Podcast appearances and mentions of ashley macisaac

Serena Wu is a multilingual singer-songwriter from Halifax, Nova Scotia, whose pop-driven music blends relatable, emotional lyrics with upbeat percussion and catchy melodies. Her latest single, Étranger (French for "Stranger"), is available on all streaming platforms, along with an official music video. Produced, recorded, and mixed by award-winning collaborator Daniel Ledwell, the track explores the intrigue and uncertainty of falling for someone while questioning who they truly are. It starts with a staccato ukulele riff and quickly expands into a lively arrangement featuring soulful, funk-infused instrumentation. A playful bassline, shimmering guitar riffs, and a vibrant brass section provide an exciting backdrop for Serena's dynamic voice and textured harmonies. Serena performed with Ashley MacIsaac at the 2021 Royal Nova Scotia International Tattoo and in Halifax for the 2022 Acadian National Day, where she joined him on his hit Sleepy Maggie. Last November, she was featured among artists presented by Acadian Embassy at Nova Scotia Music Week in Yarmouth, NS. Recently, she's been working on new original songs, showcased live at venues like the Seahorse Tavern and the Emerge Festival with her band. Étranger is the first in a series of new releases from Serena Wu, with songs in both French and English. On October 16th, she released the official video for this debut single, directed by James Turpin. Another new track, also produced by Daniel Ledwell, is set for release in the New Year. Learn more @serenawu_._

East Coast DNA teams up with The Boom at Noon to bring you an exclusive feature on Andre Pettipas!

I say a fond farewell to French pop star Françoise Hardy, who died this week at age 80. She was such a beautiful woman and was one of the main cover girls in Europe in the early 1960s. It's also Bloomsday on Sunday, so I've added a couple of Joycean references. Also featured new music from the July issue of Songlines magazine, and there were a load of new releases from all over the world on top of that. I added as many as possible! Also concert previews (Teddy Thompson on Sunday at The Rogue Folk Club, Missy Raines on Monday at the Anza Club, plus festival previews and a few tracks from Shooglenifty, too.) Oh, and a couple of tunes from Cape Breton fiddler Ashley MacIsaac, who performs in Coquitlam today at Scotfest.

The Second annual INGObeach Pride will be held June 28-30 in Ingonish Beach, Cape Breton, Nova Scotia and is organized by Ingonish Pride Society in partnership with INGObeach Events and The Youth Group. Festival passes are now on sale at ingobeach.com INGObeach Pride is back to Ingonish in The Cape Breton Highlands National Park with Rêve, Ria Mae and Lemon from Canada's Drag Race headlining this year's festival, Tracy & Martina hosting The Main Stage on Friday and performances by Ralph, Mo Kenney, Breagh Isabel, Good Dear Good, Ashley MacIsaac, Pillow Fite, Skunk Motel, Bradley Murphy, Moira & Claire and longtime house DJ of the former Reflections Cabaret, DJ Eddie Hedfones plus more artists to be announced. Join East Coast DNA for a chat with festival organizer, Sara Bryden, for more details on what's to come and check out https://www.ingobeach.com/ for tickets, merch, and festival updates.Intro and outro music "Better" by 2024 ECMA Rock Recording of the Year winners Good Dear Good Subscribe to  @eastcoastdna  for more music + arts coverage throughout the year. --- Send in a voice message: https://podcasters.spotify.com/pod/show/east-coast-dna/message

An accordionist with a bag of pocket-sized instruments & a dedication to cultural ecology, Mary Beth Carty fuses traditional songs, instrumental tunes, & songwriting. With a live show that runs the gamut of emotions, transporting us from the heights of dance-paced ecstasy to the calm of contemplative airs, she has had the opportunity to tour in North America, Europe, and Africa. Most recently, Mary Beth has performed at the Celtic Colours International Festival, FrancoFest Halifax, and Festivals Acadiens et Créoles in Lafayette, Louisiana. “She got the crowd singing along. It was something else!” - Bill Roach, CBC.Mary Beth released her second solo album, “Crossing the Causeway” in November 2022. Since then the album has made several appearances on the Earshot! College Radio Charts in Canada has reached No. 1 on Richard Gilman's Folk Radio DJ Chart, and No. 3 on the Folk Alliance International radio play chart. It has also been nominated for two 2024 Canadian Folk Music Awards.Mary Beth's debut solo album, 2017's Les biens-nommés, earned nominations at the Nova Scotia Music Awards and the ECMA's. It features original, accordion-fueled songs in French and English, with Donald MacLennan on violin and the Melchin brothers on double bass and percussion.As a member of the former duo Bette & Wallet, Mary Beth was nominated Traditional Singer of the Year at the 2009 Canadian Folk Music Awards. The duo toured extensively and released two albums, Voici… and Électrique. Their most popular song, “Squeegees,” transforms a public domain French-Canadian song into a humorous, bilingual anthem about urban winter hardships.In addition to her work as a solo artist, Mary Beth is in demand as a guitar accompanist for Celtic fiddlers and has performed with many of the best, including Cape Breton's Ashley MacIsaac, Colin Grant, and Chrissy Crowley. She is known for her distinct, rhythmic style, keen ear, and mastery of the unusual DADGAD tuning. Mary Beth is also a square dance caller and dance instructor and has done extensive research on dances from communities all over Eastern Canada.Learn more @stompinmary

In the latest episode of the Empowerography Podcast, my guest is Ashley MacIsaac Butler. Ashley is the creator of the Savvy Sovereign Woman Method™, speaker and published author. Ashley's mission is to guide others to tap into their highest self (intuition) so they can receive clarity and answers to live a life that aligns with their highest purpose. She believes that we are here on earth at this time for our soul to expand and grow. Through surrendering and trusting her own inner guidance with her highest self she guides others how to co-create with theirs. Ashley values quality time with her family, herself and nature. She lives in Ottawa, Canada with her husband, son and puppy. In this episode we discuss spirituality, the akashic records, the savvy sovereign woman method, conditioning and releasing control.   Website - https://www.saorsaessentials.ca/ IG - http://www.instagram.com/ashleymacisaacbutler FB - https://www.facebook.com/saorsa.essentials LinkedIn - https://www.linkedin.com/in/ashley-m-a6016219/   In this episode you will learn: 1. What the differences are between spirituality and religion. 2. The importance of putting YOU first and the benefits. 3. How to recognize and know the difference between your ego and your intuition.   "I conformed quite quickly to what society wanted me to do and be, grow up, get an education, move out, get a job, get married, have a family, do that job until you retire and then you die." - 00:08:46 "We all have this internal guide within us, and many of us are not utilizing it. We are going through life with our blinders on."- 00:36:30 "When we heal, the world heals. And when we have the ability to do that when we have the ability to heal, we're not only healing ourselves,  but we're healing past generations, present and future generations." - 00:55:33   THE WORLD needs to hear your message and your story. Don't deny the world of that gift within you that the universe has gave to you. Someone out there needs to hear your story because it will support them in feeling hope, inspired and even transformed. Want to discover how I help my clients get out of their own way, show up and confidently share their message? I would like to invite you to check out my FREE MASTERCLASS REPLAY Start Your Own Podcast: Idea to Implementation Watch Here - https://www.youtube.com/watch?v=H7iItDG4qaI

In the latest episode of the Empowerography Podcast, my guest is Ashley MacIsaac Butler. Ashley is the creator of the Savvy Sovereign Woman Method™, speaker and published author. Ashley's mission is to guide others to tap into their highest self (intuition) so they can receive clarity and answers to live a life that aligns with their highest purpose. She believes that we are here on earth at this time for our soul to expand and grow. Through surrendering and trusting her own inner guidance with her highest self she guides others how to co-create with theirs. Ashley values quality time with her family, herself and nature. She lives in Ottawa, Canada with her husband, son and puppy. In this episode we discuss spirituality, the akashic records, the savvy sovereign woman method, conditioning and releasing control.   Website - https://www.saorsaessentials.ca/ IG - http://www.instagram.com/ashleymacisaacbutler FB - https://www.facebook.com/saorsa.essentials LinkedIn - https://www.linkedin.com/in/ashley-m-a6016219/   In this episode you will learn: 1. What the differences are between spirituality and religion. 2. The importance of putting YOU first and the benefits. 3. How to recognize and know the difference between your ego and your intuition.   "I conformed quite quickly to what society wanted me to do and be, grow up, get an education, move out, get a job, get married, have a family, do that job until you retire and then you die." - 00:08:46 "We all have this internal guide within us, and many of us are not utilizing it. We are going through life with our blinders on."- 00:36:30 "When we heal, the world heals. And when we have the ability to do that when we have the ability to heal, we're not only healing ourselves,  but we're healing past generations, present and future generations." - 00:55:33   THE WORLD needs to hear your message and your story. Don't deny the world of that gift within you that the universe has gave to you. Someone out there needs to hear your story because it will support them in feeling hope, inspired and even transformed. Want to discover how I help my clients get out of their own way, show up and confidently share their message? I would like to invite you to check out my FREE MASTERCLASS REPLAY Start Your Own Podcast: Idea to Implementation Watch Here - https://www.youtube.com/watch?v=H7iItDG4qaI

In this 1346th episode of Toronto Mike'd, Mike chats with producer and musician Michael Phillip Wojewoda about the amazing music he's produced for bands such as Barenaked Ladies, Change of Heart, Doughboys, Spirit of the West, Rheostatics, as well as Ashley MacIsaac, Jane Siberia and Good Downie. Toronto Mike'd is proudly brought to you by Great Lakes Brewery, Palma Pasta, Pumpkins After Dark, Ridley Funeral Home, Electronic Products Recycling Association, Raymond James Canada and Moneris. If you would like to support the show, we do have partner opportunities available. Please email Toronto Mike at mike@torontomike.com

Sparkle. It's exactly what Civil Wray does on her brand-new single, appropriately entitled “Sparkle”.  Civil Wray, the nom de plume of Toronto singer songwriter Andrea de Boer, worked with producer Matt DeMatteo (Danko Jones, Big Wreck, Ashley MacIsaac) in creating an ethereal, dreampop song, that may remind listeners of artists like Fiona Apple, David Bowie, and Tame Impala. It's a song about …

Tribute to “American Cousin”, Legendary Loretta Lynn who passed away at her home in Hurricane Mills Tennessee on Monday, October 3rd. 2022.https://www.facebook.com/ron.moores.18

Overview of this year's Celtic Colours International Festival (October 7-15) held at venues throughout Cape Breton Island, featuring 48 concerts and 200 community events. Interview and selected music from many of the concerts scheduled.

"Ducks: Two Years in the Oil Sands," by Kate Beaton, tells the story of working in Alberta's tar sands, along with thousands of others from her native Cape Breton.  Credit: Courtesy of Drawn and Quarterly It is an age-old story — leaving home for work to build a better future for yourself and your family.It's a story that graphic novelist Kate Beaton knows well. Beaton is from Cape Breton, Nova Scotia, and her story took her almost clear across Canada, more than 3,000 miles west to northern Alberta, to join thousands of others who also left their homes for a better economic future.Her latest book, a graphic novel, is "Ducks: Two Years in the Oil Sands."Beaton joined The World's host Marco Werman to talk about her compelling personal story of working in the Athabasca oil sands of Alberta, where these boom economies have led to tremendous environmental and human cost. Growing up in Cape Breton, Beaton said that she wasn't aware of the tar sands when she was very small. "It was a place that people started going to in the '80s and '90s, but not in the numbers that made a real difference until maybe the late '90s, when it really started booming," she said."And then everybody started going. And they were running news stories around here about how, you know, the streets were emptying and the classrooms had empty desks because they were gone to the oil sands."  Marco Werman: Symbolically, you kind of illustrate that with the empty chairs around the dining tables in Cape Breton. Kate Beaton: But that's not new here. We have had many generations of labor migration to wherever the engines of capitalism have been running to, to the Boston States' auto factories booming in the 70s, and in Ontario and Detroit, a mining boom in Sudbury.So the "Boston States," is that what Cape Bretoners call the US? Or New England, specifically?It's kind of New England. They would land around Boston and they'd call it the Boston States. Yeah, I had a grand aunt who worked as a maid, for instance, in a mansion in Boston. But that was the place to go for work. And they would work there and they'd send money home. And that pattern would repeat wherever the big job booms were. And I sort of fell in step with a pattern that had been going on and on for all this time. I thought nothing of going to the oil sands because people have been doing this where I'm from for so long."Ducks" takes place mostly in Alberta, but you often take readers back to Cape Breton in the book. Almost like a dream. Like one minute you're in the industrial work camp, the next you have your feet in the sand of a pristine beach, almost like your body and mind are in two places at once. What do you think is the long-term effect on workers being split like that? How did it affect you?Oh, it had a big effect on me, for sure. You were split. And so most of your life is in this work camp, where you are not living as your full self. You're cut off from things and you're counting down the days to when you're home. And when you're in the camp, you're isolated. And the sense of being totally outside of society is a very real feeling, that you're the shadow population.The book is called "Ducks," and the meaning is revealed later on in the book when the international news media picks up the story that hundreds of migratory ducks were killed after they landed in one of these tailing ponds at one of these mining sites. Why was that moment so meaningful to you that you decided to give this book the title "Ducks"?Well, the metaphor is apt. These were migratory animals who landed in a pond that they thought was a safe space, that they thought was natural. And it ended up being toxic. It was a dangerous place for them to land. And you could make the same argument for some of the people who landed there. This incident with the ducks was the first time that I saw the oil sands on national and international news. You know, you could sort of see the eyes of the world taking a look at the oil sands or going, "Oh, God, that's bad," you know, "We don't like that." These ducks all died. And I had seen people die — 2008 was a particularly bad year for accidents on Highway 63, which was nicknamed the Highway of Death. The graphic novel, "Ducks: Two Years in the Oils Sands," by Kate Beaton, tells the compelling personal story of leaving home in Cape Breton to work in Alberta's tar sands.  Credit: Courtesy of Drawn and Quarterly  And that's a highway that connects some of the living areas with these mines?Yes, that's right. It's the highway that goes from Edmonton to to Fort McMurray. And also, at the same time, there is a part of the book where a Cree elder, Celina Harpe, is talking about how there is increased incidences of cancer, rare cancers in the Indigenous communities around Fort McMurray. And the response to that is sort of  — silence. But the ducks got all this attention because of maybe how cinematic it was. And so that always stuck with me. That the human cost went under the radar.Homesickness is a major theme of your book, and one way it manifests is through music, I noticed. Cape Breton has so much great music, trad-modern fiddlers like Natalie MacMaster and Ashley MacIsaac. We asked you for a song that brought back feelings of home when you were away in Alberta. Who are we hearing and why does this music resonate with you? You're hearing John Allan Cameron sing "Headed for Halifax." He's singing about leaving Cape Breton for work. "I'm heading for Halifax to see what's to spare in the way of some work. And if there's nothing there, then it's Toronto out West or God only knows where." That was true before I was born. It's true now. You know, I listened to this growing up and I knew, that's going to be me. And it was. This is the life in Cape Breton. But he's he's also singing, you know, "Wherever I go, there's bound to be someone from home," because that is also true. Wherever the work is, we're all going. We're going together.  This interview has been lightly edited and condensed for clarity.

"Ducks: Two Years in the Oil Sands," by Kate Beaton, tells the story of working in Alberta's tar sands, along with thousands of others from her native Cape Breton.  Credit: Courtesy of Drawn and Quarterly It is an age-old story — leaving home for work to build a better future for yourself and your family.It's a story that graphic novelist Kate Beaton knows well. Beaton is from Cape Breton, Nova Scotia, and her story took her almost clear across Canada, more than 3,000 miles west to northern Alberta, to join thousands of others who also left their homes for a better economic future.Her latest book, a graphic novel, is "Ducks: Two Years in the Oil Sands."Beaton joined The World's host Marco Werman to talk about her compelling personal story of working in the Athabasca oil sands of Alberta, where these boom economies have led to tremendous environmental and human cost. Growing up in Cape Breton, Beaton said that she wasn't aware of the tar sands when she was very small. "It was a place that people started going to in the '80s and '90s, but not in the numbers that made a real difference until maybe the late '90s, when it really started booming," she said."And then everybody started going. And they were running news stories around here about how, you know, the streets were emptying and the classrooms had empty desks because they were gone to the oil sands."  Marco Werman: Symbolically, you kind of illustrate that with the empty chairs around the dining tables in Cape Breton. Kate Beaton: But that's not new here. We have had many generations of labor migration to wherever the engines of capitalism have been running to, to the Boston States' auto factories booming in the 70s, and in Ontario and Detroit, a mining boom in Sudbury.So the "Boston States," is that what Cape Bretoners call the US? Or New England, specifically?It's kind of New England. They would land around Boston and they'd call it the Boston States. Yeah, I had a grand aunt who worked as a maid, for instance, in a mansion in Boston. But that was the place to go for work. And they would work there and they'd send money home. And that pattern would repeat wherever the big job booms were. And I sort of fell in step with a pattern that had been going on and on for all this time. I thought nothing of going to the oil sands because people have been doing this where I'm from for so long."Ducks" takes place mostly in Alberta, but you often take readers back to Cape Breton in the book. Almost like a dream. Like one minute you're in the industrial work camp, the next you have your feet in the sand of a pristine beach, almost like your body and mind are in two places at once. What do you think is the long-term effect on workers being split like that? How did it affect you?Oh, it had a big effect on me, for sure. You were split. And so most of your life is in this work camp, where you are not living as your full self. You're cut off from things and you're counting down the days to when you're home. And when you're in the camp, you're isolated. And the sense of being totally outside of society is a very real feeling, that you're the shadow population.The book is called "Ducks," and the meaning is revealed later on in the book when the international news media picks up the story that hundreds of migratory ducks were killed after they landed in one of these tailing ponds at one of these mining sites. Why was that moment so meaningful to you that you decided to give this book the title "Ducks"?Well, the metaphor is apt. These were migratory animals who landed in a pond that they thought was a safe space, that they thought was natural. And it ended up being toxic. It was a dangerous place for them to land. And you could make the same argument for some of the people who landed there. This incident with the ducks was the first time that I saw the oil sands on national and international news. You know, you could sort of see the eyes of the world taking a look at the oil sands or going, "Oh, God, that's bad," you know, "We don't like that." These ducks all died. And I had seen people die — 2008 was a particularly bad year for accidents on Highway 63, which was nicknamed the Highway of Death. The graphic novel, "Ducks: Two Years in the Oils Sands," by Kate Beaton, tells the compelling personal story of leaving home in Cape Breton to work in Alberta's tar sands.  Credit: Courtesy of Drawn and Quarterly  And that's a highway that connects some of the living areas with these mines?Yes, that's right. It's the highway that goes from Edmonton to to Fort McMurray. And also, at the same time, there is a part of the book where a Cree elder, Celina Harpe, is talking about how there is increased incidences of cancer, rare cancers in the Indigenous communities around Fort McMurray. And the response to that is sort of  — silence. But the ducks got all this attention because of maybe how cinematic it was. And so that always stuck with me. That the human cost went under the radar.Homesickness is a major theme of your book, and one way it manifests is through music, I noticed. Cape Breton has so much great music, trad-modern fiddlers like Natalie MacMaster and Ashley MacIsaac. We asked you for a song that brought back feelings of home when you were away in Alberta. Who are we hearing and why does this music resonate with you? You're hearing John Allan Cameron sing "Headed for Halifax." He's singing about leaving Cape Breton for work. "I'm heading for Halifax to see what's to spare in the way of some work. And if there's nothing there, then it's Toronto out West or God only knows where." That was true before I was born. It's true now. You know, I listened to this growing up and I knew, that's going to be me. And it was. This is the life in Cape Breton. But he's he's also singing, you know, "Wherever I go, there's bound to be someone from home," because that is also true. Wherever the work is, we're all going. We're going together.  This interview has been lightly edited and condensed for clarity.

Self-described monarchist Ashley MacIsaac remembers performing for the Queen not once, but twice.

Anthony Gerace is a Glasgow based collage artist who's work has appeared in The Guardian, The New York Times, Criterion Collection and The New Yorker. During a recent trip to Toronto, Anthony sat down with Josh and Austin to discuss his Airbnb from hell, The Winchester Mystery House, doors to nowhere, buying a flat, sneaking booze into concerts, moshing, London Ontario, designing album covers, old school art directors, “taking calls”, scoring a movie, Rob Gordon, Ashley MacIsaac, Anthony's DJ past, realizing obscure music isn't necessarily good and much more! Anthony Gerace Austin Hutchings Josh McIntyre ---- Cold Pod https://www.patreon.com/coldpod

In the conclusion of the chat with Christian we hear how Chowder got into the band, making a record with Sylvia Massey, an interesting Ashley MacIsaac guest appearance on said record, why Glueleg came to an end, the lost Glueleg record, then we talk about his stint in Saga, his battle with  Focal Dystonia, the return of Glueleg and more.So, please give it a listen and if you want more '90s CanRock content, find us on Twitter, Facebook, Instagram, YouTube and follow our official playlist on Spotify and Apple! Also, if you want to support the podcast, visit https://www.patreon.com/ravedrool, subscribe/follow the podcast wherever you're listening to this and give us a positive rating and review! https://www.twitter.com/RaveDrool/https://www.facebook.com/RaveDrool  https://www.instagram.com/RaveDrool/https://www.youtube.com/channel/UCbtw_jN4pSaz1pystngg0_w/featured https://open.spotify.com/playlist/6qsfgN0vkbyJ9FShN9rLie?si=2b92d8aeb2984bb8https://music.apple.com/ca/playlist/rave-drool-a-chronicle-of-90s-canrock/pl.u-8aAVXpehxELMaWMerch: https://www.redbubble.com/shop/ap/71419784?ref=studio-promote    Support the show (https://www.patreon.com/ravedrool)

I was about 15 years old when Ashley MacIsaac had a fiddle tune in the top 10 popular music charts in Canada. He shot to fame with a previously unseen look in the roots music community - combat boots and sunglasses.  While his ride has been rocky at times, at heart he's a charismatic Cape Bretoner with lots of stories to tell and fiddle tunes to write. I also break out an original of my own, for the bagpipes, to get Ashley's opinion on it. 

Ghosts of the Great White North sees Paranormal Road Trippers', MERLE, join us to talk some ghosts as he normally does once a month! This time though, we have a special treat for you. Famed Canadian and world renowned fiddler, Ashley MacIsaac joins us to tell us why he believes in the paranormal with some crazy stories of the unknown.

Ghosts of the Great White North sees Paranormal Road Trippers', MERLE, join us to talk some ghosts as he normally does once a month! This time though, we have a special treat for you. Famed Canadian and world renowned fiddler, Ashley MacIsaac joins us to tell us why he believes in the paranormal with some crazy stories of the unknown.

As a way to thank you for 5 years of Nighttime and ten million downloads, for the month of September I will be releasing the premium feed episodes to the free feed for everyone to hopefully enjoy. If you do enjoy this additional content, and want to help the show last another 5 years, please consider subscribing to the premium feed. If you are unfamiliar with The premium feed, it is just like the free feed you are subscribed to now except the episodes are ad-free and there is a variety of additional exclusive content. Things like the nightcap post show discussion, or the nighttime classics series in which past episodes that have been removed from the feed are presented with pre and post show discussion. It’s 3 dollars a month or you can subscribe annually for a discounted rate. You can subscribe at patreon.com/Nighttimepodcast Support the show: https://www.patreon.com/Nighttimepodcast See omnystudio.com/listener for privacy information.

In this episode, we are going to be joined by one of the more colourful characters to ever grace Canada's music charts.  Our guest is as well known for his awe-inspiring talents on the fiddle as he is for the strange stories and controversy scattered throughout his 30 year career. If you followed Canadian music in the 90s, you know Ashley Macisaac.  His 1995 album 'Hi how are you today' went double platinum and in the process helped bring about a sort of renaissance for the fiddle and Celtic music.  This episode however won't be about Ashley Macissac's impact on popular music and it won't be about his various public relations missteps that shocked and appalled many of his more traditional fans.  Ashley MacIsaac is joining me here on Nighttime to speak publicly for the first time about something very personal and very important to him.  UFOs are, and have been, a part of his life since childhood.  Buckle up and get ready for a bumpy ride through the strange world of Ashley MacIsaac.  Links: Nightcap post show discussion: Patreon.com/nighttimepodcast Ashley MacIsaac on Facebook: https://www.facebook.com/FiddlerAshleyMacIsaac Ashley MacIsaac’s appearance on Conan': https://www.youtube.com/watch?v=5tIT8VuZ92c Join the UFOs Above Canada Facebook Group: https://www.facebook.com/groups/ufosabovecanada Ashley MacIsaac's ‘Sleepy Maggie’: https://www.youtube.com/watch?v=aoApELfgWcg Ashley MacIsaac’s ‘MacDougall’s Pride’: https://youtu.be/PUBCoukhtQE Ashley MacIsaac’s ‘Bitch’: https://youtu.be/yqTn87UXwa8 Credits: Musical Theme: Blunted to Deaf by Fortnite Beats Contact: Website: https://www.nighttimepodcast.com Twitter: https://twitter.com/NightTimePod Facebook: https://www.facebook.com/NightTimePod Instagram: https://www.instagram.com/nighttimepod Email: NightTimePodcast@gmail.com Support the show: https://www.patreon.com/nighttimepodcast Support the show: https://www.patreon.com/Nighttimepodcast See omnystudio.com/listener for privacy information.

The magic of the forest penetrates the Irish & Celtic Music Podcast. John Doyle, Anna Bosnick, Orla Fallon, Tannahill Weavers, The Diviners, Wolf & Clover, Celtic Rain, Outbound Traveler, Runa, Colleen Orender, Wyvern Lingo, The Whiskeydicks, The Muckers, Gillian Boucher & Bob McNeill I hope you enjoyed this week's show. If you did, please share the show with ONE friend. The Irish & Celtic Music Podcast is here to build our community and help the incredible artists who so generously share their music with you. If you hear music you love, buy the albums, shirts, and songbooks, follow the artists on Spotify, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast. Remember also to Subscribe to the Celtic Music Magazine. Every week, you will get a few cool bits of Celtic music news. It's a quick and easy way to plug yourself into more great Celtic culture. Plus, you'll get 34 Celtic MP3s for Free, just for signing up today. VOTE IN THE CELTIC TOP 20 This is our way of finding the best songs and artists each year. Just list the show number, and the name of as many bands in the episode as you like. Your vote helps me create next year's Best Celtic music of 2020 episode.  Vote Now! THIS WEEK IN CELTIC MUSIC 0:03 - "Elevenses" by John Doyle from The Path of Stones 4:32 - WELCOME 5:14 - "The Forest / The Magician / The Butterfly (feat. Matt Diaz & Erin Michet)" by Anna Bosnick from The Ring 9:26 - "Two Sisters" by Orla Fallon from Lore 12:44 - "Orach" by The Tannahill Weavers from Orach (The Golden Anniversary) 17:56 - "Before His Tears Will Flow" by The Diviners from Earshot 21:44 - CELTIC FEEDBACK 26:18 - "The Suitor Set" by Wolf & Clover from Live at the Silvan Sessions 32:50 - "Celtic Rain" by Celtic Rain from Celtic Rain 37:10 - “Ring for a Lady” by Outbound Traveler from Go On and Wander 40:04 - “Saints and Sinners” by Runa from Ten: The Errant Night 44:06 - CELTIC PODCAST NEWS 45:52 - "Star of the County Down" by Colleen Orender from Single 49:42 - "Used" by Wyvern Lingo from Wyvern Lingo 53:47 - "The Old 1-2 2 Step" by The Whiskeydicks from United We Stumble 56:29 - "Buzzards Bay" by The Muckers from Irish Goodbye 1:00:13 - CLOSING 1:01:26 - "Emily Bay" by Gillian Boucher & Bob McNeill from Race for the Sun The Irish & Celtic Music Podcast was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. The show was produced by Marc Gunn, The Celtfather. To subscribe, go to Apple Podcasts or to our website where you can become a Patron of the Podcast for as little as $1 per episode. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME TO CELTIC MUSIC * Helping you celebrate Celtic culture through music. My name is Marc Gunn. I am a Celtic musician and podcaster. This show is dedicated to the indie Celtic musicians. Please support these artists. Share the show with your friends. And find more episodes at celticmusicpodcast.com. You can also support this podcast on Patreon. CELTIC PODCAST NEWS THANK YOU PATRONS OF THE PODCAST! Because of Your kind and generous support, this show comes out every week. Your generosity funds the creation, promotion and production of the show. It allows us to attract new listeners and to help our community grow. As a patron, you get to hear episodes before regular listeners. When we hit a milestone, you get an extra-long episode. You can pledge a dollar or more per episode and cap how much you want to spend each month over on Patreon. Your contribution also allows us to support the Middle Tennessee Highland Games & Celtic Festival and the Texas Scottish Festival. A super special thanks to our newest patrons: David Marc, Christopher, Megan G, Joe L You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticpodcast I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? You can send a written comment along with a picture of what you're doing while listening. Email a voicemail message to celticpodcast@gmail.com Matthew McKnight emailed a correction: "Gday, I love your podcast. I have only recently discovered it as I get my head wrapped around ever evolving technologies. I have Celtic ancestry, grew up in Australia, and feel so connected with my heritage when i listen to your show. I like the Celtic Rain track in your latest podcast and discovered a typo/problem with the link to their website. The link address should be celticrainmusic.com. Hope this helps in the future." Jeremy Graves emailed "Hi, Marc! I've been listening to your show for just a few weeks, but I really love it! I started listening to stay awake while feeding my now three-month-old late at night; my wife and I take shifts. As a linguist working with an indigenous group in Mexico, I really enjoy songs sung in the Celtic languages, and would love to hear more on the show! Thanks for your work! (PS I bought a Stonecircle album today, which I first heard on the podcast)." Charlton Allen asked: "What is indie Celtic?" Brooks Smith emailed on Patreon: "Hi Mark, Thanks for all the work you to do running this podcast! I don't really have any Irish heritage, but I discovered Celtic music when a friend dragged me to a contra dance in Vermont with the band Crowfoot several years ago. I love the genre, and your podcast is a great way to keep up with some of the new music that comes out. I typically listen while working during the day (I'm a structural engineer in Melbourne, Australia), and I'll have Spotify open as I do, marking songs as favourites on there as they catch my ear. I'll usually later on go listen to the rest of an artist's catalogue if I've favourited something by them. I've found a few new favourite artists that way - West of Eden, Heather Dale, Childsplay, Skipinnish. Anyway, I'm gradually working my way through your back catalogue of episodes, but one sub-group I've not heard much of yet is Cape Breton artists: Barra MacNeils, Rawlins Cross, Rankin Family, Ashley MacIsaac, and Natalie MacMaster are some of my other favourite Celtic bands! Cheers!"

He was called the Godfather of Celtic Music in Canada. This is episode 14 of Caffe Lena: 60 Years of Song. Thank you to Sarah at the Caffe for compiling the list of artists and songs. Born into a musical family in 1938 in Cape Breton, Nova Scotia, John Allan Cameron went on to bring the music of his roots to people around the world. With a career that spanned 40 years, Mr. Cameron made a significant contribution to the music industry in Canada, paving the way for such artists as Ashley MacIsaac, The Rankins, Great Big Sea, and Natalie MacMaster. In addition, John Allan Cameron was known for his appearances on "Singalong Jubilee" in the 1960s, and hosting a couple of his own television series. He released 10 albums in his lifetime, and even performed at the Grand Ole Opry in 1970. Born to a Scottish emigre mother and a Navy veteran machinist father, Heather Pierson's early life was filled with all kinds of music, from rock and pop to folk and more. But it was the piano that captured her

Tony Plays... Larry Flynt for the President Wah Wah Watson – Goo Goo Wah Wah Stevie Salas - Freeze Dried Family Fortune feat Jessica Darling - Work Quantic Soul Orchestra - She Said What? Dennis Regan - Stupid questions BackBeat Band - Bad Boy H.E.R. - Carried Away Led Zeppelin - Darlene The High Learys - Letters To Alice The Magnificent Freedom - Fuck Off And Leave Me Alone Larry Flynt For President EPMD - Let The Funk Flow Atomic Rooster - Breakthrough Take R.L. Burnside - Let My Baby Ride [Remix] Wildlight - Save My Mind for Later Joe Jackson - You cant get what you want-12" remix Plasteed - Rock'N'Roll Larry Flynt - paint the white house pink Brown Sabbath - Fairies Wear Boots Lefties Soul Connection - Fais Do Do Cake - War Pigs Justin Johnson - Bootleg Turn Vince Gill - Oklahoma Borderline Senri Kawaguchi - Blue Rondo a la Turk Jimmy Herring Band - Matt's Funk Los Texmaniacs, Ashley MacIsaac and Tal Wilkenfeld Jamming Karl Denson - Gossip

Our editorial colleague Allison Saunders joins us to talk about Pot of Gold chocolates, the greatest Atlantic Canadian albums of all time and Ashley MacIsaac's scabies. Then, Halifax's urban forester John Simmons drops by to talk about the Brown Spruce Longhorn Beetle invasion inside Point Pleasant Park. The Coast presents: 25 for 25. A year-by-year audio archive. Through the lens of the city's alt-weekly, editors Jacob Boon and Tara Thorne bring you the stories that shaped Halifax over the past quarter-century The Coast Twitter: @TwitCoast The Coast (online) thecoast.ca Tara Thorne twitter: @thorneyhfx Jacob Boon twitter: @RWJBoon

One of Eastern Canada's unique sounds is a mix of Celtic, folk and rock that artists like Ashley MacIsaac perfected. Sonic Collective member Scott Gregory chose this album for us to listen to and review. For all the details and the full review please go to http://thesoniccollective.com. You'll enjoy this one!

For the month of May 2018, The Sonic Collective member Scott Gregory decided to take us to the East Coast of Canada to hear the Celtic-Influenced fiddling of Ashley MacIsaac. Listen along with us this month and learn more at http://thesoniccollective.com.

Those who have been waiting for something new from Canadian duo Digging Roots won’t be disappointed with their latest offering, For The Light. Inspired by their travels during four years of international touring, For The Light firmly inhabits roots and blues with a nomadic wanderlust. Husband and wife Raven Kanatakta and ShoShona Kish join us to talk about the collection. Heather Rankin is keeping quite busy these days. Best known as a member of Cape Breton’s Rankin Family, she’s fresh from the release of her debut solo album, A Fine Line, and will host the 2016 East Coast Music Awards gala alongside Ashley MacIsaac. She joins us to talk about her experience creating her first solo offering and more. Toronto-based musician and producer Angel join us to talk about the various projects he has on the go under his Invisible Werks banner. Plus, we check in with Sarah Konowal of Metalworks Institute, which is offering up access to some of their Online Certification Courses as part of our Career Booster Prize package for CBC Searchlight 2016.

This Ep: Super Special Pursuit Guest Allan Reid - President & CEO - CARAS, The JUNO Awards & MusiCounts GA tries hard to act nonchalant and professional as he hosts this week's conversation with Allan Reid. Not only is he the President & CEO of The Canadian Academy of Recording Arts & Sciences, the Music Counts charity & a "little" thing called The JUNO Awards [that's the Canadian equivalent of the Grammy Awards for our non-Canadian friends!] but "AR" used to be THE A&R man ["Artists & repertoire"] at A&M Records [now Universal Music Canada] & was "instrumental" in the careers of artists such as Ashley MacIsaac, Hawksley Workman, Hedley, Sam Roberts, The Tragically Hip, Sarah Harmer & more. He was also responsible for signing...you guessed it, Jann Arden, to a life changing record deal! Big deal...the real question is can this renaissance record man actually help us in the #RelentlessPursuit of Jann Arden?  Listen for the answer to that question along with anecdotes about Jann, Johnny Reid, Gord Bamford & The JUNOS in this all new episode!  Caution:  Exceedingly uplifting & excellent episode. Listeners subject to bouts of euphoria & excitement. Musically speaking.

Windy City Irish Radio would like to wish you all a very Merry Christmas! Join us as we Deck the Halls and Roast the Chestnuts and celebrate the holidays as only we know how. There are so many presents under the tree for you including an exclusive holiday tune from Makem & Spain and music sure to make you merry from The Elders, Kiltartan Road with Kathy Cowan and Andrew Bird, The High Kings and brand new Cherish the Ladies. And there's more from Irish Comedian Frank Kelly, current Irish chart leader and Tupelo lead man James Cramer with Eleanor McEvoy, The Irish Rovers, The Saw Doctors, Ashley MacIsaac, The Coronas, The Mullarkeys, and the Wild Colonial Bhoys. Plus a holiday classic from the Pogues with Kirsty MacColl, and tunes from Gemma Hayes with Richard Egan, Rhiannon Giddens with Caitriona O'Leary and an old Christmas favorite from our friend, Michael McDermott. Join Mike and Tim this Christmas and every Wednesday evening on WSBC 1240AM Chicago from 8pm to 9pm or listen to the podcast at www.windycityirishradio.com

Hugo Rampen is the director behind the new Revelstoke Axis Mundi festivals, which starts with the Axis Mundi Harvest festival September 18–20 featuring Ashley MacIsaac as the biggest name announced so far. The Revelstoke Mountaineer explored the new festival in a Mar. 26 story. This week, we sat down with director Hugo Rampen, who joins the new Revelstoke festival offering after many years in charge of the Salmon Arm Roots & Blues festival. Rampen talked about the vision for the festival, which is much more than just a live music show. Multi-venue performances are planned for downtown Revelstoke, for example. Rampen plans to integrate outdoor adventure, culture, environmental themes and community-driven initiatives into a cutting edge overall festival package. The fall Axis Mundi Harvest festival is one of two; the spring Axis Mundi Solstice will have a slightly different take. The Mountaineer sat with Rampen for this audio interview below on April 21, where he elaborated on his plans, and talked about his deep background as a music organizer.

Let's hear a Ho! Ho! Ho! and off we go as Mike and Tim discuss the legend of St. Nicholas (or Daidí na Nollag or Father Christmas or Santa Claus) and his Irish "roots" in honor of his feast day! Tune in to Windy City Irish Radio as the boys officially kick off the Christmas season with tunes of the yuletide season from the likes of The Saw Doctors, Bing Crosby, Beausoleil avec Michael Doucet, Larry Kirwan, Ashley Davis, The Irish Rovers, Ashley MacIsaac, Wild Colonial Bhoys, WALLIS BIRD Official Page, The Henry Girls and so much more. Join Mike Shevlin and Tim Taylor live each Wednesday night from 8pm to 9pm on WSBC 1240AM Chicago and WCFJ 1470AM Chicago Heights for the best in Irish music, culture, books, theater and craic. For more information on Windy City Irish Radio you can contact us on our newly refurbished website at www.windycityirishradio.com or via e-mail at mike.shevlin@windycityirishradio.com or tim.taylor@windycityirishradio.com. Join Mike and Tim live each Wednesday night from 8pm to 9pm on 1240AM WSBC Chicago and 1470AM WCFJ Chicago Heights. You can learn all about the great hosts on their website at www.windycityirishradio.com and you can contact Tim and Mike at tim.taylor@windycityirishradio.com or mike.shevlin@windycityirishradio.com.

Halifax, ville canadienne Tour d'horizons Halifax (Michel) Standfields - Bloody dotted line Événements militaires ayant marqués la ville (Jimmy) Willie Stratton - November Un exemple de résilience: le parc de Point Pleasant (Éric) Wintersleep - Archeologists Entrevue avec Catherine Beauchamp: un projet terminal à Halifax Gypsophilia - Montreal La revitalisation des banlieues selon Helen Dunham Jones (Charles) Ashley MacIsaac - Brenda Stubbert Mots de la fin Ben Caplan - Down to the River

Folkenlared.com radio Podcast #15 Con Tuenda, Relativity, John Whelan, Ashley MacIsaac, Alan Kelly, Fribo, Sete Raposos Mortos, Fernhill, Cantrip, Martyn Bennett & Matin Low, Beoga, Llangres.

OK, so the SAW has slipped to a schedule that might be more aptly termed 'occasional', but we're still determined to get caught up. For this week, Chris cuts it up with a KLF/JAMs/Timelords-inspired dance number containing little other than drum loops and samples from other sources (and some other synths to round things out). The samples included come from CDs by Consolidated, Shawn Colvin, Ashley MacIsaac and Leonard Cohen. How's that for an eclectic mix?