Podcast appearances and mentions of Mark Gatiss

The CBB Boys head back to the movies, this time for for The Fantastic Four: First Steps!!! TFF:FS is the 37th film in the Marvel Cinematic Universe franschise and the second reboot of the Fantastic Four for the cinema. The film was directed by Matt Shakman and features an ensemble cast including Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the family-based super-hero foursome, alongside Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser and others. Set in the early 1960s of a retro-futuristic world, the film finds the Fantastic Four desperate to protect Earth from the planet-devouring cosmic force known as Galactus! Steve, Caleb and Bill Z are all on hand to discuss what they thought of the movie and, as is our custom with our movie centered episodes, spend the back half of the show discussing collected editions featuring the Fantastic Four in comic form whuch you might enjoy! So, hit play and Flame On with this group of hairy heavy homos!

Title: The Fantastic Four: First Steps [Wikipedia] [IMDb] Director: Matt Shakman Producer: Kevin Feige Writers: Josh Friedman (screenplay); Eric Pearson, Jeff Kaplan, Ian Springer (screenplay/story); Kat Wood (story) Stars: Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn, Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, Ralph Ineson Release date: July 25, 2025 PROMO: Anime Talk! (@AnimeTalk12) SHOWNOTES: Collateral Cinema is back with yet another At the Movies review; within a week of the debut of the DCU with Superman, we also got the latest MCU installment: The Fantastic Four: First Steps! This entry is Marvel Studios' long-awaited take on Marvel's First Family, set in the 1960s-inspired retro-futuristic Earth-828, apart from the mainline MCU timeline. We found a lot of parallels between both July 2025 superhero movies and talk at length about those, as well as compare the new Fantastic Four film to previous attempts. Catch all of our spoiler-free thoughts on the new episode, and stay tuned for more post-season content, including more At the Movies reviews, as well as Season Nine in October! Collateral Cinema is on Bluesky, Facebook, Instagram, Threads, and Twitter, and is on Goodpods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeart, and wherever else you get your podcasts! Also, check out Collateral Let's Play! on our YouTube channel. Collateral Media merch is available on Dashery! Check out everything from shirts and hats, to stickers, and even tapestries, at our affiliate link now: collateralmedia.dashery.com (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

Send us a textOn this new episode Dylan is joined by Rod Brown to looking at various comedy skits, spoofs and fan films. Including 'The Curse of the Fatal Death', 'The Few Doctors', 'The Five(ish) Doctors Reboot' and many more. And as always they answer the burning questions: Why is Gary Downie dressed as a Time Lord ?Who is nearly cancelled?Which show runner is an ego maniac? 

    For a hundred years, Sunlight has been a beacon of hope shining across a troubled galaxy, an artificial paradise on a frozen world offering safe haven for the super-rich, and employment for even the poorest of labourers. At least, that's what the adverts say. Unfortunately for Governor Robert Hodan, one of his engineers has just discovered a pair of strange-looking pods lodged in a satellite. So Sunlight, that glittering verdant oasis, will never be the same again. Because, as the Doctor knows only too well, on planets where the Krynoid gets established, the vegetation eats the animals... Episode 1.1 Sunlight by Jonathan Morris Episode 1.2 Sunset by Jonathan S Powell Episode 1.3 Darkness by Chris Chapman   Please note: the collector's edition CD box set is strictly limited to 1,000 copies   Recorded on: 25 and 29 July and 2 August 2024 Recorded at: The Soundhouse   Producer Jonathan S Powell said: "Planet Krynoid is Doctor Who's answer to The Last of Us and The Walking Dead, a heart-stopping vision of society's collapse under the weight of one of television's most terrifying creations: the Krynoid. "The Krynoids themselves are terrifying because they do that great sci-fi thing of inverting the ordinary and making you petrified of pot plants. More than that though, they're a sentient infection utterly antithetical to our existence, for which we are woefully unprepared, which makes them the perfect monster to explore today, half a century on from their debut. "I adore The Seeds of Doom - not just for its B-movie brilliance, but for the creeping feeling it evokes that this time, for the first time, the Doctor really might lose. That's what we've tried to convey in this set, that the gloves are off and nobody is safe." Reece Shearsmith said: "I know a lot of actors on Big Finish's roster - David Warner was a great friend, and he used to love doing them and would tell me about them: 'Why haven't you done one?' So I was thrilled to be asked to be in this. It's a really huge drama, it feels a proper disaster movie of the 1970s, like The Poseidon Adventure - things just get worse and worse. "It's a thrill to be part of Doctor Who, it's an institution and it feels like you've made it as an actor if you're asked to be in this world. Hodan is a particular sort of character that Doctor Who is peppered with a lot of – cowards who have a noble intention but trample on people along the way. I've done one before actually, in Mark Gatiss's TV episode Sleep No More. It's a nice thing to play, because it's a very conflicted part." Paul McGann added: "Doctor Who's quite horrible, isn't it, really? When you think about it, it throws up some proper disgusting horrors. Plants that eat people! "The best monsters work on a really visceral, almost childlike level. The Krynoids are like that. Who wants to be eaten by anything, never mind a huge plant?"     Cover Art by Director Executive Producer Music by Producer Script Editor Sound Design by Written by Senior Producer

It's back to the 50's for this Mark Gatiss penned episode. The Coronation of the Queen is the background for this face stealing story, but is this just a filler episode?

Set in postwar 1946 London, Bookish follows bibliophile Gabriel Book, who runs a secondhand shop and solves crimes through his encyclopedic literary knowledge. Created by Sherlock's Mark Gatiss and historian Matthew Sweet, this “cozy crime with an edge” brings vintage aesthetic and wit to a world still reeling from the aftermath of The Blitz. In this podcast, we discuss the first story (2 episodes), the mystery, the characters, the humor, and how it compares to other shows like The Jetty, Monsieur Spade, and Department Q.Tune in for our rating and trivia. Welcome to Today's Episode!

On this week's episode Will, Ian & Nora, your First Family of Podcasting will cover Marvel's first family! The one with the Zaddie and the Rock! Should be fun when they talk-THE FANTASTIC FOUR: FIRST STEPS (pg-13) 114 minutesDirected by: Matt Shakman. Starring: Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach. Joseph Quinn, Ralph Ineson, Julia Garner, Natasha Lyonne, Paul Walter Hauser, Sarah Niles, Mark Gatiss and Many Other Talented People! 00:02:15- First Thoughts00:10:00- What Could Have Been...00:18:00- THE FANTASTIC FOUR: FIRST STEPS00:20:00- Tasty Morsels00:25:00- Rating/Review00:56:30- Totals00:59:00- Next Week/Bye!Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/THELastActionCritics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @TheLastActionCriticsemail:   Thelastactioncritics@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube.com⁠⁠⁠⁠⁠⁠⁠⁠⁠Next Week: Goldeneye (1995) (Available on MGM+)

True Believers EP.100: FANTASTIC FOUR: First Steps (2025) Spoiler Reaction Show! SPOILER ALERT! Welcome to True Believers, the MCU & Superhero Fandom Group podcast on The Fandom Podcast Network! On this episode your True Believers hosts & guests discuss their reactions to FANTASTIC FOUR: First Steps (2025), on this Spoiler Reaction Show! The Fantastic Four: First Steps is a 2025 American superhero film based on the Marvel Comics superhero team the Fantastic Four. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film was directed by Matt Shakman from a screenplay by Josh Friedman, Eric Pearson, and the team of Jeff Kaplan and Ian Springer. It features an ensemble cast including Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the Fantastic Four  team, alongside Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson. The film is set in the 1960s of a retro-futuristic world which the Fantastic Four must protect from the planet-devouring cosmic being Galactus (Ineson). - Fandom Podcast Network YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - True Believers Main Podcast Feed: https://fpnet.podbean.com/category/True-Believers-a-mcu-podcast/ - True Believers: MCU & Superhero Fandom Facebook Group! Link: https://www.facebook.com/groups/143313841014405/edit   Fandom Podcast Network Contact Information: - FPNet web site & master feed: http://fpnet.podbean.com/ - Fandom Podcast Network on Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: @fandompodcastnetwork https://www.instagram.com/fandompodcastnetwork/ - X: @fanpodnetwork / https://twitter.com/fanpodnetwork - Bluesky: @fanpodnetwork / https://bsky.app/profile/fanpodnetwork.bsky.social   True Believers / Fandom Podcast Network Host Contact Info: - Kevin Reitzel on X / Instagram / Threads / Discord & Letterboxd: @spartan_phoenix / Bluesky: @spartanphoenix - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd / Blue Sky: @akylew - Lacee Aderhold on Letterboxd & Discord: @Laceepants - Tee Public Fandom Podcast Network Store:  https://www.teepublic.com/stores/fandom-podcast-network   #TrueBelievers #TrueBelieversMCUPodcast #FandomPodcastNetwork #FPN #FPNET #FantasticFour #Fantastic4 #FantasticFour2025 #FantasticFourMovie #Marvel #MCU #MarvelComics #MarvelStudios #MattShakman #PedroPascal #VanessaKirby #EbonMossBachrach #JosephQuinn #JuliaGarner #SarahNiles #MarkGatiss #NatashaLyonne #PaulWalterHauser #RalphIneson #Galactus #KevinReitzel #KyleWagner #LaceeAderhold  

This week on Reel Talk, Honey and Jonathan are recording from Jonathan's remote “ad hoc” podcast studio - which seems to be experiencing some Toy Story mystery.Together, they discuss the joy of Adam Sandler's return in Happy Gilmore 2 on Netflix, and Jonathan taps into his superhero knowledge to share his thoughts on The Fantastic Four: First Steps. Is it truly fantastic - and how will it compare to what Honey describes as a “teehee-a-minute” Superman?Plus, they review the new six-part crime drama series Bookish, created by Mark Gatiss.If you want to get involved in the show, email us at reeltalk@global.com and follow us on Instagram at @reeltalkross.Listen and subscribe to Reel Talk on Global Player or wherever you get your podcasts.

Kein Superheldenstoff hat soviele verunglückte Verfilmungen erlebt wie die FANTASTISCHEN VIER. Also für Marvel eine besondere Herausforderung für den 37. Film im MCU. Dass FIRST STEPS ein ansehbares Abenteuer geworden ist, liegt zum einen an der Ausstrahlung der beiden Hauptdarsteller Vanessa Kirby und Pedro Pascal. Ihnen gelingt es, dass die Zuschauer über Schwangerschaft, Familienstreit, Moral und Opferbereitschaft nachdenken und nicht über die lächerliche Elastizität von Mister Fantastic. Zum anderen schafft das konsequent analoge Retro-Design der 1960er Jahre eine ganz besondere Atmosphäre. Was wie die gute alte Zeit aussieht, ist aber nicht besser als unsere Gegenwart: Als es darum geht, die eigene Haut zu retten, ist von Solidarität unter den Menschen wenig zu sehen. Abgesehen vom moralischen Dilemma, wie hoch der Preis für die Rettung der Menschheit sein darf, bleiben die Geschichte und die Inszenierung doch sehr konventionell. Da wünschen wir uns mehr Ideen und Mut auf dem Regiestuhl, wenn diese Fantastischen Vier wieder auf die Leinwand zurückkehren. Direkt nach dem Kino am Mikrofon: Tom und Thomas.

The Fantastic Four: First Steps is a 2025 American superhero film based on the Marvel Comics superhero team the Fantastic Four. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film was directed by Matt Shakman from a screenplay by Josh Friedman, Eric Pearson, and the team of Jeff Kaplan and Ian Springer. It features an ensemble cast including Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the titular team, alongside Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson. The film is set in the 1960s of a retro-futuristic world which the Fantastic Four must protect from the planet-devouring cosmic being Galactus (Ineson).20th Century Fox began work on a new Fantastic Four film following the failure of Fantastic Four (2015). After the studio was acquired by Disney in March 2019, control of the franchise was transferred to Marvel Studios, and a new film was announced that July. Jon Watts was set to direct in December 2020, but stepped down in April 2022. Shakman replaced him that September when Kaplan and Springer were working on the script. Casting began by early 2023, and Friedman joined in March to rewrite the script. The film is differentiated from previous Fantastic Four films by avoiding the team's origin story. Pearson joined to polish the script by mid-February 2024, when the main cast and the title The Fantastic Four were announced. The subtitle was added in July, when filming began. It took place until November 2024 at Pinewood Studios in England, and on location in England and Spain.The Fantastic Four: First Steps premiered at the Dorothy Chandler Pavilion in Los Angeles on July 21, 2025, and was released in the United States on July 25, as the first film in Phase Six of the MCU. The film received generally positive reviews from critics and has grossed over $216 million worldwide. A sequel is in development.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Spoiler review of The Fantastic Four: First Steps is a 2025 American superhero film based on the Marvel Comics superhero team the Fantastic Four. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 37th film in the Marvel Cinematic Universe(MCU) and the second reboot of the Fantastic Four film series. The film was directed by Matt Shakman from a screenplay by Josh Friedman, Eric Pearson, Jeff Kaplan, and Ian Springer. It features an ensemble cast including Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the titular team, alongside Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson. In the film, the Fantastic Four must protect their 1960s-inspired retro-futuristic world from the planet-devouring cosmic being Galactus(Ineson).Hosted by Ausha. See ausha.co/privacy-policy for more information.

The Fantastic Four: First Steps is a 2025 American superhero film based on the Marvel Comics superhero team the Fantastic Four. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film was directed by Matt Shakman from a screenplay by Josh Friedman, Eric Pearson, Jeff Kaplan, and Ian Springer. It features an ensemble cast including Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the titular team, alongside Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson. In the film, the Fantastic Four must protect their 1960s-inspired retro-futuristic world from the planet-devouring cosmic being Galactus (Ineson).20th Century Fox began work on a new Fantastic Four film following the failure of Fantastic Four (2015). After the studio was acquired by Disney in March 2019, control of the franchise was transferred to Marvel Studios, and a new film was announced that July. Jon Watts was set to direct in December 2020, but stepped down in April 2022. Shakman replaced him that September when Kaplan and Springer were working on the script. Casting began by early 2023, and Friedman joined in March to rewrite the script. The film is differentiated from previous Fantastic Four films by avoiding the team's origin story. Pearson joined to polish the script by mid-February 2024, when the main cast and the title The Fantastic Four were announced. The subtitle was added in July, when filming began and lasted until November 2024 at Pinewood Studios in England, and on location in England and Spain.The Fantastic Four: First Steps premiered at the Dorothy Chandler Pavilion in Los Angeles on July 21, 2025, and was released in the United States on July 25, as the first film in Phase Six of the MCU. The film received generally positive reviews from critics. A sequel is in development.

pWotD Episode 3006: The Fantastic Four: First Steps Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 463,457 views on Friday, 25 July 2025 our article of the day is The Fantastic Four: First Steps.The Fantastic Four: First Steps is a 2025 American superhero film based on the Marvel Comics superhero team the Fantastic Four. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film was directed by Matt Shakman from a screenplay by Josh Friedman, Eric Pearson, Jeff Kaplan, and Ian Springer. It features an ensemble cast including Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the titular team, alongside Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson. In the film, the Fantastic Four must protect their 1960s-inspired retro-futuristic world from the planet-devouring cosmic being Galactus (Ineson).20th Century Fox began work on a new Fantastic Four film following the failure of Fantastic Four (2015). After the studio was acquired by Disney in March 2019, control of the franchise was transferred to Marvel Studios, and a new film was announced that July. Jon Watts was set to direct in December 2020, but stepped down in April 2022. Shakman replaced him that September when Kaplan and Springer were working on the script. Casting began by early 2023, and Friedman joined in March to rewrite the script. The film is differentiated from previous Fantastic Four films by avoiding the team's origin story. Pearson joined to polish the script by mid-February 2024, when the main cast and the title The Fantastic Four were announced. The subtitle was added in July, when filming began and lasted until November 2024 at Pinewood Studios in England, and on location in England and Spain.The Fantastic Four: First Steps premiered at the Dorothy Chandler Pavilion in Los Angeles on July 21, 2025, and was released in the United States on July 25, as the first film in Phase Six of the MCU. The film received generally positive reviews from critics. A sequel is in development.This recording reflects the Wikipedia text as of 02:43 UTC on Saturday, 26 July 2025.For the full current version of the article, see The Fantastic Four: First Steps on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Justin.

For this "Quick Screen" episode, Michael checked out the brand new theatrical film "The Fantastic Four: First Steps". What are some of his thoughts of this superhero film that is the latest installment of the Marvel Cinematic Universe starring Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn, Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson? Check it out and see!Be a part of the conversation!E-mail the show at screennerdspodcast@gmail.comFollow the show on Twitter @screennerdspodLike the show on Facebook (Search for Screen Nerds Podcast and find the page there)Follow the show on Instagram and Threads just search screennerdspodcastCheck out the show on Bluesky just search screennerdspodcastBe sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!)Want to share your thoughts on the podcast? Send me an e-mail!Thanks to Frankie Creel for the artwork

Doctor Who writer Mark Gatiss said it's time for the show to "rest" after the disastrous run of Jodie Whittaker and Ncuti Gatwa. Ratings have never been worse, and it's looking like Disney isn't coming to bail out the BBC this time. Watch this podcast episode on YouTube and all major podcast hosts including Spotify.CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles.D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/On YouTube - https://www.youtube.com/c/ClownfishTVOn Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvgOn Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Doctor Who writer Mark Gatiss said it's time for the show to "rest" after the disastrous run of Jodie Whittaker and Ncuti Gatwa. Ratings have never been worse, and it's looking like Disney isn't coming to bail out the BBC this time. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

"The Fantastic Four: First Steps" is the latest attempt to bring Marvel's first family, the Fantastic Four, to the big screen, following the 2005 and 2015 films. It is the 37th film in the Marvel Cinematic Universe (MCU) and stars Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the titular team, alongside Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson. Garner, Ineson, and director Matt Shakman were kind enough to spend some time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which will open in theaters on July 25th from Walt Disney Studios Motion Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Third time is hopefully the charm for Marvel's First Family as the Fantastic Four make their MCU Debut in The Fantastic Four: First Steps. Listen as Ashley and Dyla discuss the film, talk about the depiction of each of the team members and question if this film does enough to reinvigorate the MCU. The Fantastic Four: First Steps (2025) Directed by: Matt Shakman Screenplay by: Josh Friedman, Eric Pearson, Jeff Kaplan, Ian Springer Story by: Eric Pearson, Jeff Kaplan, Ian Springer, Kat Wood Based on Fantastic Four by: Stan Lee, Jack Kirby Starring: Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, Joseph Quinn, Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, Ralph Ineson Hosts: Ashley Hobley: https://bsky.app/profile/ashleyhobley.bsky.social   Dylan Blight: https://bsky.app/profile/dylan.explosionnetwork.com   All-New Marvel Cast Credits: Original music: Savfk (www.youtube.com/savfkmusic www.facebook.com/savfkmusic) License: CC BY (http://creativecommons.org/licenses/by/4.0/) Additional sounds and edit by Dylan Blight Art by: Dylan Blight (images from Marvel films) All Episodes: https://all-newmarvelcast.podbean.com   Support Us: http://www.ko-fi.com/explosion 

Mark Gatiss's new crime drama is set in 1946 London: a city recovering from the Blitz, when gangs ran wild and gun crime was rife.Bookish is inspired by both true crimes and the Golden Age of Detective Fiction which preceded the Second World War.But what were the true crimes of this period?And how does Mark, who works across so many genres (comedy, horror, sci-fi, action, period-drama) and platforms (TV, books, theatre, film) create a show which resonates? Bookish is already posting big audience numbers on U&Alibi in the UK.You may know Mark from The League of Gentlemen, Sherlock, Doctor Who, Game of Thrones, Dracula - and MANY other shows.But what is it that brings him back to crime?To watch this interview, click here: https://open.substack.com/pub/robertmurphy/p/sherlocks-mark-gatiss-true-crime?r=1lsdh7&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit robertmurphy.substack.com

Bookish goes Poddish this week as Mark Gatiss joins us on the show to talk about post-war crime solving on U&Alibi (30:01-51:57). Plus we review a trio of time-hopping dramas this week from Aussie/Northern ‘80s drama Mix Tape on BBC2 (1:11:16), epic WWII literary adaptation The Narrow Road To The Deep North on BBC1 (1:26:44), and emancipation and invention adventure Washington Black on Disney+ (1:37:44). And, courtesy of a listener, we delve into the different types of streaming drops from weekly drip-feeds to all-you-can-eat binges. (Episode 346)Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

Samira talks to Mark Gatiss about his new detective series, Bookish. Playwright Suzie Miller discusses her new courtroom drama Inter Alia, about a Crown Court Judge facing a family crisis. We explore the impact of President Trump's cuts to US public media and consider the legacy of British cinema of the 80s.Presenter: Samira Ahmed Producer: Simon Richardson

For a fallow Time of Who there sure is a bunch a news to cover including Ncuti “Doctor Who” Gatwa talking about why he left the show (whether we believe him or not is a matter of debate), the BBC maintining its interest in Doctor Who, Mark Gatiss on the dangers of nostalgia, an Emmy nomination for (of all things) “There's Always a Twist”, the triumphant return of the BBC Shop, Blake's 7, Big Finish, Paul Cornell's new comic business venture, and more! Why, it's as if we aren't about to enter a Second Wilderness Years!  Links: Support Radio Free Skaro on Patreon Ncuti Gatwa left Doctor Who “because I'm getting old and my body was tired” A Chat With BBC Commercial's CEO on ‘Bluey,' a News Paywall, YouTube and ‘Doctor Who' BBC License Fee Income Hits Record High Mark Gatiss on the dangers of nostalgia Strangers in Space podcast episode 179 Doctor Who nominated for Emmy for Best Choreography for “There's Always a Twist” Doctor Who Magazine 619 released BBC Shop relaunching on July 22 Doctor Who Figurine Collection returning Two Doctor Who audio original adventures, Firefall and Counterstrike, launch October 2 Mission to Magnus audio release due Nov 6 Blake's 7 Series 2 Collection announced Big Finish: Doctor Who – The Audio Novels: The Mirror Matter available now Big Finish: Doctor Who – The Fugitive Doctor: Dead or Alive available now Big Finish: Bernice Summerfield: The Dalek Eternity series starts in September 2025 Paul Cornell launches new comics publishing company Cosmic Lighthouse EVOLUTION Doctor Who Art~A New Dimension by Andrew Skilleter, available for preorder

Ian and Hannah review the biggest new films and bingeable shows on UK streaming services for the week beginning Friday 18th July 2025, including:In the vast expanse of Yosemite National Park, a woman's death draws a federal agent into lawless terrain — where nature obeys no rules but its own, in Netflix series Untamed.Seven celebrities including Sir Lenny Henry and Dougie Poynter embark on a dangerous journey to the Bahamas to swim with sharks in the ITV's aptly named reality show Shark! Celebrity Infested Waters. A bookseller helps the police solve the strangest of crimes and the knottiest of murders - while hiding his own secrets. Mark Gatiss stars in detective drama Bookish on NOW TV.Years on from their teen romance in 80s Sheffield, music brings them back together - was this the love they were meant to have? Romance and heartbreak with a banging soundtrack in BBC iPlayer's Mix Tape.Follow Bingewatch on all major podcast players for your weekly rundown of the best binge-worthy shows across Netflix, Prime Video, Disney+ and more.Remember to leave a 5 star review on Apple Podcasts, Podchaser and Goodpods AND you can now show your support and leave a tip for Ian and Hannah.You can also stay in touch with the team via Twitter AND if you like Bingewatch but you're looking for a specific review, check out BITESIZE BINGEWATCH, our sister show making it easier to get the bits you want!For ad and sponsorship enquiries, email liam@mercurypodcasts.com now!

LOOK OUT! It’s only Films To Be Buried With! Join your host Brett Goldstein as he talks life, death, love and the universe with the writer, actor, author and esteemed multi-hyphenate MARK GATISS! Mark has had involvement on screens of all sizes, not to mention just about all media available, and is a beloved presence in the creative world. A quick listen to Brett's comprehensive intro will back this up easily. But it's not always the case that we get to hear from Mark, let alone his cinematic choices or indeed thoughts on transcending mortal existence! So enjoy this awesome check-in where we get to hear some genuinely lovely wisdom and fun moments from someone who's likely worked on one of your favourite shows or series - a fabulous episode with so much to get lost in. And Mark's definitely good for a tale or two. Have fun! Video and extra audio available on Brett's Patreon! BOOKISH more BOOKISH IMDB SHERLOCK LEAGUE OF GENTLEMEN –––––––––– BRETT • X BRETT • INSTAGRAM THE SECOND BEST NIGHT OF YOUR LIFE TED LASSO SHRINKING ALL OF YOU SOULMATES SUPERBOB (Brett's 2015 feature film)See omnystudio.com/listener for privacy information.

It's another episode of Mark Gatiss here on Doctor Who: The Writers' Room. This month, Erik and Kyle look at the two stories Gatiss wrote for Series 7B. First up, "Cold War," the story that reintroduced the Ice Warriors aboard a Russian submarine in 1983. Second, "The Crimson Horror," a penny dreadful riff with the Paternoster Gang and a delicious Diana Rigg performance. Are these maybe Gatiss' best scripts? 

Hayley Campbell and Scott Bryan join Naga Munchetty to review the new Netflix show from Lena Dunham, Too Much.Also, acclaimed BBC comedy Such Brave Girls returns for a second series, and we hear the trio's thoughts on new Mark Gatiss crime drama Bookish, on the streaming service U&Drama.

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  The wonderful Mark Gatiss is our guest this week. He joins Simon and Mark to talk ‘Bookish'—his new crime comedy passion project that sees him play a bookseller-turned-detective in postwar London. Plenty of whimsy, history, detective-fiction geekery and big love for weird archaic vocabulary in this chat, so don't miss it—he's always a delight.   Our Mark reviews the series, as well as the week's big cinema releases. First up, ‘Modì, Three Days on the Wing of Madness'--a whirlwind imagining of three days in the life of bohemian artist Modigliani, directed by Johnny Depp and (briefly) featuring Al Pacino. And, of course, we'll get the lowdown on the super-size blockbuster of this week: is it a bird? Is it a plane? No, it's ‘Superman'!   We'll also address this week's ‘Salt Path' news, with Mark and Simon reacting to the controversy surrounding the author of the original memoir, Raynor Winn. Since recording, Winn has published her response to the allegations which can be found here: https://www.raynorwinn.co.uk/     Timecodes (for Vanguardistas listening ad-free):  Salt Path discussion: 02:36  Modì: Three Days on the Wing of Madness Review: 11:54  BO10: 18:04  Mark Gatiss Interview: 27:37  Bookish Review: 42:19  Superman Review: 49:59    You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the Best Podcast in the Galaxy* this week is none other than the comic and dramatic genius Mark Gatiss. Mark chats about politics, children's TV, comedy, and that time he played Peter Mandelson. Plus he reveals why he won't be accepting an honor from the King any time soon. He's a true multi-hyphenate; an actor, comedian, screenwriter, director, producer and novelist, whose latest project Bookish is out this month and you can watch the trailer hereEnjoy! *Galaxy Podcast Awards 2025 Hosted on Acast. See acast.com/privacy for more information.

Joe and Toni discuss cosplaying Mark Gatiss and what brothers are like in the Doctor Who episode The Lazarus Experiment. If you're interested in being a Friend of Rassilon, click here. Download • YouTube • RSS • Patreon • iTunes • Google Play • ESO Network

Joe and Toni discuss cosplaying Mark Gatiss and what brothers are like in the Doctor Who episode The Lazarus Experiment. If you’re interested in being a Friend of Rassilon, click here. Download • YouTube • RSS • Patreon • iTunes • Google Play • ESO Network The post The Watch-A-Thon of Rassilon: Episode 187: The Lazarus Experiment (A Streak of Bad Episodes) appeared first on The ESO Network.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this week's second podcast review, Dan Bayer, Alyssa Christian, Daniel Howat & Giovanni Lago join me to review and discuss the final "Mission: Impossible" film, "Mission: Impossible - The Final Reckoning" starring Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, Angela Bassett, Esai Morales, Pom Klementieff, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Shea Whigham, Greg Tarzan Davis, Charles Parnell, Mark Gatiss, Tramell Tillman & Katy O'Brian. Directed by Christopher McQuarrie and continuing where "Dead Reckoning" left off, with one of the largest production budgets in history, the longest runtime of the franchise, and as the cumulative eighth film in a nearly thirty-year franchise, this is by far the biggest "Mission: Impossible" film to date. But does bigger always mean better? Please tune in as we discuss the story, character arcs, set pieces, stunts, craftsmanship, the franchise's future, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening. We hope you enjoy...one last time. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the boys pull up their dacks, lace up their blunnies, pull over their cardies, eat a bikkie, grab a tinny, and lob in for the Ridgy Didge himself, Baz Luhrmann's first feature film, “Strictly Ballroom”. This isn't any ear bashing- we loved it! It made us three happy little Vegemites. After Jeff gives a quick mini-review of “Mission: Impossible— The Final Reckoning”, our native Aussie and gutless wonder, Dave, knackered from a good hissy at his lappy, guides us through this absolute hooley dooley. Don't be a drongo- grab a coldie and listen- you'll be doing the bogo pogo in a jiff!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:27 Jeff's mini-review of Mission: Impossible — The Final Reckoning; 11:29 Gripes; 15:01 1992 Year in Review; 39:02 Films of 1992: Strictly Ballroom; 1:21:26 What You Been Watching?; 1:28:53 Next Episode Teaser Additional Cast/Crew: Paul Mercurio, Tara Morice, Craig Pearce, Bill Hunter, Pat Thompson, Gia Carides, Peter Whitford, Barry Otto, Sonia Kruger, Tom Cruise, Hayley Atwell, Simon Pegg, Ving Rhames, Pom Klementieff, Esai Morales, Holt McCalleny, Janet McTeer, Nick Offerman, Shea Whigham, Tramell Tillman, Angela Bassett, Mark Gatiss, Rolf Saxon, Greg Tarzan Davis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics)    

Daniel, Shahbaz, and Anthony review Christopher McQuarrie's MISSION: IMPOSSIBLE – THE FINAL RECKONING starring Tom Cruise. This review is spoiler-free. The film also stars Hayley Atwell, Ving Rhames, Simon Pegg, Esai Morales, Pom Klementieff, Henry Czerny, Mariela Garriga, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Tramell Tillman, Shea Whigham, Greg Tarzan Davis, Charles Parnell, Mark Gatiss, Rolf Saxon, Lucy Tulugarjuk, and Angela Bassett. Mission: Impossible – The Final Reckoning releases in theatres and IMAX on May 23. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠YouTube⁠⁠, and ⁠⁠TheMoviePodcast.ca⁠⁠ Contact: ⁠⁠hello@themoviepodcast.ca⁠⁠ ⁠⁠FOLLOW US⁠⁠ Daniel on ⁠⁠X⁠⁠, ⁠⁠Instagram⁠⁠, ⁠⁠Letterboxd⁠⁠ Shahbaz on ⁠⁠X⁠⁠, ⁠⁠Instagram⁠⁠, and ⁠⁠Letterboxd⁠⁠ Anthony on ⁠⁠X⁠⁠, ⁠⁠Instagram⁠⁠, and ⁠⁠Letterboxd⁠⁠ The Movie Podcast on ⁠⁠X⁠⁠, ⁠⁠Instagram⁠⁠, ⁠⁠TikTok⁠⁠, ⁠⁠Discord⁠⁠, and ⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

The Novel Adaptations: Professor Nightshade - tea-time terror for all the family, and the most loved show in Britain. But Professor Nightshade's days are long over, and Edmund Trevithick is now just an unemployed actor in a retirement home, fondly remembering his past.It's the same through the entire village of Crook Marsham - people are falling prey to their memories. At first harmlessly, and then, the bodies begin to turn up.The Doctor and Ace arrive on the scene - but, with the Doctor planning his retirement, it may be time for Professor Nightshade to solve one last case.Nightshade is based on the novel by Mark Gatiss from the Virgin New Adventures series of Doctor Who books. Hosted on Acast. See acast.com/privacy for more information.

The Novel Adaptations: Professor Nightshade - tea-time terror for all the family, and the most loved show in Britain. But Professor Nightshade's days are long over, and Edmund Trevithick is now just an unemployed actor in a retirement home, fondly remembering his past.It's the same through the entire village of Crook Marsham - people are falling prey to their memories. At first harmlessly, and then, the bodies begin to turn up.The Doctor and Ace arrive on the scene - but, with the Doctor planning his retirement, it may be time for Professor Nightshade to solve one last case.Nightshade is based on the novel by Mark Gatiss from the Virgin New Adventures series of Doctor Who books. Hosted on Acast. See acast.com/privacy for more information.

Send us a textOn the Time Lash is an archive podcast containing views that were of their time. Now that's out the way, let's celebrate the 20th anniversary of The Unquiet Dead by revisiting Ben and Mark's chat all about Victoriana in Doctor Who when they paired it with The Talons of Weng-Chiang. Is John Bennett really as bad as Matt Lucas?Support the showFollow us on TwitterLike us on FacebookBuy us a pint

The Novel Adaptations: Professor Nightshade - tea-time terror for all the family, and the most loved show in Britain. But Professor Nightshade's days are long over, and Edmund Trevithick is now just an unemployed actor in a retirement home, fondly remembering his past.It's the same through the entire village of Crook Marsham - people are falling prey to their memories. At first harmlessly, and then, the bodies begin to turn up.The Doctor and Ace arrive on the scene - but, with the Doctor planning his retirement, it may be time for Professor Nightshade to solve one last case.Nightshade is based on the novel by Mark Gatiss from the Virgin New Adventures series of Doctor Who books. Hosted on Acast. See acast.com/privacy for more information.

The Novel Adaptations: Professor Nightshade - tea-time terror for all the family, and the most loved show in Britain. But Professor Nightshade's days are long over, and Edmund Trevithick is now just an unemployed actor in a retirement home, fondly remembering his past.It's the same through the entire village of Crook Marsham - people are falling prey to their memories. At first harmlessly, and then, the bodies begin to turn up.The Doctor and Ace arrive on the scene - but, with the Doctor planning his retirement, it may be time for Professor Nightshade to solve one last case.Nightshade is based on the novel by Mark Gatiss from the Virgin New Adventures series of Doctor Who books. Hosted on Acast. See acast.com/privacy for more information.

Like it or not, it's impossible to talk about the Steven Moffat years without discussing the single most ubiquitous other writer of the era, Moffat's longtime collaborator and co-creator of Sherlock, Mark Gatiss. In the first of many episodes about Gatiss' Who output, Kyle and Erik discuss "Victory of the Daleks" and "Night Terrors," one of which might even be better than you think.

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers     Dad's Army   Dad's Army is a British television sitcom about the United Kingdom's Home Guard during the Second World War. It was written by Jimmy Perry and David Croft, and originally broadcast on BBC1 from 31 July 1968 to 13 November 1977. It ran for nine series and 80 episodes in total; a feature film released in 1971, a stage show and a radio version based on the television scripts were also produced. The series regularly gained audiences of 18 million viewers and is still shown internationally. The Home Guard consisted of local volunteers otherwise ineligible for military service, either because of age (hence the title Dad's Army), medical reasons or by being in professions exempt from conscription. Most of the platoon members in Dad's Army are over military age and the series stars several older British actors, including Arnold Ridley, John Laurie, Arthur Lowe and John Le Mesurier. Younger members of the cast included Ian Lavender, Clive Dunn (who, despite being one of the younger cast members, played the oldest guardsman, Lance Corporal Jones) and James Beck (who died suddenly during production of the sixth series in 1973). Other regular cast members included Frank Williams as the vicar, Edward Sinclair as the verger, and Bill Pertwee as the chief ARP warden. The series has influenced British popular culture, with its catchphrases and characters being widely known. The Radio Times magazine listed Captain Mainwaring's "You stupid boy!" among the 25 greatest put-downs on TV. A 2001 Channel 4 poll ranked Captain Mainwaring 21st on its list of the 100 Greatest TV Characters. In 2004, Dad's Army came fourth in a BBC poll to find Britain's Best Sitcom. It was placed 13th in a list of the 100 Greatest British Television Programmes, drawn up by the British Film Institute in 2000, and voted for by industry professionals. A second feature film of Dad's Army with a different cast was released in 2016. In 2019, UKTV recreated three missing episodes for broadcast in August that year on its Gold channel under the title Dad's Army: The Lost Episodes. It starred Kevin McNally and Robert Bathurst as Captain Mainwaring and Sergeant Wilson. Origins Co-writers David Croft and Jimmy Perry during a Dad's Army event at Bressingham Steam Museum, May 2011 Originally intended to be called The Fighting Tigers, Dad's Army was based partly on co-writer and creator Jimmy Perry's experiences in the Local Defence Volunteers (LDV, later known as the Home Guard) and highlighted a somewhat forgotten aspect of defence during the Second World War. Perry was only 16 when he joined the 10th Hertfordshire Battalion. His mother did not like him being out at night, and feared he might catch a cold; he partly resembled the character of Private Pike. An elderly lance corporal in the 10th Hertfordshire often referred to fighting under Kitchener against the "Fuzzy Wuzzies" (Hadendoa), and was the model for Lance Corporal Jones. Other influences included the work of comedians such as Will Hay, whose film Oh, Mr Porter! featured a pompous ass, an old man and a young man; together, this gave Perry the ideas for Mainwaring, Godfrey and Pike. Film historian Jeffrey Richards has cited Lancastrian comedian Robb Wilton as a key influence; Wilton portrayed a work-shy husband who joined the Home Guard in numerous comic sketches during World War II. Perry wrote the first script and sent it to David Croft while working as a minor actor in the Croft-produced sitcom Hugh and I, originally intending the role of the spiv, later called Walker, to be his own. Croft was impressed and sent the script to Michael Mills, the BBC's head of comedy, and the series was commissioned. In his book Dad's Army: The Story of a Classic Television Show, Graham McCann explains that the show owes much to Michael Mills. It was he who renamed the show Dad's Army. He did not like Brightsea-on-Sea, so the location was changed to Walmington-on-Sea. He was happy with the names for the characters Mainwaring, Godfrey and Pike, but not with other names, and he made suggestions: Private Jim Duck became James Frazer, Joe Fish became Joe Walker and Jim Jones became Jack Jones. He also suggested adding a Scot. Jimmy Perry had produced the original idea, but needed a more experienced partner to see it through, so Mills suggested David Croft and this launched the beginning of their professional association. When an episode was screened to members of the public to gauge audience reaction prior to broadcast of the first series, the majority of the audience thought it was very poor. The production team put the report containing the negative comments at the bottom of David Croft's in-tray. He only saw it several months later,[16] after the series had been broadcast and received a positive response. Situation The series is set in the fictional seaside town of Walmington-on-Sea, located on the south coast of England, not far from Eastbourne. The exterior scenes were mostly filmed in and around the Stanford Training Area (STANTA), near Thetford, Norfolk.[19] Walmington, and its Home Guard platoon, would be on the frontline in the event of a German invasion across the English Channel. The first series has a loose narrative thread, with Captain Mainwaring's platoon being formed and equipped, initially with wooden guns and LDV armbands, later on with full army uniforms; the platoon is part of the Queen's Own Royal West Kent Regiment. The first episode, "The Man and the Hour", begins with a scene set in the then-present day of 1968, in which Mainwaring addresses his old platoon as part of the contemporary '"I'm Backing Britain" campaign. The prologue opening was a condition imposed after initial concerns from Paul Fox, the BBC1 controller, that it belittled the efforts of the Home Guard. After Mainwaring relates how he had backed Britain in 1940, the episode proper begins; Dad's Army is thus told in flashback, although the final episode does not return to 1968. Later episodes are largely self-contained, albeit referring to previous events and with additional character development. As the comedy in many ways relies on the platoon's lack of participation in the Second World War, opposition to their activities must come from another quarter, and this is generally provided by Chief Air Raid Precautions (ARP) Warden Hodges, and sometimes by the verger of the local church (St Aldhelm's) or by Captain Square and the neighbouring Eastgate Home Guard platoon. The group, however, does have some encounters related to the enemy, such as downed German planes, a Luftwaffe pilot who parachutes into the town's clock tower, a U-boat crew and discarded parachutes that may have been German; a Viennese ornithologist appears in "Man Hunt" and an IRA suspect appears in "Absent Friends". The humour ranges from the subtle (especially the class-reversed relationship between grammar school-educated Mainwaring, the local bank manager, and public school-educated Wilson, his deputy at the bank) to the slapstick (the antics of the elderly Jones being a prime example). Jones had several catchphrases, including "Don't panic!" (while panicking himself), "They don't like it up 'em!", "Permission to speak, sir?", "Handy-hock!" and his tales about the "Fuzzy-Wuzzies". Mainwaring's catchphrase to Pike is "You stupid boy", which he uses in many episodes. Other cast members used catchphrases, including Sergeant Wilson, who regularly asked, "Do you think that's wise, sir?" when Captain Mainwaring made a suggestion. The early series occasionally included darker humour, reflecting that, especially early in the war, the Home Guard was woefully under-equipped but was still willing to resist the Wehrmacht. For instance, in the episode "The Battle of Godfrey's Cottage", the platoon believes the enemy has invaded Britain. Mainwaring, Godfrey, Frazer and Jones (along with Godfrey's sisters, who are completely unaware of the invasion) decide to stay at the cottage to delay the German advance, buying the regular army time to arrive with reinforcements; "It'll probably be the end of us, but we're ready for that, aren't we, men?" says Mainwaring. "Of course," replies Frazer. Characters Private Pike (Ian Lavender) ARP Warden Hodges (Bill Pertwee) Private Frazer (John Laurie) Private Godfrey (Arnold Ridley) Captain Mainwaring (Arthur Lowe) Private Walker (James Beck) Lance Corporal Jones (Clive Dunn) Sergeant Wilson (John Le Mesurier) Main characters Captain George Mainwaring  (Arthur Lowe), the pompous, if essentially brave and unerringly patriotic local bank manager. Mainwaring appointed himself leader of his town's contingent of Local Defence Volunteers. He had been a lieutenant in the First World War but is embarrassed by the fact that he never saw combat, only being sent to France in 1919 after the Armistice as part of the Army of Occupation in Germany. The character, along with Wilson, also appeared in the original pilot episode of the radio series It Sticks Out Half a Mile. Sergeant Arthur Wilson (John Le Mesurier), a diffident, upper-middle-class chief bank clerk who often quietly questions Mainwaring's judgement ("Do you think that's wise, sir?"). Wilson had actually served as a captain during the First World War, but he only reveals this in the final episode. He does not live with the Pike family, but is implied to be in a relationship with the widowed Mrs Pike. Wilson also appears in the later radio series It Sticks Out Half a Mile. Lance Corporal Jack Jones (Clive Dunn), the local butcher, born in 1870. Jones is an old campaigner who enlisted as a drummer boy at the age of 14 and participated, as a boy soldier, in the Gordon Relief Expedition of 1884–85 and, as an adult, in Kitchener's campaign in the Sudan in 1896–98. Jones also served during the Boer War and the Great War. He often suffers from the effects of malaria caught during one of his campaigns and has to be calmed during his "shudders". Often seen as fastidious and a worrier, he has a number of catchphrases, including "They don't like it up 'em!" and "Don't panic, don't panic!", which he says whilst panicking. Dunn was considerably younger than his character, being only 46 when the series began. This meant he often performed the physical comedy of the show, which some of the older cast members were no longer capable of. Private James Frazer (John Laurie), a dour Scottish former chief petty officer on HMS Defiant in the Royal Navy. He served at the Battle of Jutland as a ship's cook and also has a medal for having served on Shackleton's Antarctic expedition. He grew up on the Isle of Barra and is prone to theatrical poetry. In episode one, he states that he owns a philately shop, but subsequently his profession is changed to an undertaker. His catchphrase is "We're doomed. Doomed!" Private Joe Walker (James Beck), a black market spiv, Walker is one of only two able-bodied men of military age among the main characters (the other one being Private Pike). In the first episode, Walker claims he was not called up to the regular army because he was in a reserved occupation as a wholesale supplier. In one of the missing episodes, it is revealed that he was not called up because of an allergy to corned beef. Although always on the lookout to make money, Walker is also seen to support local charities, including a children's home. Following James Beck's death in 1973, Walker was written out of the series. Private Charles Godfrey (Arnold Ridley), a retired shop assistant who had worked at the Army & Navy store in London. He lives in Walmington with his elderly sisters and serves as the platoon's medical orderly. He has a weak bladder and often needs to "be excused". A conscientious objector during the First World War, he was nevertheless awarded the Military Medal for heroic actions as a combat medic during the Battle of the Somme. He also demonstrates bravery during his Home Guard service, particularly during the "Branded" episode in which Mainwaring, unconscious in a smoke-filled room, is rescued by Godfrey. Private Frank Pike (Ian Lavender), the youngest of the platoon. He is a cosseted, somewhat immature mother's boy, often wearing a thick scarf over his uniform to prevent illness and a frequent target for Mainwaring's derision ("You stupid boy!"). Pike is not called up to the regular army due to his rare blood group (in series eight, he is excused for this reason). He works in his day job as an assistant bank clerk for Mainwaring. He frequently addresses Sergeant Wilson as "Uncle Arthur". However, on the last day of filming, David Croft confirmed to Lavender that Wilson was in fact Pike's father. Pike would later appear in the radio series It Sticks Out Half a Mile. Supporting characters Chief ARP Warden William Hodges (Bill Pertwee), the platoon's major rival and nemesis. He calls Mainwaring "Napoleon". Mainwaring looks down on him as the local greengrocer and dislikes that Hodges saw active service in the First World War. As an Air Raid Precautions (ARP) warden, he is always demanding that people "Put that light out!". He often calls the platoon "Ruddy hooligans!". The character of Hodges would later appear in the radio series It Sticks Out Half a Mile. Reverend Timothy Farthing (Frank Williams), the effete, petulant vicar of St Aldhelm's Church. He reluctantly shares his church hall and office with the platoon. In several episodes of the series, it was implied that the character was a non-active closet gay. Maurice Yeatman (Edward Sinclair), the verger at St Aldhelm's Church and Scoutmaster of the local Sea Scout troop. He is often hostile to the platoon while frequently sycophantic towards the vicar, who often struggles to tolerate him and frequently employs the catchphrase "Oh do be quiet, Mr Yeatman!". He often sides with Hodges to undermine the platoon's activities. Mrs Mavis Pike (Janet Davies), Pike's overbearing widowed mother, who is often implied to be in a relationship with Sergeant Wilson. Liz Frazer replaced Janet Davies in the 1971 film version. Mrs Fox (Pamela Cundell), a glamorous widow. There is a mutual attraction with Corporal Jones and the couple marry in the last episode. Illicit little "extras" are passed across the counter on her regular visits to Jones's butcher's shop and she helps the platoon with official functions. In the episode "Mum's Army", she gives her first name as Marcia, but by the final episode she is addressed as Mildred. Colonel Pritchard (Robert Raglan), Captain Mainwaring's superior officer. A stern, serious man, he unexpectedly appeared to admire Mainwaring, frequently commenting on his successes and warning people not to underestimate him. Private Sponge (Colin Bean), a sheep farmer. He leads the members of the platoon's second section (the first section being led by Corporal Jones) and thus had only occasional speaking parts, although he became more prominent in later series. He appeared in 76 of the 80 episodes. Mr Claude Gordon (Eric Longworth), the Walmington town clerk often involved when the platoon is taking part in local parades and displays. Although generally civil with Captain Mainwaring and his men, he is an officious and somewhat pompous individual, and Hodges tends to use him to try and interfere with the platoon's activities. Private Cheeseman (Talfryn Thomas), a Welshman who works for the town newspaper. He joined the Walmington-on-Sea platoon during the seventh series only after the sudden death of James Beck, who played Private Walker. Captain Square (Geoffrey Lumsden), the pompous commanding officer of the rival Eastgate platoon, and a former regular soldier who served with Lawrence of Arabia during the First World War. He is frequently at loggerheads with Mainwaring (whose name he persists in mispronouncing as spelt, "Main-wearing", instead of the correct "Mannering") and has the catchphrase "You blithering idiot!". Mrs Yeatman (Olive Mercer), the somewhat tyrannical wife of Maurice Yeatman, the verger. Over the course of the series, her first name is given as either Beryl, Anthea or Tracey. Mr Sidney Bluett (Harold Bennett), an elderly local man who is occasionally involved with the antics of both the platoon and Hodges. He and Mrs Yeatman are implied to be having an affair. Miss Janet King (Caroline Dowdeswell), a clerk at Swallow Bank who works with Mainwaring, Wilson and Pike in the first series. Edith Parish (Wendy Richard), also called Shirley, a cinema usherette and girlfriend of Private Walker. Dolly (Amy Dalby and Joan Cooper) and Cissy Godfrey (Nan Braunton and Kathleen Saintsbury), Private Godfrey's spinster sisters, who reside with him at their cottage. Elizabeth Mainwaring (unseen character), George Mainwaring's reclusive, paranoid and domineering wife who is never seen onscreen in the TV series. (In the episode "A Soldier's Farewell" her "shape" is seen sleeping in the bunk above the captain while in their Anderson Shelter.) Her marriage to George is not a happy one and he does his best to avoid her at any opportunity. They have no children. Mrs Mainwaring had a significant on screen role in the 2016 film. Other actors who appeared in small roles include Timothy Carlton, Don Estelle, Nigel Hawthorne, Geoffrey Hughes, Michael Knowles, John Ringham, Fulton Mackay, Anthony Sagar, Anthony Sharp, Carmen Silvera and Barbara Windsor. Larry Martyn appeared as an unnamed private in four episodes, and later took over the part of Walker in the radio series following the death of James Beck. The former cricketer Fred Trueman appeared in "The Test". Opening and closing credits The show's opening titles were originally intended to feature footage of refugees and Nazi troops, to illustrate the threat faced by the Home Guard. Despite opposition from the BBC's head of comedy Michael Mills, Paul Fox, the controller of BBC1, ordered that these be removed on the grounds that they were offensive. The replacement titles featured the animated sequence of swastika-headed arrows approaching Britain.[25] Originally in black and white, the opening titles were updated twice; firstly in series three, adding colour and improved animation, and once again in series six, which made further improvements to the animation. There were two different versions of the closing credits used in the show. The first version, used in series one and two, simply showed footage of the main cast superimposed over a still photograph, with the crew credits rolling over a black background. The better-known closing credits, introduced in series three, were a homage to the end credits of The Way Ahead (1944), a film which had covered the training of a platoon during the Second World War. In both instances, each character is shown as they walk across a smoke-filled battlefield. One of the actors in Dad's Army, John Laurie, also appeared in that film, and his performance in the end credits of The Way Ahead appears to be copied in the sitcom. Coincidentally, the film's lead character (played by David Niven) is named Lieutenant Jim Perry. Following this sequence, the end credits roll, and the platoon is shown in a wide angle shot as, armed, they run towards the camera, while bombs explode behind them. As the credits come to an end, the platoon run past the camera and the all clear siren rings, before the screen fades to black. Music The show's theme tune, "Who Do You Think You Are Kidding, Mr Hitler?" was Jimmy Perry's idea, written especially for the show and intended as a gentle pastiche of wartime songs. The other songs were authentic 1940s music recordings. Perry wrote the lyrics and composed the music with Derek Taverner. Perry persuaded one of his childhood idols, wartime entertainer Bud Flanagan, to sing the theme for 100 guineas (equivalent to £2,400 in 2023). Flanagan died less than a year after the recording. At the time it was widely believed to be a wartime song. The music over the opening credits was recorded at Riverside Studios, Flanagan being accompanied by the Orchestra of the Band of the Coldstream Guards. The version played over the opening credits differs slightly from the full version recorded by Flanagan; an edit removes, for timing reasons, two lines of lyric with the "middle eight" tune: "So watch out Mr Hitler, you have met your match in us/If you think you can crush us, we're afraid you've missed the bus." (The latter lyric is a reference to a speech by Neville Chamberlain.) Bud Flanagan's full version appears as an Easter egg on the first series DVD release and on the authorised soundtrack CD issued by CD41. Arthur Lowe also recorded a full version of the theme. The closing credits feature an instrumental march version of the song played by the Band of the Coldstream Guards conducted by Captain (later Lieutenant Colonel) Trevor L. Sharpe, ending with the air-raid warning siren sounding all-clear. It is accompanied by a style of credits that became a trademark of David Croft: the caption "You have been watching", followed by vignettes of the main cast. The series also contains genuine wartime and period songs between scenes, usually brief quotations that have some reference to the theme of the episode or the scene. Many appear on the CD soundtrack issued by CD41, being the same versions used in the series. Episodes List of Dad's Army episodes The television programme lasted nine series and was broadcast over nine years, with 80 episodes in total, including three Christmas specials and an hour-long special. At its peak, the programme regularly gained audiences of 18.5 million.[35] There were also four short specials broadcast as part of Christmas Night with the Stars in 1968, 1969, 1970 and 1972; one of which was also restaged as part of the Royal Variety Performance 1975. Missing episodes Main article: Dad's Army missing episodes The first two series were recorded and screened in black-and-white, while series three to nine were recorded and screened in colour. Even so, one episode in series three, "Room at the Bottom", formerly survived only as a 16mm black-and-white film telerecording, made for overseas sales to countries not yet broadcasting in colour; and remains on the official DVD releases in this form. This episode has benefited from colour recovery technology, using a buried colour signal (chroma dots) in the black-and-white film print to restore the episode to colour and was transmitted on 13 December 2008 on BBC Two. The newly restored colour version of "Room at the Bottom" was eventually made commercially available in 2023, when it appeared as an extra on the DVD release Dad's Army: The Missing Episodes, with a specially filmed introduction by Ian Lavender. Dad's Army was less affected than most from the wiping of videotape, but three second-series episodes remain missing: episode nine "The Loneliness of the Long Distance Walker", episode eleven "A Stripe for Frazer" and episode 12 "Under Fire". (All three missing episodes were among those remade for BBC Radio with most of the original cast, adapted from the original TV scripts. Audio recordings of all three were included as bonus features on The Complete Series DVD Collection.) Two further series two episodes, "Operation Kilt" and "The Battle of Godfrey's Cottage", were thought lost until 2001.[8] Two of the three missing episodes have since been performed as part of the latest stage show. In 2008, soundtracks of the missing episode "A Stripe for Frazer" and the 1968 Christmas Night with the Stars segment "Present Arms" were recovered. The soundtrack of "A Stripe for Frazer" has been mixed with animation to replace the missing images.[36] The audio soundtrack for the "Cornish Floral Dance" sketch, from the 1970 episode of Christmas Night with the Stars, has also been recovered. Dad's Army: The Lost Episodes (2019) In 2018, UKTV announced plans to recreate the three missing episodes for broadcast on its Gold channel. Mercury Productions, the company responsible for Saluting Dad's Army, Gold's 50th anniversary tribute series, produced the episodes, which were directed by Ben Kellett. The recreations were broadcast in August 2019, coinciding with the 50th anniversary of their original broadcast by the BBC.[37] Kevin McNally and Robert Bathurst were the initial casting announcements as Captain Mainwaring and Sergeant Wilson, with Bernard Cribbins portraying Private Godfrey. The full cast was announced in January 2019, with McNally, Bathurst and Cribbins joined by Kevin Eldon, Mathew Horne, David Hayman and Tom Rosenthal. However, Bernard Cribbins subsequently withdrew from the project, and was replaced as Godfrey by Timothy West. Cast Kevin McNally as Captain Mainwaring Robert Bathurst as Sergeant Wilson Kevin Eldon as Lance Corporal Jones David Hayman as Private Frazer Mathew Horne as Private Walker Timothy West as Private Godfrey Tom Rosenthal as Private Pike Tracy-Ann Oberman as Mrs Pike Simon Ludders as ARP Warden Hodges David Horovitch as Corporal-Colonel Square John Biggins as the Verger Films 1971 film Main article: Dad's Army (1971 film) In common with many British sitcoms of that era, Dad's Army was spun-off as a feature film which was released in 1971. Backers Columbia Pictures imposed arbitrary changes, such as recasting Liz Fraser as Mavis Pike and filming locations in Chalfont St Giles, Buckinghamshire, rather than Thetford in Norfolk, which made the cast unhappy. The director, Norman Cohen, whose idea it was to make the film, was nearly sacked by the studio.: 168  Jimmy Perry and David Croft wrote the original screenplay. This was expanded by Cohen to try to make it more cinematic; Columbia executives made more changes to plot and pacing. As finally realised, two-thirds of the film consists of the creation of the platoon; this was the contribution of Perry and Croft, and differs in a number of ways from the formation of the platoon as seen in the first series of the television version. The final third shows the platoon in action, rescuing hostages from the church hall where they had been held captive by the crewmen of a downed German aircraft. Neither the cast nor Perry and Croft were happy with the result. Perry argued for changes to try to reproduce the style of the television series, but with mixed results. Filming took place from 10 August to 25 September 1970 at Shepperton Studios and on location. After shooting the film, the cast returned to working on the fourth television series. The film's UK première was on 12 March 1971 at the Columbia Theatre, London. Critical reviews were mixed, but it performed well at the UK box-office. Discussions were held about a possible sequel, to be called Dad's Army and the Secret U-Boat Base, but the project never came to fruition.  Michael Gambon as Private Godfrey (2014) 2016 film Main article: Dad's Army (2016 film) A second film, written by Hamish McColl and directed by Oliver Parker, was released in 2016. The cast included Toby Jones as Captain Mainwaring, Bill Nighy as Sergeant Wilson, Tom Courtenay as Lance Corporal Jones, Michael Gambon as Private Godfrey, Blake Harrison as Private Pike, Daniel Mays as Private Walker and Bill Paterson as Private Frazer. Catherine Zeta-Jones, Sarah Lancashire and Mark Gatiss also featured. The film was primarily shot on location in Yorkshire. Filming took place on the beach at North Landing, Flamborough Head, Yorkshire and at nearby Bridlington. It opened in February 2016 to mainly negative reviews. Stage show Main article: Dad's Army (stage show) A poster advertising the stage show In 1975, Dad's Army transferred to the stage as a revue, with songs, familiar scenes from the show and individual "turns" for cast members. It was created by Roger Redfarn, who shared the same agent as the series' writers. Most of the principal cast transferred with it, with the exception of John Laurie, who was replaced by Hamish Roughead.[8] Following James Beck's death two years earlier, Walker was played by John Bardon.[8] Dad's Army: A Nostalgic Music and Laughter Show of Britain's Finest Hour opened at Billingham in Teesside on 4 September 1975 for a two-week tryout. After cuts and revisions, the show transferred to London's West End and opened at the Shaftesbury Theatre on 2 October 1975. On the opening night there was a surprise appearance by Chesney Allen, singing the old Flanagan and Allen song Hometown with Arthur Lowe. The show ran in the West End until 21 February 1976, disrupted twice by bomb scares and then toured the country until 4 September 1976. Clive Dunn was replaced for half the tour by Jack Haig (David Croft's original first choice for the role of Corporal Jones on television). Jeffrey Holland, who went on to star in several later Croft sitcoms, also had a number of roles in the production. The stage show, billed as Dad's Army—The Musical, was staged in Australia and toured New Zealand in 2004–2005, starring Jon English. Several sections of this stage show were filmed and have subsequently been included as extras on the final Dad's Army DVD. In April 2007, a new stage show was announced with cast members including Leslie Grantham as Private Walker and Emmerdale actor Peter Martin as Captain Mainwaring. The production contained the episodes "A Stripe for Frazer", "The Loneliness of the Long Distance Walker", "Room at the Bottom" and "The Deadly Attachment". In August 2017, a new two-man stage show titled, Dad's Army Radio Hour, opened at the Edinburgh Festival Fringe It starred David Benson and Jack Lane. Between them, the pair voiced the entire cast of Dad's Army, including incidental characters. The episodes adapted from the original radio scripts were "The Deadly Attachment", "The Day the Balloon Went Up", "Brain Versus Brawn", "My British Buddy", "Round and Round Went the Great Big Wheel" and "Mum's Army". The production featured three episodes not adapted for the radio series "When You've Got to Go", "My Brother and I" and "Never Too Old". The show was well received by critics and the David Croft estate for its respectful and uncanny performances. In 2019, the production changed its name to Dad's Army Radio Show and continued to tour nationally throughout the UK until the end of 2021. Radio series List of Dad's Army radio episodes The majority of the television scripts were adapted for BBC Radio 4 with the original cast, although other actors played Walker after James Beck's death (which took place soon after recording and before transmission of the first radio series). Harold Snoad and Michael Knowles were responsible for the adaptation,[8] while wartime BBC announcer John Snagge set the scene for each episode. Different actors were used for some of the minor parts: for example Mollie Sugden played the role of Mrs Fox, and Pearl Hackney played Mrs Pike. The first episode was based on the revised version of events seen in the opening of the film version, rather than on the television pilot. The series ran for three series and 67 episodes from 1974-76.[8] The entire radio series has been released on CD. Knowles and Snoad developed a radio series, It Sticks Out Half a Mile, which followed Sergeant Wilson, Private Pike and Warden Hodges's attempts to renovate a pier in the fictional town of Frambourne-on-Sea following the end of the war. It was originally intended to star Arthur Lowe and John Le Mesurier, but Lowe died after recording the pilot episode in 1981. In consequence, Bill Pertwee and Ian Lavender were brought in to replace him. In the event the revised cast recorded a 13-episode series. John Le Mesurier died in November 1983, making another series impossible. The last radio recording of Dad's Army occurred in 1995, when Jimmy Perry wrote a radio sketch entitled The Boy Who Saved England for the "Full Steam A-Hudd" evening broadcast on BBC Radio 2, transmitted on 3 June 1995 on the occasion of the closure of the BBC's Paris studios in Lower Regent Street. It featured Ian Lavender as Pike, Bill Pertwee as Hodges, Frank Williams as the Vicar and Jimmy Perry as General Haverlock-Seabag. American adaptation A pilot episode for an American remake called The Rear Guard, adapted for American viewers by Arthur Julian, was produced by the ABC and broadcast on 10 August 1976, based on the Dad's Army episode "The Deadly Attachment".[8] Set in Long Island, the pilot starred Cliff Norton as Captain Rosatti, Lou Jacobi as Sergeant Raskin and Eddie Foy Jr. as Lance Corporal Wagner. The pilot was considered a failure, so the original tapes were wiped. However, director Hal Cooper kept a copy of the pilot, which was returned to several collectors in 1998. Though further storylines were planned, the series failed to make it past the pilot stage. Other appearances Lowe, Le Mesurier, Laurie, Beck, Ridley and Lavender (wearing Pike's signature scarf) appeared as guests in the 22 April 1971 edition of The Morecambe & Wise Show on BBC2 in the "Monty on the Bonty" sketch, with Lowe as Captain Bligh and the others as crewmen on HMS Bounty. Lowe, Le Mesurier and Laurie again made a cameo appearance as their Dad's Army characters in the 1977 Morecambe & Wise Christmas Special. While Elton John is following incomprehensible instructions to find the BBC studios, he encounters them in a steam room. On leaving, Mainwaring calls him a "stupid boy". Arthur Lowe twice appeared on the BBC children's programme Blue Peter. The first time, in 1973, was with John Le Mesurier, in which the two appeared in costume and in character as Captain Mainwaring and Sergeant Wilson. Together they viewed and discussed a mural painted by schoolchildren, featuring the characters from the show at a Christmas party, among whom was Mainwaring's unseen wife Elizabeth – or rather, what the children thought she looked like (Mainwaring remarks "Good grief. What a remarkable likeness!"). Arthur Lowe made a second appearance as Captain Mainwaring on Blue Peter with the Dad's Army van, which would appear in the forthcoming London-Brighton run, and showed presenter John Noakes the vehicle's hidden anti-Nazi defences.[29][59] Later that year, Lowe, Le Mesurier, Dunn, Lavender and Pertwee, along with Jones's van, appeared in character at the finish of the 1974 London to Brighton Veteran Car Run. The cast appeared in a 1974 public information film, in character but set in the modern day, in which the platoon demonstrated how to cross the road safely at Pelican crossings. Lowe and Le Mesurier made a final appearance as their Dad's Army characters for a 1982 television commercial advertising Wispa chocolate bars. Clive Dunn made occasional appearances as Lance Corporal Jones at 1940s themed events in the 1980s and 1990s and on television on the BBC Saturday night entertainment show Noel's House Party on 27 November 1993. Awards During its original television run, Dad's Army was nominated for multiple British Academy Television Awards, although only won "Best Light Entertainment Programme" in 1971. It was nominated as "Best Situation Comedy" in 1973, 1974 and 1975. In addition, Arthur Lowe was frequently nominated for "Best Light Entertainment Performance" in 1970, 1971, 1973, 1975 and 1978. In 2000, the show was voted 13th in a British Film Institute poll of industry professionals of the 100 Greatest British Television Programmes. In 2004, championed by Phill Jupitus, it came fourth in the BBC poll to find Britain's Best Sitcom with 174,138 votes. Legacy Statue of Captain Mainwaring, erected in Thetford in June 2010 In June 2010, a statue of Captain Mainwaring was erected in the Norfolk town of Thetford where most of the exteriors for the TV series were filmed. The statue features Captain Mainwaring sitting to attention on a simple bench in Home Guard uniform, with his swagger stick across his knees. The statue is mounted at the end of a winding brick pathway with a Union Flag patterned arrowhead to reflect the opening credits of the TV series and the sculpture has been designed so that members of the public can sit beside Captain Mainwaring and have their photograph taken. The statue was vandalised not long after the unveiling by a 10-year-old boy, who kicked it for ten minutes and broke off the statue's glasses, throwing them into a nearby river. The statue has since been fixed. Several references to Dad's Army have been made in other television series. In a 1995 episode of Bottom, titled "Hole", Richie shouts Lance Corporal Jones's catchphrase while stuck up a Ferris wheel set to be demolished the following day. The British sitcom Goodnight Sweetheart paid tribute to Dad's Army in episode one of its second series in 1995, "Don't Get Around Much Any More". Here, lead character Gary Sparrow (Nicholas Lyndhurst) – a time-traveller from the 1990s – goes into a bank in 1941 and meets a bank manager named Mainwaring (Alec Linstead) and his chief clerk, Wilson (Terrence Hardiman), both of whom are in the Home Guard. When he hears the names Mainwaring and Wilson, Gary begins singing the Dad's Army theme song.[72] In addition, a brief visual tribute to Dad's Army is made at the start of the episode "Rag Week" from Ben Elton's 1990s sitcom The Thin Blue Line: a shopfront bears the name "Mainwaring's". In June 2018 the Royal Mail issued a set of eight stamps, featuring the main characters and their catchphrases, to mark the comedy's 50th anniversary. In 2020, Niles Schilder, for the Dad's Army Appreciation Society, wrote four short scripts which detailed how the characters from the series would have, in the author's opinion, dealt with the events of that year. Titles of the scripts included Dad's Army Negotiates Brexit and An Unauthorised Gathering. Cultural influence A pub in Shoeburyness named (albeit incorrectly) after Arthur Lowe's character The characters of Dad's Army and their catchphrases are well known in the UK due to the popularity of the series when originally shown and the frequency of repeats. Jimmy Perry recalls that before writing the sitcom, the Home Guard was a largely forgotten aspect of Britain's defence in the Second World War, something which the series rectified.  In a 1972 Radio Times interview, Arthur Lowe expressed surprise at the programme's success: We expected the show to have limited appeal, to the age group that lived through the war and the Home Guard. We didn't expect what has happened – that children from the age of five upwards would enjoy it too. By focusing on the comic aspects of the Home Guard in a cosy south coast setting, the television series distorted the popular perception of the organisation. Its characters represented the older volunteers within the Home Guard, but largely ignored the large numbers of teenagers and factory workers who also served. Accounts from Home Guard members and their regimental publications inspired Norman Longmate's history The Real Dad's Army (1974). Media releases Main articles: List of Dad's Army books and memorabilia and List of Dad's Army audio releases The first DVD releases of Dad's Army were two "best of" collections, released by the BBC and distributed by 2 Entertain, in October 2001 and September 2002. The first series and the surviving episodes of the second series, along with the documentary Dad's Army: Missing Presumed Wiped, were released in September 2004,[80] while the final series was released in May 2007.[81] In November 2007, the final episodes, the three specials "Battle of the Giants!", "My Brother and I" and "The Love of Three Oranges", were released, along with Dad's Army: The Passing Years documentary, several Christmas Night with the Stars sketches, and excerpts from the 1975-76 stage show.[82] From the third series DVD, We Are the Boys..., a short individual biographical documentary about the main actors and the characters they portrayed on the programme, was included as a special feature. The Columbia film adaptation is separately available; as this is not a BBC production, it is not included in the box set. In 1973 the series was adapted into a comic strip, drawn by Bill Titcombe, which was published in daily newspapers in the UK. These cartoon strips were subsequently collected together and published in book form, by Piccolo Books, in paperback. sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia #dadsarmy   The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC). National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC). Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president. Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. Programming In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI). Live events Coverage of live events included musical concerts and play-by-play sports broadcasts. News The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. Radio stations Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 331⁄3 rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the centre of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affil

Mark Gatiss: actor, writer, producer, director and creator - this is someone who makes Gyles Brandreth look like an under-achiever! From The League of Gentlemen, to Doctor Who, Sherlock and the Christmas Ghost Stories, Mark has been behind some of the most distinctive and original television of recent times. He's also an actor - recently winning awards for his portrayal of Sir John Gielgud in Jack Thorne's The Motive and The Cue. And it goes without saying that he's a fascinating person, with a fascinating story to tell. In this episode, which was recorded live at The Orange Tree Theatre in Richmond, Mark talks to Gyles about his working class childhood, growing up opposite the local psychiatric hospital. He talks about his hatred of PE lessons, his early obsession with TV and how he became interested in horror. He talks about coming out to his parents and how he met the rest of the League of Gentlemen at drama school. With thanks to the team at The Orange Tree Theatre and to Mark Gatiss for this brilliant interview. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Mark Gatiss: actor, writer, producer, director and creator - this is someone who makes Gyles Brandreth look like an under-achiever! From The League of Gentlemen, to Doctor Who, Sherlock and the Christmas Ghost Stories, Mark has been behind some of the most distinctive and original television of recent times. He's also an actor - recently winning awards for his portrayal of Sir John Gielgud in Jack Thorne's The Motive and The Cue. And it goes without saying that he's a fascinating person, with a fascinating story to tell. In this episode, which was recorded live at The Orange Tree Theatre in Richmond, Mark talks to Gyles about his working class childhood, growing up opposite the local psychiatric hospital. He talks about his hatred of PE lessons, his early obsession with TV and how he became interested in horror. He talks about coming out to his parents and how he met the rest of the League of Gentlemen at drama school. With thanks to the team at The Orange Tree Theatre and to Mark Gatiss for this brilliant interview. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Co-creators/executive producers Steven Moffat and Mark Gatiss, producer Sue Vertue, and actor Russell Tovey

January 2025 Book Club:  Happy New Year!  This month, we're revisiting old acquaintances by reviewing “Last of the Gaderene” by Mark Gatiss.  Originally published some 25 years ago, in January 2000, the book is still available digitally and in audiobook form, read by Richard Franklin.  It features the 3rd Doctor, Jo Grant, and UNIT.  Happy reading!     You can pre-order Big Finish's reimagining of the 1983 miniseries “V” - written by Jonathan Morris - and here's a special YouTube trailer.      Please help other Doctor Who fans find our show - by leaving us a rating on Apple Podcasts or your podcatcher of choice. Submit your comments via email… “who knows,” we may end up reading your feedback on the podcast!   Facebook: http://facebook.com/allnewdoctorwhobookclub   Twitter: @ANDWBCPodcast BlueSky: https://bsky.app/profile/andwbcpodcast.bsky.social   YouTube: https://youtube.com/@DoctorWhoBookClub   Email: ANDWBCPodcast@gmail.com  

The latest leg of our flight through entirety comes to a gentle landing this week, but before we all head off to collect our luggage, all seven of us take the opportunity to say goodbye to Peter Capaldi and Steven Moffat in one last retrospective. Notes and links Thank you to those of you who sent us questions: Kate Orman, Doctor What and General Witchfinders. In our discussion of Sleep No More, Brendan reaches for the name of Bethany Black's love interest in the episode, but goes slightly astray. The name he's after is Chopra, played by the astoundingly beautiful Neet Mohan. In Episode 2 of Flight Through Entirety, Richard famously compares Hartnell's performance style to Marlene Dietrich's. This week, he bookends that beautifully with a comparison of Peter Capaldi's style to Maggie Smith's, particularly her Oscar-winning performance in The Prime of Miss Jean Brodie. Richard alludes to this story from 2015, in which a team consisting of Peter Capaldi, Steven Moffat and Mark Gatiss came third in a Doctor Who pub trivia competition at a Doctor Who convention in Sydney. Follow us Nathan is on Bluesky at @nathanbottomley.com, Brendan is at @retrobrendo.bsky.social, Todd is at @toddbeilby.bsky.social, James is at @ohjamessellwood.bsky.social and Simon is at @simonmoore.bsky.social. Richard is on X at @RichardLStone. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow Flight Through Entirety on Bluesky, as well as on Mastodon, X and Facebook. Our website is at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we'll abandon you for a few years, leaving you with only a couple of Flight Through Entirety-style Doctor Who podcasts to keep you entertained in the meantime. And more You can find links to all of the podcasts we're involved in on our podcasts page. But here's a summary of where we're up to right now. Now that Flight Through Entirety is taking a break, you should all go and subscribe to 500 Year Diary, our latest new Doctor Who podcast, in which we go back through the history of the show and examine new themes and ideas. Its first season came out early in 2024, under the title New Beginnings. Check it out. It will be back for a second season, The Second Coming, early in 2025. The Second Great and Bountiful Human Empire recently released our hot take on Ncuti Gatwa's second Christmas Special (and Steven Moffat's ninth), Joy to the World. And we'll be back again in 2025 to talk about Season 2. Last week, The Three-Handed Game released their first Christmas Special, discussing the 1966 Avengers episode Too Many Christmas Trees, in which Steed's weird Christmas nightmares start to become reality. The boys will be back in 2025 for the third episode in their triptych The Pop Explosion. Maximum Power is back at last with its long-awaited coverage of the 1981 season of Blakes 7. Last weekend we released our discussion on the season's controversial second episode — Power. And finally there's our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week, we watched a notoriously silly early episode of Deep Space Nine, the widely reviled but never forgotten Move Along Home. Thank you very much for listening: we'll see you again in a few years. And on all of our other podcasts, of course.

The Tractate Middoth and The Dead Room were from the BBC's annual A Ghost Story for Christmas tradition. The first was an M.R. James adaptation from 2013, and the second was an original ghost story from 2018. They were written and directed by Mark Gatiss. Please send us your comments, questions, requests and complaints. You […]

The Tractate Middoth and The Dead Room were both from the BBC's annual A Ghost Story for Christmas strand. One was an M.R. James adaptation from 2013, and the other was an original ghost story from 2018. Both were written and directed by Mark Gatiss. Please send us your comments, questions, requests and complaints. You […]

Storm Bert, rain, snow and wind hit the UK. Mark Gatiss on the lasting appeal of A Christmas Carol. Opera singers and football chants in a BH combination.

WARNING: This episode contains spoilers for Moonflower Murders Episode 5.Actor Mark Gatiss is a familiar face in the MASTERPIECE world. From Sherlock to Wolf Hall to Nolly, he always brings a unique charm to his characters and scripts. Today, we talk with Mark about playing timid film producer Oscar Berlin and prickly Frank Parris in Anthony Horowitz's Moonflower Murders, as well as his love of golden age murder mysteries.