Podcasts about Peaking

Four-time All-Ireland winner Ciara Trant and Team OTB's own Rachel Sheehan joined Ger and Colm on this morning's Off The Ball Breakfast. With the All-Ireland Ladies Senior Football Championship semi-finals to take place this Saturday evening, Ciara and Rachel broke down what we can expect from the two ties: Dublin vs Galway and Kerry vs Meath. The reigning champions Kerry are everyone's favourite to retain the Brendan Martin Cup, but Ciara is still not convinced they're playing like champions... as often as they ought to be, at least! Can Meath catch them this weekend? And in what is Dublin's first season post-Mick Bohan, how does Paul Casey have the team playing? Will they be able to avenge last year's result - Bohan's last game in charge - when Galway knocked Dublin out of the championship? Off The Ball Breakfast w/ UPMC Ireland | #GetBackInAction Catch The Off The Ball Breakfast show LIVE weekday mornings from 7:30am or just search for Off The Ball Breakfast and get the podcast on the Off The Ball app.SUBSCRIBE at OffTheBall.com/joinOff The Ball Breakfast is live weekday mornings from 7:30am across Off The Ball

CEDIA Expo (and Commercial Integrator Expo) Return to Denver in September! Why integrators should mark their calendars and maybe even dip their toes into the CiX side of things. Ikea is working with Matter for their smart home solution offerings. Where the value of professional installers lie with connected smart home appliances. D-Tools has a whole lot of data about (profoundly plosive) proactive progress payment policy practices per projects. Peaking past the alliteration, what integrators should be taking notes from for their projects.The video version of this podcast can be found here.ResiWeek brings you the latest news and stories for the residential side of the AV industry. We discuss these topics with a panel of experts in the space. Joining us this week is Henry Clifford from Livewire and Katye McGregor-Bennett of KMB Communications.Host: Mitchell ToolenGuests:Katye McGregor-Bennett – KMB CommunicationsHenry Clifford – LivewireLinks to sources:CE Pro – CEDIA Expo/Commercial Integrator ExpoThe Verge – Ikea Moves to Matter for Smart Home SolutionsD-Tools – Practices for Progress-based PaymentsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

Pools of blood, And pools of dust, And fools, and fools, and fools Pools of love, And pools of list And tools and tools, and tools Pools of us, And Pools of hours And palms of pools D'hors Pools of plants, And pools of listen Pools and Pools and Pools Now, for us, what's at stake has come upon us For whether which now or ever ties have made for us to burn; Ne'er mistake there lust for listens and of ponders, Waterfalls of love and feathers, wanders Ties to honor stars and fore of fathers Almost lost it, there, I– Almost gathered, therefore. [ ] So to us who part ties, Of tied knots and of stomach's wrench To nourish shadows as remains her honor, I, depart my once, I, as flocking doves, The twist'of fated never Bare I fear or fonder Where, where, for again (bare tied as to none) and again wakes as has but not in time, to grove– The box I paved and yet, Set aside not as slabs of stone Or ash and fire But there i wake In cedar pine and oak The turn of slumber as the glow of what I once did not know, Now has shined against My eyes as water Luminescence Oh Goddamnit. Peaking pride, the oath Again i wait and ne'er did I come, but forth I woke, and also thought Not one but worlds of color, And there i know, to heart the seas I parted Not shallow or in shallows waking, red as scarlet blood but mauve, and then, the coping stays of which I gathered here has Agape and aching, wet with pride and courage Forefront others As thought to know, I, And I become, as known, now not and. “All White World” Our ENSEMBLE awakens slowly in the void of light; an all white space seemingly endless and drenched in blinding light; slowly awakening as if upon a cloud, and yet, washed in the drenched brightness of an all white world–familiar and together, but also new; The uniformity of all white attire and the simplicity of symmetry–all alike but of many and also one. I promise there's pancakes; I promise there's porridge I primise there's light at the end of the tunnel (the end of the night and beginning of brunch) And yes, I promise a run And a run for the office (not by far) And not unpardoned I promise to pray And I promise to wait And i promise to ache In the acres I've laid Made of all green pastures And days and days Without saying my name Pass us over Now…. Hiatus, Hiatus, Hiatus! My maples for all of us, cornbread And cream of the coconut (cream of the coconut) Screams from the underworld (Calling! They're calling) And trees of the very best kind; Plush with fruits What a prosperous product A merciless giving A scrupulous foreign (For four eyes, not one on my forehead) –policy! Don't you know, Conan, That all this goes over my– Over my over– Over my Over my head, –like a snowball? Don't you know, though, That nothing goes over his– Over his over– Over his Over his head –no one throws that high! (Not in softball!) ENSEMBLE What an apocalypse! What an apocalypse! What a protocol! What a dunce! What an oddball! Don't you know Nothing goes over Goes over Goes over us Nothing goes over us Nothing goes over Nothing goes over No bombs being dropped And the worst has to come because Nobody's turning this off; It's a turning point Not a mantra! It's a saga And nothing less short than a– Awful apocalypse; Long hiatus and no-low doses of Polymorohypothesis– Whatever that is! Don't you know, Conan, They're all going wrong with us. No, There's no knowing the coat From the hotbox, the hoot from the horus, the laugh from the chopsticks, The room full of products Or coatrooms of corpses No, There's no knowing us But out of nowhere The hour comes running upon us, And so The show must go on The show must go on The show must go…. DIRECTOR CUT! WHAT! That was FABULOUS! I don't disagree with you. However– What is it now? A MAN hangs by nothing but seemingly a very tightly buckled pair of restraints, above his head–the source of the object from which he hangs unknown, he appears to almost float, in fact, in quite the sufferable struggle. Holy fuck, guy. You're still up here? The VOICE comes from above but is yet unseen, it appears as though two very tidy clean white tennis shoes appear to be holding the straps of these restraints in place. CONT'D That's amazing. No false ties, And no hard wars, And no jolly ranchers, Gob stoppers, or nerf ropes. No fruit roll ups, No lunchables, or gushers No hamburger helper And no candy crush Just Drugs And more Drugs And more Drugs and more Morons Donuts, and drag queens, Tim Hortons, And Mormons; Mothballs, and Roaches, And horseflies, And rodents – Now guess which long road you're on (guess which long road you're on) Guess which long road you're aaaaahhhhhh– HALT. Who goes there. What the fuck is THIS. Finally, two acts past intermission, The troll under the bridge has put his cancer in remission The redactions have acted as class-action warfare, McDonalds has sponsored us, But barely. Look: just. No. I'm not endorsing this. Why. Because! It's killing people! Shh! It is! He–'s uh–joking. Actors! Improvising! Hush. Left and right! Speaking of left and right– You know who our sponsors are, right? Of coure! This nonsense! No! The– Shh–! –Owners of this product. Beg your pardon. Do you know who owns this brand and company? No. Well, do your research. Immediately. I highly recommend that. This seems serious. Serious as a heart attack. ACTION! Fuck you! Nuhhhhh–fuck you, you fucking fuck! Look, you lost, alright. Ughhhhhh. It's three to one. Three to one?! Yes. Fuck. Wait a–wait– What. Aren't there five of you guys? What? Huh-huh? No. Yes. There are. No. There's. Why. Five–of us–four of us You're lying. One, two, three *hiccups* four– Strike force “five”? I'm two guys! FUCK. We're missing one. Fuck. They figured us out. I figured out nothing. I'm drunk. I Fluffed. just know the difference–s between Five and One What. Four and Five! okay . Fuck. Well that's right. Well can't we just do it with us. NO! Why not. Because. the singularity has to be in the exact circumstance when this lightning strikes as the first one was. But– That's impossible. It's not–*hiccups*--umpossible. I was 9! “9 and a half!” “The half counts.” But not right now! Because i'm like a 60 year old guy! What! Gross. You're 60?! I think so! Then how old am I!?! I don't know! How old were you before!? I'm your brother! You don't know how old I am!? You're not my brother now, so maybe–I don't know–you never were! *gasps* take that bacK! [The boys fight amongst eachother] Fuck me, man. No thank you. What in the fuck did I write. I don't know but. CUT TO Ooh. Dice. DON'T TOUCH *poof* ENTER THE MULTIVERSE: L E G E N D S “The Magic Dice” (A Triad) NICE. FUCK yOu DUDE. nO fuck U U dElEETED My WRLD. THen is must not have been that great. *exaggerateD gasp* *even more exaggerated gasp* *Fluffs* *fluffs harder* *explodes* [The Festival Project ™ ] MEANWHILE The Aliens Are On A Pirate Ship, There's Still No Sign of [Redacted] and that's what this beat is called. -U. iS this a montage? Idk it just seems like a ship sinking in very slow motion. [A pirate ship full of aliens is sinking in very slow motion in a thunderous maelstrom.] (in IMAX 3D) Wow. I like that. This is fascinating. JIMMY KIMMEL is pacing relentlessly; he is driving the other hosts up a wall. KIMMEL I'm hungry, I want pants. I'm hungry– I want pants– Jimmy... KIMMEL I'm hungry– Jimmy! KIMMEL I want pants! JIMMY! KIMMEL WHAT! I'M HUNGRY AND I WANT PANTS! Oh, is that when— CRAIG FURGUSON has had enough. CRAIG You want bloody pants! KIMMEL YES! I WANT PANTS! CRAIG You know what! Fine! I'll make you some fucking pants if you just–shut UP! KIMMEL AND I'M HUNGRY. CRAIG FIRST THINGS FIRST! CRAIG FURGUSON assembles some very eclectic pants from the drapery inside the mansion; this of course reveals the windows to be boarded up in a highly distinct bunker-like maximum security prison-ish fashion, but THE HOSTS at the very least now have makeshift pants; which are startlingly fashionable: read: bohemian chic. Why do mine have beads still attached? He pulls the decorative ripchord and his fly opens promptly. Oh. CRAIG FURGUSON For emergencies. He continues pulling it in sequence with the matching lamp; he alternates turning the lights on and off and opening and shutting his pants flap in admiration. CRAIG FURGUSON CONT'D In case you really have to go. (Facinated) Ooh! CRAIG FURGUSON is satisfied with his work. CRAIG FURGUSON CONT'D I guess you could say, “The curtains match the drapes” CONAN O'BRIEN (beat) …not mine. {Enter The Multiverse} Fearsome, fearsome friends– Fearsome fearsome few Fearsome fearsome tears Listen whispers Fearsome twin Silly hollows All the lies All that waits is Hollywood and chosen five at ends of times All that waits are kings and wisdom All that knows are far, and farther All that needs is nothing, lessons All that fears is our kind Waiting. Shallow. Whispers, Gaining, Hornets nests and looming , gifted Shadow watchers Our time Farrows, Listen, Glistening as sparrows, Gifted– Kill God, There remains a far price There remains a far cry A call to wolves A false time The fabric is losts on Ghosts and Carry trains, Wishes and Tilted, Whisperers Before our Galaxy of Hard times and Wishes, Wishes, Wilting, Flowers, Waiting, Waiting And Waiting And Waiting And wanting but watching The water Gallons Fly up The wanted Waiting The gallows Have haunted us Far cries, Far cry Fear twins, have shattered To notice us Chatterbox Listens and Life turns and Waiting and Galaxies Gallantly Waiting The gallows Have haunted us Waiting And Waiting And Waiting and Water. We're watching you. An ACHINGLY TALL red-headed fellow finds himself in a FIGHT TO THE DEATH, being cast over eons and decades, and cascaded in and our of portals throughout the ever-infinite dimensional portals of unknown realms as his grasp on life itself and reality begins to fade as he crosses in and out of parallels, one galaxy to the next and one lifetime to another, gripping death and darkness in one hand and light and living in the other. In this bloody brawl, scrawling across an expanse of unknown and unknowable times and realms, this mystic remains still yet as infinite and omniscient in himself as the Gods he looks to for mercy, as the journey has been known to become of these very same deities in its context and process. A folding timeline of blood and sacrifice melds itself into the rope of the materiel worlds; not one fabric of time but many twisted and woven fibers into one rope from which he climbs into the ranks of the upperworld–or heaven, then also slipping seemingly sometimes into the depths of the underworld, a Hell known to all man as this, existence not as one but many consumed in the shadow processes of wickedness and torture, war amongst one another, and the well known humanities of pride, faith, justice and wealth. …this is supposed to be Conan? Uhh… “Achingly tall red-head?” yeah I guess. –O'Brien? [beat] He seems capable. Don't pity me, For not I weep of our pride on doorsteps not allowed, But for the grace and hope of fortune in another world i've known But lest forgotten; Do not feign me for my ignorance in desire, For I am not of man, or woman, or grain, or stone But of the world itself and all ire. (Don't doubt me.) To be cruel not those who pass judgement That weighs in this way or that is utmost critical, In this the end of times and now the end of my desires, And yet the way that I have known, And the offer I have rung Is not here, but elsewhere. And yea, I walk alone. Amen. What the fuck does this have to do with show hosts. Almost always Irish Catholic Almost Always clothed in robes Almost Always fathers, aren't I? Almost always old, of Rome. Almost always birds of feather Almost always sticks and stones Almost always on the airwaves Almost always silver, gold Slither, Slither, Here i wait And Slither slither, Here I came And whether she will slit her wrists Is neither here Nor either there It's a comfort that I offer you to slaughter; That you'd rather not to love but instead murder– I'd be better off to love, then kill you after, Course, tarantula, or just as well, a spider. It's a comfort that I offer you to kill me; Lay my head upon a sanded wooden platter– That you'd rather me to say I'd kill than love you– So I rather just to love, then murder after. Woah. Good to God, God ought to know. I close my palms together full of laughter, So. Good to God, God ought to know, I sacrified my life for ever after. So far. Good to God, God ought to know, That all he wants, I want My heart is surely shattered. Now what. Good as God, God ought to know, That all I want becomes; The looking glass, The wishing well, The cross to bare The shepherd to the pasture. Amen. Omen. All men. Want none. But one. But– So. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS W E L C O M E -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved B A C K Tales of A Superstar DJ

Ben Criddle talks BYU sports every weekday from 2 to 6 pm.Today's Co-Hosts: Ben Criddle (@criddlebenjamin)Subscribe to the Cougar Sports with Ben Criddle podcast:Apple Podcasts: https://itunes.apple.com/us/podcast/cougar-sports-with-ben-criddle/id99676

In episode 112, Mitch celebrates getting his browser tabs on his phone under control, then the boys get into:Their recent golf, including Justin's revitalized putting confidence and Mitch's newfound swing thoughtFan Mail with a question about focus and mental toughness on the course (s/o to John)A “Six Pack Summary” on the John Deere Classic and their Scottish Open one and done pickAfter that, they end the show with a Patio Beers segment chatting about pet peeves when you're watching other people's kids and the perfect Fourth of July meal.Thanks for listening - cheers!Have a burning question or take? Send us a text and we'll discuss it on the show! Support the showIf you'd like to support the show, you can do so here (THANK YOU!). Make sure to subscribe, rate, and review the podcast to help grow the show, subscribe to our YouTube channel, and follow the Back Nine Six Pack on social media: X (Twitter) | @back9sixpack Instagram | @back9sixpack Facebook DM @back9sixpack on Instagram or email Justin at justin@back9sixpack.com if you want to rep the Back Nine Six Pack on or off the golf course. Here's our current merch offerings, plus anything you order comes with a coozie and official B96P sticker: Patio Beers rope hat made by Imperial Hats | White w/ Navy Rope – $35 9 emblem performance hat made by Imperial Hats | White – $25 For all inquiries, please email mitch@back9sixpack.com.

Boo fam!!! WE ARE SO BACK. In the Season 3 premiere of Peaking, Jess looks back on her start as a podcaster, and how far she's come since her last episode 2.5 years ago. Now, she's at a crossroads, and she's using this space as a testing ground. Should she go full force at her passion project? Is this thing even on? Tune in for monthly episodes where she shares her innermost thoughts on side hustling, then hears from guests on how they're building their own businesses. Plus stay til the end for a reality TV rant you won't want to miss.Today's guest is Nora McConnell-Johnson, the co-founder of Chicago's new Babe's Sports Bar. Nora is a former educator and public policy professional who recently entered the bar industry after noticing a gap in the market - there's legit nowhere to watch women's sports! Jess and Nora chat all things making a risky pivot, breaking ground on a new business, and redefining success. It's a peaking story that's sure to make herstory.~Credits/Links~Meee: @jzdebakeyPodcasts: @peakingpodcast @not4everyonepodGuest: @babesinchicago @noramcjoEditor: @abinewhouseLogo/Brand Design: @magiceightstudioPhotography: @thelocalnomads_Music: "Have Mercy On Us" by Air Kid

Boo fam!!! WE ARE SO BACK. In the Season 3 premiere of Peaking, Jess looks back on her start as a podcaster, and how far she's come since her last episode 2.5 years ago. Now, she's at a crossroads, and she's using this space as a testing ground. Should she go full force at her passion project? Is this thing even on? Tune in for monthly episodes where she shares her innermost thoughts on side hustling, then hears from guests on how they're building their own businesses. Plus stay til the end for a reality TV rant you won't want to miss.Today's guest is Nora McConnell-Johnson, the co-founder of Chicago's new Babe's Sports Bar. Nora is a former educator and public policy professional who recently entered the bar industry after noticing a gap in the market - there's legit nowhere to watch women's sports! Jess and Nora chat all things making a risky pivot, breaking ground on a new business, and redefining success. It's a peaking story that's sure to make herstory.~Credits/Links~Meee: @jzdebakeyPodcasts: @peakingpodcast @not4everyonepodGuest: @babesinchicago @noramcjoEditor: @abinewhouseLogo/Brand Design: @magiceightstudioPhotography: @thelocalnomads_Music: "Have Mercy On Us" by Air Kid

In hour one, highlighting the best run the Marlins have had in years. Are the Heat really losing fans because of this offseason? Zach Gelb of the Infinity Sports Network joins the show to explain the national outlook on Pat Riley's last few seasons and his take on the Dolphins blockbuster trade earlier this week.

In Episode 71 of the I'M PEAKING Podcast, we FINALLY sat down with legendary Drum & Bass producer, Stanley Stevenson-Byrne (aka FOX STEVENSON) to talk ALL things DnB—from why it took so long to catch on in America to how touring in Europe can be absolutely brutal. Fox opened up about feeling “outside” the DnB scene in the U.S., shared what it's like doing his own vocals, and explained why he moved on from his past Stan SB project back in the mid 2010's. He also gave us the scoop on his new album, Sunk Cost Fallacy (OUT NOW!), and even played us a couple of absolute BANGERS from it (seriously, they were so good wowow). We also debated big vs. intimate venues, dreamed up throwback EDM festivals, and broke down how European and American dance music scenes really compare. This one was quite the ride and an episode that's been a long time coming, so strap in and hope you enjoy!! ❤️Link to buy an I'M PEAKING Jersey: ⁠⁠⁠⁠⁠⁠⁠http://impeakingpod.myshopify.com/⁠⁠⁠⁠⁠⁠⁠CHECK OUT OUR PATREON (for bonus content) - ⁠⁠⁠⁠⁠⁠⁠https://patreon.com/user?u=87212419⁠⁠⁠⁠⁠⁠⁠FOLLOW US ON SOCIAL MEDIA:I'M PEAKING PodcastYouTube - ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@impeaking⁠⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/impeakingpod/⁠⁠⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@impeakingpod⁠⁠⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/impeaking⁠⁠⁠⁠⁠⁠⁠Devin LarscheidYouTube - ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@devinlarscheid⁠⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/devinlarscheid/⁠⁠⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@devinlarscheid⁠⁠⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/indevinitely⁠⁠⁠⁠⁠⁠⁠Threads - ⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@devinlarscheid⁠⁠⁠⁠⁠⁠⁠Nand MahasuwanYouTube - ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCw0h80t2rgdz_hp4kmyCN2g⁠⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/nandmahasuwan/⁠⁠⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@nand.the.rave.dad⁠⁠⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/nandtheravedad⁠⁠⁠⁠⁠⁠⁠Threads - ⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@nandmahasuwan⁠⁠⁠⁠⁠⁠⁠Daniel Jun (aka Bassbaedaniel)YouTube - ⁠⁠⁠⁠⁠⁠https://www.youtube.com/@bassbaedaniel⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠https://www.instagram.com/bassbaedaniel/⁠⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@UCWQ3hBeb8cu15UzM7HxIylg ⁠⁠⁠⁠⁠⁠Threads - ⁠⁠⁠⁠⁠⁠https://www.threads.net/@bassbaedanielJan DanielleInstagram - ⁠https://www.instagram.com/thejandanielle/⁠TikTok - ⁠https://www.tiktok.com/@thejandanielleFOX STEVENSONYouTube - https://www.youtube.com/@FoxStevensonMusicSpotify - https://open.spotify.com/artist/2BQWHuvxG4kMYnfghdaCIySoundcloud - https://soundcloud.com/foxstevensonInstagram - https://www.instagram.com/foxstevenson/TikTok - https://www.tiktok.com/@foxstevensontv#ravers #raves #edmfamily #musicfestivals #edm #impeaking #podcast #edmfestivals #foxstevenson #edmmusic #poppunk #drumnbass #drumandbass

Click here to Shop Affirmation Decks, Oracle Decks, and more! Use Promo code: RCPODCAST20 for 20% off your first order!   Today's Power Affirmation: I get super high. I never stop peaking.   Today's Oracle of Motivation: When your weakness is exposed and you feel like a helpless donkey strapped to an operating table, remember that you aren't the first one to be diagnosed by the peanut gallery. In the sinking pits of despair, you must trek forward to the next great summit! Expose yourself and be transparent. Reflect the wisdom of your fall back into the world! The lowest points in life are preparing you for the next highest explorations! How high can you get? NEVER. STOP. PEAKING.   Designed to Motivate Your Creative Maniac Mind The 60-Second Power Affirmations Podcast is designed to help you focus, affirm your visions, and harness the power within your creative maniac mind! Join us daily for a new 60-second power affirmation followed by a blast of oracle motivation from the Universe (+ a quick breathing meditation). It's time to take off your procrastination diaper and share your musings with the world!   For more musings, visit RageCreate.com     Leave a Review & Share! Apple Podcast reviews are one of THE most important factors for podcasts. If you enjoy the show, please take a second to leave the show a review on Apple Podcasts! Click this link: Leave a review on Apple Podcasts Hit “Listen on Apple Podcasts” on the left-hand side under the picture. Scroll down under “Ratings & Reviews” & click “Write A Review” Leave an honest review. You're awesome!  

What does it take to climb your hardest route at 50—and then hold the rope while someone else pushes that same line even further?For Neil Gresham, that moment came on Lexicon, a bold and beautiful E11 route he bolted and climbed later in life. In this conversation, Neil shares the full story—from discovering the line in the Lake District to the deep personal shift that allowed him to reach a new peak, years after he thought he'd already hit it.We also talk about what it was like to support a rare flash attempt by another world-class climber (whose recent film on Lexicon just dropped), and how that moment made Neil reflect on performance, legacy, and the long game.But this episode goes far beyond a single climb.We explore:Why Neil climbed his hardest routes after 45The nutrition and training strategies that helped him recover faster in his 50s than in his 20sWhat most athletes misunderstand about agingCoaching climbers into their 70s—including how he succeeded working with Rob MathesonThe mindset shift that helped him let go of pressure and finally enjoy the process againWhether you're a climber or not, Neil's story is about curiosity, adaptation, and staying sharp—mentally and physically—as the years go by.References & Resources:

Just hours after the US said a ceasefire had been agreed between Iran and Israel, there are accusations it's been broken. We'll look at why Iran's attack on a US military base could have looked to de-escalate not provoke. Tens of thousands of people are believed to have traveled for abortions last year. New York City voters will pick their Democratic candidate for mayor. Plus, that sweltering heat in the eastern US could be about to get worse. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We react to Real Madrid's draw against Al-Hilal (3:38) Debating whether Alonso is the right man for Real Madrid. (18:08) Has Vini Jr. peaked already and is he in a decline? (39:51) Fierce debate on different era of football and whether the 2010s is better than the 90's as well as if Messi and Cristiano Ronaldo would still stat-pad in the 90s. (1:22:13) Jude Bellingham and whether he is overrated. (2:12:33) The latest transfer news. (2:36:54)

Peaking your Interest with Steven Peake! The biggest "What Ifs" in UK Athletics history. Plus, the latest with UK football recruiting and our takes on the population of Iran and Sophie Cunningham

In Episode 70 of the I'M PEAKING Podcast, we finally got Sam Dobkin (aka TRIVECTA) on the podcast—and yes, it was worth the wait. In this pod, we talked about everything from the resurgence of EDM into the mainstream to the controversy of Rave Momo. Trivecta played us not one, but TWO insane unreleased tracks (including one from his new side project with Wooli), and opened up about what exactly“Folk Bass” is. We also got into what he looks for in collaborators, the current state of Melodic Bass in 2025, and how he's managed to build such a genuine connection with his fans. Plus, find out what food Trivecta would serve if he had his own rave food stand. This was such a fun episode to shoot and we hope you enjoy it as much as we did!!

From training for fiber types & developing aerobic capacity to building an engine for MetCons and Max Power, we cover it all.Matt Wiebke is coach in the CrossFit community who has become well known for helping his clients develop incredible conditioning.He has gone to the CrossFit Games as a Masters Athlete and has worked with many high level competitors in the Sport.His company is The Gains Lab, and in the podcast we talk about Year of the Engine - Engine Builder.In today's conversation we talk about a number of topics including...(1) His thoughts on, "Conditioning takes Months."(2) Pacing by Feel(3) Writing Conditioning Programs for Groups(4) Workouts Targeting Fast or Slow Twitch Fiber Types(5) The Role of Easy Aerobic Work for CrossFit Athletes(6) Developing Maximal Strength based on Athlete Limitations(7) Organizing a Training Year for Peaking in CompetitionSupport the show

Buckle up, 'cause Raw is WAR and the drama is PEAKING, baby! This week's episode is a chaotic slice of Attitude Era gold that only the year 2000 could deliver

In this episode of the Supporting Champions Podcast, I'm joined by the brilliant Kate Spilsbury—a former colleague, friend, and leading performance physiologist. Kate's journey from nutrition to physiology is both inspiring and instructive, and I couldn't be more thrilled to welcome her to the show. We explore the critical moments in athlete preparation—particularly tapering and peaking—and why getting them right can lead to breakthroughs or breakdowns in performance. Drawing on her experience in both British athletics and now high-performance sport in Australia, Kate shares deep insights into how training systems compare, how to support athletes through the nerves of tapering, and how individualized approaches are key to unlocking potential. This conversation is rich with reflections from her research (including Kenyan vs. British runners), her experience leading into the 2032 Brisbane Olympics, and her wisdom on monitoring, recovery, and pacing strategies that really work.   ✅ Key Topics ✔️ Tapering and peaking for optimal performance ✔️ Transition from nutrition to physiology ✔️ High performance systems in the UK vs. Australia ✔️ Managing training loads and athlete readiness ✔️ Monitoring tools: HRV, pacing, and athlete feedback ✔️ The psychological side of tapering ✔️ Individualization in endurance and team sports ✔️ Environmental factors: heat, altitude, geography ✔️ Recovery strategies and their effectiveness  

Link to buy an I'M PEAKING Jersey: ⁠⁠⁠⁠⁠⁠⁠http://impeakingpod.myshopify.com/⁠⁠⁠⁠⁠⁠⁠CHECK OUT OUR PATREON (for bonus content) - ⁠⁠⁠⁠⁠⁠⁠https://patreon.com/user?u=87212419⁠⁠⁠⁠⁠⁠⁠FOLLOW US ON SOCIAL MEDIA:I'M PEAKING PodcastYouTube - ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@impeaking⁠⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/impeakingpod/⁠⁠⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@impeakingpod⁠⁠⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/impeaking⁠⁠⁠⁠⁠⁠⁠Devin LarscheidYouTube - ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@devinlarscheid⁠⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/devinlarscheid/⁠⁠⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@devinlarscheid⁠⁠⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/indevinitely⁠⁠⁠⁠⁠⁠⁠Threads - ⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@devinlarscheid⁠⁠⁠⁠⁠⁠⁠Brinda Arreygue (aka Wavybrin)YouTube - ⁠⁠⁠⁠⁠https://www.youtube.com/channel/UC2gm04tPOrK_JZkjmIPR43w⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠https://www.instagram.com/wavybrin/⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠https://www.tiktok.com/@wavybrin⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠https://www.facebook.com/wavybrin⁠⁠⁠Jan DanielleInstagram - https://www.instagram.com/thejandanielle/TikTok - https://www.tiktok.com/@thejandanielleDANI THORNEYouTube - https://www.youtube.com/@danithornemusicSpotify - https://open.spotify.com/artist/3x6yf8WduJ8AkkTwuTXTkuSoundcloud - https://soundcloud.com/danithorneInstagram - https://www.instagram.com/dani_thorne/TikTok - https://www.tiktok.com/@com3travers #raves #edmfamily #musicfestivals #edm #impeaking #podcast #edmfestivals #danithorne #edmmusic #hardtechno #techno

Stephen Grootes speaks to Mohamed Hoosen, CEO of ENGIE SA, about the company's role in stabilizing South Africa's electricity grid and its commitment to the country's energy sector through its peaking power plants. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.    Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa     Follow us on social media   702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/CapeTalk 702 on YouTube: https://www.youtube.com/@radio702   CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/Radio702 CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

In Episode 68 of the I'M PEAKING Podcast, we sat down with the one and only Daniel Griffith (aka GRYFFIN) and kicked things off by talking about the gateway artists that first got us into EDM. Things got emotional fast when he opened up about the backstory behind “Nobody Compares To You” (yes, this man actually teared up

Rave royalty on No Tags this week as we're joined by Paul Woolford.We're both drawn to artists who are driven by a compulsion to put art into the world at all costs – and 25 years into his career, Woolford (AKA Special Request) seems to be more driven than ever. In the last six years he's released six albums and countless singles and remixes, and he still tours relentlessly – from seasons in Ibiza to grubby late-nighters at the White Hotel.He's also constantly collaborating – who else can you name who's worked with Novelist, Diplo, Alison Goldfrapp and MK? And that's how we introduced him on stage at the British Library earlier this year, where he joined us for a live conversation as part of AVA London.Housekeeping! If you're into No Tags, you can show your support by liking our posts on Substack. Or why not forward this email to a friend who'd enjoy it? You can also leave us a review on Apple Podcasts or chuck us a like on Spotify. Or if you're feeling particularly generous (or just flash – we'll take either), consider subscribing to our paid tier, which costs less than a pint per month and gives us the financial and spiritual fuel to keep planning, recording, editing and transcribing these regular podcasts. Get full access to No Tags at notagspodcast.substack.com/subscribe

Send us a textWe're in early this week for episode 4 of our PREP SERIES. We bring 3 topics to this one, the story tellers are with you.Romana shares her weekend, with guest posing and peaking at the same time as Dan. We delve into our experiences with peaking including when competing internationally, what we've noticed has contributed most to our own physique progressions and plenty of fun stories.Enjoy!S & R xWatch it here: https://youtu.be/HLDH1Vsp7NMTHE ULTIMATE SHOW DAY GUIDE E-BOOK: Purchase here Beyond Condition Coaching Application: Click here Find Sarah on Instagram: @sarahparker_bb

Deb was running around the grocery store peaking in everyone's carts! BUT WHY!? She explains herself!See omnystudio.com/listener for privacy information.

Trevor Newlin is a Los Angeles based suit actor most notable for his role as the Xenomorph in Alien Romulus. Trevor first discovered his love for theatre while still in high school growing up in Texas. After graduating he went to college for theatre before eventually attending film school in Los Angeles. His initial goal was to get into voice acting, but while he was still in school his professor recommended that he consider suit acting instead due to his unusually tall (6 foot 7 inches) and slender build. Peaking his curiosity Trevor reached out to the legendary suit actor Doug Jones through a simple DM on Instagram and miraculously Doug responded and agreed to a meeting that turned into a conversation lasting over 3 hours long. Taking Doug's advice Trevor found himself meeting make up artists and participating in Halloween Horror Nights at Universal Studios. Things snowballed from there and he has since acted in international ad campaigns for Amazon, been featured in trailers for American Horror Story, wore a Wookie suit in Disney's Mandalorian 2, became a monster in Smile 2, and played his most iconic role of the Xenomorph in Alien Romulus. In this episode we discuss a shared love for thePackers, hosting a podcast during the pandemic, meeting the team at Legacy Effects, becoming the Amazon Yeti, working on the set of Star Wars, taking arguably the most iconic creature role ever for Alien Romulus, and much more.

In Episode 67 of the I'M PEAKING Podcast, we shared our most gatekept festival tips AND tips for surviving EDC (we gotchu guys), announced our official I'M PEAKING meetup at Lux Rave during EDC Week, and recapped our trip to STARBASE Festival! We also talked about Coachella being way more EDM-heavy this year (did y'all see that Deadmau5 x ZHU drunk set??), roasted the inevitable flop of Fyre Festival 2.0, and asked the important question: is club culture dead? Plus, we gave a little life update and teased what's coming next for the pod. Thanks for peaking with us ❤️Link to buy an I'M PEAKING Jersey: ⁠⁠⁠⁠⁠http://impeakingpod.myshopify.com/⁠⁠⁠⁠⁠CHECK OUT OUR PATREON (for bonus content) - ⁠⁠⁠⁠⁠https://patreon.com/user?u=87212419⁠⁠⁠⁠⁠FOLLOW US ON SOCIAL MEDIA:I'M PEAKING PodcastYouTube - ⁠⁠⁠⁠⁠https://www.youtube.com/@impeaking⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠https://www.instagram.com/impeakingpod/⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠https://www.tiktok.com/@impeakingpod⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠https://www.facebook.com/impeaking⁠⁠⁠⁠⁠Devin LarscheidYouTube - ⁠⁠⁠⁠⁠https://www.youtube.com/@devinlarscheid⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠https://www.instagram.com/devinlarscheid/⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠https://www.tiktok.com/@devinlarscheid⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠https://www.facebook.com/indevinitely⁠⁠⁠⁠⁠Threads - ⁠⁠⁠⁠⁠https://www.threads.net/@devinlarscheid⁠⁠⁠⁠⁠Mickie Santos (aka Wonderli)YouTube - ⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCtcLLsKZiC0c1pEyHF5PpuQ⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠https://www.instagram.com/_wonderli/⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠https://www.tiktok.com/@.wonderli⁠⁠⁠⁠⁠Nand MahasuwanYouTube - ⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCw0h80t2rgdz_hp4kmyCN2g⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠https://www.instagram.com/nandmahasuwan/⁠⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠⁠https://www.tiktok.com/@nand.the.rave.dad⁠⁠⁠⁠⁠Facebook - ⁠⁠⁠⁠⁠https://www.facebook.com/nandtheravedad⁠⁠⁠⁠⁠Threads - ⁠⁠⁠⁠⁠https://www.threads.net/@nandmahasuwan⁠⁠⁠⁠⁠Brinda Arreygue (aka Wavybrin)YouTube - ⁠⁠⁠https://www.youtube.com/channel/UC2gm04tPOrK_JZkjmIPR43w⁠⁠⁠Instagram - ⁠⁠⁠https://www.instagram.com/wavybrin/⁠⁠⁠TikTok - ⁠⁠⁠https://www.tiktok.com/@wavybrin⁠⁠⁠Facebook - ⁠⁠⁠https://www.facebook.com/wavybrin⁠⁠Daniel Jun (aka Bassbaedaniel)YouTube - ⁠⁠⁠⁠https://www.youtube.com/@bassbaedaniel⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠https://www.instagram.com/bassbaedaniel/⁠⁠⁠⁠TikTok - ⁠⁠⁠⁠https://www.tiktok.com/@UCWQ3hBeb8cu15UzM7HxIylg ⁠⁠⁠⁠Threads - ⁠⁠⁠⁠https://www.threads.net/@bassbaedaniel#ravers #raves #edmfamily #musicfestivals #edm #impeaking #podcast #edmfestivals #edc #fyrefestival #ravelife #starbase

The Hawks are flying high, but the Lakers? Not so much.

Erum and Karl break down a concept they've lived and breathed—but rarely spelled out: orchestration. If you're building a startup in synthetic biology or advanced materials, this is a must-listen deep dive into how influence is built before your product lands or your funding closes. They pull back the curtain on how to create "value chain syndicates," why intros aren't just intros, and how real biotech momentum comes from aligning stakeholders across an entire ecosystem—not just impressing one customer.Taped just ahead of SynBioBeta 2025, this episode crackles with tactical wisdom, from designing credibility scaffolds to creating the conditions for inbound interest before traditional biz dev ever kicks in. Orchestration, they argue, is the true differentiator in biotech's current era—more critical than science alone.Grow Everything brings the bioeconomy to life. Hosts Karl Schmieder and Erum Azeez Khan share stories and interview the leaders and influencers changing the world by growing everything. Biology is the oldest technology. And it can be engineered. What are we growing?Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.messaginglab.com/groweverything⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Chapters:00:00:00 – Gearing Up: SynBioBeta Buzz and Real-World Prep00:02:18 – Why Orchestration Is Biotech's Unspoken Superpower00:05:25 – What's Really Blocking Biotech from Breaking Through?00:08:10 – K18 Hair: A Masterclass in Vertical Bio-Play00:10:09 – Ecosystem Marketing: The Influence Strategy No One Talks About00:16:15 – How to Engineer Ecosystems That Actually Work00:22:20 – What's Peaking in Biotech? Trends You Can't Ignore00:27:08 – The Orchestration Era: Your Next Move Starts NowLinks and Resources:MessaginglabNational Security Commission on Emerging Biotechnology's Report: Charting the Future of Biotechnology⁠⁠⁠⁠⁠⁠⁠⁠Topics Covered: biomanufacturing, value chain orchestration, supply chains, supply networks, ecosystem building, ecosystem marketing, influencing, business development, strategyHave a question or comment? Message us here:Text or Call (804) 505-5553 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Grow Everything⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: groweverything@messaginglab.comMusic by: NihiloreProduction by: Amplafy Media

Las Vegas Raiders Columnist, Paul Gutierrez joins Cofield & Company to give his thoughts on the Las Vegas Raiders' 2025 NFL Draft class, review the reasons Shedeur Sanders fell in the NFL Draft, and detail the Raiders' draft room during the seven rounds of the NFL Draft. Derek Carr's comments on false reporting from the media on his off-season injury. The value of prospects' college accomplishments on their draft stock.

Danke für eure Aufmerksamkeit! Wenn euch der Podcast gefällt, würde ich mich sehr über ein Abo, Like & Kommentar auf YouTube sowie ein Review in eurer Podcast-App freuen! Danke für euren Support! ________________________________________ Webseite: janfrisse.de Online Coaching: janfrisse.de/coaching Beratungsgespräch: janfrisse.de/kontakt E-Mail: coaching@janfrisse.com Instagram: www.instagram.com/janfrisse Youtube: www.youtube.com/channel/UCX_O44SkXYEw3-DilXpScKA EVO Sports Fuel: www.evosportsfuel.de/ - Code “Jan” ________________________________________ Tobis Instagram: www.instagram.com/tobias_buechner_/ Tobis Coaching: www.tbcoaching.de/ ________________________________________ MAX MPS Radio ist auch auf allen Podcast-Plattformen verfügbar: iTunes: itunes.apple.com/de/podcast/max-m…d1349774992?mt=2 Soundcloud: @janfrisse Spotify: open.spotify.com/show/1OmzAJuchpHk8NQVUWiWGS #NaturalBodybuilding #ImprovementSeason #ContestPrep

Summary In this episode of the Conquer Athlete Podcast, hosts Ryan Bucciantini and Jay Leydon discuss the concept of micro peaking in athletics, particularly in CrossFit. They explore the challenges athletes face when trying to peak for multiple competitions throughout the year, emphasizing the importance of strategic planning, recovery, and mental resilience. The conversation also touches on tapering techniques, managing expectations, and the necessity of training specific qualities for competition. Real-life applications and case studies are shared to illustrate the principles discussed, providing valuable insights for coaches and athletes alike. takeaways Micro peaking is essential for athletes competing multiple times a year. Strategic planning is crucial for managing athlete performance. Recovery and reflection are key components of an athlete's training cycle. Tapering must be tailored to the individual athlete's needs. Athletes should focus on developing specific qualities for competition. Mental resilience is as important as physical training. Understanding an athlete's volume is critical for effective tapering. Coaches should help athletes manage expectations during competitions. Real-life case studies can provide valuable insights into training strategies. The competitive environment requires athletes to adapt and strategize effectively. Topics  Mastering Micro Peaking for Athletes Strategic Planning in Athletic Performance Sound Bites "We are here to drop some knowledge bombs." "Micro peaking is a hard concept to grasp." "You have to be strategic with your deloads." Chapters 00:00 Introduction to the Conquer Athlete Podcast 03:44 Understanding Micro Peaking in Athletes 10:02 Challenges of Peaking in CrossFit 16:12 Strategic Training for Competitive Success 20:23 The Importance of Competition Experience 21:26 Reflecting on Performance Post-Competition 22:31 Systematic Reflection in Training Programs 24:01 The Coach's Role in Athlete Development 25:11 Understanding Tapering for Peak Performance 27:38 Managing Training Volume and Tapering Effectively 28:12 Adapting Training for Individual Athlete Needs 30:36 Monitoring Athlete Readiness and Confidence 32:33 Navigating Competition Challenges 33:19 Addressing Controversies in the Sport 37:03 Concluding Thoughts on Athlete Development

In Episode 66 of the I'M PEAKING Podcast, we hung out with live looping wizard himself, Brandon Martinez (aka LAERZ) and asked the question—is music better live?? We also recapped the crazy Ultra Miami weather this year, found out LAERZ used to hate music festivals (yes, seriously), and talked about the chaotic vibes at Beyond, from pickpockets to almost-lost phones. We also freaked out over Skrillex dropping a new album and got TWO spontaneous live EDM performances from LAERZ right in the studio. He shared how he got started doing his viral looping sets, talked about performing in wild spots like Dubai and Moonscape Overlook, and we even discussed the rise of scenic audiovisual sets from artists like KREAM under Liquid Labs. One of the most musically impressive and fun episodes we've had in a minute—you don't wanna miss it!!

Antisemitism worldwide has been dropping, through the number of incidents remains significantly higher than the period preceding the Iron Swords war, according to Tel Aviv University's annual report on antisemitism. Dr. Carl Yonker, Senior researcher at Tel Aviv University’s Center for the Study of Contemporary European Jewry, says there were difficulties in identifying the perpetrators and that education and legislative actions must be accompanied by greater enforcement. He spoke with reporter Arieh O’Sullivan. See omnystudio.com/listener for privacy information.

Barstool Sports' Dan Greenberg joins the show to preview the Celtics' first round series with the Magic, the confidence he has that they'll repeat as champions, and his thoughts on the latest Celtics City documentary episode.

Peaking a Pro: Inside the Mind of Jason Theobald with Coach Phil VizIn this episode, we dive deep into the science and strategy behind one of the most critical—and elusive—elements of bodybuilding: the peak. Physique coach Phil Viz joins us for an in-depth, cerebral conversation about working with IFBB Pro Jason Theobald, breaking down how he helped Jason achieve his best look on stage.We explore Jason's mindset as a seasoned pro, what led him to seek out a coach despite his own extensive knowledge, and the "why" behind his decision to bring Phil into the process. Phil shares his meticulous approach to peaking—covering everything from water manipulation to carb loading—and how he tailored his methods to fit Jason's unique physiology and prep history.This episode is a must-listen for competitors, coaches, and anyone obsessed with the finer details of elite-level physique development. Learn what it takes to bring a professional bodybuilder to peak—and why even the best sometimes need another set of eyes.Want a more casual, hardcore fan-style version too?

In Episode 65 of the I'M PEAKING Podcast, we sat down with the absolute madman behind some of the wildest, genre-blending festival sets in the game—BEN NICKY! We kicked things off by sharing those magical moments where you randomly stumble upon a stage and discover your next favorite artist before getting into the big news about Insomniac and Tomorrowland joining forces for UNITY Festival. After, we talked with Ben about how he decides what genres to include in his sets and he gave us the lowdown on the differences between club culture in the UK vs the US, set the record straight that he's not just a Trance DJ, and gave his take on why people get SO PRESSED over genre labels online. We also got to hear a couple of MASSIVE unreleased tracks, including a remix of “Forever Young,” talked about his MISFITS brand, painful tattoos, and how TikTok has shaped his DJ career. This one was an absolute ride—just like a Hardstyle track, Ben Nicky does not hold back!!Link to buy an I'M PEAKING Jersey: ⁠⁠⁠http://impeakingpod.myshopify.com/⁠⁠⁠CHECK OUT OUR PATREON (for bonus content) - ⁠⁠⁠https://patreon.com/user?u=87212419⁠⁠⁠FOLLOW US ON SOCIAL MEDIA:I'M PEAKING PodcastYouTube - ⁠⁠⁠https://www.youtube.com/@impeaking⁠⁠⁠Instagram - ⁠⁠⁠https://www.instagram.com/impeakingpod/⁠⁠⁠TikTok - ⁠⁠⁠https://www.tiktok.com/@impeakingpod⁠⁠⁠Facebook - ⁠⁠⁠https://www.facebook.com/impeaking⁠⁠⁠Devin LarscheidYouTube - ⁠⁠⁠https://www.youtube.com/@devinlarscheid⁠⁠⁠Instagram - ⁠⁠⁠https://www.instagram.com/devinlarscheid/⁠⁠⁠TikTok - ⁠⁠⁠https://www.tiktok.com/@devinlarscheid⁠⁠⁠Facebook - ⁠⁠⁠https://www.facebook.com/indevinitely⁠⁠⁠Threads - ⁠⁠⁠https://www.threads.net/@devinlarscheid⁠⁠⁠Mickie Santos (aka Wonderli)YouTube - ⁠⁠⁠https://www.youtube.com/channel/UCtcLLsKZiC0c1pEyHF5PpuQ⁠⁠⁠Instagram - ⁠⁠⁠https://www.instagram.com/_wonderli/⁠⁠⁠TikTok - ⁠⁠⁠https://www.tiktok.com/@.wonderli⁠⁠⁠Nand MahasuwanYouTube - ⁠⁠⁠https://www.youtube.com/channel/UCw0h80t2rgdz_hp4kmyCN2g⁠⁠⁠Instagram - ⁠⁠⁠https://www.instagram.com/nandmahasuwan/⁠⁠⁠TikTok - ⁠⁠⁠https://www.tiktok.com/@nand.the.rave.dad⁠⁠⁠Facebook - ⁠⁠⁠https://www.facebook.com/nandtheravedad⁠⁠⁠Threads - ⁠⁠⁠https://www.threads.net/@nandmahasuwan⁠⁠⁠Brinda Arreygue (aka Wavybrin)YouTube - ⁠⁠⁠https://www.youtube.com/channel/UC2gm04tPOrK_JZkjmIPR43w⁠⁠⁠Instagram - ⁠⁠⁠https://www.instagram.com/wavybrin/⁠⁠⁠TikTok - ⁠⁠⁠https://www.tiktok.com/@wavybrin⁠⁠⁠Facebook - ⁠⁠⁠https://www.facebook.com/wavybrin⁠⁠⁠BEN NICKYYouTube - https://www.youtube.com/@BenNickyOfficialSpotify - https://open.spotify.com/artist/3Bd1phrOZJuCev9U0bzdtASoundcloud - https://soundcloud.com/bennickyInstagram - https://www.instagram.com/bennicky/TikTok - https://www.tiktok.com/@bennicky#ravers #raves #edmfamily #musicfestivals #edm #impeaking #podcast #edmfestivals #trance #trancemusic #bennicky #harddance #hardstyle #gabber

Doree and Elise speak with Debbie Millman about learning how to garden and the steps that led to her latest book, Love Letter to a Garden, which features recipes from her wife Roxane Gay. The design legend and podcaster also shares how she has learned to embrace growth through discomfort, the thrilling yet difficult moments of teaching, and the decision to just start something new, even if it means looking foolish.To leave a voicemail or text for a future episode, reach Doree & Elise at 781-591-0390. You can also email the podcast at forever35podcast@gmail.com.Take our listener survey and help us make our show better!Visit forever35podcast.com for links to everything they mention on the show or visit shopmyshelf.us/forever35.Follow the podcast on Instagram (@Forever35Podcast) and sign up for the newsletter at forever35podcast.com/newsletter. Hosted on Acast. See acast.com/privacy for more information.

Welcome to The LunchBox Chats Podcast with Este and Laura. Join us every week for our scoop on everything fun, fab, & real. Follow us on Instagram: @lunchboxchats Disclaimer: this podcast is for entertainment purposes only. The views and opinions expressed by the guest speakers are solely their own. Listener discretion is advised. Episode 248. Join Laura and Este this week as they chat hot topics and their very HOT lives!

Nick and Jonathan discuss how the Cavs and Celtics are playing with a few games left in the regular season.

Nick and Jonathan are joined by Al Pawlowski of Guardians TV. Also, they react to the NBA looking into Memphis' Ja Morant using finger gun motions, and they discuss how the Cavs and Celtics are playing with a few games left in the regular season.

The Boston Celtics are officially in playoff mode — riding an 8-game winning streak and going 23-4 since January 30th — and on this week's episode of Missing the Point, hosts Rayshawn Buchanan and Dave Clarke ask the question every NBA fan is thinking: Are the Celtics peaking at just the right time? We dive deep into the Celtics' recent dominance and break down the biggest storylines heading into the NBA Playoffs. From Jayson Tatum's MVP-level performance to Kristaps Porzingis' evolution into the ultimate stretch five, this episode is packed with insight, hot takes, and real analysis for Celtics fans and hoop heads alike.

In today's bonus episode, Gastor and Shalewa talk about hitting your prime at 50, ozempic users fighting off their exes, and racing rescue dogs.Follow The Team:Instagram@SilkyJumbo@GastorAlmonteTwitter:@SilkyJumbo@GastorAlmonteTheme music "Guns Go Cold" provided by Kno of Knomercyproductions Twitter: @Kno Instagram: @KnoMercyProductions

Jay King and Jam Packard discuss the Celtics' eight-game winning streak, the return of Jrue Holiday's offensive game, Jaylen Brown's injury management and Luke Kornet: Real Hooper Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz dives into Playboi Carti's "Backr00ms," featuring Travis Scott. Released January 1, 2024, as a YouTube and Instagram exclusive, the F1lthy-produced track later joined Music - Sorry 4 Da Wait (March 25, 2025). Peaking at No. 10 on the Billboard Hot 100 and amassing 50 million Spotify streams, "Backr00ms" reflects Carti's Atlanta roots and experimental edge. Analytic Dreamz unpacks its chart success, TikTok-driven 15% stream boost, and vinyl sales impact, highlighting Carti's digital dominance and influence in hip-hop.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticJoin Analytic Dreamz in this "Notorious Mass Effect" segment exploring Netón Vega's "Morena" (2025). Born Luis Ernesto Carvajal in La Paz, Mexico, Vega blends corridos tumbados with reggaetón and rap. "Morena," featuring Peso Pluma, dropped January 20, 2025, with his debut album Mi Vida, Mi Muerte. Peaking at #18 on Billboard's Hot Latin Songs, it boasts 7.2 million U.S. streams and 50,000+ TikTok videos by March 2025. Analytic Dreamz dives into Vega's rise, the song's cultural impact, and its sustained streaming growth, solidifying his música mexicana legacy.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What if you could master the art of early-season race preparation and avoid the pitfalls of accumulated fatigue? Join me, Coach Patrick from Endurance Nation, as I unveil the secrets to optimizing your training for those crucial early races. With over 20 years of experience coaching more than 10,000 athletes, I'm here to challenge the conventional approach to training. Discover how aligning your weekly training volume to be double the duration of your target race can revolutionize your performance. Plus, learn the importance of integrating race-specific efforts into your training plan to ensure you're both physically and mentally primed for success. Whether you're gearing up for a half Ironman, a full Ironman, or bracing yourself for a grueling 200-mile endurance event like the Unbound Gravel, this episode is packed with strategies to help you peak at just the right time. Stay healthy and committed as I share invaluable tips to achieve peak performance. I'm eager to connect with you, so feel free to engage with me on Instagram and Facebook, where I provide personalized support and address your specific questions. Let's conquer those early-season races together, ensuring you reach your peak potential!

This is a special side episode where Mike Bachmann is investigating a strange disappearance up in Washington State! (The Final Special Ep!) Listen to the other special eps in this series with Nika Howard here, Jennifer Cheek here, Michael DiMauro here, and Tim Lanning here!The adventure continues with Screech Echo (Mike Bachmann), Selene Von Esper (Jennifer Cheek), R'Oarc (Nika Howard), T'Chuck (Tim Lanning), and our Dungeon Master Michael DiMauro. Don't forget to follow our editor David Stewart! Podcast art by https://twitter.com/sanderdoesart!Want the world to see your fan art?Post it with #DrunksAndDoodlesFind more info by clicking right here - https://linktr.ee/GAPCast Hosted on Acast. See acast.com/privacy for more information.