Podcasts about swing jazz

Pippa speaks to Grace Newton about the Swing Jazz event in Woodstock at the rooftop venue of Brickfield Canvas in Woodstock on Saturday 15 February.See omnystudio.com/listener for privacy information.

Dublin, Ireland born Melanie O'Reilly has become one of Ireland's internationally known jazz singers. Now based in Wexford, she has performed extensively throughout France, Britain, Ireland, Wales, Norway, and the USA, including representing Ireland at the Schoenburg Hall Los Angeles and again at the European Heritage Festival in Normandy in 2019. She was a Visiting Scholar /Musician in Residence at UC Berkeley's Celtic Studies and received an award for "Artist with Extraordinary ability” by the US. While in the Bay Area, she was known as a Bay Area Treasure. While in CA recently, she sang at Keys Jazz Bistro in SF, with the SImon Rowe Organ Trio and has performed regularly with the Bay Area jazz pianist legend Frank Martin. also with George Brooks, Fred Randolph, Jack Dorsey, Deszon Clairbourne, John R Burr. The late Larry Coryell was special guest on her celtic jazz album Enchanted Island. She recently was Jazz Artist in Residence at Wexford Arts Centre, created Jazz Appreciation and Outreach series, performed her own unique song compositions for Culture Night Wexford, and has performed a special Swing Jazz in the Afternoon series in Ireland. She is the creator and host of the award-winning radio series "Jazz on the Bay", originally broadcast on RTE Radio 1, which is has been broadcast monthly on the California jazz station KCSM.orgLINKShttps://melanieoreilly.com/https://wexfordartscentre.ticketsolve.com/ticketbooth/shows/873639047Facebook: https://www.facebook.com/celtic.jazz.9/https://www.facebook.com/melanieoreillymusic/Instagram: https://www.instagram.com/melanieoreillymusic/ @melanieoreillyLinkedin: https://www.linkedin.com/in/melanieoreillymusic/

We are on to part 2 of my 3 part Solo piano Framework. If you missed part 1, go back and watch it when you get some time. But today, we'll be tackling slow swing. My live programs are starting back up in September! My 3-month Accelerator program and 9-month Innercircle Mastermind. For more info go to... https://jazzpianoschool.com/group Also... Have you been trying to learn jazz piano with youtube videos, dvds, teachers but feel like you're still constantly guessing, can't play any tunes without copying what someone else has played, and don't know how to connect all the tid bits you've learned? I went through the same thing but thankfully stumbled upon a learning system I created based on proven language learning blocks. The JPS System brings you through 4 main categories of learning, Theory, Technique, Improvisation and Repertoire. I'll show you exactly how to utilize our popular system so you can finally achieve jazz piano freedom: http://jazzpianoschool.com/lookinside ----------------------------------- Get more FREE jazz piano education from us! Facebook: https://facebook.com/jazzpianoschool Blog: http://jazzpianoschool.com/blog Lick of The Week: https://jazzpianoschool.com/lotd/ http://jazzpianoschool.com/jpspodcast

Join host BJ Murphy on the "20 Minute Morning Show Podcast" as he explores the vibrant musical journey of the Silva Lining Band, a unique ensemble that bridges the gap between two culturally rich cities, Lisbon and London. Born in Lisbon and raised in London, this family trio, comprising Nuno, Catarina, and Tiago, infuses their Portuguese roots with English charm to create a musical fusion that's nothing short of extraordinary. The Silva family motto is clear: "The more, the merrier." This philosophy is mirrored in their debut album, "Lisboa," set to be released on November 10, 2023. The album boasts an impressive ensemble of over 12 musicians spanning a wide spectrum of genres, from Funk to Swing Jazz to Rock. Their latest single, "Let Yourself Be Free," is a glimpse into this musical tapestry, inviting you to move to its rhythm and get lost in its captivating melodies. With a blend of percussion fills and snappy funky brass riffs, this track sets the mood for a night of revelry and dancing with friends. Written by band co-founder Tiago Silva and produced by João Sanguinheira and Tiago himself, "Let Yourself Be Free" brings together eight talented musicians, each adding their unique energy to the song. The track was born in the wake of a global pandemic, when lockdowns lifted, and the world was yearning for the return of gatherings and celebrations. Tiago's encounters with people and the infectious energy he experienced during these moments inspired this song, which serves as an ode to letting loose and a tribute to hanging out with friends once again. To capture the essence of the song, a vibrant and lively party was organized and expertly documented by Pedro Salvado. The result was a resounding success, preserving the soul of the song and its message. The Silva Lining Band is all about family and friends uniting to bring their dream of sharing their music with the world to life. A decade in the making, their journey is a testament to their unwavering commitment to their craft and their desire to share their love of music with the world. Listen to the "20 Minute Morning Show Podcast" with host BJ Murphy to delve deeper into the Silva Lining Band's story, their remarkable music, and their dedication to creating memorable experiences through their art. Enjoy the infectious rhythms and melodies that emanate from this talented family, and witness their ongoing journey to make music that resonates with the world. The Silva Lining Band is here to stay, and their music is sure to leave an indelible mark. Learn more at www.silvaliningband.com --- Support this podcast: https://podcasters.spotify.com/pod/show/bj-murphy9/support

CONVERSATIONS WITH CALVIN WE THE SPECIES #agent #millennial #dancer NEW: PETER GAMBINO; Exec. Booking Agent; Lindy Hopper/Swing Jazz Dancer; Butcher (real); Millennial; Baruch ‘18 186 Interviews. GLOBAL Reach. Earth Life. Amazing People. PLEASE SUBSCRIBE (You can almost find any subject you want) https://www.youtube.com/c/ConversationswithCalvinWetheSpecIEs ** PETER GAMBINO; Exec. Booking Agent; Lindy Hopper/Swing Jazz Dancer; Butcher (real); Millennial; Baruch ‘ 18 YouTube: https://www.youtube.com/watch?v=pLUGiTukCaA CONTACTS: LinkedIn: https://www.linkedin.com/in/peter-gambino/ https://cableknit.bandcamp.com/ pgambino5851@gmail.com ** BIO: I am a jazz dancer, literary critic, musical journalist, and most recently, a butcher. What I could have never known however, was that I would pick up a bass at 14 and be quickly shuffled from shaping my calluses playing scales in a dark bedroom to a well-lit band pit two years later in front of a sold out crowd of 1500, performing a full double album's worth of memorized material for a theatrical production of Pink Floyd's "The Wall". Shortly after enrolling at Rutgers, I discovered partnered vernacular swing jazz, Lindy Hop, and put down the bass to try on a pair of dance shoes. A year later I began taking ballet and modern classes at Rutgers in an effort to catch up after a lifetime of two left feet, but still unsure of how far I wanted to go while struggling to hold a beat and keep my back straight. There was little room for self-doubt left after my dance teacher assured me that "The world needs more dancers," a mantra that I remind myself of daily, as well as other artists around me who have dealt with imposter syndrome. Four years later, I found myself as a dance scene leader and venue owner in State College & converted the ground floor of our house into an informal venue for Lindy Hop and other social dance communities in State College, and eventually burlesque and vaudeville soirees. We also helped to train Ten Brown Shoes, a house band made up of exceptional jazz musicians from Penn State into a group of exceptional swing jazz musicians who knew what it meant to truly play for dancers. July 2022, moving from NY to Charleston, by joining a world-class music venue where I can use my experience working with, advocating for, and booking musicians in order to curate unforgettable performance nights for both artist and audience. At the moment though, I'm happily biding my time cutting meat with a truly flash in the pan crew of butchers, acting as a booking agent and editor for up and coming R&B artist Drananda Summons, and learning how to dance again. ** ** Conversations with Calvin ALSO ON AUDIO: SPOTIFY http://spoti.fi/3bMYVYW GOOGLE PODCASTS http://bit.ly/38yH3yP

Let's go shopping this week with a couple of movies about consumerism! We're talking The Devil Wears Prada, and Dawn Of The Dead (2004). Laura learns about George A Romero, and Deanne learns something cool about Home Alone. We also talk about remakes, taking your sick days, FASHION, and our sidebars have sidebars. Check out our Instagram and Ko-Fi pages! All is fair in Love and Horror!

Норвежский барабанщик и композитор Snorre Kirk имеет свой особый стиль, который возвращает нас во времена регтаймов и таперов начала прошлого века. Он играет как Jimmy Cobb - избегает полиритмий в пользу четкого, лаконичного ударного пульса и точной синхронизации с басовой партией, обеспечивая идеальную основу для своих солистов. Ведущим является американский тенорист Stephen Riley, который черпал вдохновение в игре Lester Young с легким вибрато и хорошо продуманными соло из мелодичных субстанций, а по звучанию он напоминает Ben Webster у которого был феноменальный субтоновый звук. Девять оригинальных композиций, созданных по образцу среднетемповых блюзовых риффов и мелодией в стиле калипсо - это ретро Straight-Ahead Jazz. Пьеса Blues Arabesque напоминает Caravan, а Bright and Early музыку из комедии Операция Ы. Совершенно другой от привычного скандинавского джаза, он действительно свинговый в немалой степени благодаря игре на барабанах, свинговых композиций и мягкому звучанию саксофона. Stephen Riley - tenor sax Magnus Hjorth - piano Anders Fjeldsted - double bass Snorre Kirk - drums ®️ Sundance Music 2021 #swing #jazz --- Send in a voice message: https://anchor.fm/konstantins/message

01. Big and Bad - Big Bad Voodoo Daddy 02. I'm Trumpin'- Eight To The Bar 03. Sing Sing Sing - The Swingcats 04. Goody Goody - Jim Kerl's Swing Session Big Band 05. Jump Jive An Wail - The Brian Setzer Orchestra 06. That Mellow Saxophone - Steve Lucky & The Rhumba Bums 07. Go Daddy-O - The Tony Burgos Orchestra 08. Tintarella Di Luna - Tape Five 09. Jeepers Creepers - The Jive Aces 10. My Babe - Lara Luppi & The Vintage Kings 11. When You're Smiling - Jazz Five 12. House Party - King Pleasure & The Biscuit Boys 13. I'm Beginning To See The Light - Jonny Cooper Orchestra 14. Don't Be That Way - Jazz Ambassadors 15. Jumping At The Woodside - The Syd Lawrence Orchestra 16. Penguin Swing - Cab Calloway Orchestra 17. Big Swing Face - The Buddy Rich Big Band

From delicately dancing the Swing Jazz to respecting the Mongolian tradition through dancing to the "Narnii biyelgee", Hobby School's Dance Club offers the finest forms of performance. Interest Podcast delivers you an interview with the wonderful representatives of the Dance Club. Interest Podcast of Hobby School is a student run club. |

For 25 years, Kansas Public Radio's amazing show, The Retro Cocktail Hour, has been the home of Space Age Pop and incredibly strange music! And if you haven't heard, or think you haven't heard this great music, otherwise known as Lounge Music, then you're in for a treat! RCH host, Darrell Brogdon joins us direct from the underground martini bunker to discuss his career, and his passion for this incredible music that also includes Exotica, Swing Jazz, Organ music and so much more!! We take a deep dive into the artists and songs that are still popular today and influencing today's musical artists. If you're not listening to this addictive show, then you're missing out on all the music that's shaken, not stirred. And don't forget, The Retro Cocktail Hour's 25th anniversary celebration is happening soon, so check out this amazing interview to learn the details! Also, check out the images on our web page that correspond with some of the things we talked about! Darrell and the Retro Cocktail Hour can be found at: http://www.retrococktail.org Chris Can be found at: http://www.storiesmotion.com Haven Podcasts: Patreon: https://www.patreon.com/ThenIsNowPodcast TeePublic: http://www.teepublic.com/stores/havenpodcasts Feedback: thenisnow42@gmail.com Join the conversation at our Facebook Group Twitter: @HavenPodcasts Website: havenpodcasts.com where you'll find our sister show, The East Meets the West, in which we discuss Shaw Brothers films and Spaghetti Western movies! Please SUBSCRIBE to our YouTube page, also! Don't forget to go to wherever you download your podcasts from and leave us a great review so more listeners can find us! You can find us on all the podcasting apps, especially the big 3: iTunes, Spotify, and Stitcher! Enjoy, Re-Gor

Свежее и радостное настроение запечатлено в новом релизе The Upside Of Down пианиста Joe Alterman. Это запись двух концертов в нью-йоркском клубе Birdland в ноябре 2019 и феврале 2020 года, которое напоминает нам о недавнем времени, когда мы собирались вместе и могли потанцевать. После того как Джо закончил Нью-Йоркский университет со степенью бакалавра и магистра джазового фортепиано, последовали выступления с Houston Person, Les McCann, Dick Gregory и Ramsey Lewis. Журнал Downbeat описывает звучание альбома как уходящее корнями в блюз и отчасти напоминающее о великих пианистах 1950-х - Red Garland, Ahmad Jamal и Bill Evans. Трио легко и с удовольствием играет оригиналы лидера и вечные стандарты Oscar Peterson, Steve Allen, Henry Mancini, Less McCann и других. Весь альбом пропитан весёлым и танцевальным свингом от мейнстрима до хард-бопа, звучит просто и непринужденно, будет понятен всем и это тот случай, когда ноги сами идут в пляс. Ropeadope Records 2021 Joe Alterman - Piano Nathaniel Schroeder - Bass Marlon Patton - Drums Recorded at Birdland on 14.11.2019 and 21-22.02.2020 by Rob Polanco & Taylor Ryan Engineered, Mixed and Masted by Gopal Swamy #swing #jazz #bebop --- Send in a voice message: https://anchor.fm/konstantins/message

Ladscho Swing spielt feinsten Swing-Jazz in der Tradition von Django Reinhardt und Stephane Grappelli, mit Geige, 2 Gitarren und Kontrabass. Die Musik steht für Eleganz, Charme und Esprit. Jazz-Standards wechseln sich ab mit Evergreens aus Südamerika und Osteuropa. Federnder Rhythmus, farbige Melodien, lockere Improvisationen charakterisieren die Musik. Sie spricht viele, ganz unterschiedliche Menschen an und macht einfach gute Laune. Der Kopf Martin Welter erzählt von seiner Liebe für diese einzigartige Musik.

Vous écoutez Dig Dig Diggers, le magazine des radios Ferarock ! L'artiste Franco-Américain Mick Strauss se confie sur les coulisses de ce premier album "Southern Wave" ! On y retrouve l'énergie rock du début des 70's qui vient s'imbriquer à la basse lourde, les guitares crissantes et les synthés mélancoliques des années 80. Découvrez "Blue Weekend" le nouvel album du quatuor rock britannique Wolf Alice mené par la charismatique Ellie Rowsell dans cette interview signée Canal B : musique magnétique, refrain enflammé, riff grunge sur fond de désir et de rage, de liberté et de joie ! Canal B vous emmène également dans les coulisses du label rennais 3615 records, qui réédite des enregistrements de Swing Jazz publiés à l'origine sur 78 tours dans les années 40 par le Hot Club de Rennes (club de jazz crée par des musiciens rennais).

Today’s episode kicks off our April Jazz theme on The Music Podcast for Kids! We hope you enjoy this encore presentation of Jazz Music. Mr. Henry and Mr. Fite travel through time to learn all about the history of jazz. Learn about the different styles of jazz that evolved throughout time. Even learn about Mr. Henry’s and Mr. Fite’s experience of playing jazz music! Be sure to leave a review wherever you get your podcasts. Thanks so much for listening! Listening Challenge Answers: Which style of jazz do you hear?  Dixieland Jazz Free Jazz Jazz Fusion Bebop Jazz Check out our YouTube channel: Remember to Share and Subscribe! https://www.youtube.com/channel/UCdGhqK_DWpRIKS45ICqN3eQ   ***Classroom and Homeschool Teachers***  Find our digital resource to help enhance your classroom HERE!   Like us on Facebook!    Mr. Fite Check out original fun and educational music from Mr. Fite at  https://brucefite.com/music and subscribe to Mr. Fite’s YouTube Channel   Mr. Henry Learn music and the piano with Mr. Henry by subscribing to his YouTube channel:  Mr. Henry’s Music World   Let the music begin in 3, 2, 1... Learning music, having fun. That’s what we’re gonna do. Mr. Henry, Mr. Fite, exploring along with you. Learning music, having fun. That’s what we’re gonna do. Mr. Henry, Mr. Fite love hanging out with you. The Music Podcast for Kids! Hello and welcome to The Music Podcast for Kids we're your hosts Mr. Henry and Mr. Fite - Music educators extraordinaire! The Music Podcast for Kids is a fun and educational podcast where we learn and explore the best subject ever -  music!   In today’s episode, we are learning about Jazz Music. And now, the music joke of the day. We love jokes, so if you have a joke, please visit our website themusicpodcastforkids.com to submit your joke. And guess what? It doesn't even have to be a music joke; it can be any joke. We will read and enjoy your joke on the podcast and also let everyone know who it came from and where you are in this great big wonderful music world.  Our joke of the day is What do you get when you cross a sweet potato and a jazz musician?    A Yam Session! Make sure to send in your jokes by visiting our website themusicpodcastforkids.com a link to the website can be found in the show notes.    And now, the music word of the day. Bruce: Before we get to our main focus of the day, Jazz, let's take a look at the music word of the day: Improvisation!   Bill: Improvisation is a fancy smancy word for making something up on the spot.   Bruce: The word improvisation can be used for a variety of art forms. We can see improvisation in drama and comedy, dance and of course…. Music.   Bill: You can improvise when playing jazz, blues, and many other genres.   Bruce: In the 1500s through the 1700s there were many performers entertaining people in the streets of Italy. Performers would come up with a basic storyline, but mainly make up the parts during the performance   Bill: That’s right they would improvise!  A mime is a popular type of street actor and will typically improvise while interacting with the crowd.   Bruce:  Dancers will also improvise quite a bit. Break dancing is usually completely improvised during a performance. A dancer may have some ideas….. but the order in which they perform the dance moves are improvised.   Bill:  The tango also relies on improvisation and is encouraged. Many of the moves ARE practiced but, high-level of dancers also use improvisation.   Bruce: Ok, onto Music. Music can be improvised in a variety of styles. Let's take a look at jazz. Listen to this sample of a saxophone performing with drums, piano, and bass. The saxophone in this section does not have any music notes to read…he is just making them up! That is improvisation!    Bill: Next is the blues: take a listen to the piano player improvising with the 12 bar blues……. Nothing is written down. He is just performing anything he wants!   Bruce: In rock music, we often hear the electric guitar taking a solo. Let's take a listen…..  At that point, the guitar player is given the opportunity to play whatever he wants. He had to practice a lot to become this good.    Bill: Awesome! And that’s the:   Together: “Music Word of the Day!”   Thank you so much for listening. We hope you are enjoying the show so far. Please subscribe to the podcast to receive the latest episodes and leave a review through iTunes or wherever you get your podcasts. Also, get updates on what we are up to through Facebook and Instagram by finding us at Music Podcast for Kids. Links will be found in the show notes. On to the show!   And now, the main subject of the day.   Bill: Jazz came about a long time ago in New Orleans from African American communities during the 19th and 20th centuries. That’s over 100 years ago!   Bruce: Jazz music typically has a swinging beat…..like this (drums play). That is what gave jazz its unique sound and style.   Bill: There are many different styles of jazz, so let’s take a journey from the beginning to now. To the music time machine!!!   Br: Wait, you have a music time machine?   Bill: Yessir, Mr. Fite. Check it out, it’s the Time Travelling Honda Civic 3000.   Br: No way, the Time Travelling Honda Civic 3000.   Bill: You bet ya, 4 cylinders or pure time travel. It can go 0-60 in about a hundred years….ago… wait that doesn’t sound quite righ…..   Bruce: (looking inside) Oh cool, it has cup holders and everything.   Bill: Oh yeah it does. Ok, let's get in. Start this bad boy up, punch in the time 1910. New Orleans.   1910:  New Orleans. Dixieland Jazz. Yes, this is where it all started. Typically you would hear instruments like the trumpet, trombone, clarinet with a rhythm section. The rhythm section would have at least two of the following instruments:  guitar or banjo, upright string bass, piano, and drums.   Bruce: Pretty cool stuff. Love that Dixieland sound. Do you think we could stop for some Gumbo…I’m kinda hungry.   Bill: Oh no, we have no time to waste!   Bruce: No time to waste? But we are in a time machine. We have all the time in the world!   Bill: No, no we must get to the next destination. The 1930’s. Swing Bands! (dials in) and gooooooooooo    Bill: In the 1930s big band swing was rockin. It was created for people to dance to! The band grew bigger with more trumpets, trombones, saxophones and definitely had a rhythm section. The rhythm section included the piano, bass, drums, and sometimes guitar.   Bruce: Good stuff. It definitely makes me want to dance.   Bill: Yeah me too! Ok, onto the next stop! The 1940’s! Wooooahahahhhhhahah   Bill: In the 1940s bebop arrived. Bebop has super fast tempos. Tempo is the speed of music and Bebop was the fastest out there.   Bruce: It was created by musicians who were looking to perform challenging music. Dizzy Gillespie was well known for getting the bebop style of jazz in place.     Bill: They would have to practice and play a bunch to get that fast! Wow!   Bruce: That is the fastest playing I’ve ever heard.   Bill: I know right! Ok, the next stop is a little later in the 1940s…when the music chilled out a little.   Bruce: Oh chilled out…. Does that mean we can stop for ice cream?   Bill: Ice cream? No no no, ok let me punch in the numbers. Here we goooooo!   Bill: Later in the 1940s, Cool Jazz was born. Cool jazz is a calmer, slower, and smoother sound. They would hold notes out longer, and longer and longer and…. Hey, do you think you could end that note there? How is he holding that note for so long? (music stops). Oh, well thank you. Miles Davis was well known for his cool jazz trumpet solos.   Bruce: That is pretty….cool (drum set hit)   Bill: Yes, Mr. Bruce, thank you for that. Ok onto the 1950s! Goooooooooo   Bill: In the 1950s, free jazz was introduced.   Bruce: Free jazz? You mean no one paid for it anymore?   Bill: Oh no no. People paid for it all right. Free Jazz has an unusual sound for many reasons… but one reason is because of the different meters. So for example, if we listen to this swing beat and I count to four, it fits perfectly (1234)…but in free jazz, you may hear something like this….the meter could change from 3 to 4 to 5…all over the place. Let's listen. That would allow musicians to freely play anything they want, and experiment with different sounds, progressions, melodies, and so on. They were thinking outside the music box.   Bruce: You mean they used a music box in free jazz? (music box plays)   Bill: Oh boy…No no no… I mean…oh forget it. Let's move on. It’s time to get to the 1960s! Woooooahhhhhhh.   Bill: In the 1960s-70 jazz fusion or sometimes called “jazz-rock” fusion was born.   Scientist (In a scientist's voice) Ah yes, fusion. Is the process of combining two or more distinct entities into a new whole. For example, binaural fusion (drops the background) is the cognitive process of combining the auditory information received by both ears. Nuclear fusion: multiple atomic nuclei joining to form a nucleus lighter than the combined input nuclei. Or Cold fusion, a hypothesized type of nuclear reaction that would occur at or near room temperature…   Bill: Hey who is this guy?   Bruce: Oh, that’s my scientist buddy babbling about fusion again.   Bill: Hey, um Mr. Scientist guy… um well, we are talking about Jazz Fusion…not Binaural fusion.   Scientist: Jazz Fusion? Hmmmmm? Interesting.   Bill: Ok, the word fusion deals with mixing two things together. So during this time, rock and jazz music were mixed together to create what we know as fusion. Fusion focused around improvisation and used rock and electronic instruments heavily. Ready for the next stop?   Bruce: You betcha!   Bill: What about your scientist friend?   Bruce: Oh he will be OK here…I think he is going to study more about jazz fusion.   Bill: Well Ok! To the ’80s. Here we gooooooooooooo.   Bill: In the 1980s, smooth jazz was introduced. Many times the saxophone played the melody with a sweet smooth sound.     Bruce: Artists like Kenny G, the yellowjackets, and many more were popular during this time. Onto the 2000s! Woooooahhhhhh!   Bill: In the 2000s- Latin and Afro Cuban jazz were being performed and could be highly rhythmic using a variety of percussion instruments and sounds like the drum set with cowbell, woodblocks.    Bruce: Woah those are some cool sounds!   Bill: Super cool! Welp, I guess it’s about time to travel on back. Back to the fu…   Bruce: Woah I think I just saw the younger version of myself! Wow, I looked so young….and   Bill: Come on Mr. Bruce. Back into the Time Travelling Honda Civic 3000. Gotta learn about what's cookin' in the jazz world now! Woooooahahhhahahahaha.   Bruce: Nowadays we find all types of jazz music. Kids and adults learn how to play the earlier jazz music and combine all different styles together. You may even have a jazz band in your elementary, middle, or high school!  Phew, we learned a lot about the history of jazz today.   Bill: We sure did.   Bruce: What’s your favorite style of jazz?   Bill: Oh tough to say, I do like them all. Bebop is fun to listen to, though…all those fast notes! What about you Mr. Bruce?   Bruce: Welp…I’d have to say cool jazz.   Bill: Oh yeah, well why is that?   Bruce: Because it keeps me thinking about ice cream…specifically mint chocolate chip ice cream .it’s the best…the cool minty taste with the combination of a sugar cone on a hot day just chillin’ to the cool jazz   Bill: Oh boy…. The Music Podcast for Kids is brought to you by brucefite.com. Our very own Mr. Bruce Fite has truly fun and educational songs to listen to and sing along to. Music can be purchased through Facebook, CDBaby, and other downloadable websites. Stream Bruce’s music through Spotify, Amazon Radio, or wherever you listen to music. Bruce also performs live events. Visit brucefite.com for more information about his music and booking live events.   Time for the super-duper music challenge. It’s time to test your ears. Test your ears? I don't think you can really give your ears a test Mr. Henry. I mean how do your ears hold a pencil without bleeding? Oh no Mr. Fite, when I say test your ears I mean listening to something and trying to figure it out through hearing it. Oh right of course. Time to play the music podcast for kids super duper music listening challenge. A little bit long of a title? We’ll have to work it out. Okay onto the challenge.   For today's challenge, we are going to listen to some jazz music and you have to figure out which style of jazz it is. I will give you two options. Here is number 1. Is this Cool Jazz or Dixieland Jazz? Number 2 is this Free Jazz or Swing Jazz? Number 3. Is this Jazz Fusion or Afro Cuban Jazz? and number 4. Is this Dixieland Jazz or Bebop? To check your answers, go to the show notes. We hope you did an awesome job    Just Chattin’: So Bruce we talked about jazz and the different styles. Have you ever played in a jazz band? Yes, but I wouldn't call myself a jazz musician. When I was in college they had a jazz band and they welcomed me into the group. I played guitar and it was really kind of learning on the job. Like they didn’t expect much which was kind of nice. It lowered the pressure. But they taught me a lot. They challenged me with the scales in the playing the standards. That was something I appreciated that we played a lot of the jazz standards. Coltrane, things like that. Cool and soloing and you would do solos? Yeah, and they had me do some solos. It was just to kind of feel that pressure of you know you're on. And you know whatever. I had a professor that talked about making mistakes and he used to say when you improvise you really don't make mistakes yeah you just made a decision you didn't think you were going to make and you keep on moving. And it was kind of nice because I think it kind of took the pressure off oh I messed up a note or whatever. Music can be so precise. Improv is just like having a conversation. You mess up a word or whatever, but no big deal. yeah, you just keep going yeah yeah. How about you? We did have a jazz band towards the end of my high school career and I played the drum set in that band. That was fun you know just playing standards. It was a very small school so there weren't many of us. Then in college, I auditioned for piano and drums and was lucky enough to play both of those. So I would actually kind of like switch off in between songs. Wow yeah. And then towards the end of the college career, I was starting to play in so they had a big band and then they had an octet which was just eight players. And so I was able to play drums for that and then sometimes would play piano as well. But then we got a good friend of mine, he was a really good piano player and jazz piano player. And also he was always the guy doing the piano on that which is really cool. So which was nice for me because I like playing the drums too. So it was really cool playing with him. So in and then we would actually play,  the three of us there was him, which was Phil and myself and a kid named Ben who's a really good bass player. And we started to kind of play some stuff just the three of us. Like a trio. It was a lot of fun. And then even today the band I play with we play pop music but we did a lot of jazz stuff as well. Just standards and that was a trio. then we had a saxophone player right so yeah. Speaking of good players, my wife and I, we had an opportunity to go to Puerto Rico for a couple of days. It was a gift someone gave us. And a guy there has a restaurant called a piano bar and he toured with the Beach Boys for ten years and when he retired from that he opened up his own restaurant. We came in and played. Like we were sitting there like oh my goodness and he was phenomenal. All original music, original jazz. And he actually used a melodica keyboard. He had it set up on top doing the left-hand right. It was so it was really cool to see right there in front of you. Like this guy who traveled the world, he was just so relaxed. I love what you said about the improv part of jazz because that is like it's so much fun to do and you don't really think about it differently than you know making sure you get all the notes right. so yeah good stuff. Love it.   Time to wrap it up, folks! Thank you so much for tuning in to the Music Podcast for Kids. We hope you enjoyed the show, and most importantly, learned something cool today about music. Remember to send in your jokes or even a topic in music you would like us to discuss by visiting our website themusicpodcastforkids.com. Please visit iTunes to leave a review of the podcast and also share the podcast with friends, relatives, aliens, whoever! Again we thank you so much for tuning in! 

Welcome to Episode 0, my first attempt at creating a podcast episode. In it, I describe why I'm doing the show and the two show formats. A transcript is available. 00:16 Prologue: Eugene Power and Finding a Nitch I begin by sharing the story of how Eugene Power founded the company, University Microfilms (now called ProQuest). I link the story to why I'm podcasting about leadership. 05:46 Part 1: Why Unlabeled Leadership I define Unlabeled Leadership and explain the show's intent (hint: improve how we lead). 08:47 Part 2: What to Expect For the remainder of the episode, I explain how the Tuesday/Thursday guest format and the Wednesday format differ. _________________________________ How You Can Support the Show While Unlabeled Leadership is a free service for people to learn about leadership, the production can be expensive. You can help ensure the show's continuation by making a $0.99 donation. Your support enables the show to grow and add features such as transcripts to improve accessibility. https://anchor.fm/unlabeled-leadership/support Episode Transcript Episode Links Proquest (mentioned in the episode) Gary DePaul's website Gary's books: What the Heck Is Leadership and Why Should I Care? Nine Practices of 21st Century Leadership Background Music 00:00 Theme music: Inspiring Uplifting Corporate by mixer_drummer 00:34 Uplifting Sentimental Acoustic Folk by pinkzebra 05:39 African Travel by simming 08:40 Swing Jazz by EightBallAudio 13:03 Fun and Flirty by BrownHouseMedia Lead on! --- Send in a voice message: https://anchor.fm/unlabeled-leadership/message Support this podcast: https://anchor.fm/unlabeled-leadership/support

Mardi Hogan may not be a household name when you think of local drummers, but I have a feeling that'll change very soon. The reason you may not be familiar with Mardi is largely due to the fact that she hasn't actually been playing for very long at all. So what makes a happily married mother who is already busy balancing her career and family duties decide to pick up the sticks for the first time? Find out how Mardi became affiliated with Red Cybals despite only being relatively new to drumming. Mardi is living proof that it's never too late to take up an instrument. I found our chat to be quite inspirational as well as informative with Mardi sharing some fabulous tips on mastering the kit! Mardi is certainly a passionate musician and a delight to chat with, we had a lot in common including our first concert experience! Keep your eye out for her band Easy Tiger, and ladies who like to jam will be pleased to know that Mardi has organised a once a month Girls Jam, for more info please see the link below. The interview covers Mardi's background, her musical journey thus far, and don't forget to hang around to the end to see how many of the 20 questions Mardi manages to get through in 2 minutes! Music; intro and outro is a Swing/Jazz practice piece performed by Mardi Please remember to subscribe, like, follow, rate, and comment (whichever your podcast listening platform allows) to assist my podcast series to reach more music interview podcast listening audiences. If you enjoy this then please leave a comment, I hate to nag but having audience interaction is the only way to get the various podcast platforms to promote a podcast series. Thank you Di Spillane (aka ) Band It About :) #BandItAbout #Adelaide #LiveMusic #Australia #MusicInterviews #unescocityofmusic #Localmusicians #Drummers #TheEngineRoom Important links for this episode: Instagram Mother.Drummer Red Cymbals Australia Easy Tiger Mardi Hogan Facebook Girls Jam Club Rogers Drum Lab Contact Band It About: Email: banditabout17@gmail.com Messenger; Band It About - Proudly Supporting Live Music Watch Band It About videos: Facebook; Band It About - Proudly Supporting Live Music YouTube; Band It About - Proudly Supporting Live Music Listen to the Band It About podcast series: Apple Podcasts; Band It About - Proudly Supporting Live Music Podcast Series Overcast: Band It About - Proudly Supporting Live Music podcast series Spotify; Band It About - Proudly Supporting Live Music Podcast Series Anchor Podcasts; Band It About - Proudly Supporting Live Music Podcast Series --- Send in a voice message: https://anchor.fm/dianne-spillane/message

Swing Stuff is a podcast about swing dancing, swing music, and all of the various stuff that intersects with swing dance culture both historically and today.Any feedback for the show? Get in touch at hello@swingstuff.comSupport the podcast on Patreon!If you like the show, please leave us a review and rate us on Apple Podcasts! It helps others find the show, and gives Ruby a warm and happy feeling of love and validation.Website: www.swingstuff.comFacebook: www.facebook.com/swingstuffpodcastInsta: @swingstuffpodcast_________________________Host, Producer, Editor: Ruby Bell @rubysbellsShow Art, Technical Support, and Unwavering Moral Support: Jonathan Topf

KBIA's Lee Wilkins visits with Josh Chittum of the We Always Swing Jazz Series. The Series is selling tickets now for their 25th anniversary season.

KBIA's Lee Wilkins visits with Josh Chittum of the We Always Swing Jazz Series. The Series is selling tickets now for their 25th anniversary season.

This week I'm chatting to the charming Mr Paul Norcross-King. Episode 40 and we are coming to you live(ish)from the garden of my local pub! Paul is a talented Tenor who specialises in Early and Contemporary Opera, Oratorio, Musical Theatre, Operetta, Lieder, Melodies, Art Songs, and Swing Jazz. Paul is also a talented Actor/Musician and is a multi -instrumentalist. We talk about Paul's experiences of being a young gay boy in Kent in the 70's and 80's. The local influence of the 'Rolling Stones' on his area and how different his schooling experience was to mine. Paul talks candidly about being bullied and how his career trajectory took him from school to the city to touring the USA as one of 'Ireland's Three Tenors' . Our chat is very relaxed, fuelled by wine and beer, and is as you would find us in conversation on a Wednesday evening in April! Open a wine and join in. Links to Paul - http://paulnorcross-king.com/pjnk/Welcome.html https://encoremusicians.com/Paul-Norcross-King?tab=3 twitter.com/pjnorcrossking

01. Swingfood Mood - Tape Five 02. Hollywood Tale - Royal Crown Revue 03. Diga Diga Do - Big Bad Voodoo Daddy 04. Tangled Up - Caro Emerald 05. Alley Cat - Jim Kerl's Swing Session Big Band 06. The Lady Is a Tramp - Cherry Poppin' Daddies 07. It's Only A Paper Moon - Tony Burgos & His Swing Shift Orchestra 08. Swing Brother Swing - Blue Harlem 09. Bongo Boogie - King Pleasure & The Biscuit Boys 10. Rock 'N' Roll Movie Star - Jive Aces 11. Halleluja I Love Her So - Jazz Five 12. Rock Me - Eight To The Bar 13. Comes Love - Lara Luppi & The Vintage Kings 14. Mr. Trump - The Lucky Duckies 15. Route 66 - The Brian Setzer Orchestra 16. Flying Home - Ray Gelato 17. My Little Suede Shoes - The Swingcats

Im Feld der Musik werden Rom_nja und Sint_ezze besonders exotisiert und stereotypisiert. Warum kann es dennoch wichtig sein, Musik explizit von Rom_nja und Sint_ezze zu spielen? Ihr hört eine kleine Geschichte moderner Musik von Rom_nja, Sint_ezze, Manouches und Lovara seit den 1930er Jahren und wie sie verwoben ist mit Diskriminierung vs. Roma-Aktivismus. Playlist: * Django Reinhardt: Dinah * Christian Escoudé Group: Dolores * Schnuckenack Reinhardt: Fuli Tschai * Café Noir: Lass Maro Tschatschepen * Kitty Winter & Gypsy Nova: My Family * Sinti Swing Berlin: Johnny, tu n'es pas un ange * Gypsy Love: Just a little Love * Karl Ratzer Group: New Waltz * Marianne Rosenberg: Ruf an! * Duo Z: Lustig wär' das Z[...]leben * Martin Lubenov: Lovely Istanbul * New York Gypsy Allstars: Smiles * Dotschy Reinhardt: Django's Theme Die Sendung läuft am 6.7.2016 auf coloRadio Dresden um 18 Uhr, auf Radio Dreyeckland in Freiburg am 5.9. um 16 Uhr, weiterhin auf Radio t in Chemnitz, Radio blau in Leipzig, Radio Frei in Erfurt und Radio Corax in Halle. Zitiervorschlag (bei Zitierung einzelner Sprechender aus der Sendung): Vorname Name, in: Radio RomaRespekt #9 – Swing, Jazz, Pop und Widerständigkeit von Rom_nja und Sint_ezze, Erstausstrahlung am 6. Juli 2017 um 18 Uhr auf coloRadio in Dresden, [Link] (abgerufen am ...)

Tea for One/孤品兆赫-107, 爵士/The Way You Look Tonight微信订阅号：【孤品兆赫】微博（新浪/腾讯）：【孤品兆赫】本期更新一期爵士专题，随便挑了几首Swing Jazz的曲子，欢迎收听。Tracklist 1. < The Way You Look Tonight > -- Tony Bennett, 1997 2. < The Way You Look Tonight > -- Peggy lee & Benny Goodman Sextet., 1942 3. < I've Found A New Baby > -- Benny Goodman Sextet, 19414. < I've Found A New Baby > -- Lester Young, 1946 5. < They Can't Take That Away From Me > -- Lester Young, 1958 6. < Round Midnight > -- Dexter Gordon & Herbie Hancock, 1987

Tea for One/孤品兆赫-107, 爵士/The Way You Look Tonight微信订阅号：【孤品兆赫】微博（新浪/腾讯）：【孤品兆赫】本期更新一期爵士专题，随便挑了几首Swing Jazz的曲子，欢迎收听。Tracklist 1. < The Way You Look Tonight > -- Tony Bennett, 1997 2. < The Way You Look Tonight > -- Peggy lee & Benny Goodman Sextet., 1942 3. < I've Found A New Baby > -- Benny Goodman Sextet, 19414. < I've Found A New Baby > -- Lester Young, 1946 5. < They Can't Take That Away From Me > -- Lester Young, 1958 6. < Round Midnight > -- Dexter Gordon & Herbie Hancock, 1987

Cantina bump, Swing Jazz house from the future.

Cantina bump, Swing Jazz house from the future.

Tea for One/孤品兆赫 - Notice 微信订阅号：【孤品兆赫】 微博（新浪/腾讯）：【Tea for One/孤品兆赫】 荔枝FM：www.lizhi.fm (FM34184,孤品兆赫） 豆瓣小站：【Tea for One】 小公告一则。每期节目的曲目单，有需要的朋友可以通过3个途径查询。 1. 通过荔枝FM的网页版，登录本台可见。 2. 订阅【孤品兆赫】微信订阅号，可查询每期曲目信息。 3. 通过豆瓣小站【孤品兆赫】，也可以看到每期节目曲目信息。 另，这里也作一个节目预告，下一期节目的更新时间2014年的9月5日，也就是下个星期五，Tea for One/孤品兆赫-Vol. 48。 会继续聊法国爵士吉他手Django Reihnhardt的专题，介绍Django跟同时代的美国爵士大师合作的录音。很多录音都是很难得找到，对老派Swing Jazz有兴趣的朋友，欢迎下周五收听。

In the 1930s, two types of American music, the rural Country/Western and the urban Swing Jazz, were combined to create Western Swing, a popular type of music that crossed racial boundaries. In this episode we’ll learn about the roots of Western Swing, and hear the music of its most famous performer, Bob Wills.

In the 1930s, two types of American music, the rural Country/Western and the urban Swing Jazz, were combined to create Western Swing, a popular type of music that crossed racial boundaries. In this episode we’ll learn about the roots of Western Swing, and hear the music of its most famous performer, Bob Wills.

“Swing” took over the jazz world in the 1930s and became the music your great-grandparents danced to during World War II. In this episode, modern day Swing performers explain and demonstrate where Swing Jazz came from, why it was so popular, and where you can find it today.

“Swing” took over the jazz world in the 1930s and became the music your great-grandparents danced to during World War II. In this episode, modern day Swing performers explain and demonstrate where Swing Jazz came from, why it was so popular, and where you can find it today.

There’s a question every good jazz musician can answer just by listening to a song: “Does it Swing?” In this episode, we introduce several kinds of vintage and modern swing music: Swing Jazz, Western Swing, Gypsy Swing, and New Jack Swing and learn what music needs to have in order to “Swing.”

There’s a question every good jazz musician can answer just by listening to a song: “Does it Swing?” In this episode, we introduce several kinds of vintage and modern swing music: Swing Jazz, Western Swing, Gypsy Swing, and New Jack Swing and learn what music needs to have in order to “Swing.”