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On this episode of AAK mashups, Faye Miah discusses common obstacles that therapists face during teletherapy sessions, Jerry Rothwell gets into his film 'The Reason I Jump' and its immersive exploration of neurodiversity, Jenn Cody discusses managing sensory diets, and more. ALL ABOUT KIDS LINKSApple Podcasts: https://podcasts.apple.com/us/podcast/all-about-kids-podcast/id1522359220Spotify: https://open.spotify.com/show/3I6qWwwdeJnlJg8Mx94He9?si=A7ieoF8yQJeqi_JnS6tXrg&dl_branch=1Overcast: https://overcast.fm/itunes1522359220/all-about-kids-podcastWebsite: https://aakcares.com/Facebook: https://www.facebook.com/aakcaresTwitter: https://twitter.com/aakcaresLinkedIn: https://www.linkedin.com/company/all-about-kids
Today we welcome director and producer Jerry Rothwell as we go back to the 70s to discuss his work on Apple Tv's documentary series The Enfield Poltergeist. In this episodes we will take a deep dive into how Jerry craft the documentary and the creativity choices that he had to make. The Enfield Poltergeist Trailer: https://www.youtube.com/watch?v=ncN8o_LfRlY Executive Produced by Daniel Miller and Monika Ditton Artwork Designed by Piotr Motyka Music by ELPHNT Contact: creativeindustryinsight@gmail.com
In The Enfield Poltergeist, Jerry Rothwell uses over 250 hours of audio recordings made by paranormal investigator Maurice Grosse to revisit the case of 284 Green Street in Enfield, North London. There, for a period of eighteen months starting in August 1977, the Hodgson family witnessed furniture move of its own accord, objects get thrown across rooms, and heard disembodied voices speak. Or did they? Some investigators were convinced, others were not. In The Enfield Poltergeist, Jerry builds a replica of the Hodgson family's house in order to recreate what – is alleged to have – happened, and he joins Matthew Sherwood to go behind-the-scenes of his film. They explore the mystery of poltergeists, disruptive activity that often centres on young people, the effect of the supposed hauntings on the Hodgson children, and how the Green Street case captured the imagination of the British press. Jerry reflects on his own background and how it might have influenced his decision to make The Enfield Poltergeist. He and Matthew also discuss the high-level background of the British Society for Psychical Research, of which Maurice Grosse was a member. Was 284 Green Street haunted? Is the question even relevant? Whatever your view, enter into the spirit of the season with The Enfield Poltergeist. “I think what's interesting is... how and why do a people - a group of people in a house come to believe something. [This] for me says a lot about all kinds of things in our modern world... why do we believe what we believe?... the evidence for those things is as much in the stories we tell, and are told, as in, you know, the hard scientific phenomena.” – Jerry Rothwell
Director Jerry Rothwell discusses re-investigating the case of The Enfield Poltergeist, one of the most famous alleged hauntings of modern times — for the new four-part "hybrid docuseries" on AppleTV+, available Oct. 27. The director also discusses his own fascination with hauntings, and why this case continues to capture people's attention. The Enfield Poltergeist inspired the film The Conjuring 2, and is the basis for an upcoming stage play starring Catherine Tate. But the new series features hundreds of hours of rare audio archive, first-hand witnesses and the benefit of 40 years of hindsight. According to the synopsis, the series is an ambitious genre piece that will, like any good detective story, sway the audience between belief and disbelief. And director Rothwell explores our universal and timeless fascination with the unexplained and the idea of trauma impacting our reality. It's also a notable project because Rothwell reconstructed the Hodgson home in North London, and cast actors to portray the real-life people involved in the case, but has the actors lip-synching to the actual audio recorded by paranormal investigator Maurice Gross. _______________________________________________________________ Talking Strange Paranormal Podcast with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, with a weekly "Small Talk" mini-sode with reader submitted letters and spooky tales. Sagers is a paranormal journalist and researcher who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel/Discovery+, and Talking Strange is part of the Den of Geek Network. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Podcast is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. For more paranormal pop culture, head to Den of Geek, and follow @TalkStrangePod on Twitter. Email us with episode ideas, and guest suggestions, or for a chance to have your letter read on a future episode: TalkingStrange@DenOfGeek.com Follow Host Aaron Sagers: Twitter.com/aaronsagers Instagram.com/aaronsagers Facebook.com/AaronSagersPage tiktok.com/@aaronsagers Patreon.com/aaronsagers (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 421."The Enfield Poltergeist"Director: Jerry Rothwell.Director Jerry Rothwell stops by to talk about the Enfield #poltergeist the chilling true story of the world's most famous poltergeist case through original audio recordings made inside the house as the events unfolded. This took place in Enfield #england Jerry and I dive into the series, plot points and more!The four part series can be found on #appletvplus on October 27th.Welcome, Jerry Rothwell.#halloween #scary #movies #truestory #podcast #interview #haunting #devil #theenfieldpoltergeist#shortsvideo #shorts #fyp #horrorstories #horror https://www.instagram.com/mondaymorni...https://twitter.com/mdmcritic?lang=enhttps://www.tiktok.com/@mondaymorning...https://www.facebook.com/mondaymornin...www.mmcpodcast.commondaymorningcritic@gmail.com
Down on the Docs - Ep. 47 - Deep Water (2006) Part 2 Deep Water is a 2006 British documentary film directed by Jerry Rothwell and Louise Osmond, and produced by Al Morrow, Jonny Persey and John Smithson. It is based on the true story of Donald Crowhurst and the 1968 Sunday Times Golden Globe Race round the world alone in a yacht. The film reconstructs Crowhurst's voyage from his own audio tapes and cine film, interwoven with archival footage and interviews Join our Discord! https://discord.gg/7KkgCyXWK Down on the Docs, starring comedians Chris Neff & Dave Sarra, is a weekly podcast breaking down the latest documentaries on Netflix, HBO, and Amazon Prime the only way they know how, with lots of dumb jokes. Twitter: https://twitter.com/downonthedocs Instagram: https://www.instagram.com/downonthedocspod/ Chris Neff: https://twitter.com/chrisneffcomedy https://www.instagram.com/horsetooth Dave Sarra: https://twitter.com/davexhale https://www.instagram.com/dave.sarra https://youtube.com/DaveSarra
Down on the Docs - Ep. 47 - Deep Water (2006) Part 1 Deep Water is a 2006 British documentary film directed by Jerry Rothwell and Louise Osmond, and produced by Al Morrow, Jonny Persey and John Smithson. It is based on the true story of Donald Crowhurst and the 1968 Sunday Times Golden Globe Race round the world alone in a yacht. The film reconstructs Crowhurst's voyage from his own audio tapes and cine film, interwoven with archival footage and interviews Join our Discord! https://discord.gg/VykasRN974 Down on the Docs, starring comedians Chris Neff & Dave Sarra, is a weekly podcast breaking down the latest documentaries on Netflix, HBO, and Amazon Prime the only way they know how, with lots of dumb jokes. Twitter: https://twitter.com/downonthedocs Instagram: https://www.instagram.com/downonthedocspod/ Chris Neff: https://twitter.com/chrisneffcomedy https://www.instagram.com/horsetooth Dave Sarra: https://twitter.com/davexhale https://www.instagram.com/dave.sarra https://youtube.com/DaveSarra
When Mark Kermode, feminist ally of Girls On Film, and one of the UK's top film critics, expressed a wish to come on the Girls On Film podcast, Anna Smith asked listeners in an online poll which recent films they would like the two of them to discuss on the show. They discuss two recent films, beginning with a Don't Worry Darling review. **SPOILER ALERT** from 11:01 they move into spoiler territory, so skip to 18:36 if you'd like to avoid that. They then discuss The Woman King, as well as the winner of the Sight and Sound poll of the top 100 films of all time, Jeanne Dielman; why awards matter, the sense and nonsense of making lists of favourite films, and whether the film industry is making advances where gender parity is concerned. Mark Kermode is film critic for The Observer, co-presenter of BBC Radio 4's Screenshot alongside Ellen E Jones, host of his own film music programme on Scala Radio, and co-presenter of Kermode and Mayo's Take podcast. Don't Worry Darling is available on all the usual platforms in the UK. The Woman King will be available on digital January 30th and on DVD February 13th 2023. Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles is available to stream on BFI Player in The Sight and Sound Greatest Films of All Time collection on BFI Player – which now includes over 50 titles from the top 100 to rent or for subscribers. The full top 100 will also screen at BFI Southbank throughout January, February and March. Films mentioned in this episode are: Aftersun, Charlotte Wells, 2022 The Woman King, Gina Prince-Bythewood, 2022 Don't Worry Darling, Olivia Wilde, 2022 Blonde, Andrew Dominik, 2022 The Souvenir, Part II, Joanna Hogg, 2021 Stepford Wives, Bryan Forbes, 1975 Rosemary's Baby, Roman Polanski, 1968 Get Out, Jordan Peele, 2017 Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles, Chantal Akerman, 1975 Braveheart, Mel Gibson, 1975 Summer of Soul (...Or, When the Revolution Could Not Be Televised, Questlove, 2021 Woodstock, Michael Wadleigh, 1970 Amazing Grace, Alan Elliott, 2018 Heavy Load, Jerry Rothwell, 2008 Dig!, Ondi Timoner, 2004 Safe, Todd Haynes, 1995 Poison, Todd Haynes, 1991 Enys Men, Mark Jenkin, 2022 Citizen Kane, Orson Welles, 1941 Vertigo, Alfred Hitchcock, 1958 The Godfather, Francis Ford Coppola, 1972 Eraserhead, David Lynch, 1977 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold Audio Producer: Nic Wassell Intern: Eleanor Hardy House band: MX Tyrants This episode is in partnership with our principal partners, Vanessa Smith and Peter Brewer.
In the old Hans Christian Anderson tale of the Emperor's New Clothes, the emperor was the kind of clothes horse who'd make Anna Wintour look like a frump in a burlap sack. This guy was all about the fashion, and the more extravagant the better. So one day, a couple of con men came blazin' into town, pretending to be the best tailors in the biz. They swept into the emperor's castle, bragging about the spectacular wardrobe they could make for him…for the right price. And it got even better than that. These tailors had magic powers. They could create a fabric that could only be seen by those who are good enough, smart enough, and powerful enough. Well of course our boy and his ego couldn't resist, and he set the two “tailors” to work, creating the kind of threads that would blow the roof off of any room he strutted into. Of course the tailors weren't tailors at all, and they had no magic powers. They just wanted the cash…and the cache. So when the day of the big reveal came along, they finessed it. Rolled in a fancy garment rack full of empty hangers, and presented them as the finest wardrobe in the land. When the emperor saw the empty rack, of course, his first thought was…oh no…oh God…I can't see it! I'm not good enough! Presumably everybody else was thinking the same thing—oh no, why can't I see it? There was a moment of panicky silence. And then, the emperor gasped the fakest gasp he'd ever gasped, and said “I LOVE IT!” And later that day, the whole kingdom was treated to the sight of their ruler, catwalking down the main street in the buff. And everybody clapped, and everybody had something to say about how beautiful the clothes were. Better that than admit ya got got. This is one of those stories that never goes stale. We see it every day, that essential human urge to save face, even at great personal expense. Today we'll tell you about a fraudster who knew this all too well, and decided to try his hand at faking out one of the wealthiest, most discerning crowds in the world: the wine snobs. Sources:2016 Documentary "Sour Grapes" by Jerry Rothwell, Reuben AtlasCNBC's "American Greed," episode "Vintage Wine Fraud"The Guardian: https://www.theguardian.com/global/2016/sep/11/the-great-wine-fraud-a-vintage-swindleFollow us, campers!Patreon (join to get all episodes ad-free, at least a day early, an extra episode a month, and a free sticker!): https://patreon.com/TrueCrimeCampfireFacebook: True Crime CampfireInstagram: https://gramha.net/profile/truecrimecampfire/19093397079Twitter: @TCCampfire https://twitter.com/TCCampfireEmail: truecrimecampfirepod@gmail.com
The Reason I Jump is the most contemporary film we've covered so far, and we were glad to be able to sit in actual cinema auditoriums to watch this complex and fascinating documentary. We enjoyed the audiovisual treats of the film, we appreciated the international outlook, and acknowledged how unusual it is to see minimally-verbal autistic individuals on screen. But we had plenty of questions about how the narratives of autism are presented. We address some of the controversies surrounding Facilitated Communication, while also reflecting on whether the film has been made for a neurotypical audience and, therefore, may just be another in a long line of voyeuristic films about the condition. Are the subjects infantalised? Should the scene of meltdown have been included? Is there too much Othering going on? Our discussion generates a lot of questions, but we still find elements of the film that we will continue to value and treasure. A fascinating discussion! The Reason I Jump is available to rent on YouTube, Google Play, and Amazon, among others. It is directed by Jerry Rothwell and based on the book of the same name by Naoki Higashida, translated by David Mitchell. Discussing the film in this episode are Janet Harbord, John-James Laidlow, David Hartley and Alex Widdowson.
Episode 263."Manchester by the Sea"Composer.Lesley Barber.Lesley Barber has scored a string of award-winning and highly acclaimed projects, most notably Kenneth Lonergan's Oscar-nominated film, Manchester by the Sea. A member of the Academy of Motion Picture Arts and Sciences Class of 2016, Lesley was recently elected to represent the music branch on the Board of Governors for the Academy of Motion Picture Arts and Sciences.A multi-instrumentalist, conductor and pianist, Lesley writes music marked by intelligence and emotional depth. Barber's interest in modern electronic programming, loops, and effects adds dimension to her work, creating hybrid atmospheric scores with lush orchestration with an innate ability to bring the essential to light and avoid the cliché.Lesley's recent films include Late Night, directed by Nisha Ganatra and starring Emma Thompson; Mindy Kaling's Four Weddings and a Funeral. series; American Woman, produced by Killer Films and directed by Semi Chellas; Stephanie Laing's Irreplaceable You; and Nappily Ever After, directed by Haifaa al-Mansour.Her distinguished list of credits also includes Lonergan's Oscar-winning You Can Count On Me; Jerry Rothwell's award-winning documentary How to Change the World; Patricia Rozema's Mansfield Park; Mira Nair's Golden Globe winning Hysterical Blindness; Mary Harron's Moth Diaries; the children's classic Little Bear with Maurice Sendak; Yo-Yo Ma: Six Gestures; and Boaz Yakin's Boarding School.Lesley is a proud and active member of the Alliance for Women Film Composers, which has taken a leading role in the much-publicized diversity conversation now occurring in Hollywood. She has a passion for good food, great cities and interesting company.Welcome, Lesley Barber.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter: @mdmcriticWebsite: www.mmcpodcast.comContact: Mondaymorningcritic@gmail.com
In 1971, a group of friends set off to sail into a nuclear test zone in a boat called Greenpeace, and their protest captured the world's imagination. In 2015, a new documentary called 'How to Change the World' reveals the archives which bring their story to life. In this episode recorded in September 2015, Georgie Frost talks with director Jerry Rothwell. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jerry Rothwell, director of the film, joins Emily, Bree and myself to discuss his beautiful documentary. I've never been so happy to shut up and let others speak.Listen to autistic voices, including those that don't speak.
In this episode of all about kids, Zach talks with Jerry Rothwell, a documentary filmmaker who has made films like Town of Runners, How To Change the World, Heavy Load, and most recently, The Reason I Jump, inspired by the writings of a young non-speaking autistic boy. The film centers around the central question of the author, Naoki Higashida, ‘could you imagine how your life would be if you couldn't say what you wanted?' Through groundbreaking visual and audio techniques, Rothwell brings to light beautiful stories of those often overlooked and invisible in a way that leaves the viewer profoundly changed. In this episode, Jerry and Zach get into the challenges of making a film centered around non-speaking people, the unique way the audio was recorded, Jerry's journey as a filmmaker, and more. JERRY LINKS:Watch The Reason I Jump: https://thereasonijumpfilm.com/Jerry Rothwell Website: https://jerryrothwell.com/Twitter: https://twitter.com/jerry_rothwell?lang=en ALL ABOUT KIDS LINKS:Apple Podcasts: https://podcasts.apple.com/us/podcast/all-about-kids-podcast/id1522359220Spotify: https://open.spotify.com/show/3I6qWwwdeJnlJg8Mx94He9?si=A7ieoF8yQJeqi_JnS6tXrg&dl_branch=1Overcast: https://overcast.fm/itunes1522359220/all-about-kids-podcastWebsite: https://aakcares.com/Facebook: https://www.facebook.com/aakcaresTwitter: https://twitter.com/aakcaresLinkedIn: https://www.linkedin.com/company/all-about-kids
In this episode of The DocArena Podcast, Ross Whitaker talks to Jerry Rothwell, director of The Reason I Jump. Based on the bestselling book by Naoki Higashida, The Reason I Jump is an immersive cinematic exploration of neurodiversity through the experiences of nonspeaking autistic people from around the world. The film blends Higashida's revelatory descriptions of his autism, written when he was just 13, with intimate portraits of five remarkable young people. It opens a window into an intense and overwhelming, but often joyful, sensory universe, a rich tapestry that leads us to Naoki's core message: not being able to speak does not mean there is nothing to say. http://filmireland.net/
With Antonia Quirke Stanley Tucci reveals how his latest film Supernova is the story of a long-lasting friendship, both on and off screen. He's been friends with his co-star Colin Firth for over twenty years, and Stanley reveals how he asked Colin to be in the film without the director's knowledge. The Reason I Jump is a documentary that focuses on the experiences of non-speaking autistic people and director Jerry Rothwell explains how he used sound to immerse the viewer in a different perspective on the world. It's been a month since the easing of restrictions resulted in the re-opening of cinemas. But as the full easing has been postponed by 4 weeks, cinema owner Kevin Marwick reveals how his business will be affected by only operating on 50% capacity. Antonia visits the Phoenix Cinema in Oban and talks to general manager Jenny Larnie about the reasons they are starting a streaming service There are more love letters to the cinema from listeners, and we hear from the Kremer family as they return to their favourite picture house and their favourite seats.
Director Jerry Rothwell talks to Sean about his new film "The Reason I Jump". It's the story of a severely autistic and non-verbal, child who learnt to communicate by using a 'cardboard keyboard'
After (another) brief hiatus, we're thrilled to bring you a new episode of our podcast; The Love Of Cinema. Hosted by Picturehouse's very own Sam Clements, The Love Of Cinema podcast goes deep on the best new releases, with a little help from some of our favourite film critics, plenty of special guests, and you, the audience! This week, we're joined by guest film critics Rhianna Dhillon and James King to discuss A Quiet Place Part II, Supernova, The Reason I Jump and In The Heights. James also talks to The Reason I Jump director Jerry Rothwell. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Rate and subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Produced by Stripped Media. Edited by Maddy Searle. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive La Cinema!
Hello! A big theme of the podcast has been the need for big change. We’re chatting to two people with really interesting perspectives on that. FT writer Martin Sandbu talks about why this is a moment that demands a transformation of our economy and what it could look like. Then Heather McGhee, one of the leading thinkers on the US left, talks about her new book on building coalitions for progressive change. Plus documentary maker Jerry Rothwell on his film The Reason I Jump.If you pre-order Ed’s book Go Big from waterstones.com before Wednesday (2nd June) and use the promo code ‘cheerful’ at the checkout you’ll get 30% off the full price. See acast.com/privacy for privacy and opt-out information.
Broadcaster John Offord has an exclusive behind the scenes interview with the director of THE REASON I JUMP, Jerry Rothwell and producer, Jerry Dear – about their ground breaking film on autism. Based on the bestselling book by Naoki Higashida, THE REASON I JUMP is an immersive cinematic exploration of neurodiversity through the experiences of nonspeaking autistic people from around the world. The film blends Higashida's revelatory descriptions of his autism, written when he was just 13, with intimate portraits of five remarkable young people. It opens a window into an intense and overwhelming, but often joyful, sensory universe. Please see www.reasonijump.film for more details. UK cinema release date is the 18th June, 2021. "An inventive, sensuous documentary... As emotionally piercing as it is beautiful to behold", Guy Lodge, Variety "The Reason I Jump will change the way you think... A masterclass in communication for anyone ready to listen", Fionnuala Halligan, Screen Daily --- Send in a voice message: https://anchor.fm/differentminds/message Support this podcast: https://anchor.fm/differentminds/support
Jerry Rothwell Jerry Rothwell is a filmmaker whose work includes the award-winning feature documentaries: The Reason I Jump, based on the bestselling book by Naoki Higashida; How To Change The World, about the founders of Greenpeace; Sour Grapes (co-directed with Reuben Atlas) a film about a wine counterfeiter Town of Runners, about two girls in an Ethiopian village who aspire to be athletes; Donor Unknown, about a sperm donor and his many offspring; School In The Cloud, about radical educationalist, Sugata Mitra; Heavy Load, about a group of people with learning disabilities who form a punk band, and Deep Water (co-directed with Louise Osmond), about Donald Crowhurst’s ill-fated voyage in the 1968 round the world yacht race. His work has won numerous accolades including two Grierson Awards, a Sundance Special Jury Prize, an RTS Award, the IDA Pare Lorentz Award and a BAFTA nomination. Jerry and I talk about the creative process and there is much in here to inspire us to create. Jerry’s work is wonderful and original and takes the viewer into areas that are not what we expect and we talk about this To see Jerrys work and find out more go to https://jerryrothwell.com/films/ https://jerryrothwell.com/category/blog/ https://jerryrothwell.com/about/ To support the podcast and get access to features about guitar playing and song writing visit https://www.patreon.com/vichyland and also news for all the creative music that we do at Bluescamp UK and France visit www.bluescampuk.co.uk For details of the Ikaro music charity visit www.ikaromusic.com Big thanks to Josh Ferrara for the music
On today's episode I am joined by the director of The Reason I Jump, Jerry Rothwell. We talk all about this incredible film. Click the link below to view the movie. www.kinolorber.com/film/the-reason-i-jump www.thereasonijumpfilm.com www.facebook.com/reasonijumpfilm
Have you ever fallen in love with music or a movie soundtrack? This is because there is a lot of work behind the scenes, where composers come up with the perfect melodies for a movie. Today's guest, Lesley Barber, is here to tell us a little more about this. Lesley is a film composer who writes music marked by intelligence and emotional depth. She has created wonderful compositions for film, theater, chamber and orchestral ensembles and is also a conductor, pianist, producer and multi-instrumentalist. With several young female composer awards to her credit, she graduated with a master's degree in music composition from the University of Toronto in 1988, studying with electro-acoustic music pioneer, composer Gustav Ciamaga, and composer Lothar Klein. Her distinguished list of credits include Kenneth Lonergan’s Oscar-winning You Can Count On Me, Jerry Rothwell’s award-winning documentary How To Change The World, Kenneth Lonergan’s multi-award-winning and Oscar-nominated film, Manchester by the Sea, and many more.Highlights Lesley tells how she ended up in the movie industry and why she loves collaborating with filmmakers.She states at what point in the filming process she prefers to get involved.Her experience working on Manchester by the Sea and why she chose an acoustic sound for the film's music.Lesley describes a typical day as a composer and how she develops an idea.She explains the difference between composing for movies, television series, and documentaries.Lesley tells the challenges she faces every day as a film composer.Lesley gives advice to people who want to succeed in the film industry.To learn more about Lesley, visit her website, or follow her on Twitter.Interested in knowing more about the show? Follow me on Instagram.
Based on the best selling book by Naoki Higashida, "The Reason I Jump" is an immersive film exploring the experiences of nonspeaking autistic people from around the world. We are honored to be joined by the film’s director, Jerry Rothwell. Jerry and host, Nicholas Ybarra discuss the techniques and stylistic choices used to put the audience in the sensory world of it’s subjects. Jerry also discusses what he learned form Naoki and the people he follows in the film. "The Reason I Jump" is in select theaters NOW. It is also available virtually. And for all my Los Angeles listeners, it is available at Laemmle Virtual Cinemas. Not only will you get to see an outstanding film - but you can also support the cinemas and our local theatre chains.
Director Jerry Rothwell joins Matthew Pejkovic on the Matt's Movie Reviews Podcast to talk about his documentary 'The Reason I Jump', the first time he come across the book by Naoki Higashida, creating a sound world to replicate the experience of a non-verbal autistic person on film, and more! Website: http://www.mattsmoviereviews.net/ Facebook: http://www.facebook.com/pages/Matts-Movie-Reviewsnet/151059409963 YouTube: https://www.youtube.com/user/MattsMovieReviews Parler: https://parler.com/profile/mattsmovierev/posts Patreon: https://www.patreon.com/user?u=33903624 Instagram: https://www.instagram.com/mattsmoviereviews/
THE REASON I JUMP is an immersive cinematic exploration of neuro-diversity through the experiences of non-speaking autistic people from around the world, based on the best-selling book by Naoki Higashida. The film blends Higashida's revelatory insights into autism, written when he was just 13, with intimate portraits of five remarkable young people. It opens a window for audiences into an intense and overwhelming, but often joyful, sensory universe. Moments in the lives of each of the characters are linked by the journey of a young Japanese boy through an epic landscape; narrated passages from Naoki’s writing reflect on what his autism means to him and others, how his perception of the world differs, and why he acts in the way he does: the reason he jumps. THE REASON I JUMP distills these elements into a sensually rich tapestry that leads us to Naoki’s core message: not being able to speak does not mean there is nothing to say. Director Jerry Rothwell stops by to talk about his deeply empathetic look into the lives of people with autism from around the world, with each story broadening our perspective and understanding of what it means to be a neuro-diverse person. For news and updates go to: the-reason-i-jump
Jerry Rothwell is an award-winning documentary filmmaker whose previous works include Deep Water, Donor Unknown, How To Change The World, Sour Grapes, and his latest - The Reason I Jump, an adaptation of the book of the same name written by Naoki Higashida and translated by David Mitchell. Expanding on the source material's premise, it tells the story of five neurodiverse, non-speaking autistics and the tools they use to communicate, in an immersive, cinematic and sensory experience. The film is available on Kino Marquee starting January 8th. Gary Dourdan is probably best known for his role on CSI: Crime Scene Investigation, where he starred as Warrick Brown for the show's first eight seasons. He has popped up on several other shows including Glee, Hawaii Five-O, Kim Possible, Fillmore, and The First Wives Club. He is the star of the new action film Redemption Day - co-starring Andy Garcia, Martin Donovan, Ernie Hudson and Serinda Swan - available in limited release starting January 8th and in wider release as of January 12th. Subscribe to Endeavours Radio on Apple, Spotify, RadioPublic, Deezer Social @EndeavoursRadio --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dan-mcpeake/message
In this episode, we feature a conversation with Director Jerry Rothwell and Producer Jeremy Dear about their film THE REASON I JUMP which premiered at Sundance Film Festival. Based on the best-selling book by Naoki Higashida, THE REASON I JUMP is an immersive cinematic exploration of neurodiversity through the experiences of nonspeaking autistic people from around the world. The film blends Higashida’s revelatory insights into autism, written when he was just 13, with intimate portraits of five remarkable young people. It opens a window for audiences into an intense and overwhelming, but often joyful, sensory universe. Winner: World Cinema Documentary Competition Audience Award, Sundance Film FestivalOnline Screening at DOC NYC from November 11 - 29 Conversation moderated by Aylin Gökmen
durée : 00:53:55 - Affaires sensibles - Aujourd'hui dans Affaires Sensibles l'histoire d'un tour du monde sans escale par les trois grands caps et en solitaire. En 1968, dans une petite ville des Cornouailles anglaises, neuf marins tentent l’exploit. Neuf moins un. Invité Jacques Perrin qui distribue le film "Deep Water" de Louise Osmond et Jerry Rothwell.
A filmic translation of Naoki Higashida's intimate explanation of autism. The post Jerry Rothwell – The Reason I Jump #jedensvetdoma2020 appeared first on Fred Film Radio.
A filmic translation of Naoki Higashida's intimate explanation of autism. The post Jerry Rothwell – The Reason I Jump #jedensvetdoma2020 appeared first on Fred Film Radio.
A filmic translation of Naoki Higashida's intimate explanation of autism. The post Jerry Rothwell – The Reason I Jump #jedensvetdoma2020 appeared first on Fred Film Radio.
A filmic translation of Naoki Higashida's intimate explanation of autism.Jerry Rothwell – The Reason I Jump #jedensvetdoma2020 was first posted on March 21, 2020 at 11:48 am.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm
A filmic translation of Naoki Higashida's intimate explanation of autism. The post Jerry Rothwell – The Reason I Jump #jedensvetdoma2020 appeared first on Fred Film Radio.
A filmic translation of Naoki Higashida's intimate explanation of autism. The post Jerry Rothwell – The Reason I Jump #jedensvetdoma2020 appeared first on Fred Film Radio.
A filmic translation of Naoki Higashida's intimate explanation of autism. The post Jerry Rothwell – The Reason I Jump #jedensvetdoma2020 appeared first on Fred Film Radio.
On the “Growing the Story” panel, presented by Pure Leaf Cold Brew Iced Tea, SVP of Programming and Marketing at AMC Patrick Connelly joins emerging filmmakers from the 2020 Sundance Film Festival for a candid conversation about the process of bringing a story to life, from its inception to the big screen. Panelists include directors Eleanor Wilson (Save Yourselves!), Alex Huston Fischer (Save Yourselves!), Jerry Rothwell (The Reason I Jump) and Danny Madden (Beast Beast). This panel was recorded Friday, January 24 during the 2020 Sundance Film Festival in front of a live audience at the SundanceTV HQ in Park City, Utah.
Sous le label Les Vendanges du Savoir, cette série de rendez-vous met en avant des chercheurs qui viennent présenter l’état de leurs travaux et échanger avec le public à l’occasion de conférences, de dégustations savantes, ou de projections-débats. Pourquoi les fraudeurs fraudent-ils ? Qu’apporte la science pour les démasquer ? Les acheteurs bernés veulent-ils vraiment savoir que le roi est nu ? Pourquoi achète-t-on une contrefaçon ? Goûte-t-on le vin contrefait comme l’original ? Autant de questions qui seront débattues à l’issue de la projection. 19h00 : projection du film Raisins amers réalisé par Jerry Rothwell et Reuben Atlas, produit par Faites un Vœu et Met Film production. En 2014, à New-York, le jeune Rudy Kurniawan écope de dix ans de prison pour contrefaçon de grands crus. Retour sur une vaste escroquerie, qui en dit long sur la frénésie du marché et sur la crédulité du petit monde des amateurs de vin. 20h30 : Débat sur la question de la fraude avec plusieurs spécialistes qui interviendront : Hubert BONIN, professeur émérite & chercheur en histoire économique, Sciences Po Bordeaux et GRETHA- Université de Bordeaux ; Bernard MÉDINA, docteur en œnologie, chimiste, analyste, ancien directeur du laboratoire des fraudes et des douanes à Bordeaux et Eric PRZYSWA, directeur de risk05. Modéré par Ana-Maria BINET, professeur émérite, université Bordeaux Montaigne
In 1975 a group of activists set off into the Pacific Ocean to confront a fleet Soviet whalers. This episode is about that moment, when this tight-knit group of activists came together to set off a movement … and how today, 40 years later, some of them can’t even talk to one another. Undone is hosted by Pat Walters. This episode was produced by Julia DeWitt and Emanuele Berry. Our senior producer is Larissa Anderson. Editing by Alan Burdick and Caitlin Kenney. Production assistance by Isabella Kulkarni. Undone is mixed and scored by Bobby Lord, with additional music by Nate Sandberg of Plied Sound and Sean Jacobi. Our fact-checker is Michelle Harris. Special thanks to Jerry Rothwell, Ron Precious, Emily Hunter, Carlie Trueman and Bunny McDiarmid. Undone was conceived in collaboration with our friends at Retro Report, the documentary film series that connects iconic news events of the past to today. You can find them here. === Original video: https://soundcloud.com/undoneshow/mindbomb Downloaded by http://huffduff-video.snarfed.org/ on Wed, 04 Jan 2017 19:57:37 GMT Available for 30 days after download
In 1975 a group of activists set off into the Pacific Ocean to confront some Soviet whalers. They ended up starting a movement. But then things changed, and today some of them don’t even talk to each other. Undone is hosted by Pat Walters. This episode was produced by Julia DeWitt and Emanuele Berry. Our senior producer is Larissa Anderson. Editing by Alan Burdick and Caitlin Kenney. Production assistance by Isabella Kulkarni. Undone is mixed and scored by Bobby Lord, with additional music by Nate Sandberg of Plied Sound and Sean Jacobi. Our fact-checker is Michelle Harris. Special thanks to Jerry Rothwell, Ron Precious and Emily Hunter, Carlie Trueman, and Bunny McDiarmid. Undone was conceived in collaboration with our friends at Retro Report, the documentary film series that connects iconic news events of the past to today. You can find them here. Our Sponsors Autotrader – To start searching for your new car go to autotrader.com/undone Blue Apron – Get your first three Blue Apron meals delivered for free by going to blueapron.com/undone
Today's whale of a tale concerns the ill-fated voyage of Donald Crowhurst, as seen through the lens of Louise Osmond and Jerry Rothwell's 2006 documentary, Deep Water. Music journalist and nautical enthusiast Ned Raggett joined Paco and George to discuss his attachment to this story from the 1968 race to circumnavigate the globe. This doc defies logic and will have you saying "...What the..." more times than The Imposter. Befuddling and tragic as it is, we wring some fun out of it. You can catch this doc on Netflix. Sunday Times Golden Globe Race inspired Robin Knox-Johnston, Bernard Moitessier, and Donald Crowhurst, among others to attempt solo circumnavigation of the globe. Of these men, Donald Crowhurst had the least sailing experience and the most financial gamble riding on the race. He bet his career, family, and ego on the voyage and it takes so many bizarre twists and turns. A fictionalized film version, The Mercy (http://www.imdb.com/title/tt3319730) directed by James Marsh and starring Colin Firth and Rachel Weisz finished production and is due out in 2017. Ned Raggett, to his continued surprise, has something of a writing career. When not keeping the roof over his head while working in UC San Francisco’s library system, he writes for a variety of locations all over the place, including Pitchfork, the Quietus, Flavorwire, FACT, Noisey, the Guardian, the San Francisco Chronicle, Bandcamp and a host of others past and present, most notably the All Music Guide, where he freelanced from 1998 to 2012. His weekly column for the Nashville Scene, Ned’s Atomic Link Bin, keeps track of notable English-language music writing, while he also posts quite a lot on Twitter, Facebook and so forth. Occasionally he remembers to eat, breathe and sleep, which reassures his girlfriend Kate. **Sup Doc has created a Patreon page for those that can help out. We will also be providing unique Sup Doc content for our contributors. If now is not good for you we always appreciate you listening and spreading the word about Sup Doc!Follow us on:Twitter: @supdocpdocastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.
Jerry Rothwell is an award winning documentary filmmaker. His films include Donor Unknown, Heavy Load, Deep Water, Town of Runners, and more recently, How To Change The World. His films have been nominated and have won awards at film festivals ranging from Sundance to Hot Docs. We discuss how his childhood influenced his career and films, how his brush with cancer changed his life, and the importance of getting started, taking action and being patient as you learn over time.
How To Change The World has been wowing audiences at film festivals around the world. Here we joined producer Al Morrow, director Jerry Rothwell, editor Jim Scott and archive producer Elizabeth Klinck for a film archive masterclass.
Jerry Rothwell discusses his documentary, How to Change the World, detailing the early days of the founders of Greenpeace.
You define the mansuit. A big well done to Claire Lomas for completing her marathon. What’s the worst thing in race goody bag? We speak to Jerry Rothwell, producer of the film about Ethiopian running – ‘Town of Runners’. Olympic Games marathon team selection shenanigans in Ireland and Canada. There’s rate your run and who will be top of this weeks Marathon Talk podium. Plus we talk to a legend of the running community across the pond, the original running commentator Toni Reavis.