to/3LQEkEr (aff) Every week Dave Jackson from the School of Podcasting and Jim Collison from the Average Guy Network answer your podcast questions. This episode 455 is part of the Power of Podcasting Network. As an Amazon Associate, I earn from qualifying purchases

Edición Limitada - 14 de Agosto del 2023. Producción, selección, realización y conducción: Gustavo Verduzco. Micrófono: Shure SM58. Presentando música de MeLLLo, SilverScene, Jonas Viger, Christopher Anton, Neon Space Men, Mauri & Dark Vektor, !Pulss, Vieon, Schattenfrequenz, FrozenPlasma, thefricolix & Mini Mono, Breathe of My Leaves, Mondträume con N-Frequency, ||O|O|O||, Machine X & Front 242, Mark of Kane, Tanz Waffen, Ministry, Mechanical Cabaret + Lilith, Magic Wands, The Mystic Underground, Depeche Mode, Affentanz, unitcode:machine, Morphose con Sven Friedrich, Dance my Darling, Yuzna, State of the Union, Accessory, Love + Revenge, Unity One, Khmar y Suicide Commando.

Music can play a pivotal role in how we enjoy movies, so on this episode of the podcast Jackson, and special guest Gavin, talk about their favorite underrated soundtracks! They also talk about the problem with live-action remakes, Indiana Jones early reviews, and Gavin's flirtatious encounter... ==== If you enjoy the podcast, consider following us on ⁠Instagram⁠ (@thenerdiestpodcast) You can check out our other social platforms ⁠here⁠! ==== Support the podcast by checking out our official merch! ⁠www.thenerdiestpodcast.com⁠ ==== This episode of The Nerdiest Podcast is sponsored by Spotify for Podcasters: The easiest way to create a podcast.  ⁠https://podcasters.spotify.com⁠ ====

✅ Link de compra: https://movimur.com/oneplus-no... ------------------------------------------------------------------------------------------------------ ✅ Invitarme a un café: https://www.paypal.com/paypalm... Mi equipo:

Coucou les gens... Le 9 avril 2023, pendant le PodRennes, j'ai installé ma petite Zoom P4 et 4 Shure Sm58 et je me suis retrouvé entouré de Creepers, Dantess, Babar, Fonz, mais aussi de Winston et de Clegot mais aussi courtement d'Aline Fqpeh pour enregistrer un Informel ^^ Notre non sujet ? La bienveillance et la nuance lors d'une chronique PopCulturelle... Durée : 1:10:52 | Publié le : 21/04/23 | Réalisation : Tmdjc 00:00:00 Introduction et Présentations 00:10:50 Nuance et Bienveillance 00:22:56 Le remake... c'est le mal ? 00:48:02 Peut-on toucher l'œuvre originale ? 01:01:41 On vous retrouve où ? 01:05:48 E.HONDA STAGE (Yoko Shimomura remixé par Koji Hayama)

TBSラジオの番組「脳盗」がSHUREとコラボして「脳盗王」を開催すると発表しました。どんな企画なのか、みていきましょう。 「脳盗」は毎週日曜日午後23時30分〜放送中の「可処分時間猫糞ラジオ」を謳う番組。今回、「人の可処分時間を盗むこと」に特化した新たな企画を実施するというもの。 この新企画概要は、様々なジャンルの「談」（怪談、雑談、商談、猥談、はたまた冗談など）を58秒以内の音声で募集し、最もパーソナリティ2人の脳が盗まれた「談」の応募者にTBS Podcst番組パーソナリティ権、SHUREのポッドキャストマイクロホン「MV7 ポッドキャストキット」など、豪華特典をプレゼントするというもの。応募期間は4月20日まで。興味のある方は是非応募を。 なお、58秒の音声を募集する理由は、パーソナリティがポッドキャストを開始する時に初めて購入したマイクが、「ゴッパー」の愛称で親しまれているSHUREの名機SM58に由来しているそうです。 ではまた！

Welcome to this edition of our podcast with special guest Richard Curtis! As always, remember to send us your ideas to our instagram @makingthecutpodcast.Sound.Art.Museum - https://www.instagram.com/sound.art.museum/?hl=enRoland Cube - https://www.roland.com/uk/products/cube-10gx/Shure SM58 - https://www.shure.com/en-GB/products/microphones/sm58Reminders - https://apps.apple.com/us/app/reminders/id1108187841Rich Bowlin - https://www.youtube.com/@RichBowlinSixty and Me - https://sixtyandme.com/Vintage Voltage - https://www.youtube.com/channel/UCG3J1zZLJQO6EhWeezmXE7wMaternal - https://www.imdb.com/title/tt21636214/TriggerPod - https://twitter.com/triggerpodWe Need to Talk About Cosby - https://www.imdb.com/title/tt16378210/Fast Like a Girl - https://www.waterstones.com/book/fast-like-a-girl/dr-mindy-pelz/9781401969929Glucose Goddess - https://www.instagram.com/glucosegoddess/?hl=enFinding Michael - https://www.disneyplus.com/en-gb/movies/finding-michael/MnGASnp27SDPSpencer Matthews - https://www.instagram.com/spencermatthews/?hl=enThe Last of Us - https://www.imdb.com/title/tt3581920/Celmentine App - https://clementineapp.com/Everything is Fine - https://podcasts.apple.com/gb/podcast/everything-is-fine/id1491377174George Michael Outed - https://www.channel4.com/programmes/george-michael-outedUrban Streetart - https://www.instagram.com/urban_streetart/?hl=en Hosted on Acast. See acast.com/privacy for more information.

Today I welcome Colton and Ben to speak about the Sacrament of Confession. St. John Nepomucene's life and martyrdom is a reminder of the obligation that priests have of not sharing any sins that have been said during a sacramental confession. The king at that time wanted St. John to say whether the queen had confessed anything regarding a possible sin, but St. John refused. Listen in to know what happened next! - Church Document on the sacredness of the Seal of Confession: https://www.vatican.va/roman_curia/tribunals/apost_penit/documents/rc_trib_appen_pro_20190629_forointerno_en.html - Fr. Patrick Wainwright is a priest of Miles Christi, a Catholic Religious Order. - Guest speakers: Colton Duncan and Ben Hufford. - Visit the Miles Christi Religious Order website: https://www.mileschristi.org - This Podcast's Website: https://www.forcollegecatholics.org - To learn about the Spiritual Exercises (silent weekend retreat) preached by the Priests of Miles Christi, visit: https://www.mileschristi.org/spiritual-exercises/ - Recorded on site, at The Grotto in Hillsdale (a Catholic student chapel). - Planning, recording, editing and publishing by Fr. Patrick Wainwright, MC. - Gear: SE Electronics V7 and Shure SM58 dynamic microphones, and ZOOM H6 recorder. - Intro music from pond5.com

Sorry about the unedited belch ....eekBut how does it sound? $32.95 on Amazon! - https://amzn.to/3PVIxrbSupport this podcast at — https://redcircle.com/hear-the-gear/exclusive-content

In this episode I welcome two guests, Leo and Peter, both juniors in college, who share their experiences with the Sacrament of Confession, and ask some questions regarding how to do a good confession, how to avoid routine in going to confession and more! This was recorded on site at their college! - Fr. Patrick Wainwright is a priest of Miles Christi, a Catholic Religious Order. - Visit the Miles Christi Religious Order website: https://www.mileschristi.org - This Podcast's Website: https://www.forcollegecatholics.org - To learn about the Spiritual Exercises (silent weekend retreat) preached by the Priests of Miles Christi, visit: https://www.mileschristi.org/spiritual-exercises/ - Recorded on site at Hillsdale College, Hillsdale, Michigan. - Planning, recording, editing and publishing by Fr. Patrick Wainwright, MC. - Gear: SE Electronics V7 and Shure SM58 microphones, together with ZOOM H6 handheld recorder. - Intro music from pond5.com

Things Have Been Generally Like That, Fender Bender, Rishi Sunak: The First British Asian UK Prime Minister, Sledging, Happy Birthday Mum, Black Adam, A Spy Among Friends, School for Scoundrels, Lulworth Cove's Durdle Door, The UK Poundland Ripoff Continues, New Old PC BIOS Update Problems, Shure SM58, Shure SM7B, Beyerdynamic DT150, JLab Rewind Wireless, JVC HA-S160, Konig and Meyer Mic Desk Stand Used as a Headphone Stand, Vocalzone Throat Pastilles, The Beautiful Bubble

Things Have Been Generally Like That, Fender Bender, Rishi Sunak: The First British Asian UK Prime Minister, Sledging, Happy Birthday Mum, Black Adam, A Spy Among Friends, School for Scoundrels, Lulworth Cove's Durdle Door, The UK Poundland Ripoff Continues, New Old PC BIOS Update Problems, Shure SM58, Shure SM7B, Beyerdynamic DT150, JLab Rewind Wireless, JVC HA-S160, Konig and Meyer Mic Desk Stand Used as a Headphone Stand, Vocalzone Throat Pastilles, The Beautiful BubbleShow notes at RoyMathur.com/blog.html

This 55th episode of Sonitotum with Matthew Wayne Selznick marks eighteen years as a podcaster, and brings cause to reflect, carefully, on my creative accomplishments across the last two decades. Also, an update on my creative endeavors in the previous week, a check-in with you to see how YOUR creative endeavors are going, and more! Links and Topics Mentioned in This Episode I spent quality time on my Shaper's World storyworld, the setting of my last two works of fiction, the novel Light of the Outsider and the novelette "The Perfumed Air at Kwaanantag Bay," and my current work in progress Shadow of the Outsider. I took part in a virtual panel discussing villains in fiction for the Harris County Public Library system with three other authors. In the episode, I'd mentioned listing them here, but I can't find their names / links anywhere in my correspondence with the organizer, so... stay tuned! The virtual panel will be aired in November as part of the library's National Novel Writing Month events. This episode marks eighteen years since I started podcasting. Check out that first episode, and many more from those early years, if you like. These days, I help more people make their own podcasts than I make my own! It's all part of my creatives services business. How can I help you? I mentioned the sound card I used for that first podcast. For the gearheads, it was the Creative SB Live! Platinum 5.1, long retired. However, you can still own the same microphone I used to record that first podcast, and many, many others: the Shure SM58. Remarkably, it's only ten bucks more expensive than when I bought mine in the mid 1980s! After finishing this episode, I'll be messing around with environment design in Unreal Engine and Quadspinner Gaea. I'm fascinated by this stuff. My patron community receives the uncut, unedited version of every episode. For this episode, they're privy to nine minutes of extra content! Want in on that? Become a patron for at least $5.00 per month (cancel any time) and get a bunch of other perks and special access, too. Around thirty people listen to each new episode of this show during the first week it's released. If most of the listeners became Exceptional patrons ($5.00 per month), patron revenue would surpass $100 per month, and I could begin donating 10% every month to 826 National in support of literacy and creative writing advocacy for children. Let's go! Oh, and speaking of patronage: This episode was made possible in part by the patronage of listeners like you, including J. C.  Hutchins and Ted Leonhardt. Want to support the show and be listed in the credits, plus get lots of other goodies, perks, and exclusive access? Become a patron with a $3, $5, $10, or $20 monthly pledge! Love Sonitotum with Matthew Wayne Selznick and would like to make a one-time donation in support of the show? Donate via PayPal or leave a tip via Ko-Fi, with my grateful thanks.

Mejores micrófonos para podcast: https://borjagiron.com/mejor-microfono-podcast/Si quieres que no se oiga a los vecinos, ni el viento o la acústica de tu casa es mala entonces elige un micrófono dinámico. Estos son como los que usan los cantantes y en las radios profesionales.Esta sería mi opción recomendada.Si tienes un estudio de grabación, la acústica donde vas a grabar es buena y sin eco, te vas a cubrir con una colcha o quieres grabar y que se escuche un poco el ruido de fondo por ejemplo de la calle entonces elige un micrófono de condensador.Samson Q2U - USB/XLR Micrófono dinámico https://amzn.to/3nVDklZAudio-Technica ATR2100X-USB: con un precio reducido de menos de 100€Samson Q2U – USB/XLR: con un precio reducido de menos de 70€Rode NT-USB: con un precio reducido de menos de 150€Shure SM58: con un precio reducido de menos de 120€Behringer XM8500: con un precio reducido de menos de 30€ (y mesa de mezclas y cables de conexión XLR3)Blue Yeti: con un precio reducido de menos de 100€.Enlaces recomendados:Prueba gratis Audible y escucha audiolibros desde https://borjagiron.com/audible Prueba Canva Pro 45 días gratis para crear diseños fácilmente: https://borjagiron.com/canva Hostinger: Mejor hosting WordPress al mejor precio: https://borjagiron.com/hostinger Semrush: Herramienta SEO y Marketing Digital todo en uno: https://borjagiron.com/semrush Sendinblue: Herramienta de Email Marketing: https://borjagiron.com/sendinblue Benchmark Email: Herramienta de Email Marketing: https://borjagiron.com/benchmark Manychat: Automatiza mensajes en Instagram: https://borjagiron.com/manychat Cursos Marketing Digital Gratis: https://triunfacontublog.com Blog: https://borjagiron.com

iTunes          Spotify          Youtube           Patreon Laura Clapp Davidson fell in love with music and songwriting at an early age. After graduating from the Berklee College of Music, she moved to Nashville where she made her living singing demos and plugging songs on Music Row. Her voice has taken her all over the world and she weaves moments from her travels and experiences into every piece she creates. After countless recording sessions, an incredible journey as backing vocalist for 80's icon Howard Jones and years of demonstrating and marketing for TC Electronic, TC-Helicon and BOSS, she is thrilled to be working for the legendary Shure Incorporated as their Retail Market Development Specialist. Laura's latest music was born during the pandemic, through hours of personal reflection and learning, and she is thrilled to begin sharing it with you. She lives in her hometown in Connecticut with her family. Be sure to follow Laura@lauraclappmusic to stay up to date with the latest releases and stories behind the songs. Special Mentions: Laura Clapp Davidson, Shure Mv7 Microphone, Shure SM7B Microphone, Shure SM58, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Steve Walsh Gofund Me, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org  

Email me: schizophreniapod@gmail.comCheck out my music: https://linktr.ee/nowhyMy other show: https://linktr.ee/uncertainjudgementLetterboxd: ‎Noah Zambrano's profile • LetterboxdTopics include; Fresh, movie, Sebastian Stan, Ukraine, Russia, Shure SM58, Zoom H6, Shure SM7B, cannibalism, Raw, stockholm syndrome, etc. 

On this episode of THE CLASSIC METAL SHOW, Neeley talks about an encounter with a swishy grocery store clerk. They talk about who's fault it is that kids have ended up this way. Chris talks about doing a ton of podcasting this week. They then talk about a crazy couple of comments they received on YouTube. Get all our episodes at www.theclassicmetalshow.com. Interact with The Classic Metal Show at https://classicmetalshow.locals.com. **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!! WEBSITE: http://www.thecmsnetwork.comTHE CMS PODCAST NETWORK: https://www.cmspn.comHEAVY METAL TELEVISION: https://www.heavymetaltelevision.netCMStv: https://www.cmstv.netCMSRadio: https://www.cmsradio.netCMSPN App: Search "The CMS Network" In Your iOS or Android App Store!Become A VIP On Locals: https://classicmetalshow.locals.comRUMBLE: https://rumble.com/c/cmsBITCHUTE: https://www.bitchute.com/channel/cms/ODYSEE: https://odysee.com/@ClassicMetalShow:aROKU: Search "The Classic Metal Show" in the Roku ChannelsAMAZON: Search "The CMS Network" To Add Our ChannelSOCIALSMinds: https://www.minds.com/ClassicMetalShow/Parler: https://parler.com/cmspnGab: https://gab.com/theclassicmetalshowLocals: https://classicmetalshow.locals.comGettr: https://gettr.com/user/chrisakinCENSORED BIG TECH:Facebook: https://www.facebook.com/cmspnTwitter: https://twitter.com/cmsrocksInstagram: https://www.instagram.com/cmspn1/YouTube: https://www.youtube.com/c/TheCMSPodcastNetwork**NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**#theclassicmetalshow #comedy #parody #neeley #chrisakin #shockjocks #popculture #sex #hardrock #heavymetal #celebrities #socialjustice #socialmedia #woke #politics #humor #dating #relationships

Created in 2018, this Fun Box track is one of a particular collection of songs created in the Fun Box Podcast Studio Garage. This Song features Joe Messer on Lead Guitar with a Gibson SG and a Fender Blues Jr. amplifier miced with a Shure SM58 microphone. Live Drum track was performed and recorded by B.Bunn on Soundcloud. Track used Logic Pro on a Macbook with a Mackie FX12 usb mixer. all other instruments and vocals performed, produced and Written by Rob Webb. Oh yea and I played the tamborine. Word to your mother.

Sorry Again, The Car is Back, COVID-19 Booster, Free Guy, The Wanting Mare, Finch, No Time to Die, Dune, Dexter: New Blood, UFO, Angela Black, The Haunting of Bly Manor, Foundation, The Lost Symbol, Gamesmaster, Star Trek: Discovery, Dean Stockwell, Shure SM7B, Shure SM58, Behringer XM8500, Audio-Technica AT875R, Elgato Wave Mic Arm (HR) vs. RODE PSA1 Boom Arm, awk, sed, vi, QBasic, Old Disk Treasure Trove, Lock Picking a Locked Box of Disks, Browsers No Longer Supporting FTP, Digital Preservation, Vim, Busybox, More Backyard Astronomy

Most mics can be plug and play for podcasting, but you do need a user guide before you make that investment and to even know how to use it properly for optimal sound. In this episode, let's dive into some general ideas on mic techniques, which mics I would recommend and why, to ultimately have you sound optimal with the mic you're using! Resources mentioned in the episode: If you're in Canada, check out your local Long & McQuade store to find your podcast equipment!  https://www.long-mcquade.com/  If you're in the U.S., you can buy your podcasting gear at your local Guitar Center or online at Sweetwater. https://www.guitarcenter.com/  https://www.sweetwater.com/  My Top 3 mic recommendations are:  (1) Samson Q2U, (2) Shure MV7 (Shure SM7B is the big brother mic), (3) Shure SM58 https://www.long-mcquade.com/7987/Pro-Audio---Recording/Microphones/Samson/Q2U-Recording-and-Podcasting-Pack.htm  https://www.long-mcquade.com/211304/Pro-Audio---Recording/Microphones/Shure/MV7-XLR-USB-Dynamic-Podcasting-Microphone---Black.htm  https://www.long-mcquade.com/564/Pro-Audio---Recording/Microphones/Shure/SM7B-Large-Diaphragm-Cardioid-Dynamic-Microphone.htm  https://www.long-mcquade.com/1093/Pro-Audio---Recording/Microphones/Shure/SM58-Unidirectional-Dynamic-Mic.htm Looking for an interface? Check out the Focusrite Scarlett 2i2, Focusrite Scarlett Solo, or Zoom P4 Podtrak https://www.long-mcquade.com/146276/Pro-Audio---Recording/Audio-Interfaces/Focusrite/Scarlett-2i2-3rd-Generation-USB-2-0-Audio-Interface.htm  https://www.long-mcquade.com/146292/Pro-Audio---Recording/Audio-Interfaces/Focusrite/Scarlett-Solo-3rd-Gen-USB-Audio-Interface.htm https://zoomcorp.com/en/ca/podcast-recorders/podcast-recorders/podtrak-p4/ Find more secrets at http://www.VisibleVoicePodcast.com/ Email Mary at VisibleVoicePodcast@gmail.com Engage with the show on Instagram at @OrganizedSoundProductions https://www.instagram.com/organizedsoundproductions/ To learn more about or work with Mary, click on over at http://www.OrganizedSound.ca.

What do you need to start a podcast? In my first public episode, I'll share the basic moving parts of a podcast. Your microphone, your editing software, and all the rest of it. It's easier than you think. Would you like to support this podcast? https://buymeacoffee.com/tannerhelps (https://buymeacoffee.com/tannerhelps) Leave a message for the podcast on Podinbox: https://podinbox.com/podcastingsucks (https://podinbox.com/podcastingsucks) Primary Links:Shure MV7 https://www.sweetwater.com/store/detail/MV7K--shure-mv7-usb-podcast-microphone ([click here]) Samson Q2U https://www.sweetwater.com/store/detail/Q2UPack--samson-q2u-recording-and-podcasting-pack-usb-xlr-dynamic-microphone-with-accessories ([click here]) Audio-Technica ATR2100X https://www.sweetwater.com/store/detail/ATR2100XUSB--audio-technica-atr2100x-usb-cardioid-dynamic-usb-xlr-microphone ([click here]) Riverside https://riverside.fm ([click here]) Audacity https://audacityteam.org ([click here]) Captivate https://captivate.fm ([click here]) My Audacity Mini Course (Free) https://vimeo.com/621181734 ([click here]) Alts to Riverside: Squadcast https://squadcast.fm ([link]) Cleanfeed https://cleanfeed.net ([link]) Zencastr https://zencastr.com/ ([link]) Alts to Captivate:Simplecast https://simplecast.com ([link]) Transistor https://transistor.fm ([link]) Buzzsprout https://buzzsprout.com ([link]) XLR Setup Gear:Focusrite Scarlett series https://focusrite.com/en/scarlett ([link]) Shure SM48 https://www.amazon.com/Shure-SM48-LC-Dynamic-Microphone-Cardioid/dp/B0002D0HY4/ref=asc_df_B0002D0HY4/?tag=hyprod-20andlinkCode=df0andhvadid=312151212938andhvpos=andhvnetw=gandhvrand=12081605695264505455andhvpone=andhvptwo=andhvqmt=andhvdev=candhvdvcmdl=andhvlocint=andhvlocphy=9028770andhvtargid=pla-464703721884andpsc=1andtag=andref=andadgrpid=65054436434andhvpone=andhvptwo=andhvadid=312151212938andhvpos=andhvnetw=gandhvrand=12081605695264505455andhvqmt=andhvdev=candhvdvcmdl=andhvlocint=andhvlocphy=9028770andhvtargid=pla-464703721884 ([link]) Shure SM58 https://www.sweetwater.com/store/search.php?s=sm58 ([link])

Birthday, Halloween, Pitr Paksa, UK Energy Crisis: Gas and Petrol, Candyman, Malignant, The Handmaid's Tale, Foundation, The Lost Symbol, SmallRig Smartphone Video Rig 2791, Camera Spirit Level, Video Light Recommendations?, Record Player Spirit Level, Shure SM58 vs. Behringer XM8500 (Again), Booze Trouble

Poop Deck, Moonfall, Vigil, Warrior, No Close Encounter with Alan Moore, Why I Love Werewolves, Cinema is Not Dead, Mary Wollstonecraft's Statue, Afghan Folk Singer Murdered, Spock is Wrong?, Hackers Liberate Iranian Prison Abuse Data, Shure SM58, Rode Procaster, dbx 286s, Static Electricity Hurts USB Hubs, How to See Apple Podcast Reviews in Other Countries, The Job Update, The Bloody Captain, Top Hat, Pointy Shoes, I Smell Fantastic, Decompression Chamber

Leading up to this year's SM58 Day celebration we stumbled across a picture posted online of a man who had a tattoo of a Shure SM58 microphone on his forearm. Since that's not something you see every day, even in our line of work, we did a little digging and realized that the arm in question belonged to a man named Frank who just so happened to be the lead singer in a band AND lived here in Florida. We immediately reached out, packed our gear, and drove out to St. Augustine to sit down with Frank and discuss music, his band, and his love for the SM58. Frank is the lead singer of the band Sladicidal, a Suicidal Tendencies cover band. Frank grew up around music, so when it came time for him to pick a mic he knew it was going to be the Shure SM58 dynamic vocal microphone. And when it came time for him to get a tattoo, it was his wife who suggested he go with the legendary microphone. We also get into the history of the St. Augustine musical scene, specifically at Shanghai Nobby's who were gracious enough to let us record the podcast live at their bar and also happened to be the spot where Frank and Sladicidal first performed. Listen and subscribe to the Sound Connections podcast on your favorite podcasting apps including Apple Podcasts, Spotify, and Google Podcasts!

Las redes sociales siempre es o debería ser un área muy activa internamente en un proyecto online, sobre todo es un campo muy activo en lo que a novedades y estrategias digitales se refiere. Por lo que mantenerse al tanto de los últimos cambios en el comportamiento de los usuarios en redes sociales es clave para desarrollar una estrategia de marketing exitosa. Sin embargo, durante el año pasado fueron mucho más que eso, la crisis de la covid-19 que afectó a todo el mundo y la forma de utilizar ciertas redes. Hoy tenemos una mesa redonda muy especial porque tengo a 4 profesionales del marketing online, 4 guerreras (que me pille Dios confesado por lo que pueda pasar hoy)... 4 mujeres de las que aprenderemos mucho y, con las que sobre todo como mínimo pasaremos un buen rato. Ellas son Marta Serrano, Goiuri Ochoa, Yolanda Pazos y Sonia Baños. Patrocinador: Siteground, el mejor hosting para WordPress. Sea cual sea el tamaño de tu proyecto, confía que estará alojado en una de las mejores plataformas de hosting del mundo, con herramientas de seguridad y configuración web que te harán tu día a día más fácil. https://clubwpress.com/siteground Si te preguntas con qué material trabajo ¡aquí lo tienes! – El micrófono SnowBall con el que empecé (50$-60$): https://amzn.to/2JT7hlO​ – Mi micrófono actual RODE NT1-A: https://amzn.to/32yyZuv​ – El kit RODE que yo compré: https://amzn.to/3neXO6O​ – Shure SM58 – Micrófono vocal: https://amzn.to/3deySum​ – Interface Focusrite Scarlett Solo: https://amzn.to/36fnHO5​ – Micrófono de corbata RODE: https://amzn.to/2UqoHbA​ – Micrófono de corbata más económico (no lo he usado pero hablan muy bien de este): https://amzn.to/33oOB4x​ – Panel aislante acústico portable para micrófono: https://amzn.to/3pZz8kQ​ – Paneles espuma acústica (pack): https://amzn.to/3pZzHuY​ – Super pack de 2 focos Led con filtros y trípodes muy baratos: https://amzn.to/2LS97oy​ – Foco led con batería externa: https://amzn.to/39oNy8u

Happy 9th Anniversary of CRRRaSh!, Glasses, Alarm, Philly D.A., Loki, Gear Talk, Shure SM7B vs. Shure SM58 vs. Behringer XM8500, Recommendations for Podcasters, RIP John McAfee, Mauritian Food, I'm Still Saying My Name Wrong

Un influencer es una persona que gana reconocimiento por los temas que trata y con los que los usuarios se sienten identificados. Principalmente, utilizan las redes sociales para trabajar una reputación y atraer seguidores. Si juntas tu pasión y tus habilidades como comunicadora, puede ser un cóctel perfecto para poder vivir como influencer, usando estos puntos fuertes junto a tu imagen para poder trabajar una marca personal potente. La invitada de hoy juntó hace ya varios años el mundo del periodismo, blogger y el deporte para iniciar un proyecto muy personal. Siempre ha pretendido encajar la comunicación y la moda con uno de sus principales hobbies, el running para poder dedicarse todo lo que puede y más al mundo de la comunicación por medio de su propia marca personal. Hoy hablamos con Gema Payá. Patrocinador: Siteground, el mejor hosting para WordPress. Sea cual sea el tamaño de tu proyecto, confía que estará alojado en una de las mejores plataformas de hosting del mundo, con herramientas de seguridad y configuración web que te harán tu día a día más fácil. https://clubwpress.com/siteground Si te preguntas con qué material trabajo ¡aquí lo tienes! – El micrófono SnowBall con el que empecé (50$-60$): https://amzn.to/2JT7hlO​ – Mi micrófono actual RODE NT1-A: https://amzn.to/32yyZuv​ – El kit RODE que yo compré: https://amzn.to/3neXO6O​ – Shure SM58 – Micrófono vocal: https://amzn.to/3deySum​ – Interface Focusrite Scarlett Solo: https://amzn.to/36fnHO5​ – Micrófono de corbata RODE: https://amzn.to/2UqoHbA​ – Micrófono de corbata más económico (no lo he usado pero hablan muy bien de este): https://amzn.to/33oOB4x​ – Panel aislante acústico portable para micrófono: https://amzn.to/3pZz8kQ​ – Paneles espuma acústica (pack): https://amzn.to/3pZzHuY​ – Super pack de 2 focos Led con filtros y trípodes muy baratos: https://amzn.to/2LS97oy​ – Foco led con batería externa: https://amzn.to/39oNy8u

A discontinued mic that was the answer to the Shure SM58 years ago.Support this podcast at — https://redcircle.com/hear-the-gear/exclusive-content

比爾蓋茲年度選書，真的感受得出來有錢人對於健康的在乎 我開始找剪輯師也是因為：我想睡覺 ------------ 麥克風使用：SHURE SM58 #為什麼要睡覺 #說書 #書評 #youtuber #說書人 #睡眠品質 #失眠 #肥胖 #心臟病 #高血壓 #糖尿病 NeKo嗚喵 youtube▶https://reurl.cc/4ydx3L​​ NeKo嗚喵 粉絲團▶http://goo.gl/AybChp​ NeKo嗚喵 IG動態▶https://goo.gl/s2zTrA

¿Alguna vez te has encontrado en alguna página web y no has podido parar de leer hasta el final todo lo que el scroll da de sí? Seguro que te pasó en alguna ocasión con algún post, un contenido que te enganchó y sin saber muy bien cómo, te dejó con ganas de mucho más. Si en alguna ocasión has sentido así, has sentido ganas de comprar o hacer algo sin saber muy bien porqué ¡has caído en las redes del copywriting! Cada vez son más las empresas que apuestan por una comunicación eficaz, dando el valor a las palabras, otorgándole la importancia que merecen. Si quieres aprender cómo tus textos pueden ayudarte a vender mucho más: si te gusta aprender de copy, de textos que enamoran, de ganar pasta gracias a la escritura de buenos contenidos para tus textos de venta ¡quédate con nosotros! Para hablarnos sobre el tema de hoy, tengo como invitado a Iván Orange. Patrocinador: Siteground, el mejor hosting para WordPress. Sea cual sea el tamaño de tu proyecto, confía que estará alojado en una de las mejores plataformas de hosting del mundo, con herramientas de seguridad y configuración web que te harán tu día a día más fácil. https://clubwpress.com/siteground Si te preguntas con qué material trabajo ¡aquí lo tienes! – El micrófono SnowBall con el que empecé (50$-60$): https://amzn.to/2JT7hlO​ – Mi micrófono actual RODE NT1-A: https://amzn.to/32yyZuv​ – El kit RODE que yo compré: https://amzn.to/3neXO6O​ – Shure SM58 – Micrófono vocal: https://amzn.to/3deySum​ – Interface Focusrite Scarlett Solo: https://amzn.to/36fnHO5​ – Micrófono de corbata RODE: https://amzn.to/2UqoHbA​ – Micrófono de corbata más económico (no lo he usado pero hablan muy bien de este): https://amzn.to/33oOB4x​ – Panel aislante acústico portable para micrófono: https://amzn.to/3pZz8kQ​ – Paneles espuma acústica (pack): https://amzn.to/3pZzHuY​ – Super pack de 2 focos Led con filtros y trípodes muy baratos: https://amzn.to/2LS97oy​ – Foco led con batería externa: https://amzn.to/39oNy8u

Si te dijera que este podcast es el contenido más importante que recibirás esta semana, quizás no me creas. Pero si te contara que el 80% de tus amistades está de acuerdo con esta afirmación o que nueve de cada diez personas de tu edad, nivel educativo e ingresos han considerado que este episodio tiene gran relevancia para ellos, es más probable que te quedes y lo sigas escuchando ¿verdad?. El poder de la persuasión existe como tal y es usado por grandes comerciales, usan trucos psicológicos para persuadirnos, convencernos, hacernos cambiar de opinión en su propio beneficio. Las técnicas de persuasión no solo existen en el mundo de las ventas pero bueno, sería abrir otro melón que ahora mismo no viene a cuento. Hoy hablaremos de esto y mucho más con Jose Carlos Cortizo. Patrocinador: Siteground, el mejor hosting para WordPress. Sea cual sea el tamaño de tu proyecto, confía que estará alojado en una de las mejores plataformas de hosting del mundo, con herramientas de seguridad y configuración web que te harán tu día a día más fácil. https://clubwpress.com/siteground Personas & Enlaces Nombramos a personas como Pol Rodríguez, David Blay y tiramos la caña a Eva Rodríguez y Rafa Jiménez. Twitter: @josek_net Libro: Hackeando el cerebro de tus compradores: PsychoGrowth I Web: Producthackers.com Podcasts: en.digital y Tribucasters.com Si te preguntas con qué material trabajo ¡aquí lo tienes! – El micrófono SnowBall con el que empecé (50$-60$): https://amzn.to/2JT7hlO​ – Mi micrófono actual RODE NT1-A: https://amzn.to/32yyZuv​ – El kit RODE que yo compré: https://amzn.to/3neXO6O​ – Shure SM58 – Micrófono vocal: https://amzn.to/3deySum​ – Interface Focusrite Scarlett Solo: https://amzn.to/36fnHO5​ – Micrófono de corbata RODE: https://amzn.to/2UqoHbA​ – Micrófono de corbata más económico (no lo he usado pero hablan muy bien de este): https://amzn.to/33oOB4x​ – Panel aislante acústico portable para micrófono: https://amzn.to/3pZz8kQ​ – Paneles espuma acústica (pack): https://amzn.to/3pZzHuY​ – Super pack de 2 focos Led con filtros y trípodes muy baratos: https://amzn.to/2LS97oy​ – Foco led con batería externa: https://amzn.to/39oNy8u

▶新會員註冊領50元抵用券>> http://bit.ly/2YpkhDJ 本集節目由「BOOK☆WALKER電子書」贊助 日本正版授權電子書城 #漫畫、#輕小說 藏書量最豐富 新會員加入，首次消費享79折優惠❤ ▶《SEX》線上試閱>>http://bit.ly/3j269d5 ▶輕鬆小品愛情小說電子書展>>http://bit.ly/2NNebLu 2/1~3/5 輕鬆小品愛情小說電子書展 《分手生存戰》獨家首賣(紙書價)六折！ 活動期間系列作品單本88折兩本85折、套書85折！ ------ 沒想過日本的情色文學這麼多眉角吧~~ 不只伊邪那岐、伊邪那美有戲份~連天照大神都一起拉進來講 到後來的《源氏物語》《一代好色男》 直至今天的《SEX》一個套路傳下來 可以見得日本人雖然很愛享受 可是高潮之後，反而更能凸顯現實生活的無奈 我愛死了(? ------------ 麥克風使用：SHURE SM58 想找我請至：https://neko-wumiau.com/

以前我也會一直把自己泡在 #受害者情緒 裡 等著誰來救我的感覺很好 是不是小時候，只要哭了就會有人來泡奶換尿布的記憶 讓長大的我們以為，只要哭了就能解決問題 sorry，世界不是這樣運作的 ------------ 麥克風使用：SHURE SM58 想找我請至：https://neko-wumiau.com/

想買書可以領取 50元抵用券（點擊領取）>>http://bit.ly/3nNXgVq 原生家庭真的是很值得一在討論的題目 每個年紀回頭去看這個心理的創傷都會有另一個世界的發現 但，我覺得至少我有能力去發現自己的問題 並且勇敢面對他們…這才是真的人生挑戰吧 ------------ 麥克風使用：SHURE SM58 想找我請至：https://neko-wumiau.com/

我真的沒有接「山思雲想」的業配 甚至以我一個沒有車的人來說，我會比較偏向不推薦的那一邊 但衝著它讓我看到獵戶座的腰帶，我先加了10分 可是看到一堆蜘蛛，可能要再扣20分 小幫手很可愛+10分，老闆熱血+10，老師很可愛+10 整體來說是加分的啦~~~~ ------------ 麥克風使用：SHURE SM58 想找我請至：https://neko-wumiau.com/

有些漫畫一輩子似乎都沒辦法完結，有些漫畫則是完結了覺得好可惜… 每個人的人生中或多或少都被漫畫佔據了~ 今天就借花獻佛~把熟悉動漫圈的老公DA抓來，一起聊聊那些值得一看得好漫畫 PS. 我一邊剪一邊看《炎拳》真的好看耶 ------------ 麥克風使用：SHURE SM58 想找我請至：https://neko-wumiau.com/

有一天這隻只愛自己的貓，遇上了另一個讓牠更值得付出的對象…牠決定要跟隨愛人的腳步離開這個世界 活了100萬次的貓 作者： 佐野洋子 譯者： 林真美 繪者： #佐野洋子 出版社：步步 出版日期：2018/09/05 博客來：https://product.mchannles.com/2m9QQ #繪本 #活了一百萬次的貓 #搭訕 #戀愛 #愛情 #NeKo嗚喵 #嗚喵備忘錄 旅貓日記公開試閱： https://www.youtube.com/watch?v=xMdmf3lJdEA https://www.youtube.com/watch?v=pJat4UqlSCw (題外話~原來我2015年就開始做說書了啊…!!!) ------------ 麥克風使用：SHURE SM58 想找我請至：https://neko-wumiau.com/

社會上對於單親媽媽處以死刑有兩邊的聲音 我個人是支持的立場 很多人會覺得為什麼這個就可以立判 還有其他也很值得處死的人怎麼還壓著? 對於這點我的想法是：這些人的生死不會影響這件案件的判決，所以我不會混為一談 媽媽本來就是一個很辛苦的身分 就是因為我沒有自信可以當個斜槓母親，所以至今我不會隨意懷孕 (不只是懷孕~我連寵物都不想隨便養…我不想因為任何問題送養我的家人) 以上只是我的個人觀點~精神病一劇真的很好看 推薦大家有空可以看看劇 翻翻繪本 真心讚讚 #影評 #感想 #評論 #想法 #個人觀點 #雖然是精神病但沒有關係 #NeKo嗚喵 *很抱歉這一集全程菸酒嗓~我真的是錄到沒聲音不開玩笑… ------------ 麥克風使用：SHURE SM58 想找我請至：https://neko-wumiau.com/

This episode bops! Our guest on the show this week is Chel Wong, an award-winning game composer who has worked on several published and early-access titles, like Watch This Space and Kine. Her work on Kine earned the game the award for Best Audio at Reboot Develop Red 2019. From composing to mastering, we ask Chel to describe her preferred tools and workflows for creating music for games. Also, there is a tense debate—Galaxy or Sunshine?MetaReboot Developed Red ConferenceGame Audio Network Guild (GANG) Awards Mark mentioned that once upon a time in a previous episode, he also talked about using Reaper. "She also cheats a lot." Game Audio Tools and Workflows AudioGamesKine - SteamLab Rats (a satirical puzzler by Gwen Bond, formerly Gwen Frey) - SteamAudio Software ToolsReaperReasonFL Studio (stand for Fruit Loops)Helm AudioTAL NoisemakerMusescore - Software for Written MusicInstrument SynthizersKomplete - Native InstrumentsKontact - Native InstrumentsAudio HardwareFocusrite -Scarlett SeriesMicrophonesShure SM57Shure SM58Shure SM7bAudio-Technica AT2035Other MentionsGame Sound ConChel and her friend Tiffany Otto are going for 120 stars on Super Mario 64!  - ChelWongAudio, TwitchChel WongGuestChel Wong (or Mitchel) is a freelance composer specializing in video games. She's also co-organizer of Game Audio Boston and Head Curator of Audio for BostonFIG. Chel has conducted orchestras and is also a musician, collecting all sorts of instruments to record for her work. You'll regularly find her in the recording studios at Berklee College of Music. External link Chel's websiteChel on BandcampChel on TwitterChel on TwitchChel on SpotifyChel on Soundcloud

Teambition, iHours, 原生日历, 提醒事项, 微信的提醒功能…繁多的时间管理软件反映了我们紧张忙碌的生活。人的时间终究有限，正因为此，时间管理仿佛使人焦虑。从任务管理的思维和方法到长期自我规划，再到时间成本带来的思想负担，我们在本期节目中给出了自己的建议与看法。本期我们对录音音质进行了升级，首次同时使用两只SHURE SM58进行录制。声音质感更，杂音也更少。希望你会喜欢！另外在这里补充一下：Teambition是在2019年3月26日Teambition被阿里巴巴全资收购的。提及的软件：Teambition, iHours, Apple Calender, Apple Reminders 欢迎关注我们的微博、twitter以及收藏我们的网站以看到更多日常信息以及节目更新提醒！Twitter: https://twitter.com/tianyu2fmWeibo: https://tianyu2.fireside.fm/

Episode 13 of the Dumpster Fire Project. The Dumpster Fire Project is a podcast about side hustles, startups and small businesses. Find meaning in your life by following your passion! In this episode we discuss how we started a podcast on a very tight budget and how it has grown over the past 6 months. We discuss how you can start your own podcast to promote your business with very simple equipment and free editing software. We also talk about how we are growing and what equipment we are purchasing. The Scarlett 2i2, Shure SM58 and Fethead preamp will give you studio quality sound for around $350.Take us with you this 4th of July Weekend and hit that damn subscribe button!SUBSCRIBE TO THE PODCAST ON YOUR FAVORITE APP OR AT https://www.youtube.com/redirect?v=Hy...Find Host Erik Scramlin @ https://www.tacticalattorney.comFind Host Murray Swoish @ https://www.fullvolumesolutions.com

Ross Brand with your Livestream Universe Update for Tuesday, February 19th, 2019. Our discussion of podcasting microphones tends to focus on either inexpensive USB mics for beginners or those heavier, more expensive studio mics in the $300+ range. But there are good microphone options available for those who have a mixer, audio interface or recorder…and don't want to spend over $100 on a microphone. Mike Murphy works on the support team at Simplecast and sings the praises of the affordable, versatile and durable Shure SM58. Thanks Mike. You can learn more about Mike Murphy and his gear recommendations at MikeMurphy.co. Later this week, we will look at another solid option in the same microphone class: the Sennheiser e835. Updates on Tuesdays and Fridays. For LivestreamUniverse.com, I'm Ross Brand. Have a great day! The post https://livestreamuniverse.com/shure-sm58-a-podcast-microphone-thats-affordable-versatile-and-durable/ (Shure SM58: A Podcast Microphone That's Affordable, Versatile and Durable (Update Ep123)) appeared first on https://livestreamuniverse.com/ (Livestream Universe).

Dan Powell is one half of Dead Signals Production, creator of the popular Archive 81 and Deep Vault found sound, radio drama podcasts. In this episode, we talk about his recording process, how he designs sound, and his editing process. He shares some of the hurdles he overcame while producing podcasts and what advice he'd give to anyone interested in making a modern radio drama. Key Takeaways: Don't buy your gear new—if you buy the best gear used, it'll last you forever. The hardest part of any narrative creative medium is the transition between two parts. Make sure you understand what's happening in your environment before you choose a space to record in. What you make should be in conversation with your audience, but don't make something just because it'll get a lot of downloads. Find people who are established in your field, reach out to them, and ask for some direct advice. Think about how the ambience and background noise where you're recording can contribute to the story and the feel of your whole piece. Aaron: Hey Dan, thanks for joining me today. Tell me a little bit about yourself—where you're from and where you are now. Maybe a little bit about what your path to audio and podcasting has looked like over the course of your life. Dan: I was born in Rome, Georgia and I was there until I was about 18. It was a medium/small size town in the middle of the woods. I spent a lot of time by myself alone with my thoughts, which is probably what caused me to gravitate to sci-fi, horror, and secular fiction. I began making radio dramas at the age of eight or nine. I used Window 95 Sound Recorder to make these one-man shows. Sometimes it would be me and sometimes it would be my friends, and we would get in front of a microphone and see what happened. That's really what introduced me to audio editing and creative sound design. From an early age, I was interested in what would happen if you slowed down, sped up, or changed the pitch of your voice. I went to Syracuse University for college and majored in English. I loved reading and still really do, but I realized I was spending all my free time in studios recording my friend's bands (or recording myself), and that working with audio might be a good career path. I'd always been interested in creative writing, but I thought it might be good to develop a more technical skill or trade that I could have on the side while writing. I ended up really enjoying working with audio and I decided to make that my primary creative and career pursuit. After school I moved to New York City. I interned, I did some odd jobs, I worked at an Apple store, and I eventually got my first job in the sound industry at Soundsnap, a commercial sound effects library. I did that full time for about two years and then transitioned to working there part time while making more time for freelance work, sound engineering, and working on my own podcast on the side. That's where I'm at now. Aaron: You met Marc (the other half of Dead Signals) in college? Dan: Yeah, Marc and I met his senior year and my post-senior year. I stayed after I graduated to do a fellowship in audio engineering and sound design. One of the cool things about Syracuse is they have this program where if you get to the end of your four years and you decide you want to do something different than what you studied, you can apply for a fellowship that will let you stay an extra year. You basically get a free year of credits that you can do what you want with. I did that after I finished studying English so I could build up my portfolio and get some more one-on-one mentoring strictly with audio stuff. That's where Marc and I met. Aaron: Then you guys formed Dead Signals Productions. Dan: We formed Dead Signals this time last year. Marc came and visited me in New York and we were talking about ideas we had. The project we worked on together in college was Marc's senior thesis project, a radio play he wrote and produced. I was just acting in it, playing the lead. More recently, starting last year, was when we started collaborating and both giving equal input for the project. Recording Radio Drama Podcasts Aaron: Let's talk about Archive 81 and Deep Vault, the recording process and the tools you use to handle the editing. Marc said you guys recorded Archive 81 in a bedroom. Do you remember which mic you used for that? Dan: It was the Sennheiser MKH 8040. I got this mic because it's a really good all-purpose sound design mic. It's good for all-purpose folio recording, like footsteps, fabric movements, and every day objects you want to record. It's also really good for ambient field recording. We recorded the dialog with this mic and another mic called a Sennheiser MKH30, which is a bi-directional stereo mic. The two of these things together form a really good pair for mid-side stereo recording. What I was really interested in when I bought these mics was, one, it was the best deal I found on eBay, and two, I was interested in doing more ambient field recording. Living in New York City there's so many interesting sounds everywhere. There are neighborhoods, parks, and subways. You can turn a corner and be in an entirely different sonic landscape than you were just in. I wanted something that was good for capturing my environment, but when it came down to produce Archive 81, after doing some tests, we realized that these mics would work just as well for dialog recording. I personally would have liked to use a wider diaphragm AKG microphone, but I still think the mics we used worked well for recording dialog. It's good gear and it's what we had available at the time. Aaron: I know a lot of podcasters who use $60 or $70 USB mics and there's a big difference in quality between those and the MKH. What do they run used, close to $1,000? Dan: Close to $1,000. The mic I'm on right now goes for about $1,200 new, but I'm a big Craigslist and eBay deal-hunter. When I was first getting into audio, one of the best pieces of advice I got was when I was talking to someone five years my senior who's successful and established in the music production scene here in New York. He said: Don't buy your gear new. Even if you buy the best gear used, it'll still last you forever. He told me, “I've made a spreadsheet of every piece of equipment I've purchased from when I first started out. Collectively I've saved about $30,000.” That really stuck with me, so now I only buy used gear. I got the mic I'm talking on now for about half of what it would cost new. Aaron: I'm currently on a Shure BETA 87A, which costs $250 new and I think I paid $120 for it used at Guitar Center and it's an awesome sounding mic for podcasting. Dan: I like the richness of it. In general, I really like dynamic mics for podcasts. I like the rich low end and the proximity effect you can get. I use the mics I use because I want to have a lot of applications for things like sound design and field recording, but I don't want to make it seem like you have to buy a $700 or $1,000 microphone. I've seen people get fantastic results with an SM58, which I use when I do event recording gigs. You can get one of those used on Craigslist for $50 in most cases. In many cases, it's probably more ideal if you're at home instead of a treated acoustic space because dynamic microphones do a better job of isolating the sound source and not picking up your refrigerator, your roommate, or your neighbors yelling at each other. Aaron: I agree. I love the large diaphragm condensers, but you do need a quiet, treated room to make them sound good and not pick up a bunch of sound. Alright; let's talk about sound design. Here's a clip of episode one of Deep Vault, which has some dialog with some reverb on. I wanted to ask you about that, and about the part in the music where the footsteps transition into the beat of the song. First, let's talk about the ambience and reverb you used. As I'm listening to it, there's some kind of ambient sound in that. I'm not sure if it's reverb in the space you recorded it in or if it's reverb you added afterward. There's also an air conditioning kind of “swoosh” background ambience. Can you describe how you achieved those effects? Dan: None of that reverb is natural. It's all added in post. I exclusively use impulse response reverb, which is basically the ability to capture the sonic snapshot of a real, indoor space by going in and blasting a sign wave or white noise in it and then recording the echo that comes afterwards, then notching out the original sign wave in post. This gives a ghost emanation of what a space actually sounds like. There's two reverbs fading out and in. There's the outdoor reverb, which I have a light touch on. It's meant to evoke the sense that the space is outdoors and then there's the echo-y underground reverb of the vault they're about to go into. If you listen prior to them entering the vault, you can hear how it evolves from one space to another. I think very visually when I'm working on it. I've said this a lot in various interviews, but because I'm working with Marc on the scripts from the beginning, I don't really think of this as post production. I'm always thinking about space and sonics as I'm reading the first draft of a show. I usually visually map out or make a flow chart of what the space looks like and how things need to transition from one stage to another. That helps me focus better. In the background, we have a desert ambient sound. It's a field recording of a desert that's near an urban area. You have some wind and outdoor air atmosphere, called the air tone, which is the outdoor equivalent of a room tone. If you search Soundsnap for air tone, you'll find a bunch of ambient recordings of outdoor air spaces that don't have crowds, people, or traffic. It's more a general wash like you hear in that clip. There's the air tone and then there's the vault sounds—the ambient sounds of the space they're going into, which is a field recording by a field recordist named Stephan March. I think it's some recordings of some abandoned bomb shelters on the Danish coast. It's some industrial room tones with some distant waves, but they have an underground low-fi industrial roominess to them. Those things blend together to create the atmosphere of the vault. Aaron: I'm embarrassed to say it now, but I was thinking these were effects you could achieve with something like the reverbs that come with ProTools or Logic Pro X. What program do you use to do all this stuff with? Dan: I use ProTools for editing, mixing, and basic sound effect placement. For what's referred to as composite sound effects design—designing a sound effect that needs a lot more depth to it than what you can pull from a library as is—I use Logic. I do that for two reasons. One, I think it's good to have separation between sound effect editing and show editing. I like to be in two different programs when I'm creating the sound of a robot or a door and when I'm editing the show. Having the different software environment helps to streamline that. The other reason is, though I do think ProTools is great, I think it's very flawed for making things creatively from scratch. I would never write a song or demo a song in ProTools because I don't think the user experience is tailored toward composition, whether that's composing a song or compositing a sound effect from scratch. It's great for editing and taking material that's aesthetically already done—like you recording a guitar through an amp—but if you're trying to dial in the tone of a guitar, I prefer to use Logic, something a little more built for making music from scratch. For this scene, I used pretty much all ProTools because I wasn't designing anything beyond simply layering things together and the reverb that goes along with that. I wrote the music in Logic. Dan's Favorite Editing Programs and Plugins Aaron: Are there any stock plugins you use inside of Logic or do you have any favorites? Dan: I use Logic's modular synth plugin, the ES2, a lot because I know it really well. It has a very particular sound but I've been using it for many years, and I can dial in the sound I want pretty quickly with it. I probably should learn some more synth plugins so I don't get set in my ways. Aaron: What about reverb or special effects? I know there's like 50 stock plugins inside Logic. Dan: Space Designer Plugin for Logic Pro X is incredible. It's a great impulse response reverb plugin. I use Waves IR1 for the reverb in this scene, but it could have as easily been achieved with the stock Logic Space Designer plugin, probably easier even, because they have a larger native sample library. Any sound designer you talk to will say that Space Designer is the best free stock plugin of anything. That's a big one. There aren't a lot of other stock Logic plugins I use for sound design in terms of compositing. Although I do really like the basic Chorus and Phaser modulation stuff for voice processing for robot voices. Aaron: You wrote the music for the show. Is the music going to be available somewhere else later? Dan: Marc and I would really like to release an album of the music from our shows. It's something we want to do and there's a few reasons we haven't done it yet. One reason is time. I'm very skittish about making sure everything is mixed properly. I wouldn't want to release the music stand alone unless I was absolutely sure it was put together well. The other reason is that I write most of the music for our shows, but we do have some songs that are done with side collaborators and I would want to make sure it's done legally and copywrite-wise we were in the clear. I want to sign some kind of licensing or formal distribution agreement to make sure everyone is happy money-wise. The song from episode one was me ripping off Trent Reznor and Atticus Ross. I'm a big fan of their scoring work. Music & Sound Effect Creation for Podcasts Aaron: Let's talk about how you achieved that effect for the song in the sample clip I played earlier. I'm guessing you had the sound of the footsteps on a ladder. Is that something you recorded yourself or is that something you got out of the sound library? Dan: I used several different libraries for that. There's a mixture of some simulated ladder movement in there, like arms reaching and hands grabbing the rungs of the ladder. There's also some pure metal footsteps in there. When I was originally putting that together, there were six or seven tracks, three of which were cloth movements and body motions and three of which were footsteps. Some were more foregrounded, like when one character named Jeremy is counting his steps. His footsteps are louder because he's drawing attention to the fact that he's counting them. The others are more off to the side to evoke the sense of space and depth, because presumably, they're going down a circular enclosure to a vault. That was a real pain to put together. Aaron: I can't believe you recorded clothes rustling to make this realistic. Dan: I can't speak to film, tv, or video, but part of what makes the footsteps convincing in audio dramas is the footsteps being good, but also having cloth movement and fabric rustling. Aaron: With headphones and soundscapes, you have left and right channels, obviously. What do you do when you're trying to make something seem like it's coming from above or below. Is there any way to achieve that affect? Dan: In episode two of Deep Vault, where two characters crash through the floor of the room their in, they're down there for a bit, and then you hear them crawling up through the crash hole to the other characters that are above them. I think it worked pretty well. I think the sequence of the narrative and that you hear them crash through the floor first and the space change around them helps to establish that. It's just a matter of having more reverb and/or more delay on the voices that are further away than the voices that are close to you. I'm still figuring out what my philosophy on panning things is for the Deep Vault. It's an ensemble cast with four actors talking at once, I have them panned around the clock—some are hard left, some are hard right, and some are close to the center. Usually if characters are interrogating or trying to get information from another character or recording, I'll try to have whatever recording or character they're talking to in the center to give the sense that they're gathered around this new source of information they're trying to learn. As far as making things sound far away or from above or below, it's a matter of adding more reverb to the things that are farther away and hoping the sense of space translates. Aaron: I think it does most of the time, but it's something I'm curious about. I'm thinking about the future with virtual reality and how they're going to handle the different angles of sound. Have you had a chance to try VR yet? Dan: No, but I have some friends who told me I need to do it and I really want to. I have some friends who say Google Cardboard alone is incredible. I'm curious what that technology is like, but also what it's going to mean for sound. I'm curious what sound for VR is going to be like and how it's going to differ from the old guard, but also how it's going to use some of the same techniques to make a realistic experience. Aaron: I used the equivalent to Google Cardboard, not even one of the great ones, and it blew my mind. It's going to be a game-changer. Maybe we'll both have future careers in sound design for VR applications. Dan: I'm just trying to stay ahead with what's new for sound design because I'm afraid of being replaced by robots. It's something I think about regularly. Am I doing something that will still be done by a human in 20 years? I feel ok about it most of the time, but you never know. Aaron: I like to think that you'll still have a job because you're being creative and you're doing things that take a human. I guess we'll see. Let's talk about then music a little more. You did this transition where you have this music playing over the sound of the footsteps, and the footsteps blend into the beat of the music. Did you write the beat first? Were you listening to the pattern of the footsteps or did you go back and match those things up later? Dan: They were matched up later, but my choice of percussion samples definitely made them more easily blendable. With the exception of the kick drum, which is more of a classic, electronic bass-pulse kick drum, everything else is found percussion—everyday objects being tapped on. Things like chairs, bags, or plastic silverware. I like working with low-fi sound percussion samples. I think the fact the percussion track in the song isn't a real snare drum recorded in a studio helps serve as the connective tissue between the footsteps and their percussiveness and the song's percussion, and it's driving the melody forward. The hardest part of any narrative creative medium is the transition between two parts. It glues two things together that work well on their own. Sonically, that could be a good example of choosing the right percussion sample in the context of this being a score rather than a stand alone song. Perhaps if this was just a song released on an EP and it wasn't meant to score anything, it would sound better with a non-found percussion or some other type of sound. Sound Proofing vs. Sound Treatment for Podcasts Aaron: Let's jump into some mistakes or hard times you came across when you started doing Archive 81 and the Deep Vault. What are some of the things you struggled with? Dan: I do have one thing about recording in a bedroom. The bedroom we recorded in sounded really good as far as bedrooms go, but we had only ever tested the sound in the room at night when everyone else in the house was really quiet. When it came to production time, we were recording during the three most blizzardy weeks in January when every person was holed up in their apartment in New York City. Above my friend's bedroom is a family with five teenagers, so we had to pause all the time because there were so many footsteps, running water, and cooking sounds. We didn't plan for all of that. I realized that, even though acoustically the room sounded very good, there was no isolation from what's above and outside. That was definitely an error I made in trying to plan the space. The next time, we paid for a real studio, because as cool as it is to record in a good-sounding bedroom for free, it's worth that money to not have to stop every take for outside noise. When you're pausing takes like that for noise coming from upstairs or outside, you're losing the groove you have with the actors. The actors might move around if you have to wait for 10 minutes between a scene and you might have to reset levels, which makes it harder to set levels in post and mix. That was a real learning experience. Make sure you understand what's happening in your environment before you choose a space to record in. Aaron: That applies to regular podcasting too. Someone asked me the other day, “How do I soundproof my room?” They're actually asking two different questions: “How do I make the sound of my room less noisy?” and, “How do I keep outside noise from coming in?” First, you have to stop noise from computers, air conditioners, refrigerators, and the sound of your voice from bouncing off the walls and being recorded by your mic. Then you have to soundproof the room so that the external sounds aren't picked up by your mic. For me, I have three windows directly in front of me and it's an old house, so the windows aren't soundproof at all. If someone was running a lawn mower outside of my window, everyone would hear it. Soundproofing is making sure noises from outside don't come in. Sound treatment is making sure there aren't noises inside your room causing problems in your audio. Know Your Limits Aaron: Any other mistakes or things that stood out throughout this process? Dan: There are so many. The question is what's a useful mistake to talk about, and what's one I perpetually torture myself about at night? I'll talk about casting. With Archive 81, we didn't have a system for how we went about casting it. We put the character notices out on Craigslist one at a time and auditioned and chose people piecemeal. It worked out for the most part, but there were some characters where we were in a real bind because we didn't have enough people in time, so we had to choose the best option. I would have liked to have more options. I pretty much did all the casting for the first season and I didn't go about it systematically, so for the Deep Vault, I wanted to make sure I did it more systematically. I spent a whole weekend auditioning people and planned in advance the characters they were auditioning for and allot time slots throughout the day so I could do it all at once. That was good and it was organized, but I packed too many people in one weekend, so by Sunday afternoon it was too much. I'm pretty introverted by nature and I think I chose my line of work in the technical side of audio production because a lot of times, it's just you and the machine. You do need other skills and to be able to talk to people professionally, but you also spend a lot of time alone, which I'm fine with. I definitely love socialising, like on this interview, but I'll be glad to go back to my little audio hole. That Sunday after three eight-hour days of auditioning and reading lines in character for these people, I was totally depleted. I think I've learned I need to be more systematic about it, but that I also need to spread it out over a few weekends in advance as opposed to trying to do it all in one weekend. Aaron: I'm a productivity nerd when it comes to planning out my days and making sure I have stuff to do. There's a lot I want to accomplish, but when you first get into that, you tend to overestimate what you can accomplish. You think you can do meaningful work for 12 or 14 hours and you don't realize that you can take on too much and say yes to too many things. Half way through, you've given it all you have for six hours and you're worn out and you feel guilty because you didn't do all the things you said you were going to do. It's good to plan and try that stuff so that you know next time not to plan 12 hours of work for both Saturday and Sunday. Maybe you can do that, but you don't know until you try. Start by planning and make notes about how it goes and you'll have a better understanding about yourself and your stamina for the next time. Dan: That speaks to the more general philosophy that doing it is the only way you'll know what your own patterns are, what works for you, and what doesn't work for you. Be open to some trial and error for your own personal workflow. It's easy to look up to certain human accomplishments and think, “This great musician practiced for 12 hours a day, so I must have to do that to be the Rachmaninoff of podcasting,” but at the same time, there are successful and accomplished people who have more human and normal working hour regimens. Trent Reznor is one of those people and it's obvious from his output that he's someone who never stops working. That works for him, but some people need more time to unwind and not get burnt out on things. Dan's Advice for Aspiring Podcasters Aaron: What kind of advice or tips would you give to someone who's interested in doing something like Archive 81 or Deep Vault—a found sound or radio drama podcast? I've noticed in the last year or two they're skyrocketing in terms of popularity. I think there's a lot of people who might be turning the idea over in their mind. What would you say to those people? Dan: The first thing is the writing and acting has to be really good. Have people you can trust give you feedback and critique who you can run things by. If the source material and story doesn't work, then everything that follows isn't going to work either. If you've never done a podcast before, be prepared for many ours of sedentary work. Doing this kind of work takes a lot time and it's a lot of time you have to spend alone in front of a computer. I lost count of the number of times this summer my friends said, “Hey, we're going to the beach. Want to come?” or other things I wanted to do and I had to blow them off because I was editing or doing revisions. Be prepared for that and make sure you're ok with that. If you need a lot of time outside of the house and you really need a social life, maybe this particular kind of podcasting isn't right for you. Interviewing is a very different thing. I don't like to be preachy about exercise, but I do think it's good to exercise if you're doing sedentary creative work because it makes the mind work better and for me, it puts me more at ease. Aaron: I'm with you on that, so two out of two podcasters recommend exercise and good sleep. Dan: Go out there and do it. Work hard and tell the story you want to tell. Don't make anything because you think it'll sell or bring an audience. Marc and I made Archive 81 because we thought it was a cool idea. What you make should be in conversation with your audience, but don't make something just because you think it'll get a lot of downloads. I still feel like I'm learning a lot and trying to figure all this stuff out. Keep an open mind and stay open to learning new things as you go along. I still study sound design with a mentor because there's always new levels I can push myself towards and I don't want to get too comfortable. Sound Design Resources Aaron: Are there any books, websites, or online courses for someone who's a total beginner, or someone like me who is relatively familiar with recording, mixing, and producing music and podcasts but hasn't really gotten into sound design? Dan: Transom.org is a great resource. Although it is geared towards beginners in radio and podcasting, I still find articles on there I can learn from. I think it has a good intro overview to things like sound design. I can't name anything specific, but for a few years now, when I want to learn more about a subject, I find someone I like and relate to who's established in that field and I reach out to them asking for some one-on-one mentoring lessons. That's something I think is worth paying for. Most people will take $50 for a few hours to talk about it. No matter what artistic discipline you're in, it's helpful to find people who are established in your field, reach out to them, and ask for some direct advice. That's what's been the most helpful for me. If there's a sound designer, composer, or radio producer you admire, reach out and see if that's an option. I don't think Ira Glass is capable of doing private lessons with as busy as he is, but I'm sure there are other people who are really good at what they do who are capable. Aaron: There's people at all different levels on this journey. We're talking about audio specifically, but it's true for anything. There are famous people you've heard of and then there's people in the middle who have more experience than you but maybe aren't quite so famous yet. Surrounding yourself with people who share your passion and interests on your skill level is great, but try reaching out and offering to pay for some consulting. Chances are they like talking about that stuff, but it is good to pay people for their time. That makes sure they're invested and they're not feeling like you're taking advantage of their time. Audio engineers have to make money to buy gear! Field Recording Gear and Tips for Podcasters Aaron: Diana asks, “What's your setup for mobile recording?” She's about to start a podcast and will be doing some traveling. I know there are times where you take microphones out into the real world to do field recordings. What's your setup? Is it the same mics and a portable recording device? Dan: A Sennheiser MD421 or a Shure SM58 will work great because most dynamic microphones are good at sound isolation. Another good option to consider would be the Sennheiser ME66 Shotgun Mic, which is a great short shotgun microphone. That's good for both ambient sound and interview recordings in a live setting. It's in the $200 to $300 range and you can find it on eBay, Craigslist, Guitar Center, or Reverb.com for much cheaper. Aaron: What device do you record into? Dan: The Zoom H5 or H6 is a fantastic piece of recording equipment. You can find that new for $300 or used for way less. It's a solid improvement over the H4N in many ways. There's less handling noise, it's less noisy, and the majority of people looking into podcasting would do great with one of those. Aaron: I think this is a situation a lot of people will get in. When you're out and about and recording, you have to think about the noise in the room and the ambient noise, and if there's a possibility of a lot of noise where you are. Coffee shops and crowded restaurants aren't going to be great for getting clean audio. You'll also want to set input gain levels correctly, so you can be sure the levels coming into the microphone doesn't hit zero and clip. You want to keep the highest peaks coming in around -12 DB. What's your thought on that? What do you aim for? Dan: I aim for -12 to -6 at absolute highest for both studio and in the field. I always stuck by that as universal truth of audio, but when I was doing some sound design training this summer with the person I was mentoring under, for sound effects recording, he was advising me to capture things at as high of a signal level as possible without clipping. Being able to focus and isolate the sound source that way really is much more beneficial when you're trying to make a sound effect at non-dialog level. Aaron: Did you have limiters on in that situation? Dan: I usually keep the limiters on, but I try not to hit them. I record on my rooftop a lot. Sometimes I get up at 6am and record the morning rush as it starts to unfold and I usually need the limiters to catch a truck horn or a plane that flies overhead. If you're in a noisy environment, that's another good case for using a dynamic microphone because it does isolate the sound source pretty well. When I was in school, I did a student radio project for a radio podcast production class where I was riding the campus buses and I was on one of those buses on a Friday night when it was filled with drunk kids going from one frat house to another. You can imagine how quiet that was. I was using a dynamic mic and it worked pretty well when I was cutting the interviews together. It had that loud, crazy ambience in the background, but if I held it pretty close to the speaker, I could still isolate them in a way that worked for the final product. Think about how the ambience and background noise where you're recording can contribute to the story and the feel of your whole piece. Dan: With all the woes that came with recording Archive 81 in a bedroom with loud upstairs neighbors, I do think the fact that it felt like an apartment helped the actors get the vibe. I'm not sure how much of that translated sonically, because it's hard for me to be objective about it at this point, but I do think that background worked for that piece. In theory, I would like to do more location recording for audio dramas. If something takes place on a busy street corner, I'd like to get out there with a more formal production sound rig and record it, but Marc and I work at a pretty intense pace and it's not always easy to coordinate that. Many times it makes the most sense to do it in the studio and create the atmosphere after the fact, but that doesn't mean you shouldn't. Aaron: Do what your gut says and plan for it. Last week, Marc said one of the hardest thing for him is the time constraints. I definitely feel that too. My podcast isn't anything complicated but it still takes a few hours to produce. When you have a full-time job, other projects, and people you want to hang out with, you really have to focus on what you want to say yes to and what you have to say no to. _Huge thanks to Dan and Marc for taking time out of their busy schedules to talk with me. If you've enjoyed these interviews, head over to their Patreon page and support these guys. Links: Dead Signals Productions Archive 81 Deep Vault Podcast: https://podcastingwithaaron.com Twitter: https://twitter.com/aaronpodcasting Youtube: https://www.youtube.com/aarondowd Blog: https://www.aarondowd.com Recommended Gear: https://kit.co/PodcastingwithAaron