Podcasts about bartlesville

I had the pleasure of sitting down with my friend Gabriel Rench to discuss the vision behind the Business Makers Network and Summit. We explored the driving passion behind his work—empowering Christians to rise, lead, and thrive in the arenas of business and economics. Gabriel's heart is clear: he wants to see believers boldly advance the Kingdom by winning in the marketplace and shaping culture through faithful entrepreneurship.Discover more about the Business Makers Network and the upcoming summit happening in Bartlesville, OK on June 19th & 20th. It's more than just an event—it's a movement equipping Christians to lead with conviction and influence in the world of business.https://businessmakers.network/This Episode is Sponsored by: Revo Financial https://revofinancial.com/

Welcome to this special episode of the China Compass Podcast, #29 in the weekly “Prison Pulpit” series! I'm your China travel guide, Missionary Ben. You can follow me on X (@chinaadventures) where I post daily reminders to pray for China (http://PrayforChina.us). To learn more about our various ministry endeavors and to get any of the missionary biographies I’ve published, visit www.PrayGiveGo.us! Last week, I shared my heart and told stories about my arrest and interrogation exactly seven years ago… Get my book and other special content @ UNBEATEN.VIP! Why Prison Pulpit? I also wanted to remind everyone again why I started this second weekly China Compass podcast. I want to encourage people to pray for Pastor Wang Yi (and others like him, as Hebrews 13:3 teaches us) by sharing from his own words and sermons. (We’ve also looked at sermons from Richard Wurmbrand.) Sometime soon, we’ll return to Richard Wurmbrand’s collection of Sermons in Solitary Confinement, but today I want to read an excerpt from a newsletter I received last week from Michael Wurmbrand, the now 80+ year old son of Richard Wurmbrand and founder of the Richard Wurmbrand Foundation. What's Wrong With VOM? BTW, Michael does NOT recommend the ministry of Voice of the Martyrs, which he helped to found many decades ago. He was fired from the ministry more than ten years ago, when he demanded a more broad inquiry into the travels and contacts of former VOM director, Tom White, who committed suicide in VOM’s Bartlesville, OK, warehouse in 2012, after allegations surfaced of him molesting a ten year old girl. (Read his “Open Letter” about VOM here: https://www.billionbibles.com/michael-wurmbrand-vom.html) Michael Wurmbrand also runs another parallel ministry, Help For Refugees, focused primarily on his native Romania, and has made all of his father’s books (and formerly unpublished writings) available for free since VOM continues to use his parents’ likeness and writings without his permission. In contrast, check out one of my favorite ministries, Asia Harvest: https://www.asiaharvest.org/ How To See Angels All that to say that in each month’s ministry newsletter, he includes a formerly unpublished homily or devotional by his late father, Richard Wurmbrand. And that’s what I’m going to share with you now… https://chinacall.substack.com/p/how-to-see-angels A Word from Michael Wurmbrand Also, here is a quote I stumbled across earlier from Michael Wurmbrand, which should challenge us: “As my father emphasized many times, the head of the serpent needs to be crushed and we need not tickle its belly. Christians have to attack the head of evil. Love of money is the root of all evil. The reason the communists wanted and worked to see us dead, was described by one of the Romanian communist ambassadors in a confidential discussion: ‘because of Wurmbrand, Romania lost preferred-nation status with the United States, 8 years in a row.’ (Isn’t that amazing, that one man did that?!) While many missions fight [evil with] programs, countless banks and businessmen support evil in the same areas through their financial interest, [doing] business as usual, like [in] China, Vietnam, Moslem countries, etc. How can a Christian in good conscience work and draw a salary in the oil industry in Moslem countries where his fellow Christians are maimed, even killed for their faith? How can Christians while claiming to help persecuted believers in China, encourage trade with the communist Chinese?” Follow China Compass Follow or subscribe to China Compass wherever you are listening. You can also send any comments or questions via DM on X: @chinaadventures. Hebrews 13:3!

Welcome to this special episode of the China Compass Podcast, #29 in the weekly “Prison Pulpit” series! I'm your China travel guide, Missionary Ben. You can follow me on X (@chinaadventures) where I post daily reminders to pray for China (http://PrayforChina.us). To learn more about our various ministry endeavors and to get any of the missionary biographies I’ve published, visit www.PrayGiveGo.us! Last week, I shared my heart and told stories about my arrest and interrogation exactly seven years ago… Get my book and other special content @ UNBEATEN.VIP! Why Prison Pulpit? I also wanted to remind everyone again why I started this second weekly China Compass podcast. I want to encourage people to pray for Pastor Wang Yi (and others like him, as Hebrews 13:3 teaches us) by sharing from his own words and sermons. (We’ve also looked at sermons from Richard Wurmbrand.) Sometime soon, we’ll return to Richard Wurmbrand’s collection of Sermons in Solitary Confinement, but today I want to read an excerpt from a newsletter I received last week from Michael Wurmbrand, the now 80+ year old son of Richard Wurmbrand and founder of the Richard Wurmbrand Foundation. What's Wrong With VOM? BTW, Michael does NOT recommend the ministry of Voice of the Martyrs, which he helped to found many decades ago. He was fired from the ministry more than ten years ago, when he demanded a more broad inquiry into the travels and contacts of former VOM director, Tom White, who committed suicide in VOM’s Bartlesville, OK, warehouse in 2012, after allegations surfaced of him molesting a ten year old girl. (Read his “Open Letter” about VOM here: https://www.billionbibles.com/michael-wurmbrand-vom.html) Michael Wurmbrand also runs another parallel ministry, Help For Refugees, focused primarily on his native Romania, and has made all of his father’s books (and formerly unpublished writings) available for free since VOM continues to use his parents’ likeness and writings without his permission. In contrast, check out one of my favorite ministries, Asia Harvest: https://www.asiaharvest.org/ How To See Angels All that to say that in each month’s ministry newsletter, he includes a formerly unpublished homily or devotional by his late father, Richard Wurmbrand. And that’s what I’m going to share with you now… https://chinacall.substack.com/p/how-to-see-angels A Word from Michael Wurmbrand Also, here is a quote I stumbled across earlier from Michael Wurmbrand, which should challenge us: “As my father emphasized many times, the head of the serpent needs to be crushed and we need not tickle its belly. Christians have to attack the head of evil. Love of money is the root of all evil. The reason the communists wanted and worked to see us dead, was described by one of the Romanian communist ambassadors in a confidential discussion: ‘because of Wurmbrand, Romania lost preferred-nation status with the United States, 8 years in a row.’ (Isn’t that amazing, that one man did that?!) While many missions fight [evil with] programs, countless banks and businessmen support evil in the same areas through their financial interest, [doing] business as usual, like [in] China, Vietnam, Moslem countries, etc. How can a Christian in good conscience work and draw a salary in the oil industry in Moslem countries where his fellow Christians are maimed, even killed for their faith? How can Christians while claiming to help persecuted believers in China, encourage trade with the communist Chinese?” Follow China Compass Follow or subscribe to China Compass wherever you are listening. You can also send any comments or questions via DM on X: @chinaadventures. Hebrews 13:3!

Send us a textThis re-release is by Ryan Henderson who spoke at  a men's retreat held in Bartlesville, Oklahoma in 2021. Despite multiple demands on his time and energy, Ryan has been able to develop and follow Godly goals in his life. Ryan is Quality Manager/Lab Supervisor for a company and has his priorities in place. He shares some excellent points and illustrations in this talk about priorities and goals. 

The unusual-looking Price Tower, a 1-of-1 from starchitect Frank Lloyd Wright, has been the pride of Bartlesville, Oklahoma for more than 60 years. But the challenge of maintaining the skyscraper as a historic piece of art has made it difficult for the building's owners to keep it open.

Oklahoma is getting ready for cold weather.Federal job cuts could have a major impact on the state's tribal communities.Bartlesville residents rally around a library program for citizenship classes.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Blue Sky and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

An overflow crowd attended a special Bartlesville City Council workshop meeting Monday to discuss solutions to addressing community concerns about drag shows in outdoor public spaces.

This is a full recording of a forum hosted by the Bartlesville Police Department over the department's use of Flock Automated License Plate Reader cameras. The forum was held at Oklahoma Wesleyan University on Thursday, Jan. 16, 2025.

This podcast episode features a lively discussion between Andrew Rappaport and Caleb Gordon, centered on the importance of evangelism and the upcoming Built to Conquer Conference in Bartlesville, Oklahoma. Rappaport emphasizes that the first step in discipleship is evangelism, urging listeners to overcome their fears and share the gospel, which is fundamentally about inviting others into a relationship with Jesus. The conversation also highlights common excuses people use to avoid evangelism, such as fear of rejection or feeling unprepared. Both hosts agree that understanding the reality of hell and the urgency of sharing the good news should motivate believers to act. Listeners are encouraged to attend the conference for practical strategies in evangelism and to connect with like-minded individuals committed to advancing the kingdom.Andrew Rappaport welcomes listeners to a thought-provoking discussion on the critical role of evangelism in the Christian faith, emphasizing its connection to discipleship. He highlights the upcoming Built to Conquer conference in Bartlesville, Oklahoma, where he and other speakers will engage attendees on biblical evangelism. The conversation with Caleb Gordon dives into the barriers many Christians face when sharing their faith, such as fear of rejection or lack of knowledge. They challenge listeners to reconsider these fears by reflecting on the eternal implications of not sharing the gospel. Rappaport asserts that understanding the reality of hell can motivate believers to overcome their hesitations, as those who truly grasp the stakes are driven to communicate the hope found in Christ. Furthermore, they explore practical ways to initiate gospel conversations in everyday scenarios, demonstrating that evangelism can be both accessible and impactful. The episode intricately weaves personal anecdotes with theological insights, illustrating that the essence of evangelism lies in sharing the transformative message of Christ's sacrifice and grace. Rappaport argues for a proactive approach, encouraging believers to create opportunities for dialogue about faith rather than waiting for perfect moments to present themselves. This proactive stance is underscored by their humorous exchange about cold plunges, a metaphor for the discomfort often associated with evangelism, yet ultimately rewarding. The episode serves as a call to action for evangelistic fervor and a reminder of the joy and purpose that comes from sharing one's faith with others.Takeaways: Andrew Rappaport emphasizes the importance of evangelism as a fundamental part of discipleship, which often gets overlooked in churches. The Built to Conquer conference on February 22, 2025, in Bartlesville, Oklahoma, focuses on practical evangelism strategies for attendees. Both hosts discuss the fear many people have regarding evangelism and how to overcome it through understanding the urgency of the Gospel. Rappaport and Gordon highlight how sharing the Gospel is akin to sharing great news, comparing it to personal invitations from celebrities or influential figures. The conversation encourages listeners to recognize the eternal significance of sharing their faith with others who might not know Christ. The episode concludes with practical ways to engage in evangelism, including utilizing gospel tracks and seizing everyday opportunities to share the faith. Links referenced in this episode:strivingforeternity.orgcalebgordon.orgThis podcast is a ministry of Striving for Eternity and all our resources Listen to other

This Underdog Ag Podcast features a very inspiring story told by Svetlana (Vysotsky) Hensley, wife of Allen Hensley, of Agua Dulce, Texas. Although she ended up in Texas, Svetlana spent the first five years of her life in Lviv, Ukraine. Then, because of religious persecution (even imprisonment), her parents, Igor and Nadia, fled to the United States with very little money, only the belongings they could carry, each other, and their faith in the risen Christ. Listen to Svetlana talk about her journey to the United States, that began when she was a tearful child at a train station in the Ukraine. So sad to leave her home, her friends, and her life there, little did she know a church and community in Oklahoma was preparing to welcome the family with open arms. This story is one of gratitude, humor, endurance, love, and faith. A fitting story to move us as we celebrate the birth of Jesus. Thank you, Allen Hensley, for recognizing the precious gift your wife and her story are to the world. Thank you, Svetlana, for your willingness to share your journey. P.S. There are a few surprises along the way in this interview too. Such as, we may know the source of those mysterious crop circles that pop up at times. Also, the power of mowing your lawn and more.In honor of Svetlana's father, I am also sharing her father's obituary below so that the story may live on in the hearts of those who read it:  Igor Fedorovich Vysotsky, age 77, entered through the eternal gates of Heaven peacefully on Wednesday, July 3, 2024, in the comfort of his home. Igor is survived by his loving wife, Nadia (Gavrilov) Vysotsky, and his six children, Miroslav Vysotsky (wife Natasha) of Roseville, CA; Lilia Otten (husband James) of Bartlesville, OK; Nelya DeSpain (husband Brady) of Talala, OK; Igor Jr. Vysotsky (wife Lauren) of Cypress, TX; Svetlana Hensley (husband Allen) of Agua Dulce, TX; Isaya Vysotsky (wife Aileen) of Tampa, FL; and 21 grandchildren: Sara, Breyden, Alexis, Emily, Ethyn, Leah, Baylie, Trystan, Mia, Melana, Abram, Jonah, Eli, Miryk, Adelade, Levi, Silas, Kirym, Samuel, Magdalene, and Maverik.Igor was born on January 25, 1947 in Matsoshyn (village near Lviv) Ukraine to Fedir and Agafia Vysotsky. He was the seventh of their eight children together. Igor attended and graduated from the Matsoshyn school house (completing grades 1-8; and prevented from pursuing higher education because of his Christian beliefs) after which he attended mechanical and technical trade schools where he earned mechanic and electrician certifications. Igor then completed 2 years of compulsory military service and entered the workforce in Lviv Ukraine. This turned out to be a fortunate location for Igor, as he began attending a local home-based church where he met, courted, and married his bride, Nadia, who would remain his life-long spouse for over 54 years, and would be by his side until his last breath on this earth. As the patriarch of a growing family, Igor worked for various state owned/run enterprises and was often held back from promotions or outright fired for his beliefs and his refusal to live out his Faith in secret. The ongoing persecution for his Christian beliefs strained his ability to provide for his family and he often had two to three menial jobs and drove a gypsy cab during non-working hours to make ends meet. This was simply the way of life for true Believers under the oppressive regime of the Soviet Union and became a theme of his ongoing struggle for freedom to worship and to live a life that God called him to live. Aside from the “softer” persecution of career and professional development limitations, Igor also experienced direct punishment for playing Christian worship music in the privacy of his own home. He and his pastor were imprisoned for over 40 days after being reported to the authorities by a neighbor. Igor was prepared to serve a much longer sentence but was unexpectedly released without explanation. Although Igor was able to feed and clothe his children, he and Nadia recognized that it would be a difficult future for their family to build a life they wanted under their circumstances in Ukraine. Together, they made the difficult decision to renounce their citizenship, sell-off or give away most of their possessions, pack up their suitcases with whatever remained, and leave their homeland behind with five children in tow, in pursuit of freedoms of opportunity and above all, the freedom to live and worship their God as He had called them to. They found this freedom in Bartlesville, Oklahoma, having been sponsored by First Assembly of God Church. The Vysotsky family arrived in the USA on November 4, 1989, where they began the second act of their life. Igor and Nadia embraced the opportunities that America afforded anyone lucky enough to reside inside its borders. They learned a new language, maximized their work opportunities (working just as hard as they had in Soviet Union but reaped the benefits of their labor), became business owners, sponsored other family members to immigrate to the States, raised their five Ukrainian born children and added one American born, and welcomed sons and daughters in law into the family. Above any material gains, Igor and Nadia were blessed with 21 grandchildren whom Igor considered his greatest success and best part of his legacy. Igor was a man of few words but managed to speak volumes in the way that he lived his life for his children to observe and model after. He lived out his faith by example in his daily devotional time, in reading his Bible, in private prayers and fasting, church attendance and giving. He also taught life skills and deep personal convictions and virtues that his kids have adopted by living those out in the person that he was rather than verbal teaching. He taught the importance of effort, to do tasks the best that one had the capacity to do them, to mind the fine details, the willingness to learn and to try something new, the confidence to tackle seemingly insurmountable challenges, the necessity of humor in life, the virtues of sincerity, honesty, justice, gratitude, and servanthood. Igor had a critical eye for detail, offered strong and unfiltered opinions, and quick wit and a dry sense of humor that he employed regularly to entertain himself and those around him; all qualities that have been embraced and adopted by his kids and grandkids. Igor suffered a stroke in September 2022 that limited his mobility and contributed to his passing on July 3, 2024. He lived a full life and leaves behind a legacy that he could not have imagined during his humble beginnings in the village of Matsoshyn. He lived a life worthy of remembrance. A life that our God called him to live. Igor followed and obeyed and through the many trying times of imprisonment, persecution, loss of earthly possessions, and loss of health, his faith never wavered. He now spends his time in Heaven with the One he loved and trusted all his days on Earth. Obituary source: https://www.davisfamilyfuneralhome.com/m/obituaries/Igor-Vysotsky/Memories --Be sure to rate, review, and subscribe.HOST: Kerry HoffschneiderGUEST:  Svetlana Hensley--CREDITS:Mitchell Roush, ProducerBibi Luevano, Cover ArtPurple Planet Music, Theme

Listen to the full recording of the Bartlesville City Council candidate forum, hosted by KWON 1400 AM - 93.3 FM - 95.1 FM, on Oct. 29, 2024. The forum was broadcast live from the Arvest Eastside Branch's Community Room with moderator Tom Davis.The forum featured Ward 1 candidates Dale Copeland and Tim Sherrick; Ward 2 candidates Larry East and Loren Roszel; Ward 4 candidates Aaron Kirkpatrick and Quinn Schipper; and Ward 5 candidate Trevor Dorsey. Ward 3 Councilor Jim Curd, Jr. provided an opening statement, but is not facing opposition for his seat.Ward 4 candidate Christian LaTorraca; and Ward 5 candidates Karen Monroe and Matthew Snodgrass were invited, but decided not to participate.

Let us know what you think about the showIn this episode, we dive into an extraordinary property located in Bartlesville, Oklahoma—a 19-story office building designed by the iconic architect Frank Lloyd Wright. Known for his innovative designs, Wright's influence is evident in this 1956 building, standing tall at 50,000 square feet. It's a unique mix of art deco and mid-century modern styles, reminiscent of a Manhattan skyscraper, though it sits in the heart of America's plains.Originally commissioned by oil magnate Harold C. Price, this architectural marvel is a striking oddity in Bartlesville, constructed during the mid-20th century boom. The tower's small office floor plans pose both challenges and opportunities for future adaptive reuse—whether as an art center, residential condos, or even a unique museum.Join us as we discuss the potential of this historical gem and brainstorm creative ways to revitalize such an incredible structure.Advertise with us by clicking here Do you love Real Estate Anonymous and want to see our smiling faces? Subscribe to our Youtube channel. Do you enjoy our content? Rate our show! Follow us on Twitter @RealEstateAnon Learnings about small business acquisitions and operations. For inquiries or suggestions, email us at media@girdley.com

Why does God need a name in the first place? John Mark argues that it's because there are many "gods". He surveys scripture passages relating to gods and demonic beings, not only warning us that they are real and should never be worshipped, but that Yahweh is the one true creator God and is higher than them all. Key Scripture Passages: Exodus 34v6-7, Exodus 12v12, Exodus 15v11, Exodus 20v2-4, Psalm 82, Mark 5v1-13, Ephesians 6v10-12This podcast and its episodes are paid for by The Circle, our community of monthly givers. Special thanks for this episode goes to: Kayla from Nanaimo, British Columbia; Ross & Allison from Salem, Oregon; Josiah from Bartlesville, Oklahoma; Church on the Rock in Huntley, Illinois; and Jenna from Columbia Heights, Minnesota. Thank you all so much!If you'd like to pay it forward and contribute toward future resources, you can learn more at practicingtheway.org/give.

Exploring the Psychology of Food: An Inspiring Conversation with Jared GleatonIn this captivating episode of 'The Wireless Way,' host Chris Whitaker welcomes Jared Gleaton, a nationally certified school psychologist with a unique passion for food. Chris and Jared delve into the intersection of psychology and gastronomy, discussing Jared's background, his innovative approach to food reviews, and his personal weight loss journey. Jared offers insightful perspectives on how our senses and food experiences shape our lives, providing valuable advice for both food enthusiasts and picky eaters alike. The episode concludes with a discussion on the importance of integrity in food critiques and the influence of dining environments on business meetings. Tune in for an inspiring conversation that will change the way you think about food and its impact on your life.00:00 Welcome and Introduction00:22 Meet Jared Gleaton01:18 Jared's Background and Passion for Food02:42 The Intersection of Psychology and Food06:01 Exploring Food Critiques and Reviews09:04 Becoming a Foodie17:25 Advice for Picky Eaters20:55 Overcoming Anxiety for New Experiences21:11 Navigating Business Dinner Meetings22:00 The Psychology of Client Preferences24:05 Weight Loss Journey: A Personal Story25:20 Effective Weight Loss Strategies26:24 The Science Behind Calorie Deficit29:34 The Role of Reviews in Restaurant Choices30:50 The Importance of Authentic Reviews35:44 Conclusion and Final ThoughtsHis Bio:Jared Gleaton is a nationally certified school psychologist, beloved brother, devoted son, nephew, and proud doggy dad known for his captivating food reviews and exploration of the culinary world. Jared invites readers on a tantalizing journey through diverse food landscapes, where each review becomes a portal into the intricate tapestry of culinary delights where psychology and food intersect. With a Bachelor's Degree in Psychology from the University of Central Oklahoma, a Master of Arts in School Psychology from the University of Central Oklahoma, and a Master of Arts in Educational Leadership from East Central University, Jared combines his academic background with his passion for food to offer unique insights into the intersection of psychology and gastronomy. As of this recording, he is residing in Bartlesville, Oklahoma, Jared brings a blend of regional pride and New England roots to his culinary adventures. His discerning palate and insatiable curiosity propel him through the bustling streets of Chicago, the vibrant neighborhoods of New York, and beyond in search of culinary excellence. From quaint bistros to renowned eateries, each dining  experience becomes an opportunity for discovery as he uncovers the stories and emotions woven into every restaurant, every dish, and every bite. Buy the Book! https://www.amazon.com/dp/B0DC5PVWDH?ref=cm_sw_r_apin_dp_177G6VNKGVA6M7KZ5J2X_1&ref_=cm_sw_r_apin_dp_177G6VNKGVA6M7KZ5J2X_1&social_share=cm_sw_r_apin_dp_177G6VNKGVA6M7KZ5J2X_1&language=en-US&skipTwisterOG=2His Youtube channel - https://www.youtube.com/channel/UC5ZlEd1k1710Jzk0XZNXAzQ/addonsSupport the Show.

Ever wondered how a simple habit like punctuality can transform your personal and professional life? Hear from Pastor Scott Turner, co-lead pastor at CityChurch in Bartlesville, as he shares touching stories about his father's influence on his values and time management skills. Pastor Scott highlights how punctuality goes beyond being a mere habit; it's a testament to respect and reliability. By valuing others' time, you're not only building stronger relationships but also reinforcing your own character. This episode offers tangible insights into how consistently being on time can set you apart and make a meaningful difference in your daily interactions.Shifting our focus to the workplace, we explore how punctuality—or the lack thereof—affects team dynamics and overall culture. Learn practical strategies for addressing tardiness, from confronting the lost time directly with latecomers to employing creative meeting times that catch attention. Discover why chronic lateness can erode respect and commitment within a team, leading to a decline in morale. With real-world parallels to professional sports teams, we emphasize the critical role of leaders in modeling punctuality and setting the standard for accountability. Tune in to understand how these principles can help foster a more positive and productive environment.Support the Show.► Subscribe to The Scott Townsend Show YouTube channel --- https://bit.ly/3iV8sOTThe Scott Townsend Show Merchandise https://teespring.com/stores/tsts-2Resources and Links--------------------------------------------My contact info:LinkedIn https://bit.ly/2ZZ4qweTwitter https://bit.ly/3enLDQaFacebook https://bit.ly/2Od4ItOInstagram https://bit.ly/2ClncWlSend me a text: 918-397-0327Executive Producer: Ben TownsendCreative Consultant: Matthew Blue TownsendShot with a 1080P Webcam with Microphone, https://amzn.to/32gfgAuSamson Technologies Q2U USB/XLR Dynamic Microphone Recording and Podcasting Pack https://amzn.to/3TIbACeVoice Actor: Britney McCulloughLogo by Angie Jordan https://blog.angiejordan.com/contact/Theme Song by Androzguitar https://www.fiverr.com/inbox/androzguitar

The Caleb Gordon Podcast || Guest Pastor Steve Spangenberg Today i sit down with the Pastor of First Nazarene Church in Bartlesville, OK, Pastor Steve Spangenberg. We talk about life, ministry, and family. I pray this conversation encourages you this week.

Allegations and Emmy wins coincide with threats of violence and a lawsuit kickstarted by a visit from HBO's "We're Here" to the fundamentalist battleground of Utah. In the face of fascism, what does it mean for drag to be political?  About: Hosted by journalists Joan Summers and Matthew Lawson, Eating For Free is a weekly podcast that explores gossip and power in the pop culture landscape: Where it comes from, who wields it, and who suffers at the hands of it. Find out the stories behind the stories, as together they look beyond the headlines of troublesome YouTubers or scandal-ridden A-Listers, and delve deep into the inner workings of Hollywood's favorite pastime. The truth, they've found, is definitely stranger than any gossip. You can also find us on our website, Twitter, and Instagram. Or buy our merch! Any personal, business, or general inquires can be sent to eatingforfreepodcast@gmail.com  Joan Summers' Twitter: @laracroftbarbie Matthew Lawson's Instagram: @_matthewlawson Sources [may cutoff in certain apps]: HBO ‘We're Here' TV series concert in St. George encourages people to be who they want to be, 06/04/22 [St George Utah] Settlement for St. George city manager forced out after drag show will cost taxpayers $625,000, 10/27/22 [SLC Tribune] HATEFUL SCENE: What St. George residents said about drag shows at divided council meeting, 11/04/22 [SLC Tribune] HBO showrunners say St. George drag show controversy should be seen as a warning, 12/07/22 [SLC Tribune] This is what happens when HBO drag queens sashay into ruby-red Granbury, Texas, 11/23/22 [Fort Worth Star Telegram] ‘We're Here' cast & crew faced threats of violence & outright hostility while filming Season 3, 11/23/22 [LGBTQ Nation] As Drag TV Shows Take Off, So Too Does Anti-Drag Legislation, 04/11/23 [Broadcasting + Cable] Rape allegation against Shangela lands as GLAAD and TV academy plan to honor the actor's show, 05/04/23 [LA Times] HBO Donates $100K to LGBTQ+ Groups in States Where ‘We're Here' Filmed, 06/24/23 [Advocate] We're Here season 4 to replace 3 Drag Race queens with new hosts Sasha Velour, Jaida Essence Hall, Priyanka, 07/12/23 [EW] Shangela Reportedly Accused of Sexual Assault by 5 People Days After Alleged Rape Lawsuit Is Dismissed [People] HBO's 'We're Here' drag queens coming to Bartlesville's Unity Square Sunday, 09/29/23 [Examiner-Enterprise] 'RuPaul's Drag Race' Star Shangela's Sexual Assault Accuser Dropping Lawsuit, 02/01/23, [Radar] ‘Drag Race' Star Shangela Accused of Multiple Sexual Assaults, 03/18/24 [THR] Drag Race stars publicly harassed, called homophobic slurs in We're Here season 4 premiere, 04/26/2024 [EW] Milwaukee drag queen Jaida Essence Hall discusses confronting LGBTQ+ discrimination in new season of HBO's 'We're Here', 04/24/24  [MJS] We're Here's new queens Priyanka and Jaida Essence Hall explain big change for season 4, 04/26/24 [Digital Spy] Drag Race queens clash with teen accusing them of joining 'religious cult' on We're Here, 05/03/24 [EW] Drag Race queens clash with teen accusing them of joining 'religious cult' on We're Here, 05/03/24 [EW] Misinformed bigots are no match for Sasha Velour on We're Here, 05/10/24 [OUT]

In this episode of Luminary Leadership I am going straight into the idea of the "big next." I share the inspiring story of Jeff and Monica, a couple who is taking a historic church in Bartlesville, Oklahoma, and turning it into a buzzing film studio and school. I talk about how crucial it is to seize opportunities and follow your calling with bravery. I'm also excited to walk you through the "Focused Entrepreneur Guide," which I've put together to help you on your journey. I'm calling on all of you to spread the word about this episode and to support one another as we all strive to achieve our dreams. I'm eager to hear your thoughts and engage with you on social media because it's all about building a community and chasing those life-changing goals together.Episode Outline: How Oklahoma Has Impacted Me (00:02:18)The Vision for the Church Building (00:08:20) The Power of Pursuing the Big Next (00:10:29) Embracing Uncertainty (00:12:37) Saying Yes to the Big Next (00:15:30) Living for Potential (00:22:12) Framework for the Big Next (00:24:16)Resources from this episode:The Focused Entrepreneur Episode 223: Moving UpdateThe Incubator: A Mastermind For Visionaries & Their Right HandShow notes: https://luminaryleadershipco.com/episode225Connect with me:Website: https://luminaryleadershipco.com/If there's a topic, a question or a guest you want to hear on the show or an idea you have for us, just reach out and share that at marketing@luminaryleadershipco.com. We'd love to chat!Connect with me on Instagram!Loved this episode? Leave us a review and rating here!

Sasha Velour won RuPaul's Drag Race with her spectacular rose-petal lip sync. She wrote and illustrated The Big Reveal: An Illustrated Manifesto of Drag, drew a New Yorker cover, and sells out almost every show of her New York revue, NightGowns. So why is she taking her act down to Murfreesboro, Tennessee, and Bartlesville, Oklahoma? We talk to Velour about this season of her HBO reality show, We're Here. At a moment when drag is both beloved and reviled, a powerful cultural force and a target, we ask Velour what exactly she's looking for in those places, and what essential truth about drag is hidden in the show's title. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Hytha and Mark Houser are collaborators on Highrises: Art Deco, a multimedia series chronicling the great skyscraper edifices of the roaring ‘20s. Photographed by drones and meticulously measured and researched, the series – a book, prints, website, mobile phone wallpaper and exhibition -- reveals fascinating details and stories of these distinctly American icons. Catch the in-person book talk on July 18 and the exhibition from May 31 to August 26 at the Chicago Architecture Center. -- -- Intro/Outro: “High Rise” by Ladytron -- Discussed: MultiStories: 55 Antique Skyscrapers and the Business Tycoons Who Built Them The DJI Air 2S Drone Highrises Art Deco: 100 Spectacular Skyscrapers from the Roaring ‘20s to the Great Depression Henry W. Oliver Building, Pittsburgh, D.H. Burnham, 1910 Nebraska State Capitol, Lincoln, Bertram Goodhue, 1932 Public Market > Modern Spirits Liquor Store, Tulsa, Gaylord Noftsger, 1930 Monadnock Building, Chicago, Burnham & Root, Holabird & Roche, 1891-1893 Eastern Columbia Building, Los Angeles, Claud Beelman, 1930 Mather Tower > Club Quarters Hotel, Chicago, Herbert Riddle, 1928 Union & Peoples National Bank > Jackson County Tower, Jackson, MI, Albert Kahn, 1929 Frick Building, Pittsburgh, D.H. Burnham, 1902 The Woolworth Building, New York, Cass Gilbert, 1913 Price Tower, Bartlesville, OK, Frank Lloyd Wright, 1956 Sterick Building, Memphis, Wyatt C Hendrick & Co, 1930 Industrial Trust Building, Providence, George Frederick Hall, Walker & Gillette, 1927 Guardian Building, Detroit, Donaldson & Meier; Smith, Hinchman & Grylls, 1929 Fisher Building, Detroit, Albert Kahn Associates; Graven & Mayger, 1928 Carbide & Carbon Building, Chicago, Burnham Brothers, 1929 Foshay Tower, Minneapolis, Hooper & Janusch; Magney & Tusler, 1929 Rand Tower, Minneapolis, Holabird & Root, 1929 Kansas City Power & Light Building, Kansas City, Hoit, Price & Barnes, 1931

For around 24 hours in October 1930, Alma Wilson McKinley was missing, kidnapped from the family home in Greenfield, Missouri. Her abductor, after his plans fell apart, let her go less than a day after taking her. Local authorities identified several suspects in the following months before landing on Aden Aven, who was already sitting in a jailcell in Bartlesville, Oklahoma. Theme music courtesy of: Cinematic Epic Emotional | EGLAIR by Alex-Productions | https://onsound.eu/Music promoted by https://www.free-stock-music.comCreative Commons / Attribution 3.0 Unported License (CC BY 3.0)https://creativecommons.org/licenses/by/3.0/deed.en_US Copyright © 2024 Crimes We Forgot - All Rights Reserved.

Whitney Virden didn't think she had a creative bone in her body until she did some soul searching following a tragic event that occurred in her family. That event instigated major reflection and life altering changes where she reprioritized her life and changed direction to focus more on her family and kids.  She severed ties with her traditional 9-5 job where she traveled for work. This break allowed her time to explore a different career – one that was completely different than what she attended college for – and her love for floral design was born. Whitney is the Owner of Roots and Blooms Floral Shop located in Bartlesville and Pawhuska, OK. Over the past few years, she has aligned herself spiritually, creatively, and emotionally and can clearly see her path to purpose. When I caught up with Whitney, she was selected to be among the floral artists in the Art in Bloom show at The Philbrook Museum of Art in Tulsa. This experience resulted in winning first place from the guests votes! During this visit you'll hear Whitney's career path in business, how tapping into her creativity revealed her artistic heart, and why she believes that everyone has some creativity; they just have to find it!

William J. Carl - Assassin's Manuscript - Writing Techniques, Thriller Novel, and Fiction vs Non-Fiction. This is episode 668 of Teaching Learning Leading K12, an audio podcast. Once a pastor, seminary president, professor, and US Senate Guest Chaplain, William J. Carl, Ph.D., is a Greek Scholar, award-winning screenwriter, playwright, poet, and lyricist. With the recent publication of Assassin's Manuscript, he is now the author of a thriller. He earned his Ph.D. from the University of Pittsburgh in Rhetoric and Communication. In 2013 he was given Pitt's Golden Medallion Award as a Distinguished Alumnus and was named one of 200 most influential leaders out of 300,000 living alums globally. Dr. Carl has spoken at dozens of leading schools, including Oxford, Cambridge, Princeton, Carnegie Mellon, Cornell, and Boston University. He has spoken in 40 states across the United States and in Russia, South Africa, India, Rwanda, Taiwan, Canada, South Korea, and China. He has lectured on the brain at medical conferences and medical schools since 2000. For 22 years, he appeared every third week on the ABC television affiliate in Dallas. He was also interviewed on the PBS affiliate in Dallas, discussing the tensions between Christians, Muslims and Jews in the Middle East where his main theme was finding common ground. The author of eight non-fiction books (two translated into Korean) and 75 articles and reviews for religious publications, his screenplay, Maggie's Perfect Match, was the winner of the Telluride Indiefest Screenwriting Contest. He earned his bachelor's degree from the University of Tulsa, where in 1970 was named “Man of the Year”. He received his Masters of Divinity from Louisville Presbyterian Seminary where he was the Patterson Fellow in Greek and named a Distinguished Alumnus in 2007. He received honorary doctorates from Presbyterian College, Sterling College, and Waynesburg College. Carl is presently the Founder and CEO of LeConte Publishing, LLC, and Partner and Founding Board Member of Briggs Development Group (briggsintl.com). He is also the former President of Pittsburgh Theological Seminary. Born in Broken Arrow, OK, he grew up in Bartlesville, OK. He has lived in Chicago, Tulsa, Louisville, Richmond, Dallas, Pittsburgh, and Birmingham. He resides in Maryville, TN.   A little bit about Assassin's Manuscript: When former CIA assassin Adam Hunter's last hit goes awry, he attempts to leave behind his world of espionage and murder by embarking on a career in ministry. But soon, he is pulled back in to crack a code hidden in an ancient manuscript in order to foil a terrorist plot. In the meantime, Renie Ellis, a lawyer in the small town he's moved to gets caught up in his dilemma and falls in love with him, not realizing he killed her fiancé by accident. What will she do when she finds out who Adam really is? The heist of a famous Codex from the British Museum, Papal intrigue in the Vatican, both Sicilian and Russian Mafia, and a US President who knows more than she admits all play key roles in a story that keeps the reader guessing until the end, a conclusion that no one sees coming. From Rome to Jerusalem, from Egypt's Mt. Sinai to Tennessee's Smoky Mountains, the characters scramble for their lives, racing the clock to prevent an international disaster. Our focus today is William's Novel - Assassin's Manuscript…. Cool story! Page turner! Thanks for listening! Before you go... You could help support this podcast by Buying Me A Coffee. Not really buying me something to drink but clicking on the link on my home page at https://stevenmiletto.com for Buy Me a Coffee or by going to this link Buy Me a Coffee. This would allow you to donate to help the show address the costs associated with producing the podcast from upgrading gear to the fees associated with producing the show. That would be cool. Thanks for thinking about it.  Hey, I've got another favor...could you share the podcast with one of your friends, colleagues, and family members? Hmmm? What do you think? Thank you! You are AWESOME! Thanks so much! Connect & Learn More: https://www.linkedin.com/in/william-carl-98270a1 https://www.barnesandnoble.com/w/assassins-manuscript-william-j-carl/1143012612 https://www.amazon.com/Assassins-Manuscript-William-J-Carl/dp/B0BBJDFH3B https://www.audible.com/pd/Assassins-Manuscript-Audiobook/B0CQ5T9XKZ 311BillC@gmail.com Length - 51:42

An Oklahoma Congressman is vying to chair a powerful committee in the U-S House.Bartlesville residents are voting to change the way they hold elections.The Sooners advance in the NCAA women's basketball tournament.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Twitter and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

Today Zoe and Easton are unraveling a complex yet fascinating story connecting a solar eclipse in 1806 to a future president, Chief Anderson's ascension to Chiefdom, and a pan-indigenous movement led by a Tecumseh and Tenskwatawa- the man that many remember as 'The prophet.' They won't be alone however. Our curator of Native American history and life, Sara Schumacher, is back with us, setting the historical stage and teaching us who the fascinating figures that make up this story are and how they got here. Later on, the former Assistant Chief of the Delaware Tribe of Indians in Bartlesville, Oklahoma, and was a longtime cultural ambassador and Historical Interpreter here at Conner Prairie, Mike Pace, makes his podcast debut to recount his experiences as a member of the Lenape nation and explore the long-term impacts that the often overlooked indigenous population have on our state of Indiana as well as our nation.   Our sources:   Badger, Joseph and Day, Henry Noble. A Memoir of Rev. Joseph Badger. Ann Arbor: The University of Michigan, September 2009. Drake, Benjamin. 1841. Life of Tecumseh. Cincinnati: Anderson, Gates & Wright.   Eggleston, Edward, and Lillie Eggleston Seelye. 1878. Tecumseh and the Shawnee Prophet. New York: Dodd, Mead & Company.   Mason, Augustus L. 1904. True Stories of Our Pioneers. E.A. Merriam.   McDonnell, Micheal A., 2015, Masters of Empire: Great Lakes Indians and the Making of America, New York: Hill and Wang, a division of Farrar, Straus, and Giroux.    Kinietz, W. Vernon, and Erminie Voegelin. Shawnese Traditions: C. C. Trowbridge's Account. Ann Arbor, MI: University of Michigan Museum of Anthropological Archaeology, 1939. https://doi.org/10.3998/mpub.11395092. PDF. *   * This is a work created by an unreliable author with a singular source to represent a vast nation of people. Black Hoof himself has biases that may leak into the work as well. He would have no reason not to mention the 1806 eclipse and the Prophet but since we can't read Trowbridge's notes we don't know if Black Hoof mentioned it and Trowbridge left it out or if it was never mentioned at all. Also sensationalizes ritual cannibalism which rarely occurred amongst the Shawnee and even rarer post-contact.  

Through strong friendships, hard work, and pure salesmanship, entrepreneur Denny Cresap grew a one-truck, one-employee beer distributorship in Bartlesville into one of Anheuser-Busch's top 20 distributors in the United States.Premium Beers of Oklahoma became a large, multi-location company providing services to 27 counties in the state prior to its sale in 2012.With proceeds from the sale, Cresap and his family established the Cresap Family Foundation, awarding over $10 million to more than 90 nonprofit agencies focusing on animal welfare, arts, culture and humanities, city/county government agencies, community development, education, health and wellness, human services and religious institutions.A native of Chicago, Illinois, Cresap moved to the state in 1952. He enrolled at the University of Oklahoma and, during his junior year, joined the United States Army, serving three years overseas before returning to the state to begin his business career.

Episode 255: Trent and Dana on their Voice of the Martyrs Trip We recently took  a group to Voice of the Martyrs in Bartlesville, OK VOM supports persecuted Christians in hostile and restricted nations around the world. persecution.com   Interdenominational   They focus on the following 4 areas: Persecution Response They support families of martyred Believers for as long as needed Bibles to the Nations Owning a Bible is illegal in many nations. Voice of the Martyrs believes that every Believer deserves to have a Bible in their own language Front-line Ministry VOM seeks to connect with the local churches in each nation where they are supporting the persecuted Fellowship of Believers Our brothers and sisters need us to pray for them to know they are not alone   We heard from several front-line workers (Jonathan, Allen, Josh) who shared stories with us about the brothers and sisters, and they asked us to tell their stories to Believers when we came back home. The pastors who wept when the VOM team prayed for them at the end of the meeting The Believers in Central Asia who do not yet have Bible in their heart language because the publisher will not allow VOM to smuggle them into the country The pastor who rides his bicycle into villages where the gospel has not been preached. Sometimes people respond and accept Jesus. Sometimes the people beat him. But he gets up and rides his bicycle to the next village.   Download the VOM App and read their books, watch their videos, listen to their VOM Radio podcast, pray for the persecuted, and much more.   Sign up to receive their free monthly magazine.

State Superintendent Ryan Walters explains his recent testimony to Congress. Tribal officials want a return to the negotiating table on gaming compacts.Bartlesville is getting a major economic development.You can find the KOSU Daily wherever you get your podcasts, you can also subscribe, rate us and leave a comment.You can keep up to date on all the latest news throughout the day at KOSU.org and make sure to follow us on Facebook, Twitter and Instagram at KOSU Radio.This is The KOSU Daily, Oklahoma news, every weekday.

PD is joined by one of his longest friends, Peter Frank. Peter just finished his vicarage (internship) at St. Stephens Lutheran Church in Hickory, NC. Peter shares about his vicarage and what he learned and PD shares stories from his vicarage at Redeemer Lutheran Church in Bartlesville, OK.

When I first moved to Tulsa, Oklahoma, I mentioned in the show that something I was most excited about was seeing new things that many if not most have never seen. There was something on my list from day one and I finally had the chance to go and do this. Visit Price Tower. For those not familiar; The Price Tower in Bartlesville, Oklahoma is an absolutely exquisite creation of Frank Lloyd Wright. It is constructed of concrete in a very unique shape. Four quadrants based on the geometry of  a 30-60-90 double parallelogram.  It was based on the idea for a Manhattan cluster of buildings designed and then scraped in 1929 due to the great depression. The Price Tower was designed and built for Harold C. Price to serve as the headquarters for his oil and gas pipeline company. The building was designed to be mixed-use and was opened to the public in February, 1956.  Designer Resources ThermaSol - Redefining the modern shower experience. Episode 271 featuring Mitch Altman Moya Living -  Beautiful, durable powder coated kitchen, bath & outdoor kitchen cabinetry Design Hardware - A stunning and vast collection of jewelry for the home! The Oasis Alliance - Providing design to those in need. ICAA Southern California - SoCal is Southern California's preeminent resource on classical architecture and the allied arts. Materials Used: The building is primarily made of concrete with heavy use of wood, copper and other materials regularly found in Wright's work. heavy use of copper, stamped concrete in Cherokee Red can be found alongside the natural wood and use of greens and golds. The wallpaper used as well as fabrics designed for Schumacher as part of his Taliesin line can be found as well as his unique style of lighting and a significant amount of art are all present. There are unique pieces present that were designed and then sent to local companies to create. They include cast aluminum chairs by the Blue Stem Foundry Mixed Use. What makes this building unlike any other example of Frank Lloyd Wright architecture is that this is a “skyscraper”, to be considered by him and others as the only one he ever built. FLW was interested with how people lived. His definition for a skyscraper was not dissimilar to how streets showcase horizontal society, this was made to be vertical an accomplish similar purpose. As such, this was his example of a live/ work environment and incorporated many floors to serve as separate zones for separate purposes. Because the building is supported by the four elevator towers and not the floors themselves, FLW was able to imagine the space almost like a tree with the elevator columns as trunk, floors as branches and copper installation as leaves. My Experience: This visit was amazing for me. I received an incredible tour by a gentleman named Price Connors and later sat down  with Price for an interview which you are about to hear. If you check out the show notes, you will find links to some IG reels showcasing video from this visit. Of note, check out how FLW wanted you to live in the spaces he creates. Check out the amazing views and try to imagine as I did that you were in a tree house, because that is how it felt to me. The day I visited, I learned that the building has been sold to Copper Tree, Inc. for the debt and a $10M promise to refurbish the building. I had never heard of Copper Tree and thought, what a unique name for a company interested in refurbishing this particular building. I did a little digging and learned that Copper Tree is a relatively new company, an investment company created for the purpose of acquiring and preserving iconic buildings. I sat down with Price Connors who is an absolute wealth of knowledge and who both gave e a guided tour of The Price Tower, and sat down for an extensive interview about this truly unique project. I hope you enjoy hearing from Connors as much as I enjoyed speaking with him. For images and video shorts from my time at The Price Tow...

In a chilling development, Thomas Ross Gatewood, a 51-year-old man from Wichita, Kansas, already facing murder charges in connection with the death of his 8-year-old daughter, has now been slapped with multiple child sex crime charges, escalating the severity of his case. This horrific incident underscores the urgency to safeguard our children and confront child abuse in our society.    According to court records, Gatewood, who stood in the Sedgwick County District Court on Tuesday, has been indicted with one count of rape of a child under 14, two counts of aggravated criminal sodomy of a child under 14, and aggravated indecent liberties with a child, purportedly committed in 2018. While attorneys or law enforcement officials have not publicly disclosed the specifics of the case, each of these charges carries a life imprisonment sentence, further intensifying the grim fate awaiting Gatewood.    On June 27, Gatewood was indicted with first-degree felony murder relating to his daughter's death, Jeanetta Gatewood. In addition to this, he faced charges of child abuse, aggravated kidnapping, aggravated endangering of a child, and aggravated intimidation of a witness or victim. Jeanetta's tragic death occurred on May 8 at their residence in Wichita, with charges alleging Gatewood to have tortured or cruelly beaten his daughter, leading to her demise.    These alarming revelations have cast a pall over the community, as residents grapple with the monstrous crimes allegedly committed by one of their own. A long-time neighbor, requesting anonymity, offered a glimpse into Gatewood's private life, recalling seeing Gatewood regularly but only seeing one of his daughters once.    Gatewood's history paints a disturbing pattern of abuse. In 2006, an investigation in Minneapolis into Gatewood and his wife following the death of a child from meningitis revealed that the child had bruises, skull fractures, and rib injuries and was never taken to the hospital. No charges were filed despite the detective's request to charge Gatewood and his wife with medical neglect.    By 2009, Gatewood's family had moved to Oklahoma, where officials removed two children from the family home following the discovery of severe bruises on the toddler, who was unable to walk and talk. The toddler had not received medical attention for her injuries, a decision justified by Gatewood's wife due to fear of her children being taken away. Gatewood admitted to bruising the toddler while spanking her excessively.    Gatewood received a one-year jail sentence in the Bartlesville case, while his wife was convicted of enabling child abuse by injury, receiving a sentence of 180 days in jail. Court documents reveal that Gatewood had a criminal history dating back to the 1990s, including charges of aggravated battery, aggravated assault, and battery in Wichita or Riley counties.    As the case unfolds, our thoughts remain with the victims of these horrifying crimes. It's a stern reminder for us all that vigilance and prompt action are essential in combating child abuse and protecting our most vulnerable members. Hopefully, justice will be served for the innocent lives tragically affected by these crimes. Want to listen to ALL our Podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for 3 days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on: Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury and much more! Listen at https://www.truecrimetodaypod.com

On this WPN Call #248, Dr. Jim Garlow is joined by two special guests: Dr. Jim Dunn, the president of Oklahoma Wesleyan University in Bartlesville, OK, and Dr. Wayne Lewis, the president of Houghton University in Houghton, NY. Both of them discuss what they are doing in academia to fight against wokeness and stand for biblical truth.      Dr. Jim Garlow has partnered with Pastor Mario Bramnick and Adam Schindler to bring you World Prayer Network (WPN), which seeks out Holy Spirit given strategies for how to be an effective and contagious Christ-follower in our present national situations. WPN hosts weekly prayer calls to seek out strategies for the transformation of nations, including our own. During these live calls, we share briefings from key leaders and then pray into what we see and hear from the Lord.     Follow us on social media:  facebook.com/wellversedworld twitter: @wellversedworld instagram: @wellversedworld www.wellversedworld.org

Paul Farber:You are listening to Monument Lab Future Memory where we discuss the future of monuments and the state of public memory in the US and across the globe. You can support the work of Monument Lab by visiting monumentlab.com, following us on social @Monument_Lab, or subscribing to this podcast anywhere you listen to podcasts. Li Sumpter:Our guest today on Future Memory is artist, scholar, and composer, Nathan Young. Young is a member of the Delaware Tribe of Indians and a direct descendant of the Pawnee Nation and Kiowa Tribe, currently living in Tahlequah, Oklahoma. His work incorporates sound, video, documentary, animation, installation, socially-engaged art, and experimental and improvised music. Young is also a founding member of the artist collective, Postcommodity. He holds an MFA in Music/Sound from Bard College's Milton Avery School of the Arts and is currently pursuing a PhD in the University of Oklahoma's innovative Native American art history doctoral program. His scholarship focuses on Indigenous Sonic Agency. Today we discuss his art and practice and a recently opened public art project at Historic site Pennsbury Manor entitled nkwiluntàmën, funded by the Pew Center for Arts & Heritage and curated by Ryan Strand Greenberg and Theo Loftis. Let's listen.Welcome to another episode of Future Memory. I'm your co-host, Li Sumpter. Today my guest is Nathan Young. Welcome, Nathan.Nathan Young:Hello. Thank you. It's nice to be here with you today. Li:Future Memory is the name of Monument Lab's podcast. In the context of your own work, when you hear the words "future memory," what does that mean to you? Do any images or sounds come to mind? Nathan:They really do. There's one. It was a website of a sound artist, a writer, an educator, Jace Clayton, DJ/Rupture, had a mixed CD called "Gold Teeth Thief". I remember it was kind of a game changer in the late '90s. I got that mixed CD from a website called History of the Future. Li:That's very close. It was very close.Nathan:It's always stuck with me. I'm fortunate enough to be able to grapple with a lot of these kind of ideas. I'm not really quite sure how I feel about some of the history of the future because in some ways I work within many different archives so I am dealing with people's future or thinking about or reimagining or just imagining their future.But future monuments are something that I grapple with and deeply consider in my artwork. I think it's one of the more challenging subjects today in art. I think we see that with the taking down of monuments that were so controversial or are so controversial. But I find it fascinating the idea of finding new forms to make monuments to remember and the idea of working with different communities of memory. It's key to my work. It's just a lot of listening and a lot of pondering. Actually, it's a very productive space for me because it's a place to think about form. Also, it opens doors for me just to think about the future. I will say this, that one problem that often arises as a Lenape Delaware Pawnee Kiowa person is we're often talking about the past, and I really like to talk about the future and to work with organizations that are thinking about the future. Li:I can relate to that. Nathan:I think it's a misunderstanding. We always really are talking about the future. I've had the great fortune to be around some people. Actually, I grew up in the capital of the Cherokee Nation, Oklahoma. A lot of people know that Oklahoma is the home to 39 federally recognized tribes. I was fortunate enough to grow up in Tahlequah, which is the capital of the Cherokee Nation, and was able to be around a well-known and respected medicine man named Crosslin Smith, also an author. I remember being a part of an interview with Crosslin. I grew up, he was a family friend.He said, "I'm often asked about the old or ancient ways and the new ways." What Crosland said was, and I'll try my best to articulate this idea, is that there is no difference between the ancient ways and today. These things still exist. It might be an illusion or we might not be able to comprehend or understand it, but there is no difference between the ancient, when we're thinking of things in the sense of the sublime, I think. There is no understanding the ancient and what is contemporary. That was really an important moment for me as an adult. To hear him articulate that was really important. So I think about that. I'm not really sure about a lot of things, but I really like to think about that when I'm working. Li:It kind of runs through your mind as you're working and creating. It's a deep thought, that's for sure, connecting those things. Even thinking back on your own personal history with sound, when did you first connect your relationship to place and homeland to sound and music? Nathan:Well, my earliest remembrances of music, honestly, are my dad driving me around in his truck, picking me up after school, and singing peyote songs, Native American Church songs, peyote songs. The members of the Native American Church call that medicine. My father was an active member of a chapter of the Native American Church at that time. I was fortunate enough to receive my Lenape Delaware name in a peyote meeting. But the first things I remember are the music he played in the car, but really the singing in the car, the singing in the truck that he would do of those peyote songs. Even after he quit going to meetings or he wasn't active in the Native American Church anymore, he still would sing these peyote songs, and I would ask him about the peyote songs, because they're different for every tribe. The forms, they still have their kind of conventions, but they're very tribally specific.Everything in what we call legally Indian Country here in the United States is super hyper local. So just down the road, that's really the beautiful thing about living in Oklahoma, is you have people whose ancestors are from northeast, southeast, southwest. There's only one tribe here from California. So it's a really rich place for sound and song. Both of my parents are Indigenous American Indian. My mother is Pawnee and Kiowa. My father is Lenape Delaware. I also grew up around the Big Drum, what we call the Big Drum at powwows. I never became a powwow singer or anything like that. Never learned anything around the Big Drum. But I did eventually learn Pawnee songs, Native American Church Pawnee songs.But really, I was just a kid in a small town in Oklahoma. When skateboarding hit and you become kind of an adolescent, you start to discover punk rock and things like that. Those to me were the way that the culture was imported to me. I didn't realize that I was already surrounded by all this beautiful culture, all of the tribes and my parents' tribes and my grandparents'. But then it was like a transmitter. Even these tapes were just transmitters to me. So those were really important also. I have a lot of thoughts about sound. Other thing I remember is my father often would get onto us or make fun of us for being so loud and saying we would be horrible scouts or hunters.Li:Making too much noise. Nathan:The Native Americans, yeah, yeah. We weren't stealth. You'd hear us coming a mile away. So he would always say, "You wouldn't be a very good one," just to try to get us quiet down.Li:No one wants to be a bad hunter, right? Can you break down the concept of Indigenous Sonic Agency? is this based on ancestral traditions, your artistic practice, academic scholarship, or a bit of all the above? Nathan:Well, Indigenous Sonic Agency is really one piece of a larger subject sonic agency, which I encountered in a book titled Sonic Agency by Brandon LaBelle. I was a former member of this collective, Postcommodity, and I'm reading this book. When we were first starting the collective, we had the opportunity to work with this Czech poet named Magor, Ivan Jirous Magor. It means blockhead, I believe. It's a nickname. He was kind of described as the Andy Warhol of the Plastic People of the Universe. He was an art historian. He spent most of his life in prison just for being an artist, an art historian. He was an actual musician. He didn't play with the Plastic People of the Universe, to my knowledge, but he did to write the lyrics, to my knowledge. We had the opportunity to record with Magor. So I'm reading this book about sonic agency, and here I find somebody that I'd actually had an experience with sonic agency with in my early days and as a young man and an artist.But ultimately Indigenous Sonic Agency is, in some sense, similar but different to tribal sovereignty. So when you think of agency or sovereignty, it's something that they sometimes get mixed up. I'm really trying to parse the differences between this, what we understand so well as political sovereignty as federally recognized tribes and what agency means, say, as an artist. But in my research, in the subject of sonic agency and Indigenous Sonic Agency, it encompasses pretty much everything. That's what I love about sound. Everything has a sound, whether we can hear it or not. Everything is in vibration. There are sounds that are inaudible to us, that are too high or too low. Then there's what we hear in the world and the importance of silence with John Cage. I think that they're just super productive.I was introduced really to sound studies through this book called Sonic Warfare by Steve Goodman. It was really about how the study of sound was, in a sense, still emerging because it had mostly been used for military purposes and for proprietary purposes such as commercials and things like that. As I stated earlier, I felt like music was my connection to a larger world that I couldn't access living in a small town. So even everything that came with it, the album covers, all that, they really made an impression on me as a young person, and it continues to this day, and I've been focusing deeply on it.My studies in sonic agency -- Indigenous Sonic Agency -- encompass everything from social song, sacred song, voice, just political speech and language, political language. There's so much work to be done in the emerging sound studies field. I felt that Indigenous Sonic Agency, there was a gap there in writing and knowledge on it. Now though, I acknowledge that there has been great study on the subject such as Dylan Robinson's book, Hungry Listening. I am fortunate enough to be around a lot of other Indigenous experimental artists who work in all the sonic fields. So it's an all-encompassing thing. I think about the sacred, I think about the political, I think about the nature of how we use it to organize things and how language works. Silence is a part of it. Also, listening is very important. It's something that I was taught at a very young age. You always have to continue to hone that practice to become a better and better listener. Li:That's the truth. Nathan:My grandmother was very quiet, but whenever she did talk, everybody loved it. Li:That's right. That's right. Let's talk about the Pennsbury Manor project. Can you share how you, Ryan Strand Greenberg, and Theo Loftis met and how nkwiluntàmën came to be? Nathan:Well, to my recollection, I try to keep busy around here, and oftentimes it means traveling to some of the other towns in the area such as Pawnee or Bartlesville or Dewey or Tahlequah. I wasn't able to do a studio visit with Ryan, but I wanted to see his artist talk that he was giving at the Tulsa Artist Fellowship, which I was a fellow at at that time. I remember seeing these large public art projects that were being imagined by Ryan. We had worked on some other projects that, for one reason or another, we weren't unable to get off the ground. Eventually, Pennsbury Manor was willing to be this space where we could all work together. I remember rushing back and being able to catch Ryan's artist talk. Then right before he left town, we had a studio visit and found out how much we had in common concerning the legacy of the Lenape in the Philadelphia area, what we used to call Lenapehoking. So it was a really a moment of good fortune, I believe. Li:Monument Lab defines monument as a statement of power and presence in public. The nkwiluntàmën project guide describes Pennsbury Manor as a space to attune public memory. It goes on to say that sites like these are not endpoints in history, but touchstones between generations. I really love that statement. Do you think Pennsbury Manor and the land it stands on, do you consider it a monument in your eyes? Why or, maybe even, why not? Nathan:Well, yeah, I would definitely consider Pennsbury Manor, in a sense, a monument. I think that we could make an argument for that. If we were talking about the nature of it being William Penn's home and it being reconstructed in the 20th century, you could make a very strong argument that it is a monument to William Penn and also as William Penn as this ideal friend to the Indian. Some people don't like that word. Here in Oklahoma, some of us use it. Technically, it was Indian Country legally. But I use all terms: Native American, Indigenous, Indian. But I'd mostly like to just be called a Lenape Delaware Pawnee Kiowa.I definitely would say that you could make an argument that is a monument to William Penn especially as part of that, as this ideal colonist who could be set as a standard as for how he worked with the Lenape and then other tribes in the area at the time. I think that's kind of the narrative that I run into mostly in my research, literally. However, I would not say that it was established or had been any type of monument to my Lenape legacy. I did not feel that... I mean, there was always mention of that. It was, like I said, as this ideal figure of how to cooperate with the tribes in the area. But I would definitely say it's not a monument to the Lenape or the Delaware or Munsee.Li:Can you share a bit more about the project itself in terms of nkwiluntàmën and what exactly you did there at Pennsbury Manor to shift and really inform that history from a different perspective? Nathan:Well, first of all, at Pennsbury Manor, I was given a lot of agency. I was given a lot of freedom to what I needed to as an artist. I was really fortunate to be able to work with Doug and Ryan and Theo in that manner where I could really think about these things and think deeply about them. I started to consider these living history sites. My understanding is that they're anachronisms. There's a lot of labor put into creating a kind of façade or an appearance of the past, and specifically this time, this four years that William Penn was on this continent. So this idea that nothing is here that is not supposed to be here became really important to me. What I mean by that is, say, if you threw in a television set, it kind of throws everything off. Everybody's walking around in clothing that reflects that era and that time. If you throw some strange electronics in the space, it kind of is disruptive. I didn't feel the need to do anything like that.I felt that one of the great things about working in sound and one of the most powerful things about sound is that sound can also be stealth. You can't see sound. We can sonify things or we can visualize it or quantify it in different ways. But to me, this challenge of letting the place be, but using sound as this kind of stealth element where I could express this very, very difficult subject and something that really nobody has any answers to or is sure about... I was trained as an art historian, and I know that we're only making guesses and approximations just like any doctors. We are just trying to do these things.But sound gave me the ability at Pennsbury Manor and nkwiluntàmën to work stealthy and quiet, to not disturb the space too much because there's important work that's done there, and I want to respect people's labor. As a member of the Delaware tribe of Indians of Lenape, I felt that it was a great opportunity to be the person who's able to talk about this very difficult subject, and that is not lost on me. That's a very, very heavy, very serious task. Li:Yeah, big responsibility. Nathan:Yes. It is not lost on me at all how serious it is, and I feel very fortunate. I think without such a great support system in place, it wouldn't have been possible. nkwiluntàmën means lonesome, such as the sound of a drum. We have a thing called the Lenape Talking Dictionary,  Li:I've seen it. I've seen it. Nathan:I'm often listening. I'm listening to Nora Dean Thompson who gave me my Delaware name, my Lenape name, Unami Lenape name in a peyote ceremony. So I often go there to access Delaware thought and ideas and to hear Delaware voices and Delaware language being spoken. I know that some people have different views on it, but let's say, I think artists and people have used the Unami Lenape before and art exhibitions as a lost or an endangered languages. I know that in the entire state that I live in, and in most of Indian country, there's a great language revitalization movement that I was fortunate to be a part of and contribute to.Really, that's where I discovered that that's really where through language, there's nothing more Lenape, there's nothing more Delaware, Unami Lenape than to be able to talk and express yourself in that manner or, say, as a Pawnee or a Kiowa to be able to talk and express. Embedded in those words are much more than just how we think of language. They're really the key to our worldviews. Our languages are the keys to our worldview and really our thought patterns and how we see the world and how we should treat each other or how we choose to live in the world or our ancestors did. So I'm fascinated by the language. I was fortunate enough to be around many, many different native languages growing up. But ours was one because of the nature of us being a northeastern tribe that was very much in danger of being lost. Some would say that at one point it was a very, very, very endangered language to the point to where nobody was being born in what we call a first language household, where everybody could speak conversationally in Unami Lenape.So these things, we all think about this, by the way, all of my community, the Delaware Tribe of Indians. I was fortunate enough to serve on the Tribal Council as an elected member for four years. We think about these things definitely all the time, and people do hard work to try to revitalize the language. I know at this time that the Delaware Tribe of Indians is actively working to revitalize our language. Li:That's a part of that preservation and remembrance because your work, really does explore this idea of ancestral remembrance and is rooted in that. Then again, you're also engaging with these historic sites, like Pennsbury Manor, that tap into public memory. So in your thoughts, how are ancestral remembrance and public memory connected? Are there any similar ways that they resonate? Nathan:Well, I think of different communities of remembrance. Within this idea of memory there are just different communities. I don't want to want to create a dichotomy, but it's easily understood by those who focus on the legacy of William Penn and those who focus on the legacy of the Lenape or the Pawnee. But ancestral memory is key to my culture, I believe, and I really don't know any way to express it other than explaining it in a contemporary sense. If you're deeply involved in your tribal nation, one of the one things that people will ask you is they'll say, "Who are your folks?" Literally, people will say, "Who are your folks?" Li:Who are your peoples? Nathan:"What family do you come from?" I didn't start to realize this until I was an adult, of course. It's not something you think you would ever think of as a child or anything. It started to become really apparent to me that we're families that make up communities that have stayed together in our case for hundreds of years across thousands of miles. It's a point to where we got down to very small numbers. We still stuck together. Then there was also a diaspora of Lenape that went to Canada, the Munsee and the Stockbridge. There was the Delaware Nation who has actually lived more near the Kiowa. My grandmother was Kiowa. But we still had the same family names. For instance, there are people and members of the Delaware Nation that are actually blood related to the Delaware Tribe. So that is really our connection to each other is our ancestors. That's purely what binds us to together is that our ancestors were together, and we just continue that bond. Li:Thank you. A part of Monument Lab's mission is to illuminate how symbols are connected to systems of power and public memory. What are the recurring or even the most vital symbols illuminated in your work? Nathan:Oh, that's a really tough question because my work is all over the place. I work across a lot of different mediums, although I've trained as an art historian, so I came into this as a visual artist. I just happened to be a musician and then discovered installation art and how sound works in art. But for me, the story I feel that I'm trying to tell cannot be held by any number of symbols or signs. I want to give myself the freedom and agency to use whatever is needed, actually, whatever is needed to get across the idea that is important to me. So going back to nkwiluntàmën, lonesome, such as the sounds, these colors, we use these white post-Colonial benches, and there's four large ones, placed across the grounds of Pennsbury Manor. You'll see that, if one were to visit, they would see a black bench, a yellow bench, a white bench, and a red bench. Nathan:If you're from my community, a Delaware Tribe of Indian member and you know that you're a Lenape, you understand that those colors have meaning to our tribe, and you'll know that those colors have sacred meaning. So in some sense, I will use whatever I think is the most appropriate way to use it also. I want to give myself the freedom to use any type of symbolism. I loved growing up with my mother and my grandmother being able to go to powwows. My mom would say, "Well, here comes the Shawnee women. Here comes the Delaware women. They dress like this. Here comes..." Li:You can recognize from their dress. Nathan:My mother and my grandmother taught me that iconography of our clothing, what we now call regalia. Li:I was curious if perhaps the drum or even the idea of homeland show up in your work? Nathan:Oh, they definitely show up in my work when appropriate. But rather than a drum, I would say sound or song or music. We do have these iconographies and symbols that are deeply meaningful to us, and I often use those in my artwork. But really the question for me is how to use them appropriately and, also at the same time, expand the use of these things appropriately. It's just being accountable to your legacy and your community in a sense and not crossing these boundaries, but still at the same time pushing form, pushing the edge.I'm a contemporary person. We're all contemporary people. We want to add something. We want to contribute. We want to be useful. So I'm searching for symbols and forms all the time, different ones. Whether it be a mound, whether it'd be a swimming pool inside an art gallery or a singing park bench or a post-Colonial bench in Pennsbury Manor, in some ways you could say I would be indigenizing and musicalizing those benches. But I consciously work to have a very broad palette. I want my work to be expansive and be able to encompass any subject or idea, because that's why I got into art is because you can talk about anything.Li:Yeah, it's boundless. It's boundless. Then also thinking about the connections and the symbols that you mentioned, the colors that you mentioned, the iconography, what systems of power might they be connected to? Nathan:Well, ultimately, I think that most of the power that is embedded in these symbols comes from the sublime, that come from the sacred. It's complicated. The sacred means to not be touched. That's my understanding, it's to not be touched. However, it's been the source of inspiration for artists of any continent of any time is, if you want to call it, a spiritual, sublime, religious connection, inspiration, whatever, but ultimately, that is my understanding. From my research, even as a young person studying Pawnee mythologies at the University of Oklahoma and special collection and learning stories, our origin stories and what color meant and how the world was seen by my ancestors from other tribes as well as Lenape stories, it's something that's hard to grasp and to hold onto, but that's how we've come to identify each other. It's as simple as we have car tags here that represent our tribes. We have a compact with the state. So everybody's looking around at all these different car tags.Li:Wow. Nathan:You see a regular Oklahoma one, and then you'll see... A very common one is a Cherokee because they're one of the biggest tribes. You'll see a blue one, it's Pawnee. Now you'll see a red one, and it's Delaware or Lenape. It says Unami Lenape on it, and it has our seal. So we play this kind of game all of us. I mean, it's not a game, but we're always looking at license plates to see... It might be your mom's car you're driving that has, say, a Kickapoo license plate or something, and it's a Cherokee driving it or a non-Indian or something, a relative, say. It's not for me to say where these came from. It's something that I actually just really explore and that fascinates me. It's very rich growing up and being a member of my tribal communities. I learn something new almost daily. Li:I can imagine like you said, the learning experience that you have as a child growing up in your community. You mentioned mythologies earlier. I study mythology. One of the purposes I've come to understand is education, educating through these stories. I recently interviewed Jesse Hagopian from the Zinn Education Project and the movement for anti-racist education. The struggles for education reform and reckoning with Eurocentric understandings of history seem to be deeply connected efforts. So on nkwiluntàmën, I understand an educational curriculum has been developed for younger audiences. What do you hope that people take away from this project that they might not find in a textbook or a classroom? Nathan:Well, I would hope that when people visit the large-scale sound installation and visual elements of it that they would understand... my greatest hope that people would learn what I learned while creating the work was that I really don't know what it felt like. I just came across, I was looking for the words in the Delaware Talking Dictionary for feelings, and I found a sentence or a way of saying feeling that said, "It did not penetrate me. I did not feel it." It made me realize that I don't know. I've never had this happen to me. The history of the Delaware Lenape is of constant removal, of constant pushing. Most people know the Cherokee Nation and the Trail of Tears. Actually, there were many movements of the Cherokee. It's very complex. All tribes are very complex. You always have to qualify. But the Trail of Tears is what most people know about. It was this very long, two-year complex journey. It was fraught. Li:That's one of the stories that we learned in school, if at all. Nathan:So our story is of nine of those and, to my understanding and research, was about once every 30 years. So it seemed to me that most Lenape, who came to be known as the Delaware Tribe, who I grew up with as, had ancestors that had experienced a removal. It's something that we still live and deal with today. We came to Oklahoma from what is now Lawrence, Kansas, when this was called Indian Territory. We had been living before that north of Kansas and had adapted our way of life as we changed across this territory and through time to survive.So as we moved into the Plains, we started to hunt buffalo, and then we get kind of crosswise with some other tribes. I think when the federal government was constituting Indian Country, they were concerned with the relationships between other tribes and how they felt. My understanding is we had upset some... By Buffalo hunting and adopting that way of survival and life, there was some trepidation about us. They wanted our reservation. The railroad wanted our reservation, and Lawrence, Kansas, to run directly through our reservation. They were forcing us to move off that reservation, and they couldn't find a place. That was kind of my understanding of the situation. So we ended up in the northernmost part of the Cherokee Nation. This made us a landless tribe for a very, very long time. Technically, we didn't have a reservation. We were living in the Cherokee's reservation because we had this very ancient but kind of tangential connection to the Cherokees. So that's a very long and complicated story as well. Li:That's actually a beautiful setup for one of my last questions actually. This idea of documentation and stewardship are key for Indigenous communities, as you just mentioned, that continue to contend with stolen land, forest displacements, cultural erasure, and lost languages. Monument Lab thinks a lot about the future archives that can hold the dynamic nature of public memory in all its forms. What would a future archive of ancestral memory look, feel, or even sound like for you? Nathan Young:I love that question because we do work with future archives of our ancestors, all of us do today. So I think it's really a question of form. I've encountered this in my studies of Sonic Agency and Indigenous Sonic Agency. The invention of the phonograph and the wax cylinder are very important. It didn't look like anything. It looked like sound or that archive. I think that unknowingly, we're all living in an archive. We're archiving moments now as things speed up constantly. Paul Virilio, the theorist, was very, very important to my thinking because he theorized about speed and the speed of, say, how a camera shutter and a gun are very similar in their repeatingness. I think about repetition a lot. But today, we live in this hyper surveillance society that any moment could be archived, any moment could be filmed, and also these things will be lost. So that is a fascinating thought to think about what may survive and become the archive and what may not, even with all of this effort to constantly surveil and document everything.But it's my hope that archives are important just because they give us a deeper understanding of a connection to something we will never be able to experience. So I think that a future archive is something that we cannot imagine. We don't know what it's going to look like, and it's up to us to find out and to explore form and explore possibilities so that we're not stuck in this mindset that has to be in steel and monumentalized as a figure or a person or something like that. So in my mind, it's just to be revealed to us. We'll know later, but I would hope that were to make...I know this is what people still do today that make monuments. They want to make something beautiful, but that means something different to Lenape or a Pawnee or Kiowa, so that seems very different to us. And so we do that. We do memorialize things in different ways. But I think that we think of them as more ethereal, whether we think of them as things that we know that aren't going to really last forever. I feel that way, at least. I don't speak for all of my culture. But I know that some of us are trying to find new forms to really memorialize our past and unite our community of memory and our tribes, our experiences.Li:Like you said, time, everything's moving so fast and everything's evolving. Everything's constantly changing. So who knows what the forms will take. This has been such a wonderful conversation. I really appreciate your time. I just wanted to see if you had any final words or even gems of ancestral wisdom you might want to leave with us before we finish. Nathan:No, I can't share any ancestral wisdom, not knowingly or very well. I just appreciate the opportunity to create the piece. I appreciate the opportunity to expand upon the piece by talking with you about this because I'm just trying to figure this out. I don't have all the answers. Li:Right, that is part of  being a life learner and walking this path. Everyone's on their journey. We are constantly learning at every turn. I'm with you, Nathan. I often admit that I do not have all the answers. That is for sure. I really enjoyed learning about your work and your practice. I definitely plan on getting down to Pennsbury Manor and look forward to the curriculum for the youth when it comes out. Nathan:Well, thank you. I hope you enjoy it. I hope that it's a meaningful experience for you. I'm a very fortunate person to be able to work on such a project and very grateful to the entire team and everybody that supported the process. Li:Thank you, and thank you again to Ryan Strand Greenberg, who is also the producer of this podcast and worked with you on the project for nkwiluntàmën. Thank you to Nathan Young, our guest today on Future Memory. This is another one for the Future Memory archives.Monument Lab Future Memory is produced by Monument Lab Studio, Paul Farber, Li Sumpter, Ryan Strand Greenberg, Aubree Penney, and Nico Rodriguez. Our producing partner for Future Memory is RADIOKISMET, with special thanks to Justin Berger and the Christopher Plant. This season was supported with generous funding by the Stuart Weitzman School of Design and the University of Pennsylvania.

This week, Drewby and Yergy discuss the case of Maggie May Trammel, a 10 day old baby girl from Bartlesville, Oklahoma. Maggie May was killed after her 26 year old mother, Lyndsey Fiddler, went on a 3 day meth fueled bender and threw the newborn into her washing machine with the dirty laundry. She then proceeded to take a nap while her little girl spent the next 40 minutes inside of the machine. Support Our Patreon For More Unreleased Content: https://www.patreon.com/themiserymachine PayPal: https://www.paypal.me/themiserymachine Join Our Facebook Group to Request a Topic: https://t.co/DeSZIIMgXs?amp=1 Instagram: miserymachinepodcast Twitter: misery_podcast Discord: https://discord.gg/kCCzjZM #themiserymachine #podcast #truecrime Source Material: https://murderpedia.org/female.F/f/fiddler-lyndsey.htm https://www.dailymail.co.uk/news/article-1327463/Ten-day-old-baby-dies-going-entire-spin-cycle-washing-machine.html https://tulsaworld.com/news/state-and-regional/mother-of-dead-baby-haunted-by-dream/article_9c81597c-e9fe-52ce-aed9-934577ee70f2.html https://www.newson6.com/story/5e3655e42f69d76f6206b8b8/bartlesville-woman-sentenced-for-washing-machine-death-of-infant-daughter https://www.thefreelibrary.com/NEWBORN+FOUND+DEAD+IN+WASHER.-a0241483982 https://www.oklahoman.com/story/news/crime/2011/10/05/bartlesville-woman-gets-15-year-prison-term-in-10-day-old-babys-death/61129474007/ https://vocal.media/criminal/the-washing-machine-death-of-10-day-old-maggie-mae https://www.news9.com/story/5e3657ac2f69d76f6206caa7/bartlesville-woman-pleads-guilty-in-babys-washing-machine-death https://www.findagrave.com/memorial/82972226/maggie-may-trammel https://en.wikipedia.org/wiki/Bartlesville,_Oklahoma https://www.youtube.com/watch?v=d30QvTVUBLI&ab_channel=GrantPudar https://tulsaworld.com/news/state-and-regional/mother-of-dead-baby-haunted-by-dream/article_9c81597c-e9fe-52ce-aed9-934577ee70f2.html#tncms-source=login https://www.facebook.com/rhonda.coshatt