Podcast appearances and mentions of Don Juan DeMarco

Judge Arrested By Trump DOJ !! Trump Say Crimea Stays With RussiaNews Dateline : Chat,Business Dateline: Laura Frank Barnard Specail Guest : Nelson Epega Speaker: Too Be, Divine Davy,Luis Estrella, Vashon, Veneese Williams, Hammed, Patriot Rob, Sir Jude , Rachelle O'Neil, Ravi, Diana Rosero, Don Juan DeMarco, Consuelo, James , Ann Jan, Credit Ninja , Chris, Matt StormOur live show gives our listeners the chance to actually hear us perform and even influence the show and gives us the unique opportunity to create a bond with our already captive listeners. The instant feedback – the laughs, the gasps, that sense of connection. They're coming to our show to feel part of a conversation and voice their opinion every time we record a podcast episode. The people that attend our live podcast show have a great time, tell their friends and family and attract some very powerful champions of each spirited DEBATE The NEWS episode. Here at DTN, We DEBATE The News! We Allow You To Present Your Interpretation On Today's Local, National, & World News Topics. Spirited & Informed Discussions Are Encouraged. Engage and Sharpen Your Mind with Intellectual Combat! Live On the CHATTER SOCIAL APP: Sat -SUN 8:00 PM - 9:00 PM EST / 5:00 PM - 6:00 PM PST

This week, we're slipping into a silk mask and diving into Don Juan DeMarco. We'll be exploring its romantic fantasy vibes, the dreamlike storytelling, and that irresistible Depp-Brando dynamic. Is it a charming tale of passion and self-discovery—or just a seductive illusion wrapped in old-school charm? Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going!

Dans cet épisode, nous célébrons l'anniversaire d'un artiste canadien légendaire : Brian Adams. Connu pour ses ballades romantiques devenues de véritables classiques, Brian Adams a marqué l'histoire de la musique pop-rock des années 90.Plongeons dans les coulisses de la création de l'un de ses plus grands succès : "Please Forgive Me". Sorti en 1993 dans le cadre de la sortie d'un best-of, ce titre a rapidement conquis le cœur des mélomanes du monde entier. Derrière cette mélodie envoûtante se cache une véritable histoire d'amour. Brian Adams, désireux d'ajouter un morceau inédit à son album compilant ses plus grands tubes, a fait appel à son fidèle collaborateur David Page, claviériste du groupe Toto. Ensemble, ils ont composé cette ballade empreinte de douceur et de sincérité, reflétant les sentiments universels du pardon et de la réconciliation.Avec sa voix chaude et sa sensibilité à fleur de peau, Brian Adams a su donner vie à ce titre, le transformant en véritable hymne romantique. Le succès a été au rendez-vous, propulsant "Please Forgive Me" dans les hit-parades internationaux et en faisant l'un des morceaux les plus emblématiques de la carrière de l'artiste.Mais Brian Adams ne s'est pas contenté de conquérir les cœurs des mélomanes avec sa musique. Véritable touche-à-tout, il a également marqué l'histoire du cinéma en composant des bandes originales pour des films tels que "Robin des Bois : Prince des voleurs" ou "Don Juan DeMarco". Un artiste aux multiples talents qui a su s'imposer comme l'une des voix les plus emblématiques de la pop-rock des années 90.

Els Buenafuente fan una francesilla. Crítica teatral de l'obra «El Tenoriu». Dramatúrgia d'Israel Solà. Intèrprets: Sílvia Abril, Andreu Buenafuente, David Olivares, Anna Bertran i Roger Julià. Producció executiva: Mercè Puy. Producció: Rosa Domingo. Escenografia: Beatriz San Juan. Disseny de vestuari: Pepi Aubia. Vestuari: Época. Direcció tècnica: Eudald Gili. Producció tècnica: Àrtic Audiovisuals. Tècnic de so: Jan Subirats. Il·luminació: Eudald Gili. Coordinació d'espai escènic i escenografia: Bea Sanjuan. Àudio creatiu: Ramon Juncosa. Regidoria: Olga Fibla. Ajudanta de regidoria: Eli Caballé. Construcció de decorats: Taller Jorba Miró. Atrezzo: Rosa Domingo. Disseny gràfic: Pep Cerdà i Dani Borrón. Comunicació: Gemma Saperas, Míriam Ruiz i Comèdia. Fotografia: Kiku Piñol. Cartell: Pep T. Cerdá. Agraïments: Eòlia, Martí Vilaseca, Montse Ferreira, Lucía Gijón, Damaret. Ajudant de direcció: Toni González. Direcció: Carles Sans. Teatre Poliorama, Barcelona, 5 novembre 2024. Veu: Andreu Sotorra. Música: Don Juan. Interpretació: London Metropolitan Orchestra. Composició: Michael Kamen. Àlbum: Don Juan Demarco, 1995.

```htmlHey everybody, welcome to Hit Rewind. This is Michael, and Jacob's on the other side. We are discussing the films of 1997. We're finally here! Yes! Look, I know- Action, baby! We had a game plan, and I got bored. I'm sorry, I'm a little erratic. We were going to go through the 60s and 70s and pick up stuff we missed in the 80s and 90s, and I said, I can't take any more westerns and war movies! Movies and other than that it seems like it's gonna be really hard to finish off the 60s and then hopefully we can burn through the 70s but for now i think for the rest of this year until you go on hiatus again we're just gonna do 97 probably 98 i seriously doubt we'll get through 99 but let's get started everybody what's the first movie of 1997 you want to discuss, well this one i wanted to get out of the way i hadn't seen this before and i didn't even know it was sort of like a follow-up to fish called wanda fierce creatures you know what's funny is you usually miss it you're like i'm gonna get this out of the way because this thing's a piece of fucking shit no i mean you have to start someone with these lists yeah to any of them well a lot of people do a lot of people do think this is a piece of shit it was a huge flop, critics hated it it got dumped like the second week of january no one gave a flying fart about it i don't think it's that bad is it is it because fish called one is probably considered at least bare minimum on every list a top 25 comedy of all time. Do you think those expectations are what ruined Fierce Creatures? Definitely have an impact. That would be a contributing factor. Yeah. You can't rule it out. The director did switch halfway through the movie and there was some reshoots to fix the entire ending. The last 20 minutes or so were completely reshot. So when his father shows up at the zoo, he died in a completely different way so before he gets shot in the head that whole thing was re-shot so that cost a lot of money and delayed release and stuff like that so that was a little bit. A little bit part of it's like flow is a little off. I think the only thing that really hurts this movie to me is I think some of the jokes don't work and they're not, they're not as macabre as they should be. It's so dark and weird in fish called one. I feel like they're pulling their punches a little bit in this one. Yeah. Oh, but for that, Oh God, that scene at the end, she did not expect that. Yeah. I mean, yeah, you get your supporting cast, like you got like Michael Palin coming back as well. Along with Jamie Lee Curtis, Kevin Kline playing two roles, you know, basically the owner of the company trying to buy the zoo and then his son, you know, trying to show that he can run things. Yeah, you know what's funny is in the original cut, he shows up as his mother. So he played three characters. Oh, no, Kevin Kline could pull that off. It's funny, I mean, especially after Wild Wild West. Yeah. It's so funny is after he won the Oscar, It seemed like he struggled in mainstream films that he had to go do smaller, more independent-minded movies. Life is a House and, oh, there's a teacher one that he did that was really good. But it's like whenever he does a big studio film, it seems like it's a struggle. Oh, In-N-Out, right? Is that what you're talking about? Well, yeah, In-N-Out's the one that won him the, I don't think he won, but he might have got the nomination. But it just seemed like he would jump from major movie and then just, like, it wouldn't do very well. then he would go do some independent smaller stuff and then that would, you know, rock the house. Because if you remember, the first entry in this, the whole Fish Called Wanda, was an independent movie that was picked up by MGM. Oh, wow. Oh, this was produced by Danny DeVito. See, that makes me even more depressed because it should have been more demented. Oh, absolutely. I mean, come on. I mean, after, what, War of the Roses, and The Law from the Train, and then later on Death of Smoochie, yeah, no, you'd think it would be a little bit more crazy. Yeah, I'm looking... Go ahead. but yeah that scene though like near the end to like you know open keep things up going yeah that did throw me for a loop I was like holy shit I did not expect that to happen of course Michael Palin's character you know being one of the loop keepers. You know, keep his area funded, you know, always talking about like deadliest animals. They have to be. And then, bam, the little piece shooter. Like, oh, my God. Well, that's if you haven't seen this movie, what it is, is this is a takedown of Fox News. This is a Kevin Kline is playing Rupert Murdoch. He flat out is. And his whole thing is consume. And it's still going today. Consume whatever you can to make your corporation even bigger. But in order to turn a profit from what you just spent buying a thing, you have to do massive cuts. So they're they're they're firing people. They're adding tons and tons of stupid advertising, but they're also getting ready some of the animals. And Rallo, who's played by John Cleese, is in charge. He's ex-military and they think that he can be really hardcore, you know, cutting this place down to the bone to make a profit. Because it's not just a profit, though. Wasn't it 20 percent is what they had to have? Yes that's insane like especially in the beginning of owning something you kind of have to eat the the profits for a while until you get things up and running and exactly you gotta spend some money to make yeah but you saw this with rupert murdoch and stuff like that and other guys like ted turner who bought shit up and didn't really fucking care as long as it built his empire and made money so and what they just happened with disney disney buying up ironically fox but also Also, like shutting down Blue Sky, you know, trimming the fat on any independent movies, small stuff. They basically destroyed Fox Searchlight. It barely exists now. So this is nothing new. So 25, almost 30 years ago, this movie really had their finger on the pulse. Pretty much. Oh, gosh. It does make a whole lot of sense. Just like how they had to have like some of the zoo staff dressed up as animals. All these stupid little, you know, advertisement boards and posters. The fake panda. Oh god yes animatronics and all that you know i know that gorilla suit is fake but god that was convincing that was really really good make yes god i mean honestly as much as i enjoy congo yeah that looked a lot more accurate than congo yeah but yeah so he has to find ways of keeping the animals alive keeping the place open but there's this whole subplot of somehow rollo keeps getting in these like situations that make him look like the biggest swinger in all of england like the most fuckable man in the whole place and everybody's just kind of confused by it i mean jimmy curtis seems to be confused by him and also amused and turned on exactly that's why she's kind of seducing him in the end yeah and all the while like kevin klein the son when he's playing the son he's trying to get with earth they have something like no this is purely a partnership you know this is a workplace professional relationship but i think nothing intimate it works out for him because he is a fucking what do you call that sex pest yeah he's a sex pest his whole thing but they finally find a piece for his character in that you know you've, To be fair, it took him accidentally killing his father. But, you know, like, give him the zoo. Just let us run this. Or no, get him to run the corporation, whatever. Now, the whole thing about faking the death is one of the most ridiculously comical things I've ever. The whole, oh, I'm in my dark phases. I gotta go be by myself in the barn. Oh, yeah. Then the whole shtick, trying to find everything, put everything in the right place. Make sure there's no suspicion that it was actually a suicide. Yeah. Like, the space in the gun and everything. And then having to carry on and provide those lines. Yeah, I think it's a really fun movie. But, yeah, it tanked so hard. Originally meant to be $18 million. The reshoots cost another $7 million. And it only made about $8 million in America. Thankfully, it made some decent money overseas. But in comparison, this only made $40 million. Dollars fish kawada beat 198 million and it only cost half of this oh yeah that's a huge drop, all right so what is our next film this one okay this is a bit of a turn this is we're going a little we're going dramatic with this one and this is what you know mainstream audiences take johnny depp far more seriously yeah donnie brosco i'm trying to think was he he was in that nick of time movie a couple years before this that you and i both enjoyed but guess what nobody saw it was a huge flop yeah before this it's either his movies were very very small independent movies like dead man or it was him just being quirky and cute you know like benny what did bonnie and june benny and june benny and june right stuff like that you know where he played quirky eccentric this is the first one besides nick of time that people are like oh he can play a normal dude which he rarely did. And I still think Pirates of the Caribbean is the worst fucking thing that could have happened to him. I mean, at the time it seemed great, but who knew that all that money, all that excess, all those demands for him to play weirdo characters for the rest of his goddamn life until just recently would just undo him. Absolutely. That and, of course, his on-set behavior. Yeah. I'm not really going to get into it, but I just think both of them are kind of fucked up. I don't know. I'm not choosing a side. It's just sometimes you look at the parties and go, yeah, you guys should have never been together in the first place. This is just... Yeah. No, fuck both of you. Yeah. So, yeah, Donnie Brasco is actually the only dramatic one in this bunch because it's weird how I make my list. And this just happens sometimes where we get predominant copies. I think the next one is predominantly thrillers. But yeah, this one is based on a true story. Undercover officer in the 1970s who had to infiltrate the mob. And it's really interesting is having Robert De Niro or Al Pacino play mobster gangster kind of guys was nothing new at this point. Both of them had done at least three or four movies in this vein by this point. But what's interesting is Al Pacino had the guts to accept a role where he was a fucking loser. Pretty much. Yeah, I know. know he was just a wise guy street hustler you know yeah just real low level bottom never gonna be running his own crew this is the closest he's gonna get to success and he gets there with the help of donnie brasco and just just the fucking tension throughout this movie it's not like like suspense movie dread you know like where you think it's gonna be big jumps there's just this This never-ending, oh God, at some point they're going to figure it out. What is going to happen? Is Al Pacino going to sell him down the river? Is Johnny Depp going to have to kill Al Pacino? You just don't know. Exactly. And then there's supporting characters. You've got other wise guys. Michael Madsen did a great job. And in one particular scene, yeah, he kind of screws over Al Pacino. Yeah, there was a point where Michael Madsen, he was never like a big star. But he was always getting quality work and supporting parts. And then he would go off and do like little independent stuff, sometimes trash, sometimes not. And now you look the last 20 years of his career since Kill Bill has been fucking embarrassing. Because he, like Eric Roberts, have this thing where they will literally accept any role for a certain amount of pay a day. And I shit you not, I looked it up. He gets $8,000 a day. He'll do any giant piece of fucking garbage they'll shoot everything in a day or two slap his name at the top of the the post or whatever and that's it he did have a part in sin city yeah so long ago man yeah and then of course there was the the hateful eight, Yeah, if Tarantino or Rodriguez are not involved, it's going to be garbage. I don't know what it is, if he's difficult to work with or he's lazy and tired. I don't know. But it's always a shame when you see actors just do this. I know. It sucks, especially when they had such prominent careers. Yeah. And then there's James Russo, who's another one of those that guy kind of. He's like Michael Madsen's right hand man. It's one of those works filled with guys who just did lots of gangster monster movies. This kind of seems almost like not a goodbye to the whole thing because I feel like Casino was kind of saying goodbye for a while. But this is because it's based on a true story. There's something just slightly different than trying to be a Goodfellas clone. Almost somewhat, yeah. Whoa, Donnie Brasco was a massive hit. I had no fucking clue. It made $125 million worldwide. That's wild to me. Yeah, absolutely. So, yeah, this is what definitely catapulted Johnny Depp to success. And he needed it because it'd been a while since he had a hit, I think. Yeah, I mean, especially if, like, Tim Burton's name wasn't attached to it. Yeah, because Don Juan DeMarco and Benny and June were probably his biggest, but they weren't, like, you're talking like $30 million. That's not a big hit. So this is kind of that next level. And I don't know what's next that really breaks big. Sleepy Hollow, maybe? No, I'm pretty sure there was something else. Yeah. No, Blow is after Sleepy Hollow. But yeah, he's just interesting watching his career go. I wonder if the director, Mike Newell, had seen him on 21 Jump Street where he plays more of a character like this. And that's why he cast him. Because he was an undercover cop. Yeah. So I wonder if that's why he cast him. Oh, man. I will tell you one thing. Like the intensity in that Japanese restaurant. Yeah, exactly what I was going to say. But he couldn't because he had the wire there and off. He also ended up giving the group some balls yeah the uh they're disrespectful as hell it's incredibly underrated i think kind of been forgotten in his oeuvre i think the most tense scene though is the one where there's a rat in the group and they're talking about when they're arrested and and and al pacino is kind of saying it and you know oh fuck they're gonna come after him but then you also start remembering bruno kirby was pulling some side deals with selling inhaling cocaine it's funny is that yeah neither one of them ratted each other out but all of it had here's the thing is the rap part had nothing to do with anybody in the group except that one guy who was going to run the bar and forgot to pay off the cops that's it and if he had just told him like i fuck up i i forgot to pay the cops i don't think he would have been shot but he would have been kicked out of the group and probably had his ass beat and then they wouldn't have had to kill someone else oh yeah exactly yeah oh god. Especially after that big execution scene where they took out rival gangsters. Yeah, yeah. I really thought that, oh, they're going to bring him in and they're going to at least bare minimum beat the fucking shit out of him. But no, they were just setting Bruno Kirby up. So they knew about the coke deal. Yeah, it's hard when you're undercover, you're not supposed to break the law. And while he doesn't take part of the shooting, he does take part of hacking somebody up, and that's a crime. Exactly. Yeah, I know. Yeah, and again, this being based on a true story, he's been in hiding ever since because there's a big, there's like a bounty on his head. Yeah, there's apparently another movie with his character that another mission that he went on where it's called Wise Gal. I think it was a TV movie with, I think, Jennifer Love Hewitt, Jason Gedrick, and James Caan. Huh, never knew about that. Yeah, I have to look it up, but I feel like his character, Joe Pistone, there's another case that got turned into a movie. What is our next one oh god sorry right one more thing about that ending though al pacino as soon as he like got that call and he was leaving telling his girlfriend you know i'll be back later if not don't wait up he knew it was going to be oh yeah everything just got revealed and he let someone into the organization who was an undercover cop that's why he left all his jewelry and everything yeah that was a really good scene because it's so quiet and he doesn't really do much besides you see the the the resignment i guess in his eyes just finishing it up going accepting his fate instead of going on the run because you know why they probably would have killed her if he ran exactly and it's like doesn't have much doesn't have much longer it's like you know that's pretty much where his life would be did you want to get any lower than where he is oh you know what i'm sorry i said i must have got confused on the way it was turned into a tv TV series with Jason Gedrick in the year 2000 called Falcone, which is just another play on it's still Joe Pistone's story is just they changed the character because it's a different mission. There is a really, really good TV show that came out the same exact time as 20 on Jump Street from the same creator. And it's called Wise Guy. It was only on for four years and really just watched the first year and it's about a guy who goes deep undercover with the mob and so every 13 episodes there's a new arc where he goes on a new mission you should watch that first season it's really fucking good yeah. What is our next for sure next will okay definitely part of a classic part of a classic franchise for Warner Brothers starring Chevy Chase called Vegas Vacation not the final entry I think a lot of people don't know that Christmas Vacation 2 even exists it was a TNT movie where it's cousin Eddie and the family and I think the very first Audrey goes with them to an island they They get kind of like, what is it, Robin Crusoe kind of thing, where they just trap the island trying to survive during Christmas. It's a comedy, but it's not very good. But for most people, this is it. And look, I know there's a lot that doesn't work in this. There's a lot of jokes that seem to kind

Hello and welcome listeners to Episode 5 of JwaC Presents Depp Dive: A Depper Look into Johnny's Feature Filmography. Your host David Garrett Jr. is joined by his Co-Captain and wife, Jaime. For this episode, we don't have a brief movie for the introduction so this is a double feature. We have a couple of movies neither of us had seen. The first is Don Juan DeMarco (1994), where Johnny takes on the role of the world's greatest lover. This is paired with an odd, surreal film, Jim Jarmusch's Dead Man (1995). I hope you enjoy coming on this journey through Johnny's Feature Filmography. Time Codes: Intro: 0:00 - 6:30 Don Juan DeMarco Trailer: 6:30 - 8:40 Don Juan DeMarco Review: 8:40 - 27:09 Dead Man Trailer: 27:09 - 28:43 Dead Man Review: 28:43 - 47:23 Social Media: Jaime's Instagram: jai.garrett Email: journeywithacinephile@gmail.com Reviews of the Dead Link: https://horrorreview.webnode.com/ Facebook: https://www.facebook.com/dgarrettjr Twitter: https://www.twitter.com/buckeyefrommich Letterboxd: https://letterboxd.com/davidosu/ Instagram: davidosu87 Threads: davidosu87 Journey with a Cinephile Instagram: journeywithacinephile The Night Club Discord: Journey with a Cinephile

Eine Filmanalyse zu Don Juan DeMarco (1994) und die Verbindung zu Tantra

BAILANDO! 11-time Grammy Nominee José Hernández and his Mariachi Sol de México stop by to give a preview of their forthcoming Mother's Day concert extravaganza AND Father's Day extravaganza! Jóse discusses his new album 40 Aniversario, his favorite superstars and fashion icons, his skincare routine ...and his restaurant!

Johnny Depp and Marlon Brando explore the nature of sanity and reality in this mature and endearing mid-90's sex comedy, and we explore the film with director Paul Williams. Directed by Jeremy Leven. Produced by Francis Ford Coppola. Starring Johnny Depp, Marlon Brando & Faye Dunaway How is the world wrong about this movie? From Andras:When “The November Men” director Paul Williams told me “Don Juan DeMarco” was one of his favorite films I knew we had to have him on to be its champion, You know what? He's right! This is a great little film with one of Depp's most charismatic performances. Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpod Follow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXag The World Is Wrong theme written, produced and performed by Andras Jones Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.

Jenna is joined by gorgeous human, star of Fat Ham, and great laugher Brennan Malone (@brennensavon) to discuss one of the crowing jewels of J.D.'s "sexxxx" years, Don Juan DeMarco! Brennen gives a beautiful synopsis of a bat shit movie, Faye Dunaway is a smoke show, and Marlon Brando put on pants for this. Since it's still pandemic times, it's questionable if Jenna put on pants to record this podcast. Organizations mentioned in this episode: Brennen's social media: instagram.com/brennensavon Black Theatre Alliance Philadelphia: https://www.blacktheatrephiladelphia.org/ See Brennen in Fat Ham: https://wilmatheater.org/event/fat-ham/ Dumpster Fires For You: instagram.com/dumpsterfiresforyou Moviejawn: @mjpodnetwork Jenna's social media: @lessthanamuffin jennakuerzi.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/deppimpact/support

The Rancid Tacos wrap up the romance series with the erotic and mysterious Don Juan Demarco! Join us for a fun getaway to the warm and sunny beaches of Eros, and also a trip to the icy confines of a psych ward! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rancidtacos/support

Bless the DJ and the Don Juan Demarco go in on this week's events --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/plyw/support

SHOW NOTES: Mandela Affect - haven’t the Polish suffered enough already? CasiYES - I guess I’ll just keep all this syrupy money Escape Pod - introducing the creep room Who Wants to Follow Instructions? - I feel like some nerd told me about this recently Fancy Little Rich Boys Show - somebody save me from the green bathroom Woah Ears - every time they put on that Don Juan DeMarco soundtrack Skank Ski Lodge - AJ becomes the Podtron 4500 D Is Not an Option - Dog the Bounty Hunter could solve this problem

On this very special occasion of Nie Huaisang's birthay, we read chapter 37, "Grasses--pt. V," so you KNOW we're talking Jokey's Trick, a new universal dad, and Don Juan DeMarco (1994). Also Fallon revs their damn Fire Emblem engine, and Roy flexes her encyclopedic Wayne's World knowledge (again). Song Lan rules dude Intro: Tyga ft. Xiaoyu Lu Archive & Microsoft Sam - Yi City, arr. by Roy Outro: White Zombie - More Human Than Human, arr. by Roy Also used: -MDZS Audio Drama OST - Trials of the Troubled Swan Noisespace | Patreon | Tumblr | Discord | Twitter | Fallon | Roy

Episode Rundown 00:30 - How hot is South African Imhotep? 01:21 - Anck Su Namun & The "L" Word 06:12 - School Ties and other Brendan Fraser flicks 18:40 - Jew or not a Jew 24:23 - Poop beetles 29:35 - Hungarian Dracula-types and the Sniveling Agency 42:21 - Rick O'Connell sucks as a hero's name 46:35 - Swashbuckling movie talk Part 1 50:13 - Don Juan DeMarco and Iberians 55:00 - Swashbuckling movie talk Part 2 (better) 1:03:21 - How fast is a camel and other animals 1:07:24 - Box office numbers for The Mummy 1:22:00 - Brandon Fraser is a "yeller" 1:24:18 - Saladin and Steven Seagal 1:34:47 - Evy doesn't want to be rescued from Imhotep 1:37:05 - Things heat up between Evy and Imhotep 1:40:00 - Too fat to fly 1:48:55 - Imhotep is finished by a Mortal Kombat fatality 1:52:11 - Listener Comments LSG Media on Twitter @LSGMedia Dean on Twitter @Dean_LSGMedia Matthew on Twitter @MatthewFromLSG Support LSG Media by becoming a member. Disclaimer: This is a commentary and criticism show that will routinely slander, suggest, and make wild claims - it should be considered comedy entertainment only, and not to be taken seriously. Take responsibility for your own feelings and actions.  

It's Pocahontas vs Toy Story in 1995's Best Original Song Category. We also have the Boss, Sting, Gloria Estefan, Vanessa Williams, Randy Newman, Lyle Lovett, & one, Bryan Adams. Go back to the mid 1990's with us. How Do Halfisodes Work? - 2:10 THE 1995/96 BEST ORIGINAL SONG NOMINEES: “Colors of the Wind” - Pocahontas Music & Lyrics by Stephen Schwartz & Alan Menken - 4:10 “Dead Man Walkin” - Dead Man Walking Music & Lyrics by Bruce Springsteen - 12:57 “Have You Ever Really Loved a Woman?” - Don Juan DeMarco Music & Lyrics by Bryan Adams, Michael Kamen, & Mutt Lange - 19:19 “Moonlight” - Sabrina Music by John Williams. Lyrics by Alan & Marilyn Bergman - 28:28 “You’ve Got a Friend In Me” - Toy Story Music & Lyrics by Randy Newman & Lyle Lovett - 36:21 Perfecting Perfection (Our Re-Ranking the Noms) - 39:18 Coming Next/Words of Wisdom/Social Media - 43:35 This is our 14th Best Original Song halfisode. We’ve covered previous winners & nominees like Titanic, Frozen, Dirty Dancing, Cinderella, Aladdin, Footloose, Flashdance, Mary Poppins, Top Gun, Coco, Spectre, The Lion King, and A Star Is Born. Now we cover some more iconic songs from major films like Pocahontas and Toy Story in this 95/96’ Best Original Song category overview! Vanessa Williams, Sting, Bruce Springsteen, Randy Newman, Gloria Estefan, Lyle Lovett, and Bryan Adams are the featured artists in this category. One of us gets compared to Nathan Lane, and that same one of us short circuits & melts down about something from this past awards season that he’s repressed… until now! It’s another example of how we love to do this as the word halfisode is stretched to mean a much longer episode. But it doesn’t matter, cuz it’s so much fun. We analyze the films Pocahontas, Dead Man Walking, Sabrina, Don Juan DeMarco, and Toy Story by way of this music, and we have a blast heckling the music videos and hilarious outfits of the mid 90’s. So yes, Also Mike lost his mind about something bothering him for some time. This bomb drops towards the end of the episode, and it carries through to the words of wisdom. He’s not especially proud of himself for the timing of this rant, but he stands by it, and we’ll have to do an episode on this debate in the future. There’s a new proposal on how to fix the Oscars broadcast here, and we can have some fun with it in the future. As always, we want to know what you think. Is Also Mike off his rocker? (Probably). Let us know! We’re @MMandOscar on Twitter, and we are on Instagram, Facebook, Reddit, and Gmail. You can subscribe / rate / review / like / share / & listen to us on iTunes, Soundcloud, Stitcher, Google Play, Tune In, Spotify, and just about wherever you listen to podcasts. When reality sucks, keep watching movies with us. We’re Mike, Mike, & Oscar!

For this Double Feature, Lauren and Greg get their heads examined with the psychiatric films Don Juan DeMarco and K-Pax. In our conversations, we discuss the process of mentally separating movies from their actors, when psychiatrists cross the line with their patients, and for each film, we dive deeply into the question: Is the protagonist for real or just crazy? Music by Bensound.com

Nos dejó lamentablemente a los 55 años. Fue (es) uno de los más importantes e innovadores compositores cinematográficos de las últimas décadas: Michael Kamen. En el programa hago un recorrido de poco más de una hora por algunos de sus scores más sobresalientes, entre los que destacan La zona muerta, Don Juan DeMarco, Arma letal, La jungla de cristal, Open range, Hermanos de sangre y Robin Hood: Príncipe de los ladrones.

Nos dejó lamentablemente a los 55 años. Fue (es) uno de los más importantes e innovadores compositores cinematográficos de las últimas décadas: Michael Kamen. En el programa hago un recorrido de poco más de una hora por algunos de sus scores más sobresalientes, entre los que destacan La zona muerta, Don Juan DeMarco, Arma letal, La jungla de cristal, Open range, Hermanos de sangre y Robin Hood: Príncipe de los ladrones.

In this episode, Black Hollywood Live hosts Derrial Christon, Courtney Stewart and Jesse Janedy and interview special guest Tommy 'Tiny' Lister. Tommy “Tiny” Lister is a highly recognizable actor, having worked in over 171 films in a 29-year span, with renowned directors such as Quentin Tarantino, John Singleton, Christopher Nolan, Hal Ashby, Roland Emmerich, F. Gary Gray, Renny Harlin, and Luc Besson. He joined Johnny Depp and Marlon Brando in the quirky Don Juan DeMarco, starred with Jon Voight in Runaway Train, and played the first black President in Luc Besson's sci-fi film The Fifth Element opposite Bruce Willis. Tiny is probably best known for his role as neighborhood bully “Deebo” opposite Chris Tucker and Ice Cube in the hit comedy Friday and reprising the role in the successful sequel Next Friday. Next year, New Line plans to make the fourth film, Last Friday. Tiny can next be seen in the horror cult classic The Human Centipede III, starring opposite Eric Roberts. In add

Nesta edição, o Podcast Cinema em Cena relembra filmes em que psicólogos, psiquiatras ou terapeutas desempenham papéis importantes. Durante o debate, nós comentamos filmes como Um Método Perigoso, Gênio Indomável, Vanilla Sky, O Quarto do Filho, Máfia no Divã, Don Juan DeMarco, entre outros, além dos recém-lançados Em Transe e Terapia de Risco. O programa também aborda a psicologia na análise fílmica e o uso de filmes em tratamentos terapêuticos. Participam desta edição: Renato Silveira, Pablo Villaça e Larissa Padron.

What is the single most effective way you can stay on top of Hollywood's film and television output? Adam answers that question, tackles other issues such as a screenwriter's role once the script is sold. Also, when is voice-over narration acceptable? Plus, screenwriting lessons learned from YOUNG ADULT, NO STRINGS ATTACHED, DON JUAN DeMARCO and JENNIFER'S BODY.