Podcasts about coronas

THE FAST AND THE FURIOUS IS 25 YEARS OLD?! How did that happen? Where did the time go? Where did Matt’s hair go? Buckle up, we’re celebrating the 25th anniversary of The Fast and the Furious — the movie that started a bajillion dollar franchise built on cars, Coronas, and FAMILY. How well does the original “street level” film hold up after seeing Dom and his crew race around the world, destroy submarines, and go to space? Let’s find out as we hit the NOS down memory lane… Wanna be on the show? Call us and leave a voicemail at (707) 948-6707. Love physical media? Shop our favorite Blu-rays & 4K's from Movie Zyng and support the podcast by using our affiliate link: [LINK]    We may earn a commission from qualifying purchases. Subscribe to us on YouTube! Merch: the official Matt and Mark Movie Show Merch Zone on Teepublic. Support our show through Blubrry: https://blubrry.com/services/professional-podcast-hosting/?code=GetRecd Buy Us A Coffee: http://buymeacoffee.com/Mattandmark Visit our Linktree for more ways you can connect with us and connect with our show!

El cómico Javier Coronas cree que la duración del eclipse, un minuto y 45 segundos, es suficiente para hacer cosas como restaurar un mueble de madera o gestionar el almacenamiento de Google.

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

LOUNGE LIZARDS PRESENTED BY FABRICA5 - Brilliant Honduran Cigars - Visit Fabrica005.com and use code LIZARDPOD at checkout for 10% off THE ENTIRE STORE! Free worldwide shipping from Miami on all orders over $125. See website for more information and terms.SMALL BATCH CIGAR - SAVE 15% - Exclusive Cigar Retail Partner of the Lizards - Visit SmallBatchCigar.com and use code LIZARD15 for 15% off your order. Free shipping and 5% rewards back always. Standard exclusions apply. Simple. Fast. Small Batch Cigar.Recorded at Ten86 Cigars in Hawthorne, New Jersey, the Lizards pair Quai d'Orsay Coronas Claro (UBL MAR 22) with 123 Organic Tequila Reposado Dos. The guys saber Pol Roger champagne for two Lizard birthdays, they discuss the future of Cuban tobacco and the global supply/demand issues and they are shocked to learn that Lizard X's wife angrily returned to the lounge.PLUS: Has the Golden Age of Cuban Tobacco Ended?, Body vs. Strength vs. Flavor, Why Cuban Blends Change, The Lizard X Files: Lounge Etiquette, Lizard's Cuban Prognostications, Is a European Non-Cuban Cigar Boom Coming?, New French Bolivar R.E. & MoreJoin the Lounge Lizards for a weekly discussion on all things cigars (both Cuban and non-Cuban), whiskey, food, travel, life and work. This is your formal invitation to join us in a relaxing discussion amongst friends and become a card-carrying Lounge Lizard yourself. This is not your typical cigar podcast. We're a group of friends who love sharing cigars, whiskey and a good laugh.website/merch/rating archive: loungelizardspod.comemail: hello@loungelizardspod.com to join the conversation and be featured on an upcoming episode!instagram: @loungelizardspodGizmo HQ: LizardGizmo.com

I’m on the road in a 16 foot Penske truck  I’m doing this show from a hotel room in Bolingbrook, Illinois. friend Of The Show Jeff  Zelepugas  joins me and my undisclosed beautiful travel companion Music by The Kinks ? Donate to the show – Rock and Roll Geek Friends And Family Membership Thanks to Ralph Miller for the $125 Penske truck donation Thanks to Dan Gerawan for the $100 Penske Donation Donate on Venmo Dan Gerawan – $100 Concerned Donation John Morgan – $50 Hang In There Bud Kirk Crawford – $50 Tim Schall – $50 Rockbottom Rob Giglio – $25 Gregg Brofer – $20 Blake Johnston – $20 Todd Cunningham – $10 Danny Borden – $5 Steven Cohen $5 Richard Fusey – $4.44 Richard Fusey – $6.66 Bruce McMillan – $3 (Venmo donation id is @Michael-Butler-11) PATREON DONORS Joe Pawlak – $16.66 Kirk Crawford – $12.77 Patrick Shanahan – $10 Brian Springer – $8 Jon Scott – $8 Michael Street – $7.50 Dave Slusher – $5.55 Robert Harvey – $5 Chiaki Hinohara – $5 MedakiMetal on Instagram Jamie Jefford – $5 Erik Klein – $5 Paul Smith – $5 Justin Lefkowitz – $5 Steve Trice – $5 James Shapiro – $5 Martin Clawley – $5 Nadi Itani – $5 Eric Stowell – $4 Mike Hellyer – 4 pounds Mark Mazzel – $3 Adrian Boschan – $2 Amelia Bowen – $2 RnR Pleeb – $1.42 3Legs4wheels – $1 Arne Stach – $1 Paypal Donors Richard Strom – $20 Dave Franco – $20 Steven Laperriere – $20 Bradley Lisko – $10 William Bealle – $10 Ralph Miller – $10 School Of Podcasting – $10 Jason Shepard – $10 Jeff and Cheri Thieleke – $10 Christopher Del Grande – $5 Jayce Lesniewski – $5 Benjamin Mueller – $5 Jon Tennis – $5 Rachel Rosenberg – $5 Vincent Crimi – $5 Gregg Long – $5 Peter Spark $5 Andrew Howe – $5 John Ofenloch – $5 Chad Kiffmeyer – $2 Dave Alexander – $2 Adam Croft – $2 Kai Matsuda – $2 Lasse Satvedthagen – $2 Brian Grattidge – $2 William Moffett – $2 Deborah Dreyfus – $2 Show Transcript  0 00:00:05 Somewhere in the middle of pouring down rain nowhere, this is the Rock and Roll Geek Show. This is the story of my rock and roll butler. Welcome to the Rock and Roll Geek Show. 00:00:23 My name is Michael Butler. Thanks a lot for joining me. I really appreciate it. 00:00:26 Today is Saturday, July 18, 2026, it’s 8.03pm and we are in Clarion, Pennsylvania and it is pouring down rain. The beautiful undisclosed woman, travel companion Raquel, drove most of the way. 00:00:48 I drove the first three hours and then she took us in the last four. We had about a six hour and forty minute drive. Last night we stayed in Bolingbrook, Illinois and Jeffrey Zalapugas and his lovely wife Winnie met us at the hotel room. 00:01:10 He brought me a twelve pack of Tecate. We got to the room and I said to Raquel, we’re going to have to get some more beer, we’re running out of beer here. We only had eight modellos left and in walks Jeffrey and Jeff knocks on the hotel room door with a twelve pack of Tecate in his hand. He heard my call, we put it out there to the universe and the universe brought Jeffrey 00:01:35 Zalapugas, is that how you pronounce his last name, Zalapugas, I think it’s Zalapugas. He brought a twelve pack of Tecate and we went, if you heard yesterday’s show you heard us talking, we went to a bar, last night was a sports bar and Jeff would not let me pay for anything. We got tons of food, tons of beers, modello draft and saw a good blues band. Only problem with the blues band, his brother Mark was there and his wife, I didn’t get 00:02:12 his wife’s name, but Mark is a harp player, he used to play with this guy, great guitar player, great band, supposedly the bass player played with Dave Mason, but he played a Marshall Stack and that thing was so fucking noisy, he had a ground problem or something with that thing, but he was a good guitar player, they were a great band and after they left there was a classic rock band that came on after them and the place kind of cleared out. We had a really good time, thank you Jeff Zalapugas for your hospitality. He was really, Raquel was very impressed. 00:02:47 We’re a little cranky right now, I think we’ve made it this whole trip without any arguments and we’re both hungry, we’re both wet and thirsty and yeah, ready to get back. We’re going to be arriving in the undisclosed location tomorrow by three and we’re waiting for a Manhattan and somebody’s pissed off they’re not getting their fucking Manhattan, she’s ready to punch me in the nose. Oh boy, alright, okay. I think we should wrap this thing up, we’re hoping to get back to the undisclosed location 00:03:26 tomorrow to make it back in time for the finals of the World Cup. Thank you for listening to this trip, I’ll try to do a wrap up show tomorrow, we’re in a place right now called, do you know what the name of this place is, RRR Roadhouse, Triple R Roadhouse. We were going to a dive bar and we couldn’t get a cab so we were driving the Penske truck and we’re driving to the place and there’s a car in the middle of the road and he rolls down his window and tells us to stop and he said, you guys can’t go any further it’s flooded 00:04:03 down there, you’re not going to make it in that truck, so we had to turn around and drive up to this place, all the other places are fast food places except for this place, it’s a steakhouse, she’s waiting for her Manhattan and she’s ready to jump over the bar and wring this guy’s neck. I hope she doesn’t because he looks like he could kick my ass and I’d have to fight him and I’d rather not do that. We made it this whole trip, it’s been a joy on this trip so we’re going to make it the 00:04:37 last day and a half a joy, once she gets that Manhattan down her gullet she’s going to be fine I think. We might have to do some mushrooms tonight, I don’t know, we’re going to have to do something to turn this moods around, we’re both cranky, we haven’t eaten all day, I had a 7-Eleven hot dog that was pretty bad and she hasn’t had anything so we’re ready to kill some, not kill, we’re not going to kill anybody, we’re ready to throw down and I don’t think I want to throw down in Clary, all the guys at the bar look like they could kill me. Alright, we’re going to wrap this thing up friends, thank you for listening to all these 00:05:16 shows and thank you to Jeffrey Zalapugas, it was a joy to hang out with you Jeff, we’re hoping to hang out with Jonathan Travers today but that didn’t work out, his mom had an emergency at home so he had to run and do that, we had to keep driving and here we are in Clary, we have like a 5 hour drive tomorrow, Manhattan up, what’s up mean, not ice, no ice, oh boy, up is martini glass, she wants it up though, can you put it in martini glass, yeah, I mean 00:05:50 is it hot if the ice is still in it though, I mean, I don’t think she wants it in the fight here and I’m going to have to get off the phone with Lieutenant Raquel, that’s alright, oh boy, I’m going to do some damage control, alright, we’re going to go fight some people and we’re going to have a, if you don’t hear from me tomorrow that means we went, we threw down in Clary in Pennsylvania with some locals, I think Raquel, I think Raquel could take 00:06:23 them, could you take them, alright friends, thank you for listening, I’m going to get out of here, I’m thirsty, cheers, it’s a beautiful Manhattan, he did a good job, there’s no cherry in it, oh boy, she’s pissed, don’t make Raquel a Manhattan, right, thank God, alright friends, let’s close out with, we’re playing road songs, this is dirt roads, dead ends and dust from the 00:06:58 super suckers, I’ll talk to you hopefully tomorrow, we will be in the undisclosed location if we make it back safely, we drove through storms almost this entire time today, so needless to say we’re a little bit tired, a little bit wet and a little bit thirsty and a lot hungry, we ordered a 20 ounce porterhouse steak and we’re going to eat and drink and maybe do other things, alright friends, I’ll talk to you later, rockandrollgeek.com, you know how to reach me, please keep your donations coming, thank you to everybody who supported the show so far, I’ve got to get out 00:07:38 of here, I’m going to down this Corona, run out and get the koozies in the pouring down rain and down a few more Coronas before we get out of here, last night, we’re going to go down in style motherfuckers, alright, we’ll talk to you tomorrow.The post On the road in a Penske truck day 6 – Clarion PA first appeared on The Rock and Roll Geek Show.

I’m on the road in A 16 foot Penske truck  I’m doing this show from a dive bar in Evansville Wyoming Music by Alvin Lee ? Donate to the show – Rock and Roll Geek Friends And Family Membership Thanks to Ralph Miller for the $125 Penske truck donation Donate on Venmo Dan Gerawan – $100 Concerned Donation John Morgan – $50 Hang In There Bud Kirk Crawford – $50 Tim Schall – $50 Rockbottom Rob Giglio – $25 Gregg Brofer – $20 Blake Johnston – $20 Todd Cunningham – $10 Danny Borden – $5 Steven Cohen $5 Richard Fusey – $4.44 Richard Fusey – $6.66 Bruce McMillan – $3 (Venmo donation id is @Michael-Butler-11) PATREON DONORS Joe Pawlak – $16.66 Kirk Crawford – $12.77 Patrick Shanahan – $10 Brian Springer – $8 Jon Scott – $8 Michael Street – $7.50 Dave Slusher – $5.55 Robert Harvey – $5 Chiaki Hinohara – $5 MedakiMetal on Instagram Jamie Jefford – $5 Erik Klein – $5 Paul Smith – $5 Justin Lefkowitz – $5 Steve Trice – $5 James Shapiro – $5 Martin Clawley – $5 Nadi Itani – $5 Eric Stowell – $4 Mike Hellyer – 4 pounds Mark Mazzel – $3 Adrian Boschan – $2 Amelia Bowen – $2 RnR Pleeb – $1.42 3Legs4wheels – $1 Arne Stach – $1 Paypal Donors Richard Strom – $20 Dave Franco – $20 Steven Laperriere – $20 Bradley Lisko – $10 William Bealle – $10 Ralph Miller – $10 School Of Podcasting – $10 Jason Shepard – $10 Jeff and Cheri Thieleke – $10 Christopher Del Grande – $5 Jayce Lesniewski – $5 Benjamin Mueller – $5 Jon Tennis – $5 Rachel Rosenberg – $5 Vincent Crimi – $5 Gregg Long – $5 Peter Spark  $5 Andrew Howe – $5 John Ofenloch – $5 Chad Kiffmeyer – $2 Dave Alexander – $2 Adam Croft – $2 Kai Matsuda – $2 Lasse Satvedthagen – $2 Brian Grattidge – $2 William Moffett – $2 Deborah Dreyfus – $2 Show Transcript  00:00:06 From somewhere in the middle of nowhere, this is the Rock and Roll Geek Show. This is the story of my rock and roll butler. Welcome to the Rock and Roll Geek Show. 00:00:24 My name is Michael Butler. Thanks a lot for joining me. I really appreciate it. 00:00:27 Today is Tuesday, the 14th of July and it is 8.35, I’m doing this, 8.35 p.m. 00:00:36 We are in, where are we, Evans, Evans, Evans, Evans, Evans, uh, Evans, Evans, somewhere in Wyoming. We’re in Wyoming at a place called, Evanson, somewhere, somewhere in Wyoming. At a place called Highway 30 Tavern. 00:01:03 There are the all-star games going on right now. I had no idea the all-star game was happening. There are, it’s kind of a dive bar, yeah it’s pretty much a dive bar but they do serve food so we ordered some wings. 00:01:17 We got a cup, we’re drinking a fine Corona, an undisclosed person and cheers. Cheers. Beautiful undisclosed person, do you feel like introducing yourself or do you still want to stay undisclosed? 00:01:33 Introduce myself. Do you want to give your name or do you want to stay undisclosed? I like to stay undisclosed. 00:01:38 We’ll call her, um, Legit. We’re going to call you Legit. I prefer Raquel. 00:01:47 Alright, Raquel. Raquel is the undisclosed person. We just ordered two Coronas. I’m going to make this short because I’m not going to stay here all night and do a podcast 00:01:55 but we drove, what did we do? We stayed in Winnemucca last night and drove to Elko, Nevada, ate at a Basque restaurant, pretty good Basque lunch, apparently there’s a big Basque population in Elko, Nevada. I think there is in Winnemucca as well. We looked for a dive bar last night and we walked around, we were a little bit afraid 00:02:23 walking in the dark but we managed to make it back alive. The first place we were going to go to was the Butch Cassidy Hole in the Wall, Butch Cassidy Waterhole in the Wall, something like that. It looked shitty, it had fluorescent lights, so we said, ah, we’ll look for somewhere else, maybe we’ll go to the casino and on the way to the casino we found the perfect dive bar. 00:02:45 I don’t remember what it was called, do you remember what it was called? Something tap room, but they didn’t have any tap, oh, the Cheers Tap Room, but there was no tap, it was just a dive bar. That was a really good dive bar, so we had a good time, we had a few drinks and then came back to the room, left this morning and stopped in Elko, Nevada, had lunch, where we parked there was a strip club, it said, I forget what the name of it was, but it said Dancing and Diddling, and we’re like, what’s diddling, I don’t know what that means, I 00:03:25 know what diddling means, it means, isn’t diddling when you put your finger down there on the girl and you mess around with her, and I said, oh, huh, okay, it’s a joke, then I looked to the left and there’s a legal brothel right across the street and then there’s an Asian legal brothel right next to that, one was called Ann’s, what was it called, Mona’s what, Mona’s Dollhouse or something like that, Mona’s Ranch, and then there was Anna’s Ranch, 00:03:59 one had Chinese lanterns hanging out of it, hanging outside, and the other one didn’t. So there were two brothels, then we walked over to have a nice basket lunch and got back on the road and here we are in Evans something Wyoming, moving right along in the Penske truck, friends, I don’t think I got any donations, I haven’t looked at the Venmo, but if you care to contribute, it would be much appreciated, I’m hoping to meet with Ken Grossman tomorrow, I’m not positive where we’re gonna be driving through, I thought I was gonna be driving 00:04:36 through Boulder, Colorado, and I have to check, if I am, I’m gonna meet up with Ken Grossman, I don’t know if I’ve ever met in person, if not we’re gonna head up towards Chicago that way, I don’t know, but look at the map and if I’m on that way friends, hit me up, I would love to meet you for a beer or stay on your couch or just to have some food, whatever, or we just shake hands, you can call me an asshole to my face and you can take a look at beautiful Raquel, the undisclosed travel companion. All right friends, that’s gonna do it, I’m gonna close out with a song sent to me, we’re doing all road songs, we are doing all road songs on this trip, 00:05:19 Kirk Crawford sent me a song, he said Michael Attach is one of my favorite Alvin Lee songs, from a solo album he did in 1973 while still leading 10 years after, and he did it with a country rock singer named Mylon Lefevre, all kinds of British rockers guest appeared on this album, including George Harrison, Steve Winwood, Ron Wood, Mick Fleetwood, among others. Anyway, you may not want to play it on the show as the chorus refrain of the song is, I’m on the road to freedom, on the road to love, that kind of fits, regardless it’s a great song written solely by Alvin and he sings lead and plays all the guitar parts, safe travels. All 00:05:59 right, for you Kirk Crawford, I’m gonna play some Alvin Lee, thank you for listening friends, rockandrollgeek.com is where you can find the show, send me an email rockandrollgeek at gmail.com, hit the donate button at rockandrollgeek.com, all the ways you can contribute to the show, if you get any value out of this, if you don’t, don’t contribute anything, and you can find me on the Facebook rnrgeek, happy birthday Adam Gerstein, friend of the show, he’s what, is he 35 today, probably something like that, find me on the Instagram rockandrollgeek, 00:06:33 don’t ask, find me on the Twitter rnrgeek, and say goodbye, goodbye, Rock Hill, goodbye, and she doesn’t really quite talk, all right I’ll talk to you later friends, here’s Alvin Lee, I’ll talk to you tomorrow.The post Road Trip in Penske Truck – Day 2 first appeared on The Rock and Roll Geek Show.

Voz de Restauración: Las coronas a sus pies – Apocalipsis 4:10 by CCRTV

Conleth Mc Geary's latest single ‘Beverly' is an acoustic folk ballad built around melodic vocals and intimate guitar, carrying the ache of leaving home and the quiet comfort of family as a refuge. With post-breakup travel, nostalgia, and emotional storytelling at its core, it sits naturally beside Dermot Kennedy and Damien Rice. Speaking on the track, Conleth says: “This song is about relying on family for healing. I think most Irish people have some relation to either living away in America or Australia, and I went to my big cousin for a summer in Boston on a J1 visa. I was lucky enough to have someone to lean on during that time, and I had the summer of my life.” ‘Beverly' marks Conleth's first release since signing with Rubarb Music - the newly launched Irish artist development label from Grammy Award-winning producer and mix engineer Ruadhri Cushnan and music industry veteran and 2025 Dublin Entrepreneur of the Year, Shea McNelis - just in time for Conleth's upcoming tour of Ireland and the UK, including a sell-out headline show in Belfast's Empire Music Hall. Blending sounds of folk and home, Conleth Mc Geary has been pursuing the dream of making music which connects with people - both at home and away. Seeking inspiration from the likes of Foy Vance, and more recently, Amble and Ye Vagabonds, Conleth's style has been created through years of graft as a solo musician across Ireland and the UK, touring both extensively, and supporting artists such as The Coronas. Having made his way to Australia with The Coronas on their 'Thoughts and Observations' tour in 2024, Conleth followed it up with a rousing headline appearance on the Emerging Artists stage at Misneach - a festival curated by Dermot Kennedy - in Sydney in March 2025.

Pere Aznar, Hassan Elfadul y Carles Cuevas repasan la actualidad de la semana. Además, Vanessa Romero y Javier Coronas nos presentan 'Atasco 4'. Ignatius Farray ha aparecido a lo líder espiritual. Y ha venido el cuatrista puertorriqueño José Eduardo Santana que acompaña en su gira mundial a Bad Bunny.CRÉDITOS:Guion: Pere AznarProducción: Toni CuartDirige: Javier del PinoRealización técnica: Pablo Arévalo

Pere Aznar, Hassan Elfadul y Carles Cuevas repasan la actualidad de la semana. Además, Vanessa Romero y Javier Coronas nos presentan 'Atasco 4'. Ignatius Farray ha aparecido a lo líder espiritual. Y ha venido el cuatrista puertorriqueño José Eduardo Santana que acompaña en su gira mundial a Bad Bunny.CRÉDITOS:Guion: Pere AznarProducción: Toni CuartDirige: Javier del PinoRealización técnica: Pablo Arévalo

Pere Aznar, Hassan Elfadul y Carles Cuevas repasan la actualidad de la semana. Además, Vanessa Romero y Javier Coronas nos presentan 'Atasco 4'. Ignatius Farray ha aparecido a lo líder espiritual. Y ha venido el cuatrista puertorriqueño José Eduardo Santana que acompaña en su gira mundial a Bad Bunny.CRÉDITOS:Guion: Pere AznarProducción: Toni CuartDirige: Javier del PinoRealización técnica: Pablo Arévalo

Pere Aznar, Hassan Elfadul y Carles Cuevas repasan la actualidad de la semana. Además, Vanessa Romero y Javier Coronas nos presentan 'Atasco 4'. Ignatius Farray ha aparecido a lo líder espiritual. Y ha venido el cuatrista puertorriqueño José Eduardo Santana que acompaña en su gira mundial a Bad Bunny.CRÉDITOS:Guion: Pere AznarProducción: Toni CuartDirige: Javier del PinoRealización técnica: Pablo Arévalo

No te pierdas la enseñanza del Pastor Maick Pérez, con el tema "Las Coronas", entiendiendo y obteniendo las coronas que Dios tiene preparadas para nosotros!!

Así, cuando aparezca el Pastor supremo, ustedes recibirán la corona inmarchitable de la gloria (1 Pedro 5:4, NVI).Las dos coronas ~ Devocional de Jóvenes ~ 18 de mayo 2026 ~ AD7Devocional----------------------------Code: INAEQR9CX7AGHPLKBUSCA en Facebook el texto de la matutina:http://www.facebook.com/AD7Devocional/SIGUE en Instagram el post de la matutina y el versículo diario:http://www.instagram.com/AD7Devocional/VISITA nuestra pagina de internet:http://www.ad7devocional.comSUSCRIBE a YouTube, comparte y ve nuestros videos:http://www.youtube.com/AD7DevocionalESCUCHA a traves de Spotify:https://open.spotify.com/show/4VfzQUU2omzsrqITRsL6AhAutor: Milton Andrade (Andrade, Milton)Titulo: Inverso / DiferenteMatutina Para JóvenesDevoción Matutina Para JóvenesGracias a Ti por escucharnos, un abrazo AD7… Hasta la próxima!Este episodio incluye contenido generado por IA.

What happens when Julia doesn't show up on Tuesday? The guys make due the best they can. They even recruit Chris to join the chaos! Yes, the one and only Chris from The Weekly Pint himself is part of episode 250. Will he remain a fan of either TBP or The Gnome after this experience? Only time will tell. Did they drink beer? Probably. Did they talk about content? Also probably. Was it Cincinnati-based craft beer content and content creators? Remains to be seen. A few things they DID talk about are :  Cheese is awesome. The Cincy Brew Dads drinking a lot of Coronas. The Weekly Pint starting ALMOST on time. Marco's chest hair and lactating booze. Umbrella-ella-ella-ella-eh-eh-eh-ing all the Gnome's podcasts under one feed. Bret and Mike avoiding the Tilray black hole but Gnome filled everyone in. Did "Ice" beer ever really go away? Wanting more booze in the news. The Brewery Underground Podcast was NOT underground, which was incredibly disappointing and very un-mole-like. Nashville has places that have beer...like that one place...and that one other place. If you don't know the Cincy Brew Dads, the Brewery Underground Podcast did a great job of introducing them. Oktoberfest and cigar thoughts. Not sharing the hullaballoo. Celebrate the Cincy Brew Dads' 1 year Content-iversary at Third Eye Sharonville on July 11 from 4-8PM! Breaking News Music by BreakzStudios on Pixabay : https://pixabay.com/sound-effects/musical-breaking-news-intro-logo-2-314321/ ----- This episode covers the following shows : The Weekly Pint - Ep 313 - It's Officially Warm Weather Drinking Season! Cincy Brew Dads - Styles Clash Especial - Mexican Lagers - Ep 7 Barstool Perspective - 5-8-2026 Brewery Underground Podcast - Ep 125 - Cincy Brew Dads - Porch Beers, Brewery Reviews and Cincinnati Craft Beers ----- What we drank :  Rhinegeist - Cincy Light - Watermelon Sea Salt - Light Lager Masthead - IPA - IPA MadTree - Galaxy High - Imperial IPA Fat Head's - Head Hunter - IPA Toppling Goliath - Citrus Sue - Blonde Ale w/ Oranges ----- Episode recorded on 5/12/2026 at our amazing podcast host, Higher Gravity Summit Park! https://highergravitycrafthaus.com/ Disclaimer: The views and opinions expressed by Truth, Beer, and Podsequences are those of the participants alone and do not necessarily reflect the views or opinions of any entities they may represent. ------  Links to everything at http://truthbeerpod.com/ or https://truthbeerpod.podbean.com/ Find us on all the social medias @ TruthBeerPod Email us at TruthBeerPod@gmail.com Subscribe, like, review, and share! Find all of our episodes on your favorite Podcast platform or https://www.youtube.com/@TruthBeerPod ! Buy us a pint!  If you'd like to support the show, you can do by clicking the "One-Time Donation" link at http://truthbeerpod.com ! If you want exclusive content, check out our Patreon!  https://www.patreon.com/TruthBeerPod If you'd like to be a show sponsor or even just a segment sponsor, let us know via email or hit us up on social media! ----- We want you to continue to be around to listen to all of our episodes.  If you're struggling, please reach out to a friend, family member, co-worker, or mental health professional.  If you don't feel comfortable talking to someone you know, please use one of the below resources to talk to someone who wants you around just as much as we do.   Call or Text 988 to reach the Suicide and Crisis Lifeline Chat with someone at 988lifeline.org http://www.988lifeline.org ----- Our Intro, Outro, and most of the "within the episode" music was provided by Gnome Creative. Check out www.GnomeCreative.com for all your audio, video, and imagery needs! @gnome__creative on Instagram @TheGnarlyGnome on Twitter https://thegnarlygnome.com/support http://gnomecreative.com http://instagram.com/gnome__creative http://www.twitter.com/TheGnarlyGnome

We had a brilliant Monday Mystery Guest in with us this morning. Danny from the Coronas always brings the laughs when he's into us. He was the first Mystery Guest to give our quiz a go and he really didn't do that great

Adam watches another reconstructed Doctor Who episode starring William Hartnell, ‘Coronas of the Sun' which appears to be about neither the sun, nor any coronas of it. Hosted on Acast. See acast.com/privacy for more information.

Apocalipsis 4 : 10 - 1110 los veinticuatro ancianos se postran delante del que está sentado en el trono, y adoran al que vive por los siglos de los siglos, y echan sus coronas delante del trono, diciendo: 11 Señor, digno eres de recibir la gloria y la honra y el poder; porque tú creaste todas las cosas, y por tu voluntad existen y fueron creadas.---------------------------Creemos en el poder de la generosidad y en el impacto positivo que podemos tener en la vida de los demás. Tu apoyo a través de donaciones desempeña un papel vital en nuestra misión de extender el amor de Cristo y dar ayuda a quien más lo necesitan.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://iglesiaguerrero.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Segunda semana sin Fórmula 1… y lejos de bajar el ritmo, el motorsport ha firmado uno de los fines de semana más intensos del año. El arranque de la European Le Mans Series en Barcelona dejó una carrera caótica, marcada por bandera roja, estrategias al límite y la inesperada victoria de Panis. En paralelo, el GT World Challenge Europe se decidió en los últimos minutos con un Aston Martin golpeando en el momento clave. Pero la gran cuestión va más allá de los resultados: circuitos llenos, miles de aficionados… ¿estamos ante un crecimiento real del motorsport o es solo el efecto del parón de la F1? Además, repasamos todo lo ocurrido en competición: el exigente Rally de Croacia en el WRC con sorpresa incluida, la primera victoria de Ty Gibbs en NASCAR Cup Series, Supercars en Taupo, Super GT en Okayama, los arranques de F4 y toda la acción del off-road con Supercross, EnduroGP y MXGP. En la sección de noticias, analizamos las claves del fin de semana y el debate que deja: desde el caos en Croacia hasta la reunión que divide al paddock de Fórmula 1. Cerramos con la Pregunta de Coronas de Laurel, horarios y todas las claves del próximo fin de semana.

Medverkande i detta avsnitt är Patrik, Martin och gästen Janet. Gillar ni det vi producerar får ni gärna skicka in ett bidrag till bankkonto SEB 5708 35 378 011)     Intro, Magnus Gisslen berättar hur man kan fira sin jul Coronasäkert. https://www.youtube.com/watch?v=lMKNTFw6wmw2)     I detta avsnitt har vi lyckats få tag i anestesisjuksköterskan Janet som vi nyligen träffade under en indoktrineringsföreläsning om Convid där Patrik ställde en fråga. Vi kunde direkt konstatera att här har vi en potentiell gäst till podden med de gedigna kunskaper som hon förmedlade om hon nu vågar tala lika öppet offentligt som hon gjorde med oss under kvällen och det gjorde hon till vår glädje så vi stämde träff och så blev detta avsnitt till.3)     Outro, Magnus Uggla 2:a på bollen https://www.youtube.com/watch?v=-ZRW8QetX58&list=RD-ZRW8QetX58&start_radio=1  4)     Länkar till avsnittet: Föredraget vi gick på där Patrik ställde sin fråga:https://www.gu.se/evenemang/drommen-om-en-smittsaker-varld  Information om Linda Karlströms föredrag i Göteborg den 10:e maj   Tips på externt föredrag med Linda Karlström Vacciner-lönsamma men kostsamma lögner – Föreningen Cui Bono

Programa marcado por el silencio en pista… pero con mucho ruido fuera de ella. La Fórmula 1 vive uno de sus momentos más delicados en plena pausa del calendario, con un debate que puede cambiar su futuro: ¿debe abandonar lo eléctrico y volver a los motores V8? En este programa analizamos el giro estratégico que ya se está planteando dentro del campeonato, con un horizonte en 2031 que genera dudas inmediatas: ¿puede la F1 esperar tanto mientras crecen las críticas, caen las audiencias y otras categorías ganan terreno? El debate va más allá de la técnica. Es una cuestión de identidad. Mientras la Fórmula E acusa a la F1 de invadir su espacio, campeonatos como la Super Formula demuestran que hay alternativas más puras, directas y atractivas para el aficionado. Y en paralelo, categorías como ELMS o GT World Challenge siguen creciendo con parrillas cada vez más potentes. Además, repasamos todo lo ocurrido en competición: Super Formula en Motegi con las dos primeras rondas de la temporada NASCAR en Rockingham con la O'Reilly Series y la Truck Series F4 Francia en Nogaro con el arranque del campeonato Moto Off-Road con el AMA Supercross en St. Louis En la sección de noticias analizamos: El posible regreso de los motores V8 en la Fórmula 1 La crítica directa de la Fórmula E al rumbo actual de la F1 El inicio de la Super Formula con doblete de Ohta El récord histórico de participación en la ELMS en Barcelona El arranque del GT World Challenge Europe 2026 con parrilla de máximo nivel El debate sobre el regreso de Rockingham a la NASCAR Cup Series Cerramos con la Pregunta de Coronas de Laurel, horarios y todas las claves del próximo fin de semana. En directo en AutoFM Motorsport Lunes 7 de abril ️ Javier Quilón y Mario González Rubén Gómez y Álex Moya Invitado: Alejandro Gil

Voz de Restauración: Las coronas a sus pies – Apocalipsis 4:10 by CCRTV

Nueva semana en el motorsport con un programa marcado por un dato que ha encendido todas las alarmas: la Fórmula 1 pierde casi la mitad de su audiencia en el Gran Premio de Japón, en un fin de semana sacudido además por el durísimo accidente de Oliver Bearman. En este programa analizamos el gran debate que divide al paddock y a los expertos: ¿es el reglamento actual el principal responsable, cada vez más plano y previsible, o el problema es mucho más profundo y depende directamente de la presencia de pilotos como Fernando Alonso y Carlos Sainz luchando por la victoria? No hay consenso. Mientras algunos señalan al reglamento como el origen de la caída —una tendencia que también se refleja en países como Francia—, otros defienden que todo cambia cuando hay un piloto nacional arriba. El ejemplo es claro: Italia se dispara con Antonelli liderando el campeonato. Además, repasamos todo lo ocurrido en competición: Fórmula 1 en Japón con un fin de semana marcado por la tensión y el accidente de Bearman IndyCar en Barber con una nueva exhibición de Alex Palou MotoGP en COTA en la tercera ronda de la temporada NASCAR en Martinsville con otra cita clave del calendario Superbikes en Portimao Moto Off-Road con AMA Supercross en Detroit y MXGP en Frauenfeld En la sección de noticias hablamos también de: La crisis de audiencias en la Fórmula 1 El accidente de Oliver Bearman y el debate sobre la seguridad ¿Posible retirada de Max Verstappen? Antonelli hace historia como líder más joven de la F1 La victoria de Palou en Barber y su falta de impacto mediático en España La actualidad de MotoGP Rovanperä frena su salto a los monoplazas y Toyota explica su decisión Cerramos con la Pregunta de Coronas de Laurel, horarios y todas las claves del próximo fin de semana. ️ Javier Quilón y Mario González Rubén Gómez y Álex Moya Invitado: Eloy Sánchez

Analizamos las declaraciones de Antonio Lobato y la reflexión sobre el impacto mediático de la F1 frente al resto de categorías, un tema incómodo pero clave para entender el presente y el futuro del automovilismo. ¿Estamos infravalorando el nivel deportivo fuera de la F1? ¿Cómo afecta este discurso a la inversión y visibilidad del motorsport? Además, repasamos todo lo ocurrido en competición: Fórmula E en Madrid con el ePrix del Jarama MotoGP en Brasil en la segunda ronda de la temporada Las 12 horas de Sebring en IMSA NASCAR en Darlington con un inicio histórico de Tyler Reddick NLS2 en Nordschleife W2RC en Portugal Moto Off-Road con AMA Supercross, MXGP y Enduro España En la sección de noticias hablamos también de: El regreso de la Fórmula E a España con el Jarama Verstappen y su impacto global en Nürburgring El debate: “si no estás en F1, no eres nadie” El dominio histórico de Tyler Reddick en NASCAR El regreso de MotoGP a Brasil y sus dudas La salida de Jonathan Wheatley rumbo a Aston Martin Cerramos con la Pregunta de Coronas de Laurel, horarios y todas las claves del próximo fin de semana. En directo en AutoFM Motorsport Lunes 24 de marzo ️ Javier Quilón y Mario González Rubén Gómez y Álex Moya Invitado: Albert David Wojtaszczyk

CARRERAS DE MONTAÑA, DESDE EL ASFALTO: Cómo dar el salto, por Mayayo. Nuestra sección OPINION recoge un momento clave en la vida de muchos corredores. Llega tras años encadenando carreras , acumulando kilómetros con el dorsal entre calles, parques y avenidas. El motor funciona, las piernas responden- Un día  miras hacia la sierra y te pica la curiosidad...https://go.ivoox.com/rf/170699016Mi salto al monte fue en 2007: Llevaba ya cuatro años corriendo por el asfalto, con varios maratones incluidos, cuando decidí debutar en montaña con el Maratón Alpino Madrileño, por ser el de mi pueblo, Cercedilla. Salió un día demencial, de frío, ventisca y granizo... Crucé la meta aterido, sí. Pero tambien enanorado de este mundo y sus chalados habitantes.Y ahí sigo. No soy un bicho raro, pues pasar del asfalto a la montaña ocurre cada vez más. En la última década el trail running se ha disparado y hoy existen miles de carreras de montaña en todo el mundo.El atractivo es evidente: correr en plena naturaleza, alejarse del tráfico, descubrir senderos y montañas mientras sigues haciendo lo que más te gusta: correr.Pero como ya descubrí entonces, el salto del asfalto al trail no consiste simplemente en cambiar de zapatillas y salir al monte. De hecho, mi primer Maratón Alpino Madrileño (MAM) lo corrí con unas Asics Trabuco. Al año siguiente sin embargo, lo hice con Ascis Kayano, la misma saga asfaltera que aún calzaba en Leadville 100 Miles de 2010.Por el camino descubrí que aunque ambos deportes comparten ADN, la montaña tiene sus propias reglas. Y aprenderlas marca la diferencia entre disfrutar del proceso… o sufrirlo. Si te parece, intentaré explicar aquí mi experiencia paso a paso, en tres bloques: Lo que se parece y lo que cambia; cinco claves para saltar con éxito y finalmente, el material trail running obligatorio, literalmente.¡PELIGRO! SI LA MONTAÑA TE ATRAPA, NO HAY VUELTA ATRÁS.Las carreras de montaña no son para todo el mundo. Si no te gustan, no pasa nada. Pero si te enganchas… cuidado. El corredor de asfalto que se acerca al trail suele pasar por varias fases. Primero llega la sorpresa: las subidas parecen interminables y las bajadas intimidan. Después aparece la adaptación. Aprendes a caminar fuerte, a elegir bien la pisada y a leer el terreno.Y un día ocurre algo especial. Coronas una cima sin jadear como loco. Te paras. Miras alrededor. Sientes el paisaje que has conquistado zancada a zancada. Entonces sonríes y te lanzas cuesta abajo, disfrutando como un loco. Sin pensar demasiado. Solo sintiendo.Ahí entiendes por qué tantos corredores de asfalto se enamoran del trail. Porque aquí el cronómetro sigue contando… pero jamás existen dos carreras iguales. El monte siempre cambia las reglas. Desde mi querida Cercedilla, solo me queda desearte que tengas la misma suerte que tuve yo hace ya dos décadas.Porque no todos los corredores se caen del caballo como San Pablo… pero los que lo hacen descubren una nueva fe.Una fe que mueve montañas, literalmente. Sergio Garasa Mayayo. #carrerasdemontaña #radiotrailConviértete en un supporter de este podcast: https://www.spreaker.com/podcast/radio-trail-carreras-de-montana-mayayo--4373839/support.

CARRERAS DE MONTAÑA, DESDE EL ASFALTO: Cómo dar el salto, por Mayayo. Nuestra sección OPINION recoge un momento clave en la vida de muchos corredores. Llega tras años encadenando carreras , acumulando kilómetros con el dorsal entre calles, parques y avenidas. El motor funciona, las piernas responden- Un día  miras hacia la sierra y te pica la curiosidad... Mi salto al monte en 2007: Llevaba ya cuatro años corriendo por el asfalto, con varios maratones incluidos, cuando decidí debutar en montaña con el Maratón Alpino Madrileño, por ser el de mi pueblo, Cercedilla. Salió un día demencial, de frío, ventisca y granizo... Crucé la meta aterido, sí. Pero tambien enanorado de este mundo y sus chalados habitantes.Y ahí sigo. No soy un bicho raro, pues pasar del asfalto a la montaña ocurre cada vez más. En la última década el trail running se ha disparado y hoy existen miles de carreras de montaña en todo el mundo. El atractivo es evidente: correr en plena naturaleza, alejarse del tráfico, descubrir senderos y montañas mientras sigues haciendo lo que más te gusta: correr.Pero como ya descubrí entonces, el salto del asfalto al trail no consiste simplemente en cambiar de zapatillas y salir al monte. De hecho, mi primer Maratón Alpino Madrileño (MAM) lo corrí con unas Asics Trabuco. Al año siguiente sin embargo, lo hice con Ascis Kayano, la misma saga asfaltera que aún calzaba en Leadville 100 Miles de 2010. Por el camino descubrí que aunque ambos deportes comparten ADN, la montaña tiene sus propias reglas. Y aprenderlas marca la diferencia entre disfrutar del proceso… o sufrirlo. Si te parece, intentaré explicar aquí mi experiencia paso a paso, en tres bloques: Lo que se parece y lo que cambia; cinco claves para saltar con éxito y finalmente, el material trail running obligatorio, literalmente. ¡PELIGRO! SI LA MONTAÑA TE ATRAPA, NO HAY VUELTA ATRÁS.Las carreras de montaña no son para todo el mundo. Si no te gustan, no pasa nada. Pero si te enganchas… cuidado. El corredor de asfalto que se acerca al trail suele pasar por varias fases. Primero llega la sorpresa: las subidas parecen interminables y las bajadas intimidan. Después aparece la adaptación. Aprendes a caminar fuerte, a elegir bien la pisada y a leer el terreno. Y un día ocurre algo especial. Coronas una cima sin jadear como loco. Te paras. Miras alrededor. Sientes el paisaje que has conquistado zancada a zancada. Entonces sonríes y te lanzas cuesta abajo, disfrutando como un loco. Sin pensar demasiado. Solo sintiendo. Ahí entiendes por qué tantos corredores de asfalto se enamoran del trail. Porque aquí el cronómetro sigue contando… pero jamás existen dos carreras iguales. El monte siempre cambia las reglas. Desde mi querida Cercedilla, solo me queda desearte que tengas la misma suerte que tuve yo hace ya dos décadas. Porque no todos los corredores se caen del caballo como San Pablo… pero los que lo hacen descubren una nueva fe.Una fe que mueve montañas, literalmente.  Sergio Garasa Mayayo.  #carrerasdemontaña #radiotrail

Segunda cita de la temporada 2026 del motorsport con un fin de semana marcado por la tensión en la Fórmula 1, los problemas en Aston Martin y un contexto global que empieza a afectar directamente al calendario. En este programa analizamos la situación en F1 tras el Gran Premio de China, donde Aston Martin genera dudas por sus problemas de motor y las críticas de Fernando Alonso, mientras la FIA confirma que no habrá ajustes antes de Japón pese al debate técnico de 2026. Además, el motorsport se ve condicionado por la actualidad internacional, con cambios en el calendario debido a la crisis en Oriente Medio, un factor que podría tener impacto en varias categorías. Repasamos también todo lo ocurrido en competición: El espectacular y extremo Rally Safari de Kenia en el WRC, donde la supervivencia ha sido clave IndyCar en Arlington y NASCAR en Las Vegas El inicio de F1 Academy en China, con la irrupción de Natalia Granada La actividad en Motorland y Montmeló con Eurocup-3, F4 Spain y FWS En la sección de noticias hablamos también de: El avance del caso Massa contra la F1 y la FIA La parrilla de las 24h de Nürburgring Los movimientos de futuro en el DTM 2026 Cerramos con la Pregunta de Coronas de Laurel, horarios y todas las claves del próximo fin de semana. En directo en AutoFM Motorsport Lunes 17 de marzo ️ Javier Quilón y Mario González Rubén Gómez y Álex Moya Invitado: Francisco Jesús Lucas

Arranca la temporada 2026 del motorsport con la primera cita de Fórmula 1 en Australia, en un fin de semana que también ha marcado el inicio de Fórmula 2 y Fórmula 3, además de actividad en múltiples campeonatos internacionales. En este programa analizamos lo ocurrido en Melbourne, donde la F1 abre debate tras la primera carrera de la temporada por los adelantamientos extraños y el comportamiento de los monoplazas, un tema que ya genera discusión sobre posibles ajustes reglamentarios de cara a 2026. Repasamos también el arranque de temporada en Fórmula 2 y Fórmula 3, incluyendo la polémica protagonizada por Alex Dunne, que ha pedido disculpas tras un incidente en pista. Además, repasamos la actividad global del motorsport con la IndyCar en Phoenix, la NASCAR en Phoenix, la segunda ronda de Supercars en Melbourne, el campeonato FWS en Aragón y las últimas novedades de AMA Supercross y Enduro. En la sección de noticias contamos con Andrés Castillo, ingeniero de Andretti en Fórmula E, con quien analizamos el momento actual de la categoría eléctrica y los test celebrados en Madrid, donde varios rookies han rodado en el Jarama preparando el futuro de la competición. También hablamos de Toni Bou, que agranda su leyenda tras proclamarse 39 veces campeón del mundo de XTrial, del crecimiento del proyecto deportivo de Max Verstappen, que participará en las 24 Horas de Nürburgring con Mercedes, y del avance del caso Massa, que sigue su curso en la justicia británica contra la F1 y la FIA. Cerramos con la Pregunta de Coronas de Laurel, el repaso de horarios y todas las claves para seguir el próximo fin de semana de competición. En directo en AutoFM Motorsport Lunes 10 de marzo ️ Javier Quilón y Mario González Rubén Gómez y Álex Moya Invitado: Andrés Castillo (Andretti Formula E)

Voz de Restauración: Las coronas a sus pies – Apocalipsis 4:10 by CCRTV

En esta emisión quisiéramos traer a su atención ciertos símbolos, señales y objetos que son utilizados por las personas sin saber de sus orígenes ocultos, tal vez porque no le dan importancia, o bien porque su significado ha sido cambiado para su aceptación masiva. Satanás y sus seguidores utilizan diferentes símbolos, los cuales tienen consecuencias reales para quienes los utilizan, son objetos que pueden abrir portales espirituales que luego la persona no puede cerrar. Al utilizar estos símbolos o cosas, la persona se arriesga, incluso sin darse cuenta, a darle lugar al diablo, quien entonces legalmente tiene el permiso para atacar al pecador con problemas financieros, depresión, adicciones, enfermedades, y hasta la pérdida de seres queridos.Con la proximidad de la Navidad, empecemos con el más llamativo de sus símbolos: La Estrella del pino de Navidad, Obelisco y Coronas de Adviento.Puede encontrar el artículo de esta emisión en el siguiente link:https://lasagradapalabra.org/simbolos-peligrosos-que-se-han-infiltrado-entre-cristianosQue Dios los bendiga

406 PARTICIPANTES en CARRERA SOLIDARIA DE GARRUCHA - Gracias ! Empezamos semana cargados de buena música en Estación GNG Una pasada la carrera solidaria navideña en la que estábamos implicados hasta las zejas el pasado Domingo 7 Diciembre por Astea y Asprodalba. Un 10 a los 58 voluntarios que cubrieron la carrera, asociaciones que apoyaron a full, asociaciones que se volcaron con la causa, cronometraje de MonturEventos y Todofondo.net , a los Speakers GNG que lo bordaron , Fran Segura , David Ponce y Sebas .... gracias a todos los participantes etc etc etc. Fué una jornada histórica de Solidaridad y deporte que vivimos con mucha alegría e intensidad en nuestro programa. Gracias a toda la organización por parte de Excmo Ayto de Garrucha y como no a los patrocinadores; Migas de Taberno, El Puñetero Café Bar, Tomates Rey Raff 5 Coronas, Garrucha con Encanto, Cadena Energia Radio, Ves Sport Prendas fullprint y Vespublicidad. Sin lugar a dudas, lo mejor un buen piquito para ambas asociaciones que tan buena labor hacen en la provincia de Almeria ; Asprodalba y Astea.

Jesús Bastante presenta 'El aprendiz de Gaudí'. Rosalía Sánchez explica el origen de las Coronas de Adviento. Andrés Pascual presenta 'El poder del entusiasmo'

La descripción de las cinco coronas que promete el Señor para los creyentes describen la hermosa bendición que hemos de recibir por superar todo a través de nuestra fe.

Los muchachos debaten lo que será la mejor final disputada del TBS del Distrito; Mauricio Baez con 10 Coronas o San Carlos 10 Coronas, para ver quien es el máximo ganador de todos los tiempos en nuestro Basketball.

YA NO SÉ NI LO QUE DIGO. - El nuevo show de Ignasi Taltavull en Youtube https://bit.ly/IgnasiYT y en Spotify https://bit.ly/IgnasiSpotify La Ruina desde Madrid con Ignasi Taltavull (@ignasitf), Tomàs Fuentes (@cap0) y Javier Coronas que “jugó” a balonmano mientras hizo la mili. El juego, la taza y todo el merchandising oficial de La Ruina en https://lallamastore.com/ Ignasi Taltavull: http://www.instagram.com/ignasitf Tomàs Fuentes http://www.twitter.com/cap0 http://www.instagram.com/cap0 La Ruina sigue en redes: @laruinashow http://www.instagram.com/laruinashow

Pastor Fernando Arias - Las coronas del Cielo - Iglesia Resplandece

Listen Frodo, the real way to get to Mordor is with family. Get Sam, Merry, and Pippin in the Dodge Charger and we'll be throwing that ring in the fire and cracking Coronas in 15 minutes tops. This week on the podcast Will and Theo of course have to cover the latest feats of the reigning world champ of hot dog eating and of our hearts, Joey Chestnut. Will has segments about dating in Roblox (oof), and Uno coming on to the gambling scene. Theo and Will also embark on a movie franchise bracket battle, come disagree with us and tell us we're wrong and bad! Email us at segmentcitypodcast@gmail.com iTunes: https://podcasts.apple.com/us/podcast/segment-city/id1469462393 Spotify: https://open.spotify.com/show/7g8dQmJdnROidQM5dvHpW3?si=5W3qBWO1SIirNnhwjvcd0Q Google Play: https://play.google.com/music/listen?u=0#/ps/Iqoulwsmzp4fbyuunf4acoeylwi Stitcher: https://www.stitcher.com/podcast/segment-city Podbean: https://segmentcity.podbean.com/ Youtube: https://www.youtube.com/channel/UCtOxbiSIX1NlSrNMLSqzFqQ

Iglesia Bautista de Santa AnaPastor Ringo Ayalahttp://santaanabaptist.orgContactenos en: info@santaanabaptist.orgRecursos: https://payhip.com/ContendiendoPorlaFe

Send us a textLa antigua tradición humana de entregar premios tiene a esta altura ceemonias recurrentes, las que esperamos cada año con entusiasmo. En el episodio de hoy revisaremos la historia de esta tradición y nos sumergiremos –una vez más– en una de las ceremonias de premios más esperadas del año.Support the show

Este mensaje nos muestra las diferentes coronas que el Señor puede otorgarnos como recompensa por nuestra fidelidad y servicio.

Se un motivo de bendición para otros y comparte esta programación con tus amigos y familiares.Puedes seguirnos en nuestras plataforma de redes socialesYoutube: https://www.youtube.com/@IglesiaAdventistaDeGazcueInstagram: https://www.instagram.com/adventistasgazcueFacebook: https://www.facebook.com/adventistasgazcueX: https://www.x.com/IglesiadeGazcueTambién puedes escuchar los matinales y predicas cada día en la plataforma de tu preferenciaBuzzprout: https://www.buzzsprout.com/255902Spotify: https://open.spotify.com/show/5RLxxpOGn9A8hQF5UPvA4x?si=cbvfA7tER7-UyyHDaOYUuA&utmApple podcast: https://podcasts.apple.com/us/podcast/iglesia-adventista-de-gazcue/id1452114943?uo=4Entra a nuestra página web y mantente al día con nuestras programaciones regulares y especiales. Podrás entrar a otras plataformas digitales donde tenemos presencia digital, ver fotos de nuestras programaciones, descargar materiales digitales entre otros....

Se un motivo de bendición para otros y comparte esta programación con tus amigos y familiares.Puedes seguirnos en nuestras plataforma de redes socialesYoutube: https://www.youtube.com/@IglesiaAdventistaDeGazcueInstagram: https://www.instagram.com/adventistasgazcueFacebook: https://www.facebook.com/adventistasgazcueX: https://www.x.com/IglesiadeGazcueTambién puedes escuchar los matinales y predicas cada día en la plataforma de tu preferenciaBuzzprout: https://www.buzzsprout.com/255902Spotify: https://open.spotify.com/show/5RLxxpOGn9A8hQF5UPvA4x?si=cbvfA7tER7-UyyHDaOYUuA&utmApple podcast: https://podcasts.apple.com/us/podcast/iglesia-adventista-de-gazcue/id1452114943?uo=4Entra a nuestra página web y mantente al día con nuestras programaciones regulares y especiales. Podrás entrar a otras plataformas digitales donde tenemos presencia digital, ver fotos de nuestras programaciones, descargar materiales digitales entre otros....

Send us a textIn this episode of TSP – The Scuttlebutt Podcast, Richard and Andrew welcome Rich Possert, a Navy veteran, past VFW commander, and the driving force behind Operation New Uniform. Rich shares stories from his 23 years of service, from surviving rough seas on destroyers to firing Tomahawk missiles during major operations like Bosnia and OIF.The conversation dives deep into life at sea, wild liberty port tales (including those infamous 49-cent Coronas in Tijuana), and the unbreakable brotherhood forged in the military. Rich also opens up about his personal journey—overcoming loss, finding purpose through veteran service organizations, and helping transitioning service members build successful civilian careers.From the Mayport Mafia to Detroit Lions games for kids like DJ Daniels, this episode is packed with humor, raw honesty, and the powerful reminder that service doesn't end when the uniform comes off.Support the show

Yes, you can be sipping Coronas at the lake while new subscribers roll into your inbox. (I'm literally doing that as this episode goes live)In this episode of the Summer Strategy Snack Series, I'm giving you a peek behind the scenes of how bundles work—even when you're totally offline. From how I gained over 300 subscribers (with a 91% retention rate!) to what makes a bundle worth your time, this is your play-by-play on how to use this list-building strategy without the burnout.You'll get my criteria for saying yes, my tech setup, and a real-time case study of two recent bundles that delivered big results.We'll Unpack:What makes a bundle a strategic yes (and when to say no)My 306-subscriber case study + retention statsThe tech + email setup you need to be bundle-readyWhy bundles are my go-to summer visibility strategyTips for finding and planning future collaborationsWhether you're bundle-curious or ready to host your own, this episode breaks it all down in a real-talk, practical way—while I'm literally on vacation.>>Your Next Steps: Grab the 90-Day Visibility Sprint Starter Kit — your mini system to stay visible all summer long (with an AI assistant built in!)Want support building your visibility strategy? Get Valerie the Visibility Auditor, your strategy sidekick! Book a call to talk about working together Follow on Instagram (just not this summer!)>>Thanks for Listening!If you enjoyed this episode, please help us share it by: Following the show—this helps you stay updated and supports us! Leaving a positive review—this boosts our ranking and helps more entrepreneurs find the podcast. Sharing it on Instagram and tagging @entrepreneurschoolpodcast

Rising Irish indie/rock band Fake Friends are set to drop their electrifying new single, 'Give it Up.' Known for their raw energy and unforgettable hooks, Fake Friends once again deliver a track that is sure to captivate fans and newcomers alike. 'Give it Up' marks a bold new chapter for the band, blending powerful vocals, gritty guitar riffs, and anthemic choruses that are bound to get listeners moving. The single showcases the band's signature sound while pushing their creative boundaries to new heights. Fake Friends have been gaining momentum with their dynamic live shows and a growing fanbase. With 'Give it Up,' the band cements their reputation as one of the most exciting acts in the Irish music scene today. Following on from their debut release of Maybe, Girlfriend and Better, Fake Friends are back for 2025 and have a string of singles on the way. 2024 was a powerful year for the band from supporting The Coronas at a sold out Gleneagle Arena to selling out a hometown show in December. 2025 is set to be an even bigger and better year for the band with a host of music festivals on the cards this summer.

BONUS: Feels Like the First Time, Fast and Furious Edition (originally aired as two separate episodes on Patreon, presented together here with a new intro by Jenny) Feels Like the First Time is a podcast in which the experienced (usually - but not always! - Joanna) guide the uninitiated (usually - but not always! - Kristin) through important films. Can't get enough FLTFT? This limited series began in 2020, and you can hear ALL of the episodes now in the Patron-only feed! Journey through Lord of the Rings, Mad Max, Terminator, and more with Kristin and Joanna right now, if you so please: patreon.com/bufferingcast  Join Kristin "Brian" Russo and Joanna "Toretto" Robinson as they kick back and crack a couple of Coronas after a long day of hitting the NOS. The dress code for listening to this episode is formal white tank top optional, gigantic cross necklace REQUIRED. They don't have friends, they have family (and also podcasts)! VROOM VROOM! OUR BOOK! OUR BOOK! OUR BOOK IS HERE-ORDER NOW! ⁠bufferingcast.com/book⁠ LOCATE YOUR HOSTS UPON THE INTERNET Jenny Owen Youngs | @jennyowenyoungs; ⁠jennyowenyoungs.com⁠ Kristin Russo | @kristinnoeline; ⁠kristinnoeline.com⁠ Buffering: A Rewatch Adventure | @bufferingcast on socials MUSIC | Theme song and jingles composed and performed by Jenny Owen Youngs | ⁠bufferingcast.com/music⁠ PATREON | ⁠patreon.com/bufferingcast⁠ MERCH | ⁠bufferingcast.com/shop⁠ PODCAST SCHEDULE & EVENTS | ⁠bufferingcast.com/jennycalendar⁠ Produced by: Kristin Russo & Jenny Owen Youngs Edited by: Kristin Russo Logo: Kristine Thune We acknowledge that we and our team are occupying unceded and stolen lands and territories. Kristin occupies the Lenape territories of the Esopus Lenape Peoples. Jenny occupies the Wabanahkik territory of the Abenaki and Pennacook Peoples. Learn more about Land Acknowledgments + our continued anti-racist efforts at ⁠bufferingthevampireslayer.com/justkeepfighting Learn more about your ad choices. Visit megaphone.fm/adchoices

Coronas Como Recompensas - Pastor Luis Parada by Iglesia Bautista Bíblica de Long Beach

This episode is dedicated to our stolen Canon G7x- gone but never forgotten. In our first hungover episode of the new era of 6&9, we're spilling all the tea- from meeting the parents and flying across the ocean for a date to downing 7,684 Coronas and stripping in a dive bar. We're also giving you an update on our matchmaking skills (which, as it turns out, are more impressive than we thought) and breaking down why we swear by moving fast when it comes to dating. Tap in!