Podcasts about Great Exhibition

The Great Exhibition of 1851 was something to behold for the 6 million Victorian patrons who travelled to London's Hyde Park to see it. It was a triumphant showcase of the most extraordinary achievements of the Victorian age from industry, culture and engineering - gathered from all four corners of the globe. As visitors walked the 8 miles of exhibitions, they would have seen everything from the sublime to the absurd: the world's largest diamond, a contraption to predict the weather using leeches, the world's first public flushing toilets and a two-person piano.The enormous glass and iron building that housed the exhibition was big enough to house four St Pauls Cathedrals and its construction involved some of the most famous engineers of the Victorian age - Brunel, Faraday, Stephenson and Paxton.To tell Dan the story of the Crystal Palace is historian and conservationist Steven Brindle.Produced by Mariana Des Forges and edited by Tim Arstall.You can now find Dan Snow's History Hit on YouTube! Watch episodes every Friday here.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.We'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com.

In the UK and elsewhere in Europe, there is no shortage of fantastic beer festivals and events to keep the industry busy. And last month one fantastic addition to the brewing calendar returned for its third successful year. At Kirkstall Brewery in Leeds, brewers from across the land descended upon Yorkshire for ‘The Great Exhibition of Prize Ales'. A unique celebration of the history of brewing, Kirkstall challenged breweries across the UK to dig deep into their local history, and exhibit beers with a link to the past.Under the stewardship of brand manager Chris Hall and the team at Kirkstall, breweries such as Amity Brew Co, Anspach & Hobday, Buxton, Colbier, Lost Cause, Northern Monk and Theakston joined in to showcase a raft of excellent beer.  As part of Kirkstall Brewery, Chris has not only worked on such fantastic initiatives, he's helped develop and convey the story behind the brewery and its beers on a broader basis, too. But before joining the revered Yorkshire brewery Chris was also part of other respected breweries. And in his career to-date, he's become a sought after and popular part of the UK's beer and brewing fabric.In this episode, we speak to Chris about his admiration and love of locally-made, sessionable beer and how the UK beer scene has changed and evolved during his time working in it. He outlines that when it comes to showcasing your brewery's brand, it should communicate your attributes and values and we also discuss why you should always consider the brand story that you want people to know.

On Sunday, 8th of June, The Zero Pressure podcast hosted a live panel session titled "Rocket Science and the New Space Race, a sold-out event in the Spotlight Talks at the Great Exhibition Road Festival 2025. Chaired by Helen Sharman, the event brought cutting-edge space science and engineering to a packed and enthusiastic public audience. The session featured two of the UK's leading voices in space innovation: Dr Adam Baker, a renowned rocket propulsion engineer and co-founder of UK Launch Services, and MatthewArcher, Director of Launch at the UK Space Agency. The panel explored the exciting evolution of space technologies, from high-thrust chemical rockets to innovative propulsion systems like the Magdrive, an in-space engine that utilisesmetallic fuels and plasma acceleration.

In this episode of Deconstructed - the first of a trilogy to mark 60 years since the end of the London County Council - Matthew Lloyd Roberts is joined by Dr Dawn Pereira, historian of architectural sculpture and author of a forthcoming monograph on the artist William Mitchell. They discuss Crystal Palace Park, from its origins as the home of Joseph Paxton's Crystal Palace, which was moved from the Great Exhibition at Hyde Park to form a permanent new collection on the hilltops of South London. After the destruction of the palace in a fire in 1936, the London County Council transformed the park, creating the National Sports Centre and a range of public art.Dawn is the organiser of a conference to mark the 60th anniversary of the end of the LCC, you can keep up with the initiative through their Instagram: @lcc_legacy https://www.instagram.com/lcc_legacy?igsh=MTVqZm9lbzYxNXZ2cw==To help support excellent and accessible, independent journalism about the buildings and the urban environment, please become an Open City friend by clicking here.Deconstructed is recorded and produced at the Open City offices located in Bureau. Bureau is a co-working space for creatives offering a new approach to membership workspace. Bureau prioritises not just room to think and do, but also shared resources and space to collaborate. To book a free day pass follow this link.Subscribe to the Open City Podcast on Spotify, Soundcloud or iTunesThe Open City Podcast is supported by Bloomberg Connects, the free arts and culture app and produced in association with the Architects' Journal, London Society, C20 Society and Save Britain's Heritage. Hosted on Acast. See acast.com/privacy for more information.

Geoff and Rory discuss the remarkable life of a Victorian genius; the upwardly mobile Joseph Paxton. The son of a farmer, he found a patron in the 6th Duke of Devonshire and by the age of 23 Paxton was Head Gardener at Chatsworth. He would later become a nationally sought-after engineer and latterly a Member of Parliament.The Silicon Valley entrepreneur of his day, Paxton embraced the latest technology, designing the Great Conservatory and Conservative Wall at Chatsworth, before catapulting to fame as the designer of the Crystal Palace in London.

Join us to celebrate the opening of the UK Pavilion at Expo 2025 Osaka, Kansai and discover the most exciting ideas and innovations shaping our future.At a time when the world risks becoming fragmented and divided, the World Expo represents a unique opportunity to show what humanity can achieve when we come together.The UK Pavilion at Expo 2025 will act as a vibrant hub of creativity and innovation, showcasing our nation's unique energy, heritage, and make-up. A place where fresh ideas and diverse perspectives are welcomed. A place where exploration and curiosity pave the way for progress. A great place to connect, collaborate, and build the future.At the RSA, the birthplace of the very first World Expo – the Great Exhibition of 1851 – we will gather innovators developing new creative projects and partnerships in both the UK and Japan to inspire us with pathways to a brighter future for people, places, and the planet we all share.Speakers:Sir Peter Bazalgette – Co-chair, Creative Industries CouncilYolanDa Brown OBE DL – Chair, BPISir Loyd Grossman – Chair, the RSAIndy Johar – Architect and Co-founder, 00 and Dark Matter LabsLiana O'Cleirigh, designer, Bentley SystemsDai Fujikura, composerKyoichiro Kawakami, Minister (Economic), Embassy of JapanChair:Nina Nannar, journalist and arts editor for ITV News Donate to the RSA: https://thersa.co/3ZyPOEaBecome an RSA Events sponsor: https://utm.guru/ueembFollow RSA on Instagram: https://www.instagram.com/thersaorg/Like RSA on Facebook: https://www.facebook.com/theRSAorg/Listen to RSA Events podcasts: https://bit.ly/35EyQYUJoin our Fellowship: https://www.thersa.org/fellowship/join  

Assassin's Creed Syndicate takes players to Victorian London. This was an age of massive social change through technological innovation and cultural exchange, as the industrialised British Empire extended around the world.Perhaps the greatest symbol of Britain's power and influence at this time was the Great Exhibition and its iconic venue, the Crystal Palace.Tom Furber, Research Fellow at the London Centre for Public History, returns to the podcast to give Matt Lewis a tour of the highlights of the Exhibition.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Hosted by: Matt LewisEdited by: Michael McDaidProduced by: Matt Lewis, Robin McConnellSenior Producer: Anne-Marie LuffProduction Manager: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic by Austin Wintory.If you liked this podcast please subscribe, share, rate & review. Take part in our listener survey here.Tell us your favourite Assassin's Creed game or podcast episode at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

Hello internet! This week's episode is all about the history of the GREAT EXHIBITION of 1851! Enjoy and be sure to share with a friend!National Immigration Project: https://nipnlg.org/

Circumstances seemed unfavourable for a Labour victory in a 1950 election but, when it was held, Attlee managed to lead his party to the second win in its history. It took a majority of the popular vote, and even a majority of parliamentary seats, though way down from its previous landslide to a mere five.With that small majority, it was poorly placed to deal with the continuing financial difficulties of the country. These were made worse by involvement in the Korean War, which meant rearming. The funds for the war had to be found somewhere, and the Chancellor of the Exchequer, a rising star of the Party, Hugh Gaitskell, decided that had to come in part from raiding the National Health Service and the Social Insurance Fund.In disgust, the architect of the health service, Nye Bevan, resigned from the government. With him went another young rising figure, Harold Wilson, who had become the youngest cabinet minister in Britain in the whole of the twentieth century. At that stage he stood with the left and with Bevan, though later he would turn on his mentor, taking a seat in the Shadow Cabinet when Labour was back in Opposition, a seat vacated precisely by another resignation on principle by Bevan.There were difficulties internationally too, with the Mossadegh government in Iran set to nationalise British oil industries there, and nationalist forces in Egypt putting pressure on the British garrison guarding the Suez Canal. Attlee's friend and loyal supporter, the long-time Foreign Secretary Ernest Bevin had died in April 1951, and his successor Herbert Morrison wasn't up to the job, adding these foreign crises to the burden on Attlee.With Bevan's left-wing group organising against him and making his parliamentary majority look decidedly fragile, the aging and tired Attlee called another election. Held on 28 October 1951, it saw Labour at last lose its majority and the Conservatives win one.Attlee was out. Churchill was back.Illustration: The Royal Festival Hall in London, souvenir of the 1951 Festival of Britain, itself marking the centenary of the Great Exhibition in Victorian times. Photo by a Wikipedia contributor. Public Domain.Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

WARNING sensitive Religious, political and weather content.How will this effect you!? A soul Ascension? or Rebirth?This 1851-1852 now is repeating a window of time—Saturn in sidereal Pisces, Uranus in sidereal Taurus—mixes dissolution (Pisces) with material shocks (Taurus). The Great Exhibition flaunted progress, yet the Taiping Rebellion and French coup exposed cracks in stability. Floods and war added chaos. “Economic crash” like 2008 stands out, these events suggest a world teetering—innovation clashing with upheaval, much like your 2025 economic curiosity.

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Join us as Ben, Dessy, Tiago, and Rose continue on their journey to play every Ace Attorney game! Well, the Great Exhibition is here! So many wonders and sights to see! Surely we will have time to take in the ambience, and won't get whisked away on another wild case involving explosions, hot air balloons, screwdrivers named "Andrew," or inventions that can supposedly teleport people! We also get Rose and Tiago's reaction to wax museums as a concept, and how attractive they are finding Madame Tusspells. Oh, oh! And our good friend Gina is back, now as an inspector! Also, who is that mysterious masked man hanging out with front-facing van Zieks? He couldn't be... could he? No, there's no way... but maybe... Nahhhhh! It's impossible. But what if... he really is... Ah, who am I kidding. It's couldn't possibly be him. But then again... you never know... Follow us online: @aceattorneypod / aceattorney.bsky / updatedautopsy.report Watch Ben, Dessy, & Iro's Let's Plays of the series on YouTube here! Want a shirt? Check out our store here! Ben: @yotsuben / yotsuben.bsky Dessy: @yesthisisdes / dessy.bsky Rose: @tromarts / rosenonsense.bsky Tiago: @tiagosdutra / linktr.ee

Petter Kukacka, founder of the Stockholm-based creative studio, The Great Exhibition, talks about his childhood dream of building an office rollercoaster and the design challenge his audacious project posed.  See omnystudio.com/listener for privacy information.

Today, you'll learn about the tiny tractor beam that could change how certain diseases are diagnosed, how a screw allowed an iconic historical building to go up faster than anyone thought possible, and why scientists are worried about the 33 dark spots with thousands of unknown plants. Tractor Beam “MIT engineers create a chip-based tractor beam for biological particles.” by Adam Zewe. 2024. “Optical tweezing of microparticles and cells using silicon-photonics-based optical phased arrays.” by Tal Sneh, et al. 2024. Crystal Palace “How London's Crystal Palace was built so quickly.” by Jennifer Ouellette. 2024. “The Great Exhibition of 1851.” Christopher Marsden. N.d. “Thread form at the Crystal Palace.” by John Gardner & Ken Kiss. 2024. Botany Dark Spots “Botanists identify 33 global ‘dark spots' with thousands of unknown plants.” by Patrick Greenfield. 2024. “‘Uncharted territory': more than 2m fungi species yet to be discovered, scientists say.” by Patrick Greenfield. 2023. Follow Curiosity Daily on your favorite podcast app to get smarter with Calli and Nate — for free! Still curious? Get exclusive science shows, nature documentaries, and more real-life entertainment on discovery+! Go to https://discoveryplus.com/curiosity to start your 7-day free trial. discovery+ is currently only available for US subscribers. Hosted on Acast. See acast.com/privacy for more information.

In this episode Malika Browne talks to journalist, novelist and biographer A N Wilson about the Great Exhibition of 1851, which took place in Hyde Park over six months and attracted over 6 million visitors. The profit from the wildly popular international commercial exhibition led to the founding of London's now famous South Kensington museums, and the area known as Albertopolis. The Royal Commission for the 1851 exhibition goes on to this day, dispensing grants to scientists.Further Reading:Prince Albert: The man who saved the monarchy by A N WilsonThe World for a Shilling by Michael Leapmanhttps://royalcommission1851.org/ Hosted on Acast. See acast.com/privacy for more information.

In May 1904, the Great Exhibition in Lister Park showcased Bradford businesses, art and culture, and featured a standout exhibit: the Somali Village. Within this village, 60 Somali individuals, including men, women, and children, resided in a walled compound for six months. In this fascinating event, Fozia Bora tells the stories of some of these Villagers – often polyglot cosmopolitans, and Bradford's earliest-known Muslim community – who speak from the past through the recovery of written, oral and photographic archives.

The bite-sized morning show bringing you the good news & motivation for your day, returns! Now Weekly, it features feel-good news headlines & a meditation to make your week start on the right foot!News Stories featured this week:The Great Exhibition unveils the world's only office roller coaster in StockholmThis new editorial and events platform explores the intersection of technology and mysticismNew Gabo Island lighthouse keeper carries on 160-year-old tradition Support glitterball on Patreon Hosted on Acast. See acast.com/privacy for more information. Become a member at https://plus.acast.com/s/glitteryoodness.

1851 it is, and the Great Exhibition of the Works of Industry of All Nations, also known as the Great Exhibition or the Crystal Palace Exhibition took place in Hyde Park, London, from 1 May to 15 October 1851. It was the first in a series of World's Fairs, exhibitions of culture and industry that became popular in the 19th century. Famous people of the time attended the Great Exhibition, including Charles Darwin, Karl Marx, Michael Faraday, Samuel Colt, writers like Charlotte Brontë, Charles Dickens, Lewis Carroll, George Eliot, Alfred Tennyson, and William Makepeace Thackeray. Schweppes was the official sponsor. The Great Exhibition was a celebration of modern industrial technology and design - mainly for the British who were trying to show how through tech, the world would be a better place - leading the nations in innovations so to speak. Six million people, equivalent to a third of the entire population of Britain at the time, visited the Great Exhibition, averaging over 42 000 visitors a day, sometimes topping 100 000. Thomas Cook managed the travel arrangements for the Exhibition, and made the equivalent of 33.2 million pounds in today's cash - or 186 000 pounds back in 1851, and promptly used the money to found the Victoria and Albert Museum and the Science Museum, as well as the Natural History Museum. Inventor Frederick Bakewell demonstrated a precurser to something that we know as a Fax Machine. The New Zealand exhibit was well liked, featuring Maori crafts such as flax baskets, carved wooden objects, eel traps, mats, fish hooks and the scourge of the British army in Kiwiland, their hand clubs. A couple of conservative politicians let it be known they were not happy about the Exhibition, saying visitors would turn into a revolutionary mob. Considering that Karl Marx was part of the visitors - perhaps not unsurprisingly. But did Karl Marx use the services of Thomas Cook? Not exactly a question destined for a dissertation. This Exhibition went on to become a symbol of the Victorian Era. Meanwhile … a serious War in one of its colonies, the Cape was more than disquietening - it appeared this war was more a Victorian error. AS in mistake. amaNgqika chief Maqoma was causing Harry Smith sleepness nights, and Colonel Fordyce and his colleagues were fighting for their lives along the Amathola mountains. The Waterkloof ridges — in a place to the west of Fort Beaufort — was where the Khoekhoe and coloured marksmen made their greatest impact. The ex-Cape Mounted Rifles members amongst the rebels had other uses. They understood the British bugle calls, having been trained by the British, further exasperating men like Henry Somerset and Colonel Fordyce. The amaXhosa and Khoekhoe rebels were also much more organised than in previous wars against the invaders. They targeted the Messengers reading updates from British commanders intended for Grahamstown and been reading the reports, and some of the rebels were actually being supplied directly from Grahamstown itself. Then Henry seemed to receive an injection of spine - of determination. On November 6th 1851 he massed two large columns, one under Colonel Fordyce, and the other led by Colonel Michel. Unbeknownest to him, this was to be Fordyce's last mission. Michel's column had to advance up the Waterkloof aka Mount Misery, while Fordyce's column would wait above, on the summit. Michel would drive the rebels up the mountain, Fordyce would trap them and voila! Victory. It didn't quite work that way.

1851 it is, and the Great Exhibition of the Works of Industry of All Nations, also known as the Great Exhibition or the Crystal Palace Exhibition took place in Hyde Park, London, from 1 May to 15 October 1851. It was the first in a series of World's Fairs, exhibitions of culture and industry that became popular in the 19th century. Famous people of the time attended the Great Exhibition, including Charles Darwin, Karl Marx, Michael Faraday, Samuel Colt, writers like Charlotte Brontë, Charles Dickens, Lewis Carroll, George Eliot, Alfred Tennyson, and William Makepeace Thackeray. Schweppes was the official sponsor. The Great Exhibition was a celebration of modern industrial technology and design - mainly for the British who were trying to show how through tech, the world would be a better place - leading the nations in innovations so to speak. Six million people, equivalent to a third of the entire population of Britain at the time, visited the Great Exhibition, averaging over 42 000 visitors a day, sometimes topping 100 000. Thomas Cook managed the travel arrangements for the Exhibition, and made the equivalent of 33.2 million pounds in today's cash - or 186 000 pounds back in 1851, and promptly used the money to found the Victoria and Albert Museum and the Science Museum, as well as the Natural History Museum. Inventor Frederick Bakewell demonstrated a precurser to something that we know as a Fax Machine. The New Zealand exhibit was well liked, featuring Maori crafts such as flax baskets, carved wooden objects, eel traps, mats, fish hooks and the scourge of the British army in Kiwiland, their hand clubs. A couple of conservative politicians let it be known they were not happy about the Exhibition, saying visitors would turn into a revolutionary mob. Considering that Karl Marx was part of the visitors - perhaps not unsurprisingly. But did Karl Marx use the services of Thomas Cook? Not exactly a question destined for a dissertation. This Exhibition went on to become a symbol of the Victorian Era. Meanwhile … a serious War in one of its colonies, the Cape was more than disquietening - it appeared this war was more a Victorian error. AS in mistake. amaNgqika chief Maqoma was causing Harry Smith sleepness nights, and Colonel Fordyce and his colleagues were fighting for their lives along the Amathola mountains. The Waterkloof ridges — in a place to the west of Fort Beaufort — was where the Khoekhoe and coloured marksmen made their greatest impact. The ex-Cape Mounted Rifles members amongst the rebels had other uses. They understood the British bugle calls, having been trained by the British, further exasperating men like Henry Somerset and Colonel Fordyce. The amaXhosa and Khoekhoe rebels were also much more organised than in previous wars against the invaders. They targeted the Messengers reading updates from British commanders intended for Grahamstown and been reading the reports, and some of the rebels were actually being supplied directly from Grahamstown itself. Then Henry seemed to receive an injection of spine - of determination. On November 6th 1851 he massed two large columns, one under Colonel Fordyce, and the other led by Colonel Michel. Unbeknownest to him, this was to be Fordyce's last mission. Michel's column had to advance up the Waterkloof aka Mount Misery, while Fordyce's column would wait above, on the summit. Michel would drive the rebels up the mountain, Fordyce would trap them and voila! Victory. It didn't quite work that way.

The girls are joined by comedian and boyfriend of Carley, Rhys Naylor, as we walk through the 1851 Great Exhibition and the cursed history of the Kohinoor Diamond (which is a cursed diamond that has a curse- for men!)We also have a short but alarming conversation about Barron Trump!Sign up on Patreon for ad-free early episodes, plus bonuses! patreon.com/GirlHistoriansHosted by: Blair MacMillan and Carley ThorneSpecial Guest: Rhys NaylorMusic by: Jacob OllivierCover artist: Nicola LyttleGirl Historians on InstagramGirl Historians on Youtube Hosted on Acast. See acast.com/privacy for more information.

In 1851, a spectacular showcase of the world's best art, design and innovation opened in London. Housed in a magnificent 'Crystal Palace' constructed by Joseph Paxton in just five months, the Great Exhibition wowed its six million visitors - and its legacy still lives on in London's museum district today. Speaking to Ellie Cawthorne, Caroline McCaffrey-Howarth answers listener questions on its conception, construction, and contents. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What we can learn from Sir Henry Cole - his energy, ingenuity, convening power and commitment to the public good - to inspire and encourage us to be bigger and bolder in our social change ambitions today?Sir Henry Cole's list of achievements is long and varied — the first director of the V&A, he helped establish the Great Exhibition of 1851, reformed the postal service, introduced Christmas cards and was hugely influential at the then Society of Arts during Prince Albert's tenure as President. It was said of him that, “his enterprise, energy and perseverance stimulated its proceedings and supplied much of the driving force that gave the Society a new importance in the land”.Join us on 15th July - Sir Henry Cole's birthday - to celebrate his extraordinary life and times in conversation with historians Sir Christopher Frayling, Anton Howes and Dan Cruickshank, alongside Alice MacDonnell, Cole's 4 x great granddaughter and present-day steward of his remarkable legacy and contribution to British innovation, design and manufactures.Become an RSA Events sponsor: https://utm.guru/udI9xDonate to The RSA: https://utm.guru/udNNBFollow RSA Events on Instagram: https://instagram.com/rsa_events/Follow the RSA on Twitter: https://twitter.com/RSAEventsLike RSA Events on Facebook: https://www.facebook.com/rsaeventsofficialListen to RSA Events podcasts: https://bit.ly/35EyQYUJoin our Fellowship: https://www.thersa.org/fellowship/join

These days, you can hear about self-driving cars when you turn on the news, or you can browse store shelves for high-tech gadgets. But in the mid-nineteenth century, there was one go-to place for the public to view scientific achievement: the Great Exhibition.

How much do you know about your local and the people that run it. Why they do what they do. What they enjoy about this profession. What they enjoy....less so. Be it core classics or specials and seasonals, the independent on-trade is essential in offering a platform to countless brewery's beers. And for patrons and producers in West London, they're fortunate to have a brilliant pub that does just that. Run by husband and wife duo Tim and Tosh, alongside canine companion Dexter, The Brook is part of the rich beer and brewing fabric of Brentford. After running a wealth of London's best-known pubs, giving a boost and a stage to excellent, independent, beer is a huge part of their raison d'être. The Brook was founded as 'The Royal Oak' beer house in 1787 and it was originally a standard corner property, later expanded into properties in New Road. It belonged to the Royal Brewery of Brentford. The Royal Oak was licensed as a public house by 1894 and it was built in its present form in that year 1894, possibly being partially rebuilt in the 1920s. ​ The Strawberry House beer house was established by 1871 at 33 New Road where a member of the Gomm family (the brewers) was noted as a beer seller there. It was probably named after the large area of market gardens that used to exist in the area between Brook Road and Ealing Road. One of the market gardeners, Thomas William Beach, founded a jam factory in Brentford and he won awards for his strawberries at the Great Exhibition in 1851. The beer house was closed after 1896 by which time it was known as The Patriot. ​ Licensees of The Royal Oak included John Carter (1869), Richard Lewis (1870), Elizabeth Gardner (1894), Boaz Stallwood (1901) and Albert Coles (1914-1937). Stan Johnson was the landlord of The Royal Oak until 1960. By 1957 Stan had decided that he would become a publican and he moved to The Royal Oak after completing his training at The City Barge at Strand on the Green. In 1960 Stan and his wife moved to the Midlands, first in Walsall and then in Bridgnorth. ​ The Royal Oak was closed for some time and re-opened as 'The Brook' in June 2019 with Tim and Tosh Rider as the owners. Tim explains: "My introduction to the pub trade was Godolphin's just near Brentford Lock in 1989. My stint there made me realise I had a genuine love for the hospitality pub trade…so, thank you Brentford for that! I joined Whitbread soon after becoming the manager of The King's Head in Chiswell Street near the Barbican Center. "I met Tosh in The Blue Posts, in Soho, 20+ years ago. We married in 2002 when we were both running Bar Mosko in Holborn, then we spent 10 years at The Tabard in Chiswick followed by 2 years at the Ye Olde Cheshire Cheese in Fleet Street. Between the two of us we have gained strong links and experience within the pub industry. "We took the lease on for The Royal Oak in Brentford in March 2019 and the pub showed real promise plus a chance for both of us to finally put down some roots. The Royal Oak needed some love so after 3 months of getting the pub back into some order, we changed the name to 'The Brook'…it was time for a fresh start. "We are immensely proud of The Brook, how it looks and we are committed to becoming the local “village pub” in Brentford. So come and relax with our great selection of craft ales/beers, great wines, spirits and good food alongside good company and an extensive selection of vinyl and digital music!" In this episode we speak to Tim about the joys, and challenges, of running an independent pub, the importance of connecting with the community, operating in an area synonymous with football but not being defined by it, and the duo's love of pouring brilliant beers from the UK's best.

Millions of people flock to museums each year, eager to learn about the past and be inspired by the artefacts on display. But how old is the concept of the museum? How exactly has it shifted over time? And what controversies have plagued museums in recent years? Dr Caroline McCaffrey-Howarth talks to Jon Bauckham about the history of these remarkable institutions, covering everything from Renaissance ‘cabinets of curiosities' to the triumphant Great Exhibition of 1851. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Across 1851, over 6,000,000 people went to London to see the Great Exhibition. Designed to showcase the very best of what Britain and the empire could offer the world, the event was an incontrovertible success which cemented Britain's status as the nation at the centre of the world economy. But, with the events of 1857 in India and the extreme levels of violence that came with it, followed by the death of Albert in 1861, Victoria's rule was not plain-sailing even at this point. Listen as William and Anita discuss Victoria and her interactions with the empire on which the sun never sets. Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producer: Anouska Lewis Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

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This episode highlights the monumental significance of the Great Exhibition of 1851 in England, spearheaded by Prince Albert to showcase global industry and culture during the Industrial Revolution. The event attracted millions of visitors and led to the establishment of iconic cultural institutions in London, leaving a lasting legacy in the history of world expositions and human creativity.

Well gang, we've been threatening this one for a while. And you know what happens when we threaten a topic? Yes, we get round to it after about 3 years. Don't say we never treat you. This week we are FINALLY getting round to chatting all things Great Exhibition. From Tempest Prognosticators to naked statues in tents, huge chunks of gold and coal, and a glass atrium that welcomed 6 million people over the course of 6 months, there's a lot of stuff to chat about. Plus we find out how it impacted London in the ensuing years. Strap in, lads, it's going to get exciting! Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Le Random team of ⁠thefunnyguys⁠, Peter Bauman (⁠Monk Antony⁠) and Conrad House (⁠Nemo Cake⁠) spoke to special guest and acclaimed gallerist Kate Vass about a whirlwind ⁠one hundred years of generative art history (1850-1949)⁠,the Modern Era. This episode corresponds with: ⁠Generative Art Timeline: Chapter 2 10 Significant Modern Era Moments (Covered in the talk)⁠ The Great Exhibition of London Lights Early Spark of the Arts & Crafts Movement (1851) Modern art Begins: Manet's Work Rejected by Paris Salon (1863) + Cézanne's Mont Sainte-Victoire Series (1870-1906) Les Demoiselles d'Avignon by Picasso kicks off Cubism (1907) The Ten Biggest, No 7 by Hilma af Klint (1907) Tatlin and Rodchenko Found Constructivism and Malevich Stages the 0.10 Exhibition with Black Square. (1915) Walter Gropius Founds Bauhaus (1919) Marcel Duchamp and Man Ray Create Rotary Glass Plates (1920) Gunta Stölzl Named Director of Bauhaus Weaving Workshop (1927) Birth of digital computing: Konrad Zuse Completes the Z3 (1941) + ENIAC (1945) 10. Cybernetics Is Born: Norbert Wiener's Cybernetics + Claude Shannon's "A Mathematical Theory of Communication.” (1948)

In today's encore podcast, Sarah shares her conversation with Amy Schneider, Matt Amodio and Mattea Roach where they discussed the much anticipated Tournament of Champions exhibition game. Host: Sarah Foss Production Support: Alexa Macchia, Carlos Martinez Follow Jeopardy! Instagram: @jeopardy Twitter: @jeopardy Subscribe on YouTube: www.youtube.com/jeopardy Website: www.jeopardy.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Discover the secrets behind successful companies and the minds that shaped them in a look at 100 years of history. Join us as we delve into the stories of visionary entrepreneurs, inventors and small businesses, uncovering the strategies that propelled their inventions and Great Britain to new heights. Philip Hamlyn Williams, a renowned historian and author. Williams, latest book "How Britain Shaped the Manufacturing World," delves into the fascinating history of Britain's manufacturing prowess and its impact on the world.   Show Sponsor - for your manufacturing website needs: Holdingbay  https://holdingbay.co.uk Learn from the Cliff Notes on the manufacturing history - 03:01 Grand father made surgical instruments at the great exp - 03:59 From 1851 steam trains without internal combustion - 08:30 What was the challenge with cotton that helped? - 08:50 How did steam pumps help oil? - 12:28 Who produced the first motor car? - 18:25 Which companies are you fond of? - 23:53 Take power to people not people needing to move - electric - 24:49 Communications innovations, people could not see the point? - 32:43 Do you think we are heading to 2051 with strong innovation? - Chooses a hand tool and an area of innovation. We discuss the changing period of British manufacturing over roughly a hundred years, from the Great Exhibition in 1851 to the Festival of Britain in 1951. The innovation, hard work, and advancements in various industries during this time that shaped the country and had a global impact. Williams emphasises the importance of friction and opportunity in driving innovation, with entrepreneurs and inventors solving local problems and exploring broader applications for their inventions. They touch on the role of wars, in accelerating technological development and transforming industries. The influx of women into the workforce during the war improved working conditions and changed the dynamics of labor. Industries naturally clustered Coventry and Birmingham being prominent hubs for motor and manufacturing companies. The interview highlights the ingenuity, adaptability, and resilience of British manufacturers throughout history. Show Notes:   https://cliffnotespodcast.com/podcasts/54/ Get the book: https://www.pen-and-sword.co.uk/How-Britain-Shaped-the-Manufacturing-World-Hardback/p/21375 https://britishmanufacturinghistory.uk/ https://www.philwilliamswriter.co.uk/     CREDITS: Host: Tristan Bailey Music: Drinks On The Bar - Dougie Wood If you or a friend would be a good guest with a story about People, Process or Technology that moved them forward, then book a quick call on the website.  REVIEWS: Please leave a review where you listened to the show, or on the bottom of the show web page, above. FOLLOWS:  Follow the show on Twitter https://twitter.com/cliffnotespod Subscribe to the show to keep listening or by email, form on the website.

The Barry Art Museum at Old Dominion University in Virginia USA,  features three major collections: Fine Art Paintings, Glass, Historic Dolls and Automata.  The Barry Museum's doll collection spans three centuries of fashion and culture, the dolls are exhibited alongside great works of art challenging the viewer to see the doll in terms of art and the society that created them. The Barry Art  Museum's guest Curator Sara Woodbury joins host Louisa Maxwell to discuss the  Barry's latest exhibition exploring the story of the French Bébé dolls. Made in the likeness of idealised children with finely sculpted bisque heads and composition or leather, bodies, these dolls were dressed in the finest French fashions.     French doll makers: Jumeau, Bru, Steiner, André Thuillier and Huret competed to create the most luxurious and innovative Bébés.  Sara Woodbury gives us a guided tour through the exhibition and insight into what these dolls reveal about the society and culture of the late nineteenth century.

Oliver TwistOliver Twist Full Book Introduction The novel Oliver Twist tells the story of Oliver, an orphan raised in a workhouse. When he cannot take any more abuse, he escapes to London. In London, he is hooked into a den of thieves and undergoes many hardships before getting free with the help of various kind Samaritans. Oliver doesn't know the identity of his father but finally discovers the truth about his birth. The author Charles Dickens created this kind-hearted protagonist whose life is beset with tragedy. In so doing, Dickens won the love and sympathy of countless readers. By telling Oliver's story, Dickens revealed darkness and injustices endemic in English society at the time. Author : Charles DickensCharles Dickens is one of the most celebrated English novelists of the 19th century. During his life, he wrote a total of 15 full-length novels, more than a hundred short stories, dozens of novellas, and numerous essays, travel journals, and plays. He was one of the most prolific writers the world has ever known, creating works in almost every genre apart from poetry. Dickens' novels reflect the social conditions of his times, evoking them in vivid detail. Through his works, Dickens articulated the views and outlooks of his contemporaries and exposed the stark societal conflicts and hypocrisies of his age. Overview | Chapter 1Hi, welcome to Bookey. Today we will unlock the novel Oliver Twist. In England, in 1837, when Victoria came to the throne, it signaled the dawn of the “Victorian era”. It was a period of relative domestic peace with few international conflicts. Tranquility and stability lasted, and in 1851, the Great Exhibition was staged in London, consolidating the achievements of the Queen's reign and establishing England's position as the leading power in the world. Charles Dickens was a rising star on the literary scene at the time. He had established his reputation with the publication of his novel The Pickwick Papers. In that founding year of the Victorian era, 1837, Dickens began writing a serialized novel for the monthly magazine Bentley's Miscellany. The two-year-long series later became his novel Oliver Twist. This book tells the story of an orphan raised in an abusive workhouse who later escapes to London. His name is Oliver Twist. In the city, Oliver chances upon a group of thieves who want to use him as an accomplice. In their company, he suffers many hardships. Finally, good Samaritans come to his aid and rescue him, and Oliver discovers the true circumstances of his birth. In Oliver, Dickens created a tragic but kind-hearted protagonist who won the love and sympathy of countless readers. In telling Oliver's tale, Dickens also reveals the darkness and injustices common in English society at the time, especially when it comes to treating the underclasses. Although Victorian England is remembered today as a powerful state, Dickens' writing presents the era as, in equal parts, good and evil. Under the same sun, the palatial estates of the wealthy sat beside the filthy slums of the poor. At any moment, both the upstanding and the wretched could be on their way up to heaven or on a descent toward the gates of hell. Dickens was born in 1812 in the town of Portsmouth in the southeast of England. There, his father worked as a minor clerk at the Navy Pay Office. In 1823, the family moved to London, but their finances were in dire straits. The entire family of eight adults and children lived in a cramped little shack in Camden, a district in North London. Their situation was so grave that by the start of the following year, Dickens' father was sent to...

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In 1846 a soldier named Robert Pate moved to an expensive apartment off Piccadilly - one of the most exclusive areas of London.  Unlike the first four would-be assassins, Robert Pate came from a wealthy family, so for the first time in this series Dr Bob Nicholson is exploring the world of affluent London. Pate's wealth and class helped to smooth his path through life - his father's money bought him a gentleman's education, and a commission in the army, but Robert was not well and developed routines to cope with his mental illness – rituals involving baths, coins, daily carriage rides, and walks through London parks. It was in Hyde Park that Queen Victoria spotted Robert's eccentric way of dressing and behaving. She wrote to a relative: ‘he makes the point of bowing more frequently and lower to me than anyone else'. By 1850, Queen Victoria was by now a mother of seven, having just given birth to Arthur, her third son. She was celebrating ‘the restoration of her liberty' by entering public life once more. Prince Albert was immersed in the plans for the Great Exhibition opening the following year. After the tumultuous 1840s he believed the country was entering a new era. He wrote to his cousin: ‘we have no fear here either of an uprising or an assassination.' So Pate's attack on 27th June 1850 came out of the blue. As Queen Victoria's carriage pulled out of the house where she had been visiting a dying relative, Pate stepped from the crowd and brought his metal-tipped stick down on her head, leaving her bleeding. The police intervened to stop a lynching.This was the most serious attack yet and Bob Nicholson's quest to understand Robert Pate and find out what happened to him after he struck the Queen, takes him to the site of the attack, into the Home Office archives, and the world of Victorian wealth and poverty.

TCW Podcast Episode 183 - A Working Model of Vending   The arcade industry had many influences. From traveling fairs, clockmakers, and more. Eventually, with the invention of putting a coin-activated door on tobacco boxes in bars, the idea inspired others to make coin-operated vending machines and cast iron banks that were marked as toys but were used for gambling in bars. This is a deep dive into where the coin-op industry came from and we can see some of these influences that carried on to the modern day.   Penny-in-the-Slot Automata and the Working Model: https://www.amazon.com/Penny-Slot-Automata-Working-Model/dp/0709074085 Glockenspiel in Munich: https://www.youtube.com/watch?v=hsfxTyhCzr8 Cuckoo Clocks: https://www.youtube.com/watch?v=l6lCQvEUf-U Lost art of Automatons alive again: https://www.youtube.com/watch?v=C7oSFNKIlaM HUGO Trailer: https://www.youtube.com/watch?v=FG9rvNhdOX8 Revolutions S3: https://open.spotify.com/playlist/484J9T0QdvFdlaq5M5tUcs Exposition des Produits de I'industrie Française: https://en.wikipedia.org/wiki/Exposition_des_produits_de_l%27industrie_fran%C3%A7aise Virtual Tour of the Great Exhibition: https://www.youtube.com/watch?v=sSlP6jQLPwI The Surprising History of Vending Machines: https://www.youtube.com/watch?v=T6lxjx4ZzBM 10 Church Bell Cover Songs: https://www.readersdigest.co.uk/culture/music/10-incredible-church-bell-cover-songs The Penny Arcade - The Working Model: https://penny-arcade.info/working-models Penny Cast Iron Bear and Indian Bank: https://www.pbs.org/video/antiques-roadshow-appraisal-cast-iron-penny-bank-ca-1900/ Horse Race Mechanical Bank: https://www.youtube.com/watch?v=BLSN3MTEDP0   TCW 007 - History of the Arcade: http://podcast.theycreateworlds.com/e/history-of-the-arcade/   New episodes are on the 1st and 15th of every month!   TCW Email: feedback@theycreateworlds.com  Twitter: @tcwpodcast Patreon: https://www.patreon.com/theycreateworlds Alex's Video Game History Blog: http://videogamehistorian.wordpress.com Alex's book, published Dec 2019, is available at CRC Press and at major on-line retailers: http://bit.ly/TCWBOOK1     Intro Music: Josh Woodward - Airplane Mode -  Music - "Airplane Mode" by Josh Woodward. Free download: http://joshwoodward.com/song/AirplaneMode  Outro Music: RolemMusic - Bacterial Love: http://freemusicarchive.org/music/Rolemusic/Pop_Singles_Compilation_2014/01_rolemusic_-_bacterial_love    Copyright: Attribution: http://creativecommons.org/licenses/by/4.0/

Happy Gamuary! This time, it's Gamera vs. Jiger in the battle to win the hearts of Chris and Charlotte, as they think about parasites, pregnancies, world's fairs, accents, and choosing your own adventures!Show Notes.Gamera vs. Jiger: IMDb. MST3K Wiki. Trailer.We talked about Katamari Damacy in our episode on the first few Season 13 shorts.Our episode on the best Gamera episode, Season 3's Gamera vs. Guiron.Expo 86.Bureau Internationale des Expositions.The Great Exhibition of 1851 (Chris said the name wrong, whoops).Palace of Fine Arts and Treasure Island in San Francisco.The Space Needle.National Cash Register Building.Game Show 1939!An article about Expo 70, the official Expo 70 site, and an informative lecture.Stockhausen and Beethoven in the German pavilion.Yes, turns out Gamera was at Expo 70.Expo 2025!Kon Omura in 赤い霊柩車 (Red Dead Wagon, or Red Hearse; he's in the opening scenes).And in the kids show 頓馬天狗 (Tonma Tengu).Edo Porn (Hokusai Manga).Starland Vocal Band: Afternoon Delight.The Starland Vocal Band Show.Our episodes on Beyond Atlantis and Hercules and the Captive Women.The relevant entry from the diary of Samuel Pepys (the chant is in French).Donald Sutherland's (not that one) translation of Aristophanes's Lysistrata gives the Spartans Southern accents.An article on translating accents in literature.Richard Burton's (not that one) translation of The Arabian Nights.The official Choose-Your-Own-Adventure book website.Some CYOA books: Return to Atlantis. The Cave of Time (with the sand-turned-to-glass scene Charlotte describes). The Lost Jewels of Nabooti. Inside UFO 54-40.On the gimmick of Inside UFO 54-40.Neil Patrick Harris: Choose Your Own Autobiography.Ryan North: To Be or Not to Be.“Don't fake the funk on a nasty dunk.”Support us on Patreon and get all sorts of Megaphonic goodies.

Chrissie tells you about the 1851 Great Exhibition. Read the essay here: https://historywiththeszilagyis.org/hwts153 Find us on Twitter:The Network: @BQNPodcasts The Show: @HistorySzilagyi. Chrissie: @TheGoddessLivia. Jason: @JasonDarkElf.Send topic suggestions via Twitter or on our Facebook page History with the Szilagyis.History with the Szilagyis is supported by our patrons: Susan Capuzzi-De ClerckEd ChinevereLaura DullKris HillJoin these wonderful supporters by visiting patreon.com/historywiththeszilagyis. The BQN Podcast Collective is brought to you by our listeners. Special thanks to these patrons on Patreon whose generous contributions help to produce this podcast and the many others on our network! AnonymousTim CooperChrissie De Clerck-SzilagyiThad HaitPeter HongMahendran RadhakrishnanJim McMahonJoe MignoneGreg MolumbyJustin OserTom Van ScotterDavid Willett Carl Wonders You can join this illustrious list by becoming a patron here: https://www.patreon.com/BQN

Subscribe Apple | Google | Spotify | Stitcher | iHeart   Support The Daily Gardener Buy Me A Coffee    Connect for FREE! The Friday Newsletter |  Daily Gardener Community   Historical Events 1791 On this day, Martha Ballard recorded her work as an herbalist and midwife. For 27 years, Martha kept a journal of her work as the town healer and midwife for Hallowell, Maine. In all, Martha assisted with 816 births. Today, Martha's marvelous journal gives us a glimpse into the plants she regularly used and how she applied them medicinally. As for how Martha sourced her plants, she raised them in her garden or foraged them in the wild. As the village apothecary, Martha found her ingredients and personally made all of her herbal remedies. Two hundred twenty-nine years ago today, Martha recorded her work to help her sick daughter. She wrote, My daughter Hannah is very unwell this evening. I gave her some Chamomile & Camphor.   Today we know that Chamomile has a calming effect, and Camphor can help treat skin conditions, improve respiratory function, and relieve pain.   1835 Birth of Samuel Langhorne Clemens (known by his pen name Mark Twain), American writer and humorist. Samuel used the garden and garden imagery to convey his wit and satire. In 1874, Samuel's sister, Susan, and her husband built a shed for him to write in. They surprised him with it when Samuel visited their farm in upstate New York. The garden shed was ideally situated on a hilltop overlooking the Chemung ("Sha-mung") River Valley. Like Roald Dahl, Samuel smoked as he wrote, and his sister despised his incessant pipe smoking. In this little octagonal garden/writing shed, Samuel wrote significant sections of The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, Life on the Mississippi, A Connecticut Yankee in King Arthur's Court, The Prince and the Pauper, A Tramp Abroad, and many other short works. And in 1952, Samuel's octagonal shed was relocated to Elmira College ("EI-MEER-ah") campus in Elmira, New York. Today, people can visit the garden shed with student guides daily throughout the summer and by appointment in the off-season. Here are some garden-related thoughts by Mark Twain. Climate is what we expect; the weather is what we get. It was a soft, reposeful summer landscape, as lovely as a dream and as lonesome as Sunday. To get the full value of joy You must have someone to divide it with. After all these years, I see that I was mistaken about Eve in the beginning; it is better to live outside the garden with her than inside it without her.   1874 Birth of Lucy Maud Montgomery, Canadian writer and author of the Anne of Green Gables series. Lucy was born on Prince Edward Island and was almost two years old when her mother died. Like her character in Ann of Green Gables, Lucy had an unconventional upbringing when her father left her to be raised by her grandparents. Despite being a Canadian literary icon and loved worldwide, Lucy's personal life was marred by loneliness, death, and depression. Historians now believe she may have ended her own life. Yet we know that flowers and gardening were a balm to Lucy. She grew lettuce, peas, carrots, radish, and herbs in her kitchen garden. And Lucy had a habit of going to the garden after finishing her writing and chores about the house. Today in Norval, a place Lucy lived in her adult life, the Lucy Maud Montgomery Sensory Garden is next to the public school. The Landscape Architect, Eileen Foley, created the garden, which features an analemmatic (horizontal sundial), a butterfly and bird garden, a children's vegetable garden, a log bridge, and a woodland trail. It was Lucy Maud Montgomery, who wrote, I love my garden, and I love working in it. To potter with green growing things, watching each day to see the dear, new sprouts come up, is like taking a hand in creation, I think. Just now, my garden is like faith, the substance of things hoped for.   1875 Birth of Frank Nicholas Meyer, Dutch-American plant explorer. Frank worked as an intrepid explorer for the USDA, and he traveled to Asia to find and collect new plant specimens. His work netted 2,500 new plants, including the beautiful Korean Lilac, Soybeans, Asparagus, Chinese Horse Chestnut, Water Chestnut, Oats, Wild Pears, Ginkgo Biloba, and Persimmons, to name a few. Today, Frank is most remembered for a bit of fruit named in his honor - the Meyer Lemon. Frank found it growing in the doorway to a family home in Peking. The Lemon is suspected to be a hybrid of a standard lemon and mandarin orange. Early on in his career, Frank was known as a rambler and a bit of a loner.  Frank once confessed in an October 11, 1901, letter to a friend, I am pessimistic by nature and have not found a road which leads to relaxation. I withdraw from humanity and try to find relaxation with plants.   Frank was indeed more enthusiastic about plants than his fellow humans. He even named his plants and talked to them. Once he arrived in China, Frank was overwhelmed by the flora. A believer in reincarnation, Frank wrote to David Fairchild in May 1907: [One] short life will never be long enough to find out all about this mighty land. When I think about all these unexplored areas, I get fairly dazzled... I will have to roam around in my next life.   While China offered a dazzling landscape of new plant discoveries, the risks and realities of exploration were hazardous. Edward B. Clark spoke of Frank's difficulties in Technical World in July 1911. He said, Frank has frozen and melted alternately as the altitudes have changed. He has encountered wild beasts and men nearly as wild. He has scaled glaciers and crossed chasms of dizzying depths. He has been the subject of the always-alert suspicions of government officials and strange peoples - jealous of intrusions into their land, but he has found what he was sent for.   Frank improved the diversity and quality of American crops with his exceptional ability to source plants that would grow in the various growing regions of the United States. He was known for his incredible stamina. Unlike many of his peers who were carried in sedan chairs, Frank walked on his own accord for tens of miles daily. And his ability to walk for long distances allowed him to access many of the most treacherous and inaccessible parts of interior Asia - including China, Korea, Manchuria, and Russia. Frank died on his trip home to America. He had boarded a steamer and sailed down the Yangtze River. His body was found days later floating in the river. To this day, his death remains a mystery. But his final letters home expressed loneliness, sadness, and exhaustion. He wrote that his responsibilities seemed "heavier and heavier." The life of a Plant Explorer was anything but easy.   Grow That Garden Library™ Book Recommendation The Wood by John Lewis-Stempel  This book came out in 2019, and the subtitle is The Life and Times of Cockshutt Wood. John Lewis-Stempel is a farmer and a countryside writer - he prefers that title to 'nature writer.' The Times calls him Britain's finest living nature writer. Country Life calls him "one of the best nature writers of his generation.' His books include the Sunday Times bestsellers The Running Hare and The Wood. He is the only person to have won the Wainwright Prize for Nature Writing twice, with Meadowland and Where Poppies Blow. In 2016 he was Magazine Columnist of the Year for his column in Country Life. He lives in Herefordshire ("heh-ruh-frd-shr") with his wife and two children. And The Wood was a BBC Radio 4 'Book of the Week'  The Wood is written in diary format, making the whole reading experience more intimate and lyrical. John shares his take on all four seasons in the English woodlands, along with lots of wonderful nuggets culled from history and experience. And I might add that John is a kindred spirit in his love of poetry and folklore. John spent four years managing Cockshutt wood - three and a half acres of mixed woodland in southwest Herefordshire. The job entailed pruning trees and raising livestock (pigs and cows roam free in the woods).  John wrote of the peace and privacy afforded him by his time in the woods. Cockshutt was a sanctuary for me too; a place of ceaseless seasonal wonder where I withdrew into tranquility. No one comes looking for you in wood.   The Woods covers John's last year as the manager of Cockshutt. The publisher writes,  [By then], he had come to know it from the bottom of its beech roots to the tip of its oaks, and to know all the animals that lived there the fox, the pheasants, the wood mice, the tawny owl - and where the best bluebells grew.  For many fauna and flora, woods like Cockshutt are the last refuge. It proves a sanctuary for John too. To read The Wood is to be amongst its trees as the seasons change, following an easy path until, suddenly the view is broken by a screen of leaves, or your foot catches on a root, or bird startles overhead. This is a wood you will never want to leave.   The Wood starts in December - making it the perfect holiday gift or winter gift. John writes about the bare trees and the gently falling snow. The landscape becomes still and silent.  John writes, Oddly aware, walking through the wood this afternoon, that it is dormant rather than dead. How the seeds. the trees and hibernating animals....are locked in a safe sleep against the coldand wet.   By January, the Wood stirs to life with the arrival of snowdrops. If snowdrops are appearing, then the earth must be wakening. Of all our wildflowers the white hells are the purest, the most ethereal. the most chaste... Whatever: the snowdrop says that winter is not forever.   As The Wood takes you through an entire year, the book ends as another winter approaches. The trees are losing their leaves. Animals are preparing for their long sleep. John is preparing to leave the woods for his next chapter as well. Looking back, he writes,  I thought the trees and the birds belonged to me. But now I  realize that I belonged to them.   This book is 304 pages of a joyful, poetic, and soul-stirring time in the woods with the elegantly articulate John Lewis-Stempel as your guide - he's part forest sprite with a dash of delightful nature-soaked tidbits. You can get a copy of The Wood by John Lewis-Stempel and support the show using the Amazon link in today's show notes for around $6.   Botanic Spark 1936 On this day, the Crystal Palace in London was destroyed by fire. The spectacular blaze was seen from miles away.  Joseph Paxton, the English gardener, architect, and Member of Parliament designed the Crystal Palace, aka the People's Palace, for the first World's Fair - the Great Exhibition of 1851. Joseph had built four elaborate glass greenhouses for the Duke of Devonshire in Chatsworth, which provided valuable experience for creating the Crystal Palace.  The Joseph Paxton biographer Kate Colquhoun wrote about the immensity of the Palace: "[Paxton's] design, initially doodled on a piece of blotting paper, was the architectural triumph of its time. Two thousand men worked for eight months to complete it. It was six times the size of St Paul's Cathedral, enclosed 18 acres, and entertained six million visitors."   The Crystal Place was an extraordinary and revolutionary building. Joseph found extra inspiration for the Palace in the natural architecture of the giant water lily. Instead of creating just a large empty warehouse for the exhibits, Joseph essentially built a massive greenhouse over the existing Hyde Park. The high central arch of the Palace - the grand barrel vault you see in all the old postcards and images of the Crystal Palace - accommodated full-sized trees that Joseph built around. Another innovative aspect of the Crystal Palace was the large beautiful columns. Joseph designed them with a purpose: drainage. By all accounts, the Crystal Palace was an enormous success until the fire started around 7 pm on this day. The manager, Sir Henry Buckland, had brought his little daughter, ironically named Chrystal, with him on his rounds of the building when he spied a small fire on one end of the Palace. Newspaper reports say the flames fanned wind through the Handel organ as the Palace burned to the ground. A sorrowful song to accompany the end of an era in plant exhibition.   Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.

In today's bonus episode, Amy Schneider, Matt Amodio & Mattea Roach join Sarah to give their reactions to the much anticipated Tournament of Champions Exhibition Game. Host: Sarah Whitcomb Foss Guests: Amy Schneider, Matt Amodio & Mattea Roach Production Support: Alexa Macchia, Anamarie Johnson & Carlos Martinez Follow Jeopardy! Instagram: @jeopardy Twitter: @jeopardy Subscribe on YouTube: www.youtube.com/jeopardy Website: www.jeopardy.com

Nous sommes le Ier mai 1851, à Londres. Jour de l'ouverture officielle de la « Great Exhibition of the Works of Industry of all Nations (littéralement « La grande exposition universelle des travaux de l'industrie de toutes les nations »). Il s'agit, en fait, de la première des Expositions universelles. L'événement a lieu à Hyde Park, au sein du Crystal Palace, cette immense bâtisse formée de 400 tonnes de verre et 4 000 tonnes de métal. Une prouesse technique que l'on doit à l'audacieux Joseph Paxton, architecte et jardinier-paysagiste, spécialiste des serres. L'idée de cette gigantesque expo, on la doit au fonctionnaire Henry Cole, très actif dans le domaine des innovations en matière de commerce et d'éducation. Il s'agit donc de réunir, dans un lieu unique, les productions artisanales et industrielles du monde entier mais, surtout, de faire la démonstration éclatante de la puissance britannique à l'époque victorienne. Le succès est au rendez-vous avec ses six millions de visiteurs. Visiteurs pouvant se permettre de débourser un shilling pour le billet d'entrée. En 1851, William Morris a 17 ans, un caractère bien trempé et curieux de tout. Venant d'un milieu plutôt aisé, il pourrait se permettre la dépense, et pourtant, alors qu'il est en visite dans la capitale, il refuse de se rendre au Crystal Palace : the place to be ! Notre jeune homme, en effet, estime qu'il n'y trouvera que des horreurs : des produits manufacturés industriellement, des copies médiocres fabriqués avec la sueur des ouvriers au plus grand profit des bourgeois se vautrant dans le mauvais goût… Mais qui est ce jeune blanc bec si sûr de lui ? Il s'appelle William Morris et il s'apprête à marquer, de son empreinte, rien moins que l'Arts and Crafts, l'Art nouveau et le design du XXe siècle. C'est un visionnaire qui va brasser les différentes expressions artistiques : peinture, architecture, déco, littérature, le tout dans un souci constant, et politique, de mettre la beauté à portée de tous. Ça fait envie ! Allons donc coller aux basques de William Morris… Invitée : Anne Hustache, historienne de l'Art.

On this week's episode: Zak, Jamilah, and Elizabeth answer a tricky question from a parent who doesn't have a relationship with her father for a good reason. But now that his health is failing, she's wondering if she should introduce him to her daughter. Then, they tackle how to make school drop-off smoother. On Slate Plus, they discuss Jessica Grose's piece, I'll Say It Again: There's More Than One Way to Raise Kids Who Thrive, and dish on what philosophies they use in their own parenting.  Recommendations: Elizabeth recommends Making a Great Exhibition by Doro Globus  Jamilah recommends filling out your manufacturer's warranty.  Zak recommends Life on Earth by Hurray for the Riff Raff.  Bonus recommendation: Pregnant Pause.  Join us on Facebook and email us at momanddad@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes.  Podcast produced by Rosemary Belson. Slate Plus members get a bonus segment on MADAF each week, and no ads. Sign up now at slate.com/momanddadplus to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode: Zak, Jamilah, and Elizabeth answer a tricky question from a parent who doesn't have a relationship with her father for a good reason. But now that his health is failing, she's wondering if she should introduce him to her daughter. Then, they tackle how to make school drop-off smoother. On Slate Plus, they discuss Jessica Grose's piece, I'll Say It Again: There's More Than One Way to Raise Kids Who Thrive, and dish on what philosophies they use in their own parenting.  Recommendations: Elizabeth recommends Making a Great Exhibition by Doro Globus  Jamilah recommends filling out your manufacturer's warranty.  Zak recommends Life on Earth by Hurray for the Riff Raff.  Bonus recommendation: Pregnant Pause.  Join us on Facebook and email us at momanddad@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes.  Podcast produced by Rosemary Belson. Slate Plus members get a bonus segment on MADAF each week, and no ads. Sign up now at slate.com/momanddadplus to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, we're talking about a historical that we like to think of as the full banana. A descriptor which, now that we're typing it, really covers a lot of ground. It's Passion week — we're talking about how Lisa Valdez shook up the traditional historical world in 2005 when she released this erotic historical featuring a widow and a dude who has an extremely large…you know. We talk about what it means for a romance to be erotic and about how this might also be inspirational. We also talk about this as a marker of a significant shift in the content of romance novels, and ask some questions about basic anatomy. Headphones on for this one, y'all!Our next read-along will be Kresley Cole's Munro, Book 18 of the Immortals After Dark series. You've probably heard of this series because Fated Mates began as an IAD fan podcast. You can take the girls out of Monster Mash, but you can't take Monster Mash out of the girls…so we're reading Munro, obviously. Stay tuned for information on that episode…but also, if you're inclined to go back to the beginning, here you go. Preorder Munro at Amazon, Apple, Kobo, or B&N.Thank you, as always, for listening! If you are up for leaving a rating or review for the podcast on your podcasting app, we would be very grateful! Show NotesPassion by Lisa Valdez was the first book in a series named the Passion Quartet, but only two were published. Passion in 2005 and Patience in 2010. Passion takes place during Great Exhibition of the Works of Industry of All Nations, commonly called the Crystal Palace Exhibition. The Great Exhibition was well-documented in the book Dickinson's Comprehensive Pictures of the Great Exhibition, which is available in its entirety online. Charlotte Bronte was a visitor and wrote about her impression of the exhibits.Lisa Valdez wrote about sex in romance on Jess Michaels's blog back in 2014.America is full of weird controlling shit about sex, like abstinence only education, and the fact that people don't know where the hymen is. You should follow Dr. Jen Gunter and tell your kids about Scarleteen.Sarah mentioned that Marc is a hero very much in the model of Dain from Lord of Scoundrels.Up next, Munro. Stay tuned for more details.