Podcast appearances and mentions of Thomas Vinterberg

Dagens gæst lukkede ned for skuespillerdrømmen allerede som 12 årig, efter en dårlig casting, men blev kort tid efter headhuntet af selveste Thomas Vinterberg til det, der skulle blive hans første filmrolle og starten på en lovende karriere som skuespiller.

"Festen" de Thomas Vinterberg, qui ressort en salles. On en parle avec Dick Tomasovic, chargé de cours en histoire et esthétique du cinéma et des arts du spectacle à l'ULg. Le patriarche Helge Klingenfelt fait préparer une grande fête pour ses 60 ans. Parmi les convives, Christian, le fils aîné, est chargé par Helge de dire quelques mots au cours du dîner sur sa soeur jumelle Linda, morte un an plus tôt. Personne ne se doute que Christian va profiter de ce petit discours pour révéler de terribles secrets. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to yet another season of Le Film. In this season 2 opener, we discuss Thomas Vinterberg's 2020 black comedy-drama, Another Round. In the film, we follow four high school professors who discover an unusual method to boost student engagement and personal confidence. The method? Maintain a constant blood alcohol content of 0.05% or below. Why? Because according to psychiatrist Finn Skårderud, this constant level of alcohol in the blood makes humans more creative, confident, and relaxed. But with all tests, unexpected results follow. As always, thank you for listening, and we hope you enjoy our discussion. Where to watch the film: Tubi (Free to stream in the US) Send us film recommendations or feedback at: lefilmpodcast@gmail.com

Fimm skandinavískir kvikmyndagerðarmenn kváðu sér hljóðs á kvikmyndahátíðinni í Cannes á dögunum og kynntu nýtt manifesto sitt, Dogma 25. Þetta er nákvæmlega þremur áratugum eftir að Lars Von Trier og Thomas Vinterberg hristu upp í kvikmyndaheiminum með Dogma 95 stefnuyfirlýsingunni. Dogma 25 er björgunleiðangur og menningarleg uppreisn segja þau og setja sér 10 skýrar reglur um hvernig bíó þau ætla að búa til - meðal annars ætla þau ekki að nota internetið og handskrifa handritin sín. Í mars kom út í íslenskri þýðingu fjórða skáldsaga Sally Rooney, Intermezzo eða Millileikur. Lóa fær til sín annan aðdáanda írska rithöfundarins, Ingunni Snædal, til að ræða þemun sem koma fyrir í bókinni: sorgina, trúnna, skákina og samböndin.

The movie you're making me watch today is The Hunt (2012), a gut-punching Danish drama directed by Thomas Vinterberg that'll leave you questioning everything about truth, trust, and mob mentality. Starring Mads Mikkelsen in a raw, heart-shattering performance as Lucas, a kindergarten teacher whose life unravels when a child's innocent lie sparks accusations of abuse, this film dives deep into the chaos of a tight-knit community turning on one of its own. Vinterberg, the Dogme 95 rebel behind Festen, crafts a chilling, no-holds-barred look at how fear and gossip can spiral into a modern-day witch hunt. Join us as we unpack Mikkelsen's Cannes-winning intensity, the film's haunting visuals, and why this Oscar-nominated thriller still hits like a freight train. Is it a masterpiece of human nature or a brutal test of endurance? Let's argue it out!Message us DIRECTLY to tell us how much you hated this episodeSupport the showFOLLOW US: INSTAGRAM - @MMwM_podcast TIKTOK - @MMwM_podcast YOUTUBE - @MMwM_podcast ALSO: @anthony_eslami @goldenroad85 @_schwizzyy_

Vor 30 Jahren haben Lars von Trier und Thomas Vinterberg in Paris ihr sogenanntes "Keuschheitsgelübde" unterzeichnet. 10 Regeln, die das Kino radikal auf den Kopf stellen sollten. Nur an Originalschauplätzen drehen, keine Musik benutzen, keine Genrefilme drehen, den Namen des Regisseurs nicht nennen. Naja schon die letzte Regel hatte man schnell gebrochen und dann auch das gesamte Manifest "Dogma 95" irgendwann über den Haufen geworfen. Aber für eine kurze Zeit sind dabei durchaus interessante Filme entstanden. In dieser Folge spricht Christian mit dem Literaturwissenschaftler und Skandinavisten Niels Penke über das dänische Kino und die Rolle, die Dogma 95 darin gespielt hat. Denn der hat gerade das Buch "Der dänische Film" bei edition text + kritik veröffentlicht. Wir besprechen Dogma 95 und das dänische Kino anhand von Carl Theodor Dreyers "Ordet", Thomas Vinterbergs "Das Fest" und Lars von Triers "Idioten".

SBS On Demand를 중심으로 다시 보면 좋을 영화들을 추천해 드립니다. 오늘 소개할 영화는 토마스 빈터베르크(Thomas Vinterberg)감독의 '어나더 라운드 Another Round'입니다.

Ignatowitsch, Julian www.deutschlandfunk.de, Corso

Il fait froid et moche, c'est parfait pour mater tout ce qu'on vous proposeStéphane accueille Maxime, Mélanie et Aki pour faire le tour des séries à ne pas louper !0:00 - Intro01:12 - News : renouvellement de "The Pitt" pour une saison 2 + débrief à mi-saison (sur MAX)12:42 - "Bref 2", meilleure série française de 2025 ? (sur Disney+)30:37 - "Families Like Ours" : Thomas Vinterberg noie-t-il sa série sous les mauvaises décisions ? (sur Canal+)42:38 - "Prime Target" : bonne équation ? (sur AppleTV)44:29 - "Matlock" sur CBS49:04 - "Paradise" : mais que fait Dan Fogelman ? (sur Disney+)53:13 - "Apple Cider Vinegar" : reflux acide (sur Netlfix)56:00 - Fin avec un crochet par "The White Lotus" (sur MAX).

Der Klimawandel als weltweites Sicherheitsrisiko: Der dänische Star-Regisseur Thomas Vinterberg hat daraus eine Serie gemacht. Der Staat Dänemark steht darin buchstäblich vor dem Untergang wegen des steigenden Meeresspiegels, und alle Dänen sollen ihr Land verlassen.

HEY EVERYONE! Corbin and Matt are starting a new series! It's called Digital Frontiers: Digital Cinema From 1998-2011, and it's about the movies' transition to digital as a primary medium, as seen in the movies that took the first steps forward. We are excited for you to join us on this journey, seeking answers to the eternal present question: "hey, why do movies look like that now?"  Our first episode is about "Festen," ('The Celebration,' in English), The first certified Dogme 95 movie and an absolute banger. Topics include: the weird little camera they made it with and the heights of emotional intensity it archives, the family as a model for society, the usefulness of digital artifacts in creating an aesthetic, and skateboarding videos.  Matt recommends some reading on digital cinema here. Corbin recommends Monster Hunter. Also of note for this episode, C. Claire Thompson's monograph on "Festen," available on University of Washington Prss (or a library of some sort, it's pretty expensive)! Next week's episode is about "Star Wars, Episode II: Attack of the Clones." There is a chance you've seen it but if not it's on Disney+.   

Um filme com uma premissa quase cômica, que poderia parecer fraca demais para dar um caldo, conquistou um público maior do que a população de seu país de origem, a Dinamarca. O que faz com que o muito premiado filme do diretor Thomas Vinterberg conecte os espectadores (inclusive os corvos que participaram deste episódio) com a história de 4 amigos que decidem realizar um experimento que envolve tomar uma birita todos os dias para observar os efeitos do álcool em seu estado de autoconfiança e motivação? Se dinheiro não traz felicidade, será que uns bons drinks poderiam trazer? Quem já viu o filme sabe a resposta. Te convidamos a mais uma rodada de conversa No Bico do Corvo. Ouçam e nos contem se concordam com a nossa resenha coletiva..

Hollywood legend Robert De Niro explains why he's starring in his first ever TV series Zero Day, where he plays a former US President out to find the culprits behind a deadly cyber-attack on America. He's joined by the show's screenwriter Eric Newman. With the British Council facing financial pressures it is considering the sale of its art collection, we hear from Jenny Waldman, Director of the Art Fund about what this might mean. Mark Anthony Turnage and Lee Hall talk about their new opera Festen, based on the Danish film by Thomas Vinterberg, which explores the impact of a dark family secret revealed at a birthday party. And, curator Anna Villi and author Elodie Harper discuss the British Museum and Colchester and Ipswich Museum's Gladiators of Britain exhibition. Presenter: Samira Ahmed Producer: Ruth Watts

« Il y a toujours tellement plus d'adieux que de desseins ou d'intérêts dans les évènements qu'on vit » : voilà l'une des phrases extraites du nouveau roman (« Trésor caché », Albin Michel) de Pascal Quignard. L'écrivain français partage dans son œuvre ses observations et ses intuitions sur les énigmes qui jalonnent la vie, nos vies. Dans sa nouvelle fiction, il est question de solitude, de vie sociale, de vieillesse, d'amour et de « l'âme de l'âme » qu'est notre corps. Pascal Quignard est notre invité, cette semaine. Dans son « A quoi tu penses ? », le professeur de philosophie et journaliste Simon Brunfaut s'intéresse à la lecture et à la patience qu'elle requiert dans un monde de l'immédiateté. Enfin, dans « En toutes lettres ! », la journaliste et écrivaine Pascale Clark écrit à Ginette Kolinka, l'une des dernières rescapées de la Shoah toujours en vie. La playlist de Pascal Quignard : -Federico Monpou - Cantate de l'âme -Dalida - Les feuilles mortes -Chopin - Nocturne, op. 15 : No. 3 in G Minor Lento Les choix culturels : - La série « Families like Ours » de Thomas Vinterberg. - « Romans et nouvelles » de Yasunari Kawabata (Le Livre De Poche). - « Nos dernières fois » de Sophie Galabru (Allary Editions). - Le film « L'Histoire de Souleymane » de Boris Lojkine. Merci pour votre écoute Dans quel Monde on vit, c'est également en direct tous les samedi de 10h à 11h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Dans quel Monde on vit sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8524 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

durée : 00:27:19 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, deux séries dystopiques : la saison 2 de "Severance" de Dan Erickson et "Family like ours" de Thomas Vinterberg. - réalisation : Laurence Malonda - invités : Nora Bouazzouni Journaliste; Olivier Joyard Critique et réalisateur

Les sorties cinéma et séries d'Éric Russon : - Jouer avec le feu - My Favourite Cake - Companion - Plateforme : Families Like Ours sur Canal+ Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

Fri, 17 Jan 2025 08:00:00 +0000 https://efm-industry-insights.podigee.io/65-tailored-solutions-film-funding-in-europes-diverse-markets 7f0690c9253d4bcbeca3a386481d7bff Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by media analyst, broadcaster and experience designer Johanna Koljonen, it delves deep into the rapidly evolving film industry. Film i Väst Analysis' upcoming report, "The Answers: Future Audiovisual Policies – Revolution, Reforms or Just Let it Be," looks at the diverse markets across Europe and gives the answers (or rather: values) to the burning questions that everyone is asking in regards to the current collision between public film funding and challenging cultural and economic policies. Answers are not given easily, as each market operates differently. Different funding systems call for different actions, and the right balance between economic and cultural arguments must be found locally – it doesn't have to be a battle between economy and art. In this episode, Tomas Eskilsson, founder of Film i Väst and Head of Film i Väst Analysis, along with producer and mentor Joanna Szymańska, explore the current state of public film funding and the creative sectors in Europe, drawing from the findings of the report. The rise of right-wing policies is increasingly affecting film funding strategies, ultimately challenging the freedom of cultural expression. However, the future is not set in stone, but rather shaped by the actions that are taken today. Tomas Eskilsson founded Film i Väst in 1992, and was the CEO until 2016. He now works as the Head of Strategy in Film i Väst and Head of Film i Väst Analysis. He is the author of the reports ‘Public Film Funding at a Crossroads' (March 2022) and ‘Public Film Funding at a Crossroads II' (to be published August 2023). He is right now working with the third a final report in the series: The Answers: Future Audiovisual Policies – Revolution, Reforms or Just Let it Be. Joanna Szymańska is a film producer with over 15 years of experience in independent and international co-productions. She co-produced the award-winning film “Red Path” (dir. Lotfi Achour) which premiered at the Locarno Film Festival. Joanna is a mentor for emerging filmmakers and serves as the Head of Studies for the Erich Pommer Institut's workshop on European co-production. She is currently pursuing a PhD at the Łódź Film School. The host Johanna Koljonen is a media analyst, broadcaster, and experience designer. She is the author of the Göteborg Film Festival's annual Nostradamus Report on the near future of the screen industries, which is in its 11th year. She lectures internationally on changes in the media sector, and on participation and narrative design. Her background is in public service broadcasting; in 2011, she received the Swedish Grand Journalism Award in the Innovator category. Film i Väst is Scandinavia's major regional film fund and one of the bigger regional film funds in Europe. Film i Väst has made co-production with all parts of the world. Film i Väst is mostly known for its long-time collaboration with some of the most interesting directors in Northern Europe and elsewhere: Ruben Östlund, Tarek Saleh, Susanne Bier, Thomas Vinterberg, Lars von Trier, Joachim Trier, Lone Scherfig, Nuri Bilge Ceylan, Kaother Ben Hania are many more. During the last 30 years Film i Väst has co-financed and co-produced over 1000 feature films and a vast number of drama series. The report will be released February 16, 2025. More info about the release can be found here. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. This podcast episode has been developed in partnership with Film i Väst. full no Film Business,European Film Market,Film i Väst,Entertainment Industry,Film Industry,Media Industry,Berlinale,Future Trends,Film Funding European Film Market 2378

Dive into a suspenseful and morally complex tale with Movie Mistrial as we explore Thomas Vinterberg's powerful drama, The Hunt.The Hunt is a riveting exploration of innocence, trust, and societal hysteria, anchored by Mads Mikkelsen's unforgettable performance. The film's realistic portrayal of a community torn apart by suspicion is both haunting and thought-provoking, making it a profound and challenging watch that lingers long after the credits roll.While The Hunt is widely praised for its tense storytelling and emotional depth, some viewers may find its subject matter deeply unsettling and emotionally intense, which could make it difficult to watch for those sensitive to themes of injustice and accusation.Join us as we unpack the moral intricacies of The Hunt and discuss its lasting impact on audiences and modern cinema.Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

The gang gets falsely accused this week as they review the Danish stress-test movie, The Hunt. Vastly different than the 2020 successor of the same name, this skin-crawling drama tells the story of a middle-aged man who teaches Kindergarten defending his name after false child molestation charges surface in his small town. You definitely need to be in the right headspace for this film, but once you are... watch the movie then chime in to tell Pete, Joseph and Tyler who you aligned with.  Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/isDhYj0sASEhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)The Maple Syrup Don: StephenJoseph Navarro     Pete Abeyta  and Tyler Noe

O podcast de filmes e de séries da Rádio Comercial

Pedro Varela, Thomas Vinterberg, Audrey Diwan, Lola Arias, Patricia Mazuy

Pedro Varela, Thomas Vinterberg, Audrey Diwan, Lola Arias, Patricia Mazuy

Bienvenidos y bienvenidas a Cultura Seriéfila. En este nuevo programa más compacto presentado por Alberto TV Series que lanzamos para La Jungla Radio Cieza y Onda Aragonesa, hablamos sobre directores de cine que se sintieron seducidos por la televisión. El lenguaje de las series llamó la atención de directores como Alfonso Cuarón, Guillermo del Toro, Thomas Vinterberg y muchos más. Pero no solo para dirigir un par de episodios sino para escribirla y estar involucrados de principio a fin. Esperamos que os guste. Por último, os dejamos nuestro contacto. miguel.romero@culturaseriefila.com Twitter: @CSeriefila Instagram: cultura seriéfila Instagram de nuestros miembros: Miguel Romero @mikiromben_series Alberto @albertotvseries Swanilda @swanildaswani Stakado @stakado_pof Aquí nuestro enlace de afiliados de Amazon: http://www.amazon.es/?tag=culturaserief-21

Breaking the WavesIn this episode of Movie of the Year, we dive into the haunting world of Breaking the Waves (1996), Lars von Trier's unforgettable drama that challenges viewers with its exploration of faith, love, and sacrifice. This episode offers insights into Emily Watson's career-defining performance, von Trier's complex religious themes, and the raw aesthetic of Dogme 95.Why should every cinephile experience Breaking the Waves? Join us as we unpack why this groundbreaking film deserves its place in cinematic history.Emily Watson's Performance: A Breakthrough Role in Breaking the WavesEmily Watson's portrayal of Bess McNeill in Breaking the Waves is one of the most intense and moving performances of the 1990s. In her film debut, Watson brings innocence, emotional depth, and sheer vulnerability to the character. Her raw approach to Bess's journey—from devotion to despair and ultimate redemption—is a showcase of talent that resonates deeply with audiences.Our panel delves into Watson's acting choices, discussing how she embodies Bess's unwavering faith and fierce love, and how this performance launched her into a successful career. For fans of powerful, emotionally charged performances, Breaking the Waves is essential viewing.Lars von Trier's Vision and Religion in Breaking the WavesBreaking the Waves is rich with themes of spirituality, suffering, and sacrifice. Lars von Trier, known for his unflinching style, presents a story that explores how faith can be both a source of strength and a source of tragedy. As Bess's life takes increasingly harrowing turns, von Trier invites viewers to confront their own beliefs and moral boundaries.In this episode, we unpack von Trier's portrayal of religion—not as a comfort, but as a force that drives Bess toward self-sacrifice. The panel discusses how the director's exploration of faith and redemption in Breaking the Waves poses questions that resonate deeply, especially for viewers interested in films that challenge traditional moral perspectives.Dogme 95: The Gritty Realism Behind the MovementThe film is notable for its adherence to Dogme 95 principles, a filmmaking manifesto founded by von Trier and Thomas Vinterberg to bring realism and emotional rawness to cinema. Dogme 95 emphasizes natural lighting, handheld camerawork, and minimal special effects, all of which give Breaking the Waves an unfiltered, almost documentary-like quality.Our hosts discuss how this aesthetic choice contributes to the film's unsettling beauty, immersing viewers directly into the rugged coastal landscapes and intimate struggles of Bess's life. If you're fascinated by minimalistic, boundary-pushing cinema, this exploration of Dogme 95 is a must-listen.Why Breaking the Waves is a Must-Watch from 1996The movie stands as a cinematic landmark, pushing the boundaries of emotional storytelling, religious themes, and raw visual style. Our Movie of the Year episode encourages listeners to re-examine this classic and consider the lasting influence of Emily Watson's breakthrough performance, Lars von Trier's bold narrative choices, and the unfiltered realism of Dogme 95.If you're a fan of intense dramas and films that challenge conventional storytelling, tune in to this episode to discover why Breaking the Waves continues to captivate audiences decades after its release.

El Festival de Venecia acogió este año el estreno internacional de muchas series con reputados directores detrás. A algunos les ha salido mejor que otros. Ya vimos y hablamos del thriller de Alfonso Cuarón, en unas semanas llega la nueva serie de Rodrigo Sorogoyen y ya está en Movistar Plus+ la ficción creada por el danés Thomas Vinterberg, el autor de títulos como 'La caza' u 'Otra ronda'. Analizamos este mundo distópico pero tan cercano que plantea, y además comentamos 'This town', la última serie del creador de 'Peaky Blinders', y el regreso de 'La diplomática' con Keri Russell.

Thomas Vinterberg har med 'Familier som vores' lavet sin første tv-serie. Den handler om et dystopisk fremtidsscenarie, hvor vi pæne danskere pludselig står ansigt til ansigt med en klimakatastrofe så stor, at vi er nødt til at flytte fra landet. Det er en serie, der handler om flere store tematikker, men klimapolitikken ligger konstant som et bekymrende bagtæppe. Derfor har vi i dag besøg af journalist og klimaforkæmper Signe Wenneberg, der blandt andet driver den enormt populære Instagram-profil Den lille grønne avis.  Vi diskuterer om Vinterberg og manuskriptforfatter Bo Hr. Hansen lykkes med at lave serie der både underholder og sætter klima på dagsordenen. Kan en tv-serie gøre en forskel og få os til at vågne op, når det kommer til klimaforandringer?  Programmet er lavet i samarbejde med Playpilot - en gratis app der fortæller dig præcis hvor alle film, serier og podcasts ligger og venter på dig: https://www.playpilot.com/dk/ Følg Sigen Wenneberg her: https://www.instagram.com/signewenneberg/?hl=en  Følg Frederik og Kasper her: https://www.playpilot.com/dk/profile/ https://www.instagram.com/frederikdirks  https://www.facebook.com/streamteamradio/  https://www.instagram.com/kasperlund  

El gran estreno de la semana en cines es español. 'Marco', la nueva película de Aitor Arregi y Jon Garaño, dos de los creadores de 'La trinchera infinita', nos propone reflexionar sobre la verdad y la mentira, sobre el relato y los hechos, y sobre la memoria, temas que no pueden ser más actuales. Eduard Fernández es el protagonista de esta historia y con el actor hemos charlado de sus técnicas y del proceso para construir este personaje que huele a Goya. Además, hay mucho cine latino, con 'La cocina' y con la película de Pedro Páramo en Netflix, también tenemos comedia española y a Carmen Machi de madre devota en 'Verano en diciembre'. En televisión, analizamos los últimos estrenos con otro director de cine creando una serie, el danés Thomas Vinterberg en 'Familias como la nuestra'.

Thomas Vinterbergs nye dramaserie 'Familier som vores' er et klimakriseværk om, hvad der sker, når livet, som vi kender det, forandres fra den ene dag til den anden. I tv-serien ser vi mest af alt, hvordan den øvre middelklasse takler deres nyfundne udsathed. I ugens 'Poptilllæg' ser vi nærmere på det store Borgerservice-drama og diskuterer, om serien rammer skævt i sin skildring af et Danmark i opløsning, når det for eksempel er et hovedsageligt hvidt cast, eller om det er en perfekt skildring af det friværdis-Danmark, vi kender. Og kan man overhovedet laver værker om klimakrisen, der får mennesker til at reagere og handle? Panel og anbefalinger: Johannes Fogtmann: anmelder og kulturskribent på Weekendavisen. Anbefaler at se gammlet reality tv - fx 'Big Brother' og 'Robinson' Sargun Oshana: skuespiller og teaterinstruktør. Anbefaler at bestille/købe bogen 'Familien Hassan', der snart udkommer på Politikens forlag. Esther Michelsen Kjeldahl: klimaktivist og medstifter af 'Fossilfri fremtid' og aktiv i den grønne ungdomsbevægelse siden 2018. Anbefaler at høre CV Jørgensens 'Sæsonen er slut' Vært: Lucia Odoom anbefaler at se 'Mumitroldene' på Youtube Redaktion: Lucia Odoom og Sille WestphalSee omnystudio.com/listener for privacy information.

Dans cet épisode de CLAP !, l'émission de référence sur l'actualité du cinéma, Laurie Cholewa et ses chroniqueurs se plongent dans le succès inattendu de la comédie romantique "L'Amourouf".

De fleste politiske kommentatorer kom til kort, da de skulle forklare, hvorfor Aarhus-borgmester Jacob Bundsgaard trak sig. Tabloid spørger journalist Søren Willumsen, Aarhus Stiftstidende, hvad de burde have vidst. Flere kvinder og færre københavnere er ambitionen for DR, når det gælder de gæster, der medvirker på skærme og i radioen. Hvorfor? spørger denne uges medvært, journalist Leny Malacinsky fra Weekendavisen - så Tabloid har inviteret DRs mangfoldighedsredaktør Heidi Sivebæk for at høre svaret. Er klimajournalistikken så kompliceret, at den skal have lidt popkultur i ryggen for at glide ned? Vi spørger Politikens klimaredaktør Magnus Bredsdorff, der fyldte forsiden med historien om stigende vandstand dagen efter premieren på Thomas Vinterbergs stort anlagte familiedramaserie om flugten fra et oversvømmet Danmark. Vært: Marie Louise Toksvig.

Vandet stiger - oversvømmer marker, veje, træer og hustage. Alt vi kender, vil blive opslugt af det altædende hav, og således ophører Danmark med at eksistere som land. Alle borgere må evakueres til andre europæiske nationer. Det er virkeligheden i Thomas Vinterbergs nye serie "Familier som vores". Med udsigt til at miste fundamentet viser danskerne sig fra en mørk side, hvor alle er sig selv nærmest. I hvert fald for en stund, for der skal være plads til lyset. I dagens Genstart fortæller filminstruktør Thomas Vinterberg, hvorfor der må findes håb i selv de værste i kriser - både i fiktionen og i sit eget liv. Vært: Anna Ingrisch. Program publiceret i DR Lyd d. 18/10.

Support our Patreon: www.patreon.com/thepinksmoke John Cribbs & Christopher Funderburg are back with their rundown of the 2024 Toronto International Film Festival! From the highest highs (Hard Truths) to the lowest lows (It Doesn't Get Any Better than This) and the poutine in between, they take a look at the state of cinema as explicated by one of the world's premiere film festivals. They discuss new works by Kiyoshi Kurosawa, Mike Leigh, Mike Flanagan, Tomas Alfredson, Thomas Vinterberg, Ron Howard and so much more - they discuss not just the highlights, but every single goddamn film they saw on their final trip to the Queen City for the festival! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Jeremy Sisto is a film, television and theater actor currently starring in the hit CBS show FBI. He is also a writer, producer and musician. His past tv credits include SIX FEET UNDER, LAW AND ORDER and the hit ABC sitcom SUBURGATORY. 
His extensive film credits include the 1995 classic CLUELESS, WAITRESS, the tennis comedy BREAK POINT, which he co-wrote and produced, the Oscar-nominated animated hit FROZEN II, and the Oscar-and Golden Globe-nominated animated film FERDINAND. Jeremy's Los Angeles theater credits include “Take Me Out,” which earned him a Los Angeles Drama Critics Circle Award for Featured Performance, Sidney Kingsley's “Dead End”, and the one-man show “Sanguine”. In New York, he made his Broadway debut in “Festen,” a stage adaptation of Thomas Vinterberg's film THE CELEBRATION, and starred in Beau Willimon's “Spirit Control”, about a man's 30-year struggle with post-traumatic stress disorder. It's a truly fun, in-depth chat about Jeremy's early years, his diverse career, and his experience raising kids! Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Filmfestival i Venedig foregår i disse dage, mens en hedebølge har ramt den italienske by. Det er 32 grader. Om natten vel at mærke. Derfor føles det særligt, at Thomas Vinterbergs nye klimadystopiske serie 'Familier som vores' har fået premiere på filmfestivalen. Det siger Politikens film- og tv-redaktør Kristoffer Hegnsvad fra Venedig. I dette afsnit af 'Du lytter til Politiken' fortæller han om en filmfestival, der tidligt forstod, at man var nødt til at invitere tv-serierne indenfor. Og hvor Hollywood-stjerner som Brad Pitt kan få selv erfarne filmjournalister til at tabe værdigheden på gulvet i håb om at få et godt billede med hjem. See omnystudio.com/listener for privacy information.

All episodes are made available to Patreon subscribers, the most vioiently anti-Canadian and finestkind of all audiences, one week before their general release. Support our Patreon: www.patreon.com/thepinksmoke John Cribbs & Christopher Funderburg return to the Queen City for our 20th trip to the Toronto International Film Festival to watch all the best in the current world of le cinema. With a line-up brimming (filled to the brim) with possibility, we talk our must-see films, wildcards, and the ones we're dreading. Included in this year's slate are new works by Mike Leigh, Kiyoshi Kurosawa, Timo Tjahjanto, Pedro Almodovar, David Cronenberg, Thomas Vinterberg and more …choosing which titles among the 300+ entries to see is going to take guts. And brains. And human decency.  We introduce both the Possibility-o-meter and the Donnybrook-o-meter. Get psyched! Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: twitter.com/thepinksmoke Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”

Interview with Paprika Steen and Nikolas Lie Kaas, actors in "Families like ours". They talk about their work with Thomas Vinterberg in this series The post “Families like ours”, interview with Paprika Steen and Nikolaj Lie Kaas appeared first on Fred Film Radio.

Interview with Thomas Vinterberg, showrunner of "Families like ours", and actress Amaryllis August. They talk about this series being her first part in front of a camera The post “Families like ours”, interview with showrunner Thomas Vinterberg and actress Amaryllis August appeared first on Fred Film Radio.

Ellis and Smith discuss 'Another Round,' Danish director Thomas Vinterberg's tribute to the wonder and dangers of both booze and male friendship. We discuss the little liberation of .05, the modern condition vs the human condition, and MADS. Ellis reccomends 'The Roaring Twenties,' which talk about on next week's episode. Watch it here. Corbin reccomends 'Doppelganger,' a book by Naomi Klein, available at your local library. 

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Producer and co-host of Die Hard On A Blank Podcast and recovering Lars Von Trier superfan Liam Billingham joins to discuss enigmatic Danish provocateur Lars Von Trier and his breakout Cannes award-winning feature 'Breaking the Waves' starring then-newcomer Emily Watson, Stellan Skarsgård, and the late Katrin Cartlidge. The film, set in a small comminuty in the Scottish Highlands in the 1970s, tells the story of Bess McNeill, a simply, godly woman who marries outsider oil rig worker Jan. When Jan is paralyzed after a work accident, he compels Bess to take other lovers in order to "keep him alive"...a task which she steadily comes to believe has divine connotations. Shot in 35mm 'scope with the great Robby Muller behind the camera, the film is a visually staggering work broaching difficult subject matter in the realms of faith, sexuality, and patriarchy all rendered in Von Trier's singular tenor, equal parts brutal, earnest, and cheekily playful.We discuss the career of Von Trier, his work as a founding member of the Dogme95 collective, and the later period evolution of his storytelling. Then, we wrestle with the film's themes and execution of its ideas. Does the movie hold up for a longtime devotee and a newcomer alike? Finally, we try to make sense of Von Trier's oeuvre, and what - if anything - could be considered the trademarks of his style.Follow Liam Billingham on Twitter.Listen and subscribe to Die Hard On A Blank Podcast.Read & Subscribe to Peter Raleigh's Newsletter 'Long Library'. ....Our theme song is "Mirror" by Chris Fish

Mads Mikkelsen has established himself as an irresistible character actor. On one hand, through his appearances in Danish auteur films such as PUSHER by Nicolas Winding Refn, ADAM'S APPLES by Anders Thomas Jensen and THE HUNT by Thomas Vinterberg. But he has also made a name for himself in Hollywood and has inspired a wide audience - including in STAR WARS ROGUE ONE, INDIANA JONES AND THE DIAL OF DESTINY and the 007 adventure CASINO ROYALE. At the ZFF Masters, Mikkelsen presents his new film THE KING'S LAND and talks about his long career.

Astrid Lindgreen har skrevet masser af børnebøger og mange af dem har været - og er - vældigt populære. Brødrene Løvehjerte har været en fast del af mange putninger, siden den kom på dansk i 1974. Nu bliver fortællingen genfødt, for Thomas Vinterberg skal nemlig lave en tv-serie om Karl Tvebak og hans modige storebror Jonathan Løvehjerte. Ph.d. i børnelitteratur Anette Øster forklarer, hvorfor nogle historier bliver udødelige og giver en status på sorglitteraturen i dag. Vejnavnenævnet i Københavns Kommune tog i går stilling til, om navnet Aleksej Navalnyjs Gade skulle reserveres i Vejnavnebanken til senere brug. Forvaltningen har nemlig modtaget flere henvendelser med forslag om at ændre Kristianiagade i København til Aleksej Navalnyjs Gade. Kulturen taler med ph.d. Line Sandst om, hvad der skal til, for at vi navngiver gader med politiske navne. Værter: Karen Secher og Chris Pedersen.

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The first year being released on the main podcast feed is the films of 2013. To hear a fantastic chorus of guests and I unpack the films of 2014 in 2024, subscribe to our Patreon here for as little as $1 a month. In this great episode, writer Noah Gittell and I relive the ever-prescient trauma of Thomas Vinterberg's THE HUNT.Thank you so much for the ongoing support.THE GUEST:Noah Gittell - a pop culture writer with bylines at The New York Times, The Ringer, The Guardian, The Atlantic, Slate, Decider and the BBC. Twitter: @noahgittell Substack: Good Eye: Movies and Baseball One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productioSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Odds and Ends: Nick watched two new fun sexy time movies, Saltburn and Poor Things, while T.J. watched a classic picture in a new manner. Feature Film: We revisit Thomas Vinterberg with his fun sexy time The Celebration, the first "Dogma 95" movie. It's about... well, you know, like, a celebration. And nothing else. It's just cool and fun and everyone has a great time. Next week's movie: The Treasure of the Sierra Madre (1948) You can join the conversation every Wednesday at 7pm EST on Twitch and Youtube! Available in podcast form on all your favorite podcatchers! Twitch // twitch.tv/ThereWillBeDuds Socials: linktr.ee/ThereWillBeDuds YouTube // There Will Be Duds Twitter // @ThereWillBeDuds Facebook // There Will Be Duds Instagram // ThereWillBeDuds TikTok // @ThereWillBeDuds --- Support this podcast: https://podcasters.spotify.com/pod/show/there-will-be-duds/support

Charlotte Bruus Christensen is an award-winning cinematographer and director who made a name for herself internationally for her work on Thomas Vinterberg's 2012 film Jagten (The Hunt) for which she received the coveted Vulcan Award at the Cannes Film Festival.  In recent years, Charlotte has turned her attention to Hollywood, having helmed such high profile features as A Quiet Place (2018), Molly's Game (2017), The Girl on the Train (2016), The Banker (2020) as well as Denzel Washington's critically acclaimed directorial debut, Fences (2016).   

On dit du court métrage que c'est l'enfance de l'art cinématographique, le passage obligé pour apprendre son métier avant de passer au format long. Pourtant ce n'est pas forcément facile de faire court. Et puis des cinéastes bien installés ont continué à réaliser des courts métrages toute leur carrière durant ! Mais on repère souvent les talents lors de festivals de courts métrages : celui de Clermont-Ferrand, en France, a ainsi distingué très tôt Cédric Klapisch, Jean-Pierre Jeunet ou Thomas Vinterberg.C'est dire l'importance d'un tel rendez-vous, maillon indispensable d'une chaîne qui, de la production à l'exploitation en salles, peut permettre de dynamiser toute une industrie.C'est le cas en ce moment à Dakar, au Sénégal, où se tient la 6ème édition de Dakar Court.Nous sommes en duplex avec le studio de RFI à Dakar où l'on retrouve le cinéaste Moly Kane, qui a créé Dakar Court, la réalisatrice Ramata Toulaye-Sy, dont le premier long métrage Banel et Adama était en compétition au dernier Festival de Cannes et représente le Sénégal dans la course à l'Oscar du meilleur film étranger, et le producteur Oumar Sall dont la maison de production Cinekap a porté, notamment, les projets d'Alain Gomis (Tey, Félicité…) et Mati Diop (Atlantique).Notre correspondante Théa Ollivier signe différents reportages, sur la compétition, officielle, et les sessions de formation.Pauses musicales : Muzi Light, Joao Selva Vai te curar.

Ellen E Jones and Mark Kermode don their red raincoats to celebrate the 50th anniversary of haunting British thriller Don't Look Now. Originally released in 1973, Don't Look Now is a spine-tingling psychodrama in which Donald Sutherland and Julie Christie play a married couple grieving the death of their young daughter in Venice. Adapted from a story by Daphne du Maurier and directed by Nicolas Roeg, the film manages to be an eerie occult chiller, a heart breaking meditation upon love and grief, and a shaggy dog story with a grisly sting in its tail. Ellen speaks to Allan Scott, who co-wrote the screenplay for Don't Look Now with his partner Chris Bryant, about his memories of the film, including its notorious sex scene, and about his long working relationship with Nicolas Roeg. And Mark talks to two filmmakers for whom Don't Look Now has been a touchstone. Writer, actor and director Alice Lowe reveals how the film, and an encounter with Nicolas Roeg, influenced her black comedy thriller Prevenge. And the director of Another Round, Thomas Vinterberg discusses the impact Don't Look Now has had on his work, and the new resonance he finds in the film following the tragic death of his own daughter. Producer: Jane Long A Prospect Street production for BBC Radio 4

The nerds sit down to catch up on one of their last mini pods and today they discuss Thomas Vinterberg's Another Round. Support us on Patreon for tiers as low as a dollar: https://www.patreon.com/thenerdcorps Join our Discord server: https://discord.gg/5XdUYNWGdX   Visit our website for reviews: https://www.thenerdcorps.com  Follow us on Twitch: https://twitch.tv/thenerdcorps Subscribe to us on YouTube: https://www.youtube.com/c/TheNerdCorps  Follow us on Twitter: https://www.twitter.com/thenerdcorps_  Follow us on Instagram: https://www.instagram.com/thenerdcorps  Follow us on Letterboxd: https://letterboxd.com/thenerdcorps/  Follow our designer Alex Almeida: https://www.twitter.com/Zans_Zone  Theme music by https://moamanofaction.bandcamp.com/album/fall-sampler  https://www.twitter.com/circuitbird --- Support this podcast: https://podcasters.spotify.com/pod/show/thenerdcorps/support

It's not hyperbole to say that this week's kid tv section and outro is the best content from Bad Dads Film Review yet, the laughs, the thrills, the spectacular revelations! And what about that phone call from Harrison Ford? Incredible! Sadly, it's drinking week and appropriately scatter brained, we messed things up by failing to record our DEXTERS LABORATORY segment and the outro. Maybe we'll give the sociopathic scientist another go some day because Sidey and I enjoyed this and not only because it was mercifully short.Thankfully Bar Manager Cris knows his strainers from his muddlers so nothing too embarrassing happens when we discuss the Top 5 Drinks in movies. Turns out that when it comes to alcoholic content we're pretty much game for all of it. Our main - by which I mean our only - feature is Thomas Vinterberg's bittersweet, melancholy and very human look at midlife crises and our relationship with alcohol in ANOTHER ROUND. A group of bored Danish teachers decide to test a theory by Norwegian philosopher and psychiatrist Finn Skarderud who claims that humans are born with a blood alcohol level 0.05% too low and therefore we should all be permanently slightly smashed. As you can imagine there are absolutely no drawbacks to this plan whatsoever. Who knew the Danes were such lushes? Mads Mikkelsen's incredible dance moves would make even a teetotaller slightly tipsy. We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

The seventh episode of our season on the awesome movie year of 2012 features our foreign film pick, Thomas Vinterberg's The Hunt. Co-written and directed by Thomas Vinterberg and starring Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp, Lasse Fogelstrøm, and Alexandra Rapaport, The Hunt premiered at the Cannes Film Festival and was nominated for an Oscar for Best Foreign Language Film.The contemporary reviews quoted in this episode come from Ann Hornaday in The Washington Post (https://www.washingtonpost.com/goingoutguide/movies/the-hunt-movie-review/2013/07/24/a391b5c8-eb04-11e2-a301-ea5a8116d211_story.html), David Rooney in The Hollywood Reporter (https://www.hollywoodreporter.com/news/general-news/hunt-cannes-review-326887/), and Mike D'Angelo in the AV Club (https://www.avclub.com/cannes-12-day-four-bootleggers-transsexuals-and-fals-1798231397).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2012 installment, featuring Jason's personal pick, hockey comedy...

The sixth episode of our season on the awesome movie year of 2012 features Josh's personal pick, Zal Batmanglij's Sound of My Voice. Directed and co-written by Zal Batmanglij and starring Christopher Denham, Nicole Vicius and co-writer Brit Marling, Sound of My Voice was the first feature from longtime collaborators Batmanglij and Marling.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/the-sound-of-my-voice-2012), Wesley Morris in The Boston Globe (http://archive.boston.com/ae/movies/articles/2012/05/11/sound_of_my_voice_review_a_brilliant_and_ridiculous_sci_fi_thriller/), and Karina Longworth in the Village Voice.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 2012 installment, featuring our foreign film pick, Thomas Vinterberg's The Hunt.