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In March of 1957, John Winston Lennon formed a "skiffle" group called The Quarrymen. What is "skiffle," you may be asking? It's a kind of folk music with a blues or jazz flavor that was popular in the 1950s, played by a small group and often incorporating improvised instruments such as washboards. On July 6, '57, Lennon met a guy named James. James Paul McCartney, while playing at the Woolton Parish church fete. In Britain, fêtes are traditional public festivals held outdoors and organized to raise funds for a charity. On February 6, 1958, the young up-and-coming guitarist George Harrison was invited to watch the group perform at Wilson Hall, Garston, Liverpool. He was soon brought in as a regular player. During this period, members continually joined and left the lineup. Finally, Lennon, McCartney, Harrison, and Stuart Sutcliffe (a classmate of Lennon at Liverpool Art College) emerged as the only constant members. One day, the members showed up to a gig wearing different colored shirts, so they decided to call themselves 'The Rainbows.' In a talent show they did in 1959, they called themselves 'Johnny and the Moondogs.' Once again, changing their name to "The Silver Beatles," they eventually decided, on August 17, 1960, on the moniker "The Beatles." Why did they choose the Beatles, Logan? They were huge fans of Buddy Holly and The Crickets – as a way of emulating their heroes, they called themselves after an insect. Right?   Well, According to John Lennon, "It came in a vision – a man appeared on a flaming pie and said unto them, 'from this day forward you are the Beatles with an 'A'! Thank you, mister man, they said, thanking him," he said.   Most of the accounts claim that Lennon's love of wordplay led them to adopt the 'a' eventually. Lennon would explain in a 1964 interview: "It was beat and beetles, and when you said it, people thought of crawly things, and when you read it, it was beat music."   After Lennon died in 1980, George Harrison claimed that the name came about differently in the Beatles' Anthology documentary (as is usually the case).   Harrison claimed that the name, 'The Beatles', came from the 1953 Marlon Brando film, The Wild One. In the film, Brando played a character called 'Johnny' and was in a gang called 'The Beetles.'   This answer would add up considering that the group also flirted with the name of 'Johnny and the Beetles', as well as 'Long John and the Silver Beetles.' Their unofficial manager, Allan Williams, arranged for them to perform in clubs on the Reeperbahn in Hamburg, Germany. On August 16, 1960, McCartney invited a guy named Pete Best to become the group's permanent drummer after watching Best playing with The Blackjacks in the Casbah Club. The Casbah Club was a cellar club operated by Best's mother Mona in West Derby, Liverpool, where The Beatles had played and often visited. They started in Hamburg by playing in the Indra and Kaiserkeller bars and the Top Ten club. George, who was only seventeen years old, had lied about his age, and when this little fact was discovered, he was deported by the German authorities. Paul and Pete thought it was good to start a small fire by lighting an unused condom in their living quarters while leaving it for more luxurious rooms. Arrested and charged for arson, they too were both deported. Lennon and Sutcliffe followed suit and returned to Liverpool in December. While in Germany, they stayed in a small room with bunkbeds. George Harrison admitted in The Beatles Anthology that this made things especially awkward when he crawled under the sheets with a woman for the first time — Lennon, McCartney, and then-drummer Pete Best actually applauded for him after the deed was done. Harrison joked, "At least they kept quiet while I was doing it."   They went back a second time and played the Top Ten Club for three months (April-June 1961). Stuart Sutcliffe decided to remain in Germany to concentrate on painting and left the group during this time. Sutcliffe's departure led McCartney to switch from playing rhythm guitar to bass guitar. While they were playing at the Top Ten, they were recruited by singer Tony Sheridan to act as his "backing band" on a series of recordings for the German Polydor Records label, produced by famed bandleader Bert Kaempfert ("Strangers in the Night", "Danke Schoen"). Kaempfert signed the group to its own Polydor contract at the first session on June 22, 1961. On October 31, Polydor released the recording, My Bonnie (Mein Herz ist bei dir nur), which made it into the German charts under Tony Sheridan and The Beat Brothers. Around 1962, My Bonnie was mentioned in Cashbox as the debut of a "new rock and roll team, Tony Sheridan and the Beatles," and a few copies were also pressed for U.S. disc jockeys. Cashbox, also known as Cash Box, was a music industry trade magazine published initially weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as Cashbox Magazine, an online magazine with weekly charts and occasional special print issues. The band's third stay in Hamburg was from April 13–May 31, 1962, when they opened The Star Club. However, that stay was dampened when Astrid Kirchherr informed them upon their arrival of Sutcliffe's death from a brain hemorrhage. Astrid, a German photographer, and friend of the Beatles, revealed that her fiancé (and former Beatles bass player) Stuart Sutcliffe had died. No one was more shocked than John Lennon, who reportedly broke out in a fit of hysterical laughter at the idea of losing his art school buddy.   Upon their return from Hamburg, the group was enthusiastically promoted by local promoter Sam Leach, who presented them for the next year and a half on various stages in Liverpool forty-nine times. Brian Epstein (no relation to a particular disgusting human being), took over as the group's manager in 1962 and led The Beatles' quest for a British recording contract. In one now-famous exchange, a senior Decca Records A&R executive named Dick Rowe turned Epstein down flat and informed him that "The Decca audition for guitar groups are on the way out, Mr. Epstein." Remember Decca? They were Buddy Holly's first record label that thought "rock n roll was a fad." Strike two, Decca. Strike two. Epstein eventually met with producer George Martin of EMI's Parlophone label. Martin expressed an interest in hearing the band in the studio. So he invited the band to London's Abbey Road studios to audition on June 6. Martin wasn't particularly impressed by the band's demo recordings but instantly liked them when they met. He concluded that they had raw musical talent but said (in later interviews) that what made the difference for him that fateful day was their wit and humor in the studio.   Martin privately suggested to Brian Epstein that the band use another drummer in the studio. Yikes. Pete Best had some popularity and was considered attractive by many fans. Still, the three founding members had become increasingly unhappy with his popularity and personality, and Epstein had become exasperated with his refusal to adopt the distinctive hairstyle as part of their unified look. So Epstein sacked Best on August 16, 1962. Lennon and McCartney immediately asked their friend Richard Starkey, the drummer for one of the top Merseybeat groups, Rory Storm and the Hurricanes, to join the band. Unfortunately, Rory Storm didn't want to release Starkey but let Starkey out of his contract. Oh... Richard Starkey would eventually be known as "Ringo Starr." He chose Ringo because of the rings he wore, and it also had a cowboy feel to it. His drum solos were referred to as Starr Time.   The Beatles' first EMI session on June 6 did not yield any releasable recordings, but the September sessions produced the minor U.K. hit, "Love Me Do," which peaked on the charts at number 17. The single reached the top of the United States singles chart more than 18 months later in May 1964. This single was swiftly followed by their second single, "Please Please Me." They recorded their first album (also titled Please Please Me) three months later. George Martin capitalized on the wild, live energy the boys perfected in Hamburg and recorded the entire Please Please Me LP in less than 13 hours — saving "Twist and Shout" for last so the taxing vocals wouldn't ruin Lennon's voice before the other songs were done. That's fourteen songs. Luckily, the longest song on the album was only 2 minutes and 54 seconds long. The shortest was a minute and 47 seconds.   The band's first televised performance was on a program called People and Places, transmitted live from Manchester by Granada Television on October 17, 1962. The band experienced massive popularity on the record charts in the U.K. from early 1963. However, Parlophone's American counterpart, Capitol Records (owned by EMI), refused to issue their singles "Love Me Do," "Please Please Me," and "From Me to You" in the United States. Mainly because no British act had ever had a sustained commercial impact on American audiences.   Vee-Jay Records, a small Chicago label, is said by some to have been pressured into issuing these initial singles. Allegedly it was part of a deal for the rights to another performer's masters. Art Roberts, music director of Chicago powerhouse radio station WLS, placed "Please Please Me" into radio rotation in late February 1963, making it possibly the first time the American people heard a Beatles record on American radio. In August 1963, the Philadelphia-based Swan Records tried again with The Beatles' "She Loves You," which failed to receive airplay.   After The Beatles' massive success in 1964, Vee-Jay Records and Swan Records took advantage of their previously secured rights to The Beatles' early recordings and reissued the songs they had rights to, which all reached the top ten of the charts the second time around. Then, in a shifty move, Vee-Jay Records issued some weird L.P. repackaging of the Beatles' material they had and released "Introducing… The Beatles," which was basically The Beatles' debut British album with some minor alterations. Andi Lothian, a former Scottish music promoter, laid claim to the term in that he coined 'Beatlemania" while speaking to a reporter on October 7, 1963 at the Caird Hall in Dundee at a Beatles concert that took place during The Beatles' 1963 Mini-Tour of Scotland. Beatlemania was taking over the world.   In early November 1963, Brian Epstein persuaded Ed Sullivan to commit to presenting The Beatles on three editions of his show in February. He turned this guaranteed exposure into a record deal with Capitol Records. Capitol agreed to a mid-January 1964 release for "I Want to Hold Your Hand." Still, unexpected circumstances triggered premature airplay of an imported copy of the single on a Washington D.C. radio station in mid-December. Capitol brought forward the release of the record on December 26, 1963.   Bob Dylan introduced The Beatles to the cannabis drug in 1964 in a New York hotel room. He offered the "Fab Four" marijuana as a consequence of his misconception that the lyrics in their hit song "I Want to Hold Your Hand" from Meet the Beatles! were "I get high" instead of "I can't hide." This initial partaking in drugs grew into heavier experimentation with LSD and other substances whose psychedelic effects were commonly thought to have manifested themselves in the band's music. The Beatles, in turn, would influence Dylan's move into an electrified rock sound in his music.   Several New York City radio stations—first WMCA, then WINS, and finally, WABC began playing "I Want to Hold Your Hand" on its release day. The Beatlemania that had started in Washington was duplicated in New York and quickly spread to other markets. The record sold one million copies in just ten days. By January 16, Cashbox Magazine had certified The Beatle's record as number one in the edition published with the cover-date January 23, 1964.   This widespread phenomenon contributed to the near-hysterical fan reaction on February 7, 1964 at John F. Kennedy International Airport (which had been renamed in December 1963 from Idlewild Airport). A record-breaking seventy-three million viewers, approximately 40 percent of the U.S. population at the time, tuned in to the first Ed Sullivan Show appearance two days later on February 9. During the week of April 4, The Beatles held the top five places on the Billboard Hot 100, a feat that has never been repeated. They had an additional seven songs at lower positions. That's twelve songs on the Billboard charts at once. Of all the music acts on the charts, 12 percent of the entries consisted of Beatles songs. They were so unaware of their popularity in America that, on their arrival, they initially thought the crowds were there to greet someone else.   Oh, and their Concerts Often Smelled Like Urine Apparently, the masses of young girls who turned up for their concerts, movie premieres, or to wave hello as the Beatles walked off the plane in a new city were apparently too distracted by their love for the band to care about whether or not their bladders were full. DSo, they'd pee themselves.  In 1964, the band undertook their first appearances outside of Europe and North America, touring Australia and New Zealand, notably without Ringo Starr, who was ill and was temporarily replaced by session drummer Jimmy Nicol. When they arrived in Adelaide, The Beatles were greeted by what is reputed to be the largest crowd of their touring career, when over 300,000 people turned out to see them at the Adelaide Town Hall. Yeah, Adelaide's population was only right around 200,000. In September of that year, baseball owner Charles O. Finley paid the band the unheard-of sum of $150,000 to play in Kansas City, Missouri. That's $1,398,914.52 today and utterly unheard of at that time.   In 1965, Queen Elizabeth II of the United Kingdom bestowed the band the Member of the Order of the British Empire or MBE, a civil honor nominated by Prime Minister Harold Wilson.   On August 15, that year, The Beatles performed in the first stadium rock concert in the history of Rock n roll, playing at Shea Stadium in New York to a crowd of 55,600. The stadium's capacity is 57,333. The band later admitted that they had mainly been unable to hear themselves play or sing due to the volume of screaming and cheering. This concert is generally considered when they started disliking playing live shows.   In 1965, recently interested in Indian music, George Harrison purchased a sitar. He played it in the song Norwegian Wood (This Bird Has Flown), the first instance of such an instrument being used on a rock record. He later took sitar lessons from maestro Ravi Shankar, and implemented additional elements of Eastern music and spirituality into his songs, notably Love You To and Within You Without You. These musical decisions significantly increased the influence of Indian music on popular culture in the late 1960s.   In July 1966, when The Beatles toured the Philippines, they unintentionally snubbed the nation's first lady, Imelda Marcos, who had expected the group to attend a breakfast reception at the Presidential Palace. Manager Brian Epstein was forced to give back all the money that the band had earned while there before being allowed to leave the country.   Upon returning from the Philippines, an earlier comment by John Lennon back in March of that year launched a backlash against The Beatles. In an interview with British reporter Maureen Cleave, Lennon had offered his opinion that Christianity was dying and that The Beatles were "more popular than Jesus now." Oops!   There was an immediate response, starting with an announcement by two radio stations in Alabama and Texas that they had banned Beatles' music from their playlists. WAQY DJ, Tommy Charles said: "We just felt it was so absurd and sacrilegious that something ought to be done to show them that they can't get away with this sort of thing." Around two dozen other stations followed suit with similar announcements. Some stations in the South (shocker) went further, organizing demonstrations with bonfires, drawing hordes of teenagers to burn their Beatles' records and other memorabilia publicly. Many people affiliated with churches in the American South took the suggestion seriously.   The Memphis, TN city council, aware that a Beatles' concert was scheduled at the Mid-South Coliseum during the group's upcoming U.S. tour, voted to cancel it. Rather than have "municipal facilities be used as a forum to ridicule anyone's religion" and said, "The Beatles are not welcome in Memphis." On August 13, The Ku Klux Klan nailed a Beatles' album to a wooden cross and subsequently burned it, vowing "vengeance," with conservative groups staging further public burnings of Beatles' records.   Young people across the United States and South Africa burned Beatles records in protest. Then, under tremendous pressure from the American media, John Lennon apologized for his remarks at a press conference in Chicago on August 11, the eve of the first performance of what turned out to be their final tour.   The Beatles performed their last concert at Candlestick Park in San Francisco on August 29, 1966. From that point forward, they focused on recording music. They ended up pioneering more advanced, multi-layered arrangements in popular and pop music. After three months away from each other, they returned to Abbey Road Studios on November 24, 1966, to begin a 129-day recording period in making their eighth album: Sgt. Pepper's Lonely Hearts Club Band, was released on June 1, 1967.   Along with studio tricks such as sound effects, unconventional microphone placements, automatic double-tracking, and vari-speed recording, The Beatles began to augment their recordings with unconventional instruments for rock music at the time. These instruments included string and brass ensembles, Indian instruments such as the sitar and the "swarmandel," tape loops, and early electronic devices, including the "Mellotron," which was used with flute voices on the intro to "Strawberry Fields Forever." McCartney once asked Martin what a guitar would sound like if played underwater and was serious about trying it. Lennon also wondered what his vocals would sound like if he was hanging upside down from the ceiling. Unfortunately, their ideas were ahead of the available technology at the time.   Beginning with the use of a string quartet (arranged by George Martin) on Yesterday in 1965, The Beatles pioneered a modern form of art-rock and art song, exemplified by the double-quartet string arrangement on "Eleanor Rigby" (1966), "Here, There and Everywhere" (1966), and "She's Leaving Home" (1967). In addition, Lennon and McCartney's interest in the music of Johann Sebastian Bach led them to use a piccolo trumpet on the arrangement of "Penny Lane" and a Mellotron at the start of "Strawberry Fields Forever."   On June 25, 1967, the Beatles became the first band globally transmitted on television, in front of an estimated 400 million people worldwide, in a segment within the first-ever worldwide T.V. satellite hook-up, a show entitled Our World. The Beatles were transmitted live from Abbey Road Studios, and their new song "All You Need Is Love" was recorded live during the show.   Following the triumphs of the Sgt. Pepper album and the global broadcast, The Beatles' situation seemingly got worse. First, their manager Brian Epstein died of an overdose of sleeping pills on August 27, 1967, at 32, and the band's business affairs began to unravel. Next, at the end of 1967, they received their first major negative press criticism in the U.K., with disparaging reviews of their surrealistic T.V. film Magical Mystery Tour. The public wasn't a fan, either.   The group spent the early part of 1968 in Rishikesh, Uttar Pradesh, India, studying transcendental meditation with the Maharishi Mahesh Yogi. Upon their return, Lennon and McCartney formed Apple Corps, initially a philanthropic business venture they described as an attempt at "western communism." The middle part of 1968 saw the guys busy recording the double album, The Beatles, popularly known as "The White Album" due to its stark white cover. These sessions saw deep divisions beginning within the band, including John Lennon's new girlfriend, Yoko Ono, being at his side through much of the sessions and the feeling that Paul McCartney was becoming too dominating. Paul McCartney gradually took more control of the group. Internal divisions within the band had been a small but growing problem during their earlier career. Most notably, this was reflected in the difficulty that George Harrison experienced in getting his songs onto Beatles' albums, and in the growing artistic and personal differences between John and Paul.   On the business side, Paul wanted Lee Eastman, the father of his wife, Linda Eastman, to manage The Beatles, but the other guys wanted New York manager Allen Klein to represent them. All of the band's decisions in the past were unanimous, but this time the four could not agree on a manager. Lennon, Harrison, and Starr felt the Eastmans would look after McCartney's well-being before the group's. Paul was quoted years later during the Anthology interviews, saying, "Looking back, I can understand why they would feel that was biased against them." Afterward, the band kicked themselves in the ass for the Klein decision, as Klein embezzled millions from their earnings.   Their final live performance was on the rooftop of the Apple building in Savile Row, London, on January 30, 1969, the next-to-last day of the problematic Get Back sessions. Mainly due to Paul McCartney's efforts, they recorded their final album, Abbey Road, in the summer of 1969.   John Lennon announced his departure to the rest of the group on September 20, 1969. The rest of the band talked him out of saying anything publicly. In March 1970, the band gave the "Get Back" session tapes to American producer Phil Spector, whose "Wall of Sound" production was in direct opposition to the record's original intent to appear as a stripped-down live studio performance. McCartney announced the breakup on April 10, 1970, a week before releasing his first solo album, McCartney. On May 8, 1970, the Spector-produced version of Get Back was released as the album Let It Be, followed by the documentary film of the same name. The Beatles' partnership was legally dissolved after McCartney filed a lawsuit on December 31, 1970. Following the group's dissolution, the BBC marketed an extensive collection of Beatles recordings, mainly of original studio sessions from 1963 to 1968. Much of this material formed the basis for a 1988 radio documentary series, The Beeb's Lost Beatles Tapes. Later, in 1994, the best of these sessions were given an official EMI, released on Live at the BBC.   On the evening of December 8 1980, John Lennon was shot and fatally wounded in the archway of the Dakota, his home in New York City. His killer was Mark David Chapman, an American Beatles fan incensed by Lennon's lavish lifestyle and his 1966 comment that the Beatles were "more popular than Jesus." Chapman said he was inspired by the fictional character Holden Caulfield from J. D. Salinger's novel The Catcher in the Rye, a "phony-killer" who despised hypocrisy. Chapman planned the killing over several months and waited for John at the Dakota on the morning of December 8. Early in the evening, Chapman met Lennon, who signed his copy of the album Double Fantasy and subsequently left for a recording session. Later that night, Lennon and his wife, Yoko Ono, returned to the Dakota. As Lennon and Ono approached the building's entrance, Chapman fired five hollow-point bullets from a .38 special revolver, four of which hit John in the back. Chapman remained at the scene reading The Catcher in the Rye until the police arrested him. John Lennon was rushed to Roosevelt Hospital in a police car, where he was pronounced dead on arrival at around 11:15 p.m.   In February 1994, the then-three surviving Beatles reunited to produce and record additional music for a few of John Lennon's old unfinished demos, almost as if reuniting the Beatles. "Free As A Bird" premiered as part of The Beatles Anthology, a series of television documentaries, and was released as a single in December 1995, with "Real Love" following in March 1996. These songs were also included in the three Anthology collections of C.D.s released in 1995 and 1996, each consisting of two C.D.s of never-before-released Beatles material.   On November 29 2001, George Harrison died at a property belonging to Paul McCartney, on Heather Road in Beverly Hills, California. He was 58 years old. As relayed in a statement by his wife Olivia and son Dhani, his final message to the world was: "Everything else can wait, but the search for God cannot wait, and love one another." The Beatles were the best-selling popular musical act of the twentieth century. EMI estimated that by 1985, the band had sold over one billion discs or tapes worldwide. In addition, the Recording Industry Association of America has certified The Beatles as the top-selling artists of all time in the United States based on U.S. sales of singles and albums.   The Beatles have spent 132 weeks at No. 1 on the Billboard 200 chart – by far the most of any artist. Garth Brooks occupied the top spot for 52 weeks, the second most.   The Beatles are one of only two musical acts to have eight consecutive albums on the Billboard 200 all hit No. 1.  – the other being Eminem –   Anthology 1 sold 450,000 copies on its first day of release, reaching the highest volume of single-day sales ever for an album. In 2000, a compilation album named one was released, containing almost every number-one single released by the band from 1962 to 1970. The collection sold 3.6 million copies in its first week and more than 12 million in three weeks worldwide, becoming the fastest-selling album of all time and the biggest-selling album of 2000. The collection also reached number one in the United States and 33 other countries. In 1988, every Beatles member (including Pete Best and Stuart Sutcliffe) was inducted into the Rock and Roll Hall of Fame. www.iconsandoutlaws.com www.accidentaldads.com  

A sad and senseless killing of a child crossing her local park after visiting a sweet shop during the school summer holiday . It was a violent and sexual killing.The  seemed totally unplanned and senseless. The killer seemed able to shut it out of his mind, acting normally to all around him.The other mystery to the case is what happened to the killer after conviction? How long did he serve? Where is he now? A lot of cases involving children get a great deal of publicity, this case from 50 years ago, in 1971,  seemed to be forgotten about. Janice would have been 60 today if her vicious killer had not acted on impulse.Please be advised that this is recorded in one take and I do sometimes stumble over words. I suspect that my microphone cable fell out during recording and the microphone used was the that of the built in Apple computer microphone. So more ssss sounds  and lip smacking than usual.

Straight From The Off welcomes John Aldridge to the Podcast. John needs no introduction to football fans of the city, but he tells us how it all came about. From school football in Garston were he lived, to lifting the League title and FA Cup for his beloved Liverpool FC. ‘Aldo' played for Blue Union, Garston Woodcutters, Cheshire Lines and South Liverpool before moving on to the pro game with Newport County. It was from there that he caught the eye of Jim Smith at Oxford and made his way to the 1st Division and eventually to Liverpool FC. He tells us how about those early days and what it took to make it as a professional and how he played and scored at the World Cup! he tells us about his best goals, games and all about the lads he shared a pitch with and played against throughout those times. Episode 63 is brought to you by: Richtime watches and jewellery. The best supplier of new and used watches in the UK.

It's a Genesis Elijah Special!https://linktr.ee/donotscratchyoureyesWelcome to " Do Not Scratch Your Eyes" a  podcast by Watford fans for Watford fans.In this episode we are joined by rapper Genesis Elijah, a resident of Watford. We talk about niche rap subjects such as Garston and the Gade car park before suggesting that Genesis comes to a match with us in order to write a chant that rhymes with "Sissoko". Many thanks to Genesis for giving up his time to talk to us. It made for a very enjoyable chat. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we are joined by Maria Eagle MP, Sally Gimson and George Richmond to discuss the problems facing Labour within rural communities and what must be done to address this to connect with voters in these areas. Our speakers detail the extent of the situation Labour finds itself in today and propose innovative policy ideas around the issues of access, diversity and sustainability, as well as public transport, local Labour party engagement and the importance of building a narrative to challenge the Tories.Sign up for our newsletter! http://eepurl.com/heI28XLabour's Rural Problem - http://bit.ly/2MNVMOzBuilding Bridges: Lessons From Bassetlaw for the Country - https://bit.ly/3uXVtBISign up for the Environment Network's Rural Affairs Group meeting! Speakers:Maria Eagle MP - Former Shadow DEFRA Secretary, MP for Garston and Halewood https://twitter.com/meaglempSally Gimson - Author of ‘Building Bridges: Lessons from Bassetlaw for the Country' https://twitter.com/SallyGimsonGeorge Richmond - Policy Officer, Young Fabians Environment Network https://twitter.com/ChatwRichmondHosted by:Louie Marlow - Content Producer, Young Fabians https://twitter.com/louiemarlowTo all our listeners: we want you in our podcast, so if you're passionate about a topic just get in touch with us at podcast@youngfabians.org.ukThe intro music is by ‘One in a Googolplex' and used under Creative Commons. Find out more about them here:https://oneinagoogolplex.bandcamp.com/

The boys zoom in for a chat with Scott Worthington the creator of the Revenant ultra endurance run. We hear about Scott's history in racing and always seeking another adventure. Aside from the importing of bears to Garston we chat about Volkswagon petrol gauges, travelling in straight lines, Northburn, older age winning, and plans to paddle 1000 miles. There's a few 'Wow!' moments in this one! Here's a video from Scott and Ben's recent Whanganui trek... https://www.facebook.com/100010186003497/videos/1393482467667940 Enjoy! 

It's snowing in Southland. The unusual weather event comes as most of the country enters summer. Judy McMillan is in Garston.

Today you’re going to meet one of my best friends, Kate Donnelly, known to many as one of the co-founders of Peaches and Cream. What you might not know is that everything I know about make-up I learned at Peaches, where Kate and Nicola took me on as a make-up artist while I lived in Liverpool for University. This is such a long and personal story for us, so I’ve decided to split it into two parts. In part one, Kate tells us how she and Nicola met at college, and how their journey to creating a worldwide beauty brand began. Later this week, Nicola and I are going to delve into part two and share how a small shop in Garston, Liverpool took on a whole new city centre premises and evolved into a global phenomenon. Here are a few of the things we discuss in this week’s episode that you may wish to take a look at. (Mary and Paul, I know you’ll be listening and reading, this one is for you!) Peaches and Cream website: https://bit.ly/rosepeachesPeaches and Cream on Instagram: https://www.instagram.com/peachesmakeup/The Peaches Hub, a collection of fan artistry: https://www.fabulousmakeup.co.uk/pages/thepeacheshub See acast.com/privacy for privacy and opt-out information.

Former Beef + Lamb New Zealand innovation farmers Matthew and Shona Tayler farm 5600ha Lorne Peak Station near Garston in Southland.  With a balance of steep hill country and stony flats, Lorne Peak has undergone a transformation to a highly productive breeding and finishing operation.  During their tenure as Innovation Farmers, the couple utilised a combination of Lucerne and annual clovers along with changes to both beef and sheep management to drive levels of beef performance and profitability previously thought to be unattainable on Lorne Peak.  Matthew charts aspects of the journey reflecting on the drivers of change and how a team approach has provided confidence to speed up the process.

Nick Leeson (https://en.wikipedia.org/wiki/Nick_Leeson) was born in Watford, Hertfordshire and attended Parmiter's School in nearby Garston. Born to working-class parents on a council estate, his father was a self-employed plasterer, his mother a nurse. In this interview, Nick speaks with Doc and talks about his introduction to city life, before going east to Singapore where his final demise took place. Exclusive interview by @DDS_DocHoliday (https://twitter.com/DDS_DocHoliday) In the mid-1980s, Nick Leeson landed a job as a clerk with royal bank Coutts, followed by a string of positions with other banks, ending up at Barings, where he quickly made an impression and was promoted to the trading floor. Before long, Nick was appointed the manager of a new operation in futures markets on the Singapore Monetary Exchange (SIMEX) and was soon making millions for Barings by betting on the future direction of the Nikkei Index. His bosses back in London, who viewed his large profits with glee, trusted the whizzkid. Leeson and his wife Lisa seemed to have everything: a salary of £50,000 with bonuses of up to £150,000, weekends in exotic places, a smart apartment, frequent parties and to top it all they seemed to be very much in love. Barings wasn’t aware that it was exposed to any losses because Leeson claimed that he was executing purchase orders on behalf of a client. What the company did not realise, is that it was responsible for the 88888 error account where Leeson hid all of his losses. This account had been set up to cover up a mistake made by an inexperienced team member, which led to a loss of £20,000. Leeson now used this account to cover his own mounting losses.

Neil Atkinson is joined by Gareth Roberts, Adam Smith and Phil Blundell to look back at some of the key games under Klopp, and ahead to some of the big decisions he has to make around his stars of the future. Also on the show, Neil speaks to MP for Garston and Halewood Maria Eagle about the 'Public Advocate Bill', as well as The Athletic's James Pearce about his piece on the infamous fly-on-the-wall series 'Being Liverpool'. The Anfield Wrap's free podcast is brought to you in partnership with The Athletic, the place to go for extensive coverage of clubs up and down the country from respected writers, outside the standard match reports and transfer chat. Click hereto sign up.

"It's OK not to be OK" - Ann Gosling explains to John about the Renew Wellbeing Centres that are spreading across the UK (and one special to Ann in Bentley, Doncaster) - detailed on www.renewwellbeing.org.uk - with spaces of welcome and inclusion in partnership with mental health teams to improve mental and emotional wellbeing. Pete Caulfield (from Garston, Liverpool) also sings live in the Flame CCR studio, plays music from his last two CDs and talks about his plans for his next CD release.

_"I don't believe the coalition government, or subsequent Tory governments care about places like Liverpool."_ **Member of Parliament for Garston & Halewood Maria Eagle** joined Mick Coyle on Liverpool Live to discuss the fallout of the 2018 Autumn Budget, and it's potential impacts for the next year & beyond. Follow @MrMickCoyle and @MEagleMP on Twitter. Originally broadcast on October 30th 2018. Produced by John Fogarty.

Chapter 4  of Converterd n LSD Trip 2nd Edition there are in fact 33 chapters A Stolen Crystal Set   Stealing Radio Equipment   A Visit From The Police

Chapter 3 Converted on LSD Trip. My early life at Garston Infant school and our holiday to Wrexham German Teacher    David And The Hamster    Congregational Sunday School    Cecil The Sissy And Air Pistol   Wrexham Holiday

Another incredible Get Started with Radio this has proven to be. This group of 16-24 year olds from Liverpool have come so far in one week learning how to put on a live radio show. It's gonna be boss. Broadcasted live from Employability Solutions, Garston, Liverpool.

Garston and Halewood MP, Maria Eagle, joined Mick Coyle on Liverpool Live to discuss issues she is concerned about and what she is currently working on during recess. The Labour MP spoke about how she felt that the government should be doing more to help Merseyside Police fight gun crime and told Mick how she was due to receive a response 6 weeks ago. Also, they discussed A Level provision in Knowsley, the Tyred campaign ran by Frances Molloy and selling houses as leaseholds.

Liverpool Garston by-election, 1957 Victor Raikes Westminster School Opening Theme: Knockin’ a Jug by Louis Armstrong Episode Music: Cornet Chop Suey; Wild Man Blues; Irish Black Bottom; Don’t Forget to Mess Around; I’m Not Rough; Potato Head Blues; I Can’t Give You Anything But Love; Muggles; S.O.L. Blues; No One Else But You; Black and […]

Andrea Catherwood is joined by Maria Eagle, Shadow Secretary of State for Culture, Media & Sport. The Garston and Halewood MP gives her first interview to the Media Show since being appointed as Labour's Shadow Culture Secretary in January 2016. With BBC Charter Renewal gathering pace and responses to Sir David Clementi's recommendations for BBC regulation and governance emerging from the Government and the BBC, how would Maria Eagle safeguard BBC independence? Sir Joseph Pilling, former permanent secretary at the Northern Ireland Office, has recently been appointed as the independent reviewer of the Independent Press Standards Organisation (IPSO). IPSO has been strongly criticised by the Hacked Off campaigning group and victims of phone hacking - and only some national newspapers have signed up to it. Sir Joseph has been appointed by the watchdog to conduct an external review of how well or otherwise it is operating, and he tells us how he plans to do it. Yesterday the Investigatory Powers Bill passed its second reading in the House of Commons. The National Union of Journalists (NUJ) has voiced serious concerns about the legislation, saying the bill endangers press freedom and offers no protection for sources or whistleblowers. To consider the implications of the proposed digital surveillance legislation for investigative journalism, protection of sources and journalists' safety, Andrea is joined by Professor Sir David Omand, former Director of GCHQ & Pia Sarma, Editorial Legal Director for The Times newspaper. Presenter: Andrea Catherwood Producer: Paul Waters.

Sometimes I make a podcast and I think, “Golly I hope I did justice by that idea, person and movement that shaped rhetorical history.” Sometimes I make a podcast on the work of someone living, like Scott Stroud’s book about John Dewey, and sometimes I make a podcast on someone dead, like Kant. If I misrepresent a dead person, who will stop me? A living one. today, on Mere rhetoric, not exactly a retraction, but a revision of a previous episode on Immanual Kant, the philosopher who has been long-identified, including by me, as diametrically opposed to the field of rhetoric. Scott Stroud’s Kant and the Promise of Rhetoric, today on Mere Rhetoric.   Intro music   Welcome to Mere Rhetoric, a podcast for beginners and insiders about the ideas, people and movements who shaped rhetorical history. I’m Mary Hedengren, specially thanks to the Humanities Media Project at the University of Texas for their support in making these new episodes both possible and awesome. Also thanks to Jacob in the booth, and Scott Stroud, also of the University of Texas. I emailed Dr. Stroud when I talked about his book in the Dewey episodes, and he told me he was working on a book on Kant that may change my opinion on him. Alright, I thought, let’s hear it.   And I did. Stroud wrote a few articles about Kant’s views of education which suggested that there may be a rhetoric of Kant after all, and they piqued my interest to the point when I was ready to jump on this book when it released.   Essentially Stroud argues that Kant didn’t hate rhetoric as much as we think so, which is pretty high because Kant says things like, “Man, I hate rhetoric.” Stroud even points out that Kant turned down a position as professor of poetry even though he wanted “academic advancement and funds” (4), just because he seemed to dislike linguistic fla-dee-la. But it’s possible that some of Kant’s antipathy towards rhetoric is just antipathy towards a certain kind of rhetoric.   Kant’s frienemy, Christian Garves, was a loud-and-proud Ciceronian, which criticized Kant openly and behind anonymity. “Kant rejected this way of doing philosophy,” Stroud writes “and in doing so, rejected the notion of rhetoric that appeared connected to it in practice” (23). He hated the idea of all the self-interest inherent in Garves’ understanding of rhetoric, felt like it was categorically opposed to the categorical imperative: that any action you undertake could be a universal law. Remember when your mom would catch you littering or picking the neighbors’ flowers and ask, “What if everyone did that? What would happen then?” That’s essentially the mom version of the categorial imperative.   But rhetoric isn’t about universals. It’s not about telling people to do things that are applicable to everyone in every situation--it’s hopelessly conditional. Garston in Saving Persausion, another book we’ve talked about on the podcast, banishes Kant from the world of rhetoric because he loved universals so much. Stroud responds to GArston’s complaints. “Rhetorical message are primarily not universal, since few things relevant to pressing decisions in the present are of such general scope,” he admits “Yet Kant’s philosophy seems to demand that practices be universalizable.” (187) The detachment usually described as a condition of scholarly logic is actually “an orientational or dispositional feature as as such is applicable to all forms of communicative activity” (189)  There are things that are universalizable in how we do rhetoric, even if each instance of rhetoric may be specific to its moment of kairos. As Stroud says, “Kant did not insist that a reason be a reason for every potential listener; he does seem to insist, however, that it be a reason for everyone in a comparable situation” (190).   Okay, that’s all well and good, but what about the fact that Kant pretty much straight out says, “Do you know what I hate? rhetoric. I really hate that field. Ugh.”? Well, first off, that’s paraphrase, but secondly, it’s also translation. There are multiple words that could be translated as rhetoric. Even in English, we have rhetoric and eloquence and persausion and all sorts of words that fan out like a Vann diagram with overlapping meanings. Some of the terms are manipulative, but not all. “clearly, the larger genus of ‘skilled speaking’ or elequence is re (42)levent to Kant’s moral project.” stroud says, but “If one honors the complexity of the phenomena of human communication and the range of terms being used by Kant, one can conceptualize rhetoric simply as the persuasive use of language in community with others “ (43). And that’s something that Kant can get behind Okay, so if we accept that Kant doesn’t have a deep abiding hatred for all things communication, what would a Kantian rhetoric look like? Building fromKant’s philosophy, what if he had taken that poetry job? what would he have said to the writers in his class? That’s the second task that Stroud takes, after his resuscitation of Kant into the field of rhetoric. Or as he himself puts it: “what sense of such rhetorical action are enjoined by Kant’s complex thought on morality, religion, politics, aesthetics, and education? Taking ‘rhetoric’ not as a simple term but as a complex concept, what uses or forms of rhetorical activity fit into Kant’s mature thought, especially the important topic of moral and the formation of the ideal sort of human community?” (7).   There are two venues where Kant’s ideal human community really comes out: education and religion. Both are troublesome to the fundamental question of rhetoric for Kant: how can you honor someone’s autonomy and their freedom and still try to change them? Kant hated manipulation, but you wouldn’t necessarily say that fourth-graders and manipulated into learning long division or state capitals, and you don’t even need to say that they’re manipulated in learning how to share, cooperate and treat others with respect.   Stroud points out that “Kant is notably hostile to rhetoric, but only one version of it--that of persuasive speech used with an orientation toward selfish and manipulative use of one’s social skill. Avoiding such an orientation is the primary aim of education” (106). Part of Kant’s ideal community is that people learn to do the right thing for the right reason. Maybe they can be constrained in the kingdom of right, but in the ideal kingdom of ends, people all do the right thing collectively because they are committed to it individually. Learning how to commit is the object of education.   The most moral way to teach people--especially young people--how to develop the internal discipline to choose the right thing instead of the selfish thing is to present them with lots of good examples. Examples don’t threaten or bully, but present themselves to autonomous agents who can decide for themselves how to interpret the actions and consequences. But since the internal state is key for Kantian ethics, the internal state of the example has to be part of the story. Using examples, especially as a way to teach, uses hypothetical about internal motives for making the choice. “They are, in an important sense, unreal and fictional” (116), even when actual and historical. Take the story of Washington at Valley Forge. If you tell kids that Washington persisted because he believed in the promise of our country, you will forge patriots. If you tell them that he endured because he thought he would wind up on people’s currency you create mercenaries. So in this sense, examples are always fictions of the people who tell them.   Let’s lay aside education and stories for a moment and turn to religion. Religion, too, involves a lot of stories and examples, but it also lets people participate in self-denying actions like prayer, especially traditional, public, set prayers.  When you’re reciting along with other people, you can’t express your inter state as much as alter it to match up with everyone else and the traditional prayer. Praying “forgive us our debts as we forgive our tresspassers” reminds you to be forgiving, even if your inclination is otherwise. Devotees who all gather together, in person or world wide, to say “as we forgive our trespassers” form an “invisible church”: a group of people who all have accepted the same internal conditions together. As Stroud explains it: “the invisible church is the ideal ethical community that we ought to aspire to form--a community that encompasses all agents who are members of it by virtue of their willing of the moral law over the incentives of inclination” (144). As opposed to a nation or a family, these community members opted in because of something they all agreed to believe internally together.   finally Stroud turns to the hardest sell: Kant as political rhetorician. He describes how rhetorical critics (those listening to rhetoric) and critical rhetors (those producing rhetoric) can do so most ethically. there are a lot of lists here, so get out your pens and paper.   So manipulative rhetoric has three characteristics: For Kant, manipulative rhetoric can be seen to have 3 characteristics 1-inequality of knowledge, between speaker and audience 2- this sort of rhetoric exerts a causal force on its listeners. “How rhetoric can treat humans as inherently valuable rational beings, or as machines with causality” (44), 3- idiosyncrasy of the goals of this rhetoric--private own goals. (44)   Non manipulative rhetorics have their own list of four characterstics 1- domain-specific concepts and knowledge--somthing to talk about 2- uses what Kant calls “lively presentations” especially through examples (44-5) 3- nonmanipulative rhetoic doesn’t violate respectability in language and “respect for the various parties in the interaction” (45) 4- public goals or transitive across agents (45)   Above all, you are to treat your audience as though it were comprised of autonomous individuals, not elements of the environment that can be manipulated. The best critical rhetors, “ should see the process of public testing as a way to optimize beliefs,” says Stroud, “including their own views. This quest implicates them in using second-personal reasons in an effort to con (214) vince others that the grounds for their views are sufficient subjectively and objectively. Seeing one’s audience as mere causal objects, however, inclines one to find the right utterances to say to move them as causal objects” (215) “Seeing people as part of the natural world is a vital step in using or manipulating them as a mere means, since this conceptualization of a person as an object with predictable causal interaction with other natural objects is a vital starting point to intelligently using them for some contingent purpose” (218).   And when you’re taking in the rhetoric, you similarly must abide by a set of standards:   Rules of criticism always treat the rhetor being studied or listened to as an equal always consider the utterance or object of study as at least a bearer of truth claims and second-person reasons. Do not make casual explanations exclusionary of attributions of dignity to a rhetor Do not believe that your criticism of such utterances is certain or exclusive of alternative readings (229) All of this is pretty life-affirming, and I have to admit that I was moved by Stroud’s (and Kant’s) description of the ideal world of rhetoric, just as I was at the end of his text on Dewey. In fact, I’m going to let Stroud have the last word because he puts the ideal in such a clear way.   “thus, Kant answers the ‘Q question’ [need the rhetor be moral] with a nuance reply--a moral agent may not necessarily be eloquent, but the most complete agent is perfected in pragmatic and moral ways. The complete agent is both a morally good person and person who possess the capacity to speak well” (234). outro

Debut episode of new electro house podcast by Dirty Stripes

ipod versionGarston Embassy is an installation by artist Michael Trainor which sees a disused Edwardian school (formerly Tocky Tech) being transformed into the headquarters of a mini independent state including its own flag and passports.Story Link:Cultural Village Mevio {Mevio-1e9b69dd9c12da148f6a986dc97e182f}