Podcasts about nuendo

masterclass tipps newsletter kaffee offline anregungen ausschnitt bearbeitung direkte cubase nuendo

Play Episode Listen Later Feb 5, 2024 23:41

Die Direkte Offline Bearbeitung in Cubase und Nuendo wird stark unterschätzt. Im kostenlosen Cubase Stammtisch habe ich eine kostenlose Masterclass gegeben. Du siehst hier einen kleinen Ausschnitt. Cubase Stammtisch per zoom dabei: https://bit.ly/3P8o9of YouTube: https://youtu.be/LG1H1yzTThM Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich In den Newsletter eintragen und immer wieder neue gratis WAV-Files zur Soundlibrary Ethno-Lab bekommen: https://bit.ly/3akwNxP Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://www.sounth.de/orchestra-guide/ Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de

Les meilleurs news de la semaine - Épisode #126

La matinale dâ€™AF : lâ€™actu des instruments de musique et du matÃ©riel audio

Play Episode Listen Later Nov 17, 2023 11:04

Au menu de cette semaine, Red Led vous parle de la nouvelle version de Nuendo, de l'EQ très novateur de Plugin Boutique, de Roland qui rend accessible tout son univers musical et de la gamme HS de Yamaha s'agrandit.--

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422 LFE Bus Routing Trick in Cubase

Play Episode Listen Later Sep 28, 2023 5:57

In Cubase und Nuendo kann es hilfreich sein, Signale nicht nur auf einen Bus, sondern dessen einzelne Signale zu routen. Gerade bei Dolby Atmos macht es Sinn, Tracks direkt auf den LFE-Kanal eines Beds zu routen. Hier zum Cubase-Stammtisch eintragen: https://bit.ly/3P8o9of YouTube: https://youtu.be/mY2JOfMILmQ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich In den Newsletter eintragen und immer wieder neue gratis WAV-Files zur Soundlibrary Ethno-Lab bekommen: https://bit.ly/3akwNxP Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://www.sounth.de/orchestra-guide/ Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de

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The Home Studio Of The Future

The Pro Audio Suite

Play Episode Listen Later Sep 11, 2023 45:12

It started with just a select few, then it grew in popularity to become a trend, and these days, guys like our very own George "the Tech" Whittam are installing home studios at a rate of knots while others create their own acoustically treated paradise in the basement. So what's next? What does the future hold, and can we ever recoup the costs by charging our clients to use them?? A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson In this episode of the Pro Audio Suite, the team delves into the upcoming Nexus from Source Elements, a plugin that effectively routes audio, virtual audio interfaces in and out of Pro Tools. The team also discusses novel features such as the Dim operation and incorporates talkback functionalities. The emerging future of voice-over artists working directly from one room, rather than traditional booths was examined, suggesting industry shifts. There is discussion on the need for talent to show their value in order to increase pricing, given the significant investments made in equipment and learning audio engineering. Other elements discussed included the limitations of the iPad in a pro audio production workflow, the strategic placement of preamps, and the anticipation of the passport and Nexus release. The episode rounds off with a nod towards their future plans to incorporate higher levels of control. #ProAudioSuite #SourceElementsNexus #VoiceoverTech Timestamps [00:00:00] Intro - Meet the Pro Audio Suite Hosts [00:00:52] Discussing Nexus: The Innovation in Audio Routing [00:08:38] Efficiency of Nexus on Channels [00:09:13] The Future of Voice Over Workstations [00:12:05] Charging Reality in Voiceover Industry [00:15:19] Value of Remote Studios and its Impact on Pricing [00:22:18] Investment Expectations in Preamps, compressors and Microphones [00:28:04] Nexus Router's Flexibility in Sound Production [00:32:40] The Role of iPads in Pro Audio Production [00:37:16] The Controversy of the Preamp's Location [00:42:02] A Light-hearted Detour from Nexus Talks [00:42:20] Anticipating the Launch of Passport & Nexus [00:44:40] Pro Audio Suite's Collaboration with Tribut & Austrian audio, and a Mention of George Wittam's Tech Support Services. Transcript Speaker A: Y'all ready? Be history. Speaker B: Get started. Speaker C: Welcome. Speaker B: Hi. Hi. Hello, everyone, to the Pro Audio Suite. These guys are professional. Speaker C: They're motivated with tech. To the Vo stars George Wittam, founder of Source Elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, Austrian audio making passion heard. Source elements. George the tech. Wittam and robbo and AP's. International demo. To find out more about us, check thepro audiosuite.com line up. Speaker B: Learner. Here we go. Speaker C: Welcome to another Pro audio suite. Don't forget, if you do want to buy a Tribooth, the code is tripap 200 to get $200 off your purchase. If you'd like to leave a comment, by the way, on your favorite platform, please do so. It's good for our analytics, and we might drive a bit more traffic, which is always handy. Now, something that may be out as we speak or maybe about to be released, is the new Nexus from Source Elements. You've definitely had a look at it, George. I think you've had a look at it, Robert. And Robert knows all about it because it's his baby. Speaker A: How much do you know, Robert? : Let's be honest, I'm clueless. Yeah. Speaker C: No, that's me. That's my Robert. : I know it all, but really, don't I'm just like yeah. Speaker A: Can I just say, before you dive into it, it's a very sexy beast. Seriously, it's very clever. Speaker C: You've had a look around the whole thing, haven't you? Speaker A: I have. I've sort of had a play with it. But, I mean, Robert's going to explain it the best, so we should leave it to him to run through the list of features. : I like hearing what kind of mess other people make out of it. Speaker A: Well, you know, what inspires me the most, and I think is going to be the most useful for our listeners, I think, is simple things like the Dim operation, the fact that it actually just drops your mic level. : Drops the levels. Yep. Speaker A: And all that sort of stuff. : A lot simpler than a Dugan mixer. Speaker A: The gateway from a studio point of view, from me looking at that gateway, everything's all in the box. I've got video, I've got everything there. But, I mean, you should explain it all. : Yeah. So basically, Nexus started out, oh, God, how many years ago? 2007? I don't know. But I was like, wouldn't it be nice if you could route audio, virtual audio interfaces in and out of Pro Tools? And it was like, we made that, and it was kind of a hit. And what it was primarily used for was to interface the client side of a remote voiceover session, or just a remote client side. So think of it as Source Connect was the remote connection for voice talent into an engineer setup, who then also has remote clients. And Nexus was used to empower things like zoom and hangouts. But we all know that all of those have their various issues for instance, one of them is if you're broadcasting and you've got talkback going over zoom, there's very different goals of the talkback versus the broadcast that you want to have your clients listen to, so the talkback can have echo cancellation on it. And actually that helps because many times your clients don't have headphones, but your broadcast, you don't want it to be impeded by the echo cancellation and things like this. So what Nexus is, is it still represents to me that sort of client side connection. But now we're completing more of it. Instead of saying, oh, just like throw Nexus at Zoom, or throw Nexus at whatever it is that your clients are using Microsoft teams, here's a gateway for it that does what you need as a professional audio and video person for collaborating with your clients. Instead of trying to pound Zoom into a hole. Speaker B: Here's how it was described ten years ago, you sent an email out sourcenexis is an audio application router. Record remote voiceover from Source Connect directly into Final Cut or Media Composer playback itunes to Pro Tools, even patch Pro Tools to and from Nuendo all at the same time. Route any audio application in and out of Pro Tools, even if that application does not have any plugin support. Speaker A: There you go. Speaker B: That was December 2013. : So that's like a very broad, broad strike explanation. Sort of like it's round and so it rolls, but this is a wheel for a car. So yeah, the rolling part of it is well, it pretty much is a router that was put in the Daw so that you could route external interfaces in and out and do things like that. And the primary thing that it got used a lot for was those client side connections. Speaker C: So how would it work for someone like me? What benefit would I get out of Nexus? Speaker B: So the talent side, what do they say? : I think the same thing. So just like you've got Source Connect and you're running with studios and engineers and it has that rock solid queued up connection that's going to pick up every bit. Even if the internet does its thing, as you know, voice talent are being forced to take up much more and more of the burden and you have the situation where, hey, can I get playback? So one of the things that Nexus has is it's now a suite, by the way. It's not just the plugin. So there's the original Nexus IO, which is sort of like just the raw plugin. You have to know what you want to do with it. You have to build your own template for it. Nexus Review is a Nexus plugin that now has several ins and outs going into it and out of it. So it brings your talk back over to the gateway, which is our web meeting room. It gets the gateway back into your connection so that you hear it in your headphones and it plays your playback to the connection and everybody. And it does all that without you having to even think about what the word Mix Minus is or if it even exists. Because it's done all in one plugin. So what used to need two, three Nexus plugins and a talkback plugin is now Nexus Review. Okay, straight, just drop that plugin on your master fader, your setup is complete. Speaker C: So when you do playback, it actually mutes everything else. So you don't get obviously well, it. : Doesn'T in this iteration, but there's going to be all kinds of stuff that starts to happen within the suite, within its sort of capabilities. And I think that right now, the first thing you would say is it just makes playback easy. Your question specifically, Andrew, which is like, why would a voice talent want this? It makes playback easy because really, in that sense, you're just like the engineer at that point. You're recording stuff and you're playing it back. That's kind of like what? So this just makes that setup way less daunting because all you really have to do is and also we're going to probably come out with that as a standalone app as well. So if you're using something like Twisted Wave, you can just route Twisted Wave into the Nexus review app and same thing, you don't have to be on a daw. It doesn't have to be a plugin, but it does your Mix Minus and your talkback Twisted Wave. Actually, here's a question about twisted wave. Do you have the option to monitor live through it? Speaker B: It does have a monitor mode that you can turn on, of course with a little bit of latency, but it does have that capability, right? : So you might want to do that. And funny enough, if it does create a latency with yourself, there's a handy mute button so you can mute it and you don't have to listen to it, but at least your clients can hear you monitoring through Twisted Wave. So there's little individual situations that might come. Speaker B: What would be the benefit though? Like if you don't have to monitor yourself in Twisted Wave, what would be the benefit of turning that on? : Well, the reason why is that you're either going to direct your microphone live into Nexus Review, but then if you want playback, you're going to route your Daw into Nexus Review. And if you call Twisted Wave a Daw, then you want to route Twisted Wave into it. Speaker B: Okay, so you set the output in your Twisted Wave output setting to the Nexus review plugin input. : Yes. Not the input of well, in this case it would be the input of the application, not the gotcha gotcha, because in the Daw sense, the input is taken care of. It's like whatever channel you throw it on, the input is implicit. Speaker B: Right. : And then that same ability for all you video editors out there and things like that, the review set up and integrating my talkback with a talkback button if I want all of that is just like done, whatever, I have to set up a template in Pro Tools or I have to have a mixer. All the different things that people do. Speaker B: To be able to passport vo. Speaker C: Yes. Nicely sliding there. Speaker B: Right. So just to get a little bit deeper. So I'm in Twisted Wave. I'm the actor. I've recorded myself. I hit stop, I hit play to hear playback. I want to hear the playback and I want it to also send to Nexus. If I set the output of Twisted Wave to Nexus, will I myself on the local side hear the playback also or will it be shunting the audio. : To you would hear the playback and so there is a fader for you. Speaker B: Oh, Nexus handles that for you. : Nexus has a fader with the mute on it that you could mute that if you want. Speaker B: Nice. So that solves that problem. Beautiful. Right. Speaker C: The question I've got though is it seems that we as voice over people are going to end up sitting in one room with microphones and screens and computers in there with us. So the booth is pretty well fast becoming redundant. : Well, it might be that radio style booth. Speaker A: Yeah. Do you just have it in your booth? That's right, that would be my yes. Speaker C: What I mean but it's become like a radio. Speaker A: I think that's going to happen anyway. I kind of think that for me, this thing's sort of ahead of the game because I can see that coming, I really can. The more and more I even had two sessions in the last couple of weeks canceled because the creative guys just jumped online with the voice and did it themselves. They didn't need an engineer. : We do see a lot of that. It's like the phone patch may have gone away, but the direct to client session and where it comes up and it's really funny because clients don't really save time when they do this. They think they do, but they don't. So they say, hey, let's not book a studio to record the talent. Let's pay the talent the same amount of money and make them record it and complain at them if it didn't work out the way we wanted, by the way. So now we have the talent recording everything and inevitably, no one keeps good notes. And even if someone does keep good notes, you don't know how well the talent is cutting up the files. And it's very easy if you've ever been in a session sometimes to get your take numbering off from what you're writing down and what's actually happening in a computer, especially if you as the talent, you're busy trying to do other things, like read the script and not look at the computer screen. On what file number Twisted Wave is on. And so inevitably, someone has to put humpty Dumpty back together again after the talent has recorded everything. And that's going to take just as much time as just recording the session with an engineer online who can cut everything up and do it for you. And that way the talent only reads what they need to. They're not reading a bunch of speculative takes because no one knows if A is going to edit back to take 65 or whatever. You can just hear it. You got it. Great. And it fits because we timed it out. Speaker A: You just touched exactly on the problem that came from one of these sessions the other day. And this was a well known agency, a global agency, that they did one of these sessions where they just recorded it with whoever it was locally and they were on the phone, but the creative rings me and goes, yeah, kind of. I'm really happy with this. But we did some takes. I asked the talent to do this, but of course, with no labels, no notes, no nothing, I've got to go through every single take and go to him. Is it this one? No, that's not it. What about this? No, that's not it. No, it's more like this. Oh, hang on. Okay, well, is it this one? No, it's not that. It's like if I was doing the session in Pro Tools, it would be labeled. I'd have a page full of notes as well. This edits to this, blah, blah, blah, and it's done. But it took, like half an hour to find one take for this guy. Speaker B: The pennywise found it is pennywise pound foolish. : But the other problem is that what happens is that they're all working off of flat bids, right? 1 hour for the talent. They know what their residuals are. They bid these things out. And it's really hard to get these agencies to necessarily do just, hey, we want to be creative and throw paint on the wall and pay by the hour to throw paint on the wall. Instead, they do I don't know if you've seen that. It's that thing where the guy says, like, hi, we'd like to do an advert and we want to research sound effects and do all this stuff and try two different music takes and this and that. So 1 hour. And the person in the studio is like, I think it's going to take longer than that. And then the person at the agency is like, no, we know our stuff. We know exactly what we want. We're not indecisive at all. We only need 1 hour. And then you're like, okay, now you're stuck making a commercial in 1 hour that you know is going to take longer. So even though the agency basically saddles the talent with recording the takes, they never actually face the consequences of their actions because the bid happens. Then they audition, and it's like they've already at that point with the bid, taking out the voice record. We'll just give you takes. Speaker C: Yeah. You get what you pay for. And if you don't pay him, you. Speaker B: Don'T get much, and you're going to pay later. Speaker A: It's pay now, pay later. Sooner or later, you're going to pay for it. : I really think this was that moment when the voiceover industry, they all decided that they were going to try to eat each other's lunch. And at some point, it became like, my booth doesn't cost a thing. My setup and knowledge of my booth and what to do through blood and sweat and tears, paying me figured out and literal money that is free too. Speaker B: Right? : And all that stuff never should have been free. It should have been, okay, I'm whatever. $400 an hour, and, oh, you want to use my studio even if it's $50 an hour? Speaker B: Yeah, there should be a rate attached. I totally agree. As voice actors who wanted to be providing a service and I can name names, but I don't need to who are very early on in the home studio timeline. Right. Like literally FedExing Dat tapes. Right. They wanted to be a service provider. They wanted to be ahead of the curve and create a business niche for themselves. In the meantime, they were creating a problem for the fact that home studios would eventually become the norm, and nobody was getting compensated for operating a studio and engineering a session. : It's like when you have something unique, you charge more for it. So if you're a voice talent and because you're available at home, you are available, like, instantaneously, you don't need to have a limo drive you around La. That's a perk. And it might be a perk for you, but it's also a perk for your clients. But it became part of the add in, like, a long time ago. This was in the early 2000s. This was in the days of ISDN that this happened. Speaker B: It was literally when I got into the business. Yeah. I was just being told, people need this help. And I didn't know anything about the business model. I didn't know Jack squad about who got paid what, how, what you didn't get paid for. I just was there to solve problems. So I had no idea that this was going on till much later. : Yeah, but here we are. Talent put a lot of time, effort, money, emotion into building their setup and learning this basically some aspect of the craft of audio engineering, essentially. Maybe not the whole thing, but there's. Speaker B: Like I mean, tell me this. Would there be a value I know this is off topic, but would there be a value when a talent or an agent invoices that even if the bottom line is identical, that you literally add in a line that's engineering services, so it literally shows up and they see, oh, we're paying for this. Would there be some efficacy to this? It's kind of like restaurants starting to charge a service fee or a kitchen love fee or whatever. There's been a lot of blowback to this because some people really just raise your prices and other people are like, I like the transparency. So it's kind of confusing. : I think that if you want to, you effectively want to raise your price. And the only way you're going to be able to raise your price is by showing your value. And so in that sense, you almost need to because to the point that it happens on the flip side. So not just our like there's three layers to it. It used to be that the talent went to the studio and so there's two studios and there was a lot of meat on the bone for a whole industry. Right? There was an engineer in a studio in La. There was an engineer in a studio in New York. There was a voice talent in La. Yeah, there was five creatives over in New York. It was all happening real time. And At T was like just digging into the pie, too. And now it's like the first thing that happens is voice talent or the auditions come in and they know must have ISDN or source connect, essentially, and read between the lines. And what's happening over on the bid side is there's no money for a remote studio. Only talent with home studio need apply. And George, how many times have you seen talent that have done the Voice Tracks West? Or I know a place that knows what pay out of pocket. Speaker B: I tell people do it all the time. : Voice tracks west is I'm like, if. Speaker B: You don't do these sessions that often, spending $10,000 on a soundproof booth is a massive waste of money. : Yeah. And Voice Tracks has got a tight operation. It's not like decked out in oak panels, like all the big working facility. Boom. It's like, here's a room, here's a setup. You need an engineer to set you up. We don't have staff to sit there and babysit you the whole time, but what are you going to do? That's all you need. I don't know what they charge, but I have a feeling it's pretty affordable enough. Speaker B: They do what we call talent friendly rates, right? : And it's a great idea. So you get those auditions that are basically like, bring your own studio iOS. And then the next level is like, you know what, we're not even going to hire an engineer to record it like we just talked about, right? Speaker B: It's a weird position. I've always felt weird being in the position of enabling, essentially because I'm enabling the talent buyers to charge low rates for engineering or not budget for it. And I'm enabling the talent to meet that need. At the same time, there's the plus. : That you have your talent that can go live where they want to. And there's many talent that would if charging for their studio would be a deterrent to them having the lifestyle that they want. They want all their sessions to be in house. The reason to give it away is not just because they're trying to get an edge over some other talent, but also because they're trying to direct their life the way they want it to be. And being called into a freaking city every other day for an hour session and you got to drive 2 hours is crazy. And so it makes sense. Speaker B: And let's face it, as a voice actor, you can't live the lifestyle that you would like to live and be in. Those days are mostly gone. That you can live that lifestyle and have a nice home and have all this space and blah, blah, blah and live in the city, like live in Los Angeles or Lake. Like that's unbelievably expensive. : Right. And you don't have to anymore. Speaker C: Anyways, getting back to the rate thing, though, there is a way of doing it because on my invoices I show, studio and edit and then whatever the fee is and it's usually zero zero, but you can actually put in there. Voiceover blah, blah, blah. That rate goes in studio, edit X dollars and then you can give them a discount, which actually is equivalent to the studio rate. That way the client sees that there is a fee involved in that, but you've just done them a favor and not charged them for it. Speaker B: I think that's very smart. I will invoice people for a $0 item just so they know they're getting it. The problem with like a flat rate. : Or just write the real price down and say the discount that you're getting. Speaker B: Yeah. I'll say this is $100 thing, I'm throwing it in at $0. But you need to know that it has a value attached. Speaker A: Yeah, everything we do has a value attached because it's our time. Speaker B: Right? Yeah. But it needs to be literally spelled out for them on black and black and white, I think. Speaker A: Agreed. Speaker C: But the stupid thing is I was talking to in fact, Robbo and I were talking yesterday about equipment and stuff in the studio and believe that's the stupid thing. Well, it's the stupid thing in my case because it's ridiculous. I mean, I don't need any of this stuff, really. But I was sitting here the other day, like, adding up how much the dollar value of the stuff I've got in here in preamps compressors and microphones is just completely insane. : It's ridiculous. It is, yes. Speaker C: It's fun though. : Okay. It is. People putting wings on their back of their Honda Civic. Speaker C: Yeah, thanks. : I hate to say it, but it's like we are kind of doing some. Speaker B: Of that even does that you can buy a Civic with three exhaust type tips coming on the back. Speaker C: Exactly. Yeah. Get yourself the type r boom. Look out. : Yeah, but sometimes we're just like, OOH, that thing's going to make us faster and improve my zero to 60 time that neve preamp or whatever, and I think that we get caught up. I mean, God knows I've spent a lot of money on audio gear. Speaker C: Oh, you have? You're worse than me, actually. : I need, like, the nose spray that breaks the addiction, whatever. Speaker B: But Robert's business model is a different one. His service is his studio and his skill with his know. So I feel like a service provider that's providing that type of a studio service. There's an expectation of a certain investment in that equipment and keeping it up. Speaker A: To date and keeping it serviced and. Speaker C: Keeping it's funny, though, because I did send a file off to one of the audio production guys in one of the radio networks here because he was looking at buying Austrian audio microphones for their studios, which he did. Speaker A: Salesmen. Speaker C: But he said, oh, can you send me something? You got a sample of the eight one eight? And I went, yeah, sure. So I sent him just a cold read, eight one eight through the neve. He just come back going I said, what do you think? He goes, oh, my God, I'm buying one. Speaker A: Nice. : It's so funny. The subtle stuff is really there, but it's great when either someone is completely doing the same drugs that you're doing or actually is truly hearing the same thing that you're hearing. There is this like, wow, that really is better. And at the same time, someone walks in who doesn't understand much about audio and goes like, what's the difference? Speaker B: You really get me. You really see me. Speaker C: It was really funny. It's like a guy that both Robbo and I know is also an audio guy. This is years and years and years ago. He got a voice track sent. It was a cold read from a studio in Melbourne. And he called me up and he said, do you know what microphones or what microphone they use down at this studio? And I said, no, I don't, actually. He said, man, you got to find out. It sounds unbelievable. So I went down there and I was in there doing a job, and before I got in there, I said, what mics are you using, by the way? He goes, oh, what was the session? I told him, it's like, oh, yeah, we've just bought a new U 47, the Telefunkin U 47. When they first reissued the thing, I'm like, okay, so I think they were selling for close to 20,000 Australian dollars at the time. So 15 14,000 us. I'm guessing. Sounded very nice. Speaker A: You would want to I didn't know. Speaker B: They reissued that mic. Speaker C: Yeah, the telephone U 47. Speaker B: Yeah. I never knew there was a reissue of that mic. : Yeah, that thing's been, like, homages to. Speaker B: No, I know, but I mean, it's literally in Neumann. Like, they did just the U 67. : Like, five years ago. It's telefunken, but telefunken is not the Telefunkin that Telefunken was, right? Speaker C: Correct. Yeah. : Telefunkin is like some company in Connecticut. Telefunk is really a European funky funkin. Speaker C: It was kind of weird though, because a lot of the Neumans that were re badged for America, so like Frank Sinatra's U 47 was actually badged, I think, as a Telefunken. : Right. So they were really U 47s. They were really Neumanns. Right. And then they were rebadged as Telefunken. And then the same thing happens with the AKG C Twelve because Telefunken was an importing company. They would commission things to be made or they would just say, hey, I'll buy a bunch of those. Speaker C: And there were tons of companies doing that, particularly in America, where they rebadged microphones under different brands that were made primarily by AKG or Neumann. : It's kind of like rebadging Chinese stuff in a way, happens. It's like happening again. You see the same product and it's like, oh, they just put a different name on it and called it their amplifier. Speaker C: So you're going to white label Nexus and set it off under different brands. : There's all kinds of discussions and things that pop up and then sometimes just like fizzle out. But one thing for sure, I think, is that at least on some version of the Gateway, one of the talked about features is to customize it so you can make it like Andrew's Shopahor. Speaker A: Well, one thing I wanted to touch on and something that's not in the demo though, but something you were showing me after we finished recording a couple of weeks ago is the router. Can you tell us about that? Because that's a game changer, right? : It's not going to release on the first. It might actually I don't know, but right now it's a little bit behind. It would be one of those things that certainly would take. It would be one of the things that takes longer to get out, but it's pretty much done. And it's just a desktop router. So you can set up a lot of this stuff or the rest of the stuff that you want to customize on your desktop routing, for example, if you wanted just to have something that routed. One of the things that happens with Pro Tools in particular is once you close your session, you lose all your routing. So if you're not putting all your work into one session or working on one thing and you have to open up different files while you have a group of people online and connected, when you close Pro Tools, you lose communication and possibly even different parts of those connections, depending on what platforms are on. They might lose their connections too, because some of those connections go through you. So router gives you the opportunity to be able to set up sort of like a desktop route. Similar in a way, George, to what a lot of people that you have do with the Apollo Mixer. Speaker B: Yeah, I was going. To mention that. Right, exactly. But being on a not you're now hardware agnostic, you can be on anything. Speaker A: Because the killer for that, for me, is that is exactly what you're saying, is that whole thing of, like, you're halfway through a session and the creative goes, hey, last time we did this, we did blah, blah. Can you go to the old Pro Tools session? And you got to do that whole embarrassing listen, yeah, I can do that, but you're going to lose me for a second here, guys. Okay, I'll be back in a minute. And you hear the way you go. : That whole thing changed the way I work. I have Pro Tool sessions with hundreds and possibly, I don't know, thousands of spots. Whole years of campaigns, just boom, one after the you do them all on one timeline thing of like, oh yeah, one big ass timeline. Really? Speaker B: They're not just clips in the clip viewer? : No, it's basically what ProTools lacks is any sort of like have you ever worked in Media Composer? Speaker B: A little bit. : Okay, so Media Composer, you can have sessions well, you have a bin. Yeah. Pro Tools user have been wanting folders within their bin for the last 20 years, and they still have yet to get them. Different issue, but even more so, the edit and the mixer in Pro Tools are joined at the hip. But there's many aspects of your mixer that are not part of your edit. They're just part of your studio. Speaker B: Sort of like there's a utility mixer. : This is a utility, this is your external. What used to be in a lot of early setups were like people that would have like a Mackie mixer off to the side and then they'd add Pro Tools. And what was going in and out of the Mackie mixer was like microphones and headphone feeds and connection to the tape dock probably back. Um, and so the mixer still had routing capability and some of that's daunting. And really what you need is just like a couple straight ahead patches and maybe a volume control. And that's really what Nexus router lets you do. It has an advanced mode where you can just sort of draw whatever you want from A to B and then that way you can even have different setups that you can load and save and close and open up a different setup, or you can make one massive. Speaker B: Setup forward to it. Because I'm looking forward to being more hardware agnostic and less attached to something like the Apollo in general and kind of endorsing that kind of mentality of being a little bit less attached to that system. So this will be something that'll be nice to set up for more people who do want that extra level of sophistication absolutely. : Yeah, it'll make it like if they have little special things that they need to do, even something like a talkback mic when they're outside or playback from some other device if they want to plug their phone in or have some other app. Speaker B: Let me ask you this. This is definitely going down a rabit hole in terms of features, but can you imagine that ever being on a touch screen interface like an iPad or having a controller? : I could definitely imagine. We've already got other levels of control that we're planning on, which are, I think, pretty exciting. Speaker B: You guys were talking earlier about things are moving towards the actor having to have really a full production suite in their booth, right? Speaker C: Yeah. Speaker B: It sucks, though. I mean, people don't want the day. : That someone asks an actor to not only record for them, but can you please play back picture while you record? When that happens, then it's like you're really throwing a lot at Cipriano. Speaker B: I mean, he does stuff when he. : Has to, but some people can do that. It wouldn't be that hard. Speaker B: He paid me to set up Pro Tools to do it. : Right. Speaker B: Yeah. So it would be lovely for someone who really still wants to have a feeling of I have a mic, I have a headphone, I have my script. But not having to have keyboard, monitor, mouse, that whole rig in there too and just have somewhat innocuous iPad or even if you're reading off the iPad, you can just do the four finger swipe and switch over to the mix. : The hardest thing becomes, I still think the iPad is a tough environment. There's been a lot of actors have been like, can I just do this all on the iPad? Speaker B: Yeah. No, there's a bit of a stay in your lane. The iPad has a lane to stay in. To me, it still has no place in a Pro audio production workflow except as a controller or a script reader. : Yeah, it works well as a controller. Speaker B: I've got my V controller controller and a script reader. That's what it's for. To me. It's not a pro audio. Despite the power of the thing, the hardware, the fact that it's got Thunderbolt now in the Pro model, iPad Pro, it's still just not the tool for the job. So use it what it's for, and that's what it's good for. So I would endorse having that in there just to control the Nexus monitoring and the other stuff. : Do a lot of talent. Really avoid and not want some really. Speaker B: Do avoid it as long as they can. They really despise doing that. Speaker C: I'm one. Speaker B: Yeah. It's because of the distraction. Because this is the right brain, left brain, actor, engineer, conundrum. You can't do both at the same time. I don't care who the hell you are, you can't do them both equally well. One is always suffering at the hands of the other. So the actor that really but what. : Does an actor need in the booth? Truly? They need to be able to record takes, and they need to be able to play back. Speaker B: Mean, some people like, I'll call you out, Bo Weaver, I've known you so long. He hits record, he walks into the booth. He records all of his sessions. He walks out of the booth and he sits down and he edits all the sessions. Like done. That's his workflow. Now. How often is he directed? Very rarely. Record and send. But yeah, that's what he likes. He likes to have the two separate church and state. Speaker C: Well, I'm exactly the same. I have the same workflow as Bo because a lot of my stuff is not directed. So I do exactly the same thing. I go in there, record, come back and come out of here and edit and send. : Yeah, but how many times you go back and forth? Speaker C: I save each file separately. So if I'm doing like 430 2nd spots for somebody, then I'll record a couple of takes or two or three takes. : How do you know you're in time? Are you timing yourself? Speaker C: I do a timer first. I will sit there and I'll time one with the stopwatch first read. So I know ballpark where I'm at. By the time you deep breath, you lose a couple of seconds. So if I'm doing like one, that's got to be 27 seconds and I come in at 27, then I know I've got 2 seconds up my sleeve so I can take more time with it. Once you've been doing this for that's the thing. : You guys have like atomic clocks built in. I can't tell you how many times I've had a talent and I'm like, can you take half a second off that? And they take half a second off that. Speaker B: It's like, wow, bo had an iPad one for years. He may still have it just to run the timer period. He's like, It's a great timer. It doesn't make a click. : I have an iPad one that I use for my eight faders approach. Yeah. So there's some minimal amount of control that's necessary. They at least need a door handle, probably. Do they want a mic mute? Speaker B: Yeah, I'm sure they would. Most people would like to have that, I would think. Yeah, it's pretty embarrassing when you got. Speaker C: A horrible client down the line and mic mute's. Very handy. Speaker B: Horrible client or bad cheese. Speaker C: Yeah. : How do you find the foot switches. Speaker C: For I reckon a foot switch would be great. Speaker A: You need one of those AP. You need a foot switch. Speaker C: Yes, I need a foot switch. Foot switch is great. I love it. Trouble is, I probably tread on it by accident. Speaker B: Well, the Whirlwind PPD or whatever, they have a foot switch on off switch. : The ones that don't break phantom power so that they don't pop, they just sort of short out. Speaker C: And it's also like I wouldn't want I mean, the idea is fantastic. I think it's fun, but I hate too much stuff between the microphone and the preamp. Speaker B: Yeah. Speaker C: Well, there's that one more thing that can go wobbly on you. Speaker B: Not to go completely off base here again, but I was talking earlier about what I saw podcast movement, and I saw the boss answer to the RODECaster pro because Roland's had and Roland too. Boss is like their musician wing of Roland or like the guitar pedal. : I don't know about that. Speaker B: Right. : So they had boss is the guitar wing and Roland and Roland is the keyboard wing, but they've crossed areas. Like mainly Roland has made guitar synths and the other view is that Roland is the high end and then Boss is the middle. Speaker B: Right? So I'm looking at their things and going, okay, here's another RODECaster. What's on the back? A foot pedals plug. I was like, Whoa, that's cool. What can you do with that? He's like, whatever you want. For the gamers, you can do anything you want. I was like, Well, I can see that being cool because the mixer is outside on your desk and you run a foot pedal in your booth and now you have a way to cut your mic, or it could be a way to hit record and then punch a marker when you click it again. There's a lot you could do with. : That, so whatever you want. The foot pedal can send like USB. Speaker B: Messages, as far as I can tell. I don't know how flexible it is, but it's pretty flexible. There's also air tools or AirTurn I think that's called AirTurn. And now other companies are getting into it where you can get Bluetooth pedals that go in your booth to control certain functions. So there's more you can do with foot pedals, which is kind of neat, but if I'm not wearing headphones and I don't know, my mic is truly off, I would never trust anything wireless. : So what about the preamp? I mean, the preamp should be in the booth or not, because even if you wanted to be really theoretical about it, your best signal would be by running the shortest mic line and getting it up to the preamp right line. Speaker B: If you're running, then sending it 20 foot runs, that's different, it's negligible. : But having the preamp in the booth to be able to set it is a different thing, right? Isn't that necessary? Speaker B: Yes and no. I mean, some people do. I'd say most people that have a booth that don't have the equipment in the booth don't have the preamp in the booth, but it's less convenient. : And so they're just recording conservatively and going like, I'll just hit minus twelve, I got plenty of bits, I put. Speaker B: Plenty of Avalon 737s in booth. And I just told people, like, this thing's a radiator, so it's going to get nice and toasty in here. If you really need to have this in here, I get it, but be my last choice. What, to put in the booth? Speaker C: Well, that's what I'm thinking. The more gear I was going to say about that exactly that most people's home studio booths are quite small, and you start piling gear in there, it's going to be like a furnace. Speaker B: Yeah. Gets hot in there quick. So the less the better. Even modern computer monitors are pretty low power, but they still make heat. They still radiate heat. Everything makes heat. So the less in there, the better. Yeah. It's going to be interesting when the passport Vo comes out, how people choose to use it. Whether they're going to have it in booth or outside of the booth, you can go either place. And the thing you're going to miss out on it not being in booth is that mic switch. Mic mute. That's why I think the majority are going to use it in the booth. So what we'll be testing I think so, too, how far we can run it on USB to the computer. So we'll be doing some testing around that whole workflow as well. Speaker C: Yeah, I can see the value in having the Passport Vo in the booth for sure. Maybe you're doing a zoom session or whatever. You can use that second interface to run either your phone or iPad or whatever, that you can run the zoom session. Speaker B: That's where I could see it being really useful, having the iPad in the booth for phone patch, zoom, blah, blah, blah, communications. Speaker C: Absolutely. Speaker B: And having that run into it and just that would be a really easy way to facilitate those sessions. Boy. : Well, in a way, you can have it. Sorry, you can cut all that out. Speaker B: We're really off topic now. Speaker C: This was about Nexus and I don't know where the hell we've gone. Speaker A: Oh, man, we've gone all over the place, let me tell you. This is tangent. Speaker C: I'm just waiting to see the Mad. Speaker A: Hatter pop out from behind the door somewhere. Editing nightmare. That is the Pro audio suite. Speaker B: Yeah. Wrap this one up. : I'll bring it together. What comes out first, the passport or Nexus? Speaker B: Nexus. Speaker C: Nexus. Speaker A: Nexus. : Probably. Speaker A: Right? Speaker B: Well, we'll see, because these are both but we don't know. Neither of them want to divulge a release date until it's certain because people don't. We've all learned that produced product to under Promise Over Deliver is really the best policy. : You can't give a product a C section. Speaker B: Right. Speaker A: What we can promise about the passport, though, is that when it does come out, it's going to be killer. Speaker B: It's going to be killer. We're going to make sure of it, because by the time anybody receives one in the mailbox, we have already hammered on it and proven without a shadow of a doubt that it will do what we said it's going to do. When you get one, it's going to be fully tested and vetted before that. : Yeah, I'm excited because I think you see all these USB interfaces coming out constantly and no one has one that does these. Speaker B: They're all playing out of a different playbook. Like, I got into a whole conversation on Facebook about this one person's. POV is clearly the future is firmware, software, everything. And I said, I don't think it's that clear. I said, Because we're developing the exact opposite. And his response was, I think that's not a good idea. And my response was, I think it's a very good idea because look at all the products that have come and gone and what products you can still plug into your Mac or your PC that still work 15 years later. And the Micport Pro First Gen is one of those products. You just plug it in and it works. So that's the philosophy. We're just carrying that forward. Speaker A: My old trusty two rack sitting here right next to me. How old is that now? Jesus. Speaker C: 15 years. Speaker A: Have to be something like that. Still keeps going. : A two, not even an three two rack. Speaker A: Yes, exactly. Speaker B: Yeah. Wow. : I have some ones in my garage. Speaker A: No, I don't need the double o one. Speaker C: What are they doing in the garage? Speaker A: Yes, exactly. Why are you using them, Robert? Speaker B: Unlike you, he's using his ramps to hold up his Porsche 920. Speaker C: The Pro audio suite with thanks to Tribut and Austrian audio recorded using Source Connect, edited by Andrew Peters and mixed by Robo Got your own audio issues? Just askrobo.com tech support from George, the tech Wittam. Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, end, suggest a topic, or just say good day. Drop us a note at our website proaudiosuite.com

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415 3 Tricks - Clips schneller bewegen

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Play Episode Listen Later Jul 29, 2023 5:28

Clips kann man in Cubase und Nuendo leicht verschieben. Aber im Filmsoundediting kann das bei vielen Spuren durch das Scrollen lange dauern. Dafür habe ich drei Tricks, mit denen das wesentlich schneller geht. YouTube: https://youtu.be/x5qd58hKbus Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich In den Newsletter eintragen und immer wieder neue gratis WAV-Files zur Soundlibrary Ethno-Lab bekommen: https://bit.ly/3akwNxP Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://www.sounth.de/orchestra-guide/ Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de

398 Spaß mit Routing Automation

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Play Episode Listen Later Apr 25, 2023 5:51

In Cubase und Nuendo kann man auch das Routing automatisieren. Und damit viel Spaß haben und schnell ganze Effekt-Ketten wechseln. YouTube: https://youtu.be/O3L7cw87OH4 In den Newsletter eintragen und immer wieder neue gratis WAV-Files zur Soundlibrary Ethno-Lab bekommen: https://bit.ly/3akwNxP Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://www.sounth.de/orchestra-guide/ Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de

383 Mono Export Trick in Cubase

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Play Episode Listen Later Feb 19, 2023 6:36

Wenn Du Mono- und Stereospuren in Cubase und Nuendo exportierst, werden die Monospuren meistens in Stereo konvertiert. Du kannst Mono und Stereo nacheinander exportieren, aber es gibt eine Lösung, um Mono und Stereo gleichzeitig zu exportieren. YouTube: https://youtu.be/BJmYYRnei0U In den Newsletter eintragen und immer wieder neue gratis WAV-Files zur Soundlibrary Ethno-Lab bekommen: https://bit.ly/3akwNxP Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://www.sounth.de/orchestra-guide/ Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de

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Cities #509 - Adana-Mersin [Deep - House - Easy Listening - Chill Out]

SUIKA

Play Episode Listen Later Feb 15, 2023 60:10

TRACKLIST : Dan Goul - Simple Azteca - Enthrallment Renday - Flow down (Nicolas Barnes remix) Bluetrain aka Steve O'Sullivan - Headspace DJ John Garcia - The flute (Luis Caballero remix) Vincent Casanova - Amulet (Rodrigo Dp remix) Ben Teufel & Peppe Markese - Be the change (Nuendo remix) Ini - Circle Nicolas Barnes - Awake Stanny Abram - Evolving air Dylab - Some kind of optical illusion Voevodin - 101 is the 1

351 Kleiner Knopf - Große Wirkung (Linear vs. musikalisch)

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Play Episode Listen Later Nov 3, 2022 15:52

In Cubase und Nuendo gibt es die Möglichkeit, Tracks von linear auf musikalisch umzuschalten. Dabei gibt es allerdings viel zu beachten. Auf YouTube sehen: https://youtu.be/7htaBy6dkWE Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://www.sounth.de/orchestra-guide/ Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de

Source Nexus - What Is It?

The Pro Audio Suite

Play Episode Listen Later Jun 20, 2022 35:01

Source-Nexus Pro is an audio application router for AAX, VST and Audio Units hosts: Record remote voiceover from Source-Connect directly in Final Cut or Media Composer, playback iTunes to Pro Tools, patch Pro Tools to and from Nuendo, Logic, Reaper and more. All at the same time! The possibilities are endless as it opens an entirely new world for application integration with Pro audio users and their studio environment. You can now "patch-in" any software such as phone applications, metering, encoders, decoders, external processors, other audio workstations, video editors, and even a web page! A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a favour and check out their products, and be sure to tell em "Robbo, George, Robert and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand new booth when you use the code PAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson

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Maestros Del Audio T1 E11 - Luis Colunga (Yamaha - Steinberg)

Maestros del Audio

Play Episode Listen Later May 31, 2022 76:16

Mi invitado del día es Luis Colunga. Luis Colunga es Ingeniero en audio con más de 14 años de experiencia, especializado en grabación y mezcla en estudio, ha trabajado como profesor de ingeniería en audio y ha impartido clínicas y master class en diferentes universidades de Guadalajara, Querétaro, Puebla y la Ciudad de México, cuenta con certificaciones de Steinberg, Avid, Meyer y Nexo.Usuario de Nuendo y Cubase desde hace más de 12 años, actualmente se desarrolla como ingeniero en ventas especializadas atendiendo principalmente a compañías de renta y como especialista de Steinberg en Yamaha, siendo el representante de la marca en México. Siguelo en Instagram @LuisColunga Facebook @LuisColunga Si requieres soporte Steinberg o te interesa conocer mas sobre la marca y adquirir algún producto. Luis.colunga@music.yamaha.com www.steinberg.net Si te gustó el podcast, por favor deja una reseña y calificación: Aquí Instagram @MaestrosdelAudio @ericlee.audio Facebook @MaestrosdelAudio @ericleess88 Unete al grupo en FB aqui

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303 Effekte beim Vorhören in Nuendo nutzen

When Life Hands You Lennons

Play Episode Listen Later May 15, 2022 12:10

Wenn man Files in der Mediabay vorhört, möchte man evtl. auch Effekte / PlugIns nutzen. Da gibt es ein paar Fallen und Dinge zu beachten - aber es ist möglich. Auf Youtube sehen: https://youtu.be/sUsNVPt6X68 Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://www.sounth.de/orchestra-guide/ Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de

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NIVIRO chats Dolby Atmos and how it's changing music production, mixing, mastering and live music

Play Episode Listen Later Mar 8, 2022 73:29

NIVIRO is a dance music producer and DJ based in Belgium. He rose to prominence after his track "The Ghost" saw insurmountable success on TikTok. He has continuously refined his sound to become one of the most standout and successful hard dance artists of the decade. He has since launched a company called XPLISSO, which aims to change the way immersive audio is experienced live. He's also launched a YouTube series called "The NIVI Academy" where he shares information the pros won't tell you.NIVIRO and I talk about the future of live music and how Dolby Atmos is playing a huge factor in that evolution and how his company XPLISSO plays into that. He also dives deep into his production and songwriting workflow, including his favorite hardware synths.Join my Discord: https://discord.gg/CRTcYRDGqfConnect with Lennon:Website: https://www.lennoncihak.comPatreon: https://www.patreon.com/lennoncihakMailing List: http://eepurl.com/dlYpxTInstagram: https://www.instagram.com/lennoncihak/TikTok: https://www.tiktok.com/@lennoncihakTwitter: https://twitter.com/LennonCihakLinkedIn: https://www.linkedin.com/in/lennoncihak/YouTube: https://www.youtube.com/channel/UC5eX_uxAUIwBC0gyKwCbqtwGuest Request: https://goo.gl/forms/8zs61IYiIXMLjFpX2Connect with NIVIRO:YouTube: https://www.youtube.com/channel/UCYsQBXpnkduQxGo3z1lstZwInstagram: https://www.instagram.com/djniviro/Facebook: https://www.facebook.com/OfficialNIVIRO/Twitter: https://twitter.com/djniviroWebsite: https://djniviro.com/

Lookin' nuendo

The Butcher, Baker, and Candle Maker in Spaaace

Play Episode Listen Later Aug 1, 2021 57:02

Interesting food names, farming nanites, and we all celebrate our 12th birthdays. Also dying in Permadeath mode. Join us as we spiral out of control in No Man's Sky.

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208 Stereo auf Mono konvertieren

M U S I C & L I F E Podcast

Play Episode Listen Later Aug 1, 2021 11:29

Manchmal möchte man Stereo-Effekte auf Mono-Signale legen. Dafür gibt es in Cubase und Nuendo einige Wege. Auch für die Konvertierung von Mono auf Stereo. Hier auf youtube ansehen: https://youtu.be/Jei4DPNphS8 Fragen und Anregungen an sounthcast@sounth.de Newsletter abonnieren: http://eepurl.com/dJaBMD Spotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8I Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich

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M U S I C & L I F E Podcast 22 Mixed By Nuendo (Sydney, Australia)

Play Episode Listen Later Jun 23, 2021 60:01

Spawned in the heart of Sydney, Nuendo's journey into sound started at 8 years old when a wise man handed him an acoustic guitar. In recent years, as computer technology has become more accessible and music software has advanced, interacting with music production technology is now possible using means that bear no relationship to traditional musical performance practices. Inspired by many different styles of music from around the world, including traditional and neotraditional music – Nuendo's sound in the global spectrum is defined by its fusion of cultural traditions intermingled with contemporary music elements. On the forefront of production, Nuendo has secured releases with a vast array of notable labels such as Hotfingers, King Street/Nite Grooves, DPE, Whoyostro, Innocent Music and many more. Additionally, he has been supported by artists such as Groove Armada, Marco Carola, Stefano Noferini, Sam Divine, Golf Clap & Jamie Jones, to name a few. Nuendo is also a co-founder of two record labels: Native & Quattro Formaggi, where he provides a platform for unique sounding underground house music. In the DJ world, Nuendo has played and/or held House events at Sydney's largest venues, including but not limited to: Burdekin Hotel, Civic Underground, Greenwood Hotel, Zoo Project, Kit & Kaboodle, Home Nightclub, Bondi Beach Radio & Rhythm Nights Radio.

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174 ADR mit VST Connect 5.5

bild aufnahme kaffee anregungen mittlerweile nuendo

Play Episode Listen Later Apr 25, 2021 17:39

VST Connect Pro bietet mehr als nur die einfache Aufnahme von Audio. Mittlerweile kann man auch das Bild übertragen und alle ADR-Taker-Funktionen von Nuendo nutzen. https://www.steinberg.net/de/shop/buy_product/product/vst-connect-pro.html https://www.steinberg.net/de/support/downloads/downloads_vst_connect_performer.html Auf youtube sehen: https://youtu.be/2hBPIHMHh_E Fragen und Anregungen an sounthcast@sounth.de Newsletter abonnieren: http://eepurl.com/dJaBMD Spotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8I Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich

120: Jay Wujun Yow: Podcast Producer, Sound Engineer – The Power of Audio

Into the Impossible

Play Episode Listen Later Feb 25, 2021 36:22

Jay Wujun Yow is the Audio Producer and Engineer for The James Altucher Show. He's become an indispensable part the Altucher media empire. Jay is a very passionate person when it comes to music and all kinds of media, especially sound. He's a graduate of Full Sail University, receiving 7 awards, including Valedictorian. He has a good ear and a talent for sound. Jay has applied his excellent computer skills to audio engineering and sound production for over 8 years. He's proficient in Pro Tools, Nuendo 2, Nuendo 3, Nuendo 4, Cubase 3, Cubase 5 and wavelab. He is skillful and quick at recording and editing. Artist worked with include: Mike Stern, Benedict Cumberbatch, Frank Grillo, American Author, Roomful of Teeth, Abbi Jacobson, IKillya, American Diesal, Castle Walls, Magic Room Theater, Benjamin Cartel. Chinese and Malaysian Artist; Gary Cao, Soo Wincci, Namewee, DayDream, ManHand, and Von. Voice Over Work included: Disney, Alexjacobi, The Story Exchanged, Fly Wheel Media, Blue State Digital, Dashlane Follow Jay at @jay_yow07 Connect with James Altucher: https://jamesaltucher.com/ 00:00:00 Intro 00:00:34 Jay's origin story and "choosing himself"! 00:14:28 Jay's ethical will. 00:20:26 What's your favorite game? 00:23:23 What are the hazards of these new mediums? 00:27:23 What advice would you give your younger self? Support the podcast: https://www.patreon.com/drbriankeating And please join my mailing list to get resources and enter giveaways to win a FREE copy of my book (and more) http://briankeating.com/mailing_list.php

152 SINE Factory: Piano, Strings, Percussion kostenlos (Orchestral Tools)

Play Episode Listen Later Feb 2, 2021 26:27

Orchestral Tools bietet für den SINE Factory nicht nur hochwertige kostenpflichtige Sound-Libraries, sondern seit kurzem mit SINE Factory auch kostenlose Packs. Die ersten drei beinhalten Piano, Strings & Percussions. Damit habe ich einen kleinen Song komponiert. Am Ende der Folge erfährst Du noch etwas über das Mixing. Und hier kannst Du das Projekt als Cubase- und MIDI-File runterladen. Nicht wundern, dass es .npr-File ist, da ich in Nuendo und nicht Cubase arbeite. Du kannst das File aber auch in Cubase einladen. Wenn Du ein anderes Programm nutzt, kannst Du das MIDI-File nutzen.Download:http://www.sounth.de/media/podcast/SineFactory.zip Youtube-Video:https://youtu.be/m0opNVqXpdo Hier geht es zum Beitrag auf Facebook:https://www.facebook.com/groups/309751689699537/permalink/707942786547090/ Fragen und Anregungen an sounthcast@sounth.deNewsletter abonnieren: http://eepurl.com/dJaBMDSpotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8IFacebook-Gruppe: https://www.facebook.com/groups/309751689699537/Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-)https://ko-fi.com/timheinrich

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#196 - Du bruit autour du Noisy de Expressive E

Les Sondiers, l'émission

Play Episode Listen Later Dec 21, 2020

Expressive E a encore frappé, il fallait donc qu'on en parle. En plus, ayant habité Noisy le Grand pendant des années, ça me faisait une raison de plus ! (OK, la vanne est casée, on passe à la suite). Bon, comme dh'abitude, on a aussi parlé de plein d'autres choses, mais avouez que vous n'auriez pas cliqué sur cette vignette si on n'avait pas mis Noisy dessus. (timings approximatifs) 00:00 Intro 00:54 Début de l'émission 10:06 AskSondiers (Instruments Externes) 13:37 Nuendo 11 23:50 Soniccouture Hammersmith Free 31:54 Endlesss Studio 38:24 Expressive E Noisy 47:13 IK Multimedia Memory V 50:26 Les prods de Noël ? 01:16:30 OPZ Photomatic IK Multimedia Memory V : https://www.ikmultimedia.com/products/synmemoryv/?pkey=syninstruments-memoryv Endlesss Studio : https://endlesss.fm/products/studio?src=twi Offres de Noël chez Elephorm : https://www.elephorm.com/ Les formations chez SawUp : https://www.sawup.fr/ Expressive E Noisy : https://www.expressivee.com/61-noisy Nouvelles fonctions video de l’OP-Z de Teenage Engineering (vidéo de Emerging Patterns) : https://www.youtube.com/watch?v=6zdodl9G2ls Soniccouture Hammersmith Free : https://www.soniccouture.com/en/products/p322-hammersmith-free/ Steinberg Nuendo 11 : https://new.steinberg.net/fr/nuendo/new-features/ ---- SOUTENEZ NOUS ---- Tipeee ! Même de petites sommes nous aident ! http://tipeee.com/les-sondiers Rejoignez-nous sur Discord avec ce lien : https://discordapp.com/invite/Bk9RV4T Achetez votre matos chez Michenaud, auquel nous sommes affiliés via ce lien : http://bit.ly/2EEI0rC Ca nous rapporte un peu d'argent et ça ne vous coûte rien du tout Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com Suivez nous sur Twitter : https://twitter.com/lessondiers Instagram : https://instagram.com/lessondiers Facebook : https://facebook.com/lessondiers

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140 Nuendo 11 - Praxis Talk

praxis zusammen kaffee anregungen steinberg nuendo

Play Episode Listen Later Dec 11, 2020 46:42

Nuendo 11 ist vor kurzem von Steinberg veröffentlicht worden. Zusammen mit Christoph Kuhlmann und Markus Hunke rede ich über die neuen Features. Youtube:https://youtu.be/KH7Hh4cSESo Fragen und Anregungen an sounthcast@sounth.deNewsletter abonnieren: http://eepurl.com/dJaBMDSpotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8IFacebook-Gruppe: https://www.facebook.com/groups/309751689699537/Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-)https://ko-fi.com/timheinrich

Schnittstelle: User & Produktentwicklung - Steinberg-Produktspezialist Sebastian Mönch - Wochenrückblick #50

Sound&Recording - Musikproduktion

Play Episode Listen Later Dec 3, 2020 106:07

Für die Jubiläums-Ausgabe haben wir uns überlegt, statt einem Audio-Anwender mal einen Mitarbeiter einer Audio-Brand einzuladen, um mit ihm über die Schnittstelle zwischen Usern und der Produktentwicklung zu sprechen. Zu Gast ist Sebastian Mönch, Senior Product Specialist International bei Steinberg, der dort für Cubase und Nuendo verantwortlich ist. Wir sprechen mit Sebastian darüber, wie User-Wünsche an die Entwicklung weitergegeben werden, welche Möglichkeiten es gibt, Feedback zu geben, und wie danach der Entwicklungsprozess aussieht. Außerdem sprechen wir mit ihm über die neuen Features in Cubase 11 und fragen ihn, welche Tools er sich für die Zukunft wünscht. Und vielleicht verrät er uns ja, was es zu erwarten gibt. Viel Spaß beim Hören! Studioszene 2020 - Jetzt registrieren: https://bit.ly/2HidaYp Shownotes: www.soundandrecording.de/podcast Hier findest du Sound&Recording: Facebook: https://bit.ly/3fGHgR2 Spotify: https://spoti.fi/2F8weat Apple Podcasts: https://apple.co/31Jp5VV YouTube: https://bit.ly/2QUlL5K

128 Ärger vermeiden in Cubase mit 'Neue Version speichern'

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Play Episode Listen Later Nov 3, 2020 6:54

In Cubase und Nuendo gibt es eine Funktion, die mir schon viel Nerven und Zeit gespart hat und teilweise ein echter Lebensretter ist. Mit einem Klick kann das Projekt unter einer neuen Versions-Nummer abgespeichert werden. Diese Funktion ist im Datei-Menü verfügbar, wird aber von wenigen benutzt, von mir aber sehr oft und auch statt Auto-Save. Wenn ein Kunde sich noch mal umentscheidet, einen Teil in einer Produktion wieder wie früher haben möchte oder Projekte wegen PlugIns nicht mehr laden lassen, kann das wirklich viel Zeit sparen. Auf youtube kannst Du alles sehen:https://youtu.be/HHnnobx4YDM Fragen und Anregungen an sounthcast@sounth.deNewsletter abonnieren: http://eepurl.com/dJaBMDSpotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8IFacebook-Gruppe: https://www.facebook.com/groups/309751689699537/Wenn ich Dir helfen konnte, freue ich mich über einen Kaffee ;-)https://ko-fi.com/timheinrich

099 Cubase Nuendo Vergleich - 27 Unterschiede

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Play Episode Listen Later Jun 20, 2020 29:09

Steinberg feiert 20 Jahre Nuendo - und das mit zu 40% Rabatt. Aber was ist wirklich anders? Hast Du einen Vorteil bei Nuendo? Brauchst Du es? Du erfährst die 27 wichtigsten Unterschiede.Hier ist das Video:https://youtu.be/lYRXETgTNlIFragen und Anregungen an sounthcast@sounth.de Newsletter abonnieren: http://eepurl.com/dJaBMDSpotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8IFacebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen Kaffee ;-)https://ko-fi.com/timheinrich

ZR-MIXTAPE 019/ Ian Cou (September 2019)

ZentralRebel

Play Episode Listen Later Apr 8, 2020 61:19

MIXTAPE 19// Ian Cou (September 2019 )  @ian-cou Firmando en disqueras como el legendario TRAX Records, Louder Music, 750 Records, Snazzy Traxx, Groove Is Our Business y Pure Beats Records, Ian ha destacado por su estilo original y grooves poderosos. También cuenta con el apoyo en sus tracks de artistas como: GRECO (NYC), FOOLiE, Enrique Gongora, Kwal, Clem Lee, Luca Gerlin, Klash Rivera, Stuuks, aesthetic, NUTRL, Martin Depp, Emma Champion, Nuendo, Jizz, Fizzikx, Sweets (AU), Simon Jay, Snazzy Trax & mas. #ZentralRebel #Mixtape #RadioPodcast #RecordLabel

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048 Nuendo 10 Testbericht

video dazu anregungen testbericht nuendo

Play Episode Listen Later Jul 18, 2019 43:08

Für recording.de habe ich einen ausführlichen Testbericht zu Nuendo 10 geschrieben. Dazu gibt es auch ein Video. Hier hörst Du den Ton.Testbericht auf recroding.de: https://recording.de/magazin/test-steinberg-nuendo-10.5381/Youtube-Video: https://youtu.be/95Ch-bxmFOEFragen und Anregungen an sounthcast@sounth.deNewsletter abonnieren: http://eepurl.com/dJaBMDSpotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8IFacebook-Gruppe: https://www.facebook.com/groups/309751689699537/

035 Film-Nuendo-Session (Andre Mundt, Sounddesigner und Mischtonmeister 4/4)

My Own Beat Records Radio Show

Play Episode Listen Later May 22, 2019 28:04

Andre Mundt ist Mischtonmeister für TV-Filme und hat unter anderem alle vier Tatorte mit Til Schweiger vertont. Andre verrät, was es bei EDLs zu beachten gilt, wie Musik angeliefert und gemischt wird und wir gucken uns eine Session an. Für angehende Filmemacher und Regisseure bietet Andre auch Workshops bei sich an, in denen man viele Grundkenntnisse über Filmton und die Zusammenarbeit der einzelnen Gewerke lernt. Schreib ihm einfach eine Email: andre@andremundt.deFragen und Anregungen an sounthcast@sounth.deNewsletter abonnieren: http://eepurl.com/dJaBMDYoutube https://youtu.be/dhIEbtRKK1gSpotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8IFacebook-Gruppe: https://www.facebook.com/groups/309751689699537/

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010 My Own Beat Records RadioShow / Guest Dj Nuendo

Play Episode Listen Later May 10, 2019 59:53

Founded in 2015, My Own Beat has rapidly become one of the most talked about underground labels around, with many tracks in the Top100 and also, with a fresh approach to the industry seeing big names such as Eddie Amador, Joeski, Stanny Abram, Dead Celebrities or Marco Lys to name a few. With a focus on delivering authentic Tech House records combined with individual and unique style of each artist, My Own Beat is a exclusive place for House underground music and whatever amazing sounds fall in between. Demos: info@myownbeatrecords.com www.myownbeatrecords.com RadioShow: http://www.insomniafm.com/show/my-own-beat

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010 My Own Beat Records RadioShow / Guest Nuendo (Australia)

My Own Beat Records Radio Show

Play Episode Listen Later May 10, 2019 59:53

Founded in 2015, My Own Beat has rapidly become one of the most talked about underground labels around, with many tracks in the Top100 and also, with a fresh approach to the industry seeing big names such as Eddie Amador, Joeski, Stanny Abram, Dead Celebrities or Marco Lys to name a few. With a focus on delivering authentic Tech House records combined with individual and unique style of each artist, My Own Beat is a exclusive place for House underground music and whatever amazing sounds fall in between. Demos: info@myownbeatrecords.com www.myownbeatrecords.com RadioShow: http://www.insomniafm.com/show/my-own-beat

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025 Nuendo 10

anregungen workflow steinberg nuendo

Play Episode Listen Later Apr 26, 2019 21:59

Steinberg hat Nuendo 10 veröffentlicht - mit einigen echt tollen Features und Workflow-Überarbeitungen.Fragen und Anregungen an sounthcast@sounth.deNewsletter abonnieren: http://eepurl.com/dJaBMDSpotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8I

RC039 : Ivan Coronel - Miroslava (Original Mix)

Play Episode Listen Later Apr 7, 2019 2:35

Ivan Coronel debut on Red Channel Records brings us the deep side, crafting superb house & techno. 3 originals including remix from Tony Romanello. They are giving us fresh new take to Tech House music, making their music original and unforgettable. Our label is supported by many artists Roger Sanchez, ilario Alicante, Marco Carola, Luigi Madonna, Cristian Varela, Joseph Capriati, Weiss(UK), Mark Antonio, Chris Fortier, Shiba San, Tocadisco, Richie Hawtin, Nuendo , Paco Osuna, Dhyan Droik, Dany T, MrM, Optimuss, Carlos Beltran, Donato, Hochkultur, Darren C, John Reyes, Kaiser Souzai, John Brooklyn, Antonio Grassia , Hector Moralez, OGI, KoZY, Florian Frings...just to name a few. Powered by Reach Promo - PR Agency and PromoBox. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

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RC039 : Ivan Coronel - Brugada (Original Mix)

Play Episode Listen Later Apr 7, 2019 2:24

Ivan Coronel debut on Red Channel Records brings us the deep side, crafting superb house & techno. 3 originals including remix from Tony Romanello. They are giving us fresh new take to Tech House music, making their music original and unforgettable. Our label is supported by many artists Roger Sanchez, ilario Alicante, Marco Carola, Luigi Madonna, Cristian Varela, Joseph Capriati, Weiss(UK), Mark Antonio, Chris Fortier, Shiba San, Tocadisco, Richie Hawtin, Nuendo , Paco Osuna, Dhyan Droik, Dany T, MrM, Optimuss, Carlos Beltran, Donato, Hochkultur, Darren C, John Reyes, Kaiser Souzai, John Brooklyn, Antonio Grassia , Hector Moralez, OGI, KoZY, Florian Frings...just to name a few. Powered by Reach Promo - PR Agency and PromoBox. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

powered delivered original mix tech house alicante donato coronel roger sanchez carlos beltran richie hawtin hochkultur shiba san marco carola joseph capriati paco osuna tocadisco ogi luigi madonna brugada cristian varela kozy mrm weiss uk tony romanello chris fortier kaiser souzai hector moralez nuendo john reyes label worx dhyan droik florian frings

RC039 : Ivan Coronel - Nebula (Tony Romanello Remix)

Play Episode Listen Later Apr 7, 2019 2:37

Ivan Coronel debut on Red Channel Records brings us the deep side, crafting superb house & techno. 3 originals including remix from Tony Romanello. They are giving us fresh new take to Tech House music, making their music original and unforgettable. Our label is supported by many artists Roger Sanchez, ilario Alicante, Marco Carola, Luigi Madonna, Cristian Varela, Joseph Capriati, Weiss(UK), Mark Antonio, Chris Fortier, Shiba San, Tocadisco, Richie Hawtin, Nuendo , Paco Osuna, Dhyan Droik, Dany T, MrM, Optimuss, Carlos Beltran, Donato, Hochkultur, Darren C, John Reyes, Kaiser Souzai, John Brooklyn, Antonio Grassia , Hector Moralez, OGI, KoZY, Florian Frings...just to name a few. Powered by Reach Promo - PR Agency and PromoBox. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

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RC039 : Ivan Coronel - Nebula (Original Mix)

Play Episode Listen Later Apr 7, 2019 2:33

Ivan Coronel debut on Red Channel Records brings us the deep side, crafting superb house & techno. 3 originals including remix from Tony Romanello. They are giving us fresh new take to Tech House music, making their music original and unforgettable. Our label is supported by many artists Roger Sanchez, ilario Alicante, Marco Carola, Luigi Madonna, Cristian Varela, Joseph Capriati, Weiss(UK), Mark Antonio, Chris Fortier, Shiba San, Tocadisco, Richie Hawtin, Nuendo , Paco Osuna, Dhyan Droik, Dany T, MrM, Optimuss, Carlos Beltran, Donato, Hochkultur, Darren C, John Reyes, Kaiser Souzai, John Brooklyn, Antonio Grassia , Hector Moralez, OGI, KoZY, Florian Frings...just to name a few. Powered by Reach Promo - PR Agency and PromoBox. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

powered delivered original mix tech house nebula alicante donato coronel roger sanchez carlos beltran richie hawtin hochkultur shiba san marco carola joseph capriati paco osuna tocadisco ogi luigi madonna cristian varela kozy mrm weiss uk tony romanello chris fortier kaiser souzai hector moralez nuendo john reyes label worx dhyan droik florian frings

RC038 : EXXEL M - Acidized (CarlBeats Excuse Me Mix)

Play Episode Listen Later Mar 31, 2019 2:45

Exxel M return to Red Channel Records with his first ep Acidized. His remix on CarlBeats EP Return The Love picked up some strong support from the likes of Stacey Pullen, Paco Osuna, Antonio Grassia, Rave Syn and MrM. Both CarlBeats and Tony Romanello are back on remix duties and they have been killing dance floors with multiple releases and charting tracks on various labels globally. Our label is supported by many artists Roger Sanchez, ilario Alicante, Marco Carola, Luigi Madonna, Cristian Varela, Joseph Capriati, Weiss(UK), Mark Antonio, Chris Fortier, Shiba San, Tocadisco, Richie Hawtin, Nuendo , Paco Osuna, Dhyan Droik, Dany T, MrM, Optimuss, Carlos Beltran, Donato, Hochkultur, Darren C, John Reyes, Kaiser Souzai, John Brooklyn, Antonio Grassia , Hector Moralez, OGI, KoZY, Florian Frings...just to name a few. Powered by Reach Promo - PR Agency and PromoBox. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

excuse powered delivered alicante donato roger sanchez carlos beltran richie hawtin hochkultur shiba san marco carola joseph capriati paco osuna tocadisco ogi luigi madonna cristian varela kozy mrm stacey pullen weiss uk tony romanello chris fortier kaiser souzai hector moralez nuendo john reyes label worx dhyan droik florian frings

RC038 : EXXEL M - Acidized (80´s Mix)

Play Episode Listen Later Mar 31, 2019 2:59

Exxel M return to Red Channel Records with his first ep Acidized. His remix on CarlBeats EP Return The Love picked up some strong support from the likes of Stacey Pullen, Paco Osuna, Antonio Grassia, Rave Syn and MrM. Both CarlBeats and Tony Romanello are back on remix duties and they have been killing dance floors with multiple releases and charting tracks on various labels globally. Our label is supported by many artists Roger Sanchez, ilario Alicante, Marco Carola, Luigi Madonna, Cristian Varela, Joseph Capriati, Weiss(UK), Mark Antonio, Chris Fortier, Shiba San, Tocadisco, Richie Hawtin, Nuendo , Paco Osuna, Dhyan Droik, Dany T, MrM, Optimuss, Carlos Beltran, Donato, Hochkultur, Darren C, John Reyes, Kaiser Souzai, John Brooklyn, Antonio Grassia , Hector Moralez, OGI, KoZY, Florian Frings...just to name a few. Powered by Reach Promo - PR Agency and PromoBox. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

powered delivered alicante donato roger sanchez carlos beltran richie hawtin hochkultur shiba san marco carola joseph capriati paco osuna tocadisco ogi luigi madonna cristian varela kozy mrm stacey pullen weiss uk tony romanello chris fortier kaiser souzai hector moralez nuendo john reyes label worx dhyan droik florian frings

RC038 : EXXEL M - Acidized (Tony Romanello Remix)

Play Episode Listen Later Mar 31, 2019 2:47

Exxel M return to Red Channel Records with his first ep Acidized. His remix on CarlBeats EP Return The Love picked up some strong support from the likes of Stacey Pullen, Paco Osuna, Antonio Grassia, Rave Syn and MrM. Both CarlBeats and Tony Romanello are back on remix duties and they have been killing dance floors with multiple releases and charting tracks on various labels globally. Our label is supported by many artists Roger Sanchez, ilario Alicante, Marco Carola, Luigi Madonna, Cristian Varela, Joseph Capriati, Weiss(UK), Mark Antonio, Chris Fortier, Shiba San, Tocadisco, Richie Hawtin, Nuendo , Paco Osuna, Dhyan Droik, Dany T, MrM, Optimuss, Carlos Beltran, Donato, Hochkultur, Darren C, John Reyes, Kaiser Souzai, John Brooklyn, Antonio Grassia , Hector Moralez, OGI, KoZY, Florian Frings...just to name a few. Powered by Reach Promo - PR Agency and PromoBox. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

remix powered delivered alicante donato roger sanchez carlos beltran richie hawtin hochkultur shiba san marco carola joseph capriati paco osuna tocadisco ogi luigi madonna cristian varela kozy mrm stacey pullen weiss uk tony romanello chris fortier kaiser souzai hector moralez nuendo john reyes label worx dhyan droik florian frings

Nuendo - Frenemy (Original Mix)

original mix frenemies nuendo

Play Episode Listen Later Mar 19, 2019 6:51

Nuendo - Frenemy (Original Mix)

001 Filmtage HOF

newsletter leider anregungen wenn du spontan filmtage nuendo

Play Episode Listen Later Oct 29, 2018 16:24

Spontan bin ich zu den Filmtagen HOF gefahren. Leider wurde ich kurz von Nuendo abgehalten. Wenn Du alle Infos nachlesen willst, kannst Du den Newsletter abonnieren.Fragen und Anregungen an sounthcast@sounth.deNewsletter abonnieren: http://eepurl.com/dJaBMD

[DGP023] Nuendo October 2018 Podcast

Datagroove Podcast

Play Episode Listen Later Oct 20, 2018 60:00

music live set nuendo datagroove

Suika #003 w/ Sobhan, Saultloom, Chris Gavin, Ron Flatter, Denis A, Big Al and others...

SUIKA

Play Episode Listen Later Aug 25, 2018 60:00

TRACKLIST : 1) Sobhan - Hasti 2) Saultloom - Take me out 3) Maertz - Mental games (Mobile Soul System remix) 4) Ron Flatter - Nights finds you (Nuendo remix) 5) Stelios Vassiloudis - Zabriskie point 6) Big Al - Throwback (Adrian Pricope remix) 7) Chris Gavin - Lamentu 8) Denis A - Smoky 9) Ivan Sandhas - Wrong way (Anro & Dirisio remix) 10) Paul Deep - Jiren 11) Beckers & D-Nox - I will rise (Guy J remix) 12) Ame Vent - Clear

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Updates in Überfluss

Probe Podcast

Play Episode Listen Later Apr 24, 2018 104:11 Transcription Available

Heute geht es um Updates, was ist neu und was gibt es für das Geld. Die frage, die dabei aufkommt ist, lohnt es sich jedes mal diesen schriet mitzugehen. Wir schauen und heute die gängigen Programme an die genutzt werden oder die wir genutzt haben und dabei zählen wir das auf was uns besonders beeindruckt hat oder was und glatt enttäuscht hat. Denn nicht alles wird immer verbessert, was groß beworben wird, da kommt manchmal nur eine kleine Detail Verbesserung und das wird angepriesen wie der große Wurf des Jahres. 00:00:41 Willkommen 00:02:42 Nuendo 8.1 00:30:19 Wavelab 9.5 00:41:22 FL Studio 12 00:49:34 Abelton Live 10 00:55:21 Reason 10 01:06:12 Pro Tools und Small Talk bis zum ende Des Weiteren reden wir über alltäglich Probleme oder Ereignisse die im Honestudio Alltag auftreten oder immer wider passieren. Dabei kommen auch andere Programme ins Gespräch, mit den man arbeitet oder auch nicht arbeitet und vor allen warum man dieses tut. Wir sind Hobbyisten keine Profis alles was wir in diesen Podcast ansprechen ist unsere reine subjektive Meinung und hat keine journalistischen Anspruch wir werden hier und da Fehler machen oder auch was vergessen zu erwähnen. Wir haben auch nicht den Anspruch professionell zu erscheinen das ist ein nettes Gespräch zwischen zwei Nutzer dieser Tools zu Musik Produktion und keine fach Leute oder gar Profis die eher einen anderen Anspruch an die genannten Tools haben. Auch wenn wir jeder für sich mehr als 15 oder 20 Jahre mit diesen Themen beschäftigt sind wir nicht frei von Fehler und haben unseren ganz eignenden Trott oder Arbeitsweisen. Der Hauptgrund für diesen Podcast ist erster Linie Unterhaltung und Spaß erst dann kommt das informative. Wir geben gerne Tipps aus unsere Erfahrung im Umgang mit den verscheidende Produktions Tools. Intro: Ignition Spark https://www.facebook.com/IgnitionSparkOffical

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Updates in Überfluss

Probe Podcast (M4A Feed)

Play Episode Listen Later Apr 24, 2018 104:11 Transcription Available

Heute geht es um Updates, was ist neu und was gibt es für das Geld. Die frage, die dabei aufkommt ist, lohnt es sich jedes mal diesen schriet mitzugehen. Wir schauen und heute die gängigen Programme an die genutzt werden oder die wir genutzt haben und dabei zählen wir das auf was uns besonders beeindruckt hat oder was und glatt enttäuscht hat. Denn nicht alles wird immer verbessert, was groß beworben wird, da kommt manchmal nur eine kleine Detail Verbesserung und das wird angepriesen wie der große Wurf des Jahres. 00:00:41 Willkommen 00:02:42 Nuendo 8.1 00:30:19 Wavelab 9.5 00:41:22 FL Studio 12 00:49:34 Abelton Live 10 00:55:21 Reason 10 01:06:12 Pro Tools und Small Talk bis zum ende Des Weiteren reden wir über alltäglich Probleme oder Ereignisse die im Honestudio Alltag auftreten oder immer wider passieren. Dabei kommen auch andere Programme ins Gespräch, mit den man arbeitet oder auch nicht arbeitet und vor allen warum man dieses tut. Wir sind Hobbyisten keine Profis alles was wir in diesen Podcast ansprechen ist unsere reine subjektive Meinung und hat keine journalistischen Anspruch wir werden hier und da Fehler machen oder auch was vergessen zu erwähnen. Wir haben auch nicht den Anspruch professionell zu erscheinen das ist ein nettes Gespräch zwischen zwei Nutzer dieser Tools zu Musik Produktion und keine fach Leute oder gar Profis die eher einen anderen Anspruch an die genannten Tools haben. Auch wenn wir jeder für sich mehr als 15 oder 20 Jahre mit diesen Themen beschäftigt sind wir nicht frei von Fehler und haben unseren ganz eignenden Trott oder Arbeitsweisen. Der Hauptgrund für diesen Podcast ist erster Linie Unterhaltung und Spaß erst dann kommt das informative. Wir geben gerne Tipps aus unsere Erfahrung im Umgang mit den verscheidende Produktions Tools. Intro: Ignition Spark https://www.facebook.com/IgnitionSparkOffical

tools spa dabei tipps geld probleme meinung umgang reason erfahrung fehler leute programme ereignisse small talk anspruch profis nutzer pro tools wurf trott arbeitsweisen fl studio musikproduktion der hauptgrund nuendo hobbyisten wavelab abelton live

Luis Nieva - Delta FM 90.3 mhz Night Sessions 229(Parte 1)

Luis Nieva

Play Episode Listen Later Feb 21, 2018 60:06

01. Eddy Romero - Happy Life 02. Darkrow - There are no ties here 03. Ben Teufel Peppe Markese - Be the change (Nuendo remix) 04. Milos Pesovic - Mysterious 05. Andre Gazolla - Acid Hauzz 06. Haidak - 5AM 07. Sharktooth - Save Feesh 08. Lenny Fontana Pres. The Starletts - On His Mind (Danilo De Santo Club Instrumental Remix) 09. DJ Paulo Leite & DJ Grouse & Lisa - Entregate a Mi (Eric Faria Remix) 10. Nuyorican Soul - Runaway (Nacho Casco Edit Mix)

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Rafa Ristallo - All Around (Nuendo Remix)

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Play Episode Listen Later Jan 22, 2018 2:30

Rafa Ristallo - All Around (Nuendo remix) - Natural Rhythm

Klangwerk Radio Show - EP057 - Nuendo (Total Groove)

Klangwerk Records Podcast

Play Episode Listen Later Oct 30, 2017 61:19

Hello music lovers ! This week , we will have Nuendo at the decks !! Like usual we will brodcast the show : Sunday at 21.00 on Radio Vibration Bruxelles *** http://www.vibration.fm/player/brussels.htm *** Tuesday at 22.00 on Total GrOOve Radio *** http://www.totalgrooveradio.com/ *** Monday at 08.00 and Wed at 22.00 on HouseOfHouse *** http://houseofhouse.be/ *** NUENDO *********** Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. Spawned in the heart of Sydney, Nuendo's journey into sound started at 8 years old when a wise man handed him an acoustic guitar. In recent years, as computer technology has become more accessible and music software has advanced, interacting with music production technology is now possible using means that bear no relationship to traditional musical performance practices. Inspired by many different styles of music from around the world, including traditional and neotraditional music – Nuendo's sound in the global spectrum is defined by its fusion of cultural traditions intermingled with contemporary music elements. Facebook https://www.facebook.com/nuendomusic/ Beatport https://www.beatport.com/artist/nuendo/294112 Resident advisor https://www.residentadvisor.net/dj/nuendo-au Soundcloud http://www.soundcloud.com/djnuendo

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Nuendo - Frenemy ()

Play Episode Listen Later Sep 19, 2017 2:30

Nuendo - Frenemy - Waldliebe Familien

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Tomas Drex PODCAST 075 - guestmix by KoZY

Tomas Drex PODCAST

Play Episode Listen Later Jun 1, 2017 65:07

Cosimo, better known as 'KoZY', produces a refreshing blend of Techno and Deep House... Deep Techno perhaps? His music is inspired by the pioneering sounds of Juan Atkins, the energy in the productions of Paul Ritch, the meticulous attention to detail apparent in the works of Maetrik, and many more. Born in Philly in 1987, he has travelled extensively and lived in Brussels (Belgium), Bratislava (Slovak Republic), and in Cambridge (United Kingdom) before settling in Rome (Italy) in 2009. His experience of different cultures and artistic traditions have lead him to produce tracks such as "Dark Waters" (Seawolf rec.), "Adelante" (Eclipse Recordings) and "Sensory Deprivation"(DKR). KoZY started Dj'ing in Bratislava in 2004 and soon discovered his passion for classic house, techno and strong basslines. Wanting to create his own sound, he studied audio and music technology for a few years and explored the electronic music scenes in both the UK and Italy. He started using programs such as Logic and Nuendo and has been producing on Ableton for the past 8 years. Cosimo continues to produce in Rome (Italy); he has tracks signed with multiple record labels of growing importance such as Eclipse Recordings, Black Kat, Red Walls (Owned by Frank Kvitta) and of course the one and only Twisted Frequency Recordings (owned by James Harcourt). Keep tuned in as things will only get better! MORE INFO: https://www.beatport.com/artist/kozy/369527 https://soundcloud.com/kozy TRACKLIST: 01. KoZY - Black & White (Original mix) - 02. KoZY - Track ID - 03. JC Delacruz - Frantic Noise (KoZY Remix) - Schillatech Records 04. KoZY & DaGeneral - Uzers (Original mix) - Static Music 05. KoZY - Lawless State (Original mix) - Kombo Records // TBR 06. KoZY - Kelter (Original mix) - 07. Resonance - Street Legend (KoZY Remix) - Unaffected Records // TBR 08. KoZY & DaGeneral - Save me (Original mix) - Aerotek Recordings // TBR 09. KoZY - Panda People (Original mix) - Parthenope Recordings // TBR 10. KoZY - To the End (Original mix) - TBR = To Be Released No label = Unsigned

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Nuendo - Fira ()

Play Episode Listen Later Apr 22, 2017 6:43

Nuendo - Fira - Natural Rhythm

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Nuendo - Fira (Stanny Abram Remix)

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Play Episode Listen Later Apr 22, 2017 6:45

Nuendo - Fira (Stanny Abram remix) - Natural Rhythm

Nuendo - Fira (Deetech Remix)

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Play Episode Listen Later Apr 22, 2017 6:16

Nuendo - Fira (Deetech remix) - Natural Rhythm

Nuendo - Soul ()

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Play Episode Listen Later Apr 22, 2017 6:45

Nuendo - Soul - Natural Rhythm

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Be Color Music Podcast #027

Be Color Music

Play Episode Listen Later Mar 31, 2017 61:09

Rone White, Groovegsus - Titanium (Original Mix)

Groovegsus Livesets

Play Episode Listen Later Jan 3, 2017 5:46

SORTIE VARIOUS ARTISTS COMPILATION, VOL. 1 ARTISTES American DJ, Cosmin Horatiu, Rone White, Groovegsus, Juan Torrado, Djeep Rhythms, Nuendo, Alex Young, Deetech, Stan Garac, Alf&Gio, Oscar Gaitero, Adrian Moya, David Otero, Adrian Scarlett, Brandon Caballero DATE DE SORTIE 2016-11-20 LABELS Appetite Records CATALOGUE ARV001 €12.42 DESCRIPTION Various Artists - Various Artists Compilation Vol.1 is the latest release on Appetite Records.

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Nuendo - Jungle Talk (Original Mix)

Play Episode Listen Later Aug 2, 2016 1:30

Nuendo - Jungle Talk - Waldliebe Familien.

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Nuendo - Frenemy (Original Mix)

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Play Episode Listen Later Aug 2, 2016 1:30

Nuendo - Frenemy - Waldliebe Familien.

VOL.146 NUENDO (SYDNEY, AUSTRALIA)

HOUSE JET RADIO

Play Episode Listen Later Aug 17, 2015 56:23

HOUSE JET RADIO VOL.146 GUEST DJ: @DjNuendo SYDNEY, AUSTRALIA) SOCIAL MEDIA: nuendo@nuendomusic.com soundcloud.com/djnuendo facebook.com/nuendomusic twitter.com/nuendomusic TRACKLIST: 1.Piemont – Coco Cliché (Tripmastaz Remix) 2.Joyce Muniz – You Always Get Me High (Original Mix) 3.Gorge – Square Wave Romance (Original Mix) 4.Sidney Charles – Talk About Jack (Original Mix) 5.Kevin Knapp – Heft (Original Mix) 6.Sabb Ft. Forrest – One Of Us (Detlef Remix) 7.Groove Armada – Love Sweet Sound (Kolsch Remix) 8.Aaron Ross – Hi Life (Original Mix) 9.Dale Howard – Get Down (Original Mix) 10. August Five – Taking Me Over (Original Mix) 11. Dene Antony – Peace & Harmony (Original Mix) 12. Nuendo – Loneliness (Original Mix) BIO: Three passions, simple but overwhelmingly strong, have governed my life: the longing for love, the search for knowledge, and unbearable pity for the suffering of mankind. Remixes/Bookings: nuendo@nuendomusic.com

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The Producer Podcast #59 - Kovary

EDM Producer Podcast

Play Episode Listen Later Sep 12, 2014 6:04

Hungarian producer Kovary joins us on the Producer Podcast this week! Tell us a little about yourself and the type of music you produce. I’m a musician for more than 20 years. I was born in a small town in Hungary. When I was a kid I formed a rock band with my brother, we played blues rooted retro rock in the late 90’s. Originally I’m a guitar player. In 2003. I joined NEO, a successful Hungarian electro pop band. We made an original soundtrack for a famous Hungarian movie called ‘Kontrol’, directed by Hollywood based director Nimrod Antal. It was his first movie, and it was a huge success in Europe. The ost. won tons of awards, we toured all over Europe in the mid 2000’s. We supported bands like Duran Duran, Kasabian, Massive Attack etc.. Besides I started my own dj career around 2006. I was always into funk and disco. I play the mixture of house, funk, disco and electro, with a little French touch and techno. As a producer I produce nu disco/indie dance and house. How did you get started in electronic music production? In the 90’s I played live rock music. When electronic acts like The Prodigy and The Chemical Brothers were topping the charts in the mid 90’s I was amazed by them, and started build my own home studio. I started to produce music on the computer around 2000. What is your DAW of choice? Cubase. I started on Cubase and Nuendo. Now I use Cubase 7 with Propellerhead Reason Rewire. Tell us about your workflow? How do you write a song? It’s very different in every occasion. In the past I always write songs on the guitar, now on keyboards. Sometimes I have a good melody in my mind, and I build the song around it. Sometimes I make a groovy bass line first. It depends on my mood. Can you tell us your favorite production tips? I don’t have. I love to try new things over and over again. I don’t like routines. Favorite softsynth? I’m an analogue hardware synth fan. I have 9 synths at my home studio (Moog Little Phatty, Sequential Circuits Prophet 600, Roland Juno 106, Korg Polysix etc) Besides I love Arturia softsynths, I have their analogue factory stuff. Favorite effect plug-in? I use UAD plugins. The best on the market. I love them. Favorite piece of hardware? Roland Juno 106. Roland SRE-555 Chorus Echo. SC Prophet 600. Anything else in your studio that you love? My Mackie 1402-VLZ3 mixer. Where do you go to personally learn and improve your production skills? I listen to a lot of music. Mostly funk and disco from the 70’s. All my favourite producers are from that era. I always try to figure out how did they do their job. Sometimes I read magazines like Sound On Sound and Future Music. What is the highlight of your music career thus far? I shared the decks with almost all of my favourite producers. Lot of them supports my music. I had a dozen Beatport Top 100 tracks. I played in front of thousands of people. What really helped your career along? Faith in music. What is the most effective way you have found to market your music? Soundcloud/Facebook/Beatport What is the best gig you ever played? This year in Budapest Akvarium Club, with 2many Djs (Soulwax), in front of 2000 people. What’s the best piece of advice you could give to an aspiring producer right now? Follow your intuitions. I always did that. Where can people find you and your music? https://soundcloud.com/kovary https://www.facebook.com/Kovarymusic https://www.youtube.com/user/kovaryvideos

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Episode 23: Fitting it in the Mix - EQ/Comp/Delay/Verb

Play Episode Listen Later Dec 20, 2011 39:49

This show talks about getting things to fit in the mix using EQ, verb, delay, and compression.

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Episode 22: Drum Recording w. Example

Play Episode Listen Later Dec 8, 2011 32:27

This show is all about my drum recording setup on a typical rock session. Hopefully this gives you some ideas to play with so you can form your own personal techniques

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Episode 21: Project vs. Professional Studios

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Play Episode Listen Later Nov 23, 2011 45:41

This show talks different types of studios and how they operate!

Episode 20: Make Exciting Mixes!

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Play Episode Listen Later Oct 28, 2011 39:13

This show talks about how to make your mixes more exciting by understanding how songs work!

Episode 18: Panning and LCR Mixing

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Play Episode Listen Later Aug 26, 2011 35:26

This show talks about panning and the stereo image

Episode 13: Drum Mixing 101 with Audio Examples!

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Play Episode Listen Later Apr 20, 2011 47:30

This show is all about drum mixing!

Episode 5: Mixing With Computer Speakers: The New NS10?