Podcasts about Diamond jubilee

In this episode of Banking on Community, our hosts Saxon, Tara, and Brett trade in their boxing robes for microphones as they unpack all the biggest moments from CSI's annual customer event, CX25. From the glitter of the Diamond Jubilee to the buzz around new fraud detection tools like TruProtect and partnerships like Wave CX, they share insider stories, customer feedback, and a healthy dose of humor. You'll hear about Sugar Ray's surprise interaction with CSI's legal team, a robot bartender doing the YMCA, and insights from the most talked-about sessions covering AI, fraud, and the future of digital banking.But it's not all fun and games—this episode digs into the real challenges and opportunities community banks are facing today. The team discusses the evolving role of technology in banking, including the growing impact (and threat) of AI, generational trends in customer expectations, and the resilience of community FIs navigating uncertainty. With a sneak peek at what's ahead for CX26 and a teaser for the next episode, this is a can't-miss episode for anyone passionate about the future of community banking.Thanks for listening! Feel free to submit questions on X or LinkedIn using #BankingonCommunityPod and give us a follow! LinkedIn X Facebook YouTube

Ok grab a drink, sit back and relax. Today I dive into a couple of topics. Give my opinion and thoughts on them. Hope you find value in it. This whiskey world is changing and we have to adapt to it.Badmotivatorbarrels.com/shop/?aff=3https://www.instagram.com/zsmithwhiskeyandmixology?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Patreon.com/the_whiskeyshamanThe whisky world is changing – it's time others caught upWhisky commentator Colin Hampden-White takes issue with wine writer Andrew Jefford's depiction of the whisky ‘magi'Words by Colin Hampden-White17 December 2020. https://cluboenologique.com/As someone who spends a good deal of time reading, writing, talking about – not to mention consuming – Scotch, I would probably be considered part of the whisky cognoscenti pinpointed by Andrew Jefford in his ‘tips for wine lovers whose heads are turned by whisky', published here last month. In his counsel, Andrew accuses the whisky ‘magi' of having ‘sanctified' a certain type of Scotch for ‘whisky beatitude' – single malt, ideally single-cask bottlings of ‘multitudinous finishes and aged rarities'. It's an outdated view.The proportions of my professional reference points are the inverse of Andrew's. I am a professional whisky communicator, but also a huge wine lover. I chair the Circle of Wine Writers, and still write a great deal about wine; and I can tell Andrew that the days of whisky purists considering blends to be somehow lesser fare than single malts are well and truly over – particularly in the face of such vaunted blends as Chivas' Tribute to Honour (which sells for as much as $240,000) or Diageo's £100,000 Diamond Jubilee. Further down the scale there is a plethora of premium blends, from Pernod Ricard's Royal Salute to Johnnie Walker's Blue Label. These expressions are enjoyed by single malt lovers as much as anyone, who appreciate the complexity of their creation.Acclaimed blends include Chivas' Tribute to Honour and Diageo's £100,000 Diamond JubileeRather than being elitist, the attitude of whisky purists has changed to encourage new enthusiasts of all types. The days of bartenders advocating strict ways to drink whisky and insisting upon the need to take single malt neat are over. I would never want a wine lover to be daunted by high-strength whisky, so I agree with Andrewthat adding water is a good idea – and if you asked the “whisky Magi” today, they would likely say the same. Indeed I would advocate adding as much water as you wish, to suit your taste (though don't forget that most single malt ranges, at 10 or 12 years old, come in at 40% ABV – so anyone who has enjoyed a good Martini will be very familiar with how they react to high-strength spirits).Whisky in the 1980s was not a particularly popular drink. While many people still drank Scotch, it was is no way, shape or form trendy. All that changed in the late 1990s, when a new breed of whisky drinker emerged. This consumer sought rare single malts and even single cask offerings – something the industry duly noted and promoted accordingly.Whisky may have a romantic, nostalgic image but it is attracting a more contemporary audience, says Hampden-White. Photo by Martin Scott PowellIt's your whisky, drink it however you likeIt became clear by the mid-2000s, however, that if whisky's appeal was to grow further, it would have to be introduced to the mainstream market – and that by keeping whisky exclusive and elitist, this would never happen. From that point on, the whisky industry changed its tune, and the tartan, bagpipes and cask-strength whisky had to step aside. There was a new message to anyone keen to newcomers asking how the spirit should be drunk: “It's your whisky, drink it however you like”.

Welcome to the What's Next! Podcast with Tiffani Bova.    I have the pleasure of welcoming Kristi Herold to the show today. Kristi is the founder and CEO of JAM, a multi-million-dollar global business that has connected millions of people through play since its inception in 1996 and has grown to be one of the world's largest adult recreational sports leagues. JAM has also produced and delivered over 4,000 playful corporate team-building events in over 30 countries since the summer of 2020, and the JAM team consults organizations, helping them integrate fun and play into their “workPLAYce culture.” She's also the best-selling author of It Pays to PLAY – How Play Improves Business Culture. She has been named to Canada's Top 100 Most Powerful Women, was a top 3 finalist in the Canadian Women Entrepreneur Awards, and was awarded the Governor General's Queen's Diamond Jubilee in recognition of her contribution and giving back to the community. Her vision is to get 1 million people playing annually.   THIS EPISODE IS PERFECT FOR…leaders, people managers, and culture-builders who want to strengthen remote and hybrid teams without forcing another Zoom brainstorm or awkward icebreaker.   TODAY'S MAIN MESSAGE…you don't have to choose between productivity and fun at work. Kristi Herold is on a mission to prove you can (and should) have both. In this episode, we discuss how Kristi helps companies around the world integrate play into their culture, virtually and in-person, to boost engagement, build stronger relationships, and drive real business results. From playful daily huddles to rethinking your team-building events, she shares tangible ways to make fun a part of your workplace DNA.   Key Takeaways: How virtual play can build culture even across time zones Why “laughter guarantees” work better than mandatory fun How to structure quick, daily team check-ins that actually feel good Ideas to bring play into remote meetings without making it weird   WHAT I LOVE MOST…Kristi's approach is practical, energizing, and incredibly human. Her belief that “you don't have to stop working to play” is a game-changer for leaders trying to build stronger cultures remotely.   Running Time: 25:35   Subscribe on iTunes     Find Tiffani Online: LinkedIn Facebook X    Find Kristi Online: LinkedIn   Kristi's Offer for What's Next! Listeners: https://www.kristiherold.com/whatsnext25/   Kristi's Book: It Pays to PLAY: How Play Improves Business Culture

NasCardRadio Episode 229: The guys review last week's winners from Las Vegas Motor Speedway: Corey Heim in the, Justin Allgaier in the Xfinity Series, and Josh Berry in the Cup Series. They also discuss the highest finishing rookies, including Gio Ruggiero, Connor Zilisch and Riley Herbst, along with their first trading cards. In the next segment we have new Panini Instant NASCAR cards for sale, Panini Instant print runs have been reviled along with last week's Parkside Pronto Week 1 print run. Next Val answers a viewer's question about a 1992 Maxx Red Factory set that included a Bill Elliott certified autograph. Where did it come from as the viewer has never seen another one since. Moving on, 2025 is Darlington's Diamond Jubilee and the guys celebrate with a look at some of the great moments presented through trading cards. Finally, the guys end the show with some sweet eBay racing card auctions in ‘The Kings Court'. #thehobby #tradingcards #panini

He is “The Man for All Seasons”.Name the sport and Rod Black has more than likely called the game.For 40 years, the award-winning broadcaster has had a front row seat and provided a soundtrack to many of Canada's greatest sports moments.From his early days as a young reporter at CKY TV in Winnipeg to his network commitments as a host and play by play announcer with CTV and TSN, Black has done it all. From NHL hockey to the NBA, Major League Baseball to the NFL and CFL, PGA & LPGA golf, World Championship boxing, ATP and WTA tennis, international figure skating, Indy Car and Formula One auto racing, the Masters, the Kentucky Derby, World Cup Soccer, speedskating, cycling, Canadian & USA college sports and of course both the Summer and Winter Olympics where Black not only hosted prime time shows in 1992 and1994 but also called several historic gold medals in 2010 and 2012.A consummate professional who displays passion and excitement in all that he does, Black is a nine time Canadian Screen Award & Gemini nominee. In 2005, Rod received the Sports Media Canada award for Most Outstanding Broadcaster.Inducted into the media wing of the Manitoba Sports Hall of Fame, Black's broadcasting abilities are not limited to the sports world. The ultra-adaptable announcer is a popular guest speaker, a voice and film actor, an author, and the former co-host of Canada AM-Canada's most-watched national morning show.Despite his chaotic work schedule Rod still has found time to lend his voice and donate his time to a great number of Canadian charities – Special Olympics, Sick Kids Hospital, Childrens Aid Foundation, Easter Seals, United Way, Right to Play, Pro Action Cops and Kids, Kids Help Phone, Canadian Cancer Society, CNIB, CAMH, the Heart and Stroke Foundation, and many more.An honorary spokesperson and ambassador for Plan Canada, Rod has received the Queen's medallion and Diamond Jubilee medal for volunteerism.When asked what his favorite moment has been in his acclaimed career, Rod pauses and says, “The next one. Truly, I absolutely love every memory, but I also wake up every day knowing that there are new great memories to discover. That is what sport teaches us. To enjoy the moments and create new ones. Learn all the lessons from these games – good and bad - and hopefully adapt them into our day to day lives. Nothing can do that like sport.”#rodblack #mediapersonality #playbyplayannouncer #chrispomay #livewithcdp #barrycullenchevrolet #cebl #scarboroughshootingstarshttps://beacons.ai/chrisdpomayhttps://www.cameo.com/chrispomayhttps://www.barrycullen.com/Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/54200596...

Solve crimes with the great detective in "Sherlock Holmes Short Stories." Featuring classic tales by Arthur Conan Doyle, this podcast brings you the brilliant deductions and thrilling adventures of Sherlock Holmes and Dr. Watson. Whether you're a longtime fan or new to the world of Holmes, these timeless mysteries will keep you captivated.

We're brat(s). And, as we do every December, the most brat thing we can do is to step out of the O3L era and count down our favorite albums of the year. 2024 has provided a treasure trove of pop culture highlights - it was a big pop girl year with a new crop of superstars. There were massive albums (in terms of sales, impact, and length) like The Tortured Poets Department, COWBOY CARTER, and Cindy Lee's Diamond Jubilee, but also records that were "short n' sweet" (literally and figuratively). There was the Kendrick v. Drake beef. Everyone had a Brat summer (well, almost everyone). And did we mention Shaboozey?!? Oh, actually, we didn't mention Shaboozey, but we wish we had...because it is kinda fun to say. It's also become O3L tradition to have someone who actually created one of the year's best albums join us for this episode, and this year is certainly no exception. This year, we welcome prolific singer/songwriter/producer Tamar Berk to join us for this discussion. Tamar has played in numerous bands in the Chicago, Portland, and San Diego scenes since the mid-90s, and in September she released her fourth solo album, Good Times for a Change. The new album is another brilliant mix of power pop hooks, '90s-leaning indie rock, and introspective songwriting. Every one of the Tamar's records has made Brett's year end Top 100 Albums list for their respective years...if that ain't a feather in your artistic cap, we don't know what is. But she's also received a rave review in Creem magazine and has made a whole lot of other year end best of lists. We guess that's cool too. Can we get a big ol' "Shaboozey" to that?!? Learn more about your ad choices. Visit megaphone.fm/adchoices

//主播 Ricky Dylan Vic //题图 Vic (Inspired by cover art from Diamond Jubilee by Cindy Lee) //文案 Ricky Hi大家好，2024（农历）的最后一天，我们终于把这期节目发出来了！作为离谱的年货节目，这期我们请到了嘉宾Vic，和我们一起聊聊2024年发行的给我们留下深刻印象的新专辑。 2024又是耳朵非常忙碌的一年，整个音乐圈也发生了许多值得刻下印记的事件，比如The Cure的新专，Oasis Gallagher两兄弟的甜蜜复婚，劳模Thom Yorke的The Smile一年两专，突然一下被Charlie XCX的荧光绿刷屏朋友圈和乐评图文，71岁的Kim Gordon的The Collective，以及椎名林檎并不炒冷饭的新专辑等等，在为老艺术家们的新生命力感叹的同时，我们也同样被一批新的涌现的年轻音乐人们的创作而感到惊喜，正如题图中写的Albums of 2024，我们想抛开榜单的影响，不评论好坏，真正聊聊我们听到的，喜欢的，以及这些声音是如何打动了我们。 因为主播们聊天内容过于充实，这期我们打算做上下集节目。在上期节目中，我们会聊到Cindy Lee是如何用32首歌来将听众带入时空的虫洞，在人类文明湮灭的废墟之上通过声音来追忆缅怀一个说不清楚的过去，其实在追忆什么也变得不重要，如果你有刚好两个小时时间，那么非常推荐把耳朵交给这张专辑，从充满毛刺，失真，层层叠叠，拖沓的器乐以及人声中，去到一个无人之境；会聊到即兴爵士艺术家Wendy Eisenberg的声音如何陪伴Dylan度过了英国乏味单调甚至阴沉沉的盘山公路drive；聊到我们的好朋友Geordie Greep在离开black midi之后如何乖张不减，但又把自己华丽，戏谑，讽刺的音乐表达方式再次推到一个新的边界，由曲目中让人应接不暇，应付不过来的一波又一波高潮，不断的输出，不断的表达，精妙的刻画出的超雄男角色，粗鲁，自大的表面下，也有矛盾和脆弱的内核，在他不经意间神来之笔的歌词写作加持下，描绘出一幕又一幕戏剧场景；以及在Vic的分享下，开始能够欣赏并且迷上Charlie在brat这张专辑中的表达和情绪，通过对比Everything is Romantic原版以及和Caroline Polachek合作版本的词曲，会发现不同perspective下对于生活会有新的理解，由此更加欣赏Charlie在这张专辑制作过程中的真诚和用心；最后聊到另一位天才怪咖Tyler, the Creator今年的Chromakopia以及不断第三次返场离谱电台的Mannequin Pussy的I Got Heaven。 希望2024年对于各位来说是耳朵收获满满的一年，也希望有音乐陪各位跨过之后每一个时间的刻度。2025见！ //Songs Intro: Kingdom come - Cindy Lee 13:49 Kingdom come - Cindy Lee 27:58 If You Hear Me Crying - Cindy Lee 33:14 Two Times Water - Wendy Eisenberg 40:58 In The Pines - Wendy Eisenberg 46:42 The Magician - Geordie Greep 54:33 Holy, Holy - Geordie Greep 58:35 27 Questions - black midi 1:03:07 The Magician - Geordie Greep (cont.) 1:18:35 Girl So Confusing - Charlie XCX 1:23:19 Everything is Romantic - Charlie XCX 1:25:30 Everything is Romantic featuring Caroline Polachek - Charlie XCX 1:36:43 Noid - Tyler, The Creator 1:45:10 Loud Bark - Mannequin Pussy Outro: Endsong - The Cure //Albums Diamond Jubilee - Cindy Lee View Finder - Wendy Eisenberg The New Sound - Geordie Greep BRAT - Charlie XCX Brat and it's completely different but also still brat - Charlie XCX Chromakopia - Tyler, The Creator I Got Heaven - Mannequin Pussy 欢迎大家微信搜索LIPU_RickyBradDylan，添加离谱小助手进入我们的听众群~

Hebrews 2:1-4 — Why do we praise God? Why do we worship him and gather together so often? In Dr Martyn Lloyd-Jones' sermon on Hebrews 2:1-4, he explains why we worship God in such a way. To answer such questions, Dr. Lloyd-Jones first explains what Christianity is. Many people think that Christianity is simply an activist movement for World Peace and philanthropy; however, that simply is not the case. Dr. Lloyd-Jones states that although good deeds are often associated with Christianity, the purpose of the Christianity is to spread the gospel of salvation. It is the mission of the Christian to spread God's great salvation to the ends of the earth. Dr. Martyn Lloyd-Jones states that the reason the masses have not been converted is because we have failed to show them the greatest thing in the world, the gospel of salvation. But many ask the question, how will we get people to listen and value this Gospel as it truly should be? The only way to do this, is to show them their need for salvation. If an unbeliever has no need for salvation, then why should he care for it. To present the gospel of salvation in all its due glory and power, the unbeliever must be made aware of his sin. It is necessary to tell the unbeliever that he is sinful and deserves eternal banishment from the presence of God. Only once this is made clear can the gospel of salvation be presented. Only then will the unbeliever see the true love of God for sending his one and only son to die on our behalf. As Dr. Martyn Lloyd-Jones states, “ The gospels true greatness can be seen only when we realize that the omnipotent God became a simple human for our sakes.”

Hebrews 2:1-4 — Why do we praise God? Why do we worship him and gather together so often? In Dr Martyn Lloyd-Jones' sermon on Hebrews 2:1-4, he explains why we worship God in such a way. To answer such questions, Dr. Lloyd-Jones first explains what Christianity is. Many people think that Christianity is simply an activist movement for World Peace and philanthropy; however, that simply is not the case. Dr. Lloyd-Jones states that although good deeds are often associated with Christianity, the purpose of the Christianity is to spread the gospel of salvation. It is the mission of the Christian to spread God's great salvation to the ends of the earth. Dr. Martyn Lloyd-Jones states that the reason the masses have not been converted is because we have failed to show them the greatest thing in the world, the gospel of salvation. But many ask the question, how will we get people to listen and value this Gospel as it truly should be? The only way to do this, is to show them their need for salvation. If an unbeliever has no need for salvation, then why should he care for it. To present the gospel of salvation in all its due glory and power, the unbeliever must be made aware of his sin. It is necessary to tell the unbeliever that he is sinful and deserves eternal banishment from the presence of God. Only once this is made clear can the gospel of salvation be presented. Only then will the unbeliever see the true love of God for sending his one and only son to die on our behalf. As Dr. Martyn Lloyd-Jones states, “ The gospels true greatness can be seen only when we realize that the omnipotent God became a simple human for our sakes.” To support this ministry financially, visit: https://www.oneplace.com/donate/603/29

Hebrews 2:1-4 — Why do we praise God? Why do we worship him and gather together so often? In Dr Martyn Lloyd-Jones' sermon on Hebrews 2:1-4, he explains why we worship God in such a way. To answer such questions, Dr. Lloyd-Jones first explains what Christianity is. Many people think that Christianity is simply an activist movement for World Peace and philanthropy; however, that simply is not the case. Dr. Lloyd-Jones states that although good deeds are often associated with Christianity, the purpose of the Christianity is to spread the gospel of salvation. It is the mission of the Christian to spread God's great salvation to the ends of the earth. Dr. Martyn Lloyd-Jones states that the reason the masses have not been converted is because we have failed to show them the greatest thing in the world, the gospel of salvation. But many ask the question, how will we get people to listen and value this Gospel as it truly should be? The only way to do this, is to show them their need for salvation. If an unbeliever has no need for salvation, then why should he care for it. To present the gospel of salvation in all its due glory and power, the unbeliever must be made aware of his sin. It is necessary to tell the unbeliever that he is sinful and deserves eternal banishment from the presence of God. Only once this is made clear can the gospel of salvation be presented. Only then will the unbeliever see the true love of God for sending his one and only son to die on our behalf. As Dr. Martyn Lloyd-Jones states, “ The gospels true greatness can be seen only when we realize that the omnipotent God became a simple human for our sakes.” To support this ministry financially, visit: https://www.oneplace.com/donate/603/29

Episode #8 Returning after a year's absence, the podcast begins a celebration of the 60th anniversary of Wally Wood's T.H.U.N.D.E.R. Agents spy-fi/super hero comic, beginning with an episode-length look at the debut edition. Copious reference material from magazine articles and books. 00:00:09 1984 David M. Singer Introduction 00:02:23 Don Markstein's Toonopedia 00:04:14 The Comic Book Heroes by Gerard Jones & Will Jacobs 00:09:19 2002 Foreward by Robert Klein & Michael Uslan 00:14:22 T.H.U.N.D.E.R. Agents #1: "First Encounter" 00:16:08 1981 Retrospective by Lou Mougin 00:17:31 1981 Retrospective by David Singer 00:18:43 Dynamo: "Menace of the Iron Fog" 00:26:04 T.H.U.N.D.E.R. Agent NoMan / Face to Face 00:42:02 Menthor: "The Enemy Within" 00:50:07 T.H.U.N.D.E.R. Squad: "At the Mercy of the Iron Maiden" 00:56:48 Undersea Agent #1 01:14:15 Codas to Issues #1 01:16:54 Amazing Listeners Episode Gallery Twitter Facebook tumblr ♞#дɱдŻİŊƓĤƐƦʘƐʂ♘ rolledspinepodcasts@gmail.com Wordpress Amazing Heroes Podcast, Comic Books, 1960s, Wally Wood, T.H.U.N.D.E.R. Agents, THUNDER Agents, Tower Comics, Gil Kane, Mike Sekowsky, George Tuska, Undersea Agent, Reed Crandall,

Is the strange truer than fiction, and are nations weirder than their staid mythologies? This episode we put that question to the test by considering some of the mind-bendingly strange truths of the more distant past, as well as the nutty history happening in real time right outside our windows. So who you calling strange anyway? You better take a good look in history's mirror with your HAG hosts and our very special guest this episode, to see how it all reflects. Sarah Schneewind, distinguished scholar of Chinese history at UC San Diego, joins us to chat about her textbook, and why preparing students to confront the very strange in history builds empathy and bolsters critical thinking, altogether a good skill set for managing the strangeness of our contemporary world. History Against the Grain Opening Theme by Jesse DeCarlo Music Interludes: Nick Shoulders, "All Bad" Cindy Lee, "Diamond Jubilee"

Campbell Playhouse | (26) Victoria Regina | June 2, 1939Starring: Helen HayesThe story of Queen Victoria from her ascension to the throne and her marriage to Prince Albert to his death and the Diamond Jubilee of her reign. Last show of the season.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :

Normally, on this podcast, we tend to focus on music that was released decades in the past. In this episode, we're going to do a rare thing and focus on music of the present day. Listen along as Yasi chats with The Ringer's Rob Harvilla and Justin Sayles about  their five *favourite* albums and top single of the year. EPISODE PLAYLIST: Listen to songs we detail in the episode ⁠HERE⁠  **NOTE: Cindy Lee's Diamond Jubilee is not available on Spotify. You can listen here on Bandcamp.** CREDITS: Host: Yasi Salek @yasisalek Guests: Rob Harvilla @robharvilla and Justin Sayles Producer: Liz Sánchez  Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's the 19th annual iFanboy All Media Year End Roundup! Conor Kilpatrick, Josh Flanagan, and special guest Ron Richards discuss some of what they enjoyed in media in this, the year that was 2024. Note: Timecodes are subject to change depending on dynamic ad insertion by the distributor. Running Time: 02:56:45 Movies: 00:02:12 - Year in Movies 00:03:52 - Anora 00:07:05 - Hit Man 00:08:51 - The Ministry of Ungentlemanly Warfare 00:12:04 - Kneecap 00:13:48 - Challengers 00:16:32 - The Wild Robot 00:19:33 - Thelma 00:21:09 - The Bikeriders 00:23:21 - Gladiator II 00:26:31 - Juror #2 00:28:20 - Rebel Ridge 00:30:44 - Wonka 00:32:03 - Saturday Night 00:34:47 - Civil War 00:37:22 - The Fall Guy Television: 00:39:37 - Year in Television 00:40:50 - Shōgun 00:43:54 - Industry 00:49:03 - Reservation Dogs 00:50:01 - Fargo 00:52:57 - Shrinking 00:54:53 - Dark Winds 00:55:47 - True Detective: Night Country 01:00:18 - Ripley 01:02:56 - The Paris 2024 Olympics 01:04:11 - The Gentlemen 01:08:53 - Nobody Wants This 01:10:02 - Curb Your Enthusiasm 01:11:39 - Fallout 01:16:13 - English Teacher 01:19:38 - Network TV is Back! Music: 01:26:43 - Guided Tour by High Vis 01:28:55 - Green Day/Smashing Pumpkins/Rancid at Fenway Park 01:32:26 - Unt by Pinhead Gunpowder 01:34:33 - All of This Awaits You by Swami and the Bed of Nails 01:35:47 - Diamond Jubilee by Cindy Lee 01:37:35 - To All Trains by Shellac 01:42:00 - NOFX's Final Tour at Campanelli Stadium 01:45:31 - 69 Love Songs Live by The Magnetic Fields at The Town Hall Podcasts: 01:46:56 - The Plot Thickens: Decoding John Ford 01:47:35 - Family Trips with the Meyers Brothers 01:49:54 - Talking Pictures: A Movie Memories Podcast 01:51:18 - How Did This Get Made? 01:53:24 - Two Guys, Five Rings: Matt, Bowen & The Olympics 01:54:13 - Pretty Sure I Can Fly 01:56:41 - Gone South 01:59:23 - Life of the Record 02:01:24 - Who Killed JFK? 02:05:24 - Revisionist History: Hitler's Olympics Books: 02:07:54 - Polostan: Vol. 1 of Bomb Light by Neal Stephenson 02:10:40 - The Mercy of Gods by James S.A. Corey 02:12:54 - The Ministry of Time: A Novel by Kaliane Bradley 02:14:21 - The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War by Erik Larson 02:17:04 - The Path to Paradise: A Francis Ford Coppola Story by Sam Wasson 02:18:21 - Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears by Michael Schulman 02:20:16 - Since We Fell: A Novel by Dennis Lehane 02:22:22 - Rebel Girl: My Life as a Feminist Punk by Kathleen Hanna 02:24:07 - We Solve Murders: A Novel by Richard Osman 02:25:07 - The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine by Lindsey Fitzharris 02:28:13 - Saint Vitus Bar: The First Ten Years, An Oral and Visual History by Nathaniel Shannon 02:30:40 - Theatre Kids: A True Tale of Off-Off Broadway by John DeVore 02:32:37 - Shōgun: A Novel of Japan by James Clavell 02:35:41 - Green Lantern: Sleepers, Book 1 by Christopher J. Priest Comics: 02:37:38 - The Amazing Spider-Man 02:39:28 - Batman & Robin: Year One 02:40:14 - Grommets 02:42:02 - G.I. Joe: A Real American Hero 02:43:09 - Scarlett 02:44:34 - The Sensational She-Hulk 02:45:09 - Fantastic Four 02:47:07 - Nightwing 02:47:57 - Beneath the Trees Where Nobody Sees 02:49:37 - The Hunger and The Dusk Reason.fm helps you track podcast charts and stay ahead. See the top 100 Apple and Spotify rankings and track daily changes in the charts and category trends -- for free! Save time and discover what's hot now with Reason.fm. Brought To You By: • Better Help – This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/ifanboy and get on your way to being your best self. • iFanboy Patrons • iFanboy T-Shirts and Merch Music: "Happy Holiday" Bing Crosby Learn more about your ad choices. Visit megaphone.fm/adchoices

Ya tenemos ganadora del Premio El Ojo Crítico de Música Moderna 2024, es Lara Fernández, más conocida como Judeline. La sucesora de María José Llergo es jerezana y a sus 22 años, y con un su primer disco, 'Bodhiria', se ha convertido en una de las artistas más importantes de nuestro país. Parece que vive en el futuro, pero canta como nadie la tradición del presente. El martes pasado, Ángela Núñez vino a contarnos las palabras que han entrado en el Diccionario de la Real Academia Española, entre ellas, Dana... ¡Y mira que lo dijimos, que dana tenía todos los ingredientes para ser también Palabra del Año de la Fundéu RAE! Pues, por desgracia, por el impacto trágico que ha provocado la dana de octubre, es una de las 12 candidatas a Palabra del Año.Los estrenos de la semana con Conxita Casanovas pasan por 'Cuando cae el otoño', 'Es el enemigo' y un documental sobre el artista Anselm Kiefer, a cargo de uno de los grandes directores del cine europeo, Win Wenders.Nos vamos de paseo con Jesús Marchamalo y un escritor y cineasta que hace memoria, o sea, ficción, o cine o literatura... De todo esto ha hablado Manuel Gutiérrez Aragón con nuestro paseante. Y nos vamos con la sesión musical de Leyre Guerrero porque este 2024 se ha publicado un disco que ha escuchado muy poca gente. Aunque no son muchos, los que lo han hecho lo ensalzan como lo mejor de este año. Vamos a ver qué ocurre dentro de ese singular álbum con Leyre Guerrero, directora de NaNaNa en Radio 3. Ese disco es 'Diamond Jubilee', es el séptimo disco de Cindy Lee, el alterego femenino del músico canadiense y virtuoso guitarrista, Patrick Flegel. Escuchar audio

This week Holden is strugglin' to feel the spirit of the season and Jackie and MJ give their review of Sabrina Carpenter's new Netflix Christmas special, Holden comes up with a plan for TSwift and Olivia Rodrigo Unity, Jackie tells tale of the awful "My Santa", while MJ contemplates watching thespian of our time Mario Lopez in the classic holiday cinematograph "Feliz Navi-DAD." Holden brings up his new obsession of Diamond Jubilee, and Jackie let's everyone know that "Watch Girls Gone Wild: The Untold Story" is just as upsetting as you'd think. MJ starts It Ends With Us on Netflix, Jackie is gettin' all ready to head to the theatre with Geoff to see "Babygirl" and tries to sell MJ and Holden on "Later Daters" despite their fear it will be just as sad as "Golden Bachelorette" and Holden is lovin' the Monday watchalongs of "Bad Girls Club".  This season Ultimatum resulted in half the cast leaving, and Jackie lets everyone know she does not want to try the Real Housewives of SLC ice cream, MJ says that That Christmas is just Love Actually for kids, and Holden started The Substance! A Nonsense Christmas with Sabrina Carpenter- NetflixMy Santa - Amazon PrimeThe Church Play Cinematic Universe - link for it --->  https://www.youtube.com/watch?v=ZK4gM7RC1M0&ab_channel=JennyNicholsonDiamond Jubilee by Cindy LeeGirls Gone Wild: The Untold Story - PeacockIt Ends With Us Queer - IN THE THEATAHHHHHHLater Daters - NetflixThat Christmas - Netflix Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast  Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to ad-free new episodes.

It's the end of the season so we go out with a bang, FCS playoff picks, a Diamond Jubilee pick, A Service Academy pick, and a hate filled pick plus more enjoy the last picks Show of the year/ever?

Listen and enjoy this wonderful message from Dr Bobby Gupta wrapping up our month long 60th anniversary celebrations.

t has been 60 years since a group of believers gathered to give birth our church family. Come celebrate with us each week as we have a legacy speaker each week. Now to him who is able to do immeasurably more than all we ask or imagine, according to his power that is at work within us, to him be glory in the church and in Christ Jesus throughout all generations, for ever and ever! Amen. Ephesians 3:20-21

Steven and Ian begin this week's episode with some shocking news: It looks like Steven is going to win the Fantasy Albums Draft this quarter (1:57)! Big help comes courtesy of new albums out today from Michael Kiwanuka and Kim Deal of the Breeders, which have been very well reviewed. Then the guys talk about candidates for "Album Of The Year" according to critical consensus, including Charli XCX's Brat, Beyoncé's Cowboy Carter, MJ Lenderman's Manning Fireworks, and Cindy Lee's Diamond Jubilee (13:00). Then they dive into the new album from Father John Misty, Mahashmashana, and how it compares to his previous records (32:25).In the mailbag, the guys address one of their all-time best questions: Who is the most "dudes rock" quarterback of all time (45:24)?In Recommendation Corner, Ian talks about the Philly indie band 22° Halo while Steven stumps for the cult singer-songwriter Lee Baggett (56:11).New episodes of Indiecast drop every Friday. Listen to Episode 216 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It has been 60 years since a group of believers gathered to give birth our church family. Come celebrate with us each week as we have a legacy speaker each week.

Paul Krauss MA LPC speaks with John Bateson about his new book: Suicide: Understanding and Ending a National Tragedy which provides essential information about the current landscape surrounding suicide - debunking common myths, sharing demographic data, and identifying risk factors and warning signs. More than 49,000 people in the United States died by suicide in 2022 — that's one death every 11 minutes, and more than any other year dating to back at least 1941, according to the US Centers for Disease Control and Prevention. John Bateson has pragmatic suggestions for multiple segments of society regarding how we as a society can reduce the number of suicides in the United States. John Bateson was executive director of a nationally certified crisis intervention and suicide prevention center for 16 years. He also was executive director of three university counseling centers and deputy director of a multicounty social service agency. He served on the steering committee of the National Suicide Prevention Lifeline (now the 988 Suicide and Crisis Lifeline) and was appointed to a blue-ribbon committee that created the "California Strategic Plan on Suicide Prevention." He is the author of The Education of a Coroner, The Last and Greatest Battle, The Final Leap, and Building Hope. Get involved with the National Violence Prevention Hotline: 501(c)(3) Donate Share with your network Write your congressperson Sign our Petition Preview an Online Video Course for the Parents of Young Adults (Parenting Issues) Unique and low cost learning opportunities through Shion Consulting Paul Krauss MA LPC is the Clinical Director of Health for Life Counseling Grand Rapids, home of The Trauma-Informed Counseling Center of Grand Rapids. Paul is also a Private Practice Psychotherapist, an Approved EMDRIA Consultant , host of the Intentional Clinician podcast, Behavioral Health Consultant, Clinical Trainer, Counseling Supervisor, and Meditation Teacher. Paul is now offering consulting for a few individuals and organizations. Paul is the creator of the National Violence Prevention Hotline as well as the Intentional Clinician Training Program for Counselors. Paul has been quoted in the Washington Post, NBC News, Wired Magazine, and Counseling Today. Questions? Call the office at 616-200-4433.  If you are looking for EMDRIA consulting groups, Paul Krauss MA LPC is now hosting a weekly online group.  For details, click here. For general behavioral and mental health consulting for you or your organization. Follow Health for Life Counseling- Grand Rapids: Instagram   |   Facebook     |     Youtube  Original Music: ”Alright" from the forthcoming album Mystic by PAWL (Spotify) "Government Cheque" from Diamond Jubilee by Cindy Lee (Bandcamp) "Kingdom Come" from Diamond Jubilee by Cindy Lee (Bandcamp)  

It has been 60 years since a group of believers gathered to give birth our church family. Come celebrate with us each week as we have a legacy speaker each week.

It has been 60 years since a group of believers gathered to give birth our church family. Come celebrate with us each week as we have a legacy speaker each week. Now to him who is able to do immeasurably more than all we ask or imagine, according to his power that is at work within us, to him be glory in the church and in Christ Jesus throughout all generations, for ever and ever! Amen. Ephesians 3:20-21

Join the Latin Boys as they celebrate 200 episodes of the failing ACES Radio.

Cory Atad (The Baffler) Joins Dr. Movies and The Corb to talk about "MEGALOPOLIS," a movie about Francis Ford Coppola getting extremely baked and creating a drastically less efficent method of public transit.  Corbin writing this right now just wants to say: my opinion on this movie has curdled into something meaner and less forgiving after recording this episode. I have come to think of it as a monument to one man's narcissim, a canker sore on the art of cinema, a pile of garbage for precisely no one. I will concede that it is not boring, though, and John Voight does say "Gargatua is here!" Also, this week, Musk announced the Robotaxi thing. The cars have two seats in them, just like the crummy cars in this movie.  Corbin reccomends Diamond Jubilee, an album by Cindy Lee you can acquire here. Matt reccomends the new Blood Incantation record. Cory reccomends High Potential, a new TV show.  Next week's episode is about "The Breaking Ice," which you can see here. Matt said this: "Can you note the song at the end? It's Cult of Luna on a Metropolis themed record called "Vertikal." 

The group dives into a fresh new dungeon crawl to celebrate our milestone 150th episode! Hosted on Acast. See acast.com/privacy for more information.

What is true? We live in a world abundant with half-truths and misleading information; those in authority are expert at ‘bending' the truth.  What of the truth about God?  We suspect that underlying all the ‘denial' by academics, &c, people still have in their hearts an underlying concept of God. Is not this concept ‘fed' when they hear sung such things as Handel's Messiah and watched the Diamond Jubilee of the Queen with its references to God; it was also,‘fed' to some degree when the Monarch was laid to rest and then the subsequent Coronation of Kind Charles.  Our thoughts on this were triggered today by reading 2 Kings ch. 9.  It was an evil time with the godless sons of Jezebel reigning on the thrones of both Judah and Israel.  The first verse tells us that “Elisha the prophet called one of the sons of the prophets … take this flask of oil … go to Ramoth-gilead … look there for Jehu.” [v.1,2]  We learn in v. 5 that he is a commander in the army.  This son of the prophets is told to “lead him to an inner chamber.  Then take the flask of oil and pour it on his head and say , ‘Thus says the LORD  … I anoint you king over Israel.'  Then open the door and flee ..” [v.3] This task is carried out and “when Jehu came out (of the chamber) to the servants of his master, they said to him, ‘Is all well?  Why did this mad fellow come to you?'  And he said to them. ‘You know the fellow and his talk.'  And they said, ‘That is not true: tell us now.” [v.11,12]  So despite calling Elisha's messenger a “mad fellow” they did not really mean it. When Jehu admits he has been anointed king “they blew the trumpet and proclaimed, Jehu is king.” [v.13]. Jehu then carries out God's will in destroying both the bad kings, the sons of Jezebel – and then Jezebel herself.   He gets King Joram's body thrown “on the “plot of ground” that had been Naboth's “in accordance with the word of the LORD” [v.26] which he remembers the prophet uttering.  So despite the spiritual darkness then – and now – many in our world will call God's word's to mind as the drama of God's actions start to happen.  We read in 2 Corinthians today, “the god of this world has blinded the minds of unbelievers, to keep them from seeing the light of the gospel of the glory of Christ …” [4 v.4]  “For God who said, ‘Let light shine out of darkness, has shone into our hearts to give the light of the knowledge of the glory of God …” [v.6] Is that light shining in your heart?  Do you say to the “darkness” – “That is not true!”  Are you trying to spread the light?

On this week's episode of You Are What You Read, we are joined by one of the most highly acclaimed signers of our time, Renée Fleming, Renée is a musical treasure- a 2023 Kennedy Center Honoree, a winner of five Grammy awards and the US National Medal of Arts. She has sung for momentous occasions from the Nobel Peace Prize ceremony to the Diamond Jubilee for Queen Elizabeth II at Buckingham Palace. In 2014 she became the first classical artist ever to sing the National Anthem at the Super Bowl. Known for bringing new audiences to classical music and opera, she has sung not only with Luciano Pavarotti and Andrea Bocelli, but also with Elton John, Paul Simon, Sting, Josh Groban, and Joan Baez. Renée's voice is featured on the soundtracks of Best Picture Oscar winners The Shape of Water and The Lord of the Rings.  In this conversation, we discuss Renée's brilliant anthology, Music and Mind: Harnessing the Arts for Health and Wellness. As Artistic Advisor to the Kennedy Center for the Performing Arts, Renée created the Music and the Mind program, a collaboration between America's national cultural center and the National Institutes of Health. With the anthology, Renée curated a collection of essays from leading scientists, artists, creative arts therapists, educators, and healthcare providers about the powerful impacts of music and the arts on health and the human experience. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 2 of our Cheryl retrospective, we dive into the next chapter of her career, starting with the "Messy Little Raindrops" and "A Million Lights" eras. We explore the highs and lows of these albums, from chart-topping hits to the challenges she faced in maintaining her momentum. We also discuss her brief and controversial stint on The X Factor USA, and her infamous performance with Gary Barlow at the Diamond Jubilee. Join us on Patreon!: https://www.patreon.com/CCTVPOPS Follow us on social media: https://linktr.ee/cctvpops References: Promise This MV https://youtu.be/IuusuMbofVA?si=GeiQwNl9RARaLHZW Promise This Live on X Factor https://youtu.be/xNQRIPBACH4?si=CeAWt5E3d-BY6NiA Promise This unplugged on Alan Carr: Chatty Man https://www.youtube.com/watch?v=EesZWsvp5yg Adele - Promise This on BBC Live Lounge https://youtu.be/YWbhWivNg1g?si=2_spNjPYmrTDPma8 The Flood MV https://youtu.be/41afoYnjdZg?si=87mhGcX5KBOwdQBL The Flood Live on Alan Carr: Chatty Man https://youtu.be/jMOIktHDh_A?si=VjEBeAhRNaRpJr32  Cheryl on The X Factor US https://youtu.be/gFtM9JwQP8M?si=7Re-UMnInQlKwX_O Call My Name MV https://youtu.be/IYT6rbxNn30?si=vnFUGCQhYGSWMk6s Call My Name Live on The Voice UK https://youtu.be/S-Krw1LR-Aw?si=FjayCPJo_Uznmmuh Call My Name Live on Stand Up To Cancer https://www.youtube.com/watch?v=awCIIsxFoJo Need You Now w/ Gary Barlow at the Diamond Jubilee https://www.youtube.com/watch?v=1yC1GktayPc Under The Sun MV https://youtu.be/qr1bkbWKevE?si=jKYtIF7nMMVpVch9 Under The Sun Live on T4 https://youtu.be/uAdcd07kBfA?si=n-BoF3PGiNjuMlCz Sexy Den A Mutha Live on the A Million Lights Tour https://youtu.be/R7B9pcZDp0A?si=57F4dakkFkMvCNfi 3 Words w/ will.i.am Live on the A Million Lights Tour https://youtu.be/wUOOOjld1XI?si=sT9UmT-v1g0itpVz Ghetto Baby MV https://www.youtube.com/watch?v=2sbUnk_-XGE

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's just perfect. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers     sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia The New Adventures of Sherlock Holmes is a radio drama series which aired in the USA from 1939 to 1950, it ran for 374 episodes, with many of the later episodes considered lost media. The series was based on the Sherlock Holmes stories by Arthur Conan Doyle. Some of the surviving episode recordings may be found online, in various audio quality condition. For most of the show's run, the program starred Basil Rathbone as Sherlock Holmes and Nigel Bruce as Dr. Watson. Other actors played Holmes and Watson in later seasons. Production From the outset of the show, the series was billed in different listings under various titles including Sherlock Holmes, Sherlock Holmes and Doctor Watson, and other titles. The most popularly remembered title is The New Adventures of Sherlock Holmes. On occasion, the title of a radio episode differs from that of its original story – for example, the radio adaption of "The Adventure of the Red Circle" is entitled "Mrs. Warren's Lodger". From 1939 until 1943, episodes were adapted or written by Edith Meiser[4] who had written the earlier series The Adventures of Sherlock Holmes which aired from 1930 to 1935. Meiser left the show after disagreements with a sponsor over the amount of violence in the program. It is also reported that Meiser left the show to focus on other projects. From 1943 onward, most episodes were written by the team of Denis Green and Anthony Boucher with some early episodes written by Green and Leslie Charteris. Edith Meiser returned to write for the show for its seventh season. Max Ehrlich and Howard Merrill wrote the episodes of season 8. Denis Green returned as a writer for the last season. Originally, the show starred Basil Rathbone as Sherlock Holmes and Nigel Bruce as Doctor Watson. Together, they starred in 220 episodes which aired weekly on Mondays from 8:30 to 9:00 pm. Basil Rathbone's last episode as the famous detective was "The Singular Affair of the Baconian Cipher". He was eager to separate himself from the show to avoid being typecast in the role. Tom Conway replaced him in the starring role, though Nigel Bruce got top billing. The new series lasted 39 episodes, and Bruce and Conway then left the series. From then until 1950 the series continued with various actors playing the two principal parts. The show first aired on the Blue Network but later moved to the Mutual Broadcasting System. The show moved to Mutual in 1943 at the start of its fourth season. The series was originally broadcast from Hollywood. During World War II, the show was also broadcast overseas through the Armed Forces Radio Service. The program aired on ABC instead of Mutual for its sixth and ninth seasons. Many episodes were recorded in front of a live audience. Cast Sherlock Holmes: Basil Rathbone (1939–1946) Tom Conway (1947) John Stanley (1947–1949) Ben Wright (The Singular Affair of the Ancient Egyptian Curse in 1947, as stand-in for Tom Conway, 1949–1950 as a regular) Dr. Watson: Nigel Bruce (1939–1947) Joseph Kearns (The Haunting of Sherlock Holmes in 1946, stand-in for Nigel Bruce) Alfred Shirley (1947–1948) Ian Martin (1948) Wendell Holmes (credited as "George Spelvin") (1948–1949) Eric Snowden (The Terrifying Cats in 1946, as a stand-in for Nigel Bruce, 1949–1950 as a regular) There is only a limited amount of information available about additional cast members, since complete cast lists are available only for a handful of episodes. In multiple episodes, Mary Gordon played Mrs. Hudson, a role she also played in the 1939–1946 Sherlock Holmes film series featuring Rathbone and Bruce. Professor Moriarty was played by multiple actors in the radio series, including Joseph Kearns (who also played Watson) and Lou Merrill. Frederick Worlock played Inspector Lestrade in at least three known episodes. Worlock also played different roles in multiple films in the 1939–1946 film series, such as the role of Geoffrey Musgrave in Sherlock Holmes Faces Death. Lestrade was played by Bernard Lenrow in the seventh season and Horace Braham in the eighth season. Rex Evans played Mycroft Holmes in at least two known episodes. Evans played an assassin in the Sherlock Holmes film Pursuit to Algiers. In each episode, the announcer would be presented as arriving at the home of Dr. Watson, then retired, who would share a story about Holmes and his adventures. The announcer for the first three seasons of the show was Knox Manning. In various episodes of the fourth season, the announcers were Owen Babbe, Marx Hartman, and Bob Campbell. Harry Bartell became the announcer for the fifth season. The announcer for the sixth season was Joseph Bell. Bell had previously been the announcer for The Adventures of Sherlock Holmes. Cy Harrice took over the role for the seventh and eighth seasons. Herb Allen was the announcer for the ninth season.[28] Actors who performed in multiple roles on the show include Verna Felton, Paula Winslowe, Carl Harbord (who also played Inspector Hopkins in the Sherlock Holmes film Dressed to Kill), Herbert Rawlinson, Paul Frees, Theodore von Eltz, and June Foray. Sponsors The show's announcer acted as the spokesman for the sponsor. Grove's Bromo Quinine sponsored the show for the first three seasons. Petri Wine was the sponsor for the fourth and fifth seasons. Petri Wine stopped sponsoring the show after the end of the fifth season. While Rathbone left the show at the same time, the reason Petri ceased their sponsorship was unconnected to Rathbone's departure according to one source, which states that the decision was made because it was more affordable for Petri to sponsor the radio series The Casebook of Gregory Hood instead. The sponsor for the series was Kreml Hair Tonic for the show's sixth season, and the Trimount Clothing Co. for the seventh season. Trimount renewed their sponsorship for the eighth season. Petri Wine returned as the sponsor for the ninth season. By May 1950, it was confirmed that Petri did not plan to renew their sponsorship if the series continued. Episodes Season 1 (October 2, 1939 – March 11, 1940; 24 episodes) started with an adaptation of "The Adventure of the Sussex Vampire" and ended with an adaptation of "The Adventure of the Retired Colourman". The last episode of the season was originally intended to be an adaptation of "The Final Problem". It is not known why the change was made, but it may be because "The Final Problem" had already been used on radio several times. It was announced on the penultimate show that "The Final Problem" would be the last episode; in the final episode, Watson said he had changed his mind about which story he was going to tell. Season 2 (September 29, 1940 – March 9, 1941; 24 episodes) started with an adaptation of "The Adventure of the Empty House". The last episode was an adaptation of "The Adventure of Shoscombe Old Place". The season included a six-episode serial adapted from The Hound of the Baskervilles. Season 3 (5 October 1941 – March 1, 1942; 22 episodes) started with an adaptation of "The Adventure of the Illustrious Client" and ended with an episode titled "The Giant Rat of Sumatra". An episode also titled "The Giant Rat of Sumatra", inspired by a reference in "The Adventure of the Sussex Vampire", had previously aired in 1932 in the second season of the radio series The Adventures of Sherlock Holmes. Season 4 (May 7, 1943 – May 28, 1945; 109 episodes) started with a dramatization of "The Adventure of the Copper Beeches". The last episode of the season is titled "Dance of Death". According to the Pittsburgh Press, Nigel Bruce "astounded sound engineers" by imitating the sound of a seagull required for the episode "Death in Cornwall", which aired on February 7, 1944. Some episodes in this season and the following two seasons were novelized by H. Paul Jeffers in his 2005 book The Forgotten Adventures of Sherlock Holmes. Season 5 (September 3, 1945 – May 27, 1946; 39 episodes) started with an episode titled "The Case of the Limping Ghost", based on an incident in "The Adventure of the Crooked Man". The last episode of the season was "The Singular Affair of the Baconian Cipher", suggested by an incident in The Sign of Four. This was the last season with Basil Rathbone playing Sherlock Holmes.[42] Rathbone and Bruce also appeared on the CBS radio program Request Performance in November 1945, and swapped roles as Holmes and Watson in a short sketch performance on the program. Some of the episodes in this season were novelized by Ken Greenwald in his book The Lost Adventures of Sherlock Holmes (1989). Season 6 (October 12, 1946 – July 7, 1947; 39 episodes) started with the episode "The Adventure of the Stuttering Ghost", suggested by an incident in "The Adventure of the Noble Bachelor". The season ended with "The Adventure of the Iron Maiden".[45] This was the last season with Nigel Bruce playing Watson. Season 7 (September 28, 1947 – June 20, 1948; 39 episodes) started with "The Case of the Dog Who Changed His Mind" and ended with an adaptation of "The Adventure of the Veiled Lodger". Season 8 (September 12, 1948 – June 6, 1949; 39 episodes) started with an episode titled "The Case of the Unwelcome Ambassador" and ended with an episode titled "The Adventure of the Red Death". Season 9 (September 21, 1949 – June 14, 1950; 39 episodes) started with an episode with an unknown title. The second episode, which aired on September 28, 1949, was titled "The Eloquent Corpse". Many of this season's episodes, including the last two episodes, have unknown titles. The last episode with a known title is "Command Performance", which aired on May 31, 1950.     Sherlock Holmes is a fictional detective created by British author Arthur Conan Doyle. Referring to himself as a "consulting detective" in his stories, Holmes is known for his proficiency with observation, deduction, forensic science and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard. The character Sherlock Holmes first appeared in print in 1887's A Study in Scarlet. His popularity became widespread with the first series of short stories in The Strand Magazine, beginning with "A Scandal in Bohemia" in 1891; additional tales appeared from then until 1927, eventually totalling four novels and 56 short stories. All but one[a] are set in the Victorian or Edwardian eras, between about 1880 and 1914. Most are narrated by the character of Holmes's friend and biographer Dr. John H. Watson, who usually accompanies Holmes during his investigations and often shares quarters with him at the address of 221B Baker Street, London, where many of the stories begin. Though not the first fictional detective, Sherlock Holmes is arguably the best known. By the 1990s, there were already over 25,000 stage adaptations, films, television productions and publications featuring the detective, and Guinness World Records lists him as the most portrayed human literary character in film and television history. Holmes' popularity and fame are such that many have believed him to be not a fictional character but a real individual; numerous literary and fan societies have been founded on this pretence. Avid readers of the Holmes stories helped create the modern practice of fandom. The character and stories have had a profound and lasting effect on mystery writing and popular culture as a whole, with the original tales as well as thousands written by authors other than Conan Doyle being adapted into stage and radio plays, television, films, video games, and other media for over one hundred years. Inspiration for the character Sir Arthur Conan Doyle (1859–1930), Sherlock Holmes's creator, in 1914 Edgar Allan Poe's C. Auguste Dupin is generally acknowledged as the first detective in fiction and served as the prototype for many later characters, including Holmes. Conan Doyle once wrote, "Each [of Poe's detective stories] is a root from which a whole literature has developed ... Where was the detective story until Poe breathed the breath of life into it?" Similarly, the stories of Émile Gaboriau's Monsieur Lecoq were extremely popular at the time Conan Doyle began writing Holmes, and Holmes's speech and behaviour sometimes follow those of Lecoq. Doyle has his main characters discuss these literary antecedents near the beginning of A Study in Scarlet, which is set soon after Watson is first introduced to Holmes. Watson attempts to compliment Holmes by comparing him to Dupin, to which Holmes replies that he found Dupin to be "a very inferior fellow" and Lecoq to be "a miserable bungler". Conan Doyle repeatedly said that Holmes was inspired by the real-life figure of Joseph Bell, a surgeon at the Royal Infirmary of Edinburgh, whom Conan Doyle met in 1877 and had worked for as a clerk. Like Holmes, Bell was noted for drawing broad conclusions from minute observations.[13] However, he later wrote to Conan Doyle: "You are yourself Sherlock Holmes and well you know it". Sir Henry Littlejohn, Chair of Medical Jurisprudence at the University of Edinburgh Medical School, is also cited as an inspiration for Holmes. Littlejohn, who was also Police Surgeon and Medical Officer of Health in Edinburgh, provided Conan Doyle with a link between medical investigation and the detection of crime. Other possible inspirations have been proposed, though never acknowledged by Doyle, such as Maximilien Heller, by French author Henry Cauvain. In this 1871 novel (sixteen years before the first appearance of Sherlock Holmes), Henry Cauvain imagined a depressed, anti-social, opium-smoking polymath detective, operating in Paris. It is not known if Conan Doyle read the novel, but he was fluent in French.[19] Similarly, Michael Harrison suggested that a German self-styled "consulting detective" named Walter Scherer may have been the model for Holmes. Fictional character biography Family and early life Magazine cover featuring A Study in Scarlet, with drawing of a man lighting a lamp The cover page of the 1887 edition of Beeton's Christmas Annual, which contains Holmes's first appearance (A Study in Scarlet) Details of Sherlock Holmes' life in Conan Doyle's stories are scarce and often vague. Nevertheless, mentions of his early life and extended family paint a loose biographical picture of the detective. A statement of Holmes' age in "His Last Bow" places his year of birth at 1854; the story, set in August 1914, describes him as sixty years of age.[21] His parents are not mentioned, although Holmes mentions that his "ancestors" were "country squires". In "The Adventure of the Greek Interpreter", he claims that his grandmother was sister to the French artist Vernet, without clarifying whether this was Claude Joseph, Carle, or Horace Vernet. Holmes' brother Mycroft, seven years his senior, is a government official. Mycroft has a unique civil service position as a kind of human database for all aspects of government policy. Sherlock describes his brother as the more intelligent of the two, but notes that Mycroft lacks any interest in physical investigation, preferring to spend his time at the Diogenes Club. Holmes says that he first developed his methods of deduction as an undergraduate; his earliest cases, which he pursued as an amateur, came from his fellow university students. A meeting with a classmate's father led him to adopt detection as a profession. Life with Watson Holmes (in deerstalker hat) talking to Watson (in a bowler hat) in a railway compartment Holmes (right) and Watson in a Sidney Paget illustration for "The Adventure of Silver Blaze" In the first Holmes tale, A Study in Scarlet, financial difficulties lead Holmes and Dr. Watson to share rooms together at 221B Baker Street, London. Their residence is maintained by their landlady, Mrs. Hudson. Holmes works as a detective for twenty-three years, with Watson assisting him for seventeen of those years. Most of the stories are frame narratives written from Watson's point of view, as summaries of the detective's most interesting cases. Holmes frequently calls Watson's records of Holmes's cases sensational and populist, suggesting that they fail to accurately and objectively report the "science" of his craft: Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it [A Study in Scarlet] with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid. ... Some facts should be suppressed, or, at least, a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes, by which I succeeded in unravelling it. Nevertheless, when Holmes recorded a case himself, he was forced to concede that he could more easily understand the need to write it in a manner that would appeal to the public rather than his intention to focus on his own technical skill. Holmes's friendship with Watson is his most significant relationship. When Watson is injured by a bullet, although the wound turns out to be "quite superficial", Watson is moved by Holmes's reaction: It was worth a wound; it was worth many wounds; to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation. After confirming Watson's assessment of the wound, Holmes makes it clear to their opponent that the man would not have left the room alive if he genuinely had killed Watson. Practice Holmes' clients vary from the most powerful monarchs and governments of Europe, to wealthy aristocrats and industrialists, to impoverished pawnbrokers and governesses. He is known only in select professional circles at the beginning of the first story, but is already collaborating with Scotland Yard. However, his continued work and the publication of Watson's stories raise Holmes's profile, and he rapidly becomes well known as a detective; so many clients ask for his help instead of (or in addition to) that of the police that, Watson writes, by 1887 "Europe was ringing with his name" and by 1895 Holmes has "an immense practice". Police outside London ask Holmes for assistance if he is nearby. A Prime Minister and the King of Bohemia visit 221B Baker Street in person to request Holmes's assistance; the President of France awards him the Legion of Honour for capturing an assassin; the King of Scandinavia is a client; and he aids the Vatican at least twice. The detective acts on behalf of the British government in matters of national security several times and declines a knighthood "for services which may perhaps some day be described". However, he does not actively seek fame and is usually content to let the police take public credit for his work. The Great Hiatus Holmes and Moriarty wrestling at the end of a narrow path, with Holmes's hat falling into a waterfall Holmes and archenemy Moriarty struggle at the Reichenbach Falls; drawing by Sidney Paget The first set of Holmes stories was published between 1887 and 1893. Conan Doyle killed off Holmes in a final battle with the criminal mastermind Professor James Moriarty[ in "The Final Problem" (published 1893, but set in 1891), as Conan Doyle felt that "my literary energies should not be directed too much into one channel". However, the reaction of the public surprised him very much. Distressed readers wrote anguished letters to The Strand Magazine, which suffered a terrible blow when 20,000 people cancelled their subscriptions to the magazine in protest. Conan Doyle himself received many protest letters, and one lady even began her letter with "You brute". Legend has it that Londoners were so distraught upon hearing the news of Holmes's death that they wore black armbands in mourning, though there is no known contemporary source for this; the earliest known reference to such events comes from 1949. However, the recorded public reaction to Holmes's death was unlike anything previously seen for fictional events. After resisting public pressure for eight years, Conan Doyle wrote The Hound of the Baskervilles (serialised in 1901–02, with an implicit setting before Holmes's death). In 1903, Conan Doyle wrote "The Adventure of the Empty House"; set in 1894, Holmes reappears, explaining to a stunned Watson that he had faked his death to fool his enemies. Following "The Adventure of the Empty House", Conan Doyle would sporadically write new Holmes stories until 1927. Holmes aficionados refer to the period from 1891 to 1894—between his disappearance and presumed death in "The Final Problem" and his reappearance in "The Adventure of the Empty House"—as the Great Hiatus. The earliest known use of this expression dates to 1946. Retirement In His Last Bow, the reader is told that Holmes has retired to a small farm on the Sussex Downs and taken up beekeeping as his primary occupation. The move is not dated precisely, but can be presumed to be no later than 1904 (since it is referred to retrospectively in "The Adventure of the Second Stain", first published that year). The story features Holmes and Watson coming out of retirement to aid the British war effort. Only one other adventure, "The Adventure of the Lion's Mane", takes place during the detective's retirement. Personality and habits Holmes examining a bicycle with Watson standing behind in "The Adventure of the Priory School" from 1904. Sidney Paget's illustrations in The Strand Magazine iconicised both characters. Watson describes Holmes as "bohemian" in his habits and lifestyle.[54] Said to have a "cat-like" love of personal cleanliness, at the same time Holmes is an eccentric with no regard for contemporary standards of tidiness or good order. Watson describes him as in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. [He] keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece. ... He had a horror of destroying documents. ... Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. While Holmes can be dispassionate and cold, during an investigation he is animated and excitable. He has a flair for showmanship, often keeping his methods and evidence hidden until the last possible moment so as to impress observers. His companion condones the detective's willingness to bend the truth (or break the law) on behalf of a client—lying to the police, concealing evidence or breaking into houses—when he feels it morally justifiable. Except for that of Watson, Holmes avoids casual company. In "The Gloria Scott", he tells the doctor that during two years at college he made only one friend: "I was never a very sociable fellow, Watson ... I never mixed much with the men of my year." The detective goes without food at times of intense intellectual activity, believing that "the faculties become refined when you starve them". At times, Holmes relaxes with music, either playing the violin[62] or enjoying the works of composers such as Wagner and Pablo de Sarasate. Drug use Holmes in a blue bathrobe, reclining against a pillow and smoking his pipe 1891 Paget portrait of Holmes smoking his pipe for "The Man with the Twisted Lip" Holmes occasionally uses addictive drugs, especially in the absence of stimulating cases. He sometimes used morphine and sometimes cocaine, the latter of which he injects in a seven-per cent solution; both drugs were legal in 19th-century England. As a physician, Watson strongly disapproves of his friend's cocaine habit, describing it as the detective's only vice, and concerned about its effect on Holmes's mental health and intellect. In "The Adventure of the Missing Three-Quarter", Watson says that although he has "weaned" Holmes from drugs, the detective remains an addict whose habit is "not dead, but merely sleeping". Watson and Holmes both use tobacco, smoking cigarettes, cigars, and pipes. Although his chronicler does not consider Holmes's smoking a vice per se, Watson—a physician—does criticise the detective for creating a "poisonous atmosphere" in their confined quarters. Finances Holmes is known to charge clients for his expenses and claim any reward offered for a problem's solution, such as in "The Adventure of the Speckled Band", "The Red-Headed League", and "The Adventure of the Beryl Coronet". The detective states at one point that "My professional charges are upon a fixed scale. I do not vary them, save when I remit them altogether." In this context, a client is offering to double his fee, and it is implied that wealthy clients habitually pay Holmes more than his standard rate. In "The Adventure of the Priory School", Holmes earns a £6,000 fee (at a time where annual expenses for a rising young professional were in the area of £500). However, Watson notes that Holmes would refuse to help even the wealthy and powerful if their cases did not interest him. Attitudes towards women As Conan Doyle wrote to Joseph Bell, "Holmes is as inhuman as a Babbage's Calculating Machine and just about as likely to fall in love." Holmes says of himself that he is "not a whole-souled admirer of womankind", and that he finds "the motives of women ... inscrutable. ... How can you build on such quicksand? Their most trivial actions may mean volumes". In The Sign of Four, he says, "Women are never to be entirely trusted—not the best of them", a feeling Watson notes as an "atrocious sentiment". In "The Adventure of the Lion's Mane", Holmes writes, "Women have seldom been an attraction to me, for my brain has always governed my heart." At the end of The Sign of Four, Holmes states that "love is an emotional thing, and whatever is emotional is opposed to that true, cold reason which I place above all things. I should never marry myself, lest I bias my judgement." Ultimately, Holmes claims outright that "I have never loved." But while Watson says that the detective has an "aversion to women",[85] he also notes Holmes as having "a peculiarly ingratiating way with [them]". Watson notes that their housekeeper Mrs. Hudson is fond of Holmes because of his "remarkable gentleness and courtesy in his dealings with women. He disliked and distrusted the sex, but he was always a chivalrous opponent." However, in "The Adventure of Charles Augustus Milverton", the detective becomes engaged under false pretenses in order to obtain information about a case, abandoning the woman once he has the information he requires. Irene Adler Irene Adler is a retired American opera singer and actress who appears in "A Scandal in Bohemia". Although this is her only appearance, she is one of only a handful of people who best Holmes in a battle of wits, and the only woman. For this reason, Adler is the frequent subject of pastiche writing. The beginning of the story describes the high regard in which Holmes holds her: To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. ... And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory. Five years before the story's events, Adler had a brief liaison with Crown Prince of Bohemia Wilhelm von Ormstein. As the story opens, the Prince is engaged to another. Fearful that the marriage would be called off if his fiancée's family learns of this past impropriety, Ormstein hires Holmes to regain a photograph of Adler and himself. Adler slips away before Holmes can succeed. Her memory is kept alive by the photograph of Adler that Holmes received for his part in the case. Knowledge and skills Shortly after meeting Holmes in the first story, A Study in Scarlet (generally assumed to be 1881, though the exact date is not given), Watson assesses the detective's abilities: Knowledge of Literature – nil. Knowledge of Philosophy – nil. Knowledge of Astronomy – nil. Knowledge of Politics – Feeble. Knowledge of Botany – Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. Knowledge of Geology – Practical, but limited. Tells at a glance different soils from each other. After walks, has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. Knowledge of Chemistry – Profound. Knowledge of Anatomy – Accurate, but unsystematic. Knowledge of Sensational Literature – Immense. He appears to know every detail of every horror perpetrated in the century. Plays the violin well. Is an expert singlestick player, boxer, and swordsman. Has a good practical knowledge of British law. In A Study in Scarlet, Holmes claims to be unaware that the Earth revolves around the Sun since such information is irrelevant to his work; after hearing that fact from Watson, he says he will immediately try to forget it. The detective believes that the mind has a finite capacity for information storage, and learning useless things reduces one's ability to learn useful things. The later stories move away from this notion: in The Valley of Fear, he says, "All knowledge comes useful to the detective", and in "The Adventure of the Lion's Mane", the detective calls himself "an omnivorous reader with a strangely retentive memory for trifles". Looking back on the development of the character in 1912, Conan Doyle wrote that "In the first one, the Study in Scarlet, [Holmes] was a mere calculating machine, but I had to make him more of an educated human being as I went on with him." Despite Holmes's supposed ignorance of politics, in "A Scandal in Bohemia" he immediately recognises the true identity of the disguised "Count von Kramm". At the end of A Study in Scarlet, Holmes demonstrates a knowledge of Latin. The detective cites Hafez,[98] Goethe,[99] as well as a letter from Gustave Flaubert to George Sand in the original French. In The Hound of the Baskervilles, the detective recognises works by Godfrey Kneller and Joshua Reynolds: "Watson won't allow that I know anything of art, but that is mere jealousy since our views upon the subject differ." In "The Adventure of the Bruce-Partington Plans", Watson says that "Holmes lost himself in a monograph which he had undertaken upon the Polyphonic Motets of Lassus", considered "the last word" on the subject—which must have been the result of an intensive and very specialized musicological study which could have had no possible application to the solution of criminal mysteries. Holmes is a cryptanalyst, telling Watson that "I am fairly familiar with all forms of secret writing, and am myself the author of a trifling monograph upon the subject, in which I analyse one hundred and sixty separate ciphers." Holmes also demonstrates a knowledge of psychology in "A Scandal in Bohemia", luring Irene Adler into betraying where she hid a photograph based on the premise that a woman will rush to save her most valued possession from a fire. Another example is in "The Adventure of the Blue Carbuncle", where Holmes obtains information from a salesman with a wager: "When you see a man with whiskers of that cut and the 'Pink 'un' protruding out of his pocket, you can always draw him by a bet ... I daresay that if I had put 100 pounds down in front of him, that man would not have given me such complete information as was drawn from him by the idea that he was doing me on a wager." Maria Konnikova points out in an interview with D. J. Grothe that Holmes practises what is now called mindfulness, concentrating on one thing at a time, and almost never "multitasks". She adds that in this he predates the science showing how helpful this is to the brain. Holmesian deduction Colour illustration of Holmes bending over a dead man in front of a fireplace Sidney Paget illustration of Holmes examining a corpse for "The Adventure of the Abbey Grange" Holmes observes the dress and attitude of his clients and suspects, noting skin marks (such as tattoos), contamination (such as ink stains or clay on boots), emotional state, and physical condition in order to deduce their origins and recent history. The style and state of wear of a person's clothes and personal items are also commonly relied on; in the stories, Holmes is seen applying his method to items such as walking sticks, pipes, and hats. For example, in "A Scandal in Bohemia", Holmes infers that Watson had got wet lately and had "a most clumsy and careless servant girl". When Watson asks how Holmes knows this, the detective answers: It is simplicity itself ... my eyes tell me that on the inside of your left shoe, just where the firelight strikes it, the leather is scored by six almost parallel cuts. Obviously they have been caused by someone who has very carelessly scraped round the edges of the sole in order to remove crusted mud from it. Hence, you see, my double deduction that you had been out in vile weather, and that you had a particularly malignant boot-slitting specimen of the London slavey. In the first Holmes story, A Study in Scarlet, Dr. Watson compares Holmes to C. Auguste Dupin, Edgar Allan Poe's fictional detective, who employed a similar methodology. Alluding to an episode in "The Murders in the Rue Morgue", where Dupin determines what his friend is thinking despite their having walked together in silence for a quarter of an hour, Holmes remarks: "That trick of his breaking in on his friend's thoughts with an apropos remark ... is really very showy and superficial."[112] Nevertheless, Holmes later performs the same 'trick' on Watson in "The Cardboard Box" and "The Adventure of the Dancing Men". Though the stories always refer to Holmes's intellectual detection method as "deduction", Holmes primarily relies on abduction: inferring an explanation for observed details. "From a drop of water," he writes, "a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other." However, Holmes does employ deductive reasoning as well. The detective's guiding principle, as he says in The Sign of Four, is: "When you have eliminated the impossible, whatever remains, however improbable, must be the truth." Despite Holmes's remarkable reasoning abilities, Conan Doyle still paints him as fallible in this regard (this being a central theme of "The Yellow Face"). Forensic science See caption 19th-century Seibert microscope Though Holmes is famed for his reasoning capabilities, his investigative technique relies heavily on the acquisition of hard evidence. Many of the techniques he employs in the stories were at the time in their infancy. The detective is particularly skilled in the analysis of trace evidence and other physical evidence, including latent prints (such as footprints, hoof prints, and shoe and tire impressions) to identify actions at a crime scene, using tobacco ashes and cigarette butts to identify criminals, utilizing handwriting analysis and graphology, comparing typewritten letters to expose a fraud, using gunpowder residue to expose two murderers, and analyzing small pieces of human remains to expose two murders. Because of the small scale of much of his evidence, the detective often uses a magnifying glass at the scene and an optical microscope at his Baker Street lodgings. He uses analytical chemistry for blood residue analysis and toxicology to detect poisons; Holmes's home chemistry laboratory is mentioned in "The Naval Treaty". Ballistics feature in "The Adventure of the Empty House" when spent bullets are recovered to be matched with a suspected murder weapon, a practice which became regular police procedure only some fifteen years after the story was published. Laura J. Snyder has examined Holmes's methods in the context of mid- to late-19th-century criminology, demonstrating that, while sometimes in advance of what official investigative departments were formally using at the time, they were based upon existing methods and techniques. For example, fingerprints were proposed to be distinct in Conan Doyle's day, and while Holmes used a thumbprint to solve a crime in "The Adventure of the Norwood Builder" (generally held to be set in 1895), the story was published in 1903, two years after Scotland Yard's fingerprint bureau opened. Though the effect of the Holmes stories on the development of forensic science has thus often been overstated, Holmes inspired future generations of forensic scientists to think scientifically and analytically. Disguises Holmes displays a strong aptitude for acting and disguise. In several stories ("The Sign of Four", "The Adventure of Charles Augustus Milverton", "The Man with the Twisted Lip", "The Adventure of the Empty House" and "A Scandal in Bohemia"), to gather evidence undercover, he uses disguises so convincing that Watson fails to recognise him. In others ("The Adventure of the Dying Detective" and "A Scandal in Bohemia"), Holmes feigns injury or illness to incriminate the guilty. In the latter story, Watson says, "The stage lost a fine actor ... when [Holmes] became a specialist in crime." Guy Mankowski has said of Holmes that his ability to change his appearance to blend into any situation "helped him personify the idea of the English eccentric chameleon, in a way that prefigured the likes of David Bowie". Agents Until Watson's arrival at Baker Street, Holmes largely worked alone, only occasionally employing agents from the city's underclass. These agents included a variety of informants, such as Langdale Pike, a "human book of reference upon all matters of social scandal", and Shinwell Johnson, who acted as Holmes's "agent in the huge criminal underworld of London". The best known of Holmes's agents are a group of street children he called "the Baker Street Irregulars". Combat Long-barreled revolver with a black handle British Army (Adams) Mark III, the type probably carried by Watson Pistols Holmes and Watson often carry pistols with them to confront criminals—in Watson's case, his old service weapon (probably a Mark III Adams revolver, issued to British troops during the 1870s).[139] Holmes and Watson shoot the eponymous hound in The Hound of the Baskervilles, and in "The Adventure of the Empty House", Watson pistol-whips Colonel Sebastian Moran. In "The Problem of Thor Bridge", Holmes uses Watson's revolver to solve the case through an experiment. Other weapons As a gentleman, Holmes often carries a stick or cane. He is described by Watson as an expert at singlestick, and uses his cane twice as a weapon. In A Study in Scarlet, Watson describes Holmes as an expert swordsman, and in "The Gloria Scott", the detective says he practised fencing while at university.[59] In several stories ("A Case of Identity", "The Red-Headed League", "The Adventure of the Six Napoleons"), Holmes wields a riding crop, described in the latter story as his "favourite weapon". Personal combat Holmes fighting Holmes outfighting Mr Woodley in "The Solitary Cyclist" The detective is described (or demonstrated) as possessing above-average physical strength. In "The Yellow Face", Holmes's chronicler says, "Few men were capable of greater muscular effort." In "The Adventure of the Speckled Band", Dr. Roylott demonstrates his strength by bending a fire poker in half. Watson describes Holmes as laughing and saying, "'If he had remained I might have shown him that my grip was not much more feeble than his own.' As he spoke he picked up the steel poker and, with a sudden effort, straightened it out again." Holmes is an adept bare-knuckle fighter; "The Gloria Scott" mentions that Holmes boxed while at university. In The Sign of Four, he introduces himself to McMurdo, a prize fighter, as "the amateur who fought three rounds with you at Alison's rooms on the night of your benefit four years back". McMurdo remembers: "Ah, you're one that has wasted your gifts, you have! You might have aimed high if you had joined the fancy." In "The Yellow Face", Watson says: "He was undoubtedly one of the finest boxers of his weight that I have ever seen." In "The Solitary Cyclist", Holmes visits a country pub to make enquiries regarding a certain Mr Woodley which results in violence. Mr Woodley, Holmes tells Watson, ... had been drinking his beer in the tap-room, and had heard the whole conversation. Who was I? What did I want? What did I mean by asking questions? He had a fine flow of language, and his adjectives were very vigorous. He ended a string of abuse by a vicious backhander, which I failed to entirely avoid. The next few minutes were delicious. It was a straight left against a slogging ruffian. I emerged as you see me. Mr. Woodley went home in a cart. Another character subsequently refers to Mr Woodley as looking "much disfigured" as a result of his encounter with Holmes. In "The Adventure of the Empty House", Holmes tells Watson that he used a Japanese martial art known as baritsu to fling Moriarty to his death in the Reichenbach Falls. "Baritsu" is Conan Doyle's version of bartitsu, which combines jujitsu with boxing and cane fencing.   The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC). National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC). Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president. Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. Programming In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI). Live events Coverage of live events included musical concerts and play-by-play sports broadcasts. News The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. Radio stations Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated programs

Discograffiti is NOT a normal podcast, and this episode stands as inarguable proof. If you connect with what you're about to hear, please re-post this or send it to someone you care about who's in trouble and may find some comfort and solace in the topics discussed. Listen: https://podfollow.com/1592182331  I support a wife and a five-year-old son with Discograffiti as my sole source of income. If you love this episode, please see fit to toss me a tip. VENMO GEBROE @David-Gebroe (and yes, even a dollar will be massively helpful) Pretty please & thank you. Or just join Patreon to both tip me and get incredible must-hear listening in return: www.patreon.com/discograffiti CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠ YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti To order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404 To Order the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe #davegebroe #joekennedy #thehomeboy #zombiehoneymoon #discograffiti #soldiersofsound #metalmachinemuzak #hearinginstrumentspecialist #severespinalstenosis #type1diabetes #insomnia #detox #drugaddiction #reachoutforhelp #podcast #musicpodcast #howtomakeapodcast #bestfriends #recovery #cindylee #diamondjubilee #cindyleediamondjubilee #mentalhealth #mentalhealthspotcheck  --- Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support

In this episode, we chat with Simon Grocott, an experienced music industry professional who has worn many hats, from stage managing to tech work and everything in between. Simon shares his journey from growing up in East Sussex and starting as a motor mechanic to touring with iconic acts like Cliff Richard and Elton John. He reflects on the stark contrast between the chaos of life on tour and the serenity of his countryside home, as well as his enduring passion for music and classic cars. Simon also discusses memorable gigs, including the Diamond Jubilee and the Elton John Farewell Tour, as well as the surreal experiences of meeting famous artists and working on high-profile events. instagram.com/simon.grocott.7 ****************************************** Hungry for more? Check us out at https://isbreakfast.com ******************************************

Summary   "You can make a fine living in a pair of heels." On this episode Sidney of Warriors Bards 'n Brews joins us to look back at The Adventures of Priscilla, Queen of the Desert on its 30th anniversary. Also discussed: You're Going To Love This, Lisa Loeb's ad for Old Bay Goldfish, and the mysterious music of Cindy Lee.     Show notes:    Sleepy Queers Productions (Sidney)   Twilight: A Drag Show    Warriors Bards 'n Brews podcast   Allison Roman's Spiced Chickpea Stew With Coconut and Turmeric   Australia's love affair with ABBA (Aussievision)     Recommendations:   Lisa:  Bodkin (TV)    Andrea G.:  Cindy Lee, Diamond Jubilee (music)   Sid: You're Gonna Love This by Dina Del Bucchia (book)   Music credits  "Electrodoodle" by Kevin MacLeod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License   Theme song "Pyro Flow" by Kevin Macleod From: incompetech.com Licensed under Creative Commons: By Attribution 3.0 License   "Good Times" by Podington Bear From:  Free Music Archive Licensed under Creative Commons: By Attribution 3.0 License     Pop This! Links: Pop This! on TumblrPop This! on iTunes (please consider reviewing and rating us!) Pop This! on Stitcher (please consider reviewing and rating us!) Pop This! on Google PlayPop This! on TuneIn radioPop This! on TwitterPop This! on Instagram Logo design by Samantha Smith Intro voiced by Morgan Brayton Pop This! is a podcast featuring three women talking about pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Andrea Gin is a producer and an avid figure skating fan. Press play and come hang out with your new best friends. Pop This! podcast is produced by Andrea Gin.  

The Best of Clare awards, In Association with Ei Electronics, will be taking place tonight at the Old Ground Hotel. One of the many great awards on offer is for Local Hero. This year's Local Hero is Fr. Harry Bohan. Harry has achieved so much in his life. He qualified as a sociologist in 1966 which cemented his life-long commitment to the development of Irish society and rural society. A campaigner for Rural Ireland, Harry established the Rural Resource Centre, and in 1998 he set up the Ceilfin Centre. One of the county's best-known clerics, last year saw Harry celebrate his Diamond Jubilee in the priesthood, as he has spent over 60 years ministering as a priest in the diocese of Killaloe and in the parish of Sixmilebridge, Kilmurry. Harry also brought great success to Clare hurling, managing the Banner's senior hurlers to back-to-back league success in the late ‘70s. On Friday's Morning Focus, Alan Morrissey spoke with Fr Harry Bohan to ask him what it felt like to win the Local Hero award.

Campbell Soup Playhouse - Queen Victoria Regina 1939 Announcer-Ernest Chappel Helen Hayes & Orson Welles The story of Queen Victoria from her ascension to the throne and her marriage to Prince Albert to his death and the Diamond Jubilee of her reign. Repeat Broadcast

For this week's reviews we're setting our sights on two of the biggest double albums of recent memory, Cindy Lee's titanic and masterful Diamond Jubilee (Ryley's album of the year so far), and of course, Taylor Swift's divisive, maligned, but meticulous The Tortured Poets Department, which may be her most insular record yet. There's a lot to unpack with both, especially the latter, so we hope you'll join us to dive deep into these interesting albums and let us know your own takes in the comments on YouTube! 0:00 Cindy Lee - Diamond Jubilee 36:23 Taylor Swift - The Tortured Poets Department: The Anthology

Episode 2 of The Listmas Podcast is upon us!  This week, Jason and Reggie discuss Wall of Eyes by The Smile, Diamond Jubilee by Cindy Lee, Here in the Pitch by Jessica Pratt, A Dream is All We Know by The Lemon Twigs, and Fearless Movement by Kamasi Washington.  Also discussed: poker, The Beach Boys, band dynamics, American Idol, the Kongs, and much more.  

Patrick Flegels siebtes Album, das Patrick unter dem Pseudonym Cindy Lee veröffentlicht, kann man nicht streamen. Ausser auf YouTube. Ein physischer Release der Platte ist ebenfalls nicht erhältlich. Immerhin kann man die Audiofiles auf der (rudimentären) Webseite von Cindy Lee erwerben. Und trotzdem: die Platte ist im musikinteressierten Teil des Internets derzeit Thema Nummer 1. Warum? Losgelöst wurde der Hype durch diese Lobeshymne auf das Album vom US-Musikmagazin Pitchfork. Im Nu waren praktisch alle Daten der aktuellen Nordamerika-Tour von Cindy Lee ausverkauft. Und – nehmen wirs vorweg – die Begeisterung der Musiknerd-Kreise ist mehr als nachvollziehbar: das 32 (!) Songs starke Doppelalbum lässt sich am ehesten als mysteriöse Übertragung aus einem Paralleluniversum beschreiben, in welchem die Musikwelt Ende 50er-Jahre stehen geblieben ist. Cindy Lees Melodien sind zeitlos, die Songs flüchtig... klingen aber gleichzeitig so, als ob sie bereits seit 60 Jahren fester Bestandteil sämtlicher Jukeboxen dieser Welt sind. Und ja, der seltsame Vertriebsweg des Albums trägt natürlich auch das seinige zu der mysteriösen Aura von Cindy Lee dazu...

No Tags is going weekly!Since launching last year we've managed to stick to an episode every fortnight, but the time feels right to try and make things more frequent. So in that spirit, we're going to be recording more regular Tom-and-Chal-only episodes. Anything you particularly want us to tackle in these? Email, comment or DM us.This week: we tackle Cindy Lee's Diamond Jubilee and the revelation that Pitchfork isn't only still going, is still able to break albums! Is it the best long-player since Fetch the Bolt Cutters, or is its success simply nostalgia for the last embers of the pre-streaming age?We bed-rot with claire rousay and her new album sentiment, perhaps the most 2024 album of 2024 so far. It all boils down to porn bots and the numb, over-scrolled horniness of existing online in 2024.There's also thoughts on Coachella, the haunted nostalgia of the modern-day festival circuit, and why there might be more DJ sets like that Grimes disaster-class to come. Thanks for listening to No Tags. If you like what we do, consider following us on Substack and social media (we're @notagspodcast everywhere) or rating and reviewing us on your podcast app of choice. Get full access to No Tags at notagspodcast.substack.com/subscribe

The Jeremy White Show welcomes David MIller from IL DIVO! Multi-platinum group IL DIVO, who just released their new “XX:  20TH ANNIVERSARY ALBUM,” which just hit the Billboard charts at #1 in Classical Crossover Albums, #1 in Classical Albums and Top 40 of Current Album Sales.  The album is also available as the first-ever vinyl edition of their career, with commemorative and collectable packages of “XX:  20TH ANNIVERSARY ALBUM,” available at www.ildivo.com.    The iconic quartet—Urs Bühler (tenor) of Switzerland, Sébastien Izambard (tenor) of France, David Miller (tenor) of America, and new member Steven LaBrie (baritone) of America—uphold the spirit of their signature sound while expanding its scope on their 10th full-length and very first independent album on Il Divo Music/Thirty Tigers. Produced by Grammy® and Latin Grammy® Award-winning artist Carlos Fernando Lopez (Ricky Martin, Laura Pausini, Marc Anthony), “XX:  20TH ANNIVERSARY ALBUM,” includes songs sung by IL DIVO in English, Spanish and Italian; and an original composition written by the group, “Despertar Sin Ti.”  In addition to the IL DIVO spin on Gnarls Barkley's “Crazy,” the album will also include Whitney Houston's “I Have Nothing,” with a Spanish version, “No Tengo Nada,”; Miguel Gallardo's “Hoy Tengo Ganas De Ti,”;  Brenda Lee and Elvis Presley's “Always On My Mind,” sung in English and Italian; Ed Sheeran's smash hit “Perfect”;  “Despacito,” the mega-smash by Luis Fonsi, Daddy Yankee, and Justin Bieber, and more. Since 2004, the Multi-Platinum classical crossover progenitors have emerged as a phenomenon buoyed by displays of vocal prowess, gigs around the world, and an indefinable magic between them. They have sold 30 million-plus units worldwide, scored 50 #1 hits, and earned 160 Gold and Platinum records across 35 countries. Between selling out tours on multiple continents, they've performed everywhere from the Summer Olympics and FIFA World Cup to Diamond Jubilee at Windsor and the Commander-in-Chief's Ball. Life changed when the guys weathered the tragic passing of original co-founder Carlos Marín due to COVID-19. The remaining bandmates paid homage to their fallen brother with the Greatest Hits Tour in 2022. Steven LaBrie stepped in as a guest baritone on the road only for Urs, Sébastien, and David to welcome him as a full member a year later. Around the same time, they entered a studio in Coconut Grove, FL with producer Carlos Fernando Lopez. This new season represents a series of firsts:  their first album with Steven, and also the first for their own label Il Divo Music with the members serving as Executive Producers and Sébastien as Co-Arranger.  For more information on IL DIVO, please visit:  https://ildivo.com/ PLEASE LIKE AND SUBSCRIBE! The Jeremy White Show is FREE and ON DEMAND, stream now on Spotify, Apple Podcasts, iHeart Radio, Google Podcasts and tell your Smart Speaker "Play The Jeremy White Show". For BOOKINGS and ENQUIRIES: Show Producer: Joe Cristiano - joe@jeremywhiteshow.com Management: GARBER IMC. - angela@garberimc.com Follow on Twitter: http://twitter.com/jeremywhitemtl Follow on Instagram: http://instagram.com/jeremywhitemtl Subscribe on YouTube: http://youtube.com/JeremyWhiteShow Subscribe to The Jeremy White Show for exclusive content and interviews. © 2023. Jeremy White. All Rights Reserved.See omnystudio.com/listener for privacy information.

It's the Wives' Diamond Jubilee 75th episode and they're welcoming a gem of a guest to the show with digital creative mastermind and Rhode Island native, Michelle Swain. From music cruises and leading double lives, to navigating the world of IVF with a partner who is away and confronting hidden insecurities, no topic is off limits in this triple convo. Also, Chonny and Misha take a decided stance on Starter jackets…and Lululemon.

This week Ike and Steve discuss plans for the 2024 events hosted by the Association of North American Rover Clubs (ANARC) with the one and only Bob Steele. They highlight the inaugural event planned in Oregon, followed by one in Minnesota and finally one at the Gulf Coast. Everyone reflects on the successful Diamond Jubilee event and how Rover enthusiasts are looking forward to future engagements. And, new products from Pangolin 4x4 and Rad Rovers as well as a special edition FirmShip Defender. 00:00 Introduction and Welcome 01:21 Discussion on Special Edition Defenders 08:11 New Products from Pangolin 4x4 13:52 Introduction to Guest: Bob Steele 16:18 ANARC State of the Union 16:48 Upcoming ANARC Events 21:30 Introduction to the Event Planning Team 22:08 Event Location and Facilities 22:45 Event Registration and Expectations 23:10 Discussion on Past Events and Future Ambitions 23:54 Promotion and Support for the Event 24:34 Importance of Community and Collaboration 25:10 Reflections on the Diamond Jubilee Event 26:24 Future Events and Locations 32:52 The ANARC Cup Challenge 34:13 Event Sponsors and Supporters 42:40 Closing Remarks and Future Plans

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Tara Teng is back! This convo happened closer to the top of the year so if references are dated or you don't hear current events, that's why! Tara Teng is an embodiment coach and somatic practitioner who works at the intersections of embodiment, justice, and sexuality, helping people overcome shame, heal trauma, and come back into relationship with their bodies. A former Miss Canada, she was named Canada's "Woman of the Year" in 2011, received an International Heroes award from the Joy Smith Foundation, and was presented with the Queen's Diamond Jubilee medal in recognition of her human rights work to combat human trafficking. She lives with her three young children on the unceded traditional territories of the Kwantlen and Katzie First Nations, in Vancouver, Canada. Follower her @missTaraTeng and at TaraTeng.com Learn more about your ad choices. Visit megaphone.fm/adchoices