Podcasts about Jon Voight

In 1997, Anaconda slithered into cinemas with a shocking secret: every second of computer-generated snake footage cost $100,000 to create. This wasn't just another creature feature—it was Sony Pictures Imageworks' first fully computer-animated character and a technical nightmare that pushed both digital and practical effects to their limits.To mitigate that cost, and to the benefit of this movie, they decided to rely heavily on practical animatronic snakes. The real hero of this movie was Walt Conti, whose company Edge Innovations faced an impossible challenge: creating two colossal animatronic snakes that could actually swim. Drawing on his experience with aquatic mammals, like the whales of Free Willy, Conti engineered a waterproof marvel requiring ten puppeteers to operate, with pre-programmed movements.The legacy of Anaconda extends far beyond its box office success and Jon Voight's memorably unhinged performance. This film helped launch Jennifer Lopez's movie career and established the template for "so bad it's good" cinema. But is it really "so bad it's good"? Or is just actually one of the greatest creature features of the 90s?I would love to hear your thoughts on Anaconda (1997) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle and Aaron.This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

0:00 - Jon Voight's message to Newsom: you're a fool 12:44 - CA Sen. Alex Padilla gets taken out of DHS Sec press briefing and cuffed 31:36 - Stefanik pushes Hochul on illegals who've committed violent crimes, names names 54:01 - Jonathan Schanzer, executive director at the Foundation for Defense of Democracies, joins from Jerusalem, where he says Israel’s bombing campaign caught Iran off guard. With strikes continuing and possibly lasting weeks, Schanzer says the mission won’t stop until key objectives are met—and he’s curious how much Washington, and President Trump, may have known in advance. 01:11:47 - Ian Rowe, founder of Vertex Partnership Academies, senior fellow at the American Enterprise Institute and visiting fellow at The Woodson Center, goes through his report on the importance of fatherhood - Good Fathers; Flourishing Kids. Ian is also the author of Agency: The Four Point Plan (F.R.E.E.) for ALL Children to Overcome the Victimhood Narrative and Discover Their Pathway to Power 01:36:02 - Illinois Immigration Spending 01:55:00 - Illinois Republican Party Chair, Kathy Salvi, discusses the direction of the Illinois GOP 02:15:19 - OPEN MIC FRIDAYSee omnystudio.com/listener for privacy information.

Orange County D.A. retaliated against female prosecutor, jury finds. Gavin Newsom Meets Privately with Jon Voight in LA. Michael Monks joins the show to talk shop, cat hotels, & beach trips at caramel.

To mark this cinematic milestone, the Not A Bomb crew clearly had to pick something special, right? So naturally, they chose a $120 million fever dream funded by a legendary director's own checkbook. That's right — it's time to witness the glorious fall of New Rome in Francis Ford Coppola's Megalopolis (2024).What happens when a filmmaking icon goes full chaos mode? You get a sci-fi “fable” so pretentious, incoherent, and self-indulgent that it makes Battlefield Earth look focused.Troy and Brad wade through the rubble to see if there's anything worth salvaging. Can they find a silver lining, or is this just a masterclass in how not to spend $120 million?Tune in to find out — it's the cinematic trainwreck you can't look away from.Not a Bomb would like to take a moment to thank all our listeners over the last five years. This podcast began as a small COVID project and has evolved into something much more. We couldn't have done it without our fantastic community.Megalopolis is directed by Francis Ford Coppola and stars Adam Drive, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LeBeouf, Jon Voight, Laurence Fishbourne, Kathryn Hunter, and Dustin HoffmanNot A Bomb has plenty of new designs in our Merch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

Alicia Coppola ("Agent Spellman") joins co-hosts Aubrey Paris and Emily Black to share her memories from behind-the-scenes of filming National Treasure 2: Book of Secrets. Learn how Ed Harris comforted Alicia in an airport, Jon Voight befriended local communities in South Dakota, Helen Mirren facilitated discreet wardrobe changes on set, and much more. Join the hunt on Twitter and Instagram using @NTHuntPodcast, and find new episodes of National Treasure Hunt every-other Wednesday on Spotify, Apple Podcasts, or wherever you listen. More information about the National Treasure Hunt podcast, tour, and book can be found at www.nthuntpodcast.com. Order our book, "National Treasure Hunt: One Step Short of Crazy," from Tucker DS Press at https://www.tuckerdspress.com/product-page/national-treasure-hunt-one-step-short-of-crazy. To access even more exclusive National Treasure Hunt content, including bonus episodes and watch parties, subscribe to our Patreon: www.patreon.com/NTHuntPodcast

This week, we're firing up the intensity with Heat, Michael Mann's epic 1995 crime saga that brought together two cinematic titans — Al Pacino and Robert De Niro — for the first time ever in a shared scene. (Yes, The Godfather Part II doesn't count — different timelines, folks.) Heat is a gritty, stylish, and emotionally charged cat-and-mouse thriller set against the moody backdrop of Los Angeles. Pacino plays Lt. Vincent Hanna, a relentless LAPD detective with a chaotic personal life and a flair for dramatic yelling. De Niro is Neil McCauley, a cool, calculating career thief who lives by a strict code: never get attached to anything you can't walk out on in 30 seconds flat if you feel the heat around the corner. After a high-stakes armored car heist goes sideways, Hanna starts closing in on McCauley and his crew, which includes a young, twitchy Val Kilmer and Tom Sizemore in full 90s tough-guy mode. The film builds toward one of the most iconic diner scenes in film history — a quiet, tense face-off between Pacino and De Niro — and ends with a pulse-pounding airport showdown you won't forget. With a killer supporting cast (Ashley Judd, Natalie Portman, Jon Voight, and even a blink-and-you'll-miss-him Henry Rollins), a haunting score, and shootouts that still influence action films today, Heat isn't just a movie — it's an experience. Stylish, sprawling, and full of moral gray areas, it's Michael Mann at the top of his game. So buckle up, because this week on Totally 80s and 90s Recall, we're diving deep into the heat, the heists, and that glorious late-90s energy. Don't miss it!   Pandora: https://pandora.app.link/iq8iShjXOLb   Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694    Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408    Amazon Music: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall    YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ   Contact Us: Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall 

SNOBBIES! Welcome to the new topic of the month, SUMMER CAMP MOVIES! Today we have Caleb's pick and he swung for the fences. Choosing to decipher “Camp Greenlake,” as a camp, we will be watching Andrew Davis's, “Holes.” This film is a great nostalgic pick and something that all of us hold close in our hearts. Yelnats! ZERO! ARMPIT! Jon Voight! Is this the greatest Voight performance of all time?!?! I submit that it is! We loved talking about this film while drinking peach drink and eating onions. Enjoy it with us!Film Discussed: Holes (2003)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Jon Voight och Dustin Hoffman som hopplösa drömmare i ett iskallt New York, till ljudet av en hisnande vacker ballad. Lyssna på alla avsnitt i Sveriges Radio Play. Joe Buck, spelad av en då okänd Jon Voigt, är en ensam och vilsen själ som tröttnar på sitt jobb som diskare i Texas. Han vet att han ser bra ut och klädd som riktig cowboy tar han bussen till New York, där han tänker göra succé som manlig eskort. Med den listige Ratso, Dustin Hoffman, som kompanjon gör de två sitt bästa för att förverkliga sina drömmar.Ludvig Josephson berättar om John Schlesingers film från 1969 som knappast någon trodde på, men som blev en klassiker.

Rudy Baylor è un avvocato neolaureato che fatica a farsi strada nell'ambiente. Quando una compagnia di assicurazioni nega le cure mediche a un ragazzo gravemente malato, per il giovane sembra essere arrivata la causa in grado di dare una svolta alla sua carriera. Un film di Francis Ford Coppola che vede, accanto a Matt Damon, Danny DeVito, Claire Danes, Jon Voight e Mickey Rourke.See omnystudio.com/listener for privacy information.

Kool-Aid hosts the Media Sandwich Podcast and wrote the book Cinema Autopsy. Mr. Monopoly co-hosts Bad For Me. This conludes The Spy Who Loved May, but have no fear, we decided to do a second month of spy films called Juneraker, starting with The Peacemaker (1997).

This week, David and Justus light the fuse and talk about the beginning to the Mission: Impossible film franchise. It's a white knuckle thrill ride filled with Jon Voight jump scares, bad 90's movie hacking, Ving Rhames being awesome, and Xenu's favorite son kicking off his larger than life action star persona. Your mission, should you choose to accept it, is to tune in to this explosive episode of the Greatest Movie Ever Made! Mission: Impossible (1996) is directed by Brian DePalma and stars Tom Cruise, Jon Voight, Emmanuelle Béart, Henry Czerny, and Jean RenoMusic: “Fractals” by Kyle Casey and White Bat Audio

If you are interested in movies, movie making, or the movie business, you are going to find this week's show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country's 100-percent Capital Cost Allowance tax shield for investors, Jon Voight's […]

Original Release Date: Monday 19 May 2025    Description:   If you are interested in movies, movie making, or the movie business, you are going to find this week's show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country's 100-percent Capital Cost Allowance tax shield for investors, Jon Voight's plan to save Hollywood and the wildly different reactions to that plan within the industry, the ways the smash hit Sinners might change the economics of the biz, and the just-commenced 78th Cannes Film Festival (including one apparent all-time masterpiece that made its debut as well as a “secret” documentary about the Red Hot Chili Peppers). As if that weren't enough, your friends in podcasting go overtime to remember two impactful filmmakers, an Oscar-winning makeup artist, a beloved big screen “tough guy”, and a prolific child star of the 1930s and 40s.

Tim Robinson (of I Think You Should Leave fame) hits the big screen in Andrew DeYoung's feature debut. He's becoming buds with Paul Rudd, but don't call it a bromance – call it ‘Friendship.' We've got a friend of our own joining us: comedian Michelle Biloon. After the movie chat, we'll discuss some memorable drug trip/fever dream movie sequences. What's GoodAlonso - Season 2 of Poker FaceDrea - Bentonville Film Festival Lineup AnnouncedMichelle - free airplane gin secondsKevin - Jill Sobule's musicITIDICCatholic Cardinals Reportedly Consulted ‘Conclave' Film Ahead of Vote for Next PopeCinecittà on Track to Build the Biggest One-Stop-Shop in EuropeMilestone Films Will Be Given AwayStaff PicksAlonso - I Love You ManDrea - Queen of the RingMichelle - Nice Girls Don't ExplodeKevin - Avengers: EndgameAvengers: Engame audience reaction videoMichelle's albums are:Permanent HatYou Can Be an Asshole Follow us on BlueSky, Facebook, or InstagramWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

Matt is back! Nearly two hours of tech and media conversation, in which Matt reveals that he endorses Jon Voight's plan to take Hollywood back to the 1970s. Also, we discuss how sports television is now aggressively eating scripted Hollywood. Topics include but aren't limited to…* We were bullied into doing this episode by my only female subscriber* Woke Matt doesn't think HBO's The Pitt is woke* Did I accidentally trick a writer into thinking I'm a robot? * Max goes back to HBO Max* Old people are still running the show* “The creator economy is a scam”* Sports asserted their dominance at Upfronts* Are Group Chats going public? * Woke Matt defends universities Thanks for reading House of Strauss! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.houseofstrauss.com/subscribe

Hollywood es la capital del cine comercial, pero eso no significa que todas las historias vengan de este lugar o incluso de Estados Unidos. Las grandes franquicias, buscando ahorrar unos pesos, han encontrado en los estímulos fiscales la posibilidad de beneficiarse, aunque eso implique mover a todo el equipo de producción a otro país. ¿Qué pasará con la amenaza del agente naranja de poner tarifas a la producción que se haga fuera de Estados Unidos?El episodio ya está disponible para todos en Patreon y para miembros del canal en YouTube.Tú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas.Puedes suscribirte en YouTube para ayudarnos a producir más contenido de calidad, así como en apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí.Notas del episodio: Revisemos la propuesta original de Jon Voight, en donde había muchas cosas pero Trump solo leyó una palabra: aranceles.- Créditos de impuestos federales del 10 al 20% acumulables en California, Georgia o Nueva York. Si el productor decide hacer su película en otro país y recibe este apoyo, se le aplicará un arancel equivalente al 120% del valor del incentivo recibido por otro país.- 75% de la producción física y la post se debe hacer en Estados Unidos.- Debe haber una revisión “cultural estadounidense” similares a la de Reino Unido, en donde no haya “dominio de cine extranjero en cartelera”. Se aplicará al contenido producido para distribución en salas, broadcast, cable, streaming y plataformas digitales.- Se eliminan las reglas Fin-Syn, eliminadas hace 30 años, las que evitaban que las cadenas fueran dueñas de su programación de horario estelar.- Establecimiento de estímulos financieros que permitieran extensiones de deudas con tal de que se continúe con la producción, para preservar trabajos.- Créditos para la construcción y mejora de salas de cine, estudios, post productoras y entrenamiento para trabajadores del área.- Establecimiento de acuerdos financieros basados en impuestos con Reino Unido o Canadá. El primer acuerdo del tipo se hará con Reino Unido.- Retención de derechos para productores independientes y establecimiento de temporalidad con el licenciamiento exclusivo.- Las secuelas y cintas derivativas tendrán los derechos controlados por los productores de la obra original, o dividido 50/50 con los productores y streamers. Esto aplica al material que se exhiba en Estados Unidos.Otros temas de interés: Hablemos de los incentivos fiscales. Casos como Hawaii o el caso de William G. Santor. La suspensión del CEO de Productivity Media o las cintas que ha hecho Guy Ritchie para los árabes.Esta entrega fue traída gracias a:Productora Ejecutiva: Blanca LópezCo-Productor: Dany SaadiaCo-Productor: Logan MayerCo-Productor: Román RangelAgradecimiento especial a nuestros Patreons: Adriana Fernández, Agustín Galván, Cris Mendoza, Jaime Rosales, Juan Espíritu, Luiso Uribe, Zert, Álvaro Vázquez, Arturo Manrique, Fabiola Sándoval, Lau Berdejo, Marce, Alejandro Alemán, Arturo Aguilar, Enrique Vázquez, Ernesto Diezmartínez, Jorge I. Figueroa, Mariana Padilla, Tania RG y Fernando Alonso.¡Gracias a nuestros suscriptores en Twitch ! Gracias a coyoterax y jiff01 por su apoyoTú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas¿Quieren continuar la discusión? Tenemos nuestro canal de Discord de Charlas y Palomitas, con distintos temas, unos solo para productores del show y otros para toda la banda.

Phil is back from Fort Worth, Texas, and has a Logan's Run location story to share with Dean. Phil also regales Dean with the story behind a delicious cocktail at the Grand Hotel in Oslo (named in “honor” of pop icon Madonna). Dean and Phil try to make sense of Jon Voight's plans to “save” […]

Sarah from the Zombie Grrlz Horror Podcast Network joins us to kick off Drive-In Double Feature Season as we pay tribute to Gene Hackman with 1974's The Conversation & 1998's Enemy of the State, two films that couldn't feel more different stylistically, but are so thematically intertwinned that we had no choice but to sit down with them. Will we survive the onslaught of burgeoning '90s comedians playing techies that have all of the patriotic duty as the DOGE team? Tune in to find out!!

Original Release Date: Monday 12 May 2025    Description:   Phil is back from Fort Worth, Texas, and has a Logan's Run location story to share with Dean. Phil also regales Dean with the story behind a delicious cocktail at the Grand Hotel in Oslo (named in “honor” of pop icon Madonna). Dean and Phil try to make sense of Jon Voight's plans to "save" Hollywood and how the President seized on those plans while probably misunderstanding them completely and/or intentionally. Meanwhile, "Sinners" might end up affecting real change in the film business and your friends in podcasting will discuss how. One of the all-time great actors, William Holden, and one of the all-time great actresses, Barbara Stanwyck, get discussed through the prism of two films: Executive Suite and Stella Dallas, and THE all-time greatest film (according to the 2022 Sight and Sound poll) also gets analyzed. This film is celebrating its 50th anniversary and so the conversation turns to other films of the era, including, perhaps, the greatest of all Francis Coppola films (and no, we're not talking about The Godfather Part II).

Send us a textDo you remember National Treasure, starring Nicolas Cage? We do because we love a good Adventure. After all, it has so many movie genre ingredients and if you throw Nicolas Cage into the recipe well hot damn. And if Nicolas Cage wasn't enough, it also has Diane Kruger,  Sean Bean, Jon Voight, Harvey Keitel & Christopher Plummer, all of whom we don't remember being in this movie at all. So this should be fun.Do You Remember Liking This Movie?

ICE arrested Newark, New Jersey, Mayor Ras Baraka outside an ICE detention center as the White House continues to ramp up the intensity of its immigration policy. Also, a new directive in the Pentagon will see 1000 out transgender service members removed from the military. Col. Bree Fram of the  U.S. Space Force joins The Weekend to discuss the impact the new order will have on those members.

We talk about a little bone we have to pick with Megyn Kelly and her coverage of the Met Fashion Gala. We also discuss Trump's effort with Oscar-winning actor Jon Voight in their quest to save Hollywood...and RPA's plot to get a Golden Globe. Cover: Adryana's hat is by Eric Javits.Support the show: https://redpilledamerica.com/support/See omnystudio.com/listener for privacy information.

This week on Media Confidential, journalist Harry Shukman joins Alan and Lionel to discuss his year spent infiltrating the far right.Harry's new book Year of the Rat explores this journey. He shares why he went undercover to report on the story, why he thinks the threat from the British far right has been underestimated, and moments when he risked discovery.Plus, the editors mull over Jon Voight's plan to “make Hollywood great again”, and discuss the BBC choosing to shelve a new film about the destruction of Gaza's health service.Harry's book ‘Year of the Rat: Undercover in the British Far Right' is out today (May 8th) Hosted on Acast. See acast.com/privacy for more information.

En 1928, Walt Disney realiza su primer corto animado: Willie y el barco de vapor. Suponía entonces el primer debut cinematográfico de su personaje estrella: Mickey Mouse. En el corto, el ratón más famoso del mundo navegaba de una forma tranquila por un río. Como él, hoy activamos el Radar Empresarial y nuestro periscopio para analizar las cuentas del segundo trimestre del año de Disney. Los ingresos de la compañía aumentan un 7% hasta superar los 23.000 millones de dólares. Aún es más clave su beneficio: 3275 millones de dólares. Llamativo si vemos que el consenso del mercado esperaba pérdidas de 20 millones de dólares en este periodo. Esta vuelta a la tortilla en las previsiones de los analistas hace que sus acciones aumenten el miércoles más de un 10%. ¿Dónde pone el foco ahora la compañía? Ahora a Disney se le aparece un dragón en forma de aranceles. Donald Trump dijo el lunes que impondría un gravamen del 100% a las películas hechas en el extranjero. El mandatario estadounidense justifica esta decisión alegando que estas son “una amenaza para la seguridad nacional”. Los tiros iban por China, que anuncia que va a reducir la emisión de películas de Hollywood pero golpea de lleno a las grandes productoras de películas. Compañías como Netflix, Paramount o la propia Disney filman fuera de las fronteras estadounidenses por los beneficios fiscales y los menores costes que ofrecen otros países. Hace ya un mes el CEO de Disney, Bob Iger, alertó a ABC News de la preocupación que había en la industria por las políticas de Trump. Y ya en enero, Trump declaró que quería volver a la “época dorada de Hollywood”, citando a actores afines a su causa como Jon Voight, Sylvester Stallone y Mel Gibson. Para él, otras naciones están robando las películas con los aranceles. Disney enfrenta este problema con unos magníficos resultados en todas las áreas de su negocio: el entretenimiento sube un 9%, su segmento de deportes crece un 5% y el de experiencias, que incluye los parques de atracciones, que han sido un auténtico quebradero de cabeza para la compañía. Además, Disney anuncia un nuevo parque en Abu Dhabi. Walt Disney Company fue fundada por los hermanos Walt y Roy. O Disney en 1923. Solo siete años después producen su primera gran película animada: Blancanieves y los Siete Enanitos. El primer parque temático Disney se inauguró en 1955 en Anaheim, California.

Sign up for your one-dollar-per-month Shopify trial and start selling today at ⁠shopify.com/tyt Bessent indirectly confirms to CNBC China and the U.S. still not talking tariffs. Hegseth used multiple Signal chats for official Pentagon business. Republicans flesh out Trump's ‘no tax on overtime' idea. Trump's ‘special ambassador' Jon Voight reveals plan to ‘rescue Hollywood'. Hosts: Yasmin Khan, Cenk Uygur SUBSCRIBE on YOUTUBE ☞  https://www.youtube.com/@TheYoungTurks FOLLOW US ON: FACEBOOK  ☞   https://www.facebook.com/theyoungturks TWITTER  ☞       https://twitter.com/TheYoungTurks INSTAGRAM  ☞  https://www.instagram.com/theyoungturks TIKTOK  ☞          https://www.tiktok.com/@theyoungturks

Director Francis Ford Coppola is widely regarded as one of the greatest directors of the twentieth century, the visionary force behind The Godfather, Apocalypse Now, and dozens of other films. For decades, Coppola had sought to make a film drawing parallels between the fall of the Roman Republic and the future of the United States by retelling the Catilinarian conspiracy in modern New York, but was unable to secure studio funding. After three decades of fits and starts, Coppola ultimately spent $120 million of his own money to make the film, drawn largely from the fortune he made in the winemaking business. Released in fall of 2024, the ensemble cast features Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, and Laurence Fishburne. After a troubled production and a rocky reception at Cannes, where the film premiered, Coppola was forced to spend additional money to market the film, but the trailer was removed for using fabricated pull quotes. Ultimately, the film grossed only $14.3 million at the box office - barely 10% of what it cost to make. But is this film - the ultimate vanity project - worth the wait or does it collapse under the weight of its own ambitions? All roads lead to Megalopolis! For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com   You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com Music: Title Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

Hollywood in crisis! When is Hollywood not in crisis? This week on the podcast, the tariffs have come home to roost in Tinseltown. Neal Pollack hosts Richard Rushfield of The Ankler to discuss what in the hell is going on. Why couldn't Jon Voight stop Trump from issuing tariff threats? Is Trump serious? Maybe it's good to have a President who's actually engaging in issues that threaten the movie industry. Maybe he wants to help? No one has any idea what's happening, which makes it all suspenseful and vaguely fun, like a good studio genre picture. Richard empties what's left of his brain and he and Neal try to break down the issues.There are no issues with 'Thunderbolts,' a current hit from that underdog Marvel Studios. Richard went to the world premiere in Los Angeles, and, frankly, he found the buffet kind of wanting. I mean, it tasted good, but was maybe a little skimpy. You could say the same about Thunderbolts, which, let's face it, is trying to sell us some C-list heroes as A-list heroes and it's hard to tell if people are going to bite permanently or not. There's so much Bob, so little Spider-Man. And that buffet? My lord.Matthew Ehrlich makes a late-episode appearance to absolutely ravage Tina Fey's remake of a very dated Alan Alda movie called 'The Four Seasons.' Except that this isn't a movie. It's a four-hour miniseries on Netflix. No one cares about these three couples who are somehow supposed to be able to afford to take four luxury vacations a year. Together. Matthew wonders why the gay couple, half of whom is Colman Domingo, would even consider going on holiday with such boring straight people. Once, maybe, because they went to Vassar together. But four times? In a year? What are we doing here, people. Everyone loved Alan Alda back in the day, but Matthew broaches the unthinkable: That maybe Tina Fey has peaked. We will rue such words, I'm sure.Enjoy the podcast!

In this edition of Lerts Turtch Basch Trender, Jack and Miles discuss how unprepared we are for AGI, Trump's "Movie Tariff" (feat. Jon Voight), Newark Airport not working anymore, Marvel changing the name of 'Thunderbolts*' and much more!See omnystudio.com/listener for privacy information.

Stephanie and crew talk about major delays at Newark airport - the FAA cites air traffic control staffing issues. Also Trump ordering 100% tariffs on foreign films after Jon Voight talked him into it and his meme coin crypto-scam $1.5 million dinner that raises ethics concerns as he uses the White House to sell access. Guest Jody Hamilton.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

God's Debris: The Complete Works, Amazon https://tinyurl.com/GodsDebrisCompleteWorksFind my "extra" content on Locals: https://ScottAdams.Locals.comContent:Politics, Michelle Obama, OpenAI, AI Hallucination Increase, Ed Martin Confirmation, Professionally Organized Spontaneous Protests, Anthony Fauci Bioweapon Research, Overseas Movie Tariffs, Jon Voight, Diddy Trial, ReOpening Alcatraz, Pope Trump Reactions, Rwanda Prison Option, MAGA Maoism Smear, Claire McCaskill, Gen Z Living Preferences, Newark Control Tower Outage, Credit Suisse Falsified Records, Senator Fetterman, Kamala Harris, Russell Brand, Masculine Traits, FCC Brendan Carr, DEI, TdA Maduro, Israel's Gaza Plan, Cenk Uygur, President Trump Message Discipline, Human Suffering Focus, Yemen Airport, Ukraine Drones Moscow, China Funding Berkley, Scott Adams~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~If you would like to enjoy this same content plus bonus content from Scott Adams, including micro-lessons on lots of useful topics to build your talent stack, please see scottadams.locals.com for full access to that secret treasure.

Texas GOP idiots want to ban non-existent furry litterboxes in schools. Planes have been falling out of the sky at Newark Airport because MAGA! Shitler ended programs to reduce sudden infant death syndrome. Sith Lord Marjorie Taylor Greene and blotch Nazi Bannon complained about the felon POTUS conducting foreign wars. Demon Greene's former hubby was sued and forced to publicly apologize for harassing Muslim women in a mall parking lot. Texans voted out a conservative school board for banning books. Empty headed Michelle Bachman blathered Dems have a dictatorship mentality. FBI Czar Kash Patel has been partying at nightclubs and not showing up to work. Feeble-minded Anaconda star Jon Voight has a Trump-endorsed plan to save Hollywood. The pile of hyena squirt known as Brian Kemp announced a run for Georgia senate. Sandy Hook conspiracy theorist Alex Jones and the hate-caster with the worst haircut Nick Fuentes shared time on a podcast caterwauling.

Veel bedrijven durven de schade van de handelsoorlog nog niet in te schatten, maar Philips hoort daar niet bij. Het bedrijf geeft toe dat het dit jaar minder winst gaat maken. Sterker nog: misschien eindigt ook dit jaar weer in de verliezen. Dat komt vooral door die heffingenoorlog tussen China en de VS. Alles bij elkaar gaat dat Philips tussen de 250 en 300 miljoen euro kosten. Desondanks boekt Philips het eerste kwartaal nog een kleine winst. Maar voor hoe lang nog? Dat bespreken we deze aflevering. Daarnaast hebben we het over Palantir, dat ondanks giga-groei wordt afgestraft op Wall Street. Het bedrijf dat software maakt, vooral voor het Amerikaanse ministerie van Defensie, boekte bijna 40 procent meer omzet dan een jaar geleden, ruim boven de verwachting. En die verwachting voor de rest van het jaar wordt ook verhoogd. Eén analist noemt de cijfers zelfs 'om in te lijsten en in het Louvre te hangen'. We vertellen je waarom beleggers toch niet onder de indruk zijn. We kijken nog even naar het nieuwe superwapen van de EU in de strijd tegen Trumps handelsoorlog: een nieuw pakket aan tegenheffingen, ter waarde van 100 miljard euro. Verder heeft Ebusco wéér op het laatste moment een faillissement afgewend: daar was wel de zoveelste kapitaalinjectie voor nodig. En lang verwacht, toch gekomen: bezorgreus DoorDash doet een bod op concurrent Deliveroo, en het bestuur van Deliveroo is akkoord. Voor een kleine 4 miljard dollar koopt het Amerikaanse DoorDash de Britse concurrent. Daarmee heeft Deliveroo er dus nog een paar honderd miljoen dollar extra uitgesleept.See omnystudio.com/listener for privacy information.

Joe Escalante's weekly 2-hour tour into the business end of showbiz. This week: the latest from the Box Office (Thunderbolts* is killing it, Sinners and Minecraft are still pulling in numbers). Also, Jon Voight has a plan to revive Hollywood, after production companies havce begun shipping filmmaking overseas. Joe discusses the latest legal issues surrounding rights to make money off of Superman. Diddy is still in jail. And Joe accidently stumbled into the hidden world of a high-stakes international Chinese pigeon racing ring, after a tattoo'd racing pigeon mistook his laundry room for the finish line. Joe named the pigeon Chiang Kai-Peck.  

We continue through Chris's second hand DVD collection with another film that, unbelievably, also has no direct involvement with Roger Corman. It's 1999's The Prince and the Surfer, which barely involves any surfing at all. Cash Canty (Sean Kellman) is a, and I cannot stress this enough, SKATEBOARD (not surfer) kid who spends his days as Southern California teenagers in films like this typically do: hanging out by the half pipe, saying "whatever" to his friends, not going to school. But after breaking into a swanky hotel, he finds a young prince of the made up country of Gelfland is his exact double! To adhere to the Twain plot, they switch places and then do... stuff. Prince Edward (also Kellman) hangs out with Cash's friends, including the pigtailed Mel (Linda Cardellini). Meanwhile Cash goes about seducing Edward's betrothed Galina (Katie Johnson). But the queen's evil vizier Kratski (Robert Englund) has ulterior motives for the visit to the United States. He wants to sell Gelfland to a mini-golf empire and turn it into Golfland. Also, Cash's dad Johnny (Timothy Bottoms, who is uncredited because they forgot to credit him) falls in love with Queen Albertina (Jennifer O'Neill). It's all very Shakespearean, except nothing really happens at the end and instead of a mass wedding we get a rushed epilogue read by some surfer dude to try to convince us this movie had anything to do with surfing. And for whatever reason, in the Tubi version Jon Voight appears in a poorly mic'd intro where he says he wants to see more modern Mark Train adaptations because he is a "concerned father." Lol.

Kim Masters joins Peter to unpack the latest twists in the ongoing Paramount-Skydance saga, from Shari Redstone's settlement calculus to Brendan Carr's F.C.C shenanigans, and what Donald Trump might be angling for in his multibillion-dollar lawsuit against CBS. Then Kim discusses Trump's “special ambassadors to Hollywood”: Sylvester Stallone, Mel Gibson, and Jon Voight. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week, we're venturing deep into the Amazon to confront one of cinema's most infamous serpents: the titular terror of 1997's Anaconda. When a documentary crew sets out to capture the elusive Shirishamas tribe on film, they instead find themselves ensnared in the coils of a maniacal hunter's obsession... and the literal coils of a giant, man-eating snake. Topics include: the filmmakers' original intention to make something similar in tone to Jaws, Jon Voight's campy yet compelling performance, the practical and CGI effects that brought the monstrous anaconda to life, how the movie slithered its way into cult classic status, and much more!  So grab your gear and prepare for a wild ride through the jungle--just watch out for the ssssnakes! Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler

Send us a textWow. Just, wow.A big, fake-looking snake vomits up monkeys and Jon Voight, all while out-acting the entire cast.We have opinions.

ParanormalNL welcomes Patti Negri Date: April 22nd, 2025 Segment: 24 Topic:Ghostly Gatherings with Patti Negri In this UPRN 107.7 FM New Orleans & 105.3FM Gulf Coast Paranormal NL Podcast Segment #24 Ghostly Gathering Special: Host Jen Nosworthy will be talking with Guest: Patti Negri from Hollywood, CA. Patti is a Psychic-Medium and "Good Witch". Patti is best known for her recurring role on the number one TV show (on Travel Channel and Discovery +) called Ghost Adventures (with Zak Bagans), and the #1 paranormal show on YouTube TFIL Overnight with Elton Castee. Patti is an international bestselling author of: “Old World Magick for the Modern World: Tips, Tricks & Techniques to Balance, Empower & Create A Life You Love”. Patti has a new book coming out from Lewellyn in 2025 called “Dollcraft” about Haunted Dolls, and magical poppets. Patti's work includes appearances on dozens of shows such as: Portals To Hell (with Jack Osbourne & Katrina Weidman), Master Chef (with Gordon Ramsay), WipeOut and America's Got Talent. She's appeared with Influencers, YouTubers and crossover talents like Lilly Singh, LaurDIY, Good Mythical Morning and AwesomenessTV. Patti has graced numerous magazine covers, contributed to over 20 books and conducted seances on radio, film, and TV working with such legends as Emma Stone, Jon Voight, Josh Duhamel, Chevy Chase and Gregory Hines. Patti has a popular award-winning weekly podcast called The Witching Hour and has a second weekly podcast, The Witch's Movie Coven. Patti is a founding partner and Vice President of Paraflixx.com Streaming Service, and founding partner and Headmistress at UniversityMagickus.com (or magicku.org) an online spirituality and mysticism School. Follow all of Patti Negri's work & socials at https://linktr.ee/PattiNegri and https://www.pattinegri.com JV-Noseworthy, RN (Jen) Founder/Host of Paranormal NL (PNL) Podcast (iHeartRadio, Spotify, Amazon Music, PocketCasts, and YouTube. Also now on UPRN (United Public Radio Network) 107.7FM New Orleans and 105.3FM Gulf Coast Tuesdays at 5:00 pm EST). Founder/Team Lead BOG team. Boots On Ground (BOG) Paranormal Investigation team. Follow PNL Podcast & PNL BOG team on all their socials. https://linktr.ee/paranormalNLpodcast

On this week's (somewhat delayed) episode of Unclear and Present Danger, Jamelle and John are joined by Matt Duss to discuss the 1998 conspiracy thriller Enemy of the State, directed by the late great Tony Scott and starring the late great Gene Hackman, as well as Will Smith, Jon Voight and Regina King.In their discussion, Jamelle, John and Matt talk the film's vision of the American surveillance state, its spiritual connection to The Conversation, Will Smith's superstar performance, and the ways the movie anticipated some of the political disputes of the post-9/11 era.The tagline for Enemy of the State was "It's not paranoia if they're really after you." You can find the film to rent or buy on Amazon.For the next episode of the podcast, Jamelle and John will watch The Peacemaker, a 1997 political thriller directed by Mimi Leder (of Pay It Forward and Deep Impact fame) and starring George Clooney and Nicole Kidman.And don't forget about our Patreon! You can sign up at patreon.com/unclearpod. For just $5/month, you get two episodes on the films of the Cold War. Our next Patreon episode will be on The Conversation!Our producer is Connor Smith and our artwork is by Rachel Eck

The movie of the week is Deliverance (1972), and the team discusses all things hillbilly. From wiki: “Deliverance is a 1972 American thriller film directed and produced by John Boorman from a screenplay by James Dickey, who adapted it from his own 1970 novel. It follows four businessmen from Atlanta who venture into the remote northern Georgia wilderness to see the Cahulawassee River before it is dammed, only to find themselves in danger from the area's inhabitants and nature. It stars Jon Voight, Burt Reynolds, Ned Beatty, and Ronny Cox, with the latter two making their feature film debuts.”Also discussed: the winners of our giveaway have been picked, The Royal Tenenbaums, Vanessa 5000, Across 110th Street, Bound, Timestalker, and Appalachia. NEXT WEEK: The White Reindeer (1952)  Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

This week, Roy Scheider pops up for a brief part in Francis Ford Coppola's legal thriller THE RAINMAKER! Based on a John Grisham novel and starring Matt Damon (in his first leading role), alongside Danny DeVito, Jon Voight, Claire Danes, Danny Glover, and more, this was Coppola's final studio film!

Poprawiona wersja sobotniej audycji Raportu.W pierwotnym materiale, w reportażu dotyczącym renesansu energii atomowej w Japonii, pojawiły się błędy merytoryczne, za które przepraszamy.Zachęcamy do odsłuchania zaktualizowanej wersji!W Omanie ruszają rozmowy amerykańsko-irańskie w sprawie programu nuklearnego Iranu. Amerykanie chcą, by Teheran całkowicie wyzbył się możliwości rozwijania energii nuklearnej. Irańczycy nie chcą jednak słyszeć o zakazie prowadzenia badań nad wykorzystaniem wzbogaconego uranu do celów pokojowych i gospodarczych. Rozmowom przygląda się Izrael, który grozi, że jeśli nie dojdzie do porozumienia, samodzielnie zniszczy irańskie obiekty atomowe. Czy te rozmowy mają szansę powodzenia? Na ile obie strony są gotowe na kompromis? I czy rzeczywiście Ameryka jest gotowa wziąć udział w ewentualnym ataku na Iran?W Argentynie trwa strajk generalny w proteście przeciwko polityce zaciskania pasa prowadzonej przez prezydenta. To już trzeci strajk w ciągu półtorarocznych rządów Javiera Milei. Mimo to poparcie dla prezydenta utrzymuje się na wysokim poziomie. Dlaczego?Japonia zapowiada znaczne zwiększenie udziału atomu w krajowej produkcji energii. Czy w tym kraju opadły już obawy związane z awarią elektrowni Fukushima podczas tsunami w 2011 roku? I czy rzeczywiście tak wiele państw wiąże przyszłość swoich gospodarek z energią jądrową?Jon Voight, Sylvester Stallone i Mel Gibson to ambasadorzy prezydenta Trumpa w Hollywood. Ich zadaniem ma być uczynienie Fabryki Snów „na powrót wielką”. Ale jaką opowieść będzie miało dla świata Hollywood pod kuratelą Donalda Trumpa?Amerykańska firma biotechnologiczna ogłosiła, że udało się jej genetycznie odtworzyć trzy osobniki wilka straszliwego – gatunku, który wymarł około 10 tysięcy lat temu. Czy rzeczywiście przywrócono do życia wymarły gatunek? A jeśli tak – po co?A także: Wyjątkowa okazja – dziś poradnik dla inwestorów, zwłaszcza tych, którzy zamierzają inwestować w siebie.Rozkład jazdy: (02:51) Mariusz Borkowski: Rozmowy Iran-USA(20:18) Wojciech Ganczarek: Milei pod presją społeczną(41:03) Grzegorz Dobiecki: Świat z boku - Poradnik ciułacza(47:06) Podziękowania(53:19) Marcin Pośpiech: Renesans energii nuklearnej(1:10:58) Łukasz Adamski: Hollywood w czasach Trumpa(1:38:48) Łukasz Lamża: Czy da się odtworzyć wymarły gatunek zwierząt?(1:52:25) Do usłyszenia---------------------------------------------Raport o stanie świata to audycja, która istnieje dzięki naszym Patronom, dołącz się do zbiórki ➡️ ⁠https://patronite.pl/DariuszRosiak⁠Subskrybuj newsletter Raportu o stanie świata ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➡️ ⁠https://dariuszrosiak.substack.com⁠Koszulki i kubki Raportu ➡️ ⁠https://patronite-sklep.pl/kolekcja/raport-o-stanie-swiata/⁠ [Autopromocja]

We review Mission Impossible (1996) on movie podcast The Collector's Cut. Mission Impossible is directed Brian De Palma and stars Tom Cruise, Jon Voight, Henry Czerny, Emmanuelle Béart, Jean Reno, Ving Rhames patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/

A new podcast episode of "Sound Speed Action" is out now — and with it we start at the beginning with the 1996 thriller “Mission Impossible” to kick off this series.Brian DePalma (Scarface, Carlito's Way) adapts the beloved thriller series for the big screen in a way that no one else can. He has a style all to himself. A really fun thing with this movie is that there is always so much detail and information to be taken from any scene you are watching in this movie. In every viewing you will definitely have a moment of “oh I didn't notice that before!”The action set pieces from the initial embassy job, to the Langley break-in scene, to the TGV helicopter chase — this movie set the bar high for action!Did we mention this movie also has a crazy fun cast? Tom Cruise, Jon Voight, Kristin Scott Thomas, Ving Rhames, Jean Reno and Vanessa Redgrave!Danny Elfman makes this movie a thrill with his exciting and dramatic soundtrack which is made only better by Lalo Schifrin's original Mission Impossible theme track and a sneaky inclusion of music too by The Cranberries and U2 members Adam Clayton and Larry Mullen Jr.The gadgets that don't always work, the tension created by ultra-silent moments during missions (Langley), the stunts, the fights — this movie is an absolute ride.One area that we were a little split on with this movie is that DePalma does a great job at trusting his audience to pay attention, read between the lines, and figure things out themselves. The other side of that is that this movie has been critiqued by some saying that the plot at times can feel a little overly complicated. Still, whatever view you have there, it's hard to deny how fun and original this movie was (and still is), at the time it was released.“Mission Impossible” is streaming now on Paramount Plus and Prime Video and is available to rent and buy on all platforms too. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit sohrabsmovieq.substack.com

“You got your Oscar, which was an unfortunate night for everyone…” - Steve on Will Smith On this week's episode, we're kicking off a two-episode tribute to the legendary Gene Hackman with a convo about the better-than-you-remember surveillance thriller, Enemy of the State! First off, this ain't no sequel to The Conversation, let's get that straight! But you do have an amazingly cranky and paranoid Gene Hackman running around with a nearly never-better Will Smith as they dodge Jon Voight and his stable of late-90's Gen-X character actors! Why was the great Jason Robards uncredited? Same question for Philip Baker Hall! Why couldn't a rocket hit Jamie Kennedy and Seth Green's surveillance van? And how incredible is that effect shot with Jason Lee and the firetruck? PLUS: Brill interrogates the Peanuts Gang! Enemy of the State stars Will Smith, Jon Voight, Lisa Bonet, Regina King, Stuart Wilson, Barry Pepper, Ian Hart, Jake Busey, Scott Chan, Jason Lee, Gabriel Byrne, James Le Gros, Dan Butler, Jack Black, Jamie Kennedy, Bodhi Elfman, Anna Gunn, Lillo Brancato, John Capodice, Ivana Milicevic, Grant Heslov, Seth Green, Philip Baker Hall, Jason Robards, Tom Sizemore, and the late, forever great, Gene Hackman as Brill; directed by Tony Scott. This episode is brought to you in part by Rocket Money. Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to RocketMoney dot com slash WHM today. That's RocketMoney dot com slash WHM! Tickets are on sale now for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20, doing shows like WHM, W❤️M, The Nexus, The Gleep Glossary, and Animation Damnation! Tickets are going fast, so friends over there, snag your tix!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

On this episode of Reel Insights, Sean Tajipour, the Mayor of Nerdtropolis, chats with the talented actor Henry Thomas to discuss his latest film, High Ground. From action-packed scenes to gripping performances, Henry dives into what drew him to this project and what excites him about playing his intense character.They also discuss the evolution of his career, touching on the genres he's worked across, his favorite classic Westerns, and his experience working alongside legends like Jon Voight. Henry shares his thoughts on collaborating with iconic directors, including his multiple partnerships with Mike Flanagan.Plus, don't miss a fun E.T. conversation as Henry reflects on his experience with the Universal Studios ride and the lasting impact of that beloved film.Visit Nerdtropolis.comhttps://www.Facebook.com/nerdtropolishttps://Instagram.com/nerdtropolishttps://Twitter.com/nerdtropolis

This week on Myopia Movies, in honor of the Academy Awards this week, we are covering some of the worst, weirdest, and biggest disasters of the previous year. This week we start with Francis Ford Coppola's vivid, but baffling 'Fable' Megalopolis. We're all going to the cluuuuuubbbbbb! How will Megalopolis hold up? Host: Nic Panel: Daniel, Alex, Matthew, Keiko Directed by: Francis Ford Coppola Starring: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Grace VanderWaal, Chloe Fineman, James Remar, D.B. Sweeney, Balthazar Getty

Patti Negri, renowned Psychic-Medium and "Good Witch," is best known for her recurring role on Travel Channel and Discovery Plus's #1 show Ghost Adventures, as well as the top paranormal series on YouTube, TFIL Overnight with Elton Castee. An international bestselling author, Patti wrote Old World Magick for the Modern World: Tips, Tricks, & Techniques to Balance, Empower, & Create a Life You Love, and her upcoming book, Dollcraft, set to be released by Llewellyn in 2025, explores haunted dolls and magical poppets. Beyond television, Patti has made appearances on a variety of shows, including Portals to Hell, MasterChef, Wipeout, and America's Got Talent, while also collaborating with popular influencers and crossover talents such as Lilly Singh, LaurDIY, Good Mythical Morning, and AwesomenessTV. Her work extends to magazine covers, contributions to over 20 books, and conducting séances for radio, film, and television, working with Hollywood legends like Emma Stone, Jon Voight, Josh Duhamel, Chevy Chase, and Gregory Hines. Patti is also a prominent voice in the podcasting world, hosting the award-winning weekly show The Witching Hour and co-hosting The Witch's Movie Coven. She is a founding partner and Vice President of Paraflixx.com, a streaming service dedicated to the paranormal, and serves as the founding partner and Headmistress of University Magickus (magicku.org), an online school specializing in spirituality and mysticism.

Trump announces Mel Gibson, Sylvester Stallone and Jon Voight as "Special Ambassadors' to Hollywood.See omnystudio.com/listener for privacy information.