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2 episodes with vimeo staff pick
3 episodes with vimeo staff pick
2 episodes with vimeo staff pick
2 episodes with vimeo staff pick
Watch This Episode On YouTubeCase Jernigan wins at so many things -- animation, gamemaking, filmmaking, and having without a doubt the best setting for recording a podcast episode. Normally, I edit out all background noise but with the birds chirping, I just could. not. do. it. His sound is such a mood.And I created special podcast animation art to celebrate such a fantastic artist.Case is a true Renaissance man who, not surprisingly, has found himself in Italy, and our discussion demonstrates the sheer breadth of talents that he brings to his art.His film, NOGGIN, now available to watch as a Vimeo Staff Pick, offers the same extraordinarily uplifting experience as this conversation with Case.In this conversation, we discuss:how the Slamdance screenings went;does he see himself as a filmmaker, in light of so many other artistic talents? "to me, they are all linked";on his website, Case talks about making art about "masculinity and illness." We talk about the rise of performative masculinity and how he views it relative to the art he creates.what we should know before watching NOGGIN and the thought process behind making the film;was it a way for him to work through his MS diagnosis, through his art? and how did he get from his diagnosis to where he is now?why Slamdance?; it must take a special film festival to get on a plane from Florence, Italy;what's next for him?Case's Indie Film Highlights: STOLEN KINGDOM (2025) dir. by Joshua Bailey; FISHMONGER (2023) dir. by Neil FerronLinks:Watch NOGGIN As A Vimeo Staff PickFollow Case On InstagramVisit Case Jernigan's WebsiteSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content
Welcome to episode 2 of Art21 x The Art Career: Behind the Lens—a series dedicated to the curators and filmmakers who create the magic behind Art21's iconic documentaries and publications. Art21 is the world's leading source to learn directly from the artists of our time.In this episode, host Emily McElwreath sits down with Senior Producer for Art21, Ian Forster.As a producer and director, Ian Forster creates documentary content for Art21's various digital and broadcast programs. Since joining the organization in 2009, he has worked on six seasons of Art in the Twenty-First Century, most recently directing and producing “London” from the tenth season and “Johannesburg” from the ninth season. Additionally, he worked on the Peabody Award-winning film William Kentridge: Anything Is Possible and has overseen the digital series Extended Play since 2012, producing over 100 short artist portraits. Forster created the online video series Artist to Artist in 2013, which featured artists in conversation with their peers at international biennials.His films have screened at festivals internationally, including DC Shorts, DOC NYC, and Artecinema, and have been honored with a Vimeo Staff Pick and as a Webby Award Honoree. He graduated from the Newhouse School at Syracuse University with a B.S. in Television, Radio, and Film.About Behind the LensThis season, we're spotlighting the often-unsung visionaries—curators and filmmakers—who shape the stories behind today's most influential contemporary artists. Behind the Lens offers a rare glimpse into how Art21's groundbreaking films and publications come to life, bridging the gap between artists and audiences.About Art21Art21 is a celebrated nonprofit organization dedicated to inspiring a more creative world through the works and words of contemporary artists. Through their award-winning documentary series, educational programs, and digital resources, Art21 brings audiences closer to today's leading artists and their processes. Learn more at art21.org. Free Resource for Artists!Want expert guidance on building your art career? Download Navigating the Art World: A Comprehensive Guide for Artists—a free resource covering essential industry insights, practical tips, and more. Get it here: Download NowLinks: theartcareer.comArt21 – Art21Follow Ian: https://www.instagram.com/ianjforster/Follow us: @theartcareerHost: @emilymcelwreath_artProduction + Creative Direction @soniaruscoeEditing: @benjamin.galloway Join our community for exclusive updates, artist resources, and behind-the-scenes content! Sign up at theartcareer.com Never miss an episode! Subscribe & leave us a review on Apple Podcasts & Spotify
Karina Dandashi is a Syrian-American Muslim filmmaker born and raised in Pittsburgh, PA. Her work has been featured in numerous Oscar-Qualifying festivals around the U.S. and programs at The Museum of Modern Art and The American Cinematheque. Karina was a 2020 Creative Culture Fellow at The Jacob Burns Film Center and a 2021 Sundance Ignite Fellow. She was featured in Marie Claire's inaugural Creators Issue as one of the “Top 21 Creators to Watch” in 2022. Her feature script OUT OF WATER was selected by Film Independent for their 2023 Screenwriting Lab and was awarded three grants from MPAC, The Heinz Endowments, and The Jerome Foundation. Her short film COUSINS is available on The New Yorker and is a Vimeo Staff Pick.Connect with Karina:➡️ Instagram: @KarinaDandashiwww.karinadandashi.comAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.☕Tourist Hat Coffee Companyhttps://touristhatcoffeecompany.com/
Shuchi Talati is a filmmaker from India whose work challenges dominant narratives around gender, sexuality, and South Asian identity. Her feature film, Girls Will Be Girls, premiered at Sundance where it won an Audience Award and a Special Jury Award. Shuchi was a Gotham Awards Breakthrough Director nominee and a John Cassavetes Award nominee at the Spirit Awards. During development, Girls was supported by the Aide Aux Cinémas du Monde and Sørfond grants, Gotham Week, Berlinale Project Market and Script Station, and Cine Qua Non Script Lab. Shuchi's short film, A Period Piece, was selected for SXSW and her film Mae and Ash won numerous awards before becoming a Vimeo Staff Pick. Shuchi's documentary credits include story producing the Emmy-nominated film Being Mary Tyler Moore which premiered at SXSW. Shuchi also story produced the vérité series, We Are: The Brooklyn Saints, directed by Rudy Valdez for Netflix, and Wyatt Cenac's Problem Areas for HBO, where one of her episodes was nominated for a GLAAD Award. She is a graduate of the American Film Institute and an alum of Berlinale Talents. She lives in NYC and is a member of the Brooklyn Filmmakers Collective, the Bitchitra Collective, and the Freelance Solidarity Project. Topics Discussed In This Episode: Shuchi shares her childhood love for books, her exposure to Bollywood and Hollywood films, and her introduction to cinema in university (00:03:45) Making her first documentary (00:11:40) The influence of observation in storytelling (00:14:55) Interrogating values to harness a unique point of view (00:20:49) Learning then unlearning techniques in film school and her project “Me and Ash” (00:25:29) Capitalism vs. creative expression (00:27:50) Shuchi's writing/directing process for “Girls Will Be Girls,” and giving oneself space to mature with the process (00:30:43) Discussing alternative ways of living (00:38:47) A discussion on relationships, vulnerability, and the complexity of human behavior (00:55:06) Shuchi's daily habits, teaching screenwriting, creative accountability, and the importance of a creative community (01:08:47) Shuchi's decision to quit using social media (01:20:43) artistdecoded.com shuchitalati.com
Mel Stephens! Writer! Director! Comedian! More! FROM HER WEBSITE: Melissa Stephens (@melmstephens on social media) is a comedian, writer, and director from the Peach State, and has dual citizenship in the UK. Melissa wrote on staff of Brett Goldstein & William Bridges' AMC anthology series SOULMATES, now streaming on Amazon Prime (Mel wrote ep 5). She is currently developing a dark comedy series with AMC Studios and UK based Two Brothers Productions, as well as penning a pilot for eOne and Mark Gordon based on her one-hour comedy special “Homebrew.” She is a founding member of IAMA Theatre Company, has been a member of Groundlings' Sunday Company, and regularly performs stand-up around Los Angeles. Her directorial debut, PEEN, was a Vimeo Staff Pick, and the short series she wrote and directed, FINDING THE ASSHOLE, was chosen to show at Slamdance and is currently in development on multiple TV and Film projects. We had a great chat! You can have a great listen! And this is only the first HALF of our chat! For the second half, you can subscribe via Apple Podcasts or just click on over here to Patreon!
Frank Mosley is an actor and filmmaker from Texas living in Los Angeles. He's a fellow of the 2015 Berlinale Talents, 2017 NYFF Artist Academy, and 2016 Workshop for Auteurs led by Abbas Kiarostami. As a director, he's had two retrospectives of his work: The Spectacle Theater, NYC (2018) and online on Kinoscope (2020). They include Good Condition (Fantasia 2023), Parthenon (Slamdance 2018), Casa De Mi Madre (Champs-Elysees 2017), and The Event (Fantastic Fest 2022), which debuted as a Vimeo Staff Pick and was named a "Top 12 Film of 2023" on NoBudge. As an actor, his starring role in Freeland (SXSW 2020, MUBI) opposite Lily Gladstone and Krisha Fairchild. Other notable films include Upstream Color (Sundance jury winner, Berlinale 2013), Collective Unconscious (SXSW 2016, The Criterion Channel), Chained for Life (NYTimes Critics Pick 2018, Kino Lorber), Rent Free (Tribeca 2024), Love and Work (Slamdance 2024), Americana (Fantasia, SIFF 2016), The Ghost Who Walks (Netflix Top Ten Film 2020), Thunder Road (SXSW 2018 winner, ACID Cannes), Person to Person (Magnolia Pictures), The Procedure (Sundance 2016 winner, Adult Swim), Don't Ever Change (Vimeo Staff Pick 2017, Alter), and alongside David Arquette in Quantum Cowboys (Fantastic Fest 2022, Factory 25). For his leading role in Some Beasts, he received a Special Jury Prize for Outstanding Performance at the 2016 Sarasota Film Festival and was declared "one of the best performances of 2017" by Film Pulse. ▬▬▬▬▬▬▬▬ FRANK MOSLEY ⌲ IMDb: https://www.imdb.com/name/nm1797014/?ref_=nm_mv_close ⌲ IG: https://www.instagram.com/frankrjmosley/ ⌲ Website: https://www.frankmosley.com/ ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #Berlinale #ThunderRoad #SpectacleTheater #Kinoscope #Texas #IndieFilms #Freeland #FilmFestivals #ScriptEater #Sundance #SXSW #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- Support this podcast: https://podcasters.spotify.com/pod/show/the-moving-spotlight/support
Watch This Episode On YouTubeThere's something so inspiring about a filmmaker who has a million different reasons for why he shouldn't be selected for this fellowship or that school, but goes forward boldly, anyway, and stays humble about it.And also a guy who would love the opportunity to teach at his film school -- NYU -- but I completely believe him when he says that he would quit if it got in the way of his feature filmmaking.That's the story of my guest, filmmaker Ward Kamel.Most recently, Ward was selected as one of four individuals and one writing team for the 2024 Academy Nicholl Fellowships in Screenwriting, but that's barely scratching the surface about the wild journey of this unique filmmaker.In this episode, we discuss:how he got started in filmmaking; originally, he thought he was studying science;his thoughts on the importance of attending film school -- he attended NYU -- and being a team player;whether film school's admissions department did their job, in his mind;his film, IF I DIE IN AMERICA, now available as a Vimeo Staff Pick;if that film is a template for filmmakers -- can you make a truly fantastic short film and get rewarded for it?;how filmmaking is unique in art as it involves more than just the artist's vision -- it's an art with a side of management;the story behind how he won a 2024 Academy Nicholl Fellowship and what the process is applying for it (it's a lot easier than other fellowships);the surreptitious way in which he was notified by the Academy;how he "doubled down" on screenwriting after graduating;the left-brain, right-brain-related importance of directing and screenwriting;the importance, as Vlad Nikolich noted, of subtlety in screenwriting and how he accomplished that in IF I DIE IN AMERICA;treating your audience "like they are geniuses; you can tell when the director thinks you're dumb";how "it's very impossible to make something for someone else" in the sense of creating a film you don't believe in;how best to capitalize on the moment of a viral video or a prestigious fellowship -- celebration isn't enough, it's "an invitation to share" and you should be ready with whatever's next when that moment comes;whether emerging filmmakers feel like they can make films about tough topics -- "I'm Muslim. I was raised Muslim. This is a queer Muslim film. I'm a queer Muslim filmmaker" -- and he concludes that filmmakers should go for it;why there is a noticeable lack of Arab and Muslim voices in independent film;where he goes to watch films from the area;what he would teach at NYU and if there were professors he felt he could relate towhat's next for this extraordinarily talented, fellowship winning, Brookyln-living, would quit his theoretical job at NYU for his feature film, filmmaker.Ward's Indie Film/Filmmaker Highlight: JOYLAND (2022) dir. by Saim Sadiq; MY FIRST FILM (2024) dir. by Zia Anger; Brit MarlingLinks:Ward Kamel's WebsiteIF I DIE IN AMERICA Vimeo Staff PickSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content
Colin Burgess is an actor and comedian. Colin has been featured in videos and series for Adult Swim, Comedy Central, IFC, and Vice and short films have been in No Budge and Vimeo Staff Pick. Colin and I both have something in common and that's free time. Colin's new film 'Free Time', a comedy about the search for meaning in the modern world, is out now. Please welcome Colin Burgess to Wear Many Hats. instagram.com/colinburgers instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com
Today on the podcast Rain is joined by writer and musician, Kathleen Hanna. Their conversation travels from shared memories of being in bands in the 90’s, Kathleen’s thoughts on feminism today, how anger can motivate and harm creativity, the importance of self care and why it’s best to ditch toxic relationships. Kathleen’s memoir REBEL GIRL is out now. We then hear from the incredibly inspiring writer and filmmaker Naz Riahi, who shares what it was like to work with Kathleen on Rebel Girl, how music found her in Iran as a child, what inspires her, and what’s next for her creatively. Tune in to this power hour of conversation at LaunchLeft.com/podcast. ----------------- LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft TWITTER https://twitter.com/LaunchLeft INSTAGRAM https://www.instagram.com/launchleft/ FACEBOOK https://www.facebook.com/LaunchLeft --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [5:25] How much has feminism changed since the 80s? What is the state of feminism today? [10:54] What is an internal positive belief that has stayed with Kathleen since childhood that she still draws upon? [12:24] Are all art forms the same or different in the process of creating? [18:26] Does anger motivate Kathleen when she is writing? [29:03] What does Kathleen do for self care while on the road? [37:44] What is Kathleen’s advice for young women? [41:05] How did music find Kathleen? [43:20] Kathleen introduces Naz Riahi and explains why she tipped her hat to Naz. [49:31] Naz joins the show and shares about what it was like working with Kathleen. [52:52] What about working with Kathleen influenced Naz’s own work or inspired her as a writer? [56:16] How did music find Naz? [58:36] What is next for Naz? KEY TAKEAWAYS: [24:47] We’re all creators, we all have the ability. We’re creating every day by being alive, we are creating our reality, we’re creating the future of what we want to be and say and do in the world. [38:12] If you find yourself in a toxic relationship with someone, whether that be a friend, family or lover, step away. Those toxic people are standing in the way of other people who are waiting for an opportunity to be in your life. [55:11] Take chances to try new things and allow opportunities into your life, but if you are finding those things take away from your energy to do the things you love, then you know those are not for you. RESOURCE LINKS: LaunchLeft Podcast Smart Link Links for Kathleen Hanna: Kathleen Hanna's Website Kathleen Hanna's Instagram Kathleen Hanna's TikTok Bikini Kill Website Bikini Kill Instagram Bikini Kill Twitter Bikini Kill Bandcamp Bikini Kill YouTube Le Tigre World Instagram Le Tigre World Facebook Links for Naz Riahi Naz Riahi's Website Naz Riahi's Instagram BIOGRAPHIES: Katheleen Hanna: Kathleen Hanna is a punk singer, artist, and the front-woman of the influential bands Bikini Kill and Le Tigre. Hanna is a staple in feminist publications, from college curriculums to bestselling books, and a leading voice in the punk feminist movement. She has been named one of the best live performers of our time, earning acclaim from Rolling Stone, The New York Times, NPR, Interview Magazine, V Magazine, Vogue, Entertainment Weekly, BUST Magazine, NYLON and Los Angeles Times, to name a few. Naz Riahi: Naz Riahi (she/her) is a filmmaker, writer and artist. Much of her work explores the spaces, emotions and opportunities and humor of reaching for connection, informed by her experiences as an immigrant from Iran. She was named one of Filmmaker Magazine’s 25 New Faces of Independent Film. Her short film Sincerely, Erik received a Vimeo Staff Pick and won a Vimeo Best of the Year Award and was named a NoBudge Best Film of the Year. It has garnered praise from Brooklyn Academy of Music (BAM), The New York Times T Magazine and Fast Company among numerous publications and cultural institutions. Her essays, journalism and fiction have been published widely in outlets such as Harper’s Bazaar, Oldster, Pipe Wrench, Food & Wine, Los Angeles Review of Books, Longreads, Catapult, The Fader, Guernica and more. Naz has performed original works at MoCA (Museum of Contemporary Art Los Angeles) and at Dynasty Handbag’s Weirdo Night. She was the creator of the dialogical art project, Bitten. In recognition of Bitten, Naz was invited to SXSL at the Obama White House. An essay she wrote about the experience received public praise from President Obama. Her collection of short stories, Vibrations, will be published by Dopamine Press in 2025. Naz holds an MFA from the New School and is the recipient of a NYFA City Artist Corps Grant.
Daniel Brown is an Emmy-nominated director, writer and storyteller. He has cultivated an eclectic approach, drawing inspiration from film, literature, illustration, animation and music. His art film COLOR TV, NO VACANCY, described as, “Disney meets David Lynch” by Vice and was Vimeo Staff Pick. Daniel has won acclaim for his music videos for prominent artists such as ODESZA, Portugal. the Man and Jon Bellion. His first feature film debut YOUR LUCKY DAY starring Angus Cloud premiered at Fantastic Fest and was released in Alamo Drafthouse Theaters, and is currently available on Netflix. He loves to tell stories about the promise or disillusionment of dreamers. People who risk everything for an idea. Dan is represented by UTA and Sugar23. Resources: Dan's Instagram ──────────────────────────── Stay Tuned with Tipsy Casting on IG Watch the Tipsy Casting YouTube Channel Follow Jessica & Follow Jenn Learn More About Jess & Jenn's Casting Journeys Get Casting Life Away Merch here! --- Send in a voice message: https://podcasters.spotify.com/pod/show/tipsycastingpodcast/message
In this episode, we welcome filmmaker Chris Kentis. Chris is a writer, director, producer and editor, who achieved great success with his independent film, Open Water, in 2003. In our chat, we hear his backstory, path into filmmaking, and process making this movie. Chris also shares about his cinematic inspirations, other projects he's worked on, and what's next for him. The Making Of is presented by AJA Video Systems.As productions grow in complexity, access to on-set displays for monitoring is crucial. With ample routing inputs and outputs, it's easy to achieve greater monitoring flexibility and redundancy on-set. Check out this Q&A with DIT Kevin Shiramizu to learn how he's leveraging AJA KUMO SDI routers to do just this across projects.From our Friends at Videoguys…Media Composer is the most acclaimed and trusted collaborative video editing software solution across the media and entertainment industry. With options for all types of content creators—from students and independent video editors to creative teams, high-level post-production teams and broadcasters, Media Composer provides the most powerful storytelling tools in the industry. From AI-powered timesaving features, flexible workflow options, to customizable UI and remote collaboration tools, Media Composer makes it easy to create and deliver content from anywhere and turn around more projects faster. In the highest quality. On time and on budget.Learn more hereVisit ZEISS at the NAB Show:NAB is around the corner, and you don't want to miss what's new at the ZEISS Booth #7312 in Hall C! Come discover the cinematic look of the Nano Prime lenses and check out live demonstrations of the ZEISS CinCraft Scenario camera tracking solution. ZEISS' knowledgeable Product Specialists are excited to discuss your upcoming camera tracking needs and offer their expertise. Whether you're working in indoor or outdoor settings, on film sets with green and blue screens, or in LED volumes, they have the solution for you. If you're looking to save time on lens calibration, come and see how Scenario can accelerate your workflow. Plus, you can explore the complete lineup of ZEISS cinema lenses — including Supreme Prime, Supreme Prime Radiance, CZ.2 Cinema Zoom lenses, CP.3 Primes, and more! Use ZEISS' guest pass code NS7892 to register for free admission and click the link below to add ZEISS to your planner. To add ZEISS to your Show Planner, click hereVimeo Staff Picks Screening:April 23, 2024 | San FranciscoJoin us for this free screening of recent Vimeo Staff Pick favorites, handpicked and hosted by our curators. Short films will be accompanied by live commentary from featured local filmmakers. After the screening, there'll be a Networking Party with drinks, snacks, music and swag! RSVP for free herePodcast Rewind:March 2024 - Ep. 28…The Making Of is published by Michael Valinsky.If you'd like to promote your products to over 12,500 leading film, TV and video industry pros reading this newsletter, please email us: mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
LISTEN TO THIS EPISODE ON PATREON! We're back with another solo pod! In this episode we discuss our two year anniversary, corporate DJ gigs, The Juno's, artistic intentions, monthly listeners, the Canadian film industry, Brad Troemel's 'Hipster Report', the illusion of cool, insecurity, Mubi, the death of the 'Vimeo Staff Pick', the curse of nostalgia, maintaining old friendships, living in the moment, dark hometown energy, synchronicity, viewing Toronto through a tourist's lens, Bambi's, legacy Toronto businesses, Low Bar, McSorely's, Bar Italia, TikTok bands and more! Josh McIntyre Austin Hutchings ---- COLD POD https://www.patreon.com/coldpod
Dive into the vibrant world of queer and trans filmmaking with Brit Fryer, a visionary director and producer based in Brooklyn, NY. Through Forest Ave Films, Brit explores themes of gender, queerness, and identity with a unique and participatory approach to nonfiction storytelling.Born in Chicago and raised in the suburbs, Brit's connection to his hometown influences his work, despite his current East Coast base. Graduating from Carleton College's Cinema and Media Studies Program, Brit has honed his craft to create impactful and thought-provoking films.From the award-winning "Caro Comes Out" to the Vimeo Staff Pick "Across, Beyond, and Over," Brit's filmography showcases his dedication to amplifying marginalized voices. His recent film, "The Script," co-directed with Noah Schamus, delves into the complexities of language within the trans and nonbinary communities.As a producer, Brit has contributed to acclaimed projects like Crystal Kayiza's "Rest Stop," which received the Short Film Jury Award for US Fiction at the 2023 Sundance Film Festival. Collaborating with filmmakers like Lydia Cornett and Noah Schamus, Brit continues to push boundaries in the realm of nonfiction filmmaking.Supported by prestigious institutions like The Sundance Institute, PBS, POV, and HBO Documentary Films, Brit's work has been recognized at festivals worldwide, including CPH: DOX, Indie Grits, NewFest, and BFI Flare.Join us as we explore Brit Fryer's journey as a filmmaker, his commitment to amplifying underrepresented voices, and his exciting upcoming projects. Brit Fryer's Website: https://www.britfryer.com/ Brit Fryer's Instagram: https://www.instagram.com/britfry/?hl=en Brit Fryer's Twitter: https://twitter.com/britfryer?lang=en Brit Fryer's LinkedIn: https://www.linkedin.com/in/britfryer Visual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante
You're gonna love this one, we've got Oren Soffer on the pod this week to talk about his work on The Creator and oh so much more! On top of its worldwide theatrical release, The Creator screened as part of the 2023 Energa Camerimage film festival, was on the shortlist for Best Cinematography at the BAFTAs, and has been nominated for two Academy Awards. On top of shooting hundreds of incredible commercials and music videos, two of Oren's other recent features premiered at the TIFF and TriBeCa film festivals in 2022. He has also shot multiple award-winning short films, including 'Opera of Cruelty,' which won a Student Academy Award, and ‘See You Soon,' which won the audience award at the Palm Springs International Shortsfest before subsequently premiering on Short of the Week and receiving a Vimeo Staff Pick. During his studies at NYU's Tisch School of the Arts, Oren was nominated for the ASC Gordon Willis Student Heritage Award, and was a finalist for the Arri Volker Bahnemann Award for Cinematography. Enjoy! Visit www.frameandrefpod.com for everything F&R You can directly support Frame & Reference by Buying Me a Coffee Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out Filmtools.com for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ProVideoCoalition.com for the latest news coming out of the industry.
Unless you're already a well-heeled nepo baby, this might be the one Push In episode you literally can't afford to miss! Last episode, Push In interviewed filmmaker Denver Jackson, the brilliant creator and one-man animation team behind the web series Esluna: The Crown of Babylon, the feature Esluna: The First Monolith and the upcoming feature The Worlds Divide. This episode, Denver shares how he's financed his films, why he picked Kickstarter as his crowd funding platform, his fundraising hook and donor perks, and how he built a social media fan base that helped him raise over $102,000.Denver has singlehandedly written, directed, animated and edited numerous award-winning short animations, an entire animated web series - and he's currently in post on his second animated feature film. His films have screened around the world - including at three Academy Award-qualifying festival, been a prestigious Vimeo Staff Pick, and won Best Animated Film at San Diego Comic Con International Film Festival and Heartland Film Festival. Denver's films:YouTube video on the making of The Worlds Divide: https://www.youtube.com/watch?v=twwChA4OjjsEsaluna: The Crown of Babylon trailer:https://www.youtube.com/watch?v=vcbhSvw3d1QThe Worlds Divide teaser trailer:https://www.youtube.com/watch?v=E56og3Eog0MLearn more about Denver:IMDb: https://www.imdb.com/name/nm3364672/Website: http://www.cloudrisepictures.comInstagram: https://www.instagram.com/denver.jackson/Facebook:https://www.facebook.com/denver.jacksonSubscribe to catch the latest episodes of Push In on Apple Podcasts:https://apple.co/2S5WB7qPodcast Production Team:· Technical Director: Paul Ruta· Sound Editor: Michael Korican· Host, Researcher & copywriter: Joyce Kline· Co-Producers: Joyce Kline, Michael Korican, Paul Ruta
Oren grew up between the United States and Israel nurturing hobbies in painting and photography, building LEGOs, and voraciously watching movies. These activities laid the groundwork for what would eventually become a love of cinematography and a passion for crafting bold, cinematic imagery.Last year, Oren wrapped filming on the feature film ‘The Creator,' directed by Gareth Edwards, along with cinematographer Greig Fraser ASC ACS, slated for release on September 29 2023. Two of his other recent features premiered at the TIFF and TriBeCa film festivals in 2022. He has also shot multiple award-winning short films, including 'Opera of Cruelty,' which won a Student Academy Award, and ‘See You Soon,' which won the audience award at the Palm Springs International Shortsfest before subsequently premiering on Short of the Week and receiving a Vimeo Staff Pick.During his studies at NYU's Tisch School of the Arts, Oren was nominated for the ASC Gordon Willis Student Heritage Award, and was a finalist for the Arri Volker Bahnemann Award for Cinematography. Oren has also shot hundreds of commercials and music videos for a variety of clients including Nike, BMW, Mercedes-Benz, HBO, Foot Locker, Grey Goose Vodka, Doritos, Kohler, Wilson Tennis, Marriott Hotels, ACE Hardware, Crest, Viacom, and Universal Studios.EPISODE LINKS: Oren's Website: orensoffer.com Oren's Instagram: @orensofferdpMORE ABOUT “NO SET PATH” Website: nosetpath.com Instagram: instagram.com/nosetpath YouTube: youtube.com/@nosetpathFOLLOW DREW ENGLISH Website: drewenglish.comInstagram: instagram.com/drewenglishh LinkedIn: linkedin.com/in/drewenglish Twitter: twitter.com/thedrewenglish
Pride yourself on being hard working and dedicated to your art? Well, this interview with award-winning Victoria animator Denver Jackson will make you feel like a total slacker! Buckle up as this one-man powerhouse shares how he got into animation, the brutal details of his typical work day, the importance of keeping focus to complete projects, and why he'll never use generative AI.Denver Jackson has singlehandedly written, directed, animated and edited numerous award-winning short animations, an entire animated web series--and he's currently in post on his second animated feature film. His films have screened around the world—including at three Academy Award-qualifying festivals—been a prestigious Vimeo Staff Pick, and won Best Animated Film at San Diego Comic Con International Film Festival and Heartland Film Festival. Mentioned in this episode:YouTube video on making of The Worlds Divide: https://www.youtube.com/watch?v=twwChA4OjjsEsluna: The Crown of Babylon trailer:https://www.youtube.com/watch?v=vcbhSvw3d1QThe Worlds Divide teaser trailer:https://www.youtube.com/watch?v=E56og3Eog0MIMDb:https://www.imdb.com/name/nm3364672/awards/?ref_=nm_awdWebsite: http://www.cloudrisepictures.comInstagram: https://www.instagram.com/denver.jackson/Facebook: https://www.facebook.com/denver.jacksonSubscribe to catch the latest episodes of Push In on Apple Podcasts:https://apple.co/2S5WB7qPodcast Production Team:· Technical Director: Paul Ruta· Sound Editor: Michael Korican· Host, Researcher & Copywriter: Joyce Kline· Co-Producers: Joyce Kline, Michael Korican, Paul Ruta
I talk with Julia Bales about her Vimeo Staff Pick short FOLLOWERS (if you haven't seen it, give it a watch. I think you'll love it. The link is below.)We talk about getting burned out at CollegeHumor, how FOLLOWERS wound up on Vimeo, what she thinks of the short v. feature debate, and what indie filmmaker she'd like to highlight. I loved this episode and I think you will, too.Julia's Indie Film Highlight: Sarah Elizabeth Mintz, GOOD GIRL JANE (2022)Links:FOLLOWERS (https://vimeo.com/856184165)Julia Bales' Website (https://julia-bales.com/)Support this podcast at — https://redcircle.com/first-time-go/donations
Meet Oren Soffer! Oren lives in Los Angeles and is an up and coming cinematographer with a bold cinematic eye. Oren's work includes two feature films; “Fixation” that premiered at TIFF and “Allswell” that premiered at TriBeCa in 2022 as well as Co-Dping the film “The Creator” with cinematographer Greig Fraser. While studying film at NYU's Tisch School of the Arts Oren was nominated for the ASC Gordon Willis Student Heritage Award, and was a finalist for the Arri Volker Bahnemann Award for Cinematography. Oren has also shot multiple award-winning short films, including “Opera of Cruelty,” 'which won a Student Academy Award, and “See You Soon,” which won the audience award at the Palm Springs International Shortsfest.Recently, Oren has started co-hosting his own podcast called Cinematography Salon which has some great in-depth conversations on both the technical aspects of filmmaking as well as what it's like to navigate the world of film as a career. Oren and I met at a UTA party last September and we had such a great conversation that I asked if he'd be on Blissful Spinster and I was delighted when he said yes! I have to admit my conversation with Oren is one of my favorites to date. His passion for the art of filmmaking is palpable and he is all at once introspective, humorous and articulate. He loves to share knowledge and is full of wonderful nuggets for filmmakers of any level. Beyond the joy of watching Oren succeed at what he loves, what brings me the most joy is knowing I can now call Oren a friend We had an Amazing chat and I'm so excited to bring you Part 1 of my conversation with Oren!** Just a couple of fun notes before we get going… this episode was recorded nearly a year ago, last October and you'll hear Oren and I refer to the film “The Creator” as it's former name “True Love”, also, this episode will be part 1, as Oren has graciously agreed to come back as a guest to record a bonus episode and talk about what he's been up to since our last chat and to talk a little bit more in depth on “The Creator” on the eve of the film's release.Oren's Bio:Oren recently shot the feature film ‘The Creator,' directed by Gareth Edwards, along with cinematographer Greig Fraser ASC ACS, slated for release on September 29, 2023. Two of his other recent features premiered at the TIFF and TriBeCa film festivals in 2022. He has also shot multiple award-winning short films, including 'Opera of Cruelty,' which won a Student Academy Award, and ‘See You Soon,' which won the audience award at the Palm Springs International Shortsfest before subsequently premiering on Short of the Week and receiving a Vimeo Staff Pick. During his studies at NYU's Tisch School of the Arts, Oren was nominated for the ASC Gordon Willis Student Heritage Award, and was a finalist for the Arri Volker Bahnemann Award for Cinematography. Oren has also shot hundreds of commercials and music videos for a variety of clients including Nike, BMW, Mercedes-Benz, HBO, Foot Locker, Grey Goose Vodka, Doritos, Kohler, Wilson Tennis, Marriott Hotels, ACE Hardware, Crest, Viacom, and Universal Studios.Connect with Oren on: InstagramLearn more about Oren's work on his websiteListen to Oren's Podcast Cinematographer's SalonThe Creator is opening in theatres September 29th! - GO SEE IT!Learn more about the Blissful Spinster Podcast and connect with Cris on the website, InstagramIf you're enjoying Blissful Spinster please consider supporting me by visiting my author page on Amazon - Pawsman Prints and picking up a purrfect gift for yourself or the cat lover in your life with one of my eclectic cat-themed journals! Meow!
In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Director Em Gilbertson, a recent National Film and Television School graduate who is currently making their way as a 2nd Unit Director for TV, most recently working on Malpractice which is directed by Philip Barantini and stars Niamh Algar. So we thought we'd bring them on for a chat to explain exactly what 2nd Unit Directing is! This chat covers: -How they got into the film industry -Entering the NFTS as someone who is from a working class background. -The process of making their graduation film Requiem and working with Bella Ramsey. -What is 2nd Unit Directing? -What are the roles and responsibilities of a 2nd Unit Director? -How do you make sure you are making the same show? -How do you work with high level cast and crew? Em J. Gilbertson (they/them) is a writer/director from Liverpool, working across film, television and music videos. Em is represented by the Independent Talent Group and currently working towards their first feature film. Their previous work has explored gender roles and the pressure to assimilate into dangerous environments but new projects are exploring non-binary identities and freedom. Em likes to draw upon personal experience to create complicated queer characters that examine the human condition. They have a passion for creating work that champions dance, spoken word and music whilst featuring it in innovative and unorthodox ways. A recent graduate of the prestigious NFTS' Directing Fiction course and a Channel 4 Scholar. Their graduation film: Requiem starring Bella Ramsey (The Last of Us and Game of Thrones) was the Winner of Best Postgraduate Drama at the Royal Television Society Student Awards 2022 and has been selected at multiple BAFTA qualifying film festivals. Since graduating, Em has done some second unit directing on BBC's Silent Witness and ITV's Malpractice. Previously Em shadowed BAFTA nominated Phil Barantini and the legendary Mary Harron. Em has also directed multiple music videos that have featured on MTV and in Kerrang! Em's previous work: Crashing Waves saw a lot of success on the festival circuit and was Broadcast on Channel 4 as part of Series 5 of Random Acts. The film was nominated for the Iris Prize, gained a Vimeo Staff Pick and was an official selection for #fivefilmsforfreedom presented by the British Council and BFI Flare in 2019. Nuggets of the week Marcus: Artist - Miles Johnston Oz: Creativity, Inc: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar by Ed Catmull Em: Veneno Credits Music by Oliver Wegmüller Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake Em's website: https://www.emmajgilbertson.com/ If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.
In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus are joined by Producer and Writer Helen Simmons (F*CK & KLOKKENLUIDER). With the BFI Network funding applications currently open and there being a lack of Producers available, we did a deep dive to uncover the mystery of Producers. This covers... -What are the different types of Producers? -What do Producers do? -How do Producers choose their collaborators? -How do you find/approach Producers? -How do you get projects funded? -How do you get feature projects moving? -We also ask a bunch of YOUR questions! HELEN SIMMONS is a BIFA longlisted producer and writer who was named a Screen Star of Tomorrow in 2018. Her work has screened at festivals across the world including Rhode Island, Flickerfest and LOCO. As a producer, she runs Erebus Pictures – BFI Vision Awardee 2020 – and recently produced features KLOKKENLUIDER (Jenna Coleman, Tom Burke, Amit Shah); HOARD, (Joseph Quinn, Hayley Squires), and BONUS TRACK (Josh O'Connor, Jack Davenport, Alison Sudol and Susan Wokoma) As a writer, her debut short F*CK, starring Emmy-award winner Brett Goldstein (TED LASSO) and Esther Smith (TRYING) screened at multiple festivals, was a Vimeo Staff Pick, and gained a Best Screenwriter nomination at Underwire. Helen has been part of iFeatures and 4Screenwriting, and wrote 4 episodes of Audible Original DARK HARBOUR. She's currently writing 3 episodes of an animated show for Sky and Hocus Pocus under lead writer Joseph Morpurgo, released later this year, and a romantic comedy feature for the Netflix Breakout scheme with director BAFTA nominated Ben Mallaby. Helen co-wrote feature film LAST SWIM, which is being produced by Caviar (SOUND OF METAL), directed by Sasha Nathwani, and is in production. She recently co-wrote and directed a BFI short starring Callie Cooke (WEDDING SEASON) and Lydia Rose Bewley (DRIFTERS). Helen is also developing multiple TV and film projects including a darkly comic crime thriller with World Productions; a romantic comedy six-parter starring Daniel Lawrence Taylor for Kinetic Content; a biopic for Erebus and The Development Partnership; and a darkly comic horror for Moonriver TV. To hear about Helen's journey into the industry listen to this episode of The Filmmakers Podcast: https://open.spotify.com/episode/2c2gzdoCno8VCnl1rgeTjL?si=4c8804f20b7341d3 Nuggets of the week Marcus: The A24 Podcast - Nervous Laughter with Ari Aster & Joaquin Phoenix. Oz: Unreal Engine for Animatics. Helen: S16 Ep9 How To Fail: Greg James on radio, rebellion and failing to be good at fame. Instagram quote - 'Art doesn't have to be depressing, there's value in happy/feel good art'. Credits Music by Oliver Wegmüller Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.
Hey Film makers! Why not come along to our Networking event on the 21st of April at 7pm. At Northern Soul, Dublin Quays. https://link.wearefni.com/springsprungnetworking for a TICKET!!!! Our New Bi Monthly event. You asked for it, Get your 10 euro tickets now or become a member on BuymeaCoffee.com/Fni After a little break we're back with the next episode of our podcast Wrapchat, Luke sat down with his old IADT classmate and Rising star Tara O'Callaghan!!! Tara O'Callaghan is an Irish/Serbian director with a background in Editing. A graduate of the national film school IADT, Tara now works across a variation of film mediums. Her early work in music videos has won her Kinsale Shark Awards and a Vimeo Staff Pick. She currently works in advertising as a director with Dublin production company Motherland where she has won Emerging Director Awards for her work. Most recently, her debut short documentary ‘Call Me Mommy' won Best Short Documentary at the Galway Film Fleadh and had its US premiere at the 2023 Sundance Film Festival. Tara has just been named in the Irish Times ‘50 people to watch for 2023'.Most recently ‘Call Me Mommy' was nominated for best live action short at this years IFTA's. Please Support our podcast, events and classes on BuyMeACoffee.com/fni FNI Wrapchat is Produced by PBL, Paul Webster and Edited and Mixed by Mark Monks in the heart of Dublin City Centre at the Podcast Studios. Check out Film Network Ireland at https://wearefni.com/ https://www.facebook.com/groups/filmnetworkireland https://twitter.com/fni_film
Hey Film makers! Why not come along to our Networking event on the 21st of April at 7pm. At Northern Soul, Dublin Quays. https://link.wearefni.com/springsprungnetworking for a TICKET!!!! Our New Bi Monthly event. You asked for it, Get your 10 euro tickets now or become a member on BuymeaCoffee.com/Fni After a little break we're back with the next episode of our podcast Wrapchat, Luke sat down with his old IADT classmate and Rising star Tara O'Callaghan!!! Tara O'Callaghan is an Irish/Serbian director with a background in Editing. A graduate of the national film school IADT, Tara now works across a variation of film mediums. Her early work in music videos has won her Kinsale Shark Awards and a Vimeo Staff Pick. She currently works in advertising as a director with Dublin production company Motherland where she has won Emerging Director Awards for her work. Most recently, her debut short documentary ‘Call Me Mommy' won Best Short Documentary at the Galway Film Fleadh and had its US premiere at the 2023 Sundance Film Festival. Tara has just been named in the Irish Times ‘50 people to watch for 2023'.Most recently ‘Call Me Mommy' was nominated for best live action short at this years IFTA's. Please Support our podcast, events and classes on BuyMeACoffee.com/fni FNI Wrapchat is Produced by PBL, Paul Webster and Edited and Mixed by Mark Monks in the heart of Dublin City Centre at the Podcast Studios. Check out Film Network Ireland at https://wearefni.com/ https://www.facebook.com/groups/filmnetworkireland https://twitter.com/fni_film Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's episode features an in-depth conversation on a wide range of topics with Award-winning Actress, Writer, Director & Author, KATIE BOLAND. Chosen by Elle Canada as one of the three Canadians to watch, as an actress she has more than 80 credits to her name. A multiple award winner, she's won a Canadian Screen Award, was a TIFF Rising Star, a Birks Diamond Woman In Film, named Best Emerging Actress by the Toronto Film Screen and one of Playbacks Ten To Watch. Long Story, Short a ten-episode web-series Boland created and wrote based on her collection of personal essays premiered on Hulu and was recently re-released on Youtube and garnered hundreds of thousands of hits and called “the best new thing on the internet." For her performance, Boland won a Canadian Screen Award. Long Story, Short was nominated for Best Webseries at the Raindance Film Festival. Also an author, Boland's collection of short stories, Eat Your Heart Out was chosen by the Globe and Mail as one of three hot summer reads, “Actress-turned-writer Katie Boland is a notable new voice in Canadian fiction...a vibrant collection, populated by well-drawn characters who are broken but bursting with life. Reminiscent of Hemingway's sharp minimalism, paired with Kerouac's verve, Eat Your Heart Out tackles being alive in the here and now, with sterling writing and stellar voices. Boland is a bold new old-soul.” Boland's directorial debut, short film Lolz-Ita, that she wrote and starred in, had it's North American premiere at the Austin Film Festival and was nominated for Best Narrative Short. It was also a part of TIFF's Short Cuts: Share Her Journey, which highlights the “most exciting emerging female film makers in the world” as well as the Whistler Film Festival where it was nominated for the EDA Short Film Award which recognizes female film makers. It was nominated for jury prizes at the Dallas International Film Festival and Cucalorus. It was also chosen as Short Of the Week, who said, “Boland portrays the title character with commendable subtlety, fleshing out the confusion of the young woman compellingly. It's a complicated duality to inhabit... Her performance has the power to make or break the film, and Boland wows.” Most recently, it was chosen as a Vimeo Staff Pick. Boland is currently in post production on a new short Twins and she directed, wrote and starred in the pilot ReFrame for Refinery 29 x Kate Spade. Boland was the youngest person chosen by Canadian Heritage Minister Melanie Joly to be on a panel of cultural experts who helped steer a sweeping review of cultural policies. Recently, Boland was also on the cover of IndieScreen magazine as one of Canada's “most impressive young producers.” Katie splits her time between Toronto and Los Angeles. She has two feature films to be released in the coming year and three television series she wrote and created in development at CTV, Chorus and UCP. She is currently editing her feature debut We're All In This Together that she wrote, directed, produced and starred as twins in. For more from Katie please connect with her via: IG: @katieboland13Twitter: @katieboland Her website: https://www.katieboland.com/ --This episode of Breaking Brave is brought to you by:SOULSNACKS! Soul snacks are single ingredient, eco conscious dog and cat treats! Sourced directly from farms in Ontario and wrapped in fully compostable packaging. Treating your pets never felt so good. Head to https://soulsnacks.ca/ and use coupon code BREAKINGBRAVE for 15% off your purchase!!! &CRANK COFFEE the newest member of the Neal Brothers family. Crank Coffee is a new Canadian whole bean coffee brand that is certified organic and fair trade. Founded by the Neal Brothers Peter and Chris. This brand was influenced by cycling, coffee lovers, and experts! Check it out at...
Decal has acquired North American rights to Brandon Dermer's sci-fi comedy I'm Totally Fine out of the Cannes market, slating it for release in theaters on November 4th . The film follows Vanessa (Jillian Bell), who embarks on a solo weekend away to clear her head after the death of her best friend (Natalie Morales)-seeing her self-care vacation plans change when she's met with a situation that's out of this world. The film written by American Dad's Alisha Ketry also stars Harvey Guillén (What We Do in the Shadows), Blake Anderson (Workaholics) and Karen Maruyama (The Binge 2: It's A Wonderful Binge). What We Do in the Shadows, Murder Mystery and Workaholics' Kyle Newacheck produced alongside Jonas Dolkart. Recently, Brandon directed the first 3 episodes of the critically acclaimed second season of the Showtime series FLATBUSH MISDEMEANORS that premiered June 17th, 2022. Brandon co-created WHAT WOULD DIPLO DO? with James Van Der Beek at Viceland. The show sold to Spike Jonze who shepherd the project. Brandon directed & executive produced the entire critically acclaimed first season. Brandon has directed for television for Viceland, MTV, Comedy Central, Adult Swim and many others. His music videos and commercials have been featured at SXSW, MTV's VMAs, Vimeo Staff Pick, Huffington Post, Rolling Stone, Adweek, The Front Page of Reddit, AV Club, Vulture and many more capturing hundreds of millions of views online. He's directed music videos for Dillon Francis, Panic! At The Disco, Diplo, The Jonas Brothers, Trippie Redd, Thomas Rhett, Young Thugg, Julia Michaels, Noah Cyrus, Nekrogoblikon, and many more.
Decal has acquired North American rights to Brandon Dermer's sci-fi comedy I'm Totally Fine out of the Cannes market, slating it for release in theaters on November 4th . The film follows Vanessa (Jillian Bell), who embarks on a solo weekend away to clear her head after the death of her best friend (Natalie Morales)-seeing her self-care vacation plans change when she's met with a situation that's out of this world. The film written by American Dad's Alisha Ketry also stars Harvey Guillén (What We Do in the Shadows), Blake Anderson (Workaholics) and Karen Maruyama (The Binge 2: It's A Wonderful Binge). What We Do in the Shadows, Murder Mystery and Workaholics' Kyle Newacheck produced alongside Jonas Dolkart. Recently, Brandon directed the first 3 episodes of the critically acclaimed second season of the Showtime series FLATBUSH MISDEMEANORS that premiered June 17th, 2022. Brandon co-created WHAT WOULD DIPLO DO? with James Van Der Beek at Viceland. The show sold to Spike Jonze who shepherd the project. Brandon directed & executive produced the entire critically acclaimed first season. Brandon has directed for television for Viceland, MTV, Comedy Central, Adult Swim and many others. His music videos and commercials have been featured at SXSW, MTV's VMAs, Vimeo Staff Pick, Huffington Post, Rolling Stone, Adweek, The Front Page of Reddit, AV Club, Vulture and many more capturing hundreds of millions of views online. He's directed music videos for Dillon Francis, Panic! At The Disco, Diplo, The Jonas Brothers, Trippie Redd, Thomas Rhett, Young Thugg, Julia Michaels, Noah Cyrus, Nekrogoblikon, and many more.
Decal has acquired North American rights to Brandon Dermer's sci-fi comedy I'm Totally Fine out of the Cannes market, slating it for release in theaters on November 4th . The film follows Vanessa (Jillian Bell), who embarks on a solo weekend away to clear her head after the death of her best friend (Natalie Morales)-seeing her self-care vacation plans change when she's met with a situation that's out of this world. The film written by American Dad's Alisha Ketry also stars Harvey Guillén (What We Do in the Shadows), Blake Anderson (Workaholics) and Karen Maruyama (The Binge 2: It's A Wonderful Binge). What We Do in the Shadows, Murder Mystery and Workaholics' Kyle Newacheck produced alongside Jonas Dolkart. Recently, Brandon directed the first 3 episodes of the critically acclaimed second season of the Showtime series FLATBUSH MISDEMEANORS that premiered June 17th, 2022. Brandon co-created WHAT WOULD DIPLO DO? with James Van Der Beek at Viceland. The show sold to Spike Jonze who shepherd the project. Brandon directed & executive produced the entire critically acclaimed first season. Brandon has directed for television for Viceland, MTV, Comedy Central, Adult Swim and many others. His music videos and commercials have been featured at SXSW, MTV's VMAs, Vimeo Staff Pick, Huffington Post, Rolling Stone, Adweek, The Front Page of Reddit, AV Club, Vulture and many more capturing hundreds of millions of views online. He's directed music videos for Dillon Francis, Panic! At The Disco, Diplo, The Jonas Brothers, Trippie Redd, Thomas Rhett, Young Thugg, Julia Michaels, Noah Cyrus, Nekrogoblikon, and many more.
Decal has acquired North American rights to Brandon Dermer's sci-fi comedy I'm Totally Fine out of the Cannes market, slating it for release in theaters on November 4th . The film follows Vanessa (Jillian Bell), who embarks on a solo weekend away to clear her head after the death of her best friend (Natalie Morales)-seeing her self-care vacation plans change when she's met with a situation that's out of this world. The film written by American Dad's Alisha Ketry also stars Harvey Guillén (What We Do in the Shadows), Blake Anderson (Workaholics) and Karen Maruyama (The Binge 2: It's A Wonderful Binge). What We Do in the Shadows, Murder Mystery and Workaholics' Kyle Newacheck produced alongside Jonas Dolkart. Recently, Brandon directed the first 3 episodes of the critically acclaimed second season of the Showtime series FLATBUSH MISDEMEANORS that premiered June 17th, 2022. Brandon co-created WHAT WOULD DIPLO DO? with James Van Der Beek at Viceland. The show sold to Spike Jonze who shepherd the project. Brandon directed & executive produced the entire critically acclaimed first season. Brandon has directed for television for Viceland, MTV, Comedy Central, Adult Swim and many others. His music videos and commercials have been featured at SXSW, MTV's VMAs, Vimeo Staff Pick, Huffington Post, Rolling Stone, Adweek, The Front Page of Reddit, AV Club, Vulture and many more capturing hundreds of millions of views online. He's directed music videos for Dillon Francis, Panic! At The Disco, Diplo, The Jonas Brothers, Trippie Redd, Thomas Rhett, Young Thugg, Julia Michaels, Noah Cyrus, Nekrogoblikon, and many more.
Being a female young actor with nonimpactful roles for girls, turned young filmmaker craving and carving her own path. We go through the journey of making it as an indie female film filmmaker, the rise the fall, the reality of Hollywood and the depression all whilst having an Academy Award winning actor as a lead in a film with International creditable with awards from film festivals, in addition, to having an Oscar nom and still getting no acknowledgments or serious contract deals. Welcome to Web3 - Film3 where all your dreams can become your reality without getting the life sucked out of you. Jordan Bayne's speaks this week at the classic International Cannes Film Festival on two Web3 panels discussing the future of film making for all, esp women, non binary, pop and lgbtqia+ creators. JORDAN BAYNE is an award-winning writer, director, actor and NFT film pioneer. Her career began acting with Golden Globe winner Martin Sheen in A STRANGER IN THE KINGDOM and includes Showtime's Poltergeist The Legacy, Law & Order and more. Her first role in the theatre landed her onstage with Golden Globe winner James Gandolfini and Oscar winner Marisa Tomei in the Naked Angels production of “Summerwinds”. Bayne had an award nominated turn in the film UNDER HELLGATE BRIDGE with Dominick Chianesemand Vincent Pastore where one critic noted, ”Jordan Bayne proves that true strength lies in vulnerability.” Bayne's writing and directorial debut was the short film ARGO, starring Jordana Spiro [Ozark, Good Wife]. Her critically acclaimed film THE SEA IS ALL I KNOW, starring Academy Award winner Melissa Leo won Best Short, Best of Fest, and Best Actress in its festival run earning consideration for an Academy Award. The film landed distribution with IndieFlix, and worldwide licensing with ShortsTV after becoming a Vimeo Staff Pick. Leo described Bayne as “one of the finest directors I have ever worked with”. Currently she is overseeing development on her American feature THE LAW OF UNINTENDED CONSEQUENCES as well as several US/Spain projects — THE LORCA PROJECT, a digital series, feature film BLACK SORROW and her upcoming NFT funded feature film project, SHADOW. In February 2021 Bayne started the original Elevating Women in the NFT Space on Clubhouse, and founded the NFT Film Squad, the first Space and community for filmmakers trailblazing the Film3 eco system. She curated Spaces bringing attention to groundbreaking talent such as Julie Pacino, Miguel Faus, J Harry Edminston, and David Bianchi. Pioneering the NFT terrain, she was featured in Deadline Hollywood, The Blackchain, and NFT Evening for her truly cinematic, groundbreaking motion picture RED FLAGS which was minted on the blockchain in January 2022. Bayne's company Shooting Angels is powered by an international creative collective of established and emerging talent. Based in NYC and Madrid, the goal of Shooting Angels is to be a preeminent bridge producing films and television in both Spanish and English, in Spain and the U.S. Shooting Angels is also dedicated to the amplification of women and nonbinary filmmakers worldwide and revolutionizing the Film3 ecosystem for all under represented people. Twitter: @jordanbayneTwitter @nftfilmsquadIG: @jordan_baynewww.jordanbayne.comDiscord: https://discord.gg/ZvwAn9sZrV Follow our sponsor DCP: Website: Decentralized Pictures Decentralized Pictures (@DCP_Foundation) / Twitter Decentralized Pictures (@decentralized_pictures) • Instagram photos and videos Connect more with Katie: Website: https://www.chonacas.com/ Merch and more: https://withkoji.com/@saintkyriaki
Today on the show, we have actor, writer, director Brian Petsos. Brian is the writer director of the new film, "Big Gold Brick" starring Andy Garcia, Oscar Isaac, Megan Fox and Lucy Hale just to name a few.After graduating from art school, Brian Petsos eventually began acting and improvising. While in the conservatory at Chicago's famed SecondCity, he started writing; and later he began making films. Since leaving Chicago for New York City, he has carefully expanded his repertoire to include varying wor ks that he has written, directed, produced, performed in, or some combination thereof.Petsos started his company, A Saboteur, with the mission of producing innovative, original, boundary - pushing films that challenge traditional expectations and underline artistic integrity. His work has run the gamut, from short form content on HBO and spots for commercial clients, to full - length feature films and writing scripts for major studios.But today he is primarily focused on writing, directing, and producing his own distinctly flavored work. Petsos's highly anticipated feature debut, BIG GOLD BRICK, will be released by Samuel Goldwyn Films in North America in winter of 2022.The film recounts the story of fledgling writer Samuel Liston (Emory Cohen) and his exper iences with Floyd Deveraux (Academy Award nominee Andy Garcia), the enigmatic middle - aged father of two who enlists Samuel to write his biography.Golden Globe winner Oscar Isaac, Megan Fox, Lucy Hale, and Shiloh Fernandez round out this incredible cast in key supporting roles. The film was written and directed by Petsos, and produced by Petsos and Greg Lauritano under Petsos's A Saboteur banner, with Executive Producers Isaac and Kristen Wiig.Prior to BIG GOLD BRICK, Petsos wrote, directed, and produced the highly lauded LIGHTNINGFACE (starring Isaac, executive produced by Isaac and Wiig; lightningface.com). The film was an Official Selection of over 30 festivals around the world — including the 60th edition of the BFI London Film Festival, among other high lights.It received a Best Actor nomination for Isaac at the 2017 Vaughan International Film Festival and a nomination for Best Narrative Comedy at the 2016 Miami short Film Festival, and it was the winner of both the Vortex Grand Prize at the 2016 Rhode I sland International Film Festival and Best Short Film at the 2016 Filmfestival Kitzbühel.The film premiered online in summer of 2017 as a highly coveted Vimeo Staff Pick and received an abundance of press coverage — from The Hollywood Reporter to The Huffin gton Post, from Indiewire to /Film, to Slate, BuzzFeed, Gizmodo, Film Threat, Nerdist, and many other outlets globally — which ignited virulent enthusiasm and a continuing flurry of social media chatter.Film School Rejects referred to it as, “Quite simply one of the most intriguing short films of 2017,” adding that, “if LIGHTNINGFACE is eligible for an Oscar Nomination...the other contenders should look out.”Brian and I had a very raw and open conversation about how difficult it was to get this project.Big Gold Brick recounts the story of fledgling writer Samuel Liston and his experiences with Floyd Deveraux, the enigmatic middle-aged father of two who enlists Samuel to write his biography. But the circumstances that lead up to this arrangement in the first place are quite astonishing—and efforts to write the biography are quickly stymied by ensuing chaos in this darkly comedic, genre-bending film.We really get into the weeds about how difficult it was for them to get it going off the ground. Just because he had major talent involved doesn't mean that it got any easier getting the budget together and so many other little gems.Enjoy my conversation with Brian Petsos.
This episode features animator, artist, and director, Laurie Rowan, who is renowned for his quirky, loopy, and cute 3D animation style. Over the years clients like Google, the BBC, MTV, and others have commissioned custom pieces from Rowan. He's also racked up numerous accolades including a Children's Bafta win, a Lovie Award, and the super-coveted Vimeo Staff Pick. In this chat Rowan shares how he left his job to pursue is own animation style, which went viral on social media, launching his independent career. You'll also learn: *How to brand yourself as an independent artist to get noticed by big brands *What gave Rowan the courage to break away from mainstream animation and do his own thing *The post that made Rowan go viral (and how you can recreate it) ~[Sponsored Message]~ This episode is sponsored by Cloud Stop Motion who've created possibly the easiest way to start animating from your phone, tablet, laptop, or desktop in seconds. Simply go to www.cloudstopmotion.com and click "start animating". Their software works in any modern browser and your files are instantly saved to the cloud. The best part is that they are completely free to use up to 500mb of storage, which is actually quite a lot. They're especially useful if you're teaching a class since you can create an organization account which comes with 2GB of free storage as standard, and allows the creation of unlimited student groups and profiles, all of whose projects and work you can view for yourself from your admin account. Go to www.cloudstopmotion.com to see how easy it is to get started now. ~ Social Links: *Check out Rowan's website: https://www.laurierowan.com/ *Follow Rowan on Instagram: https://www.instagram.com/laurierowan
Today on the show, we have actor, writer, director Brian Petsos. Brian is the writer director of the new film, "Big Gold Brick" starring Andy Garcia, Oscar Isaac, Megan Fox and Lucy Hale just to name a few.After graduating from art school, Brian Petsos eventually began acting and improvising. While in the conservatory at Chicago's famed SecondCity, he started writing; and later he began making films. Since leaving Chicago for New York City, he has carefully expanded his repertoire to include varying works that he has written, directed, produced, performed in, or some combination thereof.Petsos started his company, A Saboteur, with the mission of producing innovative, original, boundary - pushing films that challenge traditional expectations and underline artistic integrity. His work has run the gamut, from short form content on HBO and spots for commercial clients, to full - length feature films and writing scripts for major studios.But today he is primarily focused on writing, directing, and producing his own distinctly flavored work. Petsos's highly anticipated feature debut, BIG GOLD BRICK, will be released by Samuel Goldwyn Films in North America in winter of 2022.The film recounts the story of fledgling writer Samuel Liston (Emory Cohen) and his experiences with Floyd Deveraux (Academy Award nominee Andy Garcia), the enigmatic middle - aged father of two who enlists Samuel to write his biography.Golden Globe winner Oscar Isaac, Megan Fox, Lucy Hale, and Shiloh Fernandez round out this incredible cast in key supporting roles. The film was written and directed by Petsos, and produced by Petsos and Greg Lauritano under Petsos's A Saboteur banner, with Executive Producers Isaac and Kristen Wiig.Prior to BIG GOLD BRICK, Petsos wrote, directed, and produced the highly lauded LIGHTNINGFACE (starring Isaac, executive produced by Isaac and Wiig; lightningface.com). The film was an Official Selection of over 30 festivals around the world — including the 60th edition of the BFI London Film Festival, among other high lights.It received a Best Actor nomination for Isaac at the 2017 Vaughan International Film Festival and a nomination for Best Narrative Comedy at the 2016 Miami short Film Festival, and it was the winner of both the Vortex Grand Prize at the 2016 Rhode I sland International Film Festival and Best Short Film at the 2016 Filmfestival Kitzbühel.The film premiered online in summer of 2017 as a highly coveted Vimeo Staff Pick and received an abundance of press coverage — from The Hollywood Reporter to The Huffin gton Post, from Indiewire to /Film, to Slate, BuzzFeed, Gizmodo, Film Threat, Nerdist, and many other outlets globally — which ignited virulent enthusiasm and a continuing flurry of social media chatter.Film School Rejects referred to it as, “Quite simply one of the most intriguing short films of 2017,” adding that, “if LIGHTNINGFACE is eligible for an Oscar Nomination...the other contenders should look out.”Brian and I had a very raw and open conversation about how difficult it was to get this project.Big Gold Brick recounts the story of fledgling writer Samuel Liston and his experiences with Floyd Deveraux, the enigmatic middle-aged father of two who enlists Samuel to write his biography. But the circumstances that lead up to this arrangement in the first place are quite astonishing—and efforts to write the biography are quickly stymied by ensuing chaos in this darkly comedic, genre-bending film.We really get into the weeds about how difficult it was for them to get it going off the ground. Just because he had major talent involved doesn't mean that it got any easier getting the budget together and so many other little gems.Enjoy my conversation with Brian Petsos.
Bobby Miller is a writer + filmmaker known for making genre-bending comedies. His short film TUB and feature debut THE CLEANSE add horror and fantasy to the mix. The films' world premiered at Sundance and SXSW and have screened at film festivals worldwide. THE CLEANSE was released in theaters by Sony Pictures in 2018 and made RottenTomatoes Top 10 Best-reviewed horror films of 2018 list. It also earned several Fangoria award nominations including “Best First Feature”. He followed it up with directing, and executive-producing CRITTERS ATTACK, a reboot of the cult horror/comedy franchise, for Warner Brothers Home Video & SY FY in 2019. Shortly before that, he wrote/directed the comedy short film: END TIMES, which played Fantastic Fest, Fantasia, and film festivals worldwide, winning several awards and premiering online as a Vimeo Staff Pick. He's also written for animated television shows such as SUMMER CAMP ISLAND for Cartoon Network and STAR VS THE FORCES OF EVIL for Disney TV. Outside of his Film/TV work, he's been a digital comedy producer for places like BuzzFeed, SuperDeluxe, MTV, SoulPancake, and Google. He's currently writing his first novel.
For the past 9 years, Hannah's mission has been to learn firsthand the many languages of filmmaking so she can communicate with her cast and crew and create engaging stories. This challenge has seen her working with a variety of storytelling mediums including live-action, hand-painted and computer animation, stop motion, and puppetry. Hannah has directed, shot, edited, and animated music videos, fashion films, and award-winning short films. After gaining a Bachelor of Film Production she moved straight into editing and designing live-action and animated television commercials at PostBox Sydney. Since then she has collaborated with various production and post-production companies such as Film Boldly, The Gingerbread Man, and Medium Rare for an eclectic array of clients including Universal Music, 604 Records, Nike, Qantas, Vogue, Coles, Sydney Dance Company, and The Brandenburg Orchestra. Her dedication and reputation for storytelling catapulted her from Sydney to Melbourne, New York, Paris, and Barcelona, settling in Vancouver. Five of her shorts have been selected to screen in international film festivals such as VIFF, Flickerfest, and Big Sky Documentary Film Festival. She has been awarded Best Editing at VWIF, People's Choice at UK Indie Festival, a Vimeo Staff Pick, the MINT Spirit Award, and the chance to take part in TedX Sydney as well as the Berlinale Talent Development program in Germany. Hannah finds new ways to tell stories and form connections with the world around her through painting and short stories, traveling all over in search of adventure, knowledge, and conversations with as many fascinating people as she can find. Watch Hannah's films, music videos, documentaries, and other creative projects. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/americanfilmmaker/support
Joining Paul Webster this time around... Ross Killeen and Narayan Van Maele. Ross talks with us for a second time on the podcast, along with his exceptional DOP Narayan, chatting about what is sure to be one of the year's most popular cinema going experiences "Love Yourself Today." The film centres around the music of Irish singer/songwriter Damien Dempsey but also turns the lens on his fans. Love Yourself Today is an emotive celebration of modern spirituality and the power of music to heal. Ross Killeen is a Director and runs two very successful production companies; Event Junkies and Motherland. Ross set up Motherland, a collective of Directors, Producers and Editors, producing commercials, films and documentary to find depth, poetry and inspiration in unexpected places. The meticulous preparation he puts into every project can be felt in the comfort of his subjects, who tell their stories with pride. This is evident in abundance in his latest work. Ross's own work has won a number of awards, from Kinsale Sharks to ICADs and a Vimeo Staff Pick. 99 Problems Ross short film, is received its premiere at The Virgin Media Dublin International Film Festival. This marks his feature debut. What a film it is. In 2009 Narayan graduated from the Irish National Film School with a First Class Honours in Cinematography. Feature film credits include GUTLAND, starring Frederick Lau and Vicky Krieps, ‘You Are Not My Mother' a psychological horror feature film is premiering at TIFF MIDNIGHT MADNESS in 2021. Clair Dix's ‘Sunlight' is currently in post production. Next feature is Ian Hunt Duffy's ‘Double Blind' scheduled to start shooting early 2022. Check out some of his work on here: narayanvanmaele.com 'Love Yourself Today' premiered at the Galway Film Fleadh 2021 to a standing ovation and is coming to cinemas in Ireland on 5th of November 2021. If you'd like to support the show you can subscribe on Headstuff+ or visit BuyMeACoffee.com/fni and Purchase us a coffee or become a member. Becoming a member has lots of cool perks. Including cool free tickets and events for members only!!! Fni Wrapchat is sponsored by Film Equitpment Store, Wildcard Distributiion and Octovid. Produced by Larry McGowen at the Podcast Studios Dublin. Our new Acting and Performance series of classes are now available for free, which you can now apply for on www.WeAreFni.com Character & Self with Ewen Bremner https://www.imdb.com/name/nm0001971/ 4 Days, 2×2 hours over video call, over two weekends this December will launch soon with Screen Skills Ireland, Roscommon Co Council, Cavan Arts, Louth County Council and Kildare.ie. This will be FREE but in order to attend you'll have to fill our application form to apply. 12 people max class. Weekend classes #WeAreBack #WeAreFni #WeAreEncouraging #WeAreFni Learn more about your ad choices. Visit megaphone.fm/adchoices
Joining Paul Webster this time around... Ross Killeen and Narayan Van Maele. Ross talks with us for a second time on the podcast, along with his exceptional DOP Narayan, chatting about what is sure to be one of the year's most popular cinema going experiences "Love Yourself Today." The film centres around the music of Irish singer/songwriter Damien Dempsey but also turns the lens on his fans. Love Yourself Today is an emotive celebration of modern spirituality and the power of music to heal. Ross Killeen is a Director and runs two very successful production companies; Event Junkies and Motherland. Ross set up Motherland, a collective of Directors, Producers and Editors, producing commercials, films and documentary to find depth, poetry and inspiration in unexpected places. The meticulous preparation he puts into every project can be felt in the comfort of his subjects, who tell their stories with pride. This is evident in abundance in his latest work. Ross's own work has won a number of awards, from Kinsale Sharks to ICADs and a Vimeo Staff Pick. 99 Problems Ross short film, is received its premiere at The Virgin Media Dublin International Film Festival. This marks his feature debut. What a film it is. In 2009 Narayan graduated from the Irish National Film School with a First Class Honours in Cinematography. Feature film credits include GUTLAND, starring Frederick Lau and Vicky Krieps, ‘You Are Not My Mother' a psychological horror feature film is premiering at TIFF MIDNIGHT MADNESS in 2021. Clair Dix's ‘Sunlight' is currently in post production. Next feature is Ian Hunt Duffy's ‘Double Blind' scheduled to start shooting early 2022. Check out some of his work on here: narayanvanmaele.com 'Love Yourself Today' premiered at the Galway Film Fleadh 2021 to a standing ovation and is coming to cinemas in Ireland on 5th of November 2021. If you'd like to support the show you can subscribe on Headstuff+ or visit BuyMeACoffee.com/fni and Purchase us a coffee or become a member. Becoming a member has lots of cool perks. Including cool free tickets and events for members only!!! Fni Wrapchat is sponsored by Film Equitpment Store, Wildcard Distributiion and Octovid. Produced by Larry McGowen at the Podcast Studios Dublin. Our new Acting and Performance series of classes are now available for free, which you can now apply for on www.WeAreFni.com Character & Self with Ewen Bremner https://www.imdb.com/name/nm0001971/ 4 Days, 2×2 hours over video call, over two weekends this December will launch soon with Screen Skills Ireland, Roscommon Co Council, Cavan Arts, Louth County Council and Kildare.ie. This will be FREE but in order to attend you'll have to fill our application form to apply. 12 people max class. Weekend classes #WeAreBack #WeAreFni #WeAreEncouraging #WeAreFni
In Love with the Process | Filmmaking | Photography | Lifestyle |
"I want to be a great commercial director!" The commercial world beats you up as a Director, so how do you keep the passion up and survive? Director Ron Brodie has an insane wealth of knowledge from directing commercials for huge brands like Aflac to getting a Vimeo Staff Pick to working with the biggest names in media. Understanding what kind of people you want to work with and, more importantly, the kind of person you want to be will help you leave an impression as a Creative. Ron and Host Mike Pecci discuss their experience in the commercial world, creating their individual styles, and the importance of perspective in a creative career. Check out Ron Brodie's website: https://ronbrodiecreative.com/ Mike Pecci's IG: instagram.com/mikepecci ILWP's IG: instagram.com/inlovewiththeprocesspod ILWP Subreddit: www.reddit.com/r/inlovewiththeprocess Check out the Empire Podcast with Tarantino and Edgar Wright: https://www.empireonline.com/movies/news/empire-podcast-edgar-wright-and-quentin-tarantino-in-conversation/ Grab a T-Shirt from www.movitees.com/ and use PROMO CODE: ILWP to get 10% off! Yell at Spotify here to allow you to rate podcasts: community.spotify.com/t5/Ideas/ct-p/newideas Email us to see 12KM: inlovewiththeprocess@gmail.com The Episode is Sponsored by: EV: www.electrovoice.com Puget Systems: puget.systems/go/inlovewiththeprocess Puget Systems Consultation: www.pugetsystems.com/landing/Puget-…_hsmi=86870814 Quasar Science: www.quasarscience.com/ Industry Jump IG: www.instagram.com/industryjump/ Industry Jump: www.industryjump.com/ Support our show by signing up for a 30 day free trial at www.audibletrial.com/InLoveWithTheProcess
I spoke to Grace Bridger and Runyararo Mapfumo who are a producer / director duo that work together under the banner DessyMak films and have made a number of short films through that company. They have their own careers separately and we talk about both of them, but that producer-director relationship is such a unique thing and so I was keen to ask them about how they formed that bond and what their journey together has been like! Their short film MASTERPIECE premiered at the BFI London Film Festival in 2017 and was selected as a Vimeo Staff Pick. Grace then went on to develop and produce DAWN IN THE DARK, written and directed by Runyararo, which was supported by BBC Films and BFI NETWORK and which premiered at BFI London Film Festival 2019 and has also been selected for festivals such as Encounters Film Festival, Underwire Festival and the Norwich Film Festival. Grace then produced Runyararo's BBC and Google Arts commissioned short SENSATIONAL SIMMY which was released and broadcast on BBC and BBC iPlayer and then Grace developed and secured funding from Uncertain Kingdom for Runyararo's documentary WHAT'S IN A NAME? which was released as part of an anthology of films aiming to provide a portrait of contemporary UK. Grace is originally from Perth in Australia, and has most recently worked on a number of films with producer Tracy O’Riordan at Moonspun Films; as a Production Secretary on Clio Barnard’s Ali & Ava, and then as a Producer’s Assistant and Assistant Producer, working in post-production on Hong Khaou’s Monsoon. As well as continuing to work with Runyararo, Grace is also currently working with Producer Fiona Lamptey as Post Production Supervisor on four Sci-Fi short films supported by Film4. Meanwhile Runyararo is currently developing her debut feature film and has recently finished directing block 2 of Netflix’s Sex Education, Season 3. We talk about their respective career paths, setting up their own production company, the learning curves along the way and how they’ve supported each other, we also chat about making shorts, transitioning to bigger projects, making career pivots and asking stupid questions. This is episode 77 of Best Girl Grip.
The scene: New York City, The Ludlow Hotel’s Dirty French restaurant. The year: 2015 Across the table sat the guest of this episode and a dear friend of ours. The other side of the table - the LOA gals. In typical fashion, Holli and Jeanna were opining upon just about anything and everything up for discussion. Animated, passionate, and full of thoughts and opinions Holli and Jeanna collaboratively shared who to solve all problems, avoid all problems and the full range of dating advice any beautifully talented 20 year old might need. Shocking to you all, I bet. At some point that evening, amongst many shenanigans in SoHo, our guest looked at us and said ‘You two should do a podcast!!’ That’s right, our guest this episode was the inspiration (or the person to blame :) for the LOA Uncorked podcast - this episode is a full circle moment, for sure! Who is this brilliant person, you ask? Naz Riahi is a writer and director. Her short film Sincerely, Erik was chosen as a Vimeo Staff Pick and won a Vimeo Best of the Year Award. It has garnered praise from Brooklyn Academy of Music (BAM), Fast Company, Los Angeles Review of Books and Subway Book Review among numerous publications and cultural institutions. Her second short film in the series, Andros in the City, explores gentle masculinity and hope amidst the pandemic. Her essays, fiction and journalism have been published widely in Food & Wine, Catapult, Longreads, Guernica, The Fader and Atelier Doré among other publications. Naz is currently writing and directing a third short film to complete the trilogy and is working on a TV show. In addition to her creative practice, Naz has had an illustrious career as a creative, strategy and culture marketer for various clients, including MIT Media Lab, Levi’s, Veronica Beard, Dr. Loretta Skincare, Dig In, the CW, CBS, and many others. She is also the founder of Bitten, a notable events series that positioned food as a pillar of culture. She lives in Brooklyn, New York, with her dog Hugo. And, Holli is her aunt! We were honored to have had the privilege of interviewing Naz and can’t wait for our listeners to be inspired by her, her story and accomplishments (past and future)! LOA Uncorked Uplevel Assignment: Please click on the titles above to watch Naz’s films and familiarize yourself with Bitten Podcast Reference: You can find Naz on social @NazRiahi photo credit @memoriesofbrooklyn As always, thanks for listening and we look forward to sharing more LOA badassery conversations with you! Please consider leaving a review and subscribing or dropping us a note to say hi and share your thoughts. www.loauncorked.com l loauncorked@gmail.com I Insta: @loauncorked I FB: loauncorked
This week, we chat with Gillian Wallace Horvat, a Los Angeles-based filmmaker, writer, and film programmer about her new film I BLAME SOCIETY. I BLAME SOCIETY is Gillian's feature film debut; previous projects include KISS KISS FINGERBANG, which was awarded the Jury Prize in the Midnight Shorts category at the 2015 South by Southwest Film Festival, and a Vimeo Staff Pick. She has also produced several documentaries and is a guest columnist for Filmmaker magazine. I BLAME SOCIETY is available to watch on demand February 12!
In this episode we speak with Ivan Olita, who’s character could be identified as a contemporary Bruce Chatwin. Forcing himself to only dress in black and live out of a carry-on, he sees his real home not in a house but in the thousands of roads he walks.With one foot stateside in Los Angeles and the other in his native Italy, the filmmaker and creative director confidently moves between the worlds of cinema, art and fashion by successfully consulting for top tier brands and publications while pursuing his own personal research and development as a talented documentarian trained at Werner Herzog’s Rogue film school.The production company he founded, BRAVÒ, is spread across the globe with a team of seven creatives that deliver premium doc-formats for both commercial and editorial purposes. He is a Vimeo Staff Pick regular and his most recent projects have been featured on Nowness, National Geographic, The Atlantic, Director’s Notes, Short Of The Week, W Magazine, Aeon, Dazed, Vogue, and The New Yorker. In this episode we discuss:Ivan shares his career journey to date and how he founded BravoCreative process and where Ivan finds InspirationWerner Herzog filmmaking techniquesInforming narrative with factsDeveloping a feature and the inspiration for the narrativeTips for young creatorsImportance of mentorship
Kurt is a director and videographer based in Detroit, Michigan with a passion for creating. His desire to tell visual stories started early, but his decision to pursue video work as a full-time profession is not like many others. At the end of Kurt's college career, he paired up with his now co-founder to develop videos for commercial clients. Kurt is now the co-founder of Eightfold, a production agency in the Midwest creating work for Pure Michigan, Porsche, GMC, Dodge and Wells Fargo. Their team has also produced narrative shorts such as Speed, which received a Vimeo Staff Pick. Kelsey and Kurt discuss how he found his desire to pursue videography (2:10), how he and his partner have been to tap into local Midwest industries (6:35), what opportunities Michigan has provided him (9:40), what being a collaborative group of artists means for his company (13:06), how their clients appreciate their production sets (16:34), why they continue to market their stills photography campaigns (19:14), his prediction for the future of branded campaigns (21:56), their short film “Speed” and his desire to write narrative work (25:12), and his proudest moment (30:50). --- Send in a voice message: https://podcasters.spotify.com/pod/show/creativefirst/message
Constanza and Domenica Castro are sister filmmakers from Mexico City and founders of 271 Films, a creative production company based in Los Angeles. Collectively, their worked has garnered over 2 billion views and they’ve produced numerous award-winning videos, short films, and commercial content that have been featured on MTV, Billboard, The New Yorker Screening Room, Nylon, Vice, Vimeo Staff Pick, Short Of The Week, and MTV Clubland, BET Networks. They have produced content for world-renowned brands such as Gillette, TopGolf, Nuu Mobile, Rothy’s, Viacom, Coca-Cola, Under Armour, New Balance, Tumi, and Abbot Nutrition. Their work with Sandwich Video for Rothy’s, a sustainable shoe company, got featured in AD WEEK. Their latest work can be caught on BET as they did some promos for BOOMERANG, with Lena Waithe. Their latest narrative project, Brittany Snow’s directorial debut, MILKSHAKE can be seen at film festivals through 2020 and premiered online Nylon.com. They’ve produced music videos for artists Becky G, Die Antwoord, Boogie, Lil Jon, and One Ok Rock. Their films have played festivals worldwide, including AFI Fest, Tribeca, Berlin, Sarasota FF, Palm Springs, Seattle FF, Austin FF, Rhode Island FF, New Hampshire FF, Newport FF, Atlanta FF, Nantucket FF, Hollyshorts, Nordisk Panorama, and many others, as well as the prestigious Tribeca Chanel THROUGH HER LENS program. They are drawn to stories that put a spotlight on marginalized communities, question the status quo, push boundaries and provoke, inspire and entertain the audience. Their MO is to do things RIGHT. Can't wait to hear what you think of this week's episode! Beijos, Caca
This week, we chat with Kim Tran, a first-gen Vietnamese writer, director and comedian who once rode her bike from Texas to Alaska. Her films have been official selections of SXSW, Palm Springs ShortFest and Short of the Week. Her film Zoe and Hanh recently earned a Vimeo Staff Pick. She received the Michener Fellowship to pursue her MFA in Screenwriting and Playwriting at the University of Texas at Austin. As a writer, she has written for Amy Poehler's Smart Girls, was a semifinalist for the Humanitas, NBC and Disney writing programs and a finalist for the HBO Pitch Competition at the Women in Comedy Festival. In her work, she explores messy Asian American women trying to find their way in the world. Since we chatted with Kim, some exciting updates have come up! Kim was awarded a development grant from the Austin Film Society to develop Zoe and Hanh into a feature film. The short played at Palm Springs Shortfest and will be playing at Hollyshorts.
Episode LinkPreviewIf you would have asked today’s guest if he would be behind the camera and directing very impactful films years ago, he would have laughed. Specializing in documentaries and focusing on the heroes that are the subjects of them, Nick Cavalier’s career has led him to film festivals like Cleveland and SXSW, numerous awards, and even a Vimeo Staff Pick. Today, he talks about his progress, inspirations, and challenges he has endured getting to where he is. We conclude Director’s Month 2020 with Nick Cavalier.Talking Points-How he turned to art as an escape and how that led to filmmaking-Finding yourself through filmmaking-His journey from struggling during the Recession to success in LA-Filming commercial compared to narrative-Why documentaries are seen as the “ugly redheaded stepchild” of film-The type of director Nick is (crew-centered or talent-centered)-Filming with smaller crews compared to bigger ones-Where Nick derives inspiration-Executing ideas-His views on spec work-What the next few months hold for filmmakers-How Nick has been handling the COVID-19 Crisis-What stories he likes telling the mostSocial MediaFacebook: Nick Cavalier - DirectorIG: nickcavalierTwitter: @nickcavalierLink: nickcavalier.comIMDb: Nick Cavalier
Kimmy Gatewood is a director, actor, writer, and producer originally from Maryland. She can currently be seen on the hit Netflix show GLOW and directed an episode of Crazy Ex Girlfriend that the AV Club called "Perfect!" She is currently finishing her first feature, the Untitled Iliza Shlesinger Project. Other television directing includes upcoming episodes of Babysitter’s Club (Netflix), Sesame Street (HBO), Just Add Magic: Mystery City (Amazon), Helpsters (Apple), as well as HYPERLINKED (Disney/YouTube Red), and segments for The Joel McHale Show with Joel McHale on Netflix. Her first short film, CONTROL (written by Alison Becker) made 34 festival appearances, and won 11 awards before becoming a Vimeo Staff Pick. Her follow-up short, Consent (written by Rebekka Johnson,) enjoyed a buzzy 11 festival run, capped with the Best Short win at The Just For Laughs Festival in Montreal. Kimmy also directed the Clio Award-winning Comedy Central digital series Junketeers and several digital projects with Rachel Bloom including LADYBOSS for Vanity Fair and I Don’t Care About Award Shows which opened up the 2017 Creative Arts Emmys. As a performer, Kimmy is a part of the acclaimed musical comedy trio The Apple Sisters, Gravid Water at UCB and she's known to play the trombone for the Paul F. Tompkins band. You've seen her on Conan, The B in Apartment 23, Atypical, and as Stacey Beswick (one of the Beatdown Biddies) on GLOW, - so she can put you in a headlock. www.kimmygatewood.com www.instagram.com/kimmygatewood
Colin Hesterly will be discussing all things animation, including his creative process, what it means to be an animation director, how to find clients, and more. Colin is an award-winning, Tiki Drinkie loving, Jungle Cruise vibin' California native, working as a Director and Illustrator within the animation industry. Inspired by a sense of wonder and nostalgia, his career began as a freelance artist for a variety of companies and brands around the globe. His success as a storyteller led him to produce six animated short films that each garnered a Vimeo Staff Pick. His creative process focuses on the art of 2D Animation and character-driven narrative. With work spanning across a broad range of artistic fields, from TV to Film Titles, Short Films, and Commercials. Moderated by Drew Melton (Founder of Closer&Closer).
Decorre até 30 de Junho o Festival de Annecy, um dos eventos mais importantes do cinema de animação. Das 38 curtas-metragens da selecção oficial, duas são lusófonas. Purpleboy” de Alexandre Siqueira e “A Mãe de Sangue” de Vier Nev que já arrecadou o prémio Vimeo Staff Pick. Purpleboy, de Alexandre Siqueira, é uma história sobre identidade de género. Uma criança que quer ser um rapaz mas que nasceu num corpo feminino. A dor de nascer no corpo errado e o desejo de aceitação… Do realizador Vier Nev, o filme “A mãe de sangue”, que recebeu o prémio Vimeo Staff Pick na edição deste ano do Festival Internacional de Cinema de Animação de Annecy . Um jogo de sombras numa viagem hipnótica em que cada imagem tem dupla significação, numa história que são várias. Uma mulher grávida, um casal de homens, um gato e borboletas. A 60ª edição do Festival Internacional de Cinema de Animação de Annecy decorre até ao final do mês. Este ano, devido à pandemia da covid-19, apenas em formato online.
Courtney Hope Therond is an award-winning director whose films feature an unapologetically female perspective. She has screened short films at several film festivals and her latest short Rehearsal, which tackles the grey areas of consent, premiered online on Short of the Week and received a Vimeo Staff Pick after playing over a dozen festivals internationally. Her film The Dress You Have On won multiple awards including two jury prizes and is distributed by Revry TV and Seed & Spark. Courtney's digital series Comedic Timing was recently acquired by WhoHaHa and the screenplay for her digital series Between Us Girls was a finalist at Austin Film Festival. Courtney is a graduate of NYU and was a Cinereach Film Fellow. After four years in France, she now directs narrative and branded content in Los Angeles and is currently developing her first feature film
In this conversation I chat with actor, writer and director Khyan Mansley (https://www.youtube.com/Khyan).Khyan was one of the early YouTubers, launching his channel in 2009 and releasing sketches and vlogs. He soon built up a following and started to making bigger and more ambitious projects, which eventually led to him writing, directing and starring in his short film The Ministry, The short received a Vimeo Staff Pick and US network TBS (FYI I incorrectly said CBS in the intro) commissioned Khyan to write a script pilot based on The Ministry.Khyan talks about his love for video games and why if he was 15 now he’d consider becoming a pro-gamer. He explains why he got into making videos and how it changed the course of his life. The challenges he was faced with by attempting to make each project he was making on YouTube more ambitious than the last. Khyan breaks down the process of how his short film The Ministry led to him receiving representation from an agency and manager in the US and ultimately a script commission from US network CBS. He also explains the process of packaging, how agencies make a script or project attractive to a network. He describes what the transition was like going from making Youtube videos in his bedroom to finding himself pitching his show to a room full of US TV industry executives. We discuss Khyan's analytical approach to productivity, why he went travelling during ongoing negotiations with CBS and lots more! Happy listening :)Steve - @offkeysteve See acast.com/privacy for privacy and opt-out information.
Presenting the fourth episode of 'Intimate Animation' season 3, brought to you by the online animation magazine skwigly.com Join Skwigly's Ben Mitchell and Laura-Beth Cowley as they explore, discuss and interview the talents behind animation that deals with adult themes of love, relationships and sexuality. In this episode we meet UK-based Polish director/animator Natasza Cetner whose MA graduation film from the Royal College of Art "Nigel" was recently released online as a Short of the Week Premiere and Vimeo Staff Pick to much enthusiasm. Using quasi-traditional 2D animation approaches, the film is an inventive spin on the story of Nigel, a lonely gannet who hopelessly falls in love with a concrete statue. Serving as a reflection of our own misconceptions in love, the film has screened at numerous festivals including LIAF, PSIAF, Anifilm, Animocje, Tricky Women, PÖFF Shorts, Animac and Animateka as well as being written up on outlets including Creative Review, It's Nice That and Director's Notes. Also discussed in this episode: Selected love'n'sex-themed films and event highlights from the recent Anima Festival in Brussels and new shorts to watch out for at the upcoming Cardiff Animation Festival. Presented by Ben Mitchell and Laura-Beth Cowley Interview conducted by Ben Mitchell Produced and edited by Ben Mitchell
Heather Young and Face2Face host David Peck talk about her new film Murmur, loneliness, solitude and quiet desperation, relationships and our desire for love, inclusion and connection with others. Trailer Synopsis:Murmur follows Donna, a sixty-something year-old who is scheduled to perform community service in an animal rescue shelter following a DUI charge. Over time Donna begins to relate to the abandoned animals that surround her and she forms a particular bond with a senior dog that she brings home to prevent from being euthanized. Donna begins collecting other animals from the shelter and buying them online, until her small apartment is over-run and her unchecked compulsion for connection ultimately causes her home and life to fall into further disarray. ‘It is important to me to tell the stories of older women and allow them to be complex, flawed and fully realized characters, the likes of which are rarely depicted in cinema,” says award-winning filmmaker Heather Young of Murmur. “Donna is a difficult character, but hopefully one that will resonate. Her loneliness and addictive nature cause her to act in ways that are at times counterintuitive and destructive but ultimately she is looking for connection -- and that is something that we can all relate to.’ About the Director: Heather Young is a filmmaker originally from New Brunswick now living in Halifax, Nova Scotia. After graduating from the University of New Brunswick and NSCAD University she made several short films. Fish played at festivals all over the world including Palm Springs Shortfest, the Vancouver International Film Festival, Vienna Independent Shorts and TIFF Canada’s Top Ten Festival. FISH was also a Vimeo Staff Pick and won Best Short Film in the NSI Online Short Film Festival.Her latest short Milk had its world premiere at the Toronto International Film Festival (where she also participated in the TIFF Talent Lab), won Best Short Film (Canada) at Festival du nouveau cinema, and played TIFF Canada’s Top Ten, Aspen Shortsfest, the Maryland Film Festival, Edinburgh International Film Festival, the London Short Film Festival, and many others. Murmur is her first feature. Image Copyright: Martha Cooley and Heather Young. Used with permission. F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
Robert Fisk and Yung Chang and Face2Face host David Peck talk about their new film This Is Not A Movie, fake news and journalism, our addiction to social media, complicity, a “dead language”, and something called, “apparent clarity.” Trailer Synopsis: For more than 40 years, journalist Robert Fisk has reported on some of the most violent and divisive conflicts in the world: Northern Ireland, the Balkans, and Syria. Yong Chang’s This Is Not a Movie captures Fisk in action—feet on the ground, notebook in hand, as he travels into landscapes devastated by war, interviewing both combatants and ordinary folk, ferreting out the facts and firing reports back home to reach an audience of millions. As corporations devour independent media, and language becomes a weapon, another less obvious battle is taking place. In an ever-accelerating 24-hour news cycle, the process of translating raw experience into incisive and passionate dispatches requires the determination to see things first-hand and the tenacity to say what others won’t. In his relentless pursuit of the facts, Fisk has attracted his share of controversy. But in spite of the danger, he has continued to cover stories as they unfold, talking directly to the people involved, whether that’s Osama Bin Laden or a young Palestinians woman whose father was recently murdered. Unlike the glamorous films that fueled Fisk’s early ambitions, justice rarely prevails, villains aren’t punished, and there are no tidy endings. As Fisk says, “the truth is that this is not a movie.” About the Director and Robert: Yung Chang is the director of Up the Yangtze, China heavyweight and The Fruit Hunters. He is currently completing a screenplay for his first dramatic feature, Eggplant. In 2015, Chang was selected to participate in the prestigious Sundance Labs for Eggplant. His award-winning short Gatekeeper is a Vimeo Staff Pick and distributed by Field of Vision, Laura Poitras’ curated online film unit. Chang’s films have screened at international film festivals including Sundance, Berlin, Toronto, and IDFA and have played theatrically in cinemas around the world. Up the Yangtze was one of the top-grossing documentary releases in 2008. In 2013, China Heavyweight became the most widely screened social-issues documentary I Chinese history with an official release in 200 Chinese cinemas. His films have been critically acclaimed, receiving awards in Paris, Milan, Vancouver, San Francisco, the Canadian Screen Award, Taiwan Golden Horse, Cinema Eye Honors, among others and have been nominated at Sundance, the Independent Spirit Awards and the Emmys.Chang's films have been shown on international broadcasters including PBS, National Geographic, ARTE, ZDF, Channel 4, HBO, TMN, NHK, CBC, Bell Media, TV2, SBS, RTS and EBS. He's received funding from major organizations like Sundance Institute, BRITDOC, Telefilm, SODEC, Hot Docs, National Film Board and Canada Council for the Arts. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award. He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences, the organization behind the Academy Awards. Up the Yangtze and The Fruit Hunters were co-produced by the National Film Board and Eyesteel film. Robert Fisk is the most famous foreign correspondent in Britain, according to The New York Times. He is the Middle East correspondent of the London Independent and has won more than 20 major British and international journalism awards for his reporting from the region. He is the author of several bestselling books, including Pity the Nation, an eyewitness account of the Lebanese Civil War, and the historical volume The Great War for Civilisation: The Conquest of the Middle East. In 2006, he was awarded the prestigious Lifetime Achievement Prize for Cultural Freedom from the Lannan Foundation. First for The Times of London and then for The Independent, Fisk has been reporting from the Middle East for nearly 40 years, covering everything from the Lebanese Civil War in the 1980s to the Israeli invasions of Lebanon. He was among the first Western journalists to report the massacre at the Palestinian refugee camps of Sabra and Shatila. He also witnessed and reported from the Iranian Revolution (1979), the Soviet invasion of Afghanistan (1979), the Iran-Iraq War (1980–1988), the Algerian Civil War (1990–1998), the US-Iraqi Gulf War (1991), the Bosnian and Kosovo conflicts (1992–1995, 1998), the American attack on Afghanistan (2001), and the US invasion of Iraq (2003). He covered many of the 2011 Arab revolutions, especially Egypt, and is today reporting from the civil war in Syria. He is the only journalist to have interviewed Osama bin Laden three times—first in Sudan and then in Al-Qaeda’s secret camps in Afghanistan. Born in England in 1946, Fisk holds a BA in English and Linguistics from Lancaster University in the UK, and a PhD in Politics from Trinity College, University of Dublin. He has received 17 honorary doctorates from British, Canadian, and other universities. He is a frequent broadcaster and lecturer around the world. Fisk is the author of five books, including two works on Irish history, one of them an account of Irish neutrality in the Second World War; it remains a bestseller. Outside of the Middle East, Fisk has written and lectured extensively on the First and Second World Wars. He was the first Englishman to be invited to give a lecture to the families of Irish Catholics killed by British soldiers on Bloody Sunday. He remains based in Beirut as The Independent’s Middle East correspondent and is currently working on a new history of the region called Night of Power. Image Copyright: TINAM Inc. and the NFB. Used with permission. F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
My guest this week is the very well-named Nicole Dorsey, a filmmaker who splits her time between Toronto and LA. Her work has screened internationally and her debut feature film Black Conflux - a haunting exploration of womanhood, isolation, and toxic masculinity, set in 1980s Newfoundland - premiered at this year’s TIFF. She has several short films to her name including Arlo Alone which was a Vimeo Staff Pick and she also makes commercials for clients like Nike, Redbull and Nestlé. We spoke about the challenges inherent in moving from shorts to features, including maintaining tone and getting funding, the necessity of living frugally as a filmmaker, participating in TIFF’s Filmmaker Lab this year and the influences behind her debut feature Black Conflux from Paul Thomas Anderson to Andrea Arnold. I really enjoyed my conversation with Nicole, she was very down-to-earth and has fantastic taste in movies, so without further adieu, this is episode 36 of Best Girl Grip.
Marc Donahue broke into the creative industry over 7 years ago with his project Dream Music II which has gathered over 2.2 million views to date on YouTube. Since then, he has made strides in the stop motion and hyper-lapse niche.
At Sundance 2019 George Edelman spoke with actor/writer/director/comedian Andre Hyland about how he built his career from DIY roots to starring in A24's 'The Death of Dick Long' and writing/directing his own short 'Old Haunt', an official Sundance selection and Vimeo Staff Pick.
@Benn is an up and coming filmmaker who recently was chosen by Vimeo as a staff pick for his project: Nomad. Ben is a Canadian born creative who now calls California home as he works on surf films and commercial projects alike.
Impact Zone Surf Podcast, le podcast français 100% surf. Saison 2 - Episode n°9. Enregistré le 29 mai 2019 Animation : Romain Ferrand / Rémi Chaussemiche Réalisation technique : Fred de Bailliencourt Invité : Damien Castera, à l’occasion de la sortie de son livre Du Flocon A La Vague REFERENCES CITEES DANS L'ÉMISSION Société des Explorateurs Français : http://www.societe-explorateurs.org/ Múkùné (surf au Libéria avec Arthur Bourbon, Vimeo Staff Pick) : https://vimeo.com/295751086 Clip Odisea Alaska (ép.1) https://www.youtube.com/watch?v=zL-hJr31U_Q Clip Odisea France : https://vimeo.com/309282410 Film Picture Zabarbast : https://www.youtube.com/watch?v=AkigzUFr3ys Association Du Flocon A la Vague - la Water Family : https://waterfamily.org/ Into The Wild : http://www.allocine.fr/film/fichefilm_gen_cfilm=110101.html MUSIQUES : Musique 1 : Josh Garrels - Revelator Extrait de “The Last Frontier”, de Damien en Alaska (2013) : https://vimeo.com/80878201 Musique 2 : Yothu Yindi - Djäpana : https://www.youtube.com/watch?v=d_BepHw9lzE Extrait de Green Iguana de Jack McCoy (1992) Green Iguana dispo en VOD sur https://vimeo.com/ondemand/thegreeniguana/208393553 (Damien avait utilisé ce morceau il y a quelques années dans l’un de ses clips https://www.youtube.com/watch?v=wNct9BMjR_c) > Suivez Damien sur sa page Facebook www.facebook.com/DamienCastera64 et son compte Instagram instagram.com/damiencastera Livre Du Flocon A La Vague - Damien Castera & Greg Rabejac (Editions Atlantica, mai 2019) : Prix: 22.00 € - Format: 17x24 cm -184pages : http://www.atlantica.fr/livre/22229 Retrouvez-nous également sur Spotify : open.spotify.com/show/2xEu82bAJTfg27jyyRb4vp et iTunes : https://podcasts.apple.com/fr/podcast/impact-zone-surf-podcast/id1458135003 mais aussi sur : facebook.com/ImpactZoneSurfPodcast instagram.com/impactzone.podcast twitter.com/impactzoneradio Rejoignez la Fantasy League « Impact Zone Surf Podcast » sur le site de la WSL ! mct.fantasy.worldsurfleague.com/group/95216 mot de passe : ImpactZone
…on the importance of personal work. James Curran is an animation director and designer living in Los Angeles California by way of Nottingham, England. Going by the moniker of SlimJim Studios, he’s created work in his distinctive illustration and animation style for clients including eBay, Samsung, T-Mobile, Disney XD and more. His work has been a Vimeo Staff Pick, a Vimeo Awards finalist and shortlisted for the South by Southwest Excellence in Title Design Awards. James joins the show for a conversation about making fun of himself through animation, meme culture and credit and creating “gifathons."
Filmmaker, Commercial DP, Photographer, Adventurer, and man of many talents Steve Rokks joins the podcast to talk about how he went from a kid growing up in Long Island with a fascination for jazz drumming, to dreams of a Navy Seal career, to working as an engineer, to a job in the music industry in Dallas working with labels like Def Jam and artists like Snoop Dogg and Ice Cube, to editing videos on the side for a filmmaker friend, to finally finding himself behind the camera focused on his current career of commercial DP and documentary filmmaker. From his earliest years that he can remember, Steve was always inspired by the work ethic and DIY attitude of his father. It's a thread he's taken through his own life of "when a door opens, go through it and see what you can make of it". He applied it through his younger years of making music, through the opportunity he was presented to work as a sound engineer, and finally to working as a filmmaker. We talk about what goes into that mind set and where it comes from, and the sometimes random curve balls life throws at you that you can knock out of the park if you are willing to swing at them. During our conversation Steve discusses how he found climbing in high school, when the name Steve Rokks came about, his latest short film "The Art of Living" that was selected as a Vimeo Staff Pick, how he balanced life as a commercial DP with the personal projects he sets out to create, and the advice he gives to other creatives coming up in this world. To Learn More About Steve Rokks Visit: http://steverokks.com And Follow Him on Instagram At: https://www.instagram.com/steverokks/ To Watch The Art of Living Visit: https://vimeo.com/299726072 To Learn More About Visual Revolutionary Visit: http://www.visualrevolutionary.com And Follow on Instagram At: https://www.instagram.com/visualrevolutionary/
Ross Killeen runs two very successful production companies; Event Junkies and Motherland. With Event Junkies, Ross's pitch was simple; a one-stop shop for all their clients' production, shooting and editing needs, with a quick turnaround, creating better content, faster. Based on the success of this company, Ross set up Motherland, a collective of directors, producers and editors, producing commercials, films and documentary. http://motherland.ie/director/RossKilleen Ross's own work has won a number of awards, from Kinsale Sharks to ICADs and a Vimeo Staff Pick. His latest film, 99 Problems is receiving its premiere at The Virgin Media Dublin International Film Festival this weekend. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ross Killeen runs two very successful production companies; Event Junkies and Motherland. With Event Junkies, Ross's pitch was simple; a one-stop shop for all their clients' production, shooting and editing needs, with a quick turnaround, creating better content, faster. Based on the success of this company, Ross set up Motherland, a collective of directors, producers and editors, producing commercials, films and documentary. http://motherland.ie/director/RossKilleen Ross’s own work has won a number of awards, from Kinsale Sharks to ICADs and a Vimeo Staff Pick. His latest film, 99 Problems is receiving its premiere at The Virgin Media Dublin International Film Festival this weekend.
#072 - Levi Allen is an adventure filmmaker. In this episode we talk about how his short film Untethered got a Vimeo staff pick, which lead to the film being distributed internationally, but then how he fought back for the rights to have it free and public again.We also talk about how to build up a client business from scratch and why your personality is an important reason why people subscribe to your YouTube channel.In this episode we talked about:01:07 - Introduction02:01 - Untethered getting a Vimeo Staff Pick13:46 - After Untethered's success & tempering expectations17:55 - Distribution & owning your work25:43 - Why were are bad YouTubers29:39 - Letting your personality show33:25 - Titling & thumbnail tips for Youtube38:26 - Being open with other creators44:16 - Landing your first clients
Of course, anything that one values to the point of occupying the lion's share of his/her thoughts, time, talent, treasure, and energy can also be considered their idol. God will not compete with idols, nor can He bless a life that—for all intents and purposes—puts a greater value on the created than the Creator. Have our kids become the social animals that God never intended them to be? A graduate of the American Film Institute Conservatory, Jonathan Green's documentary and scripted films have screened at various domestic and international festivals including Barcelona, Cyprus, SXSW, and Cannes. His short documentary The Birth of the Camera Phone premiered on the National Geographic short film showcase and was selected as a Vimeo Staff Pick. He also received a Webby Award for his two interactive short films journaling the struggle of children victimized by the African AIDS pandemic. Currently, Jonathan helms Subconscious Films, the original content banner of Conscious Minds, developing both documentary and scripted projects across multiple genres. The Risks and Rewards of Instagram and How Parents Can Navigate Them Jonathan Green's latest short film, Social Animals, explores the great influence of Instagram on the younger generation. Instagram is currently the juggernaut of the social media field, which prompted him to make it the focus of his new film. Most teenagers today were not introduced to social media and the idea of rapidly sharing pictures with each other; rather this was the world they were born into. The goal of the film is to view the ways in which Instagram can bring people together and create a community, while also exploring some of the dark areas and hidden risks of the social media giant. Bullying is one of those hidden risks that teenagers experience via Instagram, or any digital communication for that matter. There seems to be this empathetic disconnect that comes into play once someone is writing from behind a screen. Digital bullies say things to people they would never feel comfortable saying directly to that person's face. When people are cruel to each other in the real world, they have to see a person's expression and recognize the cruelty they just inflicted upon them. The digital world removes that humanitarian aspect and empowers bullies to say the cruelest things possible, without having to process the pain they inflicted on another human being. There are, of course, other dangers within Instagram, but it may not be so simple to discount the social platform as a whole. After all, direct messaging on Instagram is not all that different than texting. Instead of writing off Instagram, which is simply a tool, it may be more beneficial to instill certain virtues in teenagers that will carry through to the digital world. Even still, the innovations of Instagram and other social media are outpacing our ability as parents to decide how to manage it. It takes longer to evaluate the psychological and spiritual impact that social media is having on our kids than it does to develop and introduce new communication tools. It's for this reason that parents need to decide if, and how quickly, they want to introduce their kids to these social media platforms. Episode Highlights: An introduction to the short film, Social Animals. Why does bullying seem to come so easily across digital media? How parents can combat some of the risks associated with Instagram usage. Picture via: Pxhere
Of course, anything that one values to the point of occupying the lion's share of his/her thoughts, time, talent, treasure, and energy can also be considered their idol. God will not compete with idols, nor can He bless a life that—for all intents and purposes—puts a greater value on the created than the Creator. Have our kids become the social animals that God never intended them to be? A graduate of the American Film Institute Conservatory, Jonathan Green's documentary and scripted films have screened at various domestic and international festivals including Barcelona, Cyprus, SXSW, and Cannes. His short documentary The Birth of the Camera Phone premiered on the National Geographic short film showcase and was selected as a Vimeo Staff Pick. He also received a Webby Award for his two interactive short films journaling the struggle of children victimized by the African AIDS pandemic. Currently, Jonathan helms Subconscious Films, the original content banner of Conscious Minds, developing both documentary and scripted projects across multiple genres. The Risks and Rewards of Instagram and How Parents Can Navigate Them Jonathan Green's latest short film, Social Animals, explores the great influence of Instagram on the younger generation. Instagram is currently the juggernaut of the social media field, which prompted him to make it the focus of his new film. Most teenagers today were not introduced to social media and the idea of rapidly sharing pictures with each other; rather this was the world they were born into. The goal of the film is to view the ways in which Instagram can bring people together and create a community, while also exploring some of the dark areas and hidden risks of the social media giant. Bullying is one of those hidden risks that teenagers experience via Instagram, or any digital communication for that matter. There seems to be this empathetic disconnect that comes into play once someone is writing from behind a screen. Digital bullies say things to people they would never feel comfortable saying directly to that person's face. When people are cruel to each other in the real world, they have to see a person's expression and recognize the cruelty they just inflicted upon them. The digital world removes that humanitarian aspect and empowers bullies to say the cruelest things possible, without having to process the pain they inflicted on another human being. There are, of course, other dangers within Instagram, but it may not be so simple to discount the social platform as a whole. After all, direct messaging on Instagram is not all that different than texting. Instead of writing off Instagram, which is simply a tool, it may be more beneficial to instill certain virtues in teenagers that will carry through to the digital world. Even still, the innovations of Instagram and other social media are outpacing our ability as parents to decide how to manage it. It takes longer to evaluate the psychological and spiritual impact that social media is having on our kids than it does to develop and introduce new communication tools. It's for this reason that parents need to decide if, and how quickly, they want to introduce their kids to these social media platforms. Episode Highlights: An introduction to the short film, Social Animals. Why does bullying seem to come so easily across digital media? How parents can combat some of the risks associated with Instagram usage. Picture via: Pxhere
Shasha Nakhai is a filmmaker based out of Toronto with Compy Films and Storyline Entertainment. Her award-winning films have screened at festivals and aired on TV worldwide, been released on iTunes, gone viral and been awarded Vimeo Staff Pick and Short of the Week.
This show is now listener supported through Patreon at bit.ly/CAPodPtrn and by leaving a rating and review on iTunes at bit.ly/CAPod. Leave a message for the show here: bit.ly/CASPEAK More information can be found at cameronadair.com/podcast. Joel Knoernschild is an Emmy-Award winning director. Hes directed work for Warner Bros Records, NOWNESS, American Crime Story (FX), and others. His film, VARmINT, won the Audience Award at the New Orleans Film Festival, Won the Grand Jury Prize at Dances with Films, featured on Short of the Week and received a Vimeo Staff Pick. Joel also owns Echo Park Surf Squad. In this episode Cameron talks to Joel about the new projects he's working on, Echo Park, food, skate videos, traveling, growing up mixed race, movies, and Japan. Thanks to Joel. You can find Joel online at joelknoernschild.com and through his Instagram. For Echo Park Surf Squad go to echoparksurfsquad.com. Thanks for listening.
Shasha and I talk about her new film Take Light, the power crisis in Nigeria, poverty, corruption, Illegal electricians, suffering and smiling, hope and the legacy of colonialism. Watch the Trailer here. Synopsis Over 50 per cent of Nigeria's nearly 200 million citizens don't have access to electricity. For Africa's largest energy producer and most populous nation, that number is shocking. Those dependent on the unreliable grid are limited to a few hours of power a day at best. Taking matters into their own hands, many households illegally and dangerously wire their homes by tampering with transformers. While a bungling bureaucracy attempts to privatize the electrical system, an electrician risks his life on power poles, trying to provide for his daughter's education. His colleague in customer service has the more difficult task of going door to door collecting fees from disgruntled customers. The problems are complex and systemic, but director Shasha Nakhai delicately balances the big picture of a country trying to advance its development with the compelling stories of blue-collar workers attempting to make better lives for their families. Biography Shasha Nakhai is a filmmaker based out of Toronto with Compy Films and Storyline Entertainment. Her award-winning films have screened at festivals and aired on TV worldwide, been released on iTunes, gone viral and been awarded Vimeo Staff Pick and Short of the Week. Her last film with partner Rich Williamson, Frame 394, was shortlisted for the 2017 Academy Award for Best Documentary Short and was part of the CBC’s new Digital Doc Shorts initiative. It had its world premiere at the 2016 Hot Docs Film Festival, and went on to win Best Canadian Short at NorthwestFest, Best Documentary Short at the Rhode Island Int’l Film Festival, Best Documentary Short at the Sidewalk Film Festival, the Audience Award for Best Documentary Short at the New Orleans Film Festival, and Best Documentary at the Charleston Film Festival. It was named one of TIFF’s Top 10 Films of 2016, and was nominated for 2 Canadian Screen Awards. Shasha was 1 of 8 emerging producers selected for the DOC Institute’s Breakthrough Program in 2015, and was awarded Telefilm Canada’s Pay It Forward Prize as part of the Hot Docs Film Festival’s Don Haig Award. Take Light is her first feature documentary. She also has a deep love for interactive storytelling, working as a brand ambassador for PlayStation for 8 years, and having been selected as the inaugural recipient of WIFT's Ubisoft Toronto Producer Mentorship program. She recently collaborated with DimensionGate on her first virtual reality project, Take Light VR. Having graduated from Ryerson University's Broadcast Journalism program, Shasha was born in the Philippines, grew up in Nigeria and came to Canada as an international student in 2003 To learn more about the film visit the site here. ---------- Image Copyright: Storyline and Shasha Nakhai. Used with permission. For more information about my podcasting, writing and public speaking please visit my site here. With thanks to producer Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
The landscape for short films is changing quickly. One might say we're entering a "Golden Age," where content is being taken seriously and you can even make money off of a five-minute video...if you get the right eyes on it. Traditionally, getting those views used to be all about submitting your project onto the festival circuit. This also came with the stipulation that you couldn't exhibit your project online or anywhere else if you wanted to make it in. That's not the case anymore. Many aspiring filmmakers may not know just how valuable a Vimeo Staff Pick can be to your career. The distinction, which celebrated its tenth anniversary at SXSW this year, can lead not only to massive exposure but gigs from brands, producers and even music companies. You can really make a name for yourself if you're one of the 3-4 projects selected every day. Case and point, Jon Fusco's guests on today's show who have a combined 19 video staff picks between them: DANIELS, of Swiss Army Man fame, and Kirsten Lepore who's animated shorts in the style of Hi, Stranger led to jobs like creating an episode of Adventure Time, which later went on to win an Emmy. Together they join Vimeo's Head of Curation Sam Morrill to discuss how to get a Vimeo Staff Pick, what that Staff Pick can do for your career and how to best position yourself for a successful career after creating a short.
Tulica Singh began her career writing and filming in between bartending and waitressing shifts in New York City. In two years she created 30 shorts, before deciding to pursue graduate school. In 2012 she was accepted into USC's School of Cinematic Arts. Her short film Dream Girl was screened in 8 festivals including the academy qualifying Palm Springs International Film Festival, winning awards for best comedic short. Her web series Croissant Man has been in over 25 festivals sweeping categories and winning over 15 awards, including the prestigious Vimeo Staff Pick, best web series and outstanding writing. She is currently writing a film about Indian warrior princesses and a series about a girl with a mustache. Tulica shares what her realizations are when it comes to creating confidence. Instead of relying on what confidence is supposed to look like, she started doing things her own way that makes sense to her which in turn increased her confidence to a whole new level. Check out thetaoofselfconfidence.com for show notes of Tulica's episode, Tulica's website, resources, gifts and so much more.
Steve is a Chicago native, a graduate of the USC School of Cinematic Arts, and a working filmmaker living in Los Angeles. His most recent screenplay ORB was voted for inclusion on the 2016 Blacklist, honoring the best screenplays of the year that have not yet gone into production, and was voted # 1 on the Blood List, honoring the best genre screenplays of the year. His most recent short film MONSTERS, has screened in over 65 film festivals worldwide, winning 23 awards including Best Short Film at the Comic-Con International Film Festival, along with being named a Vimeo Staff Pick. Monsters also serves as a proof of concept for Steve's feature screenplay TWISTED AVENUE, which he is attached to direct. Steve is currently co-writing a sci-fi pilot for IM Global Television based on an Image Comic graphic novel, and is adapting a Hugo Award winning short story. Over the years, he's worked on film and television projects with Gran Via Productions, Davis Entertainment, Treehouse Pictures, Lost City, Haven, Imperative, and Imagine Entertainment, among others. Monsters played Shriekfest 2016! Steve is repped by APA and the Gotham Group. For more on his projects, visit DreamingAnts.com
Is a white director the best person to tell what is traditionally a black story? Is that a question that's even fair to ask?"I was terrified. I'll be totally honest with you. But that's why I knew I needed to make it. I just gotta be bold. 'Cuz why do the safe thing." ~ Spencer Gillis, Director of "Sweep"Spencer Gillis is an A-camera operator for the hit Netflix series "Orange is the New Black." But his passion is telling stories--stories that drum up tough conversations. Last summer I interviewed him about his Vimeo Staff Pick, Short of the Week winner "Sweep." Today's episode is part of my conversation with Spencer where we discuss the key story points of the film, and what they say about today's society.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was: Fire Ahead by Jahzzar (CC BY-SA)Referent Power by Cullah (CC BY-SA)My Dignity by Cullah (CC BY-SA)"This is What I Smoke To" by Mo Green. Courtesy of 235 Films. All rights served.Click here to learn about Creative Commons licenses and meanings.Spencer's Film "Sweep".
Maegan Houang is a filmmaker and music video director based in Los Angeles. Her recent music video for Skylar Spence's "I Can't Be Your Superman" was chosen as the Best Music Video of the Week in Stereogum and received a Vimeo Staff Pick. She has directed and produced videos for Chastity Belt, L.A. Girlfriend, Speedy Ortiz, and Death from Above 1979. Her work has been featured in various online publications including: Spin, Noisey, Fact Magazine, Stereogum, Film Shortage, NYLON, Director’s Notes, NPR, VideoStatic and SHOTS magazine. In 2015, she made 1.4's Long List for Brilliant Filmmaking. In this episode, Maegan will share with you how a school project helped her realized her true potential to create art that aligns with her true authentic self and how it has helped her gained confidence in herself to take more risks. Check out thetaoofselfconfidence.com for show notes of Maegan's episode, Maegan's website, resources, gifts and so much more.
Today I have my full, uncut interview with video essayist extraordinaire and multiple Vimeo Staff pick "winner," Adam Westbrook.The video essay has become one of the most popular forms of edutainment in recent years. Video series like Tony Zhou's "Every Frame a Painting" or Evan Puschak's "Nerdwriter" rack up hundreds of thousands, even millions of views every week. Well, there's a relatively new kid on the block who for the past two years has been making his mark in the video essay world.Adam Westbrook of Delve.tv only has 8 video essays under his belt, and in just two years, he's generated over a million views, 6 of his 8 videos have garnered the highly coveted Vimeo Staff Pick. I was fortuitous enough to catch Adam on his crest of fame (i.e. as of this writing, he's not too busy or "famous" to do podcast interviews ;) ). In this episode of Radio Film School: RAW, Adam and I discuss:How he got into video essays and his laborious processHis life as a freelancerHis views on success and pursuing your passionHitchcockAnd more.I promise you'll be inspired and encouraged by what Adam has to say. Special thanks to our show's co-producer Chris Huslage who hosted and lead-produced this episode.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode was:Gettin' Paid Part II by Alec's Band (CC BY)Hachiko by the Kyoto Connection (CC BY-SA)Spliff and Wesson by Airglow (CC BY)Click here to learn about Creative Commons licenses and meanings.Adam's WorkSee samples of Adam's work on the blog post for this episode.Reach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.
On this episode of The Angry Millennial, we're chatting with director/writer + camera operator, Spencer Gillis. Spencer is a director, with his directorial debut, GUN, premiering at the Sundance Film Festival, which is available on iTunes and is being distributed by SHORTS INTERNATIONAL, LTD. Along with his latest short, SWEEP, premiered at the prestigious Aspen Shortsfest + online via Short of the Week and was selected as a Vimeo Staff Pick. As a co-founder of 2.35, Spencer has produced award winning narrative and documentary short films as well as directed work for VICE media. In this episode, we chat about how mentors have been so important to his career, what it's been like to work on Netflix's, Orange Is The New Black, his surreal experience having his directorial debut selected by Sundance, having the support of Panavision for his films thus far and even OITNB, how fatherhood + racism inspired his story-line for SWEEP and more on this episode of The Angry Millennial. Remember to always use #theangrymillennial on social media + follow @millennialangry on Twitter to ask any questions you'd like any of the upcoming guests to answer during the show.
Filmmaking is a collaborative artform. Yet, tens of thousands of filmmakers all over the world shoot projects each week with no dedicated DP, no sound guy, and no assistants. It's just them, a camera, some lenses, lights, and mics. They are one-man/one-woman bands.This week on the show we hear from a small group of filmmakers who are making waves in the industry despite shooting much, if not most of their work alone -- and in two of the cases, with small, prosumer cameras.There's multi-Vimeo Staff Pick recipient Brandon Li, who's travel docs often feel like narrative shorts.Salvatore "Sal" D'Alia is a New York filmmaker (by way of Italy) who's the brainchild and filmmaker behind Adorama TV's "Through the Lens" Series.And internationally renown director and DP Philip Bloom is back to offer his two cents on what to call yourself if you wear many hats.Share Your Story with UsFor season 2 of the show, we're looking for filmmakers with stories about overcoming great challenges to complete their projects. Whether or not you succeeded or failed, if you think there's a juicy and educational story with sharing, we want to know about it. The first six people we pick will each get a free music license from show sponsor Song Freedom. Just email radiofilmschool@daredreamer.fm and put "My Story" in the subject line.Music in this EpisodeMusic was curated from FreeMusicArchive.org. In order of appearance, the music in this episode:Let’s Goby Allegra courtesy of Song Freedom. All rights reserved.Canon in D Majorby Kevin MacLeod (CC BY)Chosenby Stephane TV (CC BY-SA)On Axisby Pipe Choir (CC BY) Candle Lightby Dream City Orchestra courtesy of Song Freedom. All rights reserved.The World Keeps Changingby Nattbussen (CC BY-SA)To the Rhythm of the Funkby Cullah (CC BY-SA)No More Solosby Kelly Latimore (CC BY)Click here to learn about Creative Commons licenses and meanings.Legally License Music for Your ProductionIf you need to legally license music for your productions, from every genre (including mainstream music) look no further than Song Freedom. Click here to unlock a one-time Standard Gold Level license worth $30.Check These Videos OutBrandon Li's "Hong Kong Strong"Brandon Li's "Nomads of Mongolia"Through the Lens PromoReach OutIf you have a question about the movie business you'd like answered, or if you just want to drop us a line to say "Hi", email us at radiofilmschool@daredreamer.fm. Better yet, use the "Send Voicemail" button at the bottom of our website to leave a voicemail message. Follow Ron on Twitter @DareDreamerFM, or follow the show @RadioFilmSchool. Join the discussion at facebook.com/radiofilmschool.
Director Saman Kesh returns to talk about his incredible new short film, HIT TV, which premiered this past week and has already been selected as a Vimeo Staff Pick, making it Saman's 15th. Throughout the episode, we discuss our directorial processes, how they differ, and why it doesn't matter as long as you're passionate about it. Lots of nostalgia, who inspires us, and what we miss about their early works. GUEST LINKS: Saman's Website: http://samanftw.com/ Saman's Instagram: http://instagram.com/saman_kesh HIT TV: https://vimeo.com/165450397 November Skies: https://vimeo.com/165450397 Basement Jaxx: https://vimeo.com/101266603 ------------------------------ The Collective Newsletter: http://www.thecollectivepodcast.com/newsletter Subscribe on iTunes: http://www.thecollectivepodcast.com/itunes Subscribe via RSS: http://www.thecollectivepodcast.com/rss Like us on Facebook: http://www.facebook.com/thecollectivepodcast Follow us on Twitter: https://www.twitter.com/thecpodcast ------------------------------ SHOW NOTES: Learn Squared: https://www.learnsquared.com/ Thief: http://www.imdb.com/title/tt0083190/ Manhunter: http://www.imdb.com/title/tt0091474/?ref_=nv_sr_1 Neon Demon Trailer: https://www.youtube.com/watch?v=YqFhKdRFPvA Hotel Chevalier: https://vimeo.com/77335572 Arnold Schwarzenegger Interview: http://fourhourworkweek.com/2015/02/02/arnold-schwarzenegger/ Snowtown Murders: http://www.imdb.com/title/tt1680114/ High Rise: http://www.imdb.com/title/tt0462335 Blow Out: http://www.imdb.com/title/tt0082085/ Radiohead - Daydreaming: https://www.youtube.com/watch?v=TTAU7lLDZYU The Long Game: https://www.youtube.com/watch?v=IV6tZEj4yY0 Network: http://www.imdb.com/title/tt0074958/ Andrew Thomas Huang: http://www.andrewthomashuang.com/ Damn Daniel: https://www.youtube.com/watch?v=a16Kgh7j8zk Take Shelter: http://www.imdb.com/title/tt1675192/ Mud: http://www.imdb.com/title/tt1935179 Gone Girl: http://www.imdb.com/title/tt2267998 Blood Into Wine: http://www.imdb.com/title/tt1394383/ How People Learn to Become Resilient: http://www.newyorker.com/science/maria-konnikova/the-secret-formula-for-resilience The views and opinions expressed in this podcast are solely those of the speakers and do not necessarily reflect the views of their employers.
#057 - Today's episode brings you Levi Allen, a filmmaker out of British Columbia and Founder of Left Coast Media. Levi's most recent film 'Untethered' was featured as a Vimeo Staff Pick in December 2015. In this episode Levi discusses how he started out making films, the importance of not letting gear stand in the way of creation, why he decided to begin vlogging, the story behind the making of Untethered and why he decided to release his film for free.Items mentioned in this episode:LEFTCOAST - Adventure FilmmakingLevi Allen - YouTubeLevi's Film: UNTETHEREDTransposition FilmsRJ BruniKessler Camera SlidersKessler elektraDRIVE Slider Bundledevingraham - YouTubedevinsupertramp - YouTubeAmazon.com : DSLR Flycam Nano Camera Stabilizer with Free Quick ReleaseSpencer Seabrooke | FacebookMindNode - Mindmapping Appkeithwhiteaudio | Post Production Sound StudioBrain Farm | Creators of Media and EntertainmentWe Are Blood | Short FilmView from a Blue Moon on iTunesMusicbedRyan SchroederMOXLEYWorld Record Free Solo - Insane Slacklining! - YouTubeBUILDER - Official Trailer - YouTubeJanuary 21 , 2016
Colin Hesterly is a freelance Director & Artist working within the animation industry based in Denver, CO. During our conversation, he shared about the importance of client feedback, learning to say no and how to give up control to other creatives within projects. Links: Twitter: https://twitter.com/colinhesterly Not to Scale: http://nottoscale.tv "The Empire:" https://vimeo.com/12496923 "When I Grow Up:" https://vimeo.com/51704432 Highlights: - Went to Full Sail University - "You mean I can take pictures that I draw and make them move?" - 5 years ago: "The Empire" - deleted a Vimeo Staff Pick, but his second one got him a ton of emails - internship in California with Buck - Worked with Imaginary Forces after Buck - Then worked at Royale - Difficulty balancing time - Worked at Hollister - Directing TV shows - New project for a TV show for preschoolers - Short film out for Christmas - Time is spent figuring out how to expand past just client work - Dream client: The People - Favorite animated film: toss up between Winnie the Pooh and Pocahontas - Animalator is fish because of his daughter
In this episode, we speak with Corrie Chen, an emerging filmmaker in the earlier stages of her career and trying to navigate the film and TV landscape to turn her passion into a career. Recently her short film Bloomers was recently profiled as a Vimeo Staff Pick and we chat about the process of making the film and her plans for the future.
Alf is a 3D artist and film maker in Norway, partner of the vfx studio Gimpville. Recently Alf has completed an epic 6 month journey to complete his own parody short film (trailer) called Dawn of the planet of the zombies and giant killer plants on some serious acid (phew!), entirely by himself. Utilizing Maya, Redshift, and various other tools to render the entire 3 minute piece solo on a single machine. Inside of this episode we go straight into a very hands on and in-depth discussion about the production of "Dawn"and what it takes to pull of a project of this magnitude by one artist. From balancing your day job, staying motivated and what tools and techniques used shot by shot throughout the short. What the reception of the video has been like from Vimeo Staff Pick to just under ~200,000 views in just over a single week and onto what is next. This is an episode that everyone can take a lot away from - whether you're an artist, a designer or even just want to make your own short film one day. If you haven't seen the video yet - check the show notes for a link to it as well as other great resources! http://www.allanmckay.com/39/
Just Shoot It: A Podcast about Filmmaking, Screenwriting and Directing
Charlie Tyrell stops by this week to talk about the making of his doc shorts, My Dead Dad's Porno Tapes (Sundance, Vimeo Staff Pick) and Broken Orchestra for Topic.com. Charlie's work is stunningly visual and he brings mixed media, animation, found footage, and affecting interviews to his work. He is also an exceptionally skilled collaborator and tells us about the team of experts he brings onto his projects to help elevate the world. Finally, he shares some of his strategies for getting known celebrities to do voice-over on his docs! Visit Plotdevices.Co to get your very own story clock workbook and other awesome filmmaking tools. Follow and tag them on twitter and Instagram @plotdevicesco with your favourite overused trope for your chance to win free stuff! If you have a second, watch Charlie's films before listening to our interview. Broken Orchestra short doc https://www.topic.com/broken-orchestra My Dead Dad's Porno Tapes short doc https://vimeo.com/292537862 If you are a film student or considering attending film school, we also check in with Jumai this week in our Jumai Live at Film School segment. Symphony for a Broken Orchestra was originally created and commissioned by Temple Contemporary at Temple University, USA. Original support for Symphony for a Broken Orchestra was provided by The Pew Center for Arts & Heritage, Philadelphia. UNPAID ENDORSEMENTS Jumai - Chernobyl podcast about the making of the HBO series Matt - Black Hole by Charles Burns Oren - Deep Work by Cal Newport Contribute to the Just Shoot It Patreon and help support the show: www.patreon.com/JustShootItPodAs always, follow @MrMattEnlow (www.twitter.com/MrMattEnlow) and Oren @SmiteyPieLeg(www.twitter.com/SmiteyPieLeg) on twitter. For more episodes visit www.JustShootitPodcast.comShow your support: rate and review us on iTunes. apple.co/2fl9ojySee who are guests are a week early on our instagram @JustshootItPod(www.instagram.com/justshootitpod/) Send feedback to @justshootitpod or justshootitpod@gmail.com or Call us at (262) 6-SHOOT-1, and we’ll air your voicemail on the show! Music was provided by the free music archive and by Jahzzar. Just Shoot It is a podcast about directing, filmmaking and storytelling. Each week we interview your directors, screenwriters, editors, cinematographers, and actors, and learn how they became successful, working content creators. We’re all about getting off your butt and making your own videos. We’ll share tips and stories of how people in the entertainment industry forced their ways into sustainable careers. Matt Enlow is a director working in comedy. His website is mrmattenlow.com Oren Kaplan is a director and VFX artist who has directed the theatrical feature, The Hammer, a Lifetime movie, and countless branded content videos. His website is directedbyoren.com Support this podcast at — https://redcircle.com/just-shoot-it-a-podcast-about-filmmaking-screenwriting-and9776/donations
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