Popular operatic singing group: Plácido Domingo, José Carreras and Luciano Pavarotti
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7 episodes with The Three Tenors
2 episodes with The Three Tenors
3 episodes with The Three Tenors
2 episodes with The Three Tenors
2 episodes with The Three Tenors
2 episodes with The Three Tenors
2 episodes with The Three Tenors
2 episodes with The Three Tenors
4 episodes with The Three Tenors
Would you like to know how to create a truly unforgettable business experience? Today, Eric explores the power of engagement and explains how to design unique experiences, sharing insights from an inspiring conference and an example of a past touchpoint that left a lasting impact. Stay tuned for valuable strategies to enhance your engagement and create unforgettable experiences. Focusing on What Never Changes Jeff Bezos focuses on what remains constant because Amazon customers always want lower prices and faster delivery. Applying that to the meetings and events industry, Eric identifies two unchanging factors- the need for in-person gatherings, as nothing replaces human connection, and the demand for unique experiences, as people constantly seek unforgettable one-of-a-kind moments. Examples of Unique Experiences Eric has organized events in over 50 countries, creating exceptional experiences that people will never forget. A standout example is the 1998 FIFA World Cup, where he ensured his clients had premium tickets, even amid the chaos of ticket fraud. The highlight was a Three Tenors concert under the Eiffel Tower. Another remarkable event he designed was a unique dining experience across multiple hotel locations. Insights from the MMT Mastermind Conference Eric recently attended his favorite annual conference, the MMT Mastermind Talk, founded by Jason Gaignard. This event is exceptional due to its year-round engagement, ensuring attendees stay connected beyond the conference. Personalized seating based on in-depth intake forms fosters meaningful conversations, while a carefully curated agenda balances inspiring keynotes with interactive sessions. The conference also offers abundant networking opportunities, leaving participants feeling deeply connected, motivated, and eager to return year after year. Key Takeaways for Business Owners Eric highlights the importance of being intentional about designing engagement. By curating thoughtful touchpoints and creating exclusive experiences, businesses can forge deep connections and ensure long-term success. He encourages business owners to break free from the cycle of short-term projects and focus on building sustainable, thriving enterprises. Connect with Eric Rozenberg On LinkedIn Facebook Instagram Website
Send us a textIn this timely and special episode of The Beached White Male Podcast, host Ken Kemp welcomes back his trusted friend and guest, Betsey Newenhuyse, for a deep dive into the emotional and spiritual challenges of our current political climate. As the nation grapples with division and uncertainty, Ken and Betsey explore how faith, friendship, and personal reflection can serve as vital coping mechanisms.Their conversation is framed by two compelling pieces of writing: an essay by the celebrated storyteller Garrison Keillor and Katherine Stewart's powerful new book, Money, Lies, and God: Inside the Movement to Destroy American Democracy. Keillor's reflections on friendship, place, worship, and prayer provide a sense of comfort and nostalgia—reminding us of the grounding forces in our lives that help us weather difficult times. Meanwhile, Stewart's investigative work exposes the dangerous political forces seeking to manipulate faith for power, offering a sobering counterpoint to the more personal and spiritual aspects of the discussion.Ken and Betsey reflect on the tension between these two perspectives—the solace found in spiritual traditions versus the urgent need to confront political realities that threaten democratic values. Through honest conversation, they explore how people of conscience can stay engaged without losing hope, how faith communities can be both a refuge and a call to action, and how, even in the midst of turmoil, we can still proclaim, “It is well with my soul.”The Three Tenors perform “It Is Well With My Soul” in Bath, EnglandBecome a Patron | Ken's Substack PageSupport the showBecome a Patron - Click on the link to learn how you can become a Patron of the show. Thank you! Ken's Substack Page The Podcast Official Site: TheBeachedWhiteMale.com
This Italian supergroup, featuring the vocal talents of Tomi Fooler, Giacomo Voli, and Ivan Giannini, delivers a stunning performance that pays homage to Italy's rich cultural heritage while pushing the boundaries of metal music. "Triumviro" seamlessly blends catchy power metal melodies with operatic stylings, creating a sound that is both familiar and refreshingly innovative4. The album's orchestral arrangements are masterfully crafted, balancing classic symphonic elements with bombastic cinematic patterns that elevate each track to epic proportions. What truly sets "Triumviro" apart is its vocal performances. The three frontmen, reminiscent of the legendary Three Tenors, showcase their commanding voices with precision and passion4. Their harmonies are nothing short of magical, resulting in a choral experience that is both powerful and emotionally resonant. The album takes listeners on a journey through iconic Italian art forms, with each song serving as a compelling tribute to the country's cultural legacy4. From soaring ballads to high-energy anthems, "Triumviro" demonstrates the versatility and depth of The 7th Guild's musical prowess. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review
Today, the Hong Kong Philharmonic is one of the world's great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic's general manager–its fifth in as many years–he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city. John Duffus's memoir Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars (Blacksmith: 2024) charts his life from running the Philharmonic, bringing acts like the Three Tenors and Cats to Asia, and his thoughts on the Hong Kong Cultural Center and the West Kowloon Cultural District. John joins the show today to explain what the general manager of an orchestra actually does, the trickiest problems he had to solve in Hong Kong and China, and his thoughts on whether Hong Kong is truly a “cultural wasteland.” You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Backstage in Hong Kong. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
İmkansız işler denilince aklan gelen o isim Ahmet San ile birlikteyiz. ⭐️Bu bölüm konumuz klasik müziğin vazgeçilmezleri olarak da bilinen ve bir döneme damgasını vuran The Three Tenors oldu.
On the July 7 edition of Music History Today, Live Earth happens, the King of Pop gets a public goodbye, and terror takes away a calypso artist. Also, lots of big birthdays today including Ringo Starr and Gustav Mahler. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday On this date: In 1943, Broadway singer Hannah Williams divorced boxer Jack Dempsey. In 1950, Johnny Cash joined the United States Air Force. While he was enlisted, he became one of the soldiers who intercepted and deciphered a Soviet military message that said that Joseph Stalin had passed away. In 1956, 12 people were injured during a riot at a Fats Domino concert in San Jose, California. In 1956, Johnny Cash performed at the Grand Ole Opry for the first time. In 1957, the Coasters started their week of shows at the Apollo Theater in Harlem, New York. In 1965, Otis Redding recorded the song Respect. In 1968, the Yardbirds played together for the last time, then broke up. In 1972, the Jackson 5 started their tour. Their opening act was a group who got their big break with this opening slot: the Commodores. In 1975, David Gilmour of Pink Floyd married model Ginger Hasenbein. In 1980, Led Zeppelin played their last concert with John Bonham on drums. In 1984, Frankie Valli of Frankie Valli & the Four Seasons married wife Randy Clohessy. In 1986, Boy George entered rehab for treatment for heroin addiction. In 1992, Spinal Tap finished their reunion tour. In 1995, The Neville Brothers were among the performers at the Montreux Jazz Festival in Switzerland. In 1997, Michael Jackson's album Thriller was certified to have sold 25 million copies in America. In 2001, Sharon Coor of the Coors married husband Gavin Bonnar. In 2005, terrorists struck 4 different targets in London, including the London tube system. Included among the 52 people who died was calypso artist Arthur Edlin Frederick, who was killed in one of the tube bombings. In 2007, the Live Earth charity concerts, which were 12 concerts on 7 continents to call attention to climate change, took place. In 2009, Michael Jackson's public funeral was held and televised in Los Angeles. In 2018, the Cure held their 40th anniversary concert. In 2022, a bidder paid $1.7 million for the only copy of a special recording of a Bob Dylan record. Dylan had done a new recording of his song Blowin' In The Wind, which was pressed on a new format called Ionic Original, which uses aluminum instead of vinyl but you can still play it like a vinyl record. In classical music: In 1956, the opera Ballad of Baby Doe premiered. In 1988, Hungary held a state funeral for composer Bela Bartok, whose body had been brought back to Budapest from New York City. Bartok had passed away in New York in 1945. In 1990, opera singers Placido Domingo, Luciano Pavarotti, & Jose Carreras recorded their first Three Tenors concert. The recording became the biggest selling classical album of all time. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
Welcome to the Instant Trivia podcast episode 1207, where we ask the best trivia on the Internet. Round 1. Category: 1990--25 Years Ago 1: This city, capital of the same-named country, was overrun by Iraqi forces. Kuwait. 2: After 11 years in the job, this U.K. prime minister resigned. (Margaret) Thatcher. 3: For the first time Pavarotti, Carreras and Domingo performed together as this supergroup. the Three Tenors. 4: Winnie (Churchill) got a ticker-tape parade on March 15, 1946; this Winnie was in one with her husband on June 20, 1990. (Winnie) Mandela. 5: This Brit created the first prototype web pages. (Tim) Berners-Lee. Round 2. Category: Middle G. With G in quotes 1: Hear the howls and clanking chains from this dark underground chamber used to hold prisoners. a dungeon. 2: Merv Griffin used to play this word game with his sister and "Wheel of Fortune" is the result. hangman. 3: Fancy name for a list of movies a particular actor or director has made. a filmography. 4: The largest tree-dwelling mammal in the world, this ape from Sumatra and Borneo can weigh 220 pounds. an orangutan. 5: When vaulting, gymnasts use this flexible device. the springboard. Round 3. Category: Gibson Girls And Guys 1: Cowboy star Edmund Gibson got this nickname as a boy either because he hunted owls or delivered for the Owl Drug Company. Hoot. 2: Tyrese Gibson has appeared as Roman Pearce, known for his banter and his driving, in this action film franchise. The Fast and the Furious. 3: "I need your love like a flame needs a fire", sang this '80s teen queen who also gave us "Only In My Dreams". Debbie Gibson. 4: He pitched for the Cardinals for 17 seasons and even briefly played with the Harlem Globetrotters. Bob Gibson. 5: In 1985 his "Neuromancer" won a Nebula and a Hugo. William Gibson. Round 4. Category: Potent History 1: Sugar cane molasses was distilled into this liquor, a significant part of the "triangular trade" that promoted slavery. rum. 2: In 1729 and 1751 Britain passed acts aimed at curbing the consumption of this alcohol that originated in the Netherlands. gin. 3: Vodka was involved in 1994 as this white-haired Russian leader was found on a D.C. street in his underwear hailing cabs to go get pizza. Yeltsin. 4: The Whiskey Rebellion culminated in 1794 among farmers of the Monongahela Valley in this state. Pennsylvania. 5: In 1923 a beer hall called the Burgerbraukeller in this German city was the starting point of a failed putsch. Munich. Round 5. Category: The 5Th Beatle 1: This Beatles producer started out making comedy records with Peter Sellers. (Sir) George Martin. 2: After being replaced by Ringo Starr in 1962, this man got a job in a bakery and then became a civil servant. Pete Best. 3: In "Backbeat" Stephen Dorff played this alliterative bassist who died of a cerebral hemorrhage in 1962. (Stuart) Sutcliffe. 4: This manager who died in 1967 was referred to as the "Fifth Beatle". Brian Epstein. 5: This keyboardist, who died in 2006, sat in with the Beatles often and also wrote Joe Cocker's hit "You Are So Beautiful". Billy Preston. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
Grammy nominated American tenor Lawrence Brownlee has been hailed as “an international star in the bel canto operatic repertory” (The New York Times) and as a voice for activism and diversity in the classical music industry. The pickleball fanatic discusses his Metropolitan Opera auditions, why the high C's aren't the only notes that matter, and what it was like to be cast as Tamino in The Magic Flute before he had ever seen an opera. Reflecting on his childhood rooted in gospel music, Lawrence shares how "music was inside of him" from the age of nine, what he felt at age twelve from the reaction to his first solo, and how he was inspired by The Three Tenors, specifically Pavarotti. Recounting the time an agent told him he'd never succeed because of his height and race, Lawrence talks about where he finds his confidence and what it's like to get a standing ovation mid-performance.Check out Lawrence Brownlee on Instagram, Twitter, Facebook, YouTube, Apple Music, Spotify, or the web. Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Photograph of Lawrence Brownlee by Zakiyah Caldwell BurroughsThe Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2024 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.
Weekly update from the CFMEU Construction & General (Vic/Tas). Campo and Three Tenors are joined by Lisa Zanatta, CFMEU's Womens Organiser for an update on the wins and struggles this International Women's Day. Happy long, long Labour Day Weekend.
Weekly update from the CFMEU Construction & General (Vic/Tas). Gorilla and Three Tenors take the show by storm with laughs and news and some pretty low scallywags and sooks this week.
Ronan Tynan joins Ray to tell us about Conan O'Brien's impromptu performance of 'Danny Boy' in Dublin's Whelans with The Three Tenors last night.
Ronan Tynan joins Ray to tell us about Conan O'Brien's impromptu performance of 'Danny Boy' with The Three Tenors in Whelans last night.
Weekly update from the CFMEU (Vic/Tas). Cast of thousands today Gorilla is joined by Campo, the Golden Sparrow and the Three Tenors. Lots of scallywags and indusry news with info about the recent Indigenous History sessions being held at the CFMEU offices.
Weekly update from the CFMEU Construction & General Division (Vic/Tas/SA). Gorilla is joined by Bald Eagle and The Three Tenors with a load of industry news, plenty of scallwags and sooks.
Brandon fresh off an endoscopy and Michael Jackson juice, HEE HEE, has a clean bill of health. We discuss men's health and some steps you need to take at every age. How bad turbulence is and how people can sleep during it. Brandon borrowed a cd and had an electronic music phase. New scams: blow torch (enough), no gas and piss jug bandit. Red Rocket is highly recommended as is The Rocketeer. The Three Tenors and their place in the Dziengielewski household. Listener questions: liquorlicensepodcast@gmail.com
One of the leading tenors of his generation, Brian Jagde joins us after his Opera for Peace Masterclass in Paris. He opens up about vocal technique and mental health. Through his work with tenors Raúl Gutiérrez and Matteo Ivan Rašić, we hear sound advice on vocal interpretation. We learn more about his work ethic, his transition from baritone to tenor and what this has meant for his career. View the OperaVision website here Watch now on Opera Vision Opera for Peace Masterclass in Paris with Ailyn Perez and Brian Jagde https://operavision.eu/performance/ailyn-perez-brian-jagde-masterclass (from June 2nd) Cendrillon (Viardot) from the Young Artists at the Palau de Les Arts Centre de Perfeccionament https://operavision.eu/performance/cendrillon-0 Frankfurt Opera Studio Documentary https://operavision.eu/performance/frankfurt-opera-studio-soiree Frankfurt Opera Studio Soirée https://operavision.eu/performance/frankfurt-opera-studio-soiree Music Extracts Introduction & closing: Die Entführung aus dem Serail (Mozart): Overture Puccini: Recondita Armonia from Tosca, Raul Gutiérrez (Tenor) Donizetti:Tombe degli avi miei…Fra poco a me ricovero from Lucia di Lammermoor, Matteo Ivan Rašić (Tenor)
The Letter from Ireland Podcast - with Carina & Mike Collins
We visit one of the many, many Holy Wells around Ireland and chat with the lady whose family is responsible for the upkeep of this ancient Irish shrine. This is probably a place that was used and venerated from pre-christian times. In the show we share lots of tales, cures and tradtions that many of your Irish ancestors would have practiced and been familiar with.With lots of great Irish music and song along the way! Enjoy!Music featured in this episode:- "St. Patrick's Day Jig" - sung by St. Patrick's Day.- "Hail Glorious St. Patrick" - performed by The Three Tenors.Support the Letter from Ireland Show:Thank you for listening to the Letter from Ireland show. To support the podcast, get lots of member-only features and follow Mike and Carina behind the scenes as they travel around Ireland go to ALetterfromIreland.com/plus .
The Letter from Ireland Podcast - with Carina & Mike Collins
We visit one of the many, many Holy Wells around Ireland and chat with the lady whose family is responsible for the upkeep of this ancient Irish shrine. This is probably a place that was used and venerated from pre-christian times. In the show we share lots of tales, cures and tradtions that many of your Irish ancestors would have practiced and been familiar with.With lots of great Irish music and song along the way! Enjoy!Music featured in this episode:- "St. Patrick's Day Jig" - performed by St. Patrick's Day.- "Hail Glorious St. Patrick" - performed by The Three Tenors.Support the Letter from Ireland Show:Thank you for listening to the Letter from Ireland show. To support the podcast, get lots of member-only features and follow Mike and Carina behind the scenes as they travel around Ireland go to ALetterfromIreland.com/plus .
This is STAGES companion episode to our conversation with Entertainment Entrepreneur - Kevin Jacobsen. In part 1, we learned of Kevin's early days as a musician - forming and guiding bands that included the KJ Quintet and Col Joy and the Joy Boys. A triumphant career in music, that saw national acclaim for the band and many chart topping hits. In part 2 Kevin takes us on a journey through some of his trials and triumphs as a promoter of artists that include The Bee Gees, Evel Knievel, The Three Tenors, Barbra Streisand and Michael Jackson; and his success as a producer developing the home-grown musical - Shout! - The Legend of the Wild One - Johnny O'Keefe. It is a fascinating career and a conversation that reveals much of the negotiation, collaboration and frustration that goes into securing and presenting such iconic entertainment experiences. In 1985 Kevin received the Order of Australia Medal (OAM) in recognition of his services to the performing arts. He has also garnered numerous ARIA, Mo and Green Room Awards for his theatrical productions. In 2002 Live Performance Australia honoured his contribution to the industry with its James Cassius Williamson Award. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au
Born in Sydney in 1937, Kevin Jacobsen began his working life in a chartered accountant's practice. An adept piano player, he devoted all his spare moments to music. In 1957, he and his brother Colin, joined with John Bogle, Lawrie Erwin and Dave Bridge to form the KJ Quintet. After some success changed their name to Col Joye and the Joy Boys, adding younger brother Keith. Almost immediately they scored a booking on Bill McColl's Jazzarama concert in October 1957. After this came an engagement to play at the Capitol Theatre in Sydney as a curtain raiser for the film The Tommy Steele Story, an appearance on TV's Bandstand and a recording contract. While Col Joye went on to become a ‘teen idol' and an enduring pop legend, Kevin left the band and began managing artists and promoting concerts. He and Col set up Col Joye enterprises and their own publishing company. In 1965, with Col and Tony Brady, Jacobsen founded ATA Allstar Artists, which encompassed a record label, a recording studio, event promotion and production, and artist representation. Initially Jacobsen presented local acts – including, of course, Col Joye and the Joy Boys – but before long he began importing overseas attractions. It was to mark this change of direction, that ‘Kevin Jacobsen Productions' was created. He claims that in the 1970s and 1980s he toured more artists than any other Australian promoter. Eventually he started producing theatrical shows and arena spectaculars, frequently working in partnership with other promoters. Among his early successes was a tour by the affable Irish comedian Dave Allen; one of his disasters was The Evil Knievel Thrill Spectacular, whose infamous American daredevil star failed to deliver either thrills or spectacle. In 1987 Jacobsen presented Michael Jackson's first Australian tour. In 1988 he was commissioned by the Queensland Government to mastermind ‘Queensland Day' celebrations in the presence of the Duke and Duchess of Kent, and by the Federal Government to produce the Royal Bicentennial Concert in the presence of the Prince and Princess of Wales. In 1989 he presented the sell-out concert event Legends of Rock. In 1995 he was the first promoter outside the USA to be invited by the Disney organization to present the stage version of Beauty and the Beast. Its run of two years in Melbourne and 15 months in Sydney grossed $58 million. Also that year he produced the television series Gladiators for the Seven Network. The gross takings for his 1997 presentation of The Three Tenors at the Melbourne Cricket Ground were the largest in Australian history for a single concert – $15 million. In 1999 he presented The Bee Gees – One Night Only, the first live performance at Stadium Australia – the Olympic Stadium. In 2000 Barbra Streisand's four stadium concerts in Sydney and Melbourne achieved the highest grosses anywhere in the world for this artist, more than $23 million. The year 2001 brought Shout! – The Legend of the Wild One, an all-Australian production based on the life of Jacobsen's old friend, Johnny O'Keefe. It toured Australia to record crowds, winning Mo and Green Room Awards and an ARIA for Best Cast Album. In 2002 Jacobsen presented a sell-out Elton John concert tour, plus Fame – The Musical, which toured throughout Asia, and two sensationally successful arena shows: the classic Australian rock anthology Long Way to the Top and the brilliantly innovative The Man from Snowy River Arena Spectacular. Other Jacobsen theatrical ventures have included Oscar Wilde's Diversions and Delights, Girls' Night Out, A Chorus Line, Camelot (with Richard Harris), Lend Me a Tenor, Return to the Forbidden Planet, Walt Disney's World on Ice and Stars of the Bolshoi Ballet, as well as massive open-air productions of Aida and Turandot. Among the many artists who have toured under the Jacobsen banner are Slim Whitman, KISS, Simon and Garfunkel, Bob Marley, Shania Twain, Billy Joel, John Denver, Pearl Jam, Cyndi Lauper, Julio Iglesias, Ba
Special Guest Versa ManosVersa Manos is a Los Angeles-based talent manager and owner of Gorgeous Media Group. She brings over 35 years of entertainment and media experience to a roster of clients, which include actors, writers, directors and musicians. She is heavily invested in the industry, serving as a member of Film Independent, as an Executive Member of Women in Film, and is a former President of the Talent Managers Association.Her talent roster boasts a wonderful blend of established celebrities and developmental talent. Known for her tenacious spirit, sparkling wit, and a genuine concern for her clients, Versa has been responsible for guiding and maintaining the successful careers of international superstars including The Police, Quincy Jones, Aretha Franklin, Whitney Houston, Dionne Warwick, Sex Pistols, David Bowie, and Nine Inch Nails. She played a pivotal role in the success of The Three Tenors at Dodger Stadium, Woodstock '94, and the Sex Pistols' notorious Filthy Lucre Tour. She was also singularly responsible for the career breakthroughs of world music artist Manu Chao, described by Rolling Stone as one of the “ten great pleasures of the year that didn't get away,” and Sam Sparro, turning the previously underground singer into a world-renowned pop sensation. She represents the interests of supermodel-turned-actress-turned-television-host Rachel Hunter and celebrated British actor and crooner Richard Shelton. Casting directors and producers have come to trust Versa's fair-minded approach and commitment to her clients.
When Plácido Domingo, José Carreras and Luciano Pavarotti teamed up for their first joint performance on 7th July, 1990 in Rome, it was intended as a one-off collaboration to celebrate the FIFA World Cup. But the concert triggered instant worldwide fame for the trio, who became known as The Three Tenors, and their live recording became the biggest-selling classical album of all time. In this episode, Arion, Rebecca and Olly consider how, by mixing showtunes with opera, the Tenors created the ‘classical crossover' genre that spawned Russell Watson, Il Divo and Katherine Jenkins; explain how Carreras' recovery from leukemia was the reason for the concert coming together; and reveal how their iconic Nessun Dorma encore was nearly not included at all… Further Reading: • ‘TENORS, ANYONE? THE BIG THREE ARE MAKING A MINT, BUT THAT DOESN'T NECCESSARILY CORRUPT THEIR ART' (The Washington Post, 1995): https://www.washingtonpost.com/archive/lifestyle/style/1995/10/29/tenors-anyone-the-big-three-are-making-a-mint-but-that-doesnt-neccessarily-corrupt-their-art/a0ab8ac1-5ea8-4487-85f7-f554681c0d70/ • ‘Profile: The Three Tenors' (The National, 2015): https://www.thenational.scot/news/14852450.profile-the-three-tenors/ • ‘The Three Tenors sing "O Sole Mio" at Terme di Caracalla' (1990): https://www.youtube.com/watch?v=ZvLZSgP0QMY For bonus material and to support the show, visit Patreon.com/Retrospectors We'll be back tomorrow! Follow us wherever you get your podcasts: podfollow.com/Retrospectors The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Sophie King. Copyright: Rethink Audio / Olly Mann 2022. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices
HEMOS VUELTO!!! Vamos a sentarnos a los pies de Qohélet, el libro filosófico y existencialista de biblia; y averiguar lo que nos dice hoy en día… por ello, tome un libro, cuaderno, algo donde pueda tomar apuntes. “Yo voy a hacer unas preguntas y usted va a responderlas.” La relación entre voluntad, palabra y acto. Las palabras en el antiguo cercano oriente no son meras palabras, son acciones. Por eso: nuestras creencias no deben ser dichas, deber ser actos. No debo decir lo que creo, debo mostrar lo que creo. Lo que vamos a ver en el libro de Qohélet son acciones, cuyo eco serán las palabras. Tema: Luciano Pavarotti - “Nessun dorma" (The Three Tenors in Concert - 1994) --- Send in a voice message: https://podcasters.spotify.com/pod/show/hemir-angel-ochoa-ruiz/message
Join me to celebrate the 50th episode with a very special guest. Ron Hicklin is the unknown singer behind the backing vocals of hundreds of recording artists. His vocal group, The Ron Hicklin Singers, became the “go to” backing vocalists for the top groups and solo artists, and were the real singers behind the background vocals of David Cassidy and The Partridge Family. Ron rarely gives interviews, but today shares with me some of the highlights of his career working with some of the biggest stars on the planet from Elvis to The Three Tenors. He was also the voice of Alvin in The Chipmunks, and a ghost singer for The Monkees. He describes himself as a “hidden star” whose voice has featured on around 100 number one hits; up to 400 movies, television themes including Happy Days, Laverne & Shirley, Batman, Flipper, plus radio and tv commercials. Ron kept detailed notes about every session over the 4 year run of the Partridge Family television series, a breakdown of which can be found on the website: The PF Recording Sessions! (cmongethappy.com) As a youngster he loved singing, joined a local singing group and formed his own group when 11 years old. Ron graduated from Renton High School in Washington and had planned on becoming a doctor studying at the University of Washington, but his first love music was pulling him back. At 19 he and his group signed with Capitol Records but realised he did not want to be a star and abandoned that for studio work. In the 1980s, Ron created Killer Music to write, perform and produce custom commercials which led to the company becoming the best in the business. This led to the creation of a catalogue music production company, Killer Tracks, which he again took to the top of the charts.
DescriptionI wanted to do a special two-part episode on the famous aria Nessun dorma. First the plot and lead up to the aria itself. Take a minute to get the scoop!Fun FactAlthough "Nessun dorma" had long been a staple of operatic recitals, Luciano Pavarotti popularized the piece beyond the opera world in the 1990s following his performance of it for the 1990 World Cup, which captivated a global audience. Both Pavarotti and Plácido Domingo released singles of the aria, with Pavarotti's reaching number 2 in the UK, and it appeared on the best-selling classical album of all time, The Three Tenors in Concert. About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show
Why is it so important for teachers to make guitar lessons fun? In this episode with Mario Lattuada, an experienced musician and music teacher, we chat about how planting seeds with your students and making guitar lessons fun for them create big ripple effects in their musical journey. Join us as we talk about how this approach has worked for Mario and the benefits it has given his students. Mario gives a brief introduction about himself and his journey. Characteristics they look for in students who audition for music school. The joys of planting seeds with your students. Mario's approach to teaching people differently than beginners. His thoughts on people who don't improvise. The importance of nurturing musicians for who they are and helping them discover what they want to be. Advice for people who are looking to get into a music career but don't know how to make money out of it. Navigating teaching online. Mario shares his current and upcoming projects Books about music that he has read or currently reading One mistake he has made in his teaching career. Final words of wisdom or advice to guitar players or teachers. Guest Links Mario Lattuada YouTube Channel Mario Lattuada Bandcamp Guitar Teaching Resources Mentioned Free Guitar E-book Resources Today's Guest Mario Lattuada is a Melbourne-based musician and music teacher with a professional career spanning more than 40 years of experience. Primarily a guitarist, he has performed in a variety of genres, including Classical, Jazz, Latin American, and Popular music styles. As the principal guitarist with the Australian Pops/Philharmonic Orchestra for 23 years, he performed with The Three Tenors, John Williams (guitarist), The Bolshoi Ballet and many other artists. In 2016, Mario also released his own solo CD project entitled, Espiritu Latino - a collection of South American guitar music. He has been a Lecturer and Head of Guitar studies at Box Hill Institute from 1991 to 2021. During this time, he has inspired and been a mentor to many students who are now performers and teachers with their own careers and musical projects. Click here to find out more about TopMusicGuitar Membership
Darryl Lovegrove is a blend of corporate speaker, entertainer, storyteller, stage performer, musician and full-contact opera guy (it'll make sense). He is one of Australia's most in-demand speakers, headlining many Top 500 company conferences, including the famed ‘Million Dollar Round Table' in the USA. Inspired by the world's greatest opera singers The Three Tenors, Darryl and his business partner established the operatic corporate entertainment phenomenon ‘The Three Waiters' which quickly became the most performed corporate entertainment act in the world, experienced by over three million people in 70 countries. Darryl was in the original Australian casts of ‘Les Miserables', ‘Chess' and featured with Sarah Brightman and Anthony Warlow in The Music of Andrew Lloyd Webber. He received critical acclaim for his portrayals of John Lennon in ‘Looking Through a Glass Onion' and Jesus in ‘Jesus Christ Superstar'. Enjoy. See omnystudio.com/listener for privacy information.
You may not think you know the opera “Carmen,” but you probably do. It's full of catchy tunes that are easy to hum. In the same way, you may not think you know Denyce Graves, but you probably have heard her powerful voice. Graves is regarded as one of the greatest “Carmen” singers of all time and one of the great mezzo-sopranos of the 21st century. She's performed around the world with The Three Tenors. In 2020, she sang in the rotunda of the U.S. Capitol where the late Supreme Court Justice Ruth Bader Ginsburg lay in state. The first time Graves sang the role that made her famous was in the Minnesota Opera's 1991 production of “Carmen.” The 19th century French opera by composer Georges Bizet tells the story of a soldier's possessive infatuation for a Romani factory girl that leads to his downfall. This spring, Graves has returned to the Twin Cities, not to sing, but to direct the company's production of “Carmen,” which opens in May. At 9 a.m. Wednesday, MPR News host Angela Davis spoke with Graves about opera, growing up in Washington, D.C. and what it's been like to be a Black woman singing her way to the top of a traditionally white, European musical art form. Guests: Denyce Graves is recognized as one of the great mezzo-soprano opera singers of our time. She's performed at Metropolitan Opera, Vienna Staatsoper, Royal Opera House – Covent Garden, San Francisco Opera and on many other stages around the world. She is directing Minnesota Opera's “Carmen,” which opens in May. Ryan Taylor is president and general director of the Minnesota Opera. Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify or RSS. Hear their conversation using the audio player above and read the highlights below. “The one thing that we reached for, that everybody reached for during COVID, were the arts,” Graves said. “And we could see how vital and essential the arts were… We're watching movies, we're watching plays, we would listen to opera. Listening to music, reading books – that was the anchor that everybody held onto. And that's what opera has the power to do: to unite people.” Graves grew up in Washington, D.C. and, with her mother's guidance, she sang at church. Opera came later. “In the neighborhood that I grew up in, nobody was listening to opera,” Graves said. A music teacher encouraged Graves throughout her early years – first as she expressed a love for music in kindergarten, then through junior high school chorus and finally as a student at a performing arts high school, where she discovered opera. And she has distinct ties to Minnesota. “The relationship that I've had with Minnesota Opera has just been one that has defined my whole career,” she said. She landed her first role, as Carmen, with Minnesota Opera. She said that role took her everywhere. “And I mean everywhere – there wasn't an opera house that I didn't sing in all over the world, with everybody. And now here I am, 30-something years later, directing…” Once again, Graves will debut with Minnesota Opera, now as a director. “This first experience has changed the whole trajectory of how I see myself and where I'm going to go and what lies ahead. And so I'm just really, really grateful,” she said. Besides directing “Carmen” for the Minnesota Opera, Graves keeps busy with her foundation, which invests in education to share the stories of African American musical figures. Graves said that work is inspired by opera singer Mary Cardwell Dawson, who, unable to find work in an environment permeated by racism after graduating from a conservatory in 1925, established her own music school and opera company.
It's The Three Tenors! No not those other guys. Dan and Joe are joined by brother-in-law, Matt to discuss why operatic tenors are so awesome. Specifically, we talk about five singers we admire, and one song that showcases each of their vocal abilities. The list and the links to the performance can be found below. Don't forget to give us a review on your favorite podcast app. It really helps the show. Thanks for listening, friends! Carlo Bergonzi https://youtu.be/Xbo53CBxIgU Luciano Pavarotti https://youtu.be/yMnanOxVJlg Nicolai Gedda https://youtu.be/tdbwg5c1mDs Franco Corelli https://youtu.be/J9sROVwk3LI Jonas Kaufman https://youtu.be/7JRDSm0SbWE
In this episode I will visit with my dear friends, Julie Wyma and Anastasia Nikolov, founders of Opera Programs Berlin. Both Julie and Anastasia went through traditional conservatory training, and were both taken aback by the insistence that there's only one prescribed path to success in opera. Their answer to filling the gaps in vocal education was to create http://www.operaprogramsberlin.com (Opera Programs Berlin,) an online and in-person opera academy which has grown exponentially over the last year in the online space. As an educator, Julie's passion lies in helping singers make the transition from student to professional, and in guiding talented people to the places where they are needed. She has served as a vocal coach, preparing singers for auditions and talent competitions, as well as an audition panelist and advisor. With organizations such as Opera Programs Berlin, Dramatic Voices Program Berlin, Irrational Entertainment, Midwest Early Opera Works, Voci Inglesi, Berlin Wagner Gruppe and Berliner Opernverein, she has facilitated performance opportunities for singers seeking additional stage experience and the chance to hone their craft in a supportive, professional environment. As a professional operatic soprano she has performed more than 25 roles, including die Königin der Nacht and Pamina in Die Zauberflöte, Rosina in I barbiere di Siviglia, Adele in Die Fledermaus, Gilda in Rigoletto, Marie in Die verkaufte Braut, Musetta in La Bohème, Sophie in Werther, Gretel in Hänsel und Gretel, the Waldvogel in Siegfried, and Norina in Don Pasquale. Of her Norina, the Kansas City Metropolis said: “soprano Julie Wyma sparkled with a self-confident air and a strong, beautiful voice.” An active concert performer and recitalist, her recent appearances include concerts at the US Consul General in Düsseldorf and the Residence of the US Ambassador to Germany in Berlin; a song recital at the University of Pittsburg at Greensburg; Lovers' Quarrels, a concert of operatic duets and arias in Concord, New Hampshire and Niemegk, Germany; Three Tenors and a Soprano concerts in Cornish and New London, New Hampshire; and Viva Divas!, a concert of operatic arias, duets, and trios in Cornish, New Hampshire, Phoenix, Arizona and Berlin, Germany. Soprano Anastasia Nikolov started her musical training at the age of 5, studying piano. She was a member of the Bulgarian National Theater Youth Ensemble, where she was cast in numerous main stage and touring productions. Her training at the National Theatre included acting, improvisation, Latin and folk dance. Other musical studies also included percussion and classical guitar. Ms. Nikolov is a champion of new music. She has premiered works by prominent American and British composers such as Vartan Aghababian, Michael Djupstrom, Victoria Ellis, Heather Gilligan and Eric Sawyer; some of these works were written and dedicated to her. In addition to numerous song cycles and solo concert works with orchestra, she also created the role of Anna von Mildenburg in the new piece Geboren Alma Schindler (Berliner Opern Verein); the role of Member of the Chamber in the premiere performance of Eric Sawyer's Our American Cousin (Composers in Red Sneakers); and the title role in the world premiere of Victoria Ellis' opera Darling (One of Us Foundation). Twitter @operaberlin Instagram @operaprogramsberlin Facebook @operaprogramsberlin http://www.operaprogramsberlin.com (www.operaprogramsberlin.com) At http://makinitinopera.com/ (makinitinopera.com), you can Get access to a spreadsheet of resources and inspiration from folks who are changing the conversation about how we tell stories and how we train artists Subscribe to the Audition Pep Talk Series newsletter Donate and support the podcast If you'd like to share your point of view of what it means to “make it”, send me a voice recording to makinitinopera@gmail.com and I may feature you in a...
Everyone in this room will get a multiple choice question all based around the date October 12th. If you get it correct, you're safe... But if you don't then you will get shocked. If the entire room gets all the questions right, Then Digital Jake will take the shock. The only rule is no one is allowed to help the others with their questions. You'll have 30 seconds to talk to yourself then finalize the answer. Alexis- American basketball Hall of Famer, Wilt Chamberlain holds numerous NBA records including most points scored in a game, with 100. Did this happen Oct. 12th...1952? 1962? OR 1972? Brooke- Oct. 12th 1992...One of the members of the "Three Tenors" was caught lip syncing during a live BBC performance. Was is Placido Domingo, Luciano Pavarotti, or Jose Carreras? Jose- On Oct.12th, 1969.. A Detroit disc jockey & his radio audience determined from clues found in Beatles songs & album covers that a certain member of the group had secretly died & they covered it up. Which Beatle was it? George? Paul? or Ringo? Jeffrey- "In life you don't regret the things you do... You regret the things you don't do." That quote is from a famous actor, known for his superhero films. He turns 53 today, who is it? Robert Downey Jr, Hugh Jackman or Christian Bale?
What's in a name? Plenty when you meet and get to know GLORY Crampton. A musical force to be reckoned with, she has appeared in more than 40 productions and can be heard on 14 Broadway cast and compilation recordings, including her sold-out performances with the National Symphony at London's Abbey Road Studios. As a global concert soloist, she was featured opposite opera great Jose Carreras of The Three Tenors. And, during the pandemic, Glory conceived and directed the award-winning PROJECT9 music video, which pays tribute to the Tony Award winning musical and features 16 actors, singers and dancers who were each filmed and recorded from their quarantined homes.
The way you look at the world can have a profound impact on what you receive from life. Most entertainment acts for corporate events fail to achieve the global success that's been The Three Waiters. What began as an "accidental idea" inspired by The Three Tenors has now been performed about 14,000 times in 90 countries and it's still going strong. What is its secret to success?Darryl Lovegrove is the show's co-founder whose combination of performance skills and entrepreneurial thinking has made him a popular speaker at conferences. His new book Why Haven't I Heard Of You? provides principles to show you how to keep innovating and learning from popular culture to stand out in today's noisy world.Darryl is gifting his music for free to buyers of his book.Quotes From Episode"I get that not everybody has a bulb moment. Or maybe they do but they don't realise that the way they're thinking about life (means) they've got negative firewalls up so they don't actually see the bulb moments.""Be as curious as you possibly can. A lot of people are telling you to stop watching the news and don't watch everything on Facebook, don't do this, don't do that. I want you to actually be careful about that... If you're not curious about the world, then what have you got to offer the world?""In the audience was a guy called Eugene Cernan who'd been flown in from America because Omega was a sponsor. He came running out afterward and said 'Stop guys!' So we stopped and turned around to see this elderly guy with a suit who said, 'I go to events all over the world and I've got to say that show was the best thing I've ever seen' ... and we said thanks but who are you? And he turns around and there's a big sponsored picture of an astronaut on the moon and he says, 'I'm that guy there'. Eugene was the last man ever to walk on the moon...and he later gave us a whole hour... It was one of the best nights I've ever remembered." -Darryl LovegroveDon't miss:-The perfect storm that gave The Three Waiters its idea and success-How Hong Kong's Canto-pop star Francis Yip gave the act one of its top highlights ever-Performing for The Three Tenors after their last appearance together-How Rod Stewart and Richard Branson helped The Three Waiters story-An event night that didn't go as planned-The importance of a bulb moment and why you may not be having one-How constant curiosity can serve youDarryl's book and gift of free songs on purchase:Why Haven't I Heard Of You? - A Blueprint For Standing Out In A Crowded, Crazy, Changing New WorldRecommendations:Brand Like A Rock Star by Steve JonesOther authors Darryl recommends reading:Rod StewartBill ClintonAndre AgassiJim Collins (Good to Great)Keith RichardsRichard BransonRudy GuilianiConnect with Darryl Lovegrove:Email: darryl@darryllovegrove.comwww.darryllovegrove.comwww.lovegroveentertainment.com.au
Growing up in Piedras Negras on the Mexican border with the United States, Eleazar first experienced opera from a recording his father borrowed of The Three Tenors, and he went on to buy a videotape of them, which he analysed for their differing vocal techniques, deciding which he thought sounded better, and taking meticulous notes of his observations. With no immediate opportunities to develop his growing obsession, Eleazar's dad looked into a singing programme in a nearby city, where he was shipped off to at the age of fifteen, and began his lifelong journey as a singer. From his early Placido Domingo voice scholarship given by Mexico's most renowned young artist programme to being a top prize winner in the Carlo Morelli National Competition in Mexico City, Eli went on to San Francisco Conservatory of Music and the Merola Opera Programme, before he landed at a crossroads and had to take a decision that would affect the rest of his career. Read more about Eleazar on his website here and follow him on instagram @themexicantenor
There are bad records and then there are broken records … and by golly gosh are we covering a broken record this week! 28th March 2008 was a dark day for music, as it saw the release of Concerto in True Minor, the debut album from True Symphonic Rockestra. Masterminded by German producer Dirk Ulrich, the inspiration for Concerto in True Minor came from The Three Tenors. Ulrich sought to create a project that brought together the worlds of rock, opera and musicals in perfect synergy. Unfortunately, Ulrich didn't have Messers Carreras, Domingo and Pavorotti on speed dial, so instead he brought in Vladimir Grishko, an Opera Tenor who (apparently) was the Cultural Minister of the Ukraine (according to the True Symphonic Rockestra website at least), Thomas Dewald, a tenor who may or may not have murdered some kids and James LaBrie AKA the worst thing to happen to Dream Theater. Herr Ulrich imaginatively called the trio … The Three Rock Tenors … what a vivid imagination he must have. Ulrich had the following to say about the project. ‘This is a new, unique combination of these two forces and probably the first time ever to feature two world class tenors and one of the most respected voices in rock on one entire album.' It's safe to say that neither Steve nor Remfry agree, but exactly how bad is Concerto In True Minor? Oh and we also throw shade at Andrew Lloyd Webber cause he's an absolute bell!
LINDA S. NELSON is an Actor, Director, Dramaturge and Producer. As an actor, Ms. Nelson has predominately been seen on stage, including Off Broadway, Off-Off Broadway, Regional Theatre, and with companies such as Whitehorse Theatre, Oberon Theatre Ensemble, Boomerang Theatre and NJ Rep. Her Film and TV credits include “Imaginary Heroes” with Sigorney Weaver, "Orange Is The New Black", “Seven Deadly Sins” and the award winning short film “Lipstick Ladies”. In addition to directing dozens of readings, short plays and 24-Hour Festivals for companies such as Boomerang, TRU, Oberon, and New Light Theatre, her New York directing credits include Toast, Boast or Roast – A Tribute to Austin Pendleton featuring Olympia Dukakis, Louis Zorich, F. Murray Abraham, Dylan Baker and Becky Ann Baker at the Players Club, produced by Oberon Theatre Ensemble; Tongue of a Bird by Ellen McLaughlin; The Necessary Disposal by Bob Ost; and the Backstage Bistro Award winning Three Tenors in Search of an Act. She also directed and produced the World Premiere and Tour of Missa Solemnis or The Play About Henry by Roman Feeser; the North American Premiere of The Choice by Claire Luckham; and two interactive murder mysteries The Art of Murder and Delicious Death, both of which she co-wrote. As a dramaturge Ms. Nelson has worked with dozens of writers including playwright/novelist, Cailin Heffernan; Screenwriter, Michael Lee Stever; and playwrights, Cyndy Marion at Whitehorse Theater Company, Stu Richel, Roman Feeser, Bob Ost, and Phil Olson on his popular musical series, Don’t Hug Me. Founder of Shotgun Productions, she served as its Producing Director for 19 years and produced theatre, dance, opera and classical concerts throughout the New York area and in Europe. Since leaving Shotgun she has independently produced plays in NYC and on tour throughout the US. She was an Associate Producer on the Off Broadway production of “Silence” the musical parody of “Silence of the Lambs”. Currently she represents the multi-award winning “Sweet Texas Reckoning” by Traci Godfrey and the solo performance “Vietnam…through my lens” written and performed by Stu Richel. With “Vietnam…” she started as its dramaturge, then produced and directed the NYC Premiere in 2014 and has continued as its producer/director of the tour, which has been running since then. “Vietnam…” was also made into a film last summer by Two Seas TV, on which she worked as the AD to the Emmy Award winning director, Tony Ceglio.
This is our third episode in the series of Paul Furiga going through his book, Finding Your Capital S Story. We get to go down the history of advertising and where it lost its way and how the founders of advertising from over a hundred years ago as a whole have almost been forgotten (Have you heard of John Wanamaker?) at least their original methods and thinking behind the use of stories to relate to their target audience. What we are facing today is not how it started, and we have lost our way as we go in for the easier, messier quick kill and the splatter shot effect. ----more---- About Susan's Guest: Paul Furiga is the president and chief storyteller at WordWrite, having founded the Pittsburgh-based PR and digital marketing agency nearly 20 years ago in a candy-striped bedroom before growing it into a perennially top-ranked firm. Paul, who was formerly a vice president at Ketchum Public Relations, was honored in 2013 with the Public Relations Society of America Pittsburgh chapter's Hall of Fame Award for his impact in the region. Before that, Paul spent two decades as a journalist, covering it all, from Cincinnati City Hall to Congress and the White House, as well as serving as editor of the Pittsburgh Business Times. As you can imagine, he has some stories to tell.
A serial entertainment entrepreneur, a dynamic Master of Ceremonies and an accomplished musical theatre performer, Darryl Lovegrove was a member of the original Australian casts of Les Miserables and Chess. He is also known for his celebrated portrayal of Jesus in the Australian and New Zealand tours of Jesus Christ Superstar. He featured with Sarah Brightman in the Australasian tour of The Music of Andrew Lloyd Webber and received critical acclaim as John Lennon in the New Zealand national tour of Looking Through a Glass Onion.In 1998, Darryl co-created the operatic global phenomenon The Three Waiters which became, and remains to this day, the most-booked corporate entertainment act in the world. The business established offices in Sydney, London and New York, and the act has been seen by more than 3 million people in over 80 countries. In 2009, Darryl formed ‘Lovegrove Entertainment’ which produced Australasian corporate entertainment favourites The Leading Men and Jersey to Motown. In 2012 Darryl and his then 12 year old daughter, Harmony, known as Darryl & Harmony were awarded the Australian Event Awards ‘Entertainer of the Year’.Darryl has recently released a book titled ‘Why Haven’t I Heard Of You?’ The book details his experiences on stages and in the business world. He also examines the creation of new work and generously gives advice to performers. Maintaining a passion and striving for longevity in a precarious industry can present challenges. Darryl speaks with passion and wisdom born from a rewarding ride in the business we call show.
Most entertainment acts for corporate events fail to achieve the global success that's been The Three Waiters. What began as an "accidental idea" inspired by The Three Tenors has now been performed about 14,000 times in 90 countries and it's still going strong. What is its secret to success?Darryl Lovegrove is the show's co-founder whose combination of performance skills and entrepreneurial thinking has made him a popular speaker at conferences. His new book Why Haven't I Heard Of You? provides principles to show you how to keep innovating and learning from popular culture to stand out in today's noisy world.Darryl is gifting his music for free to buyers of his book.Quotes From Episode"I get that not everybody has a bulb moment. Or maybe they do but they don't realise that the way they're thinking about life (means) they've got negative firewalls up so they don't actually see the bulb moments.""Be as curious as you possibly can. A lot of people are telling you to stop watching the news and don't watch everything on Facebook, don't do this, don't do that. I want you to actually be careful about that... If you're not curious about the world, then what have you got to offer the world?" "In the audience was a guy called Eugene Cernan who'd been flown in from America because Omega was a sponsor. He came running out afterward and said 'Stop guys!' So we stopped and turned around to see this elderly guy with a suit who said, 'I go to events all over the world and I've got to say that show was the best thing I've ever seen' ... and we said thanks but who are you? And he turns around and there's a big sponsored picture of an astronaut on the moon and he says, 'I'm that guy there'. Eugene was the last man ever to walk on the moon...and he later gave us a whole hour... It was one of the best nights ever I've ever remembered." -Darryl LovegroveDon't miss:-The perfect storm that gave The Three Waiters its idea and success-How Hong Kong's Canto-pop star Francis Yip gave the act one of its top highlights ever-Performing for The Three Tenors after their last appearance together-How Rod Stewart and Richard Branson helped The Three Waiters story-An event night that didn't go as planned-The importance of a bulb moment and why you may not be having one-How constant curiosity can serve youDarryl's book and gift of free songs on purchase:Why Haven't I Heard Of You? - A Blueprint For Standing Out In A Crowded, Crazy, Changing New WorldRecommendations:Brand Like A Rock Star by Steve JonesOther authors Darryl recommends reading:Rod StewartBill Clinton Andre AgassiJim Collins (Good to Great)Keith RichardsRichard BransonRudy GuilianiConnect with Darryl Lovegrove:Email: darryl@darryllovegrove.comwww.darryllovegrove.comwww.lovegroveentertainment.com.au
"George is dismayed because one of the dolls in Susan's collection bears a striking resemblance to his mother. " -Original Air Date: 2/22/1996- This week we're talking about The Doll, Charles Grodin, a pointless attempt to keep your pants creased and the best of the Three Tenors...The Other Guy! This is No Hugging, No Learning, the show about one thing...watching Seinfeld for the first time. Listening for the first time and just looking for the episode discussion? Skip to 14:49! Get a FREE No Hugging, No Learning sticker by giving us a 5 star rating and a written review on Apple Podcasts! Just be sure to send us your address! Email us: nohuggingnolearningshow@gmail.com Follow us: @nohugging on Twitter Music: Kevin Bewersdorf - "The Last Seinfeld"
Join Sal's Investment Syndicate List: Click to Join Launchpad, Boston’s leading angel group, has published a polished collection of stories that illustrate the success and failure of their portfolio companies over two decades. It is titled “The Entrepreneur’s Journey”. Listen to my interview of authors Ham Lord, Christopher Mirabile and Joe Mandato to learn more about this valuable resource for angels and founders. Highlights from the interview: Peter Fasse of Fish & Richardson Sponsors the Angel Invest Boston Podcast Boston’s Answer to The Three Tenors, The Three Super-Angels “…back in 2012, started working with some of the members within Launchpad to understand why some of our companies succeeded and why some of them failed.” “But there was something about that team that we just couldn't disengage.” “…it was one of these software purchases ... unlike a lot of enterprise software ... that immediately paid for itself.” “…if we had looked at Mobius and said, "No, hardware company, we're not investing," we would have lost out on an investment that ultimately is going to be a 35x return.” “…Intuitive Surgical, where it violated every principle of venture investing. Right?” “…it was a 10 year, 35x. That is a beautiful, beautiful investment.” “…I could sort of hear myself in some of these stories, and I've changed the approach that I'm taking in certain areas.” “We included as much failure as success in this book. Every theme is illustrated by both companies that got lucky and got it right, and companies that didn't.” “…One of the challenges is the timeline. For VC, the timeline, it's so long with the biotech's and that's really become problematic.”
S04 E14 - TOW Joey’s Dirty Day Signature Beverage: Phase 3 Daiquiri http://handbagmarinara.com/blog/s04-e14-tow-joeys-dirty-day 00:06:42 - A little background on Charlton Heston… 00:07:42 - …and a little background on Soylent Green 00:10:57 - The evolution of Phoebe’s style from Bohemian hippie to funky-fun is complete! 00:16:52 - Rachel’s “There it is” — an internal monologue, or a creepy observation? 00:19:10 - Where is Shropshire, really? 00:23:30 - A little background on the Three Tenors 00:24:57 - Our respective experiences with saltine crackers (and other salt-laden foods) 00:32:25 - Heather is seriously disturbed by Joey’s lack of hygiene in this episode 00:36:50 - Emily’s meltdown - would you react the way she did, or would you try to make a better first impression? 00:41:23 - An update on the number of pairs of jeans we each have (we bet you can guess who has more!) 00:46:33 - We get our first Rachel “Noooooo!!” 00:52:53 - How we used to check our messages 00:55:24 - Charlton Heston vs. Kirk Douglas
Cecilia and Rachele immerse themselves in some culture this week, first stopping of at the Opera to review The Three Tenors. Next it’s a trip to Paris to discuss A Night at the Louvre: Leonardo da Vinci and lastly, they discuss Hope Gap, starring Bill Nighy and Annette Bening and adapted from the play The Retreat from Moscow.
su·per·group /ˈso͞opərˌɡro͞op/ noun an exceptionally successful rock group or one formed by musicians already famous from playing in other groups. Somehow talking about supergroups from the 1990s led us to finish the show with way too much opera. This is not an apology. Artists featured include: Golden Smog, Down, Homie, Highwaymen, Westside Connection, The Three Tenors, Neurotic Outsiders, Cork, Traveling Wilburys, Slash's Snakepit, Me Frist & the Gimme Gimmes, A Perfect Circle, Damn Yankees, the Vaughan Brothers and many more! Associated acts from those groups include: NOFX, Ice Cube, Tom Petty, Bob Dylan, Johnny Cash, Willie Nelson, Stevie Ray Vaughan, Soul Asylum, Roy Orbison, Jeff Lynne, The Jayhawks, Lagwagon, No Use For A Name, Foo Fighters, Scream, Nirvana, Weezer, CAKE, Soul Coughing, TOOL, Smashing Pumpkins, Waylon Jennings, Ted Nugent, Luciano Pavarotti, Jimmie Vaughan, Guns n Roses, Gin Blossoms, Kris Kristofferson, Mel Tillis, Jerry Reed, Styx, Night Ranger Twitter @199what Instagram @199whatpod Listen to our Spotify "Mixtape" playlist: spoti.fi/2IYuHlp Or listen to the Mixtape on Apple Music: apple.co/2pUi2qI
Regular guest and listener - and local mover & shaker - Connie Penn shares details of a new initiative to help the County's mental wellbeing through music, with the help of the 2.5 Sopranos (not to be confused with The Three Tenors!). Originally Broadcast 22nd September 2020 on Open4Business on NLive Radio
Scotty & Ruttsy tackled the Mickey Mouse Tax, the Race to Mars, Karens called Karen, Stonehenge, Salt & Pepper shakers, John Clarke, Eve Black's secret life, Mask freedom, tricky celestial geometry, limp carrots, languishing parsnips, ways to use Honey & fun facts about Meatloaf. Song selection was delegated to Scotty this week – an eclectic mix including Superman by Crash Test Dummies, Bat out of Hell by Meatloaf, Don't you Want Me by Human League, Little Ray of Sunshine by Axiom & Nessun Dorma by the Three Tenors.
We’ve reached the grand finale of both Vincerà! and the Italia ’90 story. The night before the World Cup final, Rome witnessed the operatic splendour of the first Three Tenors concert. On 8 July 1990, the city hosted a far less sophisticated spectacle as holders Argentina fought tooth and nail to retain their crown against the relentless West Germany. We look back at the match – which is remembered for all the wrong reasons – paying particular attention to the Argentine psychodrama and the dethroning of Diego Maradona as the world’s greatest footballer. And as we re-evaluate the tournament, we ask the questions: what are the legacies of Italia ’90 and why, 30 years on, does it still retain such fascination in spite of its well-documented flaws?HOST: Mark GodfreyGUESTS: Pete Davies (All Played Out/One Night in Turin), Simon Hart (World in Motion – The Inside Story of Italia ’90), Mike Gibbons (Nessun Dorma pod, The Guardian, When Football Came Home – England, the English and Euro 96)MUSIC: UV Protection
In this week's mini episode, Craig and Geoff take a look at Ron Howard's documentary based upon the life of Italian Opera legend Luciano Pavarotti. Pavarotti is an engaging and beautiful look at a larger than life man and his global impact on opera. We had a great time talking about the art of documentary making, Howard's approach to the film and the man himself.Follow Us;www.fftlpodcast.comInsta: @fftlpodcastFB: @fftlpodcastTwitter: @fftlpodcast
This episode: Our hosts unpack the news surrounding 1 trillion song streams in 2019 and then take a look at the best-selling albums on vinyl of the 2010s. They then debate the best way to get in touch with country superstars and discuss the connection between music and growing up before discussing their fav musical side projects (hint: it's not the Three Tenors) and then they finally drop some great recommendations. Find the Spotify playlist for the episode here. Theme song: Bittersweet by | e s c p | https://escp-music.bandcamp.com Music promoted by https://www.free-stock-music.com Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/
This week is the first of two episodes featuring Christmas music. I decided to feature tenors, but with a difference: none of The Three Tenors will put in an appearance. In compensation, this week I feature a panoply of superb tenors (including Fritz Wunderlich, Georges Thill, Richard Lewis, Roland Hayes, Tino Rossi, Franco Corelli, Ernst Haefliger, Richard Tauber, Karl Erb, and Matthew Swensen) in repertoire ranging across the spectrum (Handel, Adam, Gounod, Bach, Berlin, and traditional Weihnachtsmusik, with some surprises along the way). The episode concludes with a brief musical tribute to Dalton Baldwin, Gérard Souzay's partner and collaborator, who died on 12 December, a week to the day before his 88th birthday. Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com
Hi, everyone. Mackenzie, here, with a new episode of Mack & the Movies. Here, we take a look at five good films and five bad films for infamous German director, Uwe Boll. Times Codes: Intro: 0:00-04:03 Postal: 04:03-07:24 House of the Dead: 07:24-11:46 Rampage: 11:46-16:03 Rampage: Capital Punishment: 16:03-20:56 Assault on Wall Street: 20:56-25:34 Rampage: President Down: 25:34-29:54 The Final Storm: 29:54-34:32 Alone in the Dark: 34:32-40:09 Tunnel Rats: 40:09-45:20 Far Cry: 45:20-49:48 The Three Teners (Animated Characters): 49:48-1:11:25 Closing: 1:11:25-1:12:36 Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Facebook: https://www.facebook.com/CinemaMack/ Twitter: @CinemaMack Instagram: mackenzielambert7928 Contact: m.j.lambert2283@gmail.com Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: "Uwe Boll: Raw (2017) Mystery Science Theater 3000 (Best Brains) "Postal" (Boll KG) "House of the Dead" (Boll KG) "Rampage" (Brightlight Pictures) "Rampage: Capital Punishment" (Boll Kino Beteiligungs) "Assault on Wall Street" (Event Film) "Rampage: President Down" (Amok Productions) "The Final Storm" (Event Film) "Alone in the Dark" (Boll KG) "Tunnel Rats" (Boll KG) "In The Year 2525" (Zager & Evans) "Far Cry" (Touchstone Pictures) "La Donna e Mobile" (The Three Tenors)
Hey, everyone! Mack, here, with a new episode! Join me as I take a look at select films of the infamous Italian director, Bruno Mattei! Plus, there is a new installment of the Three Teners series where I'm joined by good friend, John. Times Codes: Intro: 0:00-2:49 Private House of the SS: 2:49-7:29 Hell of the Living Dead: 7:29-13:13 The Other Hell: 13:13-17:10 Strike Commando: 17:10-21:11 Three Teners (Monsters): 21:11-44:57 Closing: 44:57-46:07 Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=UXZNDGDH4M42W Facebook: https://www.facebook.com/CinemaMack/ Twitter: @CinemaMack Instagram: mackenzielambert7928 Contact: m.j.lambert2283@gmail.com Mack & the Movies logo by masteringsounds https://www.fiverr.com/masteringsounds Intro by androzguitar https://www.fiverr.com/androzguitar Audio Clips Used: Hell of the Living Dead (dir. Bruno Mattei) Metal Gear Solid Alert sound effect (Takanari Ishiyama) Private House of the SS score (Gianni Marchetti) Hell of the Living Dead theme (Luis Bacalov) "Patrick" (Goblin) Strike Commando score (Luigi Ceccarelli) Mystery Science Theater 3000 (Best Brains) Strike Commando (dir. Bruno Mattei) "La Donna e Mobile" (The Three Tenors)
Darryl is an Australian Event Awards ‘Entertainer of the Year', a music theatre star and co-creator of the world's most booked corporate entertainment act ‘The Three Waiters'. You might have seen him on stage as Jesus in Jesus Christ Superstar or John Lennon in Looking Through a Glass Onion, Darryl came in for a chat with Pat on Wednesday.===============Youtubehttps://goo.gl/uLs7j5Spotifyhttps://goo.gl/zYQUhCiTuneshttps://goo.gl/rMFT7FStitcherhttps://goo.gl/GQkfpS
Each Monday, we feature our "Name That Tune" contest, wherein we play three songs by a particular band or artist, or within a specific genre. Today's contest features three songs by THE THREE TENORS. Join and play along with Arrogant Al and "Cannabis Carl" to test your musical memory and enjoy!
My introduction to Old Time Radio began at a young age after my parents got a few cassette tapes featuring popular radio programs like Dragnet, Lights Out, Inner-Sanctum, and Suspense. My brother and I shared a room at the time and we both loved falling asleep listening to those old radio shows. Of all the episodes we listened to, one of the most memorable for me was "The House in Cypress Canyon" from the radio program Suspense. I remember being terrified while listening to that episode but I couldn't stop listening because I had to know how it ended! While preparing for this episode, I did some research and it appears that I wasn't the only one who thought it was scary. According to John Dunning (known in OTR circles for his Encyclopedias on Old Time Radio), "the episode is frequently cited as one of the most terrifying programs broadcast during radio's Golden age." The plot is presented as a "story within a story," framed by a meeting between detective Sam Spade (who also appeared in his own radio program which will cover in a future episode) and a real estate agent who has discovered a manuscript in a currently unfinished house in Cypress Canyon. After a brief introduction, the narrative shifts to the story presented in the manuscript. I won't go into further detail because I don't want to ruin it for anyone who hasn't already heard it. But, trust me, it's worth a listen. As you listen to the episode, listen for the voice of the real estate agent Jerry. He's played by Hans Conried who voiced Captain Hook in Walt Disney's Peter Pan. The characters of the detective Sam Space and the main character Ellen Woods are performed by Howard Duff and Cathy Lewis. Both of whom were born in WA state. I find that particularly interesting consider I live in Seattle. The episode first aired on December 5th, 1946 and, despite being very popular, was never performed again. On that same day in history: President Truman issued Executive Order 9808, creating a 16-member Presidential Committee on Civil Rights José Carreras, Spanish opera singer, and one of The Three Tenors; was born in Barcelona Now, without further ado… please enjoy "The House in Cypress Canyon" --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/otr-behind-the-mic/message Support this podcast: https://anchor.fm/otr-behind-the-mic/support
Hour 4 of A&G features Jack's funky school clothes, Soft Management Skills, Dog Fishing and The Three Tenors.
Hour 4 of A&G features Jack's funky school clothes, Soft Management Skills, Dog Fishing and The Three Tenors.
More than 40 years after his premature death, the mystique of Mario Lanza continues. He remains a legendary figure, a crossover icon embraced and remembered by an entire generation for bridging the gap between popular and classical music, the acknowledged inspiration of today's Three Tenors. Bessette tells his story with a novelist's eye for the inherent tragedy of Lanza's brief life, the contradictory facets of his personality, his passion for life, and his self-destructiveness. Description courtesy of Amazon
Oscar-winning filmmaker Ron Howard (A Beautiful Mind, Apollo 13) discusses his new documentary Pavarotti. He talks about the art of filmmaking and storytelling, how he approaches a documentary versus a narrative film about a real person, and how he got the idea to present Pavarotti’s story as an opera. We get into Pavarotti the romantic, how Ron got the various women of Pavarotti’s life to participate in the film, and why Pavarotti often compared his famous voice to a tempestuous lover. He tells the story of how the Three Tenors were formed, and how Pavarotti took opera into sports stadiums and the mainstream by collaborating with everyone from Steve Wonder to Sting. Plus we talk about Pavarotti’s enormous appetite, his even bigger heart for charity, and Ron’s own chance encounter with this opera legend. Ron Howard's film Pavarotti opens in theaters Friday, June 7. Visit www.pavarottifilm.com for information and show times. Today's podcast was sponsored by The Life is Good Ping Podcast and Udacity.
Once again we find ourselves having to acknowledge a record featuring Pavarotti because the 3 Tenors album was number one for five weeks but we skip pretty much immediately past it and focus on George Michael's re-defining 'Listen Without Prejudice Vol 1'. Neither of us have heard this whole album before and we agreed that we were looking forward to it - does it hold up to scrutiny nearly 30 years later? Along the way we manage to fit in discussion of why Britain is ashamed of its heavy metal roots, why the Thunderstruck drinking game is the best of all song-based drinking games and why so many 1990 number one albums have one ill-judged reggae song on them. Playlist with everything we talk about (except the 3 Tenors) available here - http://tinyurl.com/PCL010playlist . Website with all the info - www.pclpodcast.com
Featuring The Jesus and Mary Chain, Weezer, Moby, Roxette, 311 and many more. The Three Tenors have The Top Album. The 2nd Season of The Nanny on TV and Disclosure is on the big screen. The Heavenly Bodies are in the Pro Wrestling Spotlight.
It's Derek! You know this guy? You don't? Well, we're gonna fix that right frickin' now. Dude's all right. Dude's cool. Great musician, who helped out with the Tysons song. Big fan of Ben Folds, but we talk about a lot more. We go back. Way back to Derek singing opera at the Kennedy Center with one of the famous Three Tenors. Which one? Listen and you'll find out!
This week I'm chatting to the charming Mr Paul Norcross-King. Episode 40 and we are coming to you live(ish)from the garden of my local pub! Paul is a talented Tenor who specialises in Early and Contemporary Opera, Oratorio, Musical Theatre, Operetta, Lieder, Melodies, Art Songs, and Swing Jazz. Paul is also a talented Actor/Musician and is a multi -instrumentalist. We talk about Paul's experiences of being a young gay boy in Kent in the 70's and 80's. The local influence of the 'Rolling Stones' on his area and how different his schooling experience was to mine. Paul talks candidly about being bullied and how his career trajectory took him from school to the city to touring the USA as one of 'Ireland's Three Tenors' . Our chat is very relaxed, fuelled by wine and beer, and is as you would find us in conversation on a Wednesday evening in April! Open a wine and join in. Links to Paul - http://paulnorcross-king.com/pjnk/Welcome.html https://encoremusicians.com/Paul-Norcross-King?tab=3 twitter.com/pjnorcrossking
Our Healthcare In America Correspondent, Donna Smith gives her perspective on the Three Tenors aka the CEO’s from JP Morgan Chase, Amazon, and Berkshire-Hathaway announcing they are forming a new healthcare company signaling the symbolic end of the ACA-reform era. What do we know, what do they know and what if anything does this do to the National Single Payer movement?
Each and every week, your hosts revisit an episode of the series in the order in which they first premiered. They discuss their favorite jokes, gags, and discuss all the cultural references they can find! Just the second episode in the season and we have yet another very Spielbergian episode. This episode has strong segments, plenty of songs and music, and some very clever jokes. How many of the dozens of pop culture references will Joey, Nathan, and Kelly mention before they get distracted and fall completely off the rails? Variety Speak This segment begins with the Warner’s waiting for an appointment with Dr. Scratchansniff. In order to pass the time, Wakko imitates a dog for Dot and Yakko grabs the paper because Wakko isn’t house broken. After reading the headline on the paper, the Warners start singing about the Variety Fair, and hollywood lingo. Be prepared for tons of ‘blink and you’ll miss them’ cameos, including Stallone, Schwarzenegger, and Steven Speilberg *GASP* This song is quite fun and has a lot to talk about Three Tenors and You're Out Skippy and Slappy are off to see the Dodgers play baseball. Unfortunately they go on a night when three Tenors are singing. Slappy manages to annoy just about everyone in the stadium before getting kicked out. That’s when things are taken to the next level as Slappy is now intent on ruining the show. After multiple song and costume changes, things quickly escalate with the appearance of a giant spaceship piloted by Slappy and Spielberg, You can bet Kelly has some words to say about this cartoon! Bingo Wakko is the only one to show up to Dr. Scratchansniff’s afternoon bingo game. Of course Wakko immediately drives Scratchansniff bonkers when can’t get Wakko to understand when he is saying a word, or a letter and number combination. This segment is reminiscent of “Who’s on First” and is the perfect length to keep from being too repetitive. Listener Feedback and News Steven writes in to share his thoughts on the upcoming reboot. The hosts share some more of their thoughts and the concern that the upcoming reboot may not include the original voice actors. While it seems unlikely, it seems like anything is possible, especially since the voice talent has not been announced yet. If you have concerns about the reboot there are a few things you can do, but time may soon be up! A fan created petition has been created, you can check it out and sign it HERE if interested. Sending a polite, professional, and positive business to the producers at Warner Bros. and Steven Spielberg might be a good idea as well if you want to make your voice heard. Please try to represent the Animaniacs fan community in a positive light! You can get tips on how to write a business letter HERE Correspondence to Steven Spielberg can be mailed to 100 Universal City Plaza Bldg. 5121 Universal City, CA 91608 Different Ways to Support Our Show If you'd like to support out show there's lots of ways to do it! First of all, you could go onto Apple Podcasts and leave us a five-star positive review. Also, don't forget to tell a friend about the show! Your retweets and post shares help others find us. You could also purchase some hand prepared decals from Joey at Decals.Animanicast.com Interested in getting some Animanicast MERCHANDISE? It's in stock now at TeePublic! Get yours at Teepublic.Animanicast.com
How, exactly, does one know that he is a “light lyric tenor,” or a “Spinto tenor,” or a “dramatic tenor”? Is there like, a Tenor Task Team? Two members of the Texas Tenors – JC Fisher and John Hagen – teach the types of tenor to us. We also learn about “classical crossover” music and why it is a gateway drug, turning innocent classical music newbies into addicts by the thousands. By the way, if you like this episode, check out the Texas Tenors on Houston Public Media TV 8 Monday August 7, 2017 (local PBS show times here). Music in this episode: “La donna è mobile”, by The Three Tenors, from the Three Tenors in Concert, Los Angeles (1994) “Celeste Aida”, by Giuseppe Verdi, performed by Giuseppe Giacomini Tosca, by Giacomo Puccini, performed by Luciano Pavarotti (James Levine on piano) Otello, by Giuseppe Verdi, performed by Placido Domingo “Principe più non se” from La Cenerentola by Gioachino Rossini, performed by Juan Diego Florez with Los Angeles Philharmonic “Vesti la Giubba” from Pagliacci by Ruggero Leoncavallo, performed by Luciano Pavarotti La Boheme by Giacomo Puccini, performed Andrea Bocelli “Nessun Dorma” from Turandot by Giacomo Puccini, performed by Franco Corelli “Nessun Dorma” from Turandot by Giacomo Puccini, performed by the Texas Tenors Audio production by Todd “Tenortastic” Hulslander with scads of squillo from Dacia Clay.
Hey y'all! It's our, "Three Tenors of the LAO Chorus" episode! Yup- Todd Strange and Arnold Geis are my guests this week, and I couldn't be happier. It was a VERY last minute proposition, but this episode is certainly in keeping with my need to mix things up. Totally improvised, off the cuff, and EXACTLY the conversation you'd get if you were a fly on the wall in the dressing room. Enjoy, and thanks for listening! See acast.com/privacy for privacy and opt-out information.
With Lew Smoley & Howard Nevison
With Lew Smoley & Howard Nevison
With Lew Smoley & Howard Nevison
With Lew Smoley & Howard Nevison
With Lew Smoley & Howard Nevison
With Lew Smoley & Howard Nevison
With Lew Smoley & Howard Nevison
You may be familiar with the "Three Tenors," who were very popular in the 1990's. Most people can name at least two of the singers that made up the three; but often there is just "the other guy." What's more, we often just agree to believe when we do not understand. Can 2+2=5? We take a look at some of these issues in this message.
We're halfway into 2014 and opera has already worked its way into three of the year's biggest athletic events. For those keeping score, there was Renée Fleming's pop-tinged version of the national anthem at the Super Bowl; Anna Netrebko's take on the Olympic Anthem during the opening the Sochi Olympics; and on July 11th, two days before the finale of the World Cup, longtime soccer fan Placido Domingo will perform a concert in Rio de Janeiro with soprano Ana Maria Martinez (and pianist Lang Lang). This is reportedly Domingo's sixth World Cup appearance, the first being at the 1990 World Cup in Rome with the Three Tenors (with Jose Carreras and Luciano Pavarotti). Other famous examples in the sporting canon include baritone Robert Merrill's regular anthem performances with the New York Yankees and soprano Montserrat Caballé's gaudy tribute to her hometown at the 1992 Barcelona Olympics. So who gets the medal for best operatic performance in this year's stadium events? And just how did this happen? In this week's podcast we talk with two experts: Anne Midgette, the classical music critic of the Washington Post Joseph Horowitz, a veteran concert programmer and author of 10 books including Classical Music in America: A History of Its Rise and Fall Segment Highlights On the Similarities Between Opera and Sports Fandom: Midgette: I would say opera and sports are a natural pairing. Being an opera fan is very much like being a sports fan: you're looking for the highs and lows, you're rooting for your favorites, you're waiting to see if they're going to trip up. There's a real element of fandom, as everyone who love opera knows. Anna Netrebko at the Olympics vs. Renee Fleming at the Super Bowl: Horowitz: I was kind of surprised that [Fleming] sang with such exaggerated sincerity. I thought the whole thing was pretentious and over-the-top... I was reminded of seeing Pavarotti at Madison Square Garden. I thought they both sounded a little dutiful and self-conscious. Midgette: I was of two minds. In a way, [Fleming] pulled it off but in a way I do agree that it certainly wasn't her best self. Neither was an example of those singers at their vintage best. They were fine at what they did but neither struck a great blow for classical music. The impact of the Three Tenors: Midgette: Whatever you thought of the Three Tenors phenomenon, it had a lot of spark and oomph and it was fun and irreverent and a little trashy. That's why the Three Tenors took off the way they did. On whether televised sporting events can take over the role of promoting opera to the masses: Horowitz: There was a time when NBC and CBS had their own orchestras. NBC had an opera company, very different from what we associate with Great Performances on PBS. It did opera in English, it did adventurous stagings, it commissioned operas. So if you're looking back as far as the '40s and '50s, it's a different world and in many ways, a much more inspiring world for culture. Listen to the full segment above and tell us what you think: What's been the greatest stadium performance by an opera singer? Please leave your comments below.
Take in tenor types with two of the Texas Tenors. How, exactly, does one know that he is a “light lyric tenor,” or a “Spinto tenor,” or a “dramatic tenor”? Is there like, a Tenor Task Team? Two members of the Texas Tenors – JC Fisher and John Hagen – teach the types of tenor to us. We also learn about “classical crossover” music and why it is a gateway drug, turning innocent classical music newbies into addicts by the thousands. By the way, if you like this episode, check out the Texas Tenors on Houston Public Media TV 8 Monday August 7, 2017 (local PBS show times here). Music in this episode: “La donna è mobile”, by The Three Tenors, from the Three Tenors in Concert, Los Angeles (1994) “Celeste Aida”, by Giuseppe Verdi, performed by Giuseppe Giacomini Tosca, by Giacomo Puccini, performed by Luciano Pavarotti (James Levine on piano) Otello, by Giuseppe Verdi, performed by Placido Domingo “Principe più non se” from La Cenerentola by Gioachino Rossini, performed by Juan Diego Florez with Los Angeles Philharmonic “Vesti la Giubba” from Pagliacci by Ruggero Leoncavallo, performed by Luciano Pavarotti La Boheme by Giacomo Puccini, performed Andrea Bocelli “Nessun Dorma” from Turandot by Giacomo Puccini, performed by Franco Corelli “Nessun Dorma” from Turandot by Giacomo Puccini, performed by the Texas Tenors Audio production by Todd “Tenortastic” Hulslander with scads of squillo from Dacia Clay.
Summer is over, and The Dennis Daniel Show is back from a small hiatus, and ready to bring you some incredible interviews this Fall. On the next episode, we talk with concert promoter and producer Jason Michael Paul. Jason is the creative genius behind several popular video game concert series including "PLAY: A Video Game Symphony", and the new "Legend of Zelda: Symphony of the Goddesses!" Join Dennis as he talks to Jason about his career in concert producing, getting to work with iconic singers like Pavaratti and the Three Tenors, and about the new Legend of Zelda concert that visits Cincinnati on October 25th. It's dangerous out there, so be sure to listen to The Dennis Daniel Show. Tomorrow at 11:30AM EST!
First up Jeremy recounts a moment from his early audio career.
A comparison of arias as sung by our renowned three tenors, Carreras,Domingo, and Pavarotti. We were lucky to have had these fellows among us. The operas represented are: Werther,Luisa Miller, Rigoletto, La Boheme, Tosca. (71 min.)
ARIAS AND SCENES AS SUNG BY MY THREE FAVORITETENORS IN THE ERA IN WHICH I CAME TO LOVE OPERA MARIO DEL MONACO FRANCO CORELLI RICHARD TUCKER (Photo: Mario del Monaco as Otello)
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